Patrick James Connolly, Irish barrister who serves as Attorney General of Ireland from March 1982 to August 1982, resigns on August 17, 1982, after Malcolm McArthur, wanted for, and later convicted of murder is found to be his house guest. The fallout from the incident leads to one of the most famous acronyms in Irish politics.
Connolly resigns on August 17, 1982 after Malcolm MacArthur, who had been a house-guest of Connolly’s, is arrested for murder. MacArthur, the domestic partner of Connolly’s friend Brenda Little, had committed a horrific double murder in the midst of a botched carjacking and robbery in 1982. Though Connolly is not implicated in the murder and is completely unaware of McArthur’s activities, he is forced to resign at midnight the night of MacArthur’s arrest and never again serves in government.
The much reviled, and correspondingly much loved Taoiseach, Charles Haughey, describes the incident as “a bizarre happening, an unprecedented situation, a grotesque situation, an almost unbelievable mischance.” Conor Cruise O’Brien, one of Haughey’s political opponents who despises the most corrupt Taoiseach in Irish history coins the phrase GUBU – Grotesque, Unprecedented, Bizarre, Unbelievable – to describe not just what happened but Haughey’s overall response.
Connolly returns to practice at the Irish bar and to work as a senior counsel in Dublin. A life-long bachelor, he dies at the age of 88 on January 7, 2016. Though he never marries, he has a very close relationship with his extended family, including his nephew and two nieces who speak at his funeral Mass. He is buried in Deans Grange Cemetery.
Barton is born in Annamoe on March 14, 1881, into a wealthy Irish Protestant land-owning family, namely of Glendalough House. His two younger brothers, Erskine and Thomas, die while serving in the British Army during World War I. He is educated in England at Rugby School and the University of Oxford and becomes an officer in the Royal Dublin Fusiliers on the outbreak of World War I. He is stationed in Dublin during the 1916 Easter Rising and comes into contact with many of its imprisoned leaders in the aftermath while on duty at Richmond Barracks. He resigns his commission in protest at the heavy-handed British government suppression of the revolt. He then joins the Irish Republican Brotherhood (IRB).
At the 1918 Irish general election to the British House of Commons, Barton is elected as the Sinn Féin member for West Wicklow. In common with all Sinn Féin members, he boycotts the Westminster parliament and sits instead in Dáil Éireann (the First Dáil). Arrested in February 1919 for sedition, he escapes from Mountjoy Prison on Saint Patrick’s Day, leaving a note to the governor explaining that, owing to the discomfort of his cell, he felt compelled to leave, and requests the governor to keep his luggage until he sends for it. He is appointed as Director of Agriculture in the Dáil Ministry in April 1919. He is recaptured in January 1920 and sentenced to three years’ imprisonment but is released under the general amnesty of July 1921.
In May of that year, prior to his release, Barton is elected as a Sinn Féin member for Kildare–Wicklow in the 1921 Irish election to the House of Commons of Southern Ireland. Once again, all Sinn Féin members boycott this parliament, sitting as the Second Dáil. In August 1921, he is appointed to cabinet as Secretary for Economic Affairs.
Barton is one of the Irish plenipotentiaries to travel to London for the Anglo-Irish Treaty negotiations. His cousin is a secretary to the delegation. He reluctantly signs the Treaty on December 6, 1921, defending it “as the lesser of two outrages forced upon me and between which I had to choose.”
Barton is defeated at the 1923 Irish general election and retires from politics for the law, practicing as a barrister. He later becomes a judge. He is chairman of the Agricultural Credit Corporation from 1934 to 1954. He dies at home in County Wicklow on August 10, 1975, at the age of 94, the last surviving signatory of the Anglo-Irish Treaty. Éamon de Valera dies only nineteen days later, on August 29, 1975.
Glendalough House, run by Barton for over 70 years right up until his death, is still considered one of Ireland’s most notable properties, alongside nearby Powerscourt Estate. The house is the center of numerous political meetings and gatherings from 1910 to 1922. It has also been featured as a location in many large Hollywood films including Excalibur, Saving Private Ryan and Braveheart.
Healy’s brother, Paddy Healy, serves as president of the Teachers’ Union of Ireland and runs unsuccessfully in the Seanad elections in 2007 and 2011 on the NUI panel, and in the 1980s runs in the Dublin North–East constituency as an Anti H-Block candidate.
