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Birth of Irish Historian Gerard Anthony Hayes-McCoy

Gerard Anthony Hayes-McCoy, an Irish historian regarded as one of the leading Irish historians of his generation, is born in Galway, County Galway, on August 15, 1911.

Hayes-McCoy is born to Thomas Hayes-McCoy and Mary Kathleen Hayes-McCoy (née Wallace). His grandfather, Thomas Hayes-McCoy, is a Dubliner who as a child came to Galway in 1834 and is later a well-known Parnellite. His maternal grandfather, Thomas Burke, is a Galway artist. He grows up on Eyre Square where his father runs a gentleman’s hairdressing business. His two older siblings are Ignatius and Marguerite. The latter receives a PhD-degree in History at University College Galway (UCG), and later teaches at the Galway Technical School.

Hayes-McCoy receives his early education from the Patrician Brothers, Galway. His earliest notebook of 1927 and a manuscript history of Poland of the same year, now at the National Library of Ireland (NLI), testify to an early interest in history and heritage. From 1928 to 1932 he is a student scholarship holder at University College Galway, graduating in 1932 with a Bachelor of Commerce, and a Bachelor of Arts, with first-class honours in both, and a specialisation in “History, Ethics, Politics” for the latter. Mary Donovan O’Sullivan is one of his professors of history, and Liam Ó Briain, professor of Romance languages, is a stimulating influence. At this time, Hayes-McCoy is a member of the Republican Club, a committee member of the Literary and Debating Society, and in 1931 he is one of the founding members of a new Irish Students’ Association.

Hayes-McCoy pursues his PhD at the University of Edinburgh, and then spends two years at the Institute of Historical Research, London, in the Tudor seminar of J. E. Neale, rewriting his PhD and eventually publishing it as Scots mercenary forces in Ireland, 1565–1603 (Dublin and London, 1937), with a foreword by Eoin MacNeill. This is characterised by meticulous archival research, and it anticipates by sixty years the much-vaunted New British History of the late twentieth century by tracing the interconnections between events in England, Ireland, and Scotland.

In the absence of an academic post, Hayes-McCoy becomes an assistant keeper in the Art and Industrial Division at the National Museum of Ireland (1939–1959), with a responsibility for the Military History, and the Irish War of Independence collections. One of his first tasks is to prepare a standing exhibition on Irish history before 1916. His research, long-standing personal interest in the military, and his curatorial experience, helps form an expert knowledge of historical Irish warfare. This leads to his role in co-founding The Military History Society of Ireland in 1949 whose journal, The Irish Sword, he edits. He describes the vagaries of setting up such a body, its reception, and the historiographical considerations attendant on it, in a paper published posthumously in The Irish Sword.

On August 19, 1941, Hayes-McCoy marries Mary Margaret “May” O’Connor, daughter of C.J. and M.B. O’Connor of New Ross/Enniscorthy. They have three daughters and two sons: Mary, Ann, Ian, Robert, Felicity. The family home is in Dublin.

Earning high reputation by continued research and by publishing leads to Hayes-McCoy’s receipt of the D.Litt. degree from the National University, and to his membership in the Royal Irish Academy in 1950. In his professional career, apart from the broad spectrum of press publications, he publishes prolifically. The works that are judged most influential, are his Scots mercenary forces in Ireland 1565–1603 (1937), the papers “The early history of guns in Ireland” (1938–1939), “Strategy and tactics in Irish warfare, 1593–1601” (1941), “The army of Ulster, 1593–1601” (1951), the controversial “Gaelic society in Ireland in the late sixteenth century” (1963), and the monographs “Irish battles” (London 1969), and “A history of Irish flags from earliest times” (Dublin 1979). A member of the Irish Manuscripts Commission, his most notable contribution is the publication “Ulster and other Irish maps, c.1600” (Dublin 1964).

In 1946, Hayes-McCoy is appointed to a committee of eight historians to advise on setting up the Bureau of Military History, a body established for the creation and compilation of material on the history of the Irish movements for independence, 1913–1921, specifically from witness statements. The committee is also to further offer guidance and oversee progress of the Bureau in coordination with the Ministry of Defence. It subsequently expresses concerns about the state’s role and methods in the collection of statements.

Having begun writing for the press at an early stage, Hayes-McCoy’s public position at the Museum encourages him to go further. He has broad involvement with local history groups to whom he presents papers, and also works for newspapers and for radio and television. To the national and Galway press he usually contributes articles on military aspects of Irish history, as well as book reviews, but he also uses them as a platform to engage with what he sees are flaws in the education of history in Ireland which during his lifetime is constrained by a certain degree of political and cultural state control.

During the 1940s and 1950s, Hayes-McCoy becomes involved in a number of paratheatrical events of national significance one of which – the “Pageant of St.Patrick” for which he writes the script (An Tóstal 1954) – is realised on an immense scale. He scripts these works to begin with and is later principally engaged as historical consultant. In that capacity, he collaborates in 1955 and 1956 with Micheál Mac Liammóir and Denis Johnston on their scripts for pageants on St. Patrick and on the Táin Bó Cuailgne, at times finding it difficult to square the historical liberties taken by these artists with his own role.

