Trevor is born to a middle-class, Anglo-IrishProtestant family. They move several times to other provincial towns, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official. He is educated at St. Columba’s College, Dublin, and at Trinity College, Dublin, from which he receives a degree in history. He works as a sculptor under the name Trevor Cox after his graduation from Trinity College, supplementing his income by teaching. He marries Jane Ryan in 1952 and emigrates to Great Britain two years later, working as a copywriter for an advertising agency. It is during this time that he and his wife have their first son.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson of London, but has little critical success. He later disowns this work and, according to his obituary in The Irish Times, “refused to have it republished.” It was, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor wins the Hawthornden Prize for Literature for The Old Boys. The win encourages him to become a full-time writer. He and his family then move to Devon in South West England, where he resides until his death. In 2002, he makes honorary KBE for services to literature. Despite having spent most of his life in England, he considers himself to be “Irish in every vein.”
Trevor writes several collections of short stories that are well received. His short stories often follow a Chekhovian pattern. The characters in his work are typically marginalised members of society. The works of James Joyce influence his short-story writing, and “the odour of ashpits and old weeds and offal” can be detected in his work, but the overall impression is not of gloominess since, particularly in his early work, his wry humour offers the reader a tragicomic version of the world. He adapts much of his work for stage, television and radio. In 1990, Fools of Fortune is made into a film directed by Pat O’Connor, along with a 1999 film adaptation of Felicia’s Journey, which is directed by Atom Egoyan.
Trevor’s stories are set in both England and Ireland. They range from black comedies to tales based on Irish history and politics. His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities that are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles.
Stuart is born to Irish Protestant parents, Henry Irwin Stuart and Elizabeth Barbara Isabel Montgomery. His father is an alcoholic and kills himself when Stuart is an infant. This prompts his mother to return to Ireland and Stuart’s childhood is divided between his home in Ireland and Rugby School in England, where he boards.
In 1920, at age 17, Stuart becomes a Catholic and marries Iseult Gonne, daughter of Maud Gonne. Her father is the right-wing French politician Lucien Millevoye, with whom Maud Gonne had had an affair between 1887 and 1899. Because of her complex family situation, Iseult is often passed off as Maud Gonne’s niece in conservative circles in Ireland. Iseult has a brief affair with Ezra Pound prior to meeting Stuart. Pound and Stuart both believe in the primacy of the artist over the masses and are subsequently drawn to fascism, Stuart to Nazi Germany and Pound to Fascist Italy.
Gonne and Stuart have a baby daughter who dies in infancy. Perhaps to recover from this tragedy, they travel for a while in Europe but return to Ireland as the Irish Civil War begins. Unsurprisingly given Gonne’s strong opinions, the couple are caught up on the anti-Treaty Irish Republican Army (IRA) side of the fight. Stuart is involved in gun running and is interned following a botched raid.
After independence, Stuart participates in the literary life of Dublin and writes poetry and novels. His novels are successful, and his writing is publicly supported by W. B. Yeats.
Stuart’s time with Gonne is not an entirely happy time as both he and his wife apparently struggle with personal demons and their internal anguish poisons their marriage. In letters to close friend W. B. Yeats, Maud Gonne characterizes Stuart as being emotionally, financially, and physically abusive towards Iseult.
During the 1930s Stuart becomes friendly with German Intelligence (Abwehr) agent Helmut Clissmann and his Irish wife Elizabeth. Clissmann is working for the German Academic Exchange Service and the Deutsche Akademie (DA). He is facilitating academic exchanges between Ireland and the Third Reich but also forming connections which might be of benefit to the Abwehr. Clissmann is also a representative of the NaziAuslandorganisation (AO), the Nazi Party’s foreign organisation, in pre-war Ireland.
Stuart is also friendly with the head of the German Legation in Dublin, Dr. Eduard Hempel, largely as a result of Maud Gonne MacBride’s rapport with him. By 1938 he is seeking a way out of his marriage and the provincialism of Irish life. Iseult intervenes with Clissmann to arrange for Stuart to travel to Germany to give a series of academic lectures in conjunction with the DA. He travels to Germany in April 1939 and visits Munich, Hamburg, Bonn and Cologne. After his lecture tour, he accepts an appointment as lecturer in English and Irish literature at Berlin University to begin in 1940. At this time, under the Nuremberg Laws, the German academic system has barred Jews.