Healy is re-elected to South Tipperary County Council at the 2009 Irish local elections. He wins back Tipperary South seat at the 2011 Irish general election with 21.3% of the first preference vote. On December 15, 2011, he helps launch a nationwide campaign against the household charge being brought in as part of the 2012 Irish budget.
Healy stands for re-election to the new Tipperary constituency as a non-party candidate in the 2016 Irish general election, and is elected on the seventh count. However, he is entered into the register of the 32nd Dáil as a Workers and Unemployed Action TD once again. He votes for both Gerry Adams and Richard Boyd Barrett for Taoiseach when the 32nd Dáil first convenes on March 10, 2016.
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
In Bangor, County Down, a group of loyalist protesters put up a Union Flag outside the offices of Sinn Féin education minister Martin McGuinness at his department’s Rathgael House headquarters. Another group of PUP protesters demonstrate at government buildings in Adelaide Street in Belfast city centre, where the Union Flag is flying above two of the government buildings in the street.
The PUP’s Billy Hutchinson criticises Sinn Féin ministers over their refusal to fly the Union Flag. “These people cannot even recognise that we have a monarch who’s 100 years old and they can’t even fly the flag, just because they think that everything that is British is no good,” he says. “These people forget that they have lived in Britain all their lives, most of them. They weren’t even born at Partition (of Ireland).” He adds that Sinn Féin’s ministers should accept that they are “British ministers in a British state.”
However, Sinn Féin’s Alex Maskey condemns the protests as “intimidating and sectarian.” He says Sinn Féin’s position on the flying of flags is designed not to cause offence. “Where British cultural and political symbols are invoked in public life, equivalent Irish cultural and political symbols should be given equal prominence. Where this cannot be agreed, no such symbols should fly,” he says.
The issue of flags has been emotive and divisive in Northern Ireland. The Sinn Féin ministers anger unionists on May 2 by ordering their civil servants not to fly the flag as part of the Coronation Day celebrations. The row reaches a head when the anti-agreement Democratic Unionist Party (DUP) attempts to guarantee the flying of the Union Flag with an assembly motion in June. However, the party fails to win enough support for their motion to be passed.
There are about 13 days in the year when the Union Flag is flown on designated government offices in the United Kingdom. Government buildings across the UK – from Whitehall ministries to town council offices are expected to raise the Union Flag on these days.
It is the second time in a week that the health minister has run into controversy. On Wednesday, August 2, she is confronted by angry loyalist protesters during an official visit to a County Antrim hospital. Around 20 demonstrators picket the Lagan Valley Hospital in Lisburn, while she is on a visit to see a GP scheme as part of a programme to learn about aspects of the health service. The tyres on the minister’s car are let down and an egg is thrown. De Brun is forced to leave the complex by another door.
(From: “Trimble joins Union Flag row,” BBC News, news.bbc.co.uk, Friday, August 4, 2000 | Pictured: Protesters picket the Department of Health)
Francis Patrick Mary Browne, distinguished Irish Jesuit and a prolific photographer, dies in Dublin on July 7, 1960. His best-known photographs are those of the RMS Titanic and its passengers and crew taken shortly before its sinking in 1912. He is decorated as a military chaplain during World War I.
Browne is born to a wealthy family in 1880 at Buxton House, Cork, County Cork, the youngest of the eight children of James and Brigid (née Hegarty) Browne. His mother is the niece of William Hegarty, Lord Mayor of Cork, and a cousin of Sir Daniel Hegarty, the first Lord Mayor of Cork. She dies of puerperal fever eight days after his birth. After the death of his father in a swimming accident at Crosshaven on September 2, 1889, he is raised and supported by his uncle, Robert Browne, Bishop of Cloyne, who buys him his first camera shortly before the younger man embarks on a tour of Europe in 1897.
In April 1912 Browne receives a present from his uncle: a ticket for the maiden voyage of RMS Titanic from Southampton, England, to Queenstown, Ireland, via Cherbourg, France. He travels to Southampton via Liverpool and London, boarding the RMS Titanic on the afternoon of April 10, 1912. He is booked in cabin A-37 on the Promenade Deck. He takes dozens of photographs of life aboard RMS Titanic on that day and the next morning. He captures the last known images of many crew and passengers, including captain Edward J. Smith, gymnasium manager T. W. McCawley, engineer William Parr, Major Archibald Butt, writer Jacques Futrelle and numerous third-class passengers whose names are unknown.
