John Arden, English playwright, is born in Barnsley, South Yorkshire, England, on October 26, 1930. At the time of his death he is lauded as “one of the most significant British playwrights of the late 1950s and early 60s.”
Arden is initially associated with the English Stage Company at the Royal Court Theatre in London. His 1959 play, Serjeant Musgrave’s Dance, in which four army deserters arrive in a northern mining town to exact retribution for an act of colonial violence, is considered to be his best. His work is influenced by Bertolt Brecht and epic theatre as in Left-Handed Liberty (1965, on the anniversary of Magna Carta). Other plays include Live Like Pigs, The Workhouse Donkey, and Armstrong’s Last Goodnight, the last of which is performed at the 1963 Chichester Festival by the Royal National Theatre after it was rejected by the Royal Court.
Arden’s 1978 radio play Pearl is considered in a Guardian survey to be one of the best plays in that medium. He also writes several novels, including Silence Among the Weapons, which is shortlisted for the Booker Prize in 1982, and Books of Bale, about the Protestant apologist John Bale. He is a member of the Royal Society of Literature.
With his wife and co-writer Margaretta D’Arcy, Arden pickets the Royal Shakespeare Company (RSC) premiere of his Arthurian play The Island of the Mighty, because they believe the production to be pro-imperialist. They write several plays together which are highly critical of British presence in Ireland, where he and D’Arcy live from 1971 onward.
In 1961, Arden is a founder member of the anti-nuclear Committee of 100, and he also chairs the pacifist weekly Peace News. In Ireland, he is for a while a member of Official Sinn Féin. He is an advocate of civil liberties, and opposes anti-terror legislation, as demonstrated in his 2007 radio play The Scam.
Arden is elected to Aosdána in 2011 before dying in Galway, County Galway on March 28, 2012. He is waked in a wicker casket.
(Pictured: Photograph of John Arden in 1966, credit to Sam Falk/The New York Times)
Wejchert was born in Kraków, Poland on October 16, 1921. Her father is Tedeusz Wejchert, who ran a shipping business out of Gdańsk. She enters University of Warsaw to study architecture in 1939, and while there witnesses the German invasion of Poland during World War II. Having graduated in 1949, she works as a town planner and architect in Warsaw, where she graduates from the Academy of Fine Arts in 1956 with a degree before moving to Italy.
Wejchert holds her first solo show in 1959 in the Galeria dell’ Obelisco, Rome. She then returns to Warsaw where she is featured in the National Museum “Fifteen years of Polish art” exhibition in 1961. At this time she is still working as an architect, but does not support the social realism of Soviet architecture, which leads her to decide to concentrate solely on art from 1963. She leaves communist Poland in 1964, when she accompanies her younger brother, the architect Andrej Wejchert, when he and his wife Danuta moved to Dublin.
She holds her first solo show in Dublin in November 1966 with an exhibition of 30 paintings at The Molesworth Gallery. In 1967 she shows Blue relief at the Irish Exhibition of Living Art, which is a wall relief of “sculpted paintings” which are precursors to her later free-standing sculpture. She wins the Carroll Open award of £300 at the 1968 Irish Exhibition of Living Art for Frequency No. 5. Also in 1968 she holds a solo exhibition in the Galerie Lamert, Paris, becoming a regular exhibitor there. During this period her work is used as a setting for an electronic music concert with the critic Dorothy Walker noting her designs have a rhythmic quality.
From the 1970s, Wejchert wins commissions for public art, starting with the 1971 wood and acrylic wall relief in the arts building at University College Dublin. In the same year, the Bank of Ireland purchases Blue form 1971 and then Flowing relief in 1972. Her 1971 triptych, Life, is commissioned for the Irish Life headquarters in Abbey Street. The Lombard and Ulster Bank in Dublin commissions untitled in 1980, and Allied Irish Banks (AIB) purchases Freedom in 1985 for their branch in Ballsbridge. Her entry wins a competition in 1975 for a stamp marking International Women’s Year, and features an image of hands reaching for a dove with an olive branch.
Wejchert becomes an Irish citizen in 1979, a member of Aosdána in 1981, and a member of the Royal Hibernian Academy (RHA) in 1995. She is recognised internationally when she is the only Irish sculptor included in Louis Redstone’s new directions (1981). She is shown at the Solomon gallery from 1989 numerous times, including a solo show in 1992. A number of her most important pieces are for Irish universities, such as Geometric form at the University of Limerick and Flame at the University College Cork in 1995, her last work.
