Nathanael Greene‘s keel is laid down on May 21, 1962, at the Portsmouth Naval Shipyard in Kittery, Maine. The construction of the ship is supervised by Commander Lawrence Dennis Ballou. She is launched on May 12, 1964, sponsored by Mrs. Neander W. Wade, a descendant of Nathanael Greene, and commissioned on December 19, 1964, with Commander Robert E. Crispin in command of the Blue Crew and Commander William M. Cossaboom in command of the Gold Crew.
Nathanael Greene departs Portsmouth for shakedown on December 30, 1964, with her Gold Crew embarked. It is relieved on February 1, 1965, by the Blue Crew. Her shakedown period is followed by repairs and alterations at Portsmouth Naval Shipyard, after which the submarine, with her Blue Crew embarked, departs the shipyard for ballistic missile loading and her initial Polaris missile deterrent patrol.
In 1970-71 Nathanael Greene is refueled and receives its conversion to launch Poseidon missiles at Newport News Shipbuilding. Following Yard period and shakedown, she proceeds to Cape Canaveral for a test missile launch. In March 1972, she departs for her first deterrent patrol following conversion ending up in Holy Loch, Scotland.
On January 29, 1970, while making a surface run into port in thick fog, Nathanael Greene runs aground in about sixteen feet of water. She is refloated after about seven hours.
On August 11, 1984, Nathanael Greene loses her propeller in the Irish Sea. While proceeding back to Holy Loch at about 3 knots using her secondary propulsion motor, a transit of about 5 or 6 days, she is redirected to Her Majesty’s Naval Base, Clyde at Faslane as the U.S. dry dock in Holy Loch is fully committed and unavailable, while Admiralty Floating Dock No. 60 at Faslane is available. While in the Faslane dry dock, a fire occurs in one of the dock’s enclosed machinery spaces on August 18, 1984. The fire is quickly extinguished and does not affect the Nathanael Greene. While in dry dock, it is established that the main shaft had broken with the loss of about a third of its length along with the propeller. Repairs are completed in about twelve days and the Nathanael Green is undocked on September 3, 1984.
On March 13, 1986, Nathanael Greene runs aground in the Irish Sea, suffering severe damage to her rudder and ballast tanks. Her grounding is a serious accident involving a U.S. Navy nuclear-powered ballistic missile submarine. She is deactivated while still in commission in May 1987. Her early deactivation is decided both as a result of the damage sustained in the accident as well as in accordance with the limitations set by the SALT II Treaty.
Nathanael Greene is decommissioned on December 15, 1986, and stricken from the Naval Vessel Register (NVR) on January 31, 1987. Her removal from service allows the United States to comply easily with the ballistic missile limits of the SALT II strategic arms limitation treaty.
Nathanael Greene‘s sail has been restored and is now on display in Port Canaveral, Florida, as a memorial to the original 41 for Freedom fleet ballistic missile submarines.
(Pictured: USS Nathanael Greene (SSBN-636), probably during her sea trials off New England in the mid-1960s.)
When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.
Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish TimesBest New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.
Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.
Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).
A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.
Irish poetSeán Mac Falls is born on November 18, 1957. Belonging to no group or movement and operating outside of literary fashions, his brand of symbolist poetry can, at first reading, appear difficult. His use of allusion, startling diction and subtle punning display submerged metaphor in his work. The overall effect is a fresh implementation of Imagism.
Mac Falls publishes a second book, entitled The Blue Falcon, in 2005. His latest book of verse is titled Garden Theology (2022).
At the age of fifty, a reflective time in his life, Mac Falls purchases an historic, 100-year-old farmhouse property on the Olympic Peninsula in Washington State, overlooking Vancouver Island on the Salish Sea, with a sweeping view across the Strait of Juan de Fuca to Mount Baker. He is seeking a “Gentle House” with the peace and solitude he seeks in which to write. In the ensuing years he desires to share this experience and, looking ahead, establish an artist residency.
In order to preserve and extend the space that proves so generative, Mac Falls’s gift to the writing community is a place for poets, playwrights, painters, filmmakers and songwriters to co-mingle and create and collaborate.
Mac Falls, in collaboration with the esteemed non-profit Tupelo Press, establishes Gentle House as a retreat and ongoing residency for artists with an original founding gift, the property, cottages and a substantial poetry library. During 2022-23, Gentle House will transition to a 501(c)(3) nonprofit literary arts organization. Gentle House continues to subsist on the generosity of Mac Falls’s founding gift, supplemented by a fundraising program that began in earnest in 2021, and is growing each year.
De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.
After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.
Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”
De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.
The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.
The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.
After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.
It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.
The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran FenianJohn Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.
The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.
De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.
