Ó Direáin is born on November 26, 1910, in Inis Mór, Aran Islands, County Galway, the eldest of the three sons and one daughter of Seán Ó Direáin, a small farmer, and Mairéad Ní Dhireáin (widow of Labhrás Mac Confhaola), both of Inis Mór. His father dies in 1917, aged forty-three, leaving his mother to rear a family of four on less than 20 acres of land. Educated at the local national school, he leaves Aran to join the post office in Galway in January 1928.
Ó Direáin is involved with the Irish language movement during the late 1920s and 1930s, during which time he is secretary of the Galway branch of the Gaelic League and writes for and acts on the stage of the Taibhdhearc Theatre. In July 1937 he moves to Dublin to work as a clerical officer in the Department of Posts and Telegraphs and later in the Department of Education. Inspired by a lecture given by the poet and Gaelic scholar Tadhg Ó Donnchadha, he begins writing poetry in Irish in the winter of 1938. Unlike Ó Donnchadha, however, who advocates and practises a poetry based on traditional Gaelic metres, he favours a rhythmically measured form of free verse. He publishes his first collection, Coinnle geala, in 1942, quickly followed by Dánta aniar (1943), both at his own expense. In 1949, a volume of selected poems, Rogha dánta, is one of the first books published by the newly founded Irish language publisher Sáirséal agus Dill.
These books herald not just a new voice, but a new generation of modern poets in Irish, distinct in outlook and ambition from most of the revivalist poets who precede them. The leading figures of this generation, Ó Direáin, Seán Ó Ríordáin and Máire Mhac an tSaoi, all publish poems in various Irish language journals during the 1940s, though the latter two poets do not produce their first collections until the 1950s. Ó Direáin’s poetry is less thematically and linguistically adventurous than that of Ó Ríordáin (whom he nevertheless defends in print against the dogmatic criticism of Ó Ríordáin’s traditionalist detractors), and less consciously indebted to tradition than that of Mhac an tSaoi.
Ó Direáin’s early lyrics celebrate the traditional virtues of island life and mourn its passing because of increasing modernisation and population shifts toward the major cities. One of the best known of these poems, “Stoite“ (“Uprooted”), sets up a gloomy contrast between a traditional life in tune with nature’s rhythms, destined to endure in communal memory, and the fruitless urban existence of the contemporary office worker. This theme of uprootedness haunts his work throughout the 1950s and early 1960s. During this period he publishes his two most significant collections, Ó Mórna agus dánta eile (1957) and Ár ré dhearóil (1962), both of which take their titles from ambitious, and uncharacteristically long, poems. Ó Mórna, a poem of which there are two published versions, charts the colourful life of a proud, amoral tyrant, a figure based loosely on traditional accounts of a hard-living nineteenth-century landlord’s agent from Aran. Ó Mórna represents, in the poet’s view, the timeless Übermensch whose will to power is boundless and awesome. Ár ré dhearóil (“Our wretched era”) is an excoriation of the loveless hedonism of a middle-class Dublin populated by lonely bachelors, bitter spinsters, and immoral, though free-spirited and well-educated, women. The poem, which ends with an ominous if oblique warning against the threat of nuclear annihilation, bears some comparison with T. S. Eliot‘s “The waste land.” Eliot, Ezra Pound and W. B. Yeats are key influences alongside the canonical figures of seventeenth- and eighteenth-century Gaelic poetry. His strong social conscience is registered early on in poems such as “An Stailc“ (“The strike“). His life-long adherence to traditional nationalist values and his scornful attitude to what he perceives as the mercenary embrace of American-style capitalism in the changing economic climate of Ireland in the 1960s is most trenchantly voiced in poems such as “Éire ina bhfuil romhainn” (“Ireland in times ahead”) and “Mar chaitheamar an choinneal” (“As we spent the candle”).
Ó Direáin is an active member of the Irish language literary groups Cumann na Scríbhneoirí and Cumann na hÉigse, and publishes essays on a variety of topics throughout the 1940s and 1950s in magazines such as Ar Aghaidh, An Glór, Comhar and Feasta. A selection of mostly autobiographical essays, Feamainn Bhealtaine (1961), casts valuable light on the Aran of his youth and early adulthood. He is registrar for the National College of Art (1948–55), where he gets to know such prominent artists as Seán Keating, Maurice MacGonigal and Nano Reid, whose artwork adorns Rogha Dánta. From 1955 until his retirement from the civil service in 1975, he is a staff officer in the Department of Education. Cloch choirnéil appears in 1966, followed by Crainn is cairde (1970) and Ceacht an éin (1979).