On Irish radio and television Hayes-McCoy is most active in the mid-1960s, editing and contributing to Thomas Davis lectures series, writing scripts for a series of thirty children’s programmes on all aspects of Irish history, and preparing/contributing on air to the television series “Irish battles” and “The long winter.” As well as writing for RTÉ, Ireland’s national broadcaster, he contributes scripts to BBC Northern Ireland‘s schools radio programmes.

In 1959, Hayes-McCoy succeeds to the chair of his former history professor at UCG with the full remit of lecturing, administering examinations to undergraduates, and supervising postgraduate theses. Among his students who continue in the field of history are Nicholas Canny, Martin Coen, Patrick Melvin, Peter Toner, Tony Claffey, and Breandán Ó Bric. After his appointment to UCG, the family home remains in Dublin, and he commutes to Galway weekly during term time.

In the early 1960s, Hayes-McCoy becomes a spokesperson for the movement rekindled by the Old Galway Society to preserve the landmark “Lion’s Tower” in the city. The ultimate failure of the campaign informs his regret, expressed a year later, that Ireland is forgetful about its past and that “we don’t bother to find out about it or to maintain our ancient heritage,” and, on a perceived spirit of conformity, “take my own city of Galway, it is now more prosperous than it was, but it is no longer distinctive. I do not believe that it is essential for progress that we should lose our heritage.”

While at one time member and secretary of the London Sinn Féin office and informed by a pride of country and place, Hayes-McCoy’s professional and private outlook are marked by a distrust of nationalism or of any antagonising national agendas compromising genuine scholarship. In a paper drafted on tendencies in modern historical studies, he criticises the two historiographical extremes, each to be avoided, each unfortunately characteristic of the moment – extreme de-bunking and extreme “adding for effect.” “A history is a record of fact; to add pseudo-facts is as grave a sin as to leave out real facts that may change the colour of the whole.”

Hayes-McCoy’s abiding pastime is drawing. Among his papers in the James Hardiman Library, NUI Galway are approximately 40 items with predominantly maritime subjects, and he has a special regard for the history of ships, and a romantic liking of the sea. He also has a lifelong interest in Robert Louis Stevenson, Sir Walter Scott, and their works, and in the Pre-Raphaelite movement.

Hayes-McCoy’s middle age is marked by intermittent ill health. He dies on November 27, 1975, in his room at the Great Southern Hotel, Eyre Square, Galway.

Hayes-McCoy’s papers are held at the James Hardiman Library, National University of Ireland, Galway.


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Death of Richard Talbot, 1st Earl of Tyrconnell

Richard Talbot, 1st Earl of Tyrconnell, PC, Irish politician, courtier and soldier, dies of apoplexy on August 14, 1691, in Limerick, County Limerick. He is also known by the nickname “Mad Dick” Talbot.

Talbot is born likely in 1630, probably in Dublin. He is one of sixteen children, the youngest of eight sons of William Talbot and his wife Alison Netterville. His father is a lawyer and the 1st Baronet Talbot of Carton, County Kildare. His mother is a daughter of John Netterville of Castletown, Kildare. The Talbots are descended from a Norman family that had settled in Leinster in the 12th century. They adhere to the Catholic faith, despite the founding of the Reformed Church of Ireland under Henry VIII. Little is recorded of Talbot’s upbringing. As an adult he grows to be unusually tall and strong by standards of the time.

Talbot marries Katherine Baynton in 1669, and they have two daughters, Katherine and Charlotte. Katherine dies in 1679. In 1681, he marries Frances Jennings, sister of Sarah Jennings, the future Sarah Churchill, Duchess of Marlborough.

Talbot’s early career is spent as a cavalryman in the Irish Confederate Wars. Following a period on the European continent, he joins the court of James, Duke of York, then in exile following the English Civil War, becoming a close and trusted associate. After the 1660 restoration of James’s older brother, Charles, to the thrones of England, Ireland and Scotland, he begins acting as agent or representative for Irish Catholics attempting to recover estates confiscated after the Cromwellian conquest, a role that defines the remainder of his career. James converts to Catholicism in the late 1660s, strengthening his association with Talbot.

When James takes the throne in 1685, Talbot’s influence increases. He oversees a major purge of Protestants from the Irish Army, which had previously barred most Catholics. James creates him Earl of Tyrconnell and later makes him Viceroy, or Lord Deputy of Ireland. He immediately begins building a Catholic establishment by admitting Catholics to many administrative, political and judicial posts.

Talbot’s efforts are interrupted by James’s 1688 deposition by his Protestant son-in-law William of Orange. He continues as a Jacobite supporter of James during the subsequent Williamite War in Ireland, but also considers a peace settlement with William that would preserve Catholic rights. Increasingly incapacitated by illness, he dies of a stroke on August 14, 1691, shortly before the Jacobite defeat. He is thought to have been buried in St. Mary’s Cathedral, Limerick. By depriving the Jacobites of their most experienced negotiator, his death possibly has a substantial impact on the terms of the Treaty of Limerick that ends the war.

