During her term at Stormont, Cochrane sits on the Finance and Personnel Committee and is a member of the Assembly Commission. She founds the All Party Group on Small and Medium Sized Enterprises (SMEs) and is a member of the All Party Group on Cancer, the All Party Group on Tourism, and the All Party Group on Rugby, which she co-founds and serves as vice chair.
Cochrane is married to Jonny Cochrane with whom she has two children. The family resides in East Belfast and actively attends Bloomfield Presbyterian Church.
Together with his brother Norman, Leslie’s early education begins at home where a German governess, Clara Woelke, is their first teacher. As children the brothers have more contact with servants than they have with their parents. His own daughter, Anita, says, “In my parents’ view schools performed the same functions that kennels did for dogs. They were places where pets could be conveniently deposited while their owners travelled.”
Leslie is educated at Ludgrove School, then Eton College and King’s College, Cambridge. While at Cambridge University he becomes a Roman Catholic and a supporter of Irish Home Rule. He adopts an anglicised Irish variant of his name (“Shane”). Not overly impressed by Eton, as a lower boy he and his roommates occupy “an old, battered warren betwixt the chapel cemetery and Wise’s horse yard … [T]he food was wretched and tasteless … As for thrashings which tyrannised rather than disciplined our house, they were excessive. Bullying was endemic and Irish boys were ridiculed, especially on St Patrick’s Day.”
Leslie refuses to send his own sons to Eton. They are educated at Roman Catholic Benedictine schools: Jack at Downside School and Desmond at Ampleforth College.
During the war Leslie is in a British Ambulance Corps, until invalided out. He is then sent to Washington, D.C. to help the British Ambassador, Sir Cecil Spring Rice, soften Irish American hostility toward England and obtain American intervention in the war in the aftermath of the 1916 Easter Rising in Dublin and the execution of its leaders. But he also looks to Ireland for inspiration when writing and edits a literary magazine that contains much Irish verse. He becomes a supporter of the ideals of Irish nationalism, although not physical force republicanism.
In the 1918 United Kingdom general election in Ireland, the Irish Parliamentary Party loses massively to Sinn Féin, putting an end to Leslie’s political career, but as the first cousin of Winston Churchill he remains a primary witness to much that is said and done outside the official record during the negotiation of the Anglo-Irish Treaty of 1921. Disappointed, he feels unwanted in Ireland and abandoned by the British. Like many members of the landed gentry from the 1880s who were obliged to turn to other occupations, he can no longer rely on income from landholdings.
Leslie writes extensively, in a wide range of styles, in verse, prose, and polemic, over several decades. His writings include The End of a Chapter (1916), while hospitalised during World War I, The Oppidan (1922), a roman à clef about his life and contemporaries at Eton, an edition of the Letters of Herbert Cardinal Vaughan to Lady Herbert of Lea (1942), and a biography Mrs. Fitzherbert: a life chiefly from unpublished sources (1939), together with an edition of her letters (with Maria Anne Fitzherbert), The letters of Mrs. Fitzherbert and connected papers; being the second volume of the life of Mrs. Fitzherbert (1944). He also writes Mark Sykes: His Life and Letters (1923), a biography of the English traveler, Conservative Party politician and diplomatic advisor. He advises budding novelist Scott Fitzgerald on the title of his first novel, they share correspondence with the future Mnsg. William A. Hemmick, who is Fitzgerald’s teacher at the Newman School.
A passionate advocate of reforestation, Leslie finds the business of running an estate uncreative and boring, and transfers the estate entailed to him to his eldest son, John Norman Leslie, who succeeds as the 4th Baronet. He transfers St. Patrick’s Purgatory on Lough Derg to the Roman Catholic Bishop of Clogher, Eugene O’Callaghan.
The wealth of the Leslies wanes by the 1930s following the Wall Street crash of 1929 and a farm that is loss making. In his unpublished memoirs, Leslie writes “a gentleman’s standing in his world was signalled by his list of clubs and it was worth paying hundreds of pounds in subs.” They continue to maintain their lifestyle, involving attendance at the London season and the entertainment of distinguished visitors, including Anthony Eden at Glaslough. At the outbreak of World War II in 1939 he joins the Home Guard. He spends the remainder of his life between Glaslough and London.
Leslie’s first wife, Marjorie, dies on February 8, 1951. On May 30, 1958, at the Catholic Church of St. Peter & Edward, Westminster, he marries Iris Carola Frazer, who is the daughter of Charles Miskin Laing and Etheldreda Janet Laing.
Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.
McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.
In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”
In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.
Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.
In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.
In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.
McNeill has a number of health problems and dies in Bristol in October 1994.