The most comprehensive selection of Ó Direáin‘s poetry, Máirtín Ó Direáin: dánta 1939–1979 (1980), edited by Eoghan Ó hAnluain, covers all but two final volumes, Béasa an túir (1984) and Craobhóg dán (1986), neither of which add much of major significance to his oeuvre. A bilingual selection, Selected poems: Tacar dánta (1984), includes translations by Tomás Mac Síomóin and Douglas Sealy. In 1969, Ó Direáin delivers a series of lectures on his own work at University College Dublin (UCD), later edited by Eoghan Ó hAnluain as Ón ulán ramhar siar (2002), which provides useful background information on many individual poems. He receives the Irish American Cultural Institute (IACI) award in 1967 and is made a member of the Irish Academy of Letters in 1970. In 1977, he receives an honoraryDoctor of Letters degree from the National University of Ireland and the Ossian-Preis of the Freiherr von Stein Foundation in Hamburg. He is a full-time visiting lecturer in the department of Irish at University College Galway for the academic year 1978–79. He was also a member of Aosdána.
Ó Direáin marries Áine Colivet, a Dubliner of French extraction, in 1945. Their only child, Niamh, is born in 1947. He dies in Dublin on March 19, 1988.
A selection of Ó Direáin’s essays, An chuid eile díom féin, edited by Síobhra Aiken, and a bilingual volume of poems Máirtin Ó Direáin: Selected poems/ Rogha dánta, translated by Frank Sewell, are both published in 2018.
(From: “Ó Direáin, Máirtín” by Caoimhín Mac Giolla Léith, Dictionary of Irish Biography, www dib.ie, October 2009, last revised March 2021)
O’Malley is born on January 18, 1921, in Limerick, one of eight surviving children of Joseph O’Malley, civil engineer, and his wife, Mary “Cis” (née Tooher). Born into a wealthy middle-class family, he is educated by the Jesuits at Crescent College and later at Clongowes Wood College, County Kildare. He later studies at University College Galway (UCG), where he is conferred with a degree in civil engineering in 1943. He later returns to Limerick, where he works as an engineer before becoming involved in politics.
O’Malley plays rugby at provincial level for Munster, Leinster and Connacht and at club level for Bohemians and Shannon RFC. His chances at an international career are ruined by the suspension of international fixtures during World War II. It is at a rugby match in Tralee that he first meets Dr. Hilda Moriarty, who he goes on to marry in August 1947.
Although O’Malley runs as a Fianna Fáil candidate, he is born into a politically active family who supports Cumann na nGaedheal until a falling-out with the party in the early 1930s. He first becomes involved in local politics as a member of Limerick Corporation. He becomes Mayor of Limerick in 1961, the third O’Malley brother to hold the office (Desmond from 1941-43 and Michael from 1948-49). He is a strong electoral performer, topping the poll in every general election he runs in.
O’Malley is first elected to Dáil Éireann as a Fianna Fáil TD for Limerick East at the 1954 Irish general election. Fianna Fáil is not returned to government on that occasion. He spends the rest of the decade on the backbenches. However, his party is returned to power in 1957. Two years later, the modernising process begins when Seán Lemass takes over from Éamon de Valera as Taoiseach. Lemass introduces younger cabinet ministers, as the old guard who has served the party since its foundation in 1926 begin to retire.
In 1961, O’Malley joins the government as Parliamentary Secretary to the Minister for Finance. He is part of a new, brasher style of politician that emerges in the 1960s, sometimes nicknamed “the men in the mohair suits.” It is expected that this generation of politician, born after the Irish Civil War, will be a modernising force in post-de Valera Ireland.
Although his sporting background is in rugby and swimming, it is association football which O’Malley gets involved in at a leadership level, becoming President of the Football Association of Ireland despite never having played the sport.
Following Fianna Fáil’s retention of power in the 1965 Irish general election, O’Malley joins the cabinet as Minister for Health. He spends just over a year in this position before he is appointed Minister for Education, a position in which he displays renowned dynamism. Having succeeded Patrick Hillery, another dynamic young minister, he resolves to act swiftly to introduce the recommendations of an official report on education.
As Minister for Education, O’Malley extends the school transport scheme and commissions the building of new non-denominational comprehensive and community schools in areas where they are needed. He introduces Regional Technical Colleges (RTCs), now called Institutes of Technology, in areas where there is no third level college. The best example of this policy is the University of Limerick, originally an Institute of Higher Education, where O’Malley is credited with taking the steps to ensure that it becomes a university. His plan to merge Trinity College Dublin and University College Dublin arouses huge controversy, and is not successful, despite being supported by his cabinet colleague Brian Lenihan. Access to third-level education is also extended, the old scholarship system being replaced by a system of means-tested grants that give easier access to students without well-off parents.