Talbot’s widow, Frances, and his daughter, Charlotte, remain in France, where Charlotte marries her kinsman, Richard Talbot, son of William Talbot of Haggardstown. Their son is Richard Francis Talbot. Talbot’s other daughter, Katherine, becomes a nun. An illegitimate son, Mark Talbot, serves as an officer in France before his death in the Battle of Luzzara in 1702. Talbot’s estate in nearby Carton, renamed Talbotstown, is uncompleted at the time of his death. Tyrconnell Tower on the site is originally intended by him as a family mausoleum to replace the existing vault at Old Carton graveyard but is also left unfinished.

Talbot is controversial in his own lifetime. His own Chief Secretary, Thomas Sheridan, later describes him as a “cunning dissembling courtier […] turning with every wind to bring about his ambitious ends and purposes.” Many 19th and early 20th century historians repeat this view. Recent assessments have suggested a more complex individual whose career was defined by personal loyalty to his patron James and above all by an effort to improve the status of the Irish Catholic gentry, particularly the “Old English” community to which he belonged.

(Pictured: Watercolour portrait of Richard Talbot by John Bulfinch (d.1728) after painting by Sir Godfrey Kneller)


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Death of Grace Henry, Landscape Artist

Grace Henry HRHA, Scottish landscape artist who spends a large part of her career painting in Ireland, dies in Dublin on August 11, 1953.

Henry is born Emily Grace Mitchell at Kirktown St. Fergus, near Peterhead, Aberdeenshire, Scotland, on February 10, 1868. She is the ninth of ten children of the Rev. John Mitchell and Jane Mitchell (née Gardner). Lord Byron is a cousin of her maternal grandmother. She is educated at home, spending time at the family’s home in Piccadilly, where she experiences London society. After the death of her father, and the reduced circumstances she finds herself in, she leaves home in 1895 to pursue a career as an artist. The first record of her work being exhibited is with the Aberdeen Artists Society in 1896 and 1898. These paintings have not been traced since. In 1899, she leaves Scotland for the continent, visiting Holland and Belgium, studying at the Blanc‐Guerrins Academy in Brussels. She goes on to attend the Delacluze Academy in Paris. While in Paris, she meets Paul Henry, an Irish artist. The couple marries in September 1903 in London.

The Henrys live at a few different residences outside London until 1910. A small number of her works are known from this time, such as The Girl in White, which is in the collections of the Hugh Lane Gallery. This piece shows the influence of fellow artist James Abbott McNeill Whistler, whom she meets in Paris through her husband. The couple travels to Achill Island for the first time in 1910, intending to stay two-weeks, but going on to live there until 1919. During this time, she paints numerous night scenes, including Achill Cottages (Hugh Lane Gallery). One of her well-known works is Top of the Hill, on display in the Limerick City Gallery of Art, which shows a group of island women. The period spent on the island places a strain on the Henrys marriage, as she is not as happy living there.

The couple returns to Dublin in 1919 and are founding members of the Society of Dublin Painters in 1920 alongside Letitia Marion Hamilton, Mary Swanzy, and Jack Butler Yeats. The Society offers an outlet for younger Irish artists to exhibit. Five of Henry’s works are featured at the Irish Exhibition in Paris in 1922, and at a similar exhibition in Brussels in 1930.

Around 1920, Henry has a romantic association with Stephen Gwynn who is an important political, cultural and literary figure from the lost world of late-nineteenth and early-twentieth century Ireland. During this period, she travels with Gwynn in France and Italy and later paints a number of portraits of him. Invariably, during this time, the Henrys’ marriage continues to have problems, with the couple breaking up in 1924. Her affair with Gwynn, who she depicts in two known oil paintings including The Orange Man (Limerick City Gallery of Art) and Portrait of a Man, which depicts a much more distinguished Gwynn in later life, contribute to the breakup. The couple legally separates in 1930.

Henry develops her own style through the 1920s and 1930s, spending time in France and Italy. From 1924 to 1925, she studies with André Lhote, a cubist painter who also works with Mainie Jellett, Evie Hone, and Mary Swanzy. She goes on to display little of his influence in her work. She paints in Venice and in the environs of the Italian lakes, painting with the fauvist style, with free brushwork and vibrant colours. She also experiments with expressionism, which can be seen in Spring in Winter. Upon the outbreak of World War II, she returns to Ireland. She does not have a permanent residence during this period, instead stayed with friends or living in hotels. She also experiences periods of melancholy during these later years, though she continues to exhibit. Her work is regularly displayed at the Royal Hibernian Academy (RHA), and she has solo shows at the Waddington and Dawson galleries. She is made an honorary member of the RHA in 1949.

Henry dies in Dublin on August 11, 1953, and is buried at Mount Jerome Cemetery. During her career, and for a number of years after her death, she is largely overshadowed by her husband, sometimes being referred to as “Mrs. Paul Henry.” She is even omitted from Paul Henry’s two-volume autobiography. Her body of work is re-examined in the 1970s, which leads to wider public recognition and her inclusion in a number of exhibitions such as The Paintings of Paul and Grace Henry at the Hugh Lane Gallery in 1991. She is deemed to be a much bolder painter than her husband, incorporating more elements of the modernist movement, as evident in The Long Grey Road of Disting (1915). Her popularity has been growing since her rediscovery.