Campbell is the eldest son of Thomas Campbell and Jane Campbell (née Corneigle), who marry in 1787 and later have four daughters and two younger sons. His father, the son of soldier Archibald Campbell and his wife Alice McNally, is born on February 1, 1763, at Sheepbridge, near Newry, County Down. The Presbyterian minister William Campbell may have been a relation.
Archibald Campbell is born Catholic but joins the Church of Ireland, while his son joins the seceding branch of the Presbyterian church and studies at the University of Glasgow, graduating with a Master of Arts degree in 1786, although he does not appear in the published records of the university. He becomes a teacher but is determined to become a minister, and studies in the Anti-Burgher Divinity Hall in Whitburn, West Lothian (or the Seceder Theological Seminary in Whithorn, Wigtownshire, according to another source) for two months each year for five years. He is ordained a minister in the seceding congregation of Ahorey, County Armagh, probably in 1798. Although at first a member of the Anti-Burgher party in his church, Thomas Campbell begins to believe that divisions between and within denominations are prejudicial to true Christianity. He writes a report in 1804 suggesting that Burgher and Anti-Burgher Presbyterians in Ireland should unite. When this is vetoed in 1805 by the General Associate Synod of Scotland, Thomas Campbell, then moderator of the Irish Seceding Synod, initiates an unsuccessful move to seek independence from Scottish control. His experiences with church authorities undoubtedly increase his belief in the need to rediscover the scriptural basis of religion, freed from man-made creeds.
In 1804, Thomas Campbell sets up an academy at Richhill, County Armagh. In 1798, he is one of the founders of the Evangelical Society of Ulster in which clergymen from differing sects cooperate but resigns when this enterprise is frowned on by seceding authorities.
In poor health in 1806, Thomas Campbell resigns from Ahorey, and goes to the United States in 1807, where he preaches in small congregations around Washington, Pennsylvania. He is soon accused of doctrinal unsoundness, of disciplinary laxity and of administering the sacraments to non-Presbyterians. His appeal to the Associate Synod of North America is unsuccessful, and in 1809 he ceases to be a minister of the seceder church. His liberal views on Christian unity and on the paramount importance of the Bible attract supporters, and in 1809 they found the Christian Association of Washington. He publishes a declaration and address in which he sets out the principles of this body. His followers claim it represents a “second reformation” or a “restoration.” It forms the basis of the doctrine of what becomes America’s most important indigenous religious development, and is regarded as significant in the history of the wider ecumenical movement. He publishes a great many other tracts and articles. Thomas Campbell dies in Bethany, West Virginia, on January 4, 1854.
Thomas had married Jane Corneigle in 1787 and their eldest son Alexander is born on September 12, 1788, in Broughshane, County Antrim, where his father is teaching. His parents intend him for the ministry, and he receives a good education, partly from his father, and religious training from both parents. He is greatly influenced by his strongminded and pious mother. In October 1808 his family sets sail for America to join his father. The ship is wrecked on the island of Islay, off Scotland. All on board are saved, partly thanks to Alexander’s strength and leadership. Rather than continuing the voyage by other means, Alexander spends eight months in the University of Glasgow to prepare himself for the ministry.
In the summer of 1809, the family finally arrives in Pennsylvania, among many emigrants from Ulster. On January 1, 1812, Campbell is ordained as a minister by his father’s Brush Run Church, and quickly takes over the leadership of the fledgling church. By 1812, most of their followers, thenceforth often called Campbellites, have undergone baptism by immersion; a union with the Baptist denomination results, but does not survive after 1830, by which date Campbell’s work on a translation of the Greek New Testament has convinced him that baptism is unscriptural. Controversy between the two groups continues for many years.
A very able preacher and debater, whose public discussions attract much attention, Campbell attacks the creeds and governance of established churches. In 1823, he founds the journal the Christian Baptist. Subsequently in 1830, after the break with the Baptists, he starts the Millennial Harbinger. Both periodicals are largely written by Campbell and his father, Thomas, and are widely influential. He is convinced that church unity will usher in a millennial age of peace and harmony. Primitive Christianity is thus to bring about a utopian future. His book Christianity Restored (1835) is widely read, in Britain as well as in the United States. In 1826, a translation of the Greek New Testament is printed by Campbell’s press in Bethany, West Virginia. Largely based on recent translations by others, it nonetheless contains variant readings by Campbell and furthers his aim of providing followers with authoritative texts on which to base their beliefs. In 1841, he founds Bethany College, West Virginia, and is its president until his death in Bethany on March 4, 1866, when he leaves it $10,000 and a large library.
In 1832, several fledgling churches join the Campbellites, and form a new body called the Christian Church, or Disciples of Christ, which today has over 3,000 congregations in the United States. The two guiding principles of the lifelong beliefs of the Campbells are in the end irreconcilable. An emphasis on the literal interpretation of scripture allows believers to form beliefs at variance from those of co-religionists, and neither Alexander Campbell’s great authority in the denomination nor Thomas Campbell’s emphasis on the need for church unity are enough to prevent the fissions inevitable in a church that so strongly opposes man-made creeds. There are now at least six major divisions of the Church of Christ, one of several alternative names.