In July 1939, Stuart returns home to Laragh, County Wicklow, and after his plans for traveling to Germany are finalised, he receives a visit from his brother-in-law, Seán MacBride, following the seizure of an IRA radio transmitter on December 29, 1939, which had been used to contact Germany. Stuart, MacBride, Seamus O’Donovan, and IRA Chief of StaffStephen Hayes then meet at O’Donovan’s house. Stuart is told to take a message to Abwehr HQ in Berlin. Upon arrival in Berlin in January 1940, he delivers the IRA message and has some discussion with the Abwehr on conditions in Ireland and the fate of the IRA-Abwehr radio link. Around August 1940, he is asked by Sonderführer Kurt Haller if he will participate in Operation Dove and he agrees, although he is later dropped in favour of Frank Ryan.
Between March 1942 and January 1944 Stuart works as part of the Redaktion-Irland team, reading radio broadcasts containing Nazi propaganda which are aimed at and heard in Ireland. In his broadcasts he frequently speaks with admiration of Adolf Hitler and expresses the hope that Germany will help unite Ireland. He is dropped from the Redaktion-Irland team in January 1944 because he objects to the anti-Soviet material that is presented to him and deemed essential by his supervisors. His passport is taken from him by the Gestapo after this event.
In 1945 Stuart plans to Ireland with a former student Gertrude Meissner. They are arrested and detained by Allied troops. Following their release, Stuart and Meissner live in Germany and then France and England. They marry in 1954 after Iseult’s death and in 1958 they return to settle in Ireland. In 1971 Stuart publishes his best-known work, Black List Section H, an autobiographical fiction documenting his life and distinguished by a queasy sensitivity to moral complexity and moral ambiguity.
In 1996 Stuart is elected a Saoi of Aosdána, a high honour in the Irish art world. Influential Irish language poet Máire Mhac an tSaoi objects strongly, referring to Stuart’s actions during the war and claiming that he holds anti-Semitic opinions. When it is put to a vote, she is the only person to vote for her motion. She resigns from Aosdána in protest, sacrificing a government stipend by doing so. While the Aosdána affair is ongoing, The Irish Times columnist Kevin Myers attacks Stuart as a Nazi sympathiser. Stuart sues for libel and the case is settled out of court. The statement from The Irish Times read out in the High Court accepts “that Mr. Stuart never expressed anti-Semitism in his writings or otherwise.”
For some years before his death Stuart lives in County Clare with his partner Fionuala and in County Wicklow with his son Ian and daughter-in-law Anna in a house outside Laragh village. He dies of natural causes on February 2, 2000, at the age of 97 in County Clare.
“Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else in its diamond-like hardness, its humour, and sometimes, its violence.” He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television operaThe Triumph of Beauty and Deceit:
“It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn’t just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward.”
Barry’s most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican Centre, London. A critic comments:
“He writes ‘what he likes’ in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialties, a kind of platform for his own musical specialties. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they’ve been out for the day. In Gerald’s opera the whole apparatus – for that’s what it is – takes on a kind of surrealistic shape, like one person’s torso on someone else’s legs being forced to walk, half the characters in the opera and half the composer.”
It is written in The Irish Times that “no other Irish composer springs to mind who carries the same aura of excitement and originality or whose music means so much to such a wide range of listeners. Certainly, there has been no Irish premiere that has made the impression of The Conquest of Ireland since Barry’s opera The Intelligence Park was seen at the Gate Theatre in 1990.”
In a 2013 guide to Barry’s musical output, Tom Service of The Guardian praises Chevaux-de-frise (1988), The Bitter Tears of Petra von Kant (2005), Lisbon (2006), Beethoven (2008), and The Importance of Being Earnest (2012).
The Irish Times is launched at 4 Lower Abbey Street in Dublin on March 29, 1859. The first appearance of a newspaper using the name occurs in 1823 but it closes in 1825. The title is revived as a thrice weekly publication by Major Lawrence E. Knox. It is originally founded as a moderate Protestant newspaper, reflecting the politics of Knox, who stands unsuccessfully as a parliamentary candidate for Isaac Butt’s Home Rule League. In its early days, its main competitor is the Dublin Daily Express.