Mid-twentieth century Ireland experiences significant emigration, especially to the neighbouring United Kingdom where, in addition to employment opportunities, there is a better state provision of education and healthcare. Social change in Ireland and policies intending to correct this deficit are often met with strong resistance, such as Noël Browne‘s proposed Mother and Child Scheme. As a former Health Minister, O’Malley has first-hand experience of running the department which had attempted to introduce this scheme and understood the processes that caused it to fail, such as resistance from Department of Finance and John Charles McQuaid. This influences his strategy in presenting the free-education proposal.
Shortly after O’Malley is appointed, he announces that from 1969 all education up to Intermediate Certificate level will be without cost, and free buses will bring students in rural areas to their nearest school, seemingly making this decision without consulting other ministers. However, he does discuss it with Lemass. Jack Lynch, who, as Minister for Finance, has to find the money to pay for the programme, is not consulted and is dismayed at the announcement.
By announcing the decision first to journalists and on a Saturday (during a month when the Dáil is in recess), the positive public reaction tempers resistance to the idea before the next cabinet meeting. O’Malley’s proposals are hugely popular with the public, and it is impossible for the government to go back on his word.
Some Irish commentators consider that O’Malley’s extension of education, changing Ireland from a land where the majority are schooled only to the age of 14 to a country with universal secondary-school education, indirectly leads to the Celtic Tiger boom of the 1990s-2000s when it is followed for some years by an extension of free education to primary degree level in university, a scheme that is launched in 1996 by the Labour Party and axed in 2009 by Fianna Fáil’s Batt O’Keeffe.
In 1967, O’Malley appoints Justice Eileen Kennedy to chair a committee to carry out a survey and report on the reformatory and industrial school systems. The report, which is published in 1970, is considered ground-breaking in many areas and comes to be known as the Kennedy Report. The Report makes recommendations about a number of matters, including the Magdalene laundries, in relation to which they are not acted upon. The report recommends the closure of a number of reformatories, including the latterly infamous reformatory at Daingean, County Offaly.
O’Malley’s reforms make him one of the most popular members of the government. He is affectionately known as “the School Man” for his work in education. His sudden death in Limerick on March 10, 1968, before his vision for the education system is completed, comes as a shock to the public. He is buried with a full Irish state funeral.
Following O’Malley’s death, his widow, Hilda O’Malley, does not run in the subsequent by-election for the seat he has left vacant. It is won narrowly by their nephew Desmond O’Malley. Hilda seeks the Fianna Fáil nomination for the 1969 Irish general election, but Fianna Fáil gives the party nomination to Desmond, as the sitting TD. Hilda runs as an Independent candidate in that election. After what proves a bitter campaign against her nephew, she fails to get the fourth seat in Limerick East by just 200 votes.
Best is born in Dublin on July 11, 1865, the youngest of fourteen children of Dublin merchant, Eldred Oldham, and Annie (née Alker). Two of her siblings are Alice Oldham, the first of nine women to graduate from university with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of national economics at University College Dublin (UCD). She attends the Royal Irish Academy of Music (RIAM), studying under Margaret O’Hea and Robert Prescott Stewart. She wins the Lord O’Hagan’s prize in 1883. She is one of the first three candidates to win a scholarship to the Royal College of Music, London, in 1883, becoming an associate of the College by competitive examination in 1887. She is a close friend and confidante of the College’s director, Sir George Grove, to which his 514 letters to her from 1883 to 1899, now housed in the Royal College of Music library, testify.
Best returns to the RIAM as a piano teacher in 1887, remaining in that post until 1932. She is the first female teacher in the RIAM listed as holding a diploma in music. She is also an assistant to Michele Esposito as a local centre examiner. She is a founding member of the Feis Ceoil, undertaking large responsibility for its organisation, and it becomes an annual event under her leadership. In 1898, she describes the foundation of the Feis in a paper to the Incorporated Society of Musicians as being inspired to “ultimately do more for the art of music in Ireland than anything which has yet been attempted.” Along with Joseph Seymour and Edward Fournier she visits the Welsh Eisteddfod to compare it with the Feis, and hopes it will become as influential as the Welsh festival. She works with Eoin MacNeill and the Gaelic League to promote the Feis, and to organise prizes. Under her influence, the festival broadens its scope beyond purely Irish music. She serves as the honorary secretary of the Feis Ceoil Association from 1896 to 1905, and vice-president from 1905 to 1950. In 1897, Esposito dedicates his cantata Deirdre to her. She is a founding member of the Dublin Orchestral Society in 1899, and she succeeds Esposito as the director of music at Alexandra College, Dublin, in 1927. She is made an associate of the Royal Dublin Societyin 1892, and fellow of the RIAM in 1938.