On March 2, 1811, Campbell marries Margaret Brown, and thenceforth derives his income from the large farm that had belonged to her family. They have eight children, who all die in their father’s lifetime. Margaret Brown Campbell dies on October 22, 1827. On July 31, 1828, in fulfilment of his wife’s dying request, the widower marries the English-born Selina Huntington Bakewell, and has six children with her. Four of those children survive him. Selina Campbell writes a memoir of her husband, published in 1882, and lives until 1897.
(From: “Campbell, Alexander” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, last revised May 2021)
Hayes-McCoy is born to Thomas Hayes-McCoy and Mary Kathleen Hayes-McCoy (née Wallace). His grandfather, Thomas Hayes-McCoy, is a Dubliner who as a child came to Galway in 1834 and is later a well-known Parnellite. His maternal grandfather, Thomas Burke, is a Galway artist. He grows up on Eyre Square where his father runs a gentleman’s hairdressing business. His two older siblings are Ignatius and Marguerite. The latter receives a PhD-degree in History at University College Galway (UCG), and later teaches at the Galway Technical School.
Hayes-McCoy receives his early education from the Patrician Brothers, Galway. His earliest notebook of 1927 and a manuscript history of Poland of the same year, now at the National Library of Ireland (NLI), testify to an early interest in history and heritage. From 1928 to 1932 he is a student scholarship holder at University College Galway, graduating in 1932 with a Bachelor of Commerce, and a Bachelor of Arts, with first-class honours in both, and a specialisation in “History, Ethics, Politics” for the latter. Mary Donovan O’Sullivan is one of his professors of history, and Liam Ó Briain, professor of Romance languages, is a stimulating influence. At this time, Hayes-McCoy is a member of the Republican Club, a committee member of the Literary and Debating Society, and in 1931 he is one of the founding members of a new Irish Students’ Association.
Hayes-McCoy pursues his PhD at the University of Edinburgh, and then spends two years at the Institute of Historical Research, London, in the Tudor seminar of J. E. Neale, rewriting his PhD and eventually publishing it as Scots mercenary forces in Ireland, 1565–1603 (Dublin and London, 1937), with a foreword by Eoin MacNeill. This is characterised by meticulous archival research, and it anticipates by sixty years the much-vaunted New British History of the late twentieth century by tracing the interconnections between events in England, Ireland, and Scotland.
In the absence of an academic post, Hayes-McCoy becomes an assistant keeper in the Art and Industrial Division at the National Museum of Ireland (1939–1959), with a responsibility for the Military History, and the Irish War of Independence collections. One of his first tasks is to prepare a standing exhibition on Irish history before 1916. His research, long-standing personal interest in the military, and his curatorial experience, helps form an expert knowledge of historical Irish warfare. This leads to his role in co-founding The Military History Society of Ireland in 1949 whose journal, The Irish Sword, he edits. He describes the vagaries of setting up such a body, its reception, and the historiographical considerations attendant on it, in a paper published posthumously in The Irish Sword.
On August 19, 1941, Hayes-McCoy marries Mary Margaret “May” O’Connor, daughter of C.J. and M.B. O’Connor of New Ross/Enniscorthy. They have three daughters and two sons: Mary, Ann, Ian, Robert, Felicity. The family home is in Dublin.
Earning high reputation by continued research and by publishing leads to Hayes-McCoy’s receipt of the D.Litt. degree from the National University, and to his membership in the Royal Irish Academy in 1950. In his professional career, apart from the broad spectrum of press publications, he publishes prolifically. The works that are judged most influential, are his Scots mercenary forces in Ireland 1565–1603 (1937), the papers “The early history of guns in Ireland” (1938–1939), “Strategy and tactics in Irish warfare, 1593–1601” (1941), “The army of Ulster, 1593–1601” (1951), the controversial “Gaelic society in Ireland in the late sixteenth century” (1963), and the monographs “Irish battles” (London 1969), and “A history of Irish flags from earliest times” (Dublin 1979). A member of the Irish Manuscripts Commission, his most notable contribution is the publication “Ulster and other Irish maps, c.1600” (Dublin 1964).
In 1946, Hayes-McCoy is appointed to a committee of eight historians to advise on setting up the Bureau of Military History, a body established for the creation and compilation of material on the history of the Irish movements for independence, 1913–1921, specifically from witness statements. The committee is also to further offer guidance and oversee progress of the Bureau in coordination with the Ministry of Defence. It subsequently expresses concerns about the state’s role and methods in the collection of statements.