After Knox’s death in 1873, the paper is sold to the widow of Sir John Arnott, MP, a former Lord Mayor of Cork and owner of Arnotts, one of Dublin’s major department stores. The sale, for £35,000, leads to two major changes. Its headquarters is shifted to 31 Westmoreland Street, remaining in buildings on or near that site until 2005. Its politics also shifts dramatically, becoming predominantly Unionist in outlook, and it is closely associated with the Irish Unionist Alliance. The paper, along with the Irish Independent and various regional papers, calls for the execution of the leaders of the failed 1916 Easter Rising.
Though the paper becomes a publicly listed company in 1900, the family continues to hold a majority shareholding until the 1960s. The last member of the Arnott family to sit on the paper’s board is Sir Lauriston Arnott, who dies in 1958.
In 1974, ownership is transferred to a non-charitable trust, The Irish Times Trust. The Trust is set up as “a company limited by guarantee” to purchase The Irish Times Limited and to ensure that The Irish Times will be published as an independent newspaper with specific editorial objectives. The former owner, Major Thomas Bleakley McDowell, is made “president for life” of the trust which runs the paper and is paid a large dividend. However several years later the articles of the Trust are adjusted, giving Major McDowell ten preference shares and one more vote than the combined votes of all the other directors should any move be made to remove him. Major McDowell dies in 2009.
The Trust is regulated by a legal document, the Memorandum and Articles of Association, and controlled by a maximum of eleven Governors under company law. It is not a charity and does not have charitable status. It has no beneficial shareholders and it cannot pay dividends. Any profits made by The Irish Times cannot be distributed to the Trust but must be used to strengthen the newspaper, directly or indirectly.
In 1994, The Irish Times establishes a website called Irish-times.ie, the first newspaper in Ireland and one of the first 30 newspapers in the world to do so. The company acquires the domain name Ireland.com in 1997, and from 1999 to 2008, uses it to publish its online edition. On June 30, 2008, the company relaunches Ireland.com as a separate lifestyle portal and the online edition of the newspaper is now published at irishtimes.com. It is supplied free of charge, but a subscription is charged to view its archives.
On October 15, 2012, John O’Shea, Head of Online, The Irish Times, announces that the ireland.com domain name has been sold to Tourism Ireland, and that the ireland.com email service will end on November 7, 2012, affecting about 15,000 subscribers. The newspaper announces on February 17, 2015 the reintroduction of a paywall for its website, irishtimes.com, beginning on February 23.
In December 2017, it is reported that The Irish Times has reached an agreement to purchase the newspaper, radio and website interests of Landmark Media Investments which include the Irish Examiner. Initially subject to regulatory approval, this sale is completed in July 2018. In September 2018, following the Landmark Media Investments acquisition, The Irish Times starts a voluntary redundancy scheme.
Average print circulation is approximately 100,000 copies per issue in 2011, dropping to approximately 62,000 by 2017. The circulation of the newspaper is no longer audited.
Sir James Peter Comyn, Irish-born barrister and English High Court judge, is born at Beaufield House, Stillorgan, County Dublin on March 8, 1921. Considered by many to be “the finest all-round advocate at the English bar”, he is appointed to the High Court of Justice in 1978, serving on the bench until his retirement in 1985.
Comyn is the son of Nationalist barrister James Comyn KC and of Mary Comyn. Through his father he is the nephew of the barrister Michael Comyn KC. Both his father and uncle had been political and legal advisers to Éamon de Valera, who at one point uses Beaufield House as a safe house. However, the Comyn brothers have a falling out with de Valera shortly before he comes to power in 1932, and Michael Comyn is passed over as Attorney General of the Irish Free State. As a result, James Comyn, who is then attending Belvedere College in Dublin, is sent by his father to attend The Oratory School in England. He spends six months as a trainee at The Irish Times under the editor R. M. “Bertie” Smyllie, but abandons journalism after a joke he added to an obituary is printed in the paper, leading to his demotion to the racing department.
Comyn is called to the English bar by the Inner Temple in 1942, the Irish bar in 1947, and the Hong Kong bar in 1969. In 1944, he begins his pupillage with Edward Holroyd Pearce KC, later a law lord, and joins his chambers at Fountain Court. He practises in London and on the Western circuit, supplementing his earnings by teaching banking, a subject of which he knows nothing. On one occasion, he rises in Lambeth County court to cross-examine a female defendant in an eviction case. Just as he begins by saying “Madam,” the defendant opens her bag, takes out a dead cat, and throws it at him. The judge’s reaction is to tell the defendant, “Madam, if you do that again, I’ll commit you.” Comyn wins the case.