(Pictured: “Road to Destiny,” oil on board by Grace Henry)


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Birth of Letitia Marion Hamilton, Landscape Artist

Letitia Marion Hamilton, Irish landscape artist and Olympic bronze medalist, is born on July 30, 1878, in Hamwood House, County Meath.

Hamilton is the daughter of Charles Robert Hamilton and Louisa Caroline Elizabeth Brooke. She attends Alexandra College. She and her sister Eva are great-granddaughters of the artist Marianne-Caroline Hamilton, and cousins of watercolourist Rose Maynard Barton. The sisters’ father can only afford one dowry, so the sisters remain unmarried, with their artistic careers helping to support the household. Both she and her sister study at the Dublin Metropolitan School of Art under William Orpen. She studies enameling there also, winning a silver medal in 1912 by both the School and the Board of Education National Commission. Her work shows elements of Art Nouveau, foreshadowing her later modernist leanings. She also studies in Belgium with Frank Brangwyn and the Slade School of Fine Art.

Hamilton first exhibits in 1902 and goes go on to become a prolific painter of the Irish countryside, exhibiting more than 200 paintings at the Royal Hibernian Academy (RHA). Both sisters travel widely in Europe, with Letitia being influenced by modern European artistic trends of the early 20th-century. She is internationally exhibited, Royal Academy of Arts, Burlington Gallery and Kensington Art Gallery in London, in Scotland, and Paris. Her exposure to impressionism comes from studying with Anne St. John Partridge in France. Her style matures in the 1920s. That year, she is one of the founding members of the Society of Dublin Painters, along with Paul Henry, Grace Henry, Mary Swanzy, and Jack Butler Yeats. It is around this time that she changes her signature from MH (May Hamilton) to LMH, reflecting her full name. She works on small oil sketches, which later develop into finished works. Her style is rapid, with loose, fluid brush strokes. In the early 1920s, she travels to Venice, painting on a gondola studio loaned to her by artist and friend Ada Longfield. The works from this trip are considered among her best, with her exploring light effects, pastel shades, and strong outlines. She later employs these elements into her works on Irish landscapes.

Hamilton becomes a member of the Royal Hibernian Academy in 1943. In 1948, she becomes the last person to win a bronze medal at the art competitions at the London Olympic Games. She serves as president of the Society of Dublin Painters in the late 1950s. Despite her failing eyesight later in life, she continues to paint, mounting her final exhibition in 1963, a year before her death at the age of 86 in Dublin on August 11, 1964. She is also a committee member of the Water Colour Society of Ireland.

Examples of Hamilton’s work are held in a number of collections, including Hugh Lane Gallery, Limerick City Gallery of Art, Crawford Art Gallery, Ulster Museum, National Gallery of Ireland, and Waterford Art Gallery. Her painting Canal Scene in Venice attains the highest price for a Hamilton work in 2004, which sells at Sotheby’s in London, for £33,600.

(Pictured: “Slieve Donard, Co. Down” by Letitia Marion Hamilton, oil on canvas, signed with monogram lower left)


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Birth of Charles Cameron, Physician, Chemist & Writer

Sir Charles Alexander Cameron, CB, Irish physician, chemist and writer prominent in the adoption of medical hygiene, is born in Dublin on July 16, 1830. For over fifty years he has charge of the Public Health Department of Dublin Corporation. He is elected president of the Royal College of Surgeons in Ireland (RCSI) in 1885.

Cameron is the son of Captain Ewen Cameron of Scotland and Belinda Smith of County Cavan. He is descended from Clan Cameron of Lochiel. He receives his early education in chemistry and pharmaceutical chemistry in Dublin. In 1852 he is elected professor to the newly founded Dublin Chemical Society while continuing to study medicine at several schools and hospitals in Dublin. In 1854 he goes to Germany where he graduates in philosophy and medicine. While there he publishes his translations of German poems and songs.

Upon his return to Ireland, Cameron becomes scientific advisor to the British government in Ireland in criminal cases and over the years takes part in many notable trials, including those relating to the Phoenix Park Murders. In 1862, he becomes public analyst for the City of Dublin, a position which is later extended to 23 counties in Ireland. In 1867, he is elected Professor of Hygiene in the Royal College of Surgeons in Ireland (RCSI). He is also lecturer in chemistry in Dr. Steevens’ Hospital and the Ledwich School of Medicine, succeeding Dr. Maxwell Simpson, and retains these positions until 1874. In 1875 he is appointed Professor of Chemistry at the Royal College of Surgeons in Ireland.

From 1858 to 1863, Cameron is editor and part proprietor of the Agricultural Review, in which he writes hundreds of articles on various subjects. In 1860–62, he is also editor of the Dublin Hospital Gazette and afterward publishes many reports on public health to the Dublin Journal of Medical Science. At this time, he is in contact with many agricultural associations both in Ireland and abroad and receives a number of awards and tributes.

In 1874, Cameron becomes Co-Medical Officer of Health for Dublin Corporation and two years later becomes Chief Medical Officer. Being in charge of the Public Health Department of Dublin City means that he is always in the public eye, and due to the level of poverty and disease in the city at the time his work is cut out for him. He makes many recommendations for improving the sanitation of dwellings and sees to it that unsanitary housing is either improved or closed down. He publishes numerous sanitary reports, papers on hygiene, the social life of the very poor and proper eating habits, those of the very poor in particular. On the other hand, he is in a position to meet the major figures of the day, from the monarchy and the government downward. He is a member of several clubs in the city and dines with local and visiting celebrities alike, which he describes in his reminiscences.