Having begun writing for the press at an early stage, Hayes-McCoy’s public position at the Museum encourages him to go further. He has broad involvement with local history groups to whom he presents papers, and also works for newspapers and for radio and television. To the national and Galway press he usually contributes articles on military aspects of Irish history, as well as book reviews, but he also uses them as a platform to engage with what he sees are flaws in the education of history in Ireland which during his lifetime is constrained by a certain degree of political and cultural state control.
During the 1940s and 1950s, Hayes-McCoy becomes involved in a number of paratheatrical events of national significance one of which – the “Pageant of St.Patrick” for which he writes the script (An Tóstal 1954) – is realised on an immense scale. He scripts these works to begin with and is later principally engaged as historical consultant. In that capacity, he collaborates in 1955 and 1956 with Micheál Mac Liammóir and Denis Johnston on their scripts for pageants on St. Patrick and on the Táin Bó Cuailgne, at times finding it difficult to square the historical liberties taken by these artists with his own role.
On Irish radio and television Hayes-McCoy is most active in the mid-1960s, editing and contributing to Thomas Davis lectures series, writing scripts for a series of thirty children’s programmes on all aspects of Irish history, and preparing/contributing on air to the television series “Irish battles” and “The long winter.” As well as writing for RTÉ, Ireland’s national broadcaster, he contributes scripts to BBC Northern Ireland‘s schools radio programmes.
In 1959, Hayes-McCoy succeeds to the chair of his former history professor at UCG with the full remit of lecturing, administering examinations to undergraduates, and supervising postgraduate theses. Among his students who continue in the field of history are Nicholas Canny, Martin Coen, Patrick Melvin, Peter Toner, Tony Claffey, and Breandán Ó Bric. After his appointment to UCG, the family home remains in Dublin, and he commutes to Galway weekly during term time.
In the early 1960s, Hayes-McCoy becomes a spokesperson for the movement rekindled by the Old Galway Society to preserve the landmark “Lion’s Tower” in the city. The ultimate failure of the campaign informs his regret, expressed a year later, that Ireland is forgetful about its past and that “we don’t bother to find out about it or to maintain our ancient heritage,” and, on a perceived spirit of conformity, “take my own city of Galway, it is now more prosperous than it was, but it is no longer distinctive. I do not believe that it is essential for progress that we should lose our heritage.”
While at one time member and secretary of the London Sinn Féin office and informed by a pride of country and place, Hayes-McCoy’s professional and private outlook are marked by a distrust of nationalism or of any antagonising national agendas compromising genuine scholarship. In a paper drafted on tendencies in modern historical studies, he criticises the two historiographical extremes, each to be avoided, each unfortunately characteristic of the moment – extreme de-bunking and extreme “adding for effect.” “A history is a record of fact; to add pseudo-facts is as grave a sin as to leave out real facts that may change the colour of the whole.”
Hayes-McCoy’s abiding pastime is drawing. Among his papers in the James Hardiman Library, NUI Galway are approximately 40 items with predominantly maritime subjects, and he has a special regard for the history of ships, and a romantic liking of the sea. He also has a lifelong interest in Robert Louis Stevenson, Sir Walter Scott, and their works, and in the Pre-Raphaelite movement.
Hayes-McCoy’s middle age is marked by intermittent ill health. He dies on November 27, 1975, in his room at the Great Southern Hotel, Eyre Square, Galway.
Hayes-McCoy’s papers are held at the James Hardiman Library, National University of Ireland, Galway.
Talbot is born likely in 1630, probably in Dublin. He is one of sixteen children, the youngest of eight sons of William Talbot and his wife Alison Netterville. His father is a lawyer and the 1st Baronet Talbot of Carton, County Kildare. His mother is a daughter of John Netterville of Castletown, Kildare. The Talbots are descended from a Norman family that had settled in Leinster in the 12th century. They adhere to the Catholic faith, despite the founding of the Reformed Church of Ireland under Henry VIII. Little is recorded of Talbot’s upbringing. As an adult he grows to be unusually tall and strong by standards of the time.
Talbot marries Katherine Baynton in 1669, and they have two daughters, Katherine and Charlotte. Katherine dies in 1679. In 1681, he marries Frances Jennings, sister of Sarah Jennings, the future Sarah Churchill, Duchess of Marlborough.
Talbot’s early career is spent as a cavalryman in the Irish Confederate Wars. Following a period on the European continent, he joins the court of James, Duke of York, then in exile following the English Civil War, becoming a close and trusted associate. After the 1660 restoration of James’s older brother, Charles, to the thrones of England, Ireland and Scotland, he begins acting as agent or representative for Irish Catholics attempting to recover estates confiscated after the Cromwellian conquest, a role that defines the remainder of his career. James converts to Catholicism in the late 1660s, strengthening his association with Talbot.