Comyn takes silk in 1961, and acquires a large practice as a senior, appearing in many high-profile cases. In 1964, he wins damages for libel for the former safe-breaker Alfred George Hinds against a Scotland Yard inspector by convincing the jury that Hinds is in fact innocent. In 1970, he successfully defends the Labour MP Will Owen, who is accused of providing information to the Czechoslovak intelligence services. In 1975, he defeats the government’s attempt to obtain an injunction against the publication of the diaries of former minister Richard Crossman.
Comyn is Recorder of Andover between 1964 and 1971 (honorary life recorder from 1972), commissioner of assize for the Western Circuit in 1971, and a Recorder of the Crown Court between 1972 and 1977. He is elected a bencher of the Inner Temple in 1968 and serves as chairman of the Bar council from 1973 to 1974.
Having refused a previous invitation by Quintin Hogg, Baron Hailsham of St. Marylebone to join the bench, Comyn is again nominated by Elwyn Jones, Baron Elwyn-Jones, in 1977, and is appointed a High Court judge in 1978, receiving the customary knighthood upon his appointment. Initially assigned to the Family Division, he does not take to the work and is reassigned to the Queen’s Bench Division in 1979. He has a reputation for leniency in sentencing, first acquired as Recorder of Andover. In 1980–81, he presides over an unsuccessful libel action by a member of the Unification Church, colloquially known as the Moonies, against the Daily Mail, the longest libel trial in England up to that time. His Irish background makes him the target of Irish Republican Army (IRA) action, and in 1981 the Provisional IRA burns his house in Tara.
Recurring bouts of depression lead to Comyn’s early retirement, on grounds of ill health, in 1985. In retirement, he divides his time between England and Ireland, whose citizenship he has retained. He writes a number of books, including memoirs, light verse, and books on famous trials. He also breeds Friesian cattle. He dies in Navan, County Meath on January 5, 1997, at age 75.
Little Christmas, traditionally known as Nollaig na mBan or Women’s Little Christmas, takes place on January 6 each year. It is also known more widely as the Feast of the Epiphany, celebrated after the conclusion of the twelve days of Christmastide. It is the traditional end of the Christmas season and until 2013 was the last day of the Christmas holidays for both primary and secondary schools in Ireland.
Owing to differences in liturgical calendars, as early as the fourth century, the churches of the Eastern Roman Empire were celebrating Christmas on January 6, while those of the Western Roman Empire were celebrating it on December 25.
In October 1582, Pope Gregory XIII introduces the Gregorian calendar as a correction the Julian calendar, because the latter has too many leap years that cause it to drift out of alignment with the solar year. This has liturgical significance since calculation of the date of Easter assumes that spring equinox in the Northern Hemisphere occurs on March 21. To correct the accumulated error, he ordains the date be advanced by ten days. Most Roman Catholic countries adopt the new calendar immediately and Protestant countries follow suit over the following 200 years. For this reason, in some parts of the world, the Feast of the Epiphany, which is traditionally observed on January 6, is sometimes referred to as Old Christmas or Old Christmas Day.
In Ireland, Little Christmas is also called Women’s Christmas (Irish: Nollaig na mBan), and sometimes Women’s Little Christmas. The tradition, still strong in counties Cork and Kerry, is so called because Irish men take on household duties for the day. Goose is the traditional meat served on Women’s Christmas. Some women hold parties or go out to celebrate the day with their friends, sisters, mothers and aunts. As a result, parties of women and girls are common in bars and restaurants on this night.
In Ireland and Puerto Rico, it is the traditional day to remove the Christmas tree and decorations. The tradition is not well documented, but one article from a January 1998 issue of The Irish Times, entitled “On the woman’s day of Christmas,” describes both some sources of information and the spirit of this occasion.
A “Little Christmas” is also a figure in Irish set dancing. It refers to a figure where half the set, four dancers, join together with hands linked behind partners lower back, and the whole figure proceeds to rotate in a clockwise motion, usually for eight bars.
So, to all of the women of Ireland and the Irish diaspora, Nollaig na mBan shona daoibh!