During his voyage on the RMS Titanic, Browne is befriended by an American millionaire couple who are seated at his table in the liner’s first-class dining saloon. They offer to pay his way to New York and back in return for him spending the voyage to New York in their company. He telegraphs his superior, requesting permission, but the reply is an unambiguous “GET OFF THAT SHIP – PROVINCIAL.”
Browne leaves the RMS Titanic when she docks in Queenstown and returns to Dublin to continue his theological studies. When the news of the ship’s sinking reaches him, he realises that his photos would be of great interest, and he negotiates their sale to various newspapers and news cartels. They appear in publications around the world. The Eastman Kodak Company subsequently gives him free film for life, and he often contributes to The Kodak Magazine. It is unknown what type of camera he used to shoot the famous photos aboard RMS Titanic.
After his ordination on July 31, 1915, Browne completes his theological studies. In 1916, he is sent to Europe to join the Irish Guards as a chaplain. He serves with the Guards until the spring of 1920, including service at the Battle of the Somme and at Locre, Wytschaete, Messines Ridge, Paschendaele, Ypres, Amiens and Arras in Flanders.
Browne is wounded five times during the war, once severely in a gas attack. He is awarded the Military Cross (MC) on June 4, 1917 “for distinguished service in the field”. He is awarded a bar to his MC on February 18, 1918. He is also awarded the Croix de Guerre by France.
Browne takes many photographs during his time in Europe. One, which he calls “Watch on the Rhine,” is considered a classic image of World War I. He assembles a collection of his war photographs in an album named after his most famous photograph and distributes copies to his colleagues in the Guards.
After the war, Browne returns to Dublin, where, in 1922, he is appointed superior of Gardiner Street Church in Dublin. Ill health dogs him, however, and in 1924 it is thought that he would recover more quickly in warmer climes. He is sent on an extended visit to Australia. He takes his camera along, photographing life aboard ship and in Cape Town, South Africa, where he breaks his voyage.
On his way back to Ireland, Browne visits Ceylon, Aden, Suez, Saloniki, Naples, Toulon, Gibraltar, Algeciras, and Lisbon, taking photographs of local life and events at every stop. It is estimated that he takes more than 42,000 photographs during his life.
Browne resumes office as the Superior of Saint Francis Xavier Church, Dublin, upon his return. In 1929 he is appointed to the Retreats and Mission staff of the Irish Jesuits. His work entails preaching at missions and religious retreats all over Ireland. As most of this work is necessarily performed on evenings and Sundays, he has considerable time to indulge in his hobby during the daytime. He takes photographs of many parishes and towns in Ireland, and also photographs in London and East Anglia during his ecclesiastical travels to England.
Browne dies in Dublin on July 7, 1960, and is buried in the Jesuit plot in Glasnevin Cemetery in Dublin. His negatives lay forgotten for 25 years after his death. They are found by chance in 1985 when Father Edward E. O’Donnell discovers them in a large metal trunk, once belonging to Browne, in the Irish Jesuit archives. “When the trunk was opened in 1985, people compared him to the greats like Henri Cartier-Bresson and Robert Doisneau, but his work predated theirs by decades,” archivist David Davison later recalls.
O’Donnell brings the negatives to the attention of several publishers. The RMS Titanic photographs are published in 1997 as Father Browne’s Titanic Album with text by E. E. O’Donnell (Fr. Eddie O’Donnell). In all, at least 25 volumes of Browne’s photographs have now been published. The features editor of The Sunday Times of London calls this “the photographic equivalent to the discovery of the Dead Sea Scrolls.” Many of these books have become best-sellers, the latest being the Centenary Edition of Father Browne’s Titanic Album in 2012 by Messenger Publications, Dublin.
The Irish province of the Jesuits, the owner of the negatives pursuant to Browne’s will, engage photographic restoration specialists David and Edwin Davison to preserve and catalogue the fragile and unstable negatives. The Davisons make copies of every negative and are in the process of transferring every usable image to a digital format for future generations. The Davisons later acquire the rights to the photographs and still own the rights as Davison & Associates.
In 1997, Wall wins the Patrick Kavanagh Poetry Award. He publishes his first collection of poetry that same year. His first novel, Alice Falling, a dark study of power and abuse in modern-day Ireland, appears in 2000. He is the author of four novels, two collections of poetry and one of short stories.