(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)
Zappone is nominated by Taoiseach Enda Kenny to the 24th Seanad in 2011, having been recommended by Eamon Gilmore, the then leader of Fine Gael‘s coalition partners, the Labour Party. With her Seanad nomination, she becomes the first openly lesbian member of the Oireachtas and the first member in a recognised same-sex relationship.
Zappone is elected to the Dáil for the Dublin South-West constituency at the 2016 Irish general election, becoming the first openly lesbian TD and, by her own reckoning, the world’s 32nd lesbian to be elected to a national parliament. In May 2016, after a delay in government formation, due to prolonged talks, she becomes Ireland’s first openly lesbian government Minister and the first Minister to have been openly gay at the time of appointment to cabinet, when Taoiseach Enda Kenny appoints her as the Minister for Children and Youth Affairs. She loses her seat at the February 2020 Irish general election and continues to serve as a minister until June 2020 on the election of a new government.
In July 2021, it is announced that Zappone is to be appointed to the newly created position of Special Envoy to the UN for Freedom of Opinion and Expression. It subsequently emerges that the proposed appointment had not been flagged in advance of the Cabinet meeting where it was proposed by Minister Simon Coveney, raising the concerns of the Taoiseach, Micheál Martin. However, he does not block the appointment, attracting criticism from within government, the opposition and the public, with Sinn Féin describing the appointment as “cronyism.”
In the following days it is reported that Zappone had lobbied for the creation of an appointment to the part-time position, which was not openly advertised or subject to a competition. Further controversy arises when it is reported that shortly prior to the announcement of her appointment, she had hosted a party for 50 guests, including politicians such as Leo Varadkar, at the Merrion Hotel, while the COVID-19 pandemic in the Republic of Ireland was ongoing. Comparisons are made between the party and the Oireachtas Golf Society scandal from earlier in the pandemic. On August 4, 2021, she announces that she will not take up the envoy role, saying “While I am honoured to have been appointed by the Government to be the Special Envoy on Freedom of Opinion and Expression, it is clear that criticism of the appointment process has impacted the legitimacy of the role itself. It is my conviction that a Special Envoy role can only be of real value to Ireland and to the global community if the appointment is acceptable to all parties.”
In September 2021, Zappone is invited to appear before the Oireachtas Committee on Foreign Affairs and Defence, but chooses not to attend. As a U.S. citizen and resident, the committee has no power to compel her attendance.
Robert William Gary Moore, Northern Irish musician, most widely recognised as a singer, songwriter, and virtuoso rock and blues guitarist, dies of a heart attack on February 6, 2011, in Estepona, Spain.
In a career dating back to the 1960s, Moore plays with musicians including Phil Lynott and Brian Downey during his teenage years, leading him to memberships of the Irish bands Skid Row and Thin Lizzy, and British band Colosseum II. Moore shares the stage with such blues and rock musicians as B. B. King, Albert King, Jack Bruce, Albert Collins, George Harrison, and Greg Lake, as well as having a successful solo career. He guests on a number of albums recorded by high-profile musicians.
Moore is born in Belfast, Northern Ireland on April 4, 1952. He starts performing at a young age, having picked up a battered acoustic guitar at the age of eight. He gets his first quality guitar at the age of 14, learning to play the right-handed instrument in the standard way despite being left-handed.
At the age of 16, aiming to become a musician, he moves to Dublin. Moore’s greatest influence in the early days is guitarist Peter Green of Fleetwood Mac who is a mentor to Moore when performing in Dublin. Other early musical influences are artists such as Albert King, Elvis Presley, Eric Clapton, The Shadows, and The Beatles. Later, having seen Jimi Hendrix and John Mayall’s Bluesbreakers in his hometown of Belfast, his own style develops into a blues-rock sound that becomes the dominant form of his career in music.
In Dublin, Moore joins the group Skid Row with Noel Bridgeman and Brendan “Brush” Shiels. It is with this group that he earns a reputation in the music industry, and his association with Phil Lynott begins.
Moore moves to England in 1970 and in 1973, under the name “The Gary Moore Band,” he releases his first solo album, Grinding Stone. Grinding Stone receives “Album of the Year” accolades on KTAC-FM/Seattle–Tacoma, Washington, in 1974.
In 1974 he joins Thin Lizzy after the departure of founding member Eric Bell. From 1975 to August 1978, he is a member of Colosseum II. In 1977, Moore rejoins Thin Lizzy, first as a temporary replacement for Brian Robertson, and on a permanent basis a year later.
Gary Moore dies of a heart attack in his sleep at the age of 58 during the early hours of February 6, 2011. At the time, he is on holiday with a girlfriend at the Kempinski Hotel in Estepona, Spain. Moore is laid to rest in St. Margaret’s Churchyard, Rottingdean, East Sussex, England, in a private ceremony with only family and close friends in attendance.