Wejchert dies suddenly at her home on Tivoli Road, Dún Laoghaire on October 24, 1995. She has one son, Jacob. The RHA holds a posthumous exhibition of her work in 1995. She is said to have influenced the younger generation of Irish sculptors, including Vivienne Roche, Eilis O’Connell, and Michael Warren. Flame is selected to be a part of the Irish Artists’ Century exhibition at the RHA in 2000.
(Pictured: “Flame,” 1995, brass and granite, University College Cork. This sculpture commemorates the people who bequested their bodies to the UCC Anatomical Gift Programme for the purpose of science and learning. It represents the flame of knowledge which leads to the light of understanding.)
Griffith purchases and drains the bogland at Pollagh, part of the Bog of Allen. A peat fueled power station is built which drives an excavator, with excess peat being taken by the Grand Canal for sale in Dublin. The site is sold to the Turf Development Board in 1936 who uses it as a basis for all of their later peat fueled power stations. The area is now a nature reserve.
Griffith receives a knighthood in 1911 and becomes vice-president of the Royal Dublin Society in 1922. He serves as Honorary Professor of Harbour Engineering in Trinity College, his alma mater, and receives an honorary M.A.I. degree from the University of Dublin in 1914. From 1922 he is an elected member of the Seanad Éireann, the Irish senate, until its abolition in 1936. In the 1930s he and his niece, Sarah Purser, endow the Purser Griffith Travelling Scholarship and the Purser Griffith Prize to the two best performing students in European Art History at University College Dublin.
Griffith dies at Rathmines Castle in Dublin on October 21, 1938, having rightly earned the epithet ‘Grand Old Man of Irish engineering.’ A portrait in oils by his niece Sarah Purser, RHA, hangs in the Museum Building in Trinity College Dublin.
Ben Dunne, an Irish businessman, is kidnapped by the Provisional Irish Republican Army (IRA) on October 16, 1981. Former director of his family firm, Dunnes Stores, one of the largest chains of department stores in Ireland, he now owns a chain of fitness centres established by his company Barkisland Developments Limited.
Dunne is born in Cork, County Cork on March 3, 1949 to Nora Maloney and Ben Dunne, a business man who founded Dunnes Stores. He is the last of six children.
In 1981, he is kidnapped by the IRA and held for seven days. He is released unharmed after his friend and fellow businessman, Patrick Gallagher, pays his £1 million ransom.
In 1992, Dunne is arrested for cocaine possession and soliciting while on a golf holiday in Florida. His arrest triggers the end of his leadership of Dunnes Stores, as family turmoil leads to control falling to his sister Margaret Heffernan and the company paying IR£100 million for his share of the business.
Dunne is again embroiled in scandal in the mid-1990s when it emerges he had given large amounts of money to a number of Irish politicians, mainly from the Fianna Fáil party including the then Taoiseach, Charles Haughey. He also gave money to Michael Lowry of Fine Gael. Justice Brian McCracken, sole member of The McCracken Tribunal which is established by the Irish Government in 1997, finds that Dunne knowingly assisted Lowry in evading his tax obligations. On March 22, 2011, the Moriarty Tribunal concludes of Ben Dunne’s dealings with Michael Lowry that “What was contemplated and attempted on the part of Mr. Dunne and Mr. Lowry was profoundly corrupt to a degree that was nothing short of breathtaking.” The report refers to its finding Lowry sought to influence a rent review of a building part-owned by Dunne.
Dunne now owns a chain of fitness centres called Ben Dunne Gyms located in Dublin and Liverpool, which he personally promotes on radio, using recent Irish advertising legislation which allows direct comparisons to named competitors. He was working on a new health club, to open in Dún Laoghaire in Dublin, but abandons the project due to complaints from local residents.
In April 2005 Dunne pays £3,000,000 for a 21-acre site in Motspur Park, New Malden (South London), former home of BBC Football Club and other BBC sports facilities. His intent is to apply for planning permission to build a leisure and fitness centre, but he does not do so. Instead, in February 2008, his company Barkisland Developments Limited submits a planning application to the Kingston upon Thames London Borough Council for change of use of the sports ground to a cemetery. The application to change the former BBC Sports Ground into a cemetery is withdrawn on October 3, 2008 after it had become clear that planning permission was likely to be refused. Objections are lodged by many local residents, sports clubs, Sport England and the Mayor of London.