In 1884, Cameron becomes vice-president of the Royal College of Surgeons of Ireland, and the following year becomes president. He is knighted in 1885 in consideration of “his scientific researches, and his services in the cause of public health.” In 1886, he publishes his History of the Royal College of Surgeons in Ireland, and of the Irish Schools of Medicine. This work contains nearly 300 biographies of the most eminent medical men in Ireland.

Cameron marries Lucie Macnamara of Dublin in 1862, who dies in the early 1880s. They have eight children. His eldest son, Captain Charles J. Cameron, dies in a boating accident in Athlone in 1913, while another son, Lieutenant Ewen Henry Cameron, shoots himself in a train in Newcastle in 1915 while on the way to the Western Front. Two sons, Edwin and Mervyn, die of pulmonary tuberculosis in their 20s.

Cameron is a leading Freemason in Dublin, serving as Deputy Grand Master of the Grand Lodge of Ireland (1911–20), Deputy Grand Master of the Great Priory of Ireland, Sovereign Grand Commander of the Supreme Council of the 33rd degree (Ancient and Accepted Rite for Ireland). He is first initiated as a member of Fidelity Lodge No. 125 in 1858 and is also a member of the Duke of York Lodge No. 25, serving as its secretary for over 50 years.

In 1911, Cameron is made a Freeman of the city and honoured by many from the Sinn Féin Lord Mayor, Alderman Kelly, to the Lord Lieutenant of Ireland, Lord Aberdeen.

Cameron dies at his home on Raglan Road in Dublin on February 27, 1921, and is interred in Mount Jerome Cemetery. At his death he leaves a son, Ernest Stuart Cameron, and two daughters, Lucie Gerrard and Helena Stanley.


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Birth of Uinseann MacEoin, Architect & Republican Campaigner

Uinseann Ó Rathaille MacEoin, Irish architect, journalist, republican campaigner and historian, is born in Pomeroy, County Tyrone, on July 4, 1920.

MacEoin is born Vincent O’Rahilly McGuone to Malachy McGuone, owner of the Central Hotel in Pomeroy and a wine and spirit merchant, and Catherine (née Fox). He has three siblings. Both of his parents are nationalists, and name all their children after leaders of the Easter Rising in 1916. Under the First Dáil in 1918, his father is appointed a judge. This results in him being interned on the prison ship Argenta on Larne Lough from 1922 to 1923. The family moves to Dublin after his release. His father dies in 1933, which leads to his wife running a workingmen’s café in East Essex Street. The family later lives on Marlborough Road, Donnybrook.

MacEoin attends boarding school at Blackrock College and is then articled to the architectural practice of Vincent Kelly in Merrion Square. As an active republican, he lives in a house on Northumberland Road from late 1939 to May 1940 where he helps in the production and distribution of an Irish Republican Army (IRA) weekly newspaper, War News. The IRA is banned by the Irish government in 1936, and its bombing campaign in Britain in 1939 is viewed by the government as a threat to Irish neutrality. MacEoin is among a group of republicans arrested in June 1940 and imprisoned in Arbour Hill Prison for a year. Once released, he is rearrested and interned at the Curragh for three years. He is sentenced to 3-months imprisonment in October 1943 for possession of incriminating documents. He is also charged with possession of ammunition, but testifies he was given the rounds against his will and never appears to have engaged in any violence. During his internment, he is taught the Irish language by Máirtín Ó Cadhain and is exposed to the socialist views of his fellow inmates. It is at this time that he adopts the Irish form of his name, Uinseann MacEoin.

While imprisoned in the 1940s, MacEoin continues his studies by correspondence and qualifies as an architect in 1945 at University College Dublin (UCD). His designs for a memorial garden in 1946 to those who died during the Irish War of Independence are commended. In 1959, he designs the site in Ballyseedy, County Kerry, for a monument by Yann Goulet commemorating those killed in the Irish Civil War and members of the IRA from Kerry who died. In 1948, he qualifies in town planning and takes up a position with Michael Scott‘s architectural practice. He works for a short time with Dublin Corporation, with their housing department, before establishing his own practice in 1955.

During the 1950s, MacEoin is a contributing editor on interior design in Hugh McLaughlin‘s magazine Creation, becoming editor of Irish Architect and Contractor in 1955. He enters into a partnership with Aidan Kelly in 1969 as MacEoin Kelly and Associates. In the early 1970s, he designs a shopping and housing development outside Dundalk, called Ard Easmuinn. Throughout the 1960s and 1970s, he continues as an influential architectural journalist, founding and editing Build from 1965 to 1969, and later Plan. His company, Pomeroy Press, publishes Plan along with other serials such as Stream and Field. He writes a large proportion of the copy in these periodicals, much under his own name, but he also uses pseudonyms, in particular in Plan as “Michael O’Brien.” He writes about his strong views on social housing, national infrastructure, and foreign and slum landlords, often libelously.