Born on May 2, 1951, Dwyer is originally from Saint John’s Park in Tralee, County Kerry. His mother, Mary, outlives him. He has two sisters, Anne and Maria. As a young man in the early 1970s he takes part in the Tralee Film Society, for which he provides notes to The Kerryman. At this time, he is employed by the County Library in Tralee. He begins working for In Dublin followed by the Sunday Tribune and The Sunday Press.
Dwyer first travels to the Cannes Film Festival in 1982 and attends every one until 2009, months before his death. In 1985, he co-founds the Dublin Film Festival and directs it until the mid-1990s. In 2002, he co-founds the Dublin International Film Festival, of which he is the chairman. In later life he serves on the board of the Irish Museum of Modern Art.
In the 1990s, Dwyer presents the film show Freeze Frame for public service broadcaster RTÉ. The show results from a friendship he had formed with Alan Gilsenan and Martin Mahon of Yellow Asylum Films. He is also known for his appearances on the radio shows Morning Ireland and The Marian Finucane Show. The editor of The Irish Times, Geraldine Kennedy, speaking after Dwyer’s death, says he was an “enthusiastic advocate” of both national and international cinema and had once said he was “one of those lucky people in life who was able to pursue his interests and call them work.”
Dwyer becomes unwell following a trip to the Cannes Film Festival in May 2009. He takes a break from writing for The Irish Times, returning in December 2009 to contribute his first, and what is to be his last ever, piece in six months to weekly entertainment supplement The Ticket. The article is a review of cinema in 2009 and of the 2000s, and in his contribution, he references the ill health which had haunted him for much of the previous year and which had prevented him from viewing any cinema releases between June and September.
A ceremony takes place at the Church of the Holy Name in Ranelagh where Dwyer lived. The event is attended by notable politicians, journalists, artists, actors, writers and musicians. RTÉ newsreader Aengus Mac Grianna, a colleague of Jennings, reads a tribute to Dwyer. Daniel Day-Lewis gives a very special tribute at the church service to his dear friend of over 20 years, calling for the Jameson International Dublin Film Festival to be renamed in Dwyer’s honour.
Dwyer is cremated after the funeral on January 5, 2010.
Risteárd Earnán Ó Glaisne is born on September 2, 1927, near Bandon, County Cork, the third of four children of George William Giles and his wife, Sara Jane (née Vickery). Educated at Bandon Grammar School and Trinity College Dublin, he graduates with a BA in 1949 and obtains a master’s degree in 1959. At TCD he is greatly influenced by Daithí Ó hUaithne.
Ó Glaisne first becomes interested in the Irish language at school in Bandon. His headmaster gives him a copy of Liam Ó Rinn‘s Peann agus Pár, along with a book of poems by Ivan Turgenev translated into Irish by Ó Rinn. “I suddenly found myself breaking into a world vastly larger than my own world in Irish,” he recalls. “The quality of mind I encountered made me realise I could never again connect Irish only with poteen and potatoes.”
Ó Glaisne further explores the language by making contact with the few native Irish speakers left in the Bandon area. He gradually comes to the conclusion that he is a member of a nation that has an extremely old and in many ways distinguished culture, of which Irish has been historically an integral part. Deciding that Irish best reflects the society in which he grew up and reflects him as an individual, he adopts it as his first language.
On graduating from TCD Ó Glaisne teaches Irish at Avoca School, Blackrock. He later teaches in St. Andrew’s College, Dublin, and at St. Patrick’s Cathedral Grammar School, where he ends his teaching career in 1989. He took a career break in the mid-1960s to study the French educational system and to travel on the Continent.
To perfect his Irish Ó Glaisne holidays on the Great Blasket Island, where he immerses himself in the rich oral culture. He makes many friends among the islanders, and the friendships continue after they are resettled on the mainland in Dún Chaoin. He regularly visits Corca Dhuibhne to meet friends like Muiris Mhaidhc Léan Ó Guithín, one of the last surviving islanders, and to enjoy the annual Ceiliúradh an Bhlascaoid.
Ó Glaisne holds that Protestants have enjoyed a long association with Irish, pointing to 18th-century followers of John Wesley such as Charles Graham, Gideon Ousley and Tomás Breathnach, who evangelised in Irish. He firmly believes that Protestants can be “every whit as Irish” as Roman Catholics. He urges his co-religionists to identify fully with Ireland.
