Delia Murphy Kiernan, singer and collector of Irish ballads, is born on February 16, 1902, in Ardroe, Roundfort, County Mayo. She records several 78 rpm records in the 1930s, 1940s and 1950s. In 1962 she records her only LP, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title.
Delia’s father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. John encouraged Delia’s interest in singing ballads from a young age. He also allows Irish travelers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Delia is educated at Presentation Convent in Tuam, Dominican College in Dublin and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. In UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Delia sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel and Three Lovely Lassies for HMV.
In 1941 Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Delia becomes one of those who assist Hugh O’Flaherty in hiding Jews and escapes allied soldiers from the Nazis. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy. In 1946 she is awarded to Dame Commander of the Equestrian Order of the Holy Sepulchre.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while she is living in Ottawa, Delia makes the recording of The Queen of Connemara produced by Ken Goldstein. The Kiernans purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Delia’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin. She dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records upwards of 100 songs during her lifetime.
Daniel Corkery, Irish politician, writer and academic, is born in Cork, County Cork on February 14, 1878. He is unquestionably best known as the author of The Hidden Ireland, his 1924 study of the poetry of eighteenth-century Irish Language poets in Munster.
After leaving St. Patrick’s, Corkery teaches art for the local technical education committee, before becoming inspector of Irish in 1925, and later Professor of English at University College Cork in 1930. Among his students in UCC are Seán Ó Faoláin and Seán Ó Tuama. He is often a controversial figure in academia for his “nativist” views on Irish literature, views which result in conflict with many Irish Language scholars, most notably Pádraig de Brún and his niece Máire Mhac an tSaoi. Ó Tuama, however, is frequently a staunch defender of Corkery’s reputation.
In his late twenties Corkery learns Irish and this brings him into contact with leading members of the Irish Language revival movement, including Terence MacSwiney, T. C. Murray and Con O’Leary, with whom he founds the Cork Dramatic Society in 1908. His plays Embers and The Hermit and the King are performed by the society. Later plays are staged at the famous Abbey Theatre, including The Labour Leader (1919) and The Yellow Bittern (1920).
Corkery is also a writer of short stories, including the collections A Munster Twilight (1916), The Hounds of Banba (1920), The Stormy Hills (1929), and Earth Out of Earth (1939), and a novel, The Threshold of Quiet (1917).
Corkery also writes non-fiction works, including The Hidden Ireland (1924), a highly influential work about the riches of eighteenth-century Irish poetry. In this he attempts to reconstruct a worldview preserved by Gaelic poets amongst the poor and oppressed Catholic peasantry of the Penal Laws era, virtually invisible in the Anglo-Irish tradition that has dominated the writing of Irish history. “An instant, influential classic,” writes Patrick Walsh, “its version of the past provided powerful cultural underpinning to the traditional nationalist history that became, in the 1930s, the educational orthodoxy of the new state.”
Corkery serves as a member of Seanad Éireann from 1951 to 1954 when he is nominated by the Taoiseach.
Daniel Corkery dies on December 31, 1964. His papers are held in the Boole Library of University College Cork.
Initially sent by editor John Delane to Malta to cover British support for the Ottoman Empire against Russia in 1854, Russell despises the term “war correspondent” but his coverage of the conflict brings him international renown, and Florence Nightingale later credits her entry into wartime nursing to his reports. The Crimean medical care, shelter and protection of all ranks by Mary Seacole is also publicised by Russell and by other contemporary journalists, rescuing her from bankruptcy.
His dispatches are hugely significant as for the first time the public can read about the reality of warfare. Shocked and outraged, the public’s backlash from his reports leads the Government to re-evaluate the treatment of troops and leads to Florence Nightingale’s involvement in revolutionising battlefield treatment.
On September 20, 1854, Russell covers the battle above the Alma River, writing his missive the following day in an account book seized from a Russian corpse. The story, written in the form of a letter to Delane, is supportive of the British troops and pays particular attention to the battlefield surgeons’ “humane barbarity” and the lack of ambulance care for wounded troops. He later covers the Siege of Sevastopol where he coins the phrase “thin red line” in referring to British troops at Balaclava.
Following Russell’s reports of the appalling conditions suffered by the Allied troops conducting the siege, including an outbreak of cholera, Samuel Morton Peto and his partners build the Grand Crimean Central Railway, which is a major factor leading to the success of the siege.
Russell spends December 1854 in Constantinople on holiday, returning in early 1855. He leaves Crimea in December 1855 to be replaced by the Constantinople correspondent of The Times.