When James takes the throne in 1685, Talbot’s influence increases. He oversees a major purge of Protestants from the Irish Army, which had previously barred most Catholics. James creates him Earl of Tyrconnell and later makes him Viceroy, or Lord Deputy of Ireland. He immediately begins building a Catholic establishment by admitting Catholics to many administrative, political and judicial posts.
Talbot’s efforts are interrupted by James’s 1688 deposition by his Protestant son-in-law William of Orange. He continues as a Jacobite supporter of James during the subsequent Williamite War in Ireland, but also considers a peace settlement with William that would preserve Catholic rights. Increasingly incapacitated by illness, he dies of a stroke on August 14, 1691, shortly before the Jacobite defeat. He is thought to have been buried in St. Mary’s Cathedral, Limerick. By depriving the Jacobites of their most experienced negotiator, his death possibly has a substantial impact on the terms of the Treaty of Limerick that ends the war.
Talbot’s widow, Frances, and his daughter, Charlotte, remain in France, where Charlotte marries her kinsman, Richard Talbot, son of William Talbot of Haggardstown. Their son is Richard Francis Talbot. Talbot’s other daughter, Katherine, becomes a nun. An illegitimate son, Mark Talbot, serves as an officer in France before his death in the Battle of Luzzara in 1702. Talbot’s estate in nearby Carton, renamed Talbotstown, is uncompleted at the time of his death. Tyrconnell Tower on the site is originally intended by him as a family mausoleum to replace the existing vault at Old Carton graveyard but is also left unfinished.
Talbot is controversial in his own lifetime. His own Chief Secretary, Thomas Sheridan, later describes him as a “cunning dissembling courtier […] turning with every wind to bring about his ambitious ends and purposes.” Many 19th and early 20th century historians repeat this view. Recent assessments have suggested a more complex individual whose career was defined by personal loyalty to his patron James and above all by an effort to improve the status of the Irish Catholic gentry, particularly the “Old English” community to which he belonged.
(Pictured: Watercolour portrait of Richard Talbot by John Bulfinch (d.1728) after painting by Sir Godfrey Kneller)
Henry is born Emily Grace Mitchell at Kirktown St. Fergus, near Peterhead, Aberdeenshire, Scotland, on February 10, 1868. She is the ninth of ten children of the Rev. John Mitchell and Jane Mitchell (née Gardner). Lord Byron is a cousin of her maternal grandmother. She is educated at home, spending time at the family’s home in Piccadilly, where she experiences London society. After the death of her father, and the reduced circumstances she finds herself in, she leaves home in 1895 to pursue a career as an artist. The first record of her work being exhibited is with the Aberdeen Artists Society in 1896 and 1898. These paintings have not been traced since. In 1899, she leaves Scotland for the continent, visiting Holland and Belgium, studying at the Blanc‐Guerrins Academy in Brussels. She goes on to attend the Delacluze Academy in Paris. While in Paris, she meets Paul Henry, an Irish artist. The couple marries in September 1903 in London.
The Henrys live at a few different residences outside London until 1910. A small number of her works are known from this time, such as The Girl in White, which is in the collections of the Hugh Lane Gallery. This piece shows the influence of fellow artist James Abbott McNeill Whistler, whom she meets in Paris through her husband. The couple travels to Achill Island for the first time in 1910, intending to stay two-weeks, but going on to live there until 1919. During this time, she paints numerous night scenes, including Achill Cottages (Hugh Lane Gallery). One of her well-known works is Top of the Hill, on display in the Limerick City Gallery of Art, which shows a group of island women. The period spent on the island places a strain on the Henrys marriage, as she is not as happy living there.
The couple returns to Dublin in 1919 and are founding members of the Society of Dublin Painters in 1920 alongside Letitia Marion Hamilton, Mary Swanzy, and Jack Butler Yeats. The Society offers an outlet for younger Irish artists to exhibit. Five of Henry’s works are featured at the Irish Exhibition in Paris in 1922, and at a similar exhibition in Brussels in 1930.
Around 1920, Henry has a romantic association with Stephen Gwynn who is an important political, cultural and literary figure from the lost world of late-nineteenth and early-twentieth century Ireland. During this period, she travels with Gwynn in France and Italy and later paints a number of portraits of him. Invariably, during this time, the Henrys’ marriage continues to have problems, with the couple breaking up in 1924. Her affair with Gwynn, who she depicts in two known oil paintings including The Orange Man (Limerick City Gallery of Art) and Portrait of a Man, which depicts a much more distinguished Gwynn in later life, contribute to the breakup. The couple legally separates in 1930.