Doyle is awarded the Military Cross for his bravery during the assault on the village of Ginchy during the Battle of the Somme in 1916. He is also posthumously recommended for both the Victoria Cross and the Distinguished Service Order, but is awarded neither. It is possible that anti-Catholicism played a role in the British Army’s decision not to grant him both awards.
General William Hickie, the commander-in-chief of the 16th (Irish) Division, describes Father Doyle as “one of the bravest men who fought or served out here.”
Irish folk singer Willie ‘Liam’ Clancy is named after Doyle due to his mother’s fondness for him, although they never meet.
In August 2022, the Father Willie Doyle Association is established to petition the Catholic Church to introduce a cause for canonisation for Doyle. In January 2022, the Supplex Libellus, the formal petition, is presented to Bishop Thomas Deenihan. Having consulted with the Irish Bishops’ Conference and the Dicastery for the Causes of Saints, Deenihan issues an edict on October 27, 2022, announcing the opening of a cause. The Opening Session takes place on November 20, 2022, at the Cathedral of Christ the King, Mullingar.
After qualifying, Ryan works for several solicitors’ firms before establishing a private practice in Dame Street in Dublin, in which he remains an active partner until appointed to ministerial office in 1973.
In opposition, Ryan serves as Fine Gael Spokesperson on Health and Social Welfare (1966–70) and on Foreign Affairs and Northern Ireland (1970–73). During this period he is involved in several important pro bono legal cases, including the 1963 challenge in the High Court, and then, on appeal, in the Supreme Court of Ireland in 1964, by Gladys Ryan (no relation) on the constitutionality of the fluoridation of the water supply. While the court rules against Gladys Ryan, the case remains a landmark, for it establishes the right to privacy under the Constitution of Ireland (or, perhaps more precisely, the right to bodily integrity under Article 40.3.1.). The case also raises a legal controversy, owing to the introduction by Justice Kenny of the concept of unenumerated rights. Other notable cases involving Ryan include a challenge to the rules governing the drafting of constituency boundaries, and an unsuccessful attempt to randomise the order of candidates on ballot papers (owing to a preponderance of TDs with surnames from the first part of the alphabet).
Fine Gael comes to power in a coalition with the Labour Party in 1973, and Ryan becomes Minister for Finance. He presides over a tough four years in the National Coalition under Liam Cosgrave, during the 1970s oil crisis when, in common with most Western economies, Ireland faces a significant recession. He is variously lampooned as “Richie Ruin” on the Irish satire show Hall’s Pictorial Weekly, and as “Red Richie” for his government’s introduction of a wealth tax. Following the 1977 Irish general election Fine Gael is out of power, and he once again becomes Spokesperson on Foreign Affairs.
On being appointed to the European Court of Auditors in 1986, he resigns his seat and is succeeded by Chris O’Malley. He serves as a member of the Court of Auditors from 1986 to 1994, being replaced by Barry Desmond. After retirement, he continues in several roles, including as a Commissioner of Irish Lights (until 2004) and a time as Chairman of the Irish Red Cross in 1998.
Ryan is the father of the economist and academic Cillian Ryan. He dies in Dublin at the age of 90 on March 17, 2019. He is buried at Newlands Cross Cemetery and Crematorium in Dublin.
McGuckian is the youngest of six children to Brian McGuckian and his wife Pauline (née McKenna). He is named after his uncle, also Alexander Aloysius McGuckian, who dies five month before he is born. Yet another uncle, Daniel McGuckian, is a priest of the Diocese of Down and Connor and serves as parish priest of Cushendun and then Randalstown until his death in 1980. His father is a successful pig farmer who, alongside his brothers, develops the world’s biggest pig farm.
Two of McGuckian’s brothers are also Jesuit priests, while another brother is a businessman. Both of his sisters predecease him.
McGuckian is ordained to the priesthood on June 22, 1984, and makes his final profession on February 15, 1997.
Following ordination, McGuckian spends four years as a teacher in Clongowes Wood College and vocations director for the Jesuits, before undertaking a six month period of spiritual renewal in southern India and serving in a shanty town in Quezon City, Philippines.
McGuckian returns to Ireland in 1992, where he is appointed director of the Jesuit Communication Centre, during which he develops Sacred Space, a website which allows people to pray at their computer, in 1999, and Catholic news service CatholicIreland.net in 2004.
McGuckian also serves as editor of both An Timire and Foilseacháin Ábhair Spioradálta, later translating the autobiography of Ignatius of Loyola into Irish under the title Scéal an Oilithrigh. He also co-authors the drama 1912 – A Hundred Years On with Presbyterian historian Philip Orr in 2011, which looks at the experiences of the Ulster Covenant and the wider Home Rule movement from both nationalist and unionist perspectives.