In 2005, This Is The Country appears. A broad attack on politics in “Celtic Tiger” Ireland, as well as a rite of passage novel, it is longlisted for the Man Booker Prize, and shortlisted for the Irish Book Awards. It can be read as a satirical allegory on corruption, the link between capitalism and liberal democracy exemplified in the ‘entrepreneurial’ activities of minor drug dealers and gangsters, and reflected in the architecture of business-parks and sink estates. This political writing takes the form of “an insightful and robust social conscience”, in the words of academic John Kenny. Kenny also focuses on what he sees as Wall’s “baneful take on the Irish family, his fundamentally anti-idyllic mood” which has “not entirely endeared Wall to the more misty-eyed among his readers at home or abroad.” The political is also in evidence in his second collection of poetry Fahrenheit Says Nothing To Me. He is not a member of Aosdána, the Irish organisation for writers and artists. In 2006, his first collection of short fiction, No Paradiso, appears. In 2017, he becomes the first European to win the Drue Heinz Literature Prize.
His provocative political blog, The Ice Moon, has increasingly featured harsh criticism of the Irish government over their handling of the economy, as well as reviews of mainly left-wing books and movies. Many of his posts are satirical. He occasionally writes for literary journals, writes for Irish Left Review, and reviews for The Irish Times. His work has been translated into several languages. He has also appeared on the Irish-language channel TG4, such as in the programme Cogar.
He is one of the Irish delegates at the European Writers Conference in Istanbul in 2010.
Described by writer Kate Atkinson as “lyrical and cruel and bold and with metaphors to die for,” critics have focused on Wall’s mastery of language, his gift for “linguistic compression,” his “poet’s gift for apposite, wry observation, dialogue and character,” his “unflinching frankness” and his “laser-like … dissection of human frailties,” which is counterbalanced by “the depth of feeling that Wall invests in his work.” A review of his first novel in The New Yorker declares “Wall, who is also a poet, writes prose so charged—at once lyrical and syncopated—that it’s as if Cavafy had decided to write about a violent Irish household.” In a recent review, his long poem “Job in Heathrow,” anthologised in The Forward Book of Poetry 2010 but originally published in The SHOp, is described as “a chilling airport dystopia.” Poet Fred Johnston suggests that Wall’s poetry sets out to “list the shelves of disillusion under which a thinking man can be buried.” For Philip Coleman, “Ghost Estate is a deeply political book, but it also articulates a profound interest in and engagement with questions of aesthetics and poetics.”
Wall is a longtime sufferer of adult-onset Still’s disease (AOSD) and describes his efforts to circumvent the disabling effects of the disease using speech-to-text applications as “a battle between me and the software.”
Potter is born in Belfast on September 22, 1918, to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.
Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicatorArnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.
In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.
In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969, in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.
Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.
Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.
Bridget “Bridie” Gallagher, Irish singer affectionately known as “The Girl from Donegal,” reaches No. 1 in the Irish Singles Chart with “The Boys From The County Armagh” on July 2, 1957. She is widely regarded as “Ireland’s first international pop star.”
Gallagher is born on September 7, 1924 in Creeslough, County Donegal. She starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.
Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.
Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.
Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.
Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.
The Irish Citizen Army also becomes involved in the battle, supporting the anti-Treaty IRA in the O’Connell Street area. The fighting begins with an assault by Provisional Government forces on the Four Courts building and ends in a decisive victory for the Provisional Government.
On April 14, 1922, about 200 Anti-Treaty IRA militants, with Rory O’Connor as their spokesman, occupy the Four Courts in Dublin, resulting in a tense stand-off. They want to spark a new armed confrontation with the British, which they hope will bring down the Anglo-Irish Treaty, unite the two factions of the IRA against their former common enemy and restart the fight to create an all-Ireland Irish Republic. At the time the British Army still has thousands of soldiers concentrated in Dublin, awaiting evacuation.
Winston Churchill and the British cabinet have been applying pressure on the Provisional Government to dislodge the rebels in the Four Courts, as they consider their presence a violation of the Treaty. Such pressure falls heaviest on Michael Collins, President of the Provisional Government Cabinet and effective head of the regular National Army. Collins, a chief IRA strategist during the War of Independence from Britain, has resisted giving open battle to the anti-Treaty militants since they occupied Four Courts in April. His colleagues in the Provisional Government Cabinet, including Arthur Griffith, agree that Collins must mount decisive military action against them.