Despite his republican and socialist views, MacEoin is a staunch advocate for the preservation of Georgian Dublin, and campaigns for their preservation. On this topic, he writes letters to newspapers, takes part in television and radio discussions, writes comment pieces and editorials, speaks at public hearings, and takes part in direct protests such as sit-ins in buildings including those on Baggot Street, Pembroke Street, Hume Street, and Molesworth Street. He is also an active member of the Irish Georgian Society, and he campaigns actively against the road widening schemes in Dublin the 1970s and 1980s.

MacEoin and his wife purchase five Georgian houses on Mountjoy Square and three on Henrietta Street in the 1960s, all almost derelict. They refurbish them and lease them out, under the company name Luke Gardiner Ltd. He renames the 5 Henrietta Street property James Bryson House. His architectural practice moves into one of the Mountjoy Square houses. Along with fellow campaigners, Mariga Guinness and Deirdre Kelly, this demonstrates that these buildings can be salvaged and are not the dangerous structures other architects and developers claim them to be. He also purchases and saves Heath House, near Portlaoise, County Laois, living there toward the end of his life. He offers free conservation and architectural advice to community groups and is a volunteer on the renovation works on projects including Tailors’ Hall.

MacEoin remains politically active, joining Clann na Poblachta, the Wolfe Tone Societies (WTS), the Dublin Civic Group, the Northern Ireland Civil Rights Association (NICRA) and the Irish Anti-Apartheid Movement. To what extent he is involved in republican or IRA activities after 1945 is not clear. However, in March 1963, he is called a witness to a case in Scotland involving a Glasgow bookmaker by the name of Samuel Docherty and the Royal Bank of Scotland. Docherty claims the bank owes him £50,000. MacEoin testifies that in February 1962 he had travelled with £50,000 in cash from Dublin to lodge to Docherty’s account in the Royal Bank of Scotland in Belfast, as a loan. When asked about the origin of this large sum of money, he states it was supplied by another person but does not divulge that person’s name. This immediately triggers the court’s suspicions, and the judge warns MacEoin he will be contempt of court if he does not name the supplier of the money. He is placed in police custody for the day, and eventually he agrees to give the name in writing in confidence to the judge. The judge ultimately rules that Docherty is guilty of attempted fraud and perjury and that MacEoin’s involvement reeks of criminality. However, no further action is ever brought forward against Docherty or MacEoin.

In Sinn Féin‘s 1971 Éire Nua social and economic programme, MacEoin writes the chapter on “Planning,” and attends meetings in Monaghan in the early 1970s on the Dáil Uladh, a parliament for the 9-county Ulster province. In 1981, during the republican hunger strikes, one of his Mountyjoy Square houses is used as the national headquarters of the National H-Block Committee. Following the 1986 Sinn Féin split, he supports Republican Sinn Féin. He is a founding member of the Constitutional Rights Campaign in 1987, a group which aims to protect the rights of Irish citizens in the European Economic Community (EEC), having campaigned against Ireland joining the EEC in the early 1970s. In 1978, he is sentenced to two weeks in Mountjoy Prison for non-payment of a fine issued for not having a television licence. He had refused to buy one to protest the lack of Irish language programming.

As an environmentalist, MacEoin opposes private car ownership, and advocates for cycleways and the redevelopment of the railway lines. He writes about the “greenhouse effect” as early as 1969. As a hill walker and mountaineer, he claims to be the first Irishman to register successful climbs of all 284 Scottish peaks, known as the Munros, in 1987. He also climbs in the Alps and the Pyrenees.

MacEoin writes three books on his memories, and those of his former comrades: Survivors (1980), on the lives of leading Irish republicans, Harry (1986), a part biography part autobiography of Harry White, and The IRA in the twilight years 1923–48 (1997). He also publishes a novel, Sybil: a tale of innocence (1992) with his publishing house, Argenta, under the name Eoin O’Rahilly. He also interviews and records dozens of Republicans as part of his research for his books. These recordings are later converted into a digital oral history archive held in trust by the Irish Defence Forces.

MacEoin marries Margaret Russell in 1956 in Navan, County Meath. They have a daughter and two sons.

MacEoin dies in a nursing home in Shankill, Dublin, on December 21, 2007. His estate at the time of his death is valued at over €3 million. His son, Nuada, takes over his father’s architectural practice.


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Birth of Horatio Herbert Kitchener, 1st Earl Kitchener

Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum and Broome in Kent, British Army officer and colonial administrator, is born on June 24, 1850, at Gunsborough Villa, north of Listowel, County Kerry.

Kitchener is the second son of Lieutenant Colonel Henry Horatio Kitchener and his first wife, Frances Anne (née Chevallier), daughter of clergyman John Chevallier. Col. Kitchener resigns his commission in 1849 and purchases Ballygoghlan House estate near Tarbert, County Kerry, in early 1850 under the provisions of the Encumbered Estates Act of 1849. Ballygoghlan House is in a state of disrepair, however, and the family lives in Gunsborough Villa until the end of 1850. In 1857, Col. Kitchener purchases Crotta House, near Kilflynn, County Kerry, and the Kitcheners divide their time between the two residences. While innovative and successful in his agricultural methods, Col. Kitchener is harsh towards his tenants and, after carrying out many evictions, becomes extremely unpopular in the area. He is a rigid disciplinarian and occasionally punishes his son severely.