McGuckian also serves as chaplain to many of the Gaelscoileanna in the Diocese of Down and Connor, and subsequently as chaplain to Ulster University campuses in Belfast and Jordanstown. Following the publication of the Living Church Report, which outlines the findings of a synodal process within the diocese, he is appointed by Noël Treanor in 2012 to set up and lead the Living Church Office, whose aim is to realise the hopes and aspirations expressed in the report and subsequently in the upcoming diocesan pastoral plan.
McGuckian is also appointed diocesan director of formation for the permanent diaconate in 2014, and also works during his directorship of the Living Church Office to establish pastoral communities across the diocese, through fostering a culture of co-responsibility for the mission of the Church between clergy and lay people.
McGuckian is appointed Bishop-elect of Raphoe by Pope Francis on June 9, 2017. His appointment makes him the first member of the Jesuits to be appointed a bishop in Ireland.
In an interview with The Irish Catholic in September 2019, McGuckian says that having a home is as fundamental as the right to life and education, and that the Government must be “pushed” to enshrine a right to housing in the Constitution of Ireland. He also joins a number of church leaders in the West of Ireland on September 16, 2021, in calling on the Irish government to offer reparations to homeowners whose properties are affected by defective concrete blocks.
In an interview with The Irish Catholic in February 2021, McGuckian takes issue with the view held by political leaders that public worship is deemed to be “non-essential” during the COVID-19 pandemic in the Republic of Ireland. Quoting Pope Francis, who states that “the right to worship must be respected, protected and defended by civil authorities like the right to bodily and physical health,” he expresses a need to let political leaders know that public worship is not only central, but also “utterly essential.”
Following a fatal explosion in Creeslough, County Donegal, on October 7, 2022, McGuckian refers to the explosion as “the darkest day in Donegal,” adding that the local community is “living through a nightmare of shock and horror.” He also concelebrates at the Funeral Masses of each of the victims, describing the fact that the parish church would be holding two funerals in the space of three hours as “surreal.”
McGuckian is appointed Bishop of Down and Connor by Pope Francis on February 2, 2024. In his first address following his appointment, he expresses his hope that the restoring of the Northern Ireland Executive will help the most vulnerable in society.
Clarke sings in a women’s choir from age 14 and is an outstanding piano pupil at the College of Music (now the DIT Conservatory of Music and Drama), Dublin. She studies music at University College Dublin (UCD), earning a Teacher’s Diploma in 1978 and a BMus in 1980. She teaches at a number of schools in the Dublin area. When she participates in the Ennis Composition Summer School in 1985, she is introduced to the music of continental composers such as Luciano Berio and Witold Lutoslawski, which leaves a lasting impression.
Some of Clarke’s early works receive awards, such as the Six Short Piano Pieces (1982), which wins the composition prize of the Feis Ceoil, and the choral work Suantraí Ghráinne (1983), which wins the Seán Ó Riada Memorial Trophy at the 1984 Cork International Choral Festival. For Sisyphus (1985) for flute, clarinet and string trio she receives the Varming Prize, which is awarded only every four years to an Irish composer under the age of thirty. She completes her first orchestral score in 1991 (A Great Rooted Tree). In 1992, she receives a Ph.D. from Queen’s University Belfast (QUB). She is a lecturer in music at St. Patrick’s College, Dublin City University (DCU).
Clarke receives commissions from RTÉ, the Cork International Choral Festival, Concorde, Music Network and the National Concert Hall, among others. Her work is performed and broadcast throughout Ireland and worldwide. In January 2014, she is the featured composer in the Horizon Series of contemporary music by the Irish national broadcaster RTÉ. For this event, the RTÉ National Symphony Orchestra commissions her orchestral composition SHIFT (2013). Since 2009 she has been collaborating with visual artist Marie Hanlon, including short experimental films with music, live music with visual projections and joint exhibitions, one example being the joint exhibition DIC TAT at the Gallery Draíocht, Blanchardstown, Dublin, July-September 2014.
Clarke is a member of Aosdána, Ireland’s state-sponsored academy of creative artists.