Joe Heaney, traditional Irish singer also known as Joe Éinniú or Seosamh Ó hÉanaí, dies in Seattle, Washington on May 1, 1984. He spends most of his adult life abroad, living in England, Scotland and New York City, in the course of which he records hundreds of songs.
Heaney is born Carna, a remote village in the Irish-speaking district of Connemara, County Galway, along the west coast of Ireland on October 15, 1919. He starts singing at the age of five, but his shyness keeps him from singing in public until he is 20. He learns English at school in Carna. When he is 16 years old, he wins a scholarship to attend school in Dublin. While there he wins first and second prizes at a national singing competition. Most of his repertoire, estimated to exceed 500 songs, is learned while growing up in Carna.
In 1949, Heaney goes to London where he works on building sites and becomes involved in the folk-music scene. He records for the Topic Records and Gael Linn Records labels. He is married for six years until his wife dies of tuberculosis.
Heaney is recorded by Pádraic Ó Raghallaigh for Raidió Teilifís Éireann, and by Peter Kennedy for the BBC in 1959. The BBC recordings are assembled on a BBC LP, not commercially issued, as BBC LP 22570.
Joe Heaney dies of emphysema in Seattle on May 1, 1984. The Joe Heaney Collection of the University of Washington Ethnomusicology Archives is established after his death. The Féile Chomórtha Joe Éinniú (Joe Heaney Commemorative Festival) is held every year in Carna. An Irish-language biography of him has been written by Liam Mac Con Iomaire, and a biography that discusses his work in the larger context of Ireland and the United States was published in 2011 by Sean Williams and Lillis Ó Laoire.
Flynn’s family moves to New York in 1900, where she is educated in the local public schools. She grows up being regaled by tales of Irish revolutionaries. According to their oral tradition all four of her great-grandfathers, Flynn, Gurley, Conneran, and Ryan, are members of the Society of United Irishmen, with grandfather Flynn being one of the leaders in County Mayo when the French fleet lands there during the Irish Rebellion of 1798. Her parents introduce her to socialism. When she is only fifteen, she gives her first public speech, “What Socialism Will Do for Women,” at the Harlem Socialist Club.
In 1907, Flynn becomes a full-time organizer for the Industrial Workers of the World. Over the next few years, she organizes campaigns among garment workers in Pennsylvania, silk weavers in New Jersey, restaurant workers in New York, miners in Minnesota, Missoula, Montana, and Spokane, Washington and textile workers in Massachusetts. She is arrested ten times during this period but is never convicted of any criminal activity. It is a plea bargain, on the other hand, that results in her expulsion from the IWW in 1916, along with fellow organizer Joe Ettor.
A founding member of the American Civil Liberties Union (ACLU) in 1920, Flynn plays a leading role in the campaign against the conviction of Nicola Sacco and Bartolomeo Vanzetti. She is particularly concerned with women’s rights, supporting birth control and women’s suffrage. She also criticizes the leadership of trade unions for being male-dominated and not reflecting the needs of women.
Between 1926 and 1936, Flynn lives in southwest Portland, Oregon with birth control activist, suffragette, and WobblyMarie Equi where she is an active and vocal supporter of the 1934 West Coast Longshoremen’s Strike. In 1936, she joins the Communist Party and writes a feminist column for its journal, the Daily Worker. Two years later, she is elected to the national committee. Her membership in the Party leads to her ouster from the board of the ACLU in 1940.
During World War II, Flynn plays an important role in the campaign for equal economic opportunity and pay for women and the establishment of day care centers for working mothers. In 1942, she runs for the United States Congress at-large in New York and receives 50,000 votes. In July 1948, a dozen leaders of the Communist Party are arrested and accused of violating the Smith Act by advocating the overthrow of the U.S. government by force and violence. After they are convicted in the Foley Square trial they appeal to the Supreme Court, which upholds their conviction in Dennis v. United States.
Flynn launches a campaign for their release but, in June 1951, is herself arrested in the second wave of arrests and prosecuted under the Smith Act. After a nine-month trial, she is found guilty and serves two years in Federal Prison Camp, Alderson near Alderson, West Virginia. She later writes a prison memoir, The Alderson Story: My Life as a Political Prisoner.
After her release from prison, Flynn resumes her activities for leftist and Communist causes. She runs for the New York City Council as a Communist in 1957, garnering a total of 710 votes. She becomes national chairwoman of the Communist Party of the United States in 1961 and makes several visits to the Soviet Union.
Harry Lillis “Bing” Crosby Jr., American singer and actor and descendant of Irish immigrants, is born on May 3, 1903, in Tacoma, Washington. His trademark warm bass-baritone voice makes him one of the best-selling recording artists of all time, selling over one billion analog records and tapes, as well as digital compact discs and downloads around the world.
Crosby’s parents are Harry Lillis Crosby Sr. (1870–1950), a bookkeeper of English descent, and Catherine Helen “Kate” (née Harrigan; 1873–1964), a second-generation Irish American. An ancestor, Simon Crosby, emigrates to America in the 17th century, and one of his descendants marries a descendant of Mayflower passenger William Brewster.