In 1856 Russell is sent to Moscow to describe the coronation of Tsar Alexander II and in the following year is sent to India where he witnesses the final re-capture of Lucknow.
Russell retires as a battlefield correspondent in 1882 and founds the Army and Navy Gazette. He is knighted in May 1895 and is appointed a Commander of the Royal Victorian Order (CVO) by King Edward VII on August 11, 1902.
Sir William Howard Russell dies on February 11, 1907, and is buried in Brompton Cemetery, London.
Nolan becomes involved in the nascent home rule campaign of the Home Rule League. On February 8, 1872, he is elected MP for Galway County in a by-election, defeating by a large majority the Conservative William Le Poer Trench. Of the 4,686 available electors, who are chiefly Catholic, 2,823 vote for Nolan and 658 for Trench.
Trench appeals the result, claiming on petition that there is widespread intimidation during the election campaign. The local Catholic bishops and clergy had strongly supported Nolan, chiefly because the family of his opponent, a Captain Trench, was active in proselytism. The trial of the Galway County Election Petition begins, before Judge William Keogh, on April 1 and ends on May 21, 1872.
Judge Keogh finds that Nolan had been elected by the undue influence and intimidation and in his report states that he found 36 persons guilty of undue influence and intimidation, including John MacHale, the Archbishop of Tuam, the Bishop of Clonfert, Patrick Duggan, and the Bishop of Galway, John McEvilly, and twenty-nine named priests, such intimidation being in some cases exercised in the very churches. As a result, Nolan is unseated on June 13, with the seat going to Trench. The judgement causes an uproar. The judge is threatened with removal from the bench and his reputation never recovers.
Nolan retakes the seat at the 1874 election. He remains MP after the 1885 constituency reforms as MP for Galway North until 1895.
When the Irish Parliamentary Party splits over Charles Stewart Parnell‘s long-term family relationship with Katharine O’Shea, the separated wife of a fellow MP, Nolan sides with his deposed leader and seconds the motion to retain Parnell as chairman at the ill-fated party meeting in Committee Room 15 of the House of Commons. He goes on to become whip of the pro-Parnellite rump of the split party, the Irish National League. He loses the Galway North seat to an Anti-Parnellite, Denis Kilbride, in 1895 and stands unsuccessfully as a Parnellite for South Louth in 1896. He is re-elected unopposed at Galway North after the reunification of the Parliamentary Party in 1900 but loses the seat again for the final time in 1906 when he stands as an Independent Nationalist.
Noonan is born in Dublin on April 18, 1870, the illegitimate son of Samuel Croker, a senior member of the Royal Irish Constabulary. He is baptised and raised a Roman Catholic by his mother Mary Noonan. His father, who is not Catholic, has his own family, but attempts to provide for Robert until his death in 1875.
By 1875 Noonan is living in London. When he is sixteen, he shows signs of a radical political consciousness. He leaves his family declaring he “would not live on the family income derived largely from absentee landlordism.” It is around this time he changes his surname to his mother’s maiden name.
In 1890, Noonan is a sign writer living in Queen’s Road, Everton, Liverpool. On June 10, 1890, he appears at Liverpool County Intermediate Sessions court at Sessions House, Islington, Liverpool on charges of housebreaking and larceny. He is found guilty and given a six-month prison sentence.
By 1891, Noonan has moved to Cape Town, South Africa, where he is a painter and decorator. He marries in 1891, but the marriage is an unhappy one, with his wife having numerous affairs after the birth of their daughter, Kathleen. They divorce in 1895, and Noonan acquires all the property, including their house in an affluent suburb of Cape Town.
Noonan and his daughter move to Johannesburg, where he secures a well-paying job with a construction company. It is here that he learns the ways of the industry he would later write about in his novel, although Noonan’s actual circumstances vary greatly from the proletarian characters of the book. After becoming Secretary of the Transvaal Federated Building Trades Council, he is able to send his daughter to an exclusive convent school and also to employ a black manservant called Sixpence.
In 1897, Noonan leads a successful protest against the employment of black skilled labour. During 1898, he becomes a member of the Transvaal Executive Committee of the Centennial of 1798 Association, which commemorates the revolutionary nationalistSociety of United Irishmen. As a 1798 Association member, he helps form the Irish Brigades, an anti-British force that fights alongside the Boers in the Second Boer War. At this point, accounts of his life differ. Some assert he takes up arms and is interned by the British until the end of the war, when he returns to Britain. Others say he leaves South Africa just before hostilities began in October 1899.