Clarke’s output includes choral, chamber, orchestral and electronic works. Her calm and evocative music in the early Suantraí Ghráinne creates some curiosity at its 1984 performance. Early chamber works such as Sisyphus (1985) and Purple Dust are characterised by wide-spaced harmonic settings of a rather sparse tonal material. Some aleatoric passages alternate with more strictly notated pitches and a rather limited degree of dissonance. In Gloria Deo (1988) for soprano, mixed chorus and orchestra she combines modal influences from Renaissance music with free atonality. Since the early 1990s she has been exploring the possibilities of electroacoustic music, winning an award at the 1992 Dublin Film Festival for her electronic score Whaling Afloat and Ashore. Her recent orchestral score SHIFT reflects her experiences in electroacoustic processes: “Extended techniques, deliberately avoided in previous work, are embraced here using harmonics and noise elements in strings, and bowed, timbral effects on percussion. In a single, fifteen-minute movement, transformations in colour and texture vary from slow and intense in the opening section, to sudden and harsh later in the piece.”
A snappy dresser who earns the nickname “the yellow rose of Finglas,” Tunney is sometimes seen as pompous, a perception possibly attributable to his acting background, which once leads to an audition at Dublin’s Abbey Theatre.
In 1963 Tunney joins Fianna Fáil, and stands for the party at the 1965 Irish general election but is not elected. He is elected to Dáil Éireann as a Fianna Fáil TD for the Dublin North-West constituency at the 1969 Irish general election. He serves continuously in the Dáil until losing his seat at the 1992 Irish general election, having been a TD for Dublin Finglas from 1977 to 1981 when Dublin constituencies are reconfigured as 3-seaters, before being returned for Dublin North-West in 1981.
During this period Tunney serves as Parliamentary Secretary to the Minister for Education (after 1978, Minister of State at the Department of Education) in three governments. He serves as Leas-Ceann Comhairle of Dáil Éireann from 1981 to 1982, and from 1987 to 1993. He is also chair of the Fianna Fáil parliamentary party for ten years. He is a member of Dublin City Council, and serves as Lord Mayor of Dublin from 1984 to 1985.
Following Tunney’s death, TaoiseachBertie Ahern describes him as “a parliamentarian and a gentleman who was passionately committed to serving his country.” Ahern adds, “he was not only a man of substance but one of style. From the flower that was always in his buttonhole to the elegance of his language in both Irish and English he had a commanding and stylish presence.”
Fine Gael leader Michael Noonan says Tunney had gained “the widespread affection and respect of colleagues of all political parties.”
Leader of the Labour PartyRuairi Quinn describes Tunney as a “thoughtful and courteous colleague” who carried out his duties with “fairness but also with wit and style.”
In 1956, Whitaker is appointed Secretary of the Department of Finance, at the age of thirty-nine. His appointment takes place at a time when Ireland’s economy is in deep depression. Economic growth is non-existent, inflation apparently insoluble, unemployment rife, living standards low and emigration at a figure not far below the birth rate. He believes that free trade, with increased competition and the end of protectionism, will become inevitable and that jobs will have to be created by a shift from agriculture to industry and services. He forms a team of officials within the department which produce a detailed study of the economy, culminating in a plan recommending policies for improvement. The plan is accepted by the government and is transformed into a white paper which becomes known as the First Programme for Economic Expansion, and quite unusually is published with his name attached in November 1958. The programme becomes known as the “Grey Book” which many argue brings the stimulus of foreign investment into the Irish economy. However, other reforms such as the Department of Industry and Commerce‘s export profits tax relief introduced in 1956, are opposed by Whitaker.
In 1977, Taoiseach Jack Lynch nominates Whitaker as a member of the 14th Seanad. He serves as a Senator from 1977 to 1981, where he sits as an independent member.
In 1981, Whitaker is nominated to the 15th Seanad by Taoiseach Garret FitzGerald, where he serves until 1982. FitzGerald also appoints him to chair a Committee of Inquiry into the Irish penal system, and he chairs a Parole Board or Sentence Review Group for several years.
Whitaker also serves as Chancellor of the National University of Ireland (NUI) from 1976 to 1996. He was also President of the Royal Irish Academy (RIA) and as such, a member of the Board of Governors and Guardians of the National Gallery of Ireland, from 1985 to 1987. He has a very strong love for the Irish language throughout his career and the collection of Irish poetry, An Duanaire: Poems of the Dispossessed 1600–1900, edited by Seán Ó Tuama and Thomas Kinsella is dedicated to Whitaker. From 1995 to 1996 he chairs the Constitution Review Group, an independent expert group established by the government, which publishes its report in July 1996.
Whitaker receives many national and international honours and tributes for his achievements during his lifetime, most notably the conferral of “Irishman of the 20th Century” in 2001 and Greatest Living Irish Person in 2002. In November 2014, the Institute of Banking confers an Honorary Fellowship on him and creates an annual T. K. Whitaker Scholarship in his name. In April 2015, he is presented with a lifetime achievement award by University College Dublin‘s Economics Society for his outstanding contribution to Ireland’s economic policy.