In June 1922 the Provisional Government engages in intense negotiations with the British Cabinet over a draft Constitution that seeks to avert the impending civil war. They particularly seek to remove the requirement of an oath to the British Crown by all members of the Dublin government, a key point of contention with anti-Treaty partisans. However, the conservative British Cabinet refuses to cooperate. The pro-treaty element of Sinn Féin wins the elections on June 16.
Following the assassination of Sir Henry Wilson in London on June 22, 1922, and the arrest by Four Courts troops of National Army Deputy Chief of Staff Gen. J. J. “Ginger” O’Connell, British pressure on the Provisional Government intensifies. The British now threaten to invade and re-occupy all of Ireland. On June 27 the Provisional Government Cabinet agrees on an ultimatum to the Four Courts garrison to evacuate or face immediate military action.
Churchill offers a loan of British artillery for use by the National Army, along with 200 shells from their store of 10,000 at Kilmainham, three miles away. It is possible that some British special troops are also covertly loaned. Two 18-pounder field guns are placed on Bridge Street and Winetavern Street, across the River Liffey from the Four Courts complex. After an ultimatum is delivered to the anti-Treaty garrison in the early hours of June 28, the National Army commences the bombardment of Four Courts.
No authoritative record exists regarding the order to commence bombardment. Historians tend to attribute the order to Collins, but some biographers dispute this. Anti-Treaty survivors allege that they are preparing for an 8:00 a.m. evacuation when the bombardment begins at 4:00 a.m.
Inside the building are 12 members of the Irish Republican Army Executive, including Chief of StaffJoe McKelvey, Director of Engineering Rory O’Connor, Quartermaster General Liam Mellows and Director of Operations Ernie O’Malley. The garrison consists of roughly 180 men drawn from the 1st and 2nd Battalions of the IRA’s 1st Dublin Brigade, commanded by Commandant Paddy O’Brien, armed for the most part only with small arms apart from one captured armoured car, which they name “The Mutineer.” The members of the IRA Army Executive are the political leaders of the garrison but serve as common soldiers under the command of O’Brien. The Anti-Treaty side fortifies the Four Courts to some extent, planting mines around the complex and barricading the doors and windows, but their leadership orders them not to fire first, in order to retain the moral high ground, and so the Free State troops are allowed to surround the Four Courts.
After the first day’s bombardment proves ineffective, the British give the Free State two more 18-pounder cannon and proffer 60-pounder howitzers along with an offer to bomb the Four Courts from the air. Collins turns down the latter two offers because of the risk of causing heavy civilian casualties. On June 29, Free State troops storm the eastern wing of the Four Courts, losing three killed and 14 wounded and taking 33 prisoners. The republicans’ armoured car is disabled and abandoned by its crew. Early the next day O’Brien is injured by shrapnel and O’Malley takes over military command in the Four Courts. By this time the shelling has caused the Four Courts to catch fire. In addition, orders arrive from Oscar Traynor, the anti-treaty IRA commander in Dublin, for the Four Courts garrison to surrender, as he cannot reach their position to help them. O’Malley rules this order invalid, as the Four Courts is a GHQ operation. However, in view of the rapidly deteriorating situation, at 3:30 p.m. on June 30, O’Malley surrenders the Four Courts to Brigadier GeneralPaddy Daly of the Free State’s Dublin Guard unit. Three of the republican garrison die in the siege.
Several hours before the surrender, the Public Record Office of Ireland (PRO) block located in the western block of the Four Courts, which is used as an ammunition store by the Four Courts garrison, is the centre of a huge explosion, destroying Irish state records going back to the Anglo-Norman conquest. Forty advancing Free State troops are badly injured. Assigning blame for the explosion remains controversial. It is alleged by the National Army Headquarters that the Anti-treaty forces deliberately booby-trapped the PRO to kill advancing Free State troops. Tim Healy, a government supporter, later claims that the explosion is the result of land mines laid before the surrender, which explode after the surrender. However, a study of the battle concludes that the explosion is caused by fires ignited by the shelling of the Four Courts, which eventually reach two truckloads of gelignite in the munitions factory. A towering mushroom cloud rises 200 feet over the Four Courts.