In any event, around the turn of the century, Noonan ends up in Hastings, Sussex. Here, he finds work as a sign writer, but at much lower wages and in far poorer conditions than he had experienced in South Africa. He has to take part-time jobs in addition to his full-time position.
Influenced by the Marxist-influenced ideas of designer and socialist William Morris, he joins the Social Democratic Federation in 1906. The next year, after a dispute with his employer, he loses his job. Despite the demand for his skills, his health begins to deteriorate, and he eventually develops tuberculosis. Unemployed and unable to remain politically active, he starts writing, something he hopes will earn enough money to keep him from the workhouse.
He writes under the pen name Robert Tressell as he fears the socialist views expressed in the book will have him blacklisted. He completes The Ragged Trousered Philanthropists in 1910, but the 1,600-page hand-written manuscript is rejected by three publishing houses. The rejections severely depress him, and his daughter has to save the manuscript from being burned.
Unhappy with his life in Britain, Noonan decides that he and Kathleen should emigrate to Canada. However, he only reaches Liverpool when he is admitted to the Royal Liverpool Infirmary, where he dies of pulmonary tuberculosis on February 3, 1911, at the age of 40. He is buried in a pauper’s grave at Liverpool Parochial Cemetery, later known as Walton Park Cemetery. The location of the grave is not rediscovered until 1970. Twelve other people are buried in the same plot. The plot is now marked although the land is no longer used as a cemetery and is now used by Rice Lane City Farm.
Kathleen mentions her father’s novel to a friend, writer Jessie Pope, who recommends it to her publisher. In April 1914, the publisher purchases the rights to the book for £25, and it appears in Britain, Canada and the United States later that year, in the Soviet Union in 1920, and in Germany in 1925. The version as originally published is heavily abridged by Pope, with much of the socialist ideology removed.
The original manuscript is subsequently located by F. C. Ball and, after he raises funds to acquire and reassemble the original version, an unabridged edition is published in 1955.
Only the fourth international leader to be invited to address the House, Parnell reports on the conditions of the Irish potato famine and its causes. “The present famine, as all other famines in Ireland, has been the direct result of the system of land tenure which is maintained there,” Parnell said, “And while we have been compelled by the frightful condition of our people . . . I feel it to be equally my duty to point out to you the cause which keeps Ireland in a condition of chronic poverty.”
After his 32-minute speech, the House adjourns for the evening. The Tribune judges Parnell’s address to be lackluster stating “the whole affair was tame and spiritless.” One Representative tells the Tribune reporter that the address failed because it lacked substance by “not going [even] skin deep into the subject of the Irish question.”
During Parnell’s highly successful tour, in addition to speaking before the House of Representatives, he has an audience with American PresidentRutherford B. Hayes and speaks in 62 cities in the United States and Canada, where he is so well received in Toronto that Timothy Healy dubs him “the uncrowned king of Ireland.”
House Receptions are not associated with other informal, social receptions and lunches provided for foreign leaders on behalf of congressional leadership or individual committees. In the post-World War II era, the practice of using one-chamber receptions is eventually discontinued. The last House Reception of a foreign leader is held for Mexican PresidentJosé López Portillo in 1977.
Edward Martyn, Irish playwright and early republican political and cultural activist, is born in County Galway on January 30, 1859. He serves as the first president of Sinn Féin from 1905 to 1908.
Martyn is the elder son of John Martyn of Tullira Castle, Ardrahan and Annie Mary Josephine (née Smyth) of Masonbrook, Loughrea, both of County Galway. He is educated at Belvedere College, Dublin, and Wimbledon College, London, both Jesuit schools, after which he enters Christ Church, Oxford in 1877, but leaves without taking a degree in 1879. His only sibling, John, dies in 1883.
Martyn begins writing fiction and plays in the 1880s. While his own output is undistinguished, he acquires a well-earned reputation as a noted connoisseur of music, both European classical and Irish traditional. He is a fine musician in his own right, giving memorable performances for guests on an organ he has installed at Tullira. He uses his wealth to benefit Irish culture.
Martyn is reportedly pivotal in introducing William Butler Yeats and Lady Gregory to each other in 1896. The three found the Irish Literary Theatre, for whom Martyn writes his best and most popular plays, The Heather Field and A Tale of a Town. He covers the costs of the company’s first three seasons, which proves crucial to establishing the company and the future of the Abbey Theatre. He later parts ways with Yeats and Gregory, something he later regrets, but remains on warm terms with Lady Gregory until the end of his life.