Although Kitchener attends Ballylongford village school, his education is largely neglected. When examined by his cousin Francis Elliot Kitchener, fellow of Trinity College Dublin (TCD), he is found to have only the most rudimentary knowledge of grammar and arithmetic. Education by private tutors follows. In 1864, his father sells his Irish estates and moves to Switzerland for the sake of his wife’s health. After further private tuition, he passes into the Royal Military Academy, Woolwich, in 1868, and is commissioned into the Royal Engineers in December 1870.

Kitchener begins his career on survey missions and carries out such work in Palestine (1874–78) and Cyprus (1878–82). He then enters the Egyptian Army and takes part in the Sudan campaign of 1883–85, organised to relieve Genral Charles George Gordon. Subsequent appointments include governor of Suakin (1886–88), adjutant-general of the Egyptian Army (1888–92), and Sirdar (Commander-in-Chief) of the Egyptian Army (1892–96). After the Dongola Expedition in 1896, he is promoted to major-general. He commands the Khartoum Expedition of 1898, defeating Mahdist forces at Atbara and Omdurman, and is raised to the peerage.

At the outbreak of the Second Boer War in 1899, he is appointed chief of staff to Frederick Roberts, 1st Earl Roberts, and assumes total command, with the rank of lieutenant-general, in 1900. While acting as commander-in-chief in South Africa he reorganises the British forces and, using new tactics, manages finally to defeat the Boers. He is severely criticised in the world press for the conditions in the concentration camps where Boer families are confined, but is made a viscount, promoted to general, and awarded £50,000 by parliament at the end of the war.

Kitchener serves as commander-in-chief in India beginning in 1902, is promoted to Field Marshal in 1909, and is a member of the Committee of Imperial Defence (1910) and consul-general in Egypt (1911–14). At the outbreak of World War I he is made Secretary of State for War and begins to reorganise the British Army, an immense achievement, raising 1,700,000 men in service battalions by May 1915, creating an army of volunteers to reinforce the depleted regular army in Belgium and France. An archconservative, he totally opposes Home Rule for Ireland, and initially blocks plans by John Redmond for the formation of a southern Irish division from members of the National Volunteers. Convinced that an all-Irish brigade or division would be a security risk, he rejects Redmond’s suggestions in a meeting of August 1915 and originally proposes dispersing Irish recruits through the numerous regiments in the army. Impressed by Redmond’s persistence, and impelled by the recruiting crisis of late 1915, he finally reverses his decision and sanctions the establishment of the 16th (Irish) Division.

On June 5, 1916, Kitchener is making his way to Russia on HMS Hampshire to attend negotiations with Tsar Nicholas II when in bad weather the ship strikes a German mine 1.5 miles (2.4 km) west of Orkney, Scotland, and sinks. He is among 737 who perish. He is the highest-ranking British officer to die in action in the entire war.

Although he only spends his early years in Kerry, Kitchener occasionally returns to Ireland. While on leave in June 1910 he goes on a tour of County Kerry, visiting places connected to his childhood. There are numerous portraits and memorials to him in England, including a marble effigy by W. Reid Dick in St. Paul’s Cathedral in London and a statue by John Tweed in Horse Guards Parade, London. There is a commemorative bible in the Church of Ireland church at Kilflynn, County Kerry, where he regularly attended Sunday service as a boy. There are some Kitchener letters in the John Redmond papers in the National Library of Ireland.

(From: “Kitchener, Horatio Herbert” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Pat Falvey, Mountaineer, Expedition Leader & Polar Explorer

Pat Falvey, Irish high-altitude mountaineer, expedition leader, polar explorer, entrepreneur, author, corporate/personal trainer/coach, and motivational speaker, is born in Cork, County Cork, on June 2, 1957. He is the first person to complete the Seven Summits twice, with the summiting of Mount Everest reached from both the Tibetan (1996) and Nepalese sides (2004). He is expedition leader of the team that sees Clare O’Leary become the first Irish woman to reach the summit of Mount Everest in 2004. Other extreme expeditions that he makes include walking to the South Pole, crossing South Georgia island, and traversing the Greenland ice sheet. He starts his first business at 15 years of age and has since had businesses in property development, finance, construction, insurance, tourism, and film production. He has been a motivational speaker since the 1990s.

Raised on the north side of Cork city, Falvey starts mountain climbing in his late twenties, having worked as a builder and property developer from his late teens onward. Following the economic recession of the mid-1980s in Ireland, he loses most of his wealth and discovers mountaineering in his late 20s.

Falvey begins his climbing career with hill walking and climbing on the MacGillycuddy’s Reeks in County Kerry. He then devotes himself to training to become a high-altitude mountaineer. He trains initially with the Cork Mountaineering Club, at Tiglin in County Wicklow and becomes a member of Kerry Mountain Rescue, climbing very frequently in Ireland, Scotland, France and the Himalayas.

In June 1994, Falvey climbs Denali, also known as Mount McKinley, in Alaska, reaching the first summit in his Seven Summits attempt. This is followed by Mount Kilimanjaro in Tanzania (January 1995), Mount Everest via the Northeast Ridge (June 1995), Aconcagua in Argentina (December 1995), Mount Elbrus in Russia (March 1996), Vinson Massif in Antarctica (January 1997) and Mount Kosciusko in Australia (February 1997). He is the first Irish man (and the 32nd person in the world) to complete the Seven Summits.