Henry develops her own style through the 1920s and 1930s, spending time in France and Italy. From 1924 to 1925, she studies with André Lhote, a cubist painter who also works with Mainie Jellett, Evie Hone, and Mary Swanzy. She goes on to display little of his influence in her work. She paints in Venice and in the environs of the Italian lakes, painting with the fauvist style, with free brushwork and vibrant colours. She also experiments with expressionism, which can be seen in Spring in Winter. Upon the outbreak of World War II, she returns to Ireland. She does not have a permanent residence during this period, instead stayed with friends or living in hotels. She also experiences periods of melancholy during these later years, though she continues to exhibit. Her work is regularly displayed at the Royal Hibernian Academy (RHA), and she has solo shows at the Waddington and Dawson galleries. She is made an honorary member of the RHA in 1949.
Henry dies in Dublin on August 11, 1953, and is buried at Mount Jerome Cemetery. During her career, and for a number of years after her death, she is largely overshadowed by her husband, sometimes being referred to as “Mrs. Paul Henry.” She is even omitted from Paul Henry’s two-volume autobiography. Her body of work is re-examined in the 1970s, which leads to wider public recognition and her inclusion in a number of exhibitions such as The Paintings of Paul and Grace Henry at the Hugh Lane Gallery in 1991. She is deemed to be a much bolder painter than her husband, incorporating more elements of the modernist movement, as evident in The Long Grey Road of Disting (1915). Her popularity has been growing since her rediscovery.
(Pictured: “Road to Destiny,” oil on board by Grace Henry)
Hamilton is the daughter of Charles Robert Hamilton and Louisa Caroline Elizabeth Brooke. She attends Alexandra College. She and her sister Eva are great-granddaughters of the artist Marianne-Caroline Hamilton, and cousins of watercolouristRose Maynard Barton. The sisters’ father can only afford one dowry, so the sisters remain unmarried, with their artistic careers helping to support the household. Both she and her sister study at the Dublin Metropolitan School of Art under William Orpen. She studies enameling there also, winning a silver medal in 1912 by both the School and the Board of Education National Commission. Her work shows elements of Art Nouveau, foreshadowing her later modernist leanings. She also studies in Belgium with Frank Brangwyn and the Slade School of Fine Art.
Hamilton first exhibits in 1902 and goes go on to become a prolific painter of the Irish countryside, exhibiting more than 200 paintings at the Royal Hibernian Academy (RHA). Both sisters travel widely in Europe, with Letitia being influenced by modern European artistic trends of the early 20th-century. She is internationally exhibited, Royal Academy of Arts, Burlington Gallery and Kensington Art Gallery in London, in Scotland, and Paris. Her exposure to impressionism comes from studying with Anne St. John Partridge in France. Her style matures in the 1920s. That year, she is one of the founding members of the Society of Dublin Painters, along with Paul Henry, Grace Henry, Mary Swanzy, and Jack Butler Yeats. It is around this time that she changes her signature from MH (May Hamilton) to LMH, reflecting her full name. She works on small oil sketches, which later develop into finished works. Her style is rapid, with loose, fluid brush strokes. In the early 1920s, she travels to Venice, painting on a gondola studio loaned to her by artist and friend Ada Longfield. The works from this trip are considered among her best, with her exploring light effects, pastel shades, and strong outlines. She later employs these elements into her works on Irish landscapes.
Hamilton becomes a member of the Royal Hibernian Academy in 1943. In 1948, she becomes the last person to win a bronze medal at the art competitions at the London Olympic Games. She serves as president of the Society of Dublin Painters in the late 1950s. Despite her failing eyesight later in life, she continues to paint, mounting her final exhibition in 1963, a year before her death at the age of 86 in Dublin on August 11, 1964. She is also a committee member of the Water Colour Society of Ireland.
Cameron is the son of Captain Ewen Cameron of Scotland and Belinda Smith of County Cavan. He is descended from Clan Cameron of Lochiel. He receives his early education in chemistry and pharmaceutical chemistry in Dublin. In 1852 he is elected professor to the newly founded Dublin Chemical Society while continuing to study medicine at several schools and hospitals in Dublin. In 1854 he goes to Germany where he graduates in philosophy and medicine. While there he publishes his translations of German poems and songs.
Upon his return to Ireland, Cameron becomes scientific advisor to the British government in Ireland in criminal cases and over the years takes part in many notable trials, including those relating to the Phoenix Park Murders. In 1862, he becomes public analyst for the City of Dublin, a position which is later extended to 23 counties in Ireland. In 1867, he is elected Professor of Hygiene in the Royal College of Surgeons in Ireland (RCSI). He is also lecturer in chemistry in Dr. Steevens’ Hospital and the Ledwich School of Medicine, succeeding Dr. Maxwell Simpson, and retains these positions until 1874. In 1875 he is appointed Professor of Chemistry at the Royal College of Surgeons in Ireland.
From 1858 to 1863, Cameron is editor and part proprietor of the Agricultural Review, in which he writes hundreds of articles on various subjects. In 1860–62, he is also editor of the Dublin Hospital Gazette and afterward publishes many reports on public health to the Dublin Journal of Medical Science. At this time, he is in contact with many agricultural associations both in Ireland and abroad and receives a number of awards and tributes.