Martyn is a cousin and friend to George Moore (1852–1933). The two make frequent trips all over Europe, where Moore influences Martyn’s views on modern art, which result in the latter purchasing several works by Edgar Degas, Claude Monet, Jean-Baptiste-Camille Corot and Kitagawa Utamaro, all later donated to the National Gallery of Ireland. Moore does not share Martyn’s fenian ideas nor espousal of violent means to achieve national sovereignty. Their different political opinions eventually drive their friendship apart.
Martyn is descended from Richard Óge Martyn, a leading Irish Confederate, and Oliver Óge Martyn, a Jacobite who fights in the Williamite War in Ireland. Yet by his lifetime, the family are unionists. Martyn’s outlook begins to change in the 1880s after studying Irish history, as well as living through the events of the Irish Land War. He comes out as an Irish republican when he famously refuses to allow “God Save The Queen” to be sung after a dinner party at Tullira. By this stage he is involved with the political work of Maude Gonne and Arthur Griffith and is a vocal opponent of the visit of Queen Victoria to Ireland in 1897. He also protests the visit by Edward VII in 1903, this time as chairman of the People’s Protection Committee. He is the first president of Sinn Féin from 1905 to 1908. In 1908 he resigns from the party and politics in general to concentrate on writing and his other activities.
Martyn dies at Tullira on December 5, 1923, after years of ill health. Friends and family are shocked at a provision in his will that directs that his body be donated for the use of medical science and, after dissection, be buried in an unmarked pauper’s grave. The Palestrina Choir sings at his graveside. He bequeaths his papers to the Carmelites of Clarendon Street in Dublin, who subsequently misplace and lose them. Portraits of Martyn exist by, among others, John Butler Yeats and Sarah Purser. On his death the senior line of the Martyn family dies out. His property is inherited by his cousins, the Smyths of Masonbrook and Lord Hemphill. Tullira is sold by the latter forty years later changing ownership several times since.
Arthur Guinness is believed to be born in Celbridge, County Kildare on September 25, 1725, into the ProtestantGuinness family, part of the Anglo-Irish aristocracy. They claim to descend from the Gaelic Magennis clan of County Down. However, recent DNA evidence suggests descent from the McCartans, another County Down clan, whose spiritual home lay in the townland of “Guiness” near Ballynahinch, County Down.
Guinness’s place and date of birth are the subject of speculation. His gravestone in Oughter Ard, County Kildare, reads that he dies on January 23, 1803, at the age of 78, and that he is born some time in 1724 or very early in 1725. This contradicts the date of September 28, 1725, chosen by the Guinness company in 1991, apparently to end speculation about his birthdate. The place of birth is perhaps his mother’s home at Read homestead at Ardclough, County Kildare.
In 2009 it is claimed that Guinness is born in nearby Celbridge where his parents live in 1725 and where his father later becomes land steward for the Archbishop of Cashel, Dr. Arthur Price. In his will, Dr. Price leaves £100 each to “his servant” Arthur and his father in 1752.
Guinness leases a brewery in Leixlip in 1755, brewing ale. Guinness also purchases a long lease of an adjacent site from George Bryan of Philadelphia in 1756 that is developed as investment property. He leaves his younger brother in charge of the Leixlip enterprise in 1759 and moves on to another at St. James’ Gate, Dublin. He signs a 9,000-year lease for the brewery, effective from December 31, 1759. The lease is presently displayed in the floor at St. James’ Gate. By 1767 he is the master of the Dublin Corporation of Brewers. His first actual sales of porter are listed on tax data from 1778. From the 1780s his second son, Arthur, works at his side and becomes the senior partner in the brewery in 1803.
Guinness’ major achievement is the expansion of his brewery in 1797–1799. Thereafter he brews only porter and employs members of the Purser family who have brewed porter in London from the 1770s. The Pursers become partners in the brewery for most of the 19th century. By the time of his death in 1803, the annual brewery output is over 20,000 barrels. Subsequently Arthur and/or his beer is nicknamed “Uncle Arthur” in Dublin. Guinness’ florid signature is still copied on every label of bottled Guinness.