At this stage in the battle troops on each side still have a sense of kinship with the other, as most of them had fought together in the Irish Republican Army during the Irish War of Independence. By appealing to friends on the Free State side, several anti-Treaty leaders among the Four Courts garrison, notably Ernie O’Malley and Seán Lemass, escape from captivity to continue the fight.
Despite the Free State force’s success in taking the Four Courts, fighting continues in Dublin until July 5. On June 29 anti-Treaty IRA units from the Dublin Brigade led by Oscar Traynor have occupied O’Connell Street, part of Parnell Square, York Street and some of other locations to try to distract Free State attention from their attack on the Four Courts. Not all the IRA units in the capital are prepared to fight against the new Irish government, however, and their numbers are probably about 500 throughout the city. Their numbers are supplemented by about 150 Citizen Army men and women who bring with them arms and ammunition dumped since the insurrection of Easter 1916.
The republicans occupy the northeastern part of O’Connell Street, with their strong point at “the block,” a group of buildings that the Anti-Treatyites had connected by tunneling through the walls. They had also taken over the adjoining Gresham, Crown, Granville and Hammam hotels. Their only position on the western side of the street is in the YMCA building. Additionally, they have an outpost south of the River Liffey at the Swan Pub on Aungier Street. Oscar Traynor apparently hopes to receive reinforcements from the rest of the country, but only Anti-Treaty units in Belfast and Tipperary reply and both of them arrive too late to take part in the fighting.
The Provisional Government troops, commanded by General Tom Ennis, start by clearing out the outlying anti-treaty garrisons, which is accomplished by July 1. They then draw a tighter cordon around O’Connell Street. Artillery is used to drive the Anti-Treaty fighters out of positions on Parnell Street and Gardiner Street, which gives the Free State troops a clear field of fire down O’Connell Street.
The republican outpost in the YMCA is eliminated when Free State troops tunnel underneath it and detonate a bomb. Traynor’s men in “the block” hold out until artillery is brought up, under the cover of armored cars, to bombard them at point-blank range. Incendiary bombs are also planted in the buildings. Traynor and most of his force make their escape when the buildings they are occupying catch fire. They mingle with civilian crowds and make their way to Blessington.
Left behind is Republican leader Cathal Brugha and a rear guard of 15 men, who stay behind in the Hammam Hotel after Traynor, and most other IRA men have left. At 5:00 p.m. on July 5, when the fires make the hotel untenable, Brugha orderes his men to surrender. He, however, stays behind, only to emerge from the building alone, armed with a revolver. He is shot in the thigh by Free State troops and dies later from blood loss. There are some further sporadic incidents of fighting around the city as Free State troops disperse anti-treaty IRA groups.
Cathal Brugha is the last casualty in the Battle of Dublin, which costs the lives of at least 80 people (15 anti-Treaty IRA Volunteers, 29 National Army soldiers, one British Royal Air Force serviceman and 35 civilians) and over 280 wounded. In addition, the Free State takes over 450 Republican prisoners. The high civilian casualties are doubtless the result of the use of heavy weapons, especially artillery, in a densely populated urban area.
When the fighting in Dublin dies down, the Free State government is left firmly in control of the Irish capital and the anti-treaty forces disperse around the country. Roundups after the fighting result in more Republican prisoners and the death of prominent anti-Treaty activist Harry Boland who is shot dead in Skerries, Dublin, on July 31.
Oscar Traynor, Ernie O’Malley and the other anti-Treaty fighters who escape the fighting in Dublin regroup in Blessington, around 30 km southwest of the city. An anti-Treaty IRA force from County Tipperary had arrived there but too late to participate in the Dublin fighting. Instead, this force heads south and takes a string of towns, including Enniscorthy and Carlow, but quickly abandons them when faced with superior Free State forces. Most of the Republicans then retreat further south to the so-called Munster Republic, territory southwest of a line running from Limerick to Waterford. This in turn is taken by the Free State in an offensive from July to August 1922.
Four of the Republican leaders captured in the Four Courts, Rory O’Connor, Liam Mellows, Joe McKelvey and Richard Barrett, are later executed by the government in reprisal for the Anti-Treaty side’s killing of TDSeán Hales. The street where Cathal Brugha is killed is later renamed Cathal Brugha Street in his honour.
seamus dubhghaill 