Born in Derry on March 23, 1917, McLaughlin is the son of a butcher and cattle dealer, and one of nine children. He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary.
Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.
Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.
Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”
In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.
In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!
In 1958, after Locke has appeared in five Royal Variety Performancetelecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.
In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Show, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.
Locke dies at the age of 82 in Clane, County Kildare on October 15, 1999, and is survived by his wife, Carmel, and a son.
On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”
A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.
On the same day, the prisoners in Kilmainham Gaol go on hunger strike, and Ernie O’Malley writes eloquently of it in his book on the Civil War, The Singing Flame. He notes that “practically all volunteered; some were exempted, including myself, but I refused this concession.”
Previously, the Irish Free State government had passed a motion outlawing the release of prisoners on hunger strike. Dan Downey had died in the Curragh on June 10, and Joseph Witty, only 19 years old, also died in the Curragh on September 2. However, because of the large numbers of Republicans on strike, at the end of October the Government sends a delegation to Newbridge Camp to speak with IRA leaders there.
It soon becomes apparent that they are not there to negotiate the strikers’ demands, but rather to give the prisoners the Government’s message: “we are not going to force-feed you, but if you die we won’t waste coffins on you; you will be put in orange boxes and you will be buried in unconsecrated ground.”
O’Malley writes, “Any action was good, it seemed, and everyone was more cheerful when the hunger strike began. We listened to the tales of men who had undergone previous strikes and we, who were novices, wondered what it would be like. We laughed and talked, but in the privacy of our cells, some, like myself, must have thought what fools we were, and have doubted our tenacity and strength of will. I looked into the future of hunger and I quailed.”
All negotiations to curtail the strike are abandoned and the strike goes forward. Poorly planned, within weeks many are going off strike, but by the end of October, there are still 5,000 on strike. O’Malley does not know what effect the strike will have, but he feels he cannot ‘let the side down.’ “Hunger striking was an unknown quantity for me. I did not approve of it. I was frankly afraid, but I could not see boys of sixteen and eighteen take their chance whilst I could eat and be excused. Now, even though one thought one’s death could be of use, there was no passive acceptance. It was a challenge, a fight, and again resistance was built up……The mind would suffer more than the body. The struggle in the end would be between body and spirit.”
On November 20, Denis “Denny” Barry dies in the Newbridge Camp, and Andrew Sullivan dies in Mountjoy on November 22.
When Barry dies, the Bishop of Cork, Daniel Cohalan, refuses to let his body lie in a Cork church. When Terence MacSwiney died on hunger strike in 1921, Bishop Cohalan had written in The Cork Examiner, “I ask the favour of a little space to welcome home to the city he laboured for so zealously the hallowed remains of Lord Mayor Terence MacSwiney. For the moment, it might appear that he has died in defeat. Was Robert Emmet’s death in vain? Did Pearse and the other martyrs for the cause of Irish freedom die in vain? We bow in respect before his heroic sacrifice. We pray the Lord may have mercy on his soul.”
At the death of Denis Barry two years later, the very same Bishop Cohalan writes, “Republicanism in Ireland for the last twelve months has been a wicked and insidious attack on the Church and on the souls of the faithful committed to the Church by the law of the Catholic Church.” Denis Barry is not afforded a Catholic burial.
With the deaths of Barry and Sullivan drawing no positive response or concessions from the Free State government, the IRA command orders the strikes ended on November 23.
O’Malley writes that the strike ended with no promises of release, “we had been defeated again.” While the strike itself fails to win releases, it does begin a slow start of a programme of release of prisoners, the State being worried about the political impact of more deaths, though some prisoners remain in jail until as late as 1932.
O’Malley, writing of Tom Derrig who is in Mountjoy, relates that one of the strikers there, on the last day of the strike, had asked a doctor, “What day of the strike is this?” The doctor replies, “The forty-first.” The striker says, “Be cripes! We bate Christ by a day!”
The present Celtic League grows out of various other pan-Celtic organisations, particularly the Celtic Congress, but with a more political emphasis. Previously, Hugh MacDiarmid and others had suggested something along the same lines.