From 1764, Guinness and his wife Olivia, whom he marries in 1761, live at Beaumont House, which Guinness has built on a 51-acre farm which is now a part of Beaumont Convalescent Home, behind the main part of Beaumont Hospital, between Santry and Raheny in north County Dublin. His landlord is Charles Gardiner. Beaumont, meaning beautiful hill, is named by Arthur and the later Beaumont parish copies the name. From March 1798 he lives at Mountjoy Square in Dublin, which is then in the process of being built in the style of elegant Georgian architecture. Three of his sons are also brewers, and his other descendants eventually include missionaries, politicians, and authors.
Sir Arthur Guinness dies in Mountjoy Square, Dublin, on January 23, 1803, and is buried in his mother’s family plot at Oughter Ard, County Kildare.
To further honour Arthur Guinness’s legacy, in 2009 Guinness & Co. established the Arthur Guinness Fund (AGF). An internal fund set up by the Company, its aim is to enable and empower individuals with skills and opportunities to deliver a measured benefit to their communities. Guinness has donated more than €7 million to the Fund since its inception. Arthur Guinness is also one of a handful of Irish people commemorated twice on stamps, in 1959 and 2009.
Petrie is born and grows up in Dublin, living at 21 Great Charles Street, just off Mountjoy Square. He is the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He is interested in art from an early age. He is sent to the Royal Dublin Society‘s schools, being educated as an artist, where he wins the silver medal in 1805 at the age of fourteen.
In the late 1820s and 1830s, Petrie significantly revitalises the Royal Irish Academy‘s antiquities committee. He is responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong. His writings on early Irish archaeology and architecture are of great significance, especially his essay on the Round Towers of Ireland, which appear in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology.” His survey of the tombs at Carrowmore still informs study of the site today.
From 1833 to 1843 Petrie is employed by Thomas Frederick Colby and Thomas Larcom as head of the Topographical Department of the Irish Ordnance Survey. Amongst his staff are John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture is never published, but his seminal essay On the History and Antiquities of Tara Hill is published by the Academy in 1839. During this period Petrie is himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal.
Another major contribution of Petrie’s to Irish culture is the collection of Irish traditional airs and melodies which he records. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”
As an artist, Petrie’s favourite medium is watercolour which, due to the prejudices of the age, is considered inferior to oil painting. Nonetheless, he can be considered as one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, County Cork (1831).
Petrie is awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the now lost essay on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.
The closing years of Petrie’s life are devoted to the publication of a portion of his collection of Irish music. He dies at the age of 77 at Rathmines, Dublin, on January 17, 1866. He is buried in Mount Jerome Cemetery.
Mary Agnes “Molly” Allgood, actress of stage and film under the stage name of Máire O’Neill, is born at 40 Middle Abbey Street in Dublin on January 12, 1885.
Allgood is one of eight children of compositor George and french polisher Margaret (née Harold) Allgood. Her father is sternly Protestant and against all music, dancing and entertainment, while her mother is a strict Catholic. After her father dies in 1896, she is placed in an orphanage. She is apprenticed to a dressmaker and her brother Tom becomes a Catholic priest.
Maud Gonne sets up Inghinidhe na hÉireann (Daughters of Ireland) in 1900 to educate women about Irish history, language and the arts, and Allgood and her sister Sara join the association’s drama classes around 1903. Their acting teacher, William “Willie” Fay, enrolls them in the National Theatre Society, later known as the Abbey Theatre. Allgood is part of the Abbey Theatre from 1906-1918 where she appears in many productions. In 1904 she is cast in a play by Irish playwright Teresa Deevy called Katie Roche where she plays the part of Margaret Drybone. There are 38 performances in this production.
In 1905 Allgood meets Irish playwright John Millington Synge, and they fall in love, a relationship regarded as scandalous because it crosses the class barriers of the time. In September 1907 he has surgery for the removal of troublesome neck glands, but a later tumour is found to be inoperable. They become engaged before his death in March 1909. Synge writes the plays The Playboy of the Western World and Deirdre of the Sorrows for Allgood.
In June 1911 Allgood marries G. H. Mair, drama critic of the Manchester Guardian, and later Assistant Secretary of the British Department of Information, Assistant Director of the League of Nations Secretariat in Geneva, and head of the League of Nations office in London, with whom she has two children. He dies suddenly on January 3, 1926. Six months later she marries Arthur Sinclair, an Abbey actor. They have two children, but the marriage ends in divorce.
Allgood dies at the age of 66 in Park Prewett Hospital, Basingstoke, England, on November 2, 1952, where she is receiving treatment after being badly burned in a fire at her London home.
Joseph O’Connor‘s 2010 novel, Ghost Light, is loosely based on Allgood’s relationship with Synge.
seamus dubhghaill 