In November 2016, to mark his centenary year, Dún Laoghaire–Rathdown County Council acknowledges Whitaker’s “outstanding and progressive contribution to Irish public service and to society.” The Cathaoirleach of Dún Laoghaire–Rathdown, Cormac Devlin, presents a special award to Whitaker which is accepted by Ken Whitaker on behalf of his father.
Whitaker marries Nora Fogarty in 1941 and they have six children. After his wife’s death in 1994, he remarries, to Mary Moore in 2005. The couple is invited to Áras an Uachtaráin in 2006 for his 90th birthday by the President of IrelandMary McAleese. Mary Moore Whitaker dies in 2008. T. K. Whitaker turns 100 in December 2016 and dies a month later on January 9, 2017, having survived both of his wives. He is buried at Shanganagh Cemetery, Shankill, Dublin.
Macardle is born in Dundalk, County Louth, on March 7, 1889, into a wealthy brewing family famous for producing Macardle’s Ale. Her father, Sir Thomas Callan Macardle, is a Catholic who supports John Redmond and the Irish Home Rule movement, while her mother, Lucy “Minnie” Macardle, comes from an English Anglican background and is politically a unionist. Lucy converts to Catholicism upon her marriage to Thomas. Macardle and her siblings are raised as Catholics, but Lucy, who is politically isolated in Ireland, “inculcated in her children an idealised view of England and an enthusiasm for the British empire“. She receives her secondary education in Alexandra College, Dublin—a school under the management of the Church of Ireland—and later attends University College Dublin (UCD). Upon graduating, she returns to teach English at Alexandra where she had first encountered Irish nationalism as a student. This is further developed by her first experiences of Dublin’s slums, which “convinced her that an autonomous Ireland might be better able to look after its own affairs” than the Dublin Castle administration could.
Between 1914 and 1916, Macardle lives and works in Stratford-upon-Avon in Warwickshire, England. There, her encounters with upper-class English people who express anti-Irish sentiment and support keeping Ireland in the British Empire by force further weakens her Anglophilia. Upon the outbreak of World War I, she supports the Allies, as does the rest of her family. Her father leads the County Louth recruiting committee while two of her brothers volunteer for the British Army. Her brother, Lieutenant Kenneth Callan Macardle, is killed at the Battle of the Somme, while another brother, Major John Ross Macardle, survives the war and earns the Military Cross. While Macardle is a student, the Easter Rising occurs, an experience credited for a further divergence of her views regarding republicanism and her family.
On January 19, 1919, Macardle is in the public gallery for the inaugural meeting of the First Dáil and witnesses it declare unilateral independence from the United Kingdom, which is ultimately the catalyst for the Irish War of Independence.
By 1919 Macardle has befriended Maud Gonne MacBride, the widow of the 1916 Easter Rising participant John MacBride, and together the two work at the Irish White Cross, attending to those injured in the war. It is during this period she also becomes a propagandist for the nationalist side.
Following the signing of the Anglo-Irish Treaty in December 1921, Macardle takes the anti-treaty side in the ensuing Irish Civil War. Alongside Gonne MacBride and Despard, she helps found the Women Prisoners’ Defence League, which campaigns and advocates for republicans imprisoned by the newly established Irish Free State government. It is also during this same time that she begins working alongside Erskine Childers in writing for anti-treaty publications An Phoblacht and Irish Freedom.
In October 1922, Despard, Gonne MacBride and Macardle are speaking at a protest on O’Connell Street, Dublin against the arrest of Mary MacSwiney, a sitting Teachta Dála, by the Free State when Free State authorities move to break it up. Rioting follows and Free State forces open fire, resulting in 14 people being seriously wounded while hundreds of others are harmed in the subsequent stampede to flee. Following the event, Macardle announces she is going to pursue support of the Anti-treaty side full-time in a letter to Alexandra College, which ultimately leads to her dismissal on November 15, 1922. In the following days Macardle is captured and imprisoned by the Free State government and subsequently serves time in both Mountjoy Prison and Kilmainham Gaol, with Rosamond Jacob as her cellmate. During one point at her time in Kilmainham, Macardle is beaten unconscious by male wardens. She becomes close friends with Jacob and shares a flat with her in Rathmines later in the 1920s.
The Irish Civil War concludes in the spring of 1923, and Macardle is released from prison on May 9.