Falvey is the expedition leader of the first Irish team to reach the summit of Cho Oyu in China and Nepal without oxygen, on May 20, 1998. He reaches the summit of Ama Dablam in Nepal on November 3, 1999. In 2003, he is the expedition leader of the first Irish team to reach the summit of Mount Everest via the South-Southeast Ridge, with team members Ger McDonnell and Mick Murphy reaching the summit. On May 18, 2004, he reaches the summit of Everest via the South-Southeast Ridge, and leads the expedition that sees the first Irish woman, Dr. Clare O’Leary, reach the top of Everest.

Falvey and O’Leary complete the Seven Summits on December 16, 2005, when he becomes the first person to complete the Seven Summits twice by climbing Mount Everest from both the Tibetan and Nepalese sides.

In 2006, Falvey leads a group of 32 across the South Georgia Traverse on South Georgia island in honour of Polar explorers Sir Ernest Shackleton and Kerryman Tom Crean, in the Beyond Endurance Antarctic expedition. He leads the first Irish traverse of Greenland in 2006. In January 2008, he leads a four-person Irish expedition to the South Pole. In April 2009, he and O’Leary do a “symbolic” walk to the North Pole, completing the final four-day trek to the Pole.

Falvey joins the Kerry county football team as a “sports performance coach” in 2021. Manager Peter Keane says, “You take us in this country with five million people and we have had some unbelievable adventurers like Shackleton and Crean; you look at someone like Pat who has climbed Everest twice from two different sides, managed to climb the Seven Summits twice, and I am looking to see if he can bring something different in here.”

Falvey’s publications include Reach for the Sky (The Collins Press, 1997), A Journey to Adventure: Stories I never thought I’d tell (The Collins Press, 2007), The Summit: How Triumph Turned to Tragedy on K2’s Deadliest Days (Beyond Endurance Publishing with The O’Brien Press, 2013), You Have the Power: Explore the Mindset You Need to Realise Your Dreams (Beyond Endurance Publishing, 2016) and Accidental Rebel (Beyond Endurance Publishing, 2018).


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Death of Iris Cummins, First Female Engineering Graduate at UCC

Iris Ashley Cummins, the first female engineer to graduate from University College Cork (UCC), dies in Dublin on April 30, 1968. She is also an international field hockey player.

Cummins is born on June 6, 1894, in Woodville, Glanmire, County Cork, to William Edward Ashley Cummins (1858–1923), professor of medicine at UCC, and Jane Constable Cummins (née Hall). Of her four sisters and six brothers, Geraldine is a renowned psychic and author, Jane serves as a squadron officer in the Women’s Royal Air Force (WRAF) during World War II and becomes a medical doctor, Mary is a gynaecologist and fellow of the Royal College of Physicians of Ireland (RCPI), and her brother Marshall is involved in setting up the first blood transfusion service in Cork.

Cummins begins to study at UCC in 1912. At that time, there are 78 women students out of the 420 students enrolled. She graduates with an engineering degree in 1915. During her time in engineering, she is editor of the Journal of the Engineering Society.

While she is in college, Cummins is on the Ireland field hockey team. She earns her first “cap” for hockey in 1914 and leads the college hockey team to victory in the Munster cup. The Irish hockey team tours the United States in 1925 with Cummins as the captain. With the team she goes to the White House at the invitation of Calvin Coolidge.

Cummins works for the Royal Arsenal with the munitions factory at Woolwich, London, and then the Vickers Limited factory at nearby Erith. She works in a shipyard in Scotland during World War I between 1915 and 1916 before returning to Cork. Initially, she finds it difficult to find work there.

In 1924, Cummins founds a private practice in the city and works there until 1927 at which time she is appointed to the Irish Land Commission in Dublin. She moves to Dublin and although she visits, she never returns to live in Cork. She retires from the Land Commission in 1954.

In 1927, Cummins becomes the first woman member of the Institution of Civil Engineers of Ireland.

Cummins is a Council member of the Women’s Engineering Society, having joined at the organisation’s inception. In December 1919, she writes an encouraging article in the very first edition of the society’s journal, The Woman Engineer. Based on her own Irish university experience, it lays out the practicalities of studies as well as social interactions likely to be encountered by a woman thinking of training as a civil engineer. The following year, she has another article published, this time in the Practical Engineer magazine, entitled The Suitability of Women for the Engineering Industries.

Twenty years later, in 1940, Cummins writes a lively piece entitled Women Engineers Overseas – in Eire for The Woman Engineer journal on her experiences as one of the earliest women engineers in Ireland. In this article, she recounts a tale of encountering the “oldest Inhabitant” of a very rural area, a proud owner of two fine horses, who on discovering “you must be an engineer, so would ye mind mending the electric light in the mare’s stable?”

Cummins dies at the age of 73 in Dublin on April 30, 1968.

(Pictured: Detail from photo of the 1913-14 2nd Year Engineering Class at University College Cork (UCC University Archives, OCLA, UCC))