Ó Glaisne is the founder and editor of Focus (1958-66), a monthly magazine that aims to help Protestants “come to an understanding of their cultural heritage.” He is a regular contributor to programmes on RTÉ and RTÉ Raidió na Gaeltachta, and writes for Comhar, Inniú, An tUltach and The Irish Times.
Matt Cooper resigns as editor of the Sunday Tribune on November 5, 2002 to replace Eamon Dunphy as presenter of The Last Word on Today FM. He edits his final issue of the Sunday Tribune in early November before joining The Last Word on January 6, 2003.
Today FM offers the job to Cooper a week earlier but he delays his acceptance in the interim. Dunphy describes Cooper as “a great choice and a heavyweight journalist.”
“I have enjoyed my time at the Sunday Tribune enormously and this is the only job that I would have left the paper for,” Cooper says.
When Cooper joins the Sunday Tribune in 1996 he becomes the youngest national newspaper editor in the country. Under his guidance, the paper’s circulation rises from 76,000 to 90,000 in 2001. However, sales fall to 85,000 copies in 2002.
Cooper is noted for his prolific writing output as well as regular stints as a stand-in presenter on The Last Word. He wins National Journalist of the Year in 1993 and in 2001. The Sunday Tribune says he will continue as a writer with the newspaper.
“We are sorry to see Matt leave. He made a significant contribution to the newspaper during his six years in the editor’s chair,” managing director Jim Farrelly says.
Speculation grows about who will succeed Cooper. “The appointment process will begin immediately and the job will be advertised. It will be similar to the selection process for The Irish Times editor’s job,” said Tribune spokesperson Martin Larkin.
Candidates interested in the job include Irish Independent business editor Richard Curran as well as in-house candidates Martin Wall, Diarmuid Doyle, Jim Farrelly, and Paddy Murray, who takes over as acting editor.
Much depends on the attitude of Independent News & Media, which has a 29.9% stake in Tribune Publications. It may be unwilling to grant a new editor significant funds since this would threaten the market of its flagship newspaper, the Sunday Independent. When asked about this in an interview in 2001, Farrelly says, “To grow your company, you must be financially independent.”
Acting editor Paddy Murray ultimately succeeds Cooper as full-time editor.
(From: “Last Word as Cooper quits Tribune” by Michael Brennan, Irish Examiner, November 6, 2002)
English first plays competitive Gaelic games during his schooling at The Abbey School in Tipperary. He arrives on the inter-county scene at the age of seventeen when he first links up with the Tipperary minor teams as a dual player, before later joining the under-21 sides. He makes his senior debut during the 1982 All-Ireland Senior Hurling Championship. English goes on to play a key part for almost fifteen years, and wins two All-Ireland medals, five Munster medals and two National Hurling League medals. He is an All-Ireland runner-up on one occasion.
As a member of the Munster inter-provincial team at various times throughout his career, English wins two Railway Cup medals. At club level he wins a set of intermediate and junior championship medals with Lattin-Cullen. He also wins a remarkable five successive Fitzgibbon Cup medals with University College Cork.
English’s career tally of 20 goals and 117 points marks him out as Tipperary’s third highest championship scorer of all-time. Throughout his career he makes 35 championship appearances. He announces his retirement from inter-county hurling following the conclusion of the 1996 All-Ireland Senior Hurling Championship.
In retirement from playing English becomes involved in team management and coaching. As manager of the Tipperary senior team between 1998 and 2002, he steers the team to All-Ireland, Munster and National League honours. He also takes charge of the University College Dublin team for the Fitzgibbon Cup.
As a hurling analyst in the media, English writes a weekly column in The Irish Times, while he also works as a co-commentator with TV3 and RTÉ Radio 1 during their championship coverage. In May 2014 it is announced that English would be an analyst and co-commentator for Sky Sports new Gaelic games coverage.
English is widely regarded as one of Tipperary’s greatest ever players. During his playing days he wins six All-Star awards as well as the Texaco Hurler of the Year award in 1989. He is repeatedly voted onto teams made up of the sport’s greats, including at left corner-forward and right corner-forward on the respective Tipperary and Fitzgibbon Cup Hurling Teams of the Century. In 2009 he is chosen on a special Munster team of the quarter century, while he is also included as one of the 125 greatest hurlers of all-time.
seamus dubhghaill 