Following the Irish Civil War, Macardle remains active in Sinn Féin and is drawn into the camp of its leader Éamon de Valera and his wife Sinéad. She travels alongside the de Valeras as they tour the country and she is a frequent visitor to their home. As the trust between Macardle and de Valera develops, de Valera asks her to travel to County Kerry to investigate and document what later becomes known as the Ballyseedy massacre of March 1923, in which a number of unarmed republican prisoners are reportedly killed in reprisals. She obliges, and by May 1924 she has compiled a report that is released under the title of The Tragedies of Kerry.” Immediately upon the release of the report, the Minister for DefenceRichard Mulcahy sets up an inquiry in June 1924 to carry out a separate investigation by the government. However, the government’s inquiry comes to the conclusion there had been no wrongdoing committed. Her book The Tragedies of Kerry remains in print and is the first journalistic historical account of the Irish Civil War from those on the republican side detailing Ballyseedy, Countess Bridge and various other incidents that occur in Kerry during this time.
In 1926, Éamon de Valera resigns as President of Sinn Féin and walks out of the party following a vote against his motion that members of the party should end their policy of abstentionism against Dáil Éireann. De Valera and his supporters, including Macardle, form the new political party Fianna Fáil in May 1926, with Macardle immediately elected to the party’s National Executive|Ard Chomhairle, one of six female members out of twelve on the original party National Executive, the others being Hanna Sheehy-Skeffington, Kathleen Clarke, Countess Constance Markievicz and Linda Kearns. Macardle is made the party’s director of publicity. However, she resigns from Fianna Fáil in 1927 when the new party endorses taking their seats in Dáil Eireann. Nevertheless, her views remain relatively pro-Fianna Fáil and pro-de Valera.
Macardle recounts her civil war experiences in Earthbound: Nine Stories of Ireland (1924). She continues as a playwright for the next two decades. In her dramatic writing, she uses the pseudonymMargaret Callan. In many of her plays a domineering female character is always present. This is thought to be symbolic of her own relationship with her own mother. Her parents’ marriage had broken up as her mother returned to England and her father raised the children with servants in Cambrickville and they were sent away for school. This female character holds back the growth and development of the younger female character in Dorothy’s plays and writings.
By 1931, Macardle takes up work as a writer for The Irish Press, which is owned by de Valera and leans heavily toward supporting Fianna Fáil and Irish republicanism in general. In addition to being a theatre and literary critic for the paper, she also occasionally writes pieces of investigative journalism such as reports on Dublin’s slums. In the mid-1930s she also becomes a broadcaster for the newly created national radio station Radio Éireann.
In 1937, Macardle writes and publishes the work by which she is best known, The Irish Republic, an in-depth account of the history of Ireland between 1919 until 1923. Because of the book, political opponents and some modern historians consider her to have been a hagiographer toward de Valera’s political views. In 1939 she admits, “I am a propagandist, unrepentant and unashamed.” Overall, however, the book is well-received, with reviews ranging from “glowing” to measured praise. She is widely praised for her research, thorough documentation, range of sources and narration of dramatic events, alongside reservations about the book’s political slant. The book is reprinted several times, most recently in 2005. Éamon de Valera considers The Irish Republic the only authoritative account of the period from 1916 to 1926, and the book is widely used by de Valera and Fianna Fáil over the years and by history and political students. She spends seven years writing the book in a cottage in Delgany, County Wicklow, and it is a day-by-day account of the history of the events in Ireland from 1919 to 1923 recorded in painstaking detail together with voluminous source material.
In 1937, de Valera’s Fianna Fáil government is able to create a new Constitution of Ireland following a successful referendum. However, there is widespread criticism of the new Constitution from women, particularly republican women, as the language of the new Constitution emphasises that a woman’s place should be in the home. Macardle is among them, deploring what she sees as the reduced status of women in this new Constitution. Furthermore, she notes that the new Constitution drops the commitment of the 1916 Proclamation of the Irish Republic to guarantee equal rights and opportunities “without distinction of sex” and writes to de Valera questioning how anyone “with advanced views on the rights of women” can support it. DeValera also finds her criticising compulsory Irish language teaching in schools.
While working as a journalist with the League of Nations in the late 1930s, Macardle acquires a considerable affinity with the plight of Czechoslovakia being pressed to make territorial concessions to Nazi Germany. Believing that “Hitler‘s war should be everybody’s war,” she disagrees with de Valera’s policy of neutrality. She goes to work for the BBC in London, develops her fiction and, in the war’s aftermath, campaigns for refugee children – a crisis described in her book Children of Europe (1949). In 1951, she becomes the first president of the Irish Society of Civil Liberties.
Macardle dies of cancer on December 23, 1958, in a hospital in Drogheda, at the age of 69. Though she is somewhat disillusioned with the new Irish State, she leaves the royalties from The Irish Republic to her close friend Éamon de Valera, who had written the foreword to the book. De Valera visits her when she is dying. She is accorded a state funeral, with de Valera giving the oration. She is buried in Sutton, Dublin.
seamus dubhghaill 