The first multimedia star, from 1931 to 1954 Crosby is a leader in record sales, radio ratings, and motion picture grosses. His early career coincides with technical recording innovations such as the microphone. This allows him to develop a laid-back, intimate singing style that influences many of the popular male singers who follow him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Yank, the Army Weekly magazine says that he is the person who has done the most for American soldiers’ morale during World War II.
The biggest hit song of Crosby’s career is his recording of Irving Berlin‘s “White Christmas,” which he introduces on a Christmas Day radio broadcast in 1941. The song then appears in his 1942 movie Holiday Inn. His record hits the charts on October 3, 1942, and rises to No. 1 on October 31, where it stays for eleven weeks.
In 1948, American polls declare him the “most admired man alive,” ahead of Jackie Robinson and Pope Pius XII. Also in 1948, Music Digest estimates that his recordings fill more than half of the 80,000 weekly hours allocated to recorded radio music.
Crosby wins an Academy Award for Best Actor for his role as Father Chuck O’Malley in the 1944 motion picture Going My Way and is nominated for his reprise of the role in The Bells of St. Mary’s opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. In 1963, he receives the first Grammy Global Achievement Award. He is one of 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, and audio recording.
Crosby influences the development of the postwar recording industry. After seeing a demonstration of an early Ampexreel-to-reel tape recorder he places a large order for their equipment and convinces ABC to allow him to tape his shows. He becomes the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. Through the medium of recording, he constructs his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) used in motion picture production, a practice that becomes an industry standard. In addition to his work with early audio tape recording, he helps to finance the development of videotape, purchases television stations, breeds racehorses, and co-owns the Pittsburgh Pirates baseball team.
On October 13, 1977, Crosby flies alone to Spain to play golf and hunt partridge. The following day, at the La Moraleja Golf Course near Madrid, he plays 18 holes of golf. As Crosby and his party head back to the clubhouse, Crosby says, “That was a great game of golf, fellas.” At about 6:30 PM, he collapses about 20 yards from the clubhouse entrance and dies instantly from a massive heart attack. At Reina Victoria Hospital he is administered the last rites of the Catholic Church and is pronounced dead. On October 18, following a private funeral Mass at St. Paul’s Catholic Church in Westwood, he is buried at Holy Cross Cemetery in Culver City, California. A plaque is placed at the golf course in his memory.
When McLarnin is three years old the family emigrates to Saskatchewan, Canada via Liverpool. The McLarnins start out as a wheat farmers, but years later, following a particularly harsh winter, the family moves to Vancouver where they open a second-hand clothing store in Vancouver’s east end.
McLarnin is prodigious athlete, his main sports are football, baseball and boxing. He takes up boxing at the age of 10 after getting into a fight defending his newspaper-selling pitch. Former professional boxer Charles “Pop” Foster recognizes McLarnin’s talent at the age of 13. He constructs a makeshift gym for McLarnin to train in, sure that he will one day be the champion of the world. The two of them remain close, and when Foster dies, he leaves everything he has to McLarnin.
Following a successful start to his career in Vancouver, McLarnin grows aggrieved at the low pay he is receiving for bouts and decides to move to San Francisco. There his youthful appearance makes it difficult to get a fight until he lies about his age. It is for this reason that McLarnin is known as the “Baby-faced Assassin.” Despite his youthful appearance, McLarnin has incredible power with both fists, his right being particularly feared. Towards the end of his career he is forced to become more of a scientific boxer to reduce further injuries to his hands.
McLarnin loses his first title shot on May 21, 1928 in New York City against world lightweight champion Sammy Mandell. However, he does go on to beat him twice in the following two years. It is five years before McLarnin gets another title shot, during which time he knocks out gifted Jewish contenders Al Singer, Ruby Goldstein, and Sid Terris.
McLarnin’s second title shot comes against welterweight champion Young Corbett III. McLarnin wins by knockout after only 2 minutes 37 seconds. Following his title success, he fights an epic three-fight series with Barney Ross. The first fight, on May 28, 1934, is won by Ross, but McLarnin regains his title in their next match four months later. In the deciding fight on May 28, 1935, McLarnin loses his title for the final time in a narrow decision.
McLarnin retires in November 1936 still at the top of his game, having won his last two fights against all-time greats Tony Canzoneri and Lou Ambers. His record is 54 wins, 11 losses, and 3 draws in 68 contests. He never returns to the ring despite large incentives for him to do so. Unlike many boxers, he invested his money wisely and retires a wealthy man. He opens an electrical goods store, and also does some acting, golfing, and lecturing.
In 1996 The Ring votes McLarnin the fifth-greatest welterweight of all time.
seamus dubhghaill 