The Celtic League is started at the 1961 National Eisteddfod of Wales, which is held at Rhosllannerchrugog near Wrexham in northeast Wales. Two of the founding members are Gwynfor Evans and J. E. Jones, who are respectively president and secretary-general of the Welsh nationalist political party Plaid Cymru at the time. Interest is expressed by Scottish parties, and also by Breton nationalists.
There are six main, national branches of the Celtic League in the six Celtic countries, generally known by the Celtic language names of their countries: Ireland is known as Éire, Scotland as Alba, Wales as Cymru, Brittany as Breizh, Cornwall as Kernow and the Isle of Man as Mannin or Mann.
The Celtic League, American Branch (CLAB) is one of various diaspora branches, all of whom play little part in the annual general meetings. American author and linguist Alexei Kondratiev serves as president of the Celtic League, American branch. The CLAB prints its own quarterly newsletter, Six Nations, One Soul, which provides news of branch activities and events within the Celtic communities in the United States, publishes letters from members, and reviews books and recordings of Celtic interest. CLAB publishes at least six issues of a larger semi-annual magazine, Keltoi: A Pan-Celtic Review, from 2006 to 2008. CLAB also produces a wall calendar each year, with art from members, appropriate quotations, and anniversaries. Publication ceases with the 2008 issue.
O’Hara is born and raised in Rosses Point, the daughter of Major John Charles O’Hara, an officer in the British Corps of Royal Engineers and his wife, Mai (née Kirwan). One of her sisters, Mary (born 1935), is a soprano/harpist. Her brother Dermot (born 1934) now lives with his family in Canada. She attends the same Ursulineconvent school as fellow actress and friend Pauline Flanagan.
More recently, O’Hara is best known for appearing in the popular Irish television soap operaFair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford said after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”
Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.
Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.
Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.
Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.
In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.
Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.
Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.
Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).
In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.
On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.
Pádraic Ó Conaire, Irish writer and journalist whose production is primarily in the Irish language, dies in Dublin on October 6, 1928. In his lifetime he writes 26 books, 473 stories, 237 essays and 6 plays. His acclaimed novel Deoraíocht has been described by Angela Bourke as “the earliest example of modernist fiction in Irish.”
Ó Conaire is born in the Lobster Pot public house on the New Docks in Galway, County Galway, on February 28, 1882. His father is a publican, who owns two premises in the town., and his mother is Kate McDonagh. He is orphaned by the age of eleven. He spends a period living with his uncle in Gairfean, Ros Muc, Connemara. The area is in the Gaeltacht (Irish-speaking area) and Ó Conaire learns to speak Irish fluently.
Ó Conaire emigrates to London in 1899 where he gets a job with the Board of Education and becomes involved in the work of the Gaelic League. A pioneer in the Gaelic revival in the last century, he and Pádraig Pearse are regarded as being the two most important Irish language short story writers during the first decades of the 20th century.
Ó Conaire marries Molly Ní Mhanais, with whom he has four children: Eileen (b. 22 Feb 1905), Patrick (b. 3 Nov 1906), Kathleen (b. 24 Feb 1909), and Mary Josephine (b. 28 Jul 1911), who dies of diphtheria in 1922.
Ó Conaire returns to Ireland in 1914, leaving his family in London. Living mostly in Galway, he earns a meagre living through writing, teaching at Gaeltacht summer schools, and as an occasional organiser for the Gaelic League.
Ó Conaire dies at the age of 46 on October 6, 1928, while on a visit to Dublin, after complaining of internal pains while at the head office of the Gaelic League. His fellow poet Frederick Robert Higgins writes a celebrated Lament for Pádraic Ó Conaire.
Ó Conaire has family still living to this day in England, as well as in Galway and Canada. The Ó Conaire surname is still strong in the Ros Muc area.
Ó Conaire’s short story M’asal Beag Dubh is the inspiration for an Internet-based satire on the football transfer market. The fictitious character Masal Bugduv is created. The name sounds similar to the Gaelic pronunciation of M’asal Beag Dubh. Journalists who did not fact check quite as thoroughly as they should have missed the satire and tell the world of the up-and-coming Moldovan star.
A statue of Ó Conaire’s is unveiled in 1935 by Éamon de Valera in Eyre Square in the heart of Galway City. It is popular with tourists until it is decapitated by four men in 1999. It is repaired at a cost of £50,000 and moved to Galway City Museum in 2004. A bronze replica of the statue is unveiled in Eyre Square in November 2017.