In 1874, Cameron becomes Co-Medical Officer of Health for Dublin Corporation and two years later becomes Chief Medical Officer. Being in charge of the Public Health Department of Dublin City means that he is always in the public eye, and due to the level of poverty and disease in the city at the time his work is cut out for him. He makes many recommendations for improving the sanitation of dwellings and sees to it that unsanitary housing is either improved or closed down. He publishes numerous sanitary reports, papers on hygiene, the social life of the very poor and proper eating habits, those of the very poor in particular. On the other hand, he is in a position to meet the major figures of the day, from the monarchy and the government downward. He is a member of several clubs in the city and dines with local and visiting celebrities alike, which he describes in his reminiscences.
In 1884, Cameron becomes vice-president of the Royal College of Surgeons of Ireland, and the following year becomes president. He is knighted in 1885 in consideration of “his scientific researches, and his services in the cause of public health.” In 1886, he publishes his History of the Royal College of Surgeons in Ireland, and of the Irish Schools of Medicine. This work contains nearly 300 biographies of the most eminent medical men in Ireland.
Cameron marries Lucie Macnamara of Dublin in 1862, who dies in the early 1880s. They have eight children. His eldest son, Captain Charles J. Cameron, dies in a boating accident in Athlone in 1913, while another son, Lieutenant Ewen Henry Cameron, shoots himself in a train in Newcastle in 1915 while on the way to the Western Front. Two sons, Edwin and Mervyn, die of pulmonary tuberculosis in their 20s.
Cameron is a leading Freemason in Dublin, serving as Deputy Grand Master of the Grand Lodge of Ireland (1911–20), Deputy Grand Master of the Great Priory of Ireland, Sovereign Grand Commander of the Supreme Council of the 33rd degree (Ancient and Accepted Rite for Ireland). He is first initiated as a member of Fidelity Lodge No. 125 in 1858 and is also a member of the Duke of York Lodge No. 25, serving as its secretary for over 50 years.
Cameron dies at his home on Raglan Road in Dublin on February 27, 1921, and is interred in Mount Jerome Cemetery. At his death he leaves a son, Ernest Stuart Cameron, and two daughters, Lucie Gerrard and Helena Stanley.
MacEoin is born Vincent O’Rahilly McGuone to Malachy McGuone, owner of the Central Hotel in Pomeroy and a wine and spirit merchant, and Catherine (née Fox). He has three siblings. Both of his parents are nationalists, and name all their children after leaders of the Easter Rising in 1916. Under the First Dáil in 1918, his father is appointed a judge. This results in him being interned on the prison ship Argenta on Larne Lough from 1922 to 1923. The family moves to Dublin after his release. His father dies in 1933, which leads to his wife running a workingmen’s café in East Essex Street. The family later lives on Marlborough Road, Donnybrook.
MacEoin attends boarding school at Blackrock College and is then articled to the architectural practice of Vincent Kelly in Merrion Square. As an active republican, he lives in a house on Northumberland Road from late 1939 to May 1940 where he helps in the production and distribution of an Irish Republican Army (IRA) weekly newspaper, War News. The IRA is banned by the Irish government in 1936, and its bombing campaign in Britain in 1939 is viewed by the government as a threat to Irish neutrality. MacEoin is among a group of republicans arrested in June 1940 and imprisoned in Arbour Hill Prison for a year. Once released, he is rearrested and interned at the Curragh for three years. He is sentenced to 3-months imprisonment in October 1943 for possession of incriminating documents. He is also charged with possession of ammunition, but testifies he was given the rounds against his will and never appears to have engaged in any violence. During his internment, he is taught the Irish language by Máirtín Ó Cadhain and is exposed to the socialist views of his fellow inmates. It is at this time that he adopts the Irish form of his name, Uinseann MacEoin.
While imprisoned in the 1940s, MacEoin continues his studies by correspondence and qualifies as an architect in 1945 at University College Dublin (UCD). His designs for a memorial garden in 1946 to those who died during the Irish War of Independence are commended. In 1959, he designs the site in Ballyseedy, County Kerry, for a monument by Yann Goulet commemorating those killed in the Irish Civil War and members of the IRA from Kerry who died. In 1948, he qualifies in town planning and takes up a position with Michael Scott‘s architectural practice. He works for a short time with Dublin Corporation, with their housing department, before establishing his own practice in 1955.
During the 1950s, MacEoin is a contributing editor on interior design in Hugh McLaughlin‘s magazine Creation, becoming editor of Irish Architect and Contractor in 1955. He enters into a partnership with Aidan Kelly in 1969 as MacEoin Kelly and Associates. In the early 1970s, he designs a shopping and housing development outside Dundalk, called Ard Easmuinn. Throughout the 1960s and 1970s, he continues as an influential architectural journalist, founding and editing Build from 1965 to 1969, and later Plan. His company, Pomeroy Press, publishes Plan along with other serials such as Stream and Field. He writes a large proportion of the copy in these periodicals, much under his own name, but he also uses pseudonyms, in particular in Plan as “Michael O’Brien.” He writes about his strong views on social housing, national infrastructure, and foreign and slum landlords, often libelously.
Despite his republican and socialist views, MacEoin is a staunch advocate for the preservation of Georgian Dublin, and campaigns for their preservation. On this topic, he writes letters to newspapers, takes part in television and radio discussions, writes comment pieces and editorials, speaks at public hearings, and takes part in direct protests such as sit-ins in buildings including those on Baggot Street, Pembroke Street, Hume Street, and Molesworth Street. He is also an active member of the Irish Georgian Society, and he campaigns actively against the road widening schemes in Dublin the 1970s and 1980s.
MacEoin and his wife purchase five Georgian houses on Mountjoy Square and three on Henrietta Street in the 1960s, all almost derelict. They refurbish them and lease them out, under the company name Luke Gardiner Ltd. He renames the 5 Henrietta Street property James Bryson House. His architectural practice moves into one of the Mountjoy Square houses. Along with fellow campaigners, Mariga Guinness and Deirdre Kelly, this demonstrates that these buildings can be salvaged and are not the dangerous structures other architects and developers claim them to be. He also purchases and saves Heath House, near Portlaoise, County Laois, living there toward the end of his life. He offers free conservation and architectural advice to community groups and is a volunteer on the renovation works on projects including Tailors’ Hall.
MacEoin remains politically active, joining Clann na Poblachta, the Wolfe Tone Societies (WTS), the Dublin Civic Group, the Northern Ireland Civil Rights Association (NICRA) and the Irish Anti-Apartheid Movement. To what extent he is involved in republican or IRA activities after 1945 is not clear. However, in March 1963, he is called a witness to a case in Scotland involving a Glasgowbookmaker by the name of Samuel Docherty and the Royal Bank of Scotland. Docherty claims the bank owes him £50,000. MacEoin testifies that in February 1962 he had travelled with £50,000 in cash from Dublin to lodge to Docherty’s account in the Royal Bank of Scotland in Belfast, as a loan. When asked about the origin of this large sum of money, he states it was supplied by another person but does not divulge that person’s name. This immediately triggers the court’s suspicions, and the judge warns MacEoin he will be contempt of court if he does not name the supplier of the money. He is placed in police custody for the day, and eventually he agrees to give the name in writing in confidence to the judge. The judge ultimately rules that Docherty is guilty of attempted fraud and perjury and that MacEoin’s involvement reeks of criminality. However, no further action is ever brought forward against Docherty or MacEoin.
In Sinn Féin‘s 1971 Éire Nua social and economic programme, MacEoin writes the chapter on “Planning,” and attends meetings in Monaghan in the early 1970s on the Dáil Uladh, a parliament for the 9-county Ulster province. In 1981, during the republican hunger strikes, one of his Mountyjoy Square houses is used as the national headquarters of the National H-Block Committee. Following the 1986 Sinn Féin split, he supports Republican Sinn Féin. He is a founding member of the Constitutional Rights Campaign in 1987, a group which aims to protect the rights of Irish citizens in the European Economic Community (EEC), having campaigned against Ireland joining the EEC in the early 1970s. In 1978, he is sentenced to two weeks in Mountjoy Prison for non-payment of a fine issued for not having a television licence. He had refused to buy one to protest the lack of Irish language programming.
As an environmentalist, MacEoin opposes private car ownership, and advocates for cycleways and the redevelopment of the railway lines. He writes about the “greenhouse effect” as early as 1969. As a hill walker and mountaineer, he claims to be the first Irishman to register successful climbs of all 284 Scottish peaks, known as the Munros, in 1987. He also climbs in the Alps and the Pyrenees.
MacEoin writes three books on his memories, and those of his former comrades: Survivors (1980), on the lives of leading Irish republicans, Harry (1986), a part biography part autobiography of Harry White, and The IRA in the twilight years 1923–48 (1997). He also publishes a novel, Sybil: a tale of innocence (1992) with his publishing house, Argenta, under the name Eoin O’Rahilly. He also interviews and records dozens of Republicans as part of his research for his books. These recordings are later converted into a digital oral history archive held in trust by the Irish Defence Forces.
MacEoin marries Margaret Russell in 1956 in Navan, County Meath. They have a daughter and two sons.
MacEoin dies in a nursing home in Shankill, Dublin, on December 21, 2007. His estate at the time of his death is valued at over €3 million. His son, Nuada, takes over his father’s architectural practice.
seamus dubhghaill 