Curtayne is the youngest child of John Curtayne, founder and proprietor of the Tralee Carriage Works, and his wife Bridget Curtayne (née O’Dwyer). She receives her initial education at local convents before attending La Sainte Union College in Southampton, England. Having taken a typing course, she is engaged as a secretary in Milan, where she remains for four and a half years. This proves to be a formative period in her life. She comes to regard Italy as a second home and is greatly influenced by the work of the Italian Catholicphilosopher, Giovanni Papini.
On leaving Italy Curtayne works for a time in Liverpool. She joins the Liverpool Catholic Evidence Guild, from where she receives her diploma as a diocesan catechist. While in England she also develops an interest in public speaking. Her first book, Catherine of Siena (1929), is followed by numerous publications on religious and historical subjects, including Lough Derg (1933), Patrick Sarsfield (1934), The Trial of Oliver Plunkett (1953), Twenty Tales of Irish Saints for children (1955), and The Irish Story (1962).
Curtayne’s enthusiasm for Italy is reflected in her many publications of Italian interest, including a scholarly work on Dante, and a novel House of Cards (1940), which centres on the experiences of a young Irish woman living in Italy. In 1972 she produces Francis Ledwidge: A Life of the Poet, her well regarded biography of the poet Francis Ledwidge, and in 1974 it is followed by an edition of his complete poems, The Complete Works of Francis Ledwidge. Throughout her journalistic career she is a contributor to various magazines and papers, among them The Irish Times, Irish Independent, The Irish Press, Books on Trial, The Spectator, and The Standard.
During the 1950s and early 1960s Curtayne makes five lecture tours in the United States, speaking on Irish life, history, and literature. In 1959 she receives an honorary doctorate in Humane Letters from Anna Maria College in Paxton, Massachusetts, where she briefly teaches. She is presented with the Key to Worcester City by Mayor James D. O’Brien. She also gives a course of lectures on Dante at Craiglockhart College, Edinburgh, in 1956, and in 1965 she again speaks on Dante in a Radio Éireann Thomas Davis lecture.
In December 1954 The Irish Press sends Curtayne to Rome to write daily reports on the close of the Marian year. She goes to Rome again for the final session of the Second Vatican Council. She is commissioned to send weekly reports to local newspapers, The Nationalist (Carlow) and The Kerryman. She also sends a series of profiles of outstanding personages of this Vatican Council to The Universe and an article for Hibernia journal.
In 1935, Curtayne marries the English-born writer and broadcaster Stephen Rynne, with whom she has two sons and two daughters. They run a farm at Prosperous, County Kildare, and are well known advocates of the values of rural living. One son, Andrew Rynne, becomes a medical practitioner and well known for his liberal views on birth control. Daughter Brigid Rynne later illustrates some of her mother’s books.
Curtayne dies on August 9, 1981, in the Hazel Hall Nursing Home in Clane, County Kildare, and is buried at Killybegs Cemetery.
O’Donnell is born in an army barracks in Devon, England, where his father, Sergeant Bernard MacDonald, is stationed. His mother, Mary Kain, is a native of Ballybane, close to Galway city. He is educated at the Erasmus Smith School in Galway, Coláiste Iognáid (the “Jes”), and later enrolls in Queen’s College Galway, where he studies English literature, history and political economy. While a student at the college, he acquires a considerable reputation as an orator, and is a frequent contributor to meetings of the college’s Literary and Debating Society, of which he becomes vice-auditor for the 1864–65 session.
Even in his student days, O’Donnell seems to be quick to voice his opinions, and revells in controversy. In November 1866, addressing the Literary and Debating Society on the question “Was the character of Warren Hastings as Governor-General of India praiseworthy?” he causes uproar by denouncing “the principle and the system which have lain at the root of the international and intercolonial policy of England, from the days when Elizabeth, the Infamous, chartered for profit two of the first ships which opened the African slave trade.” His remarks cause the chairman of the meeting, Professor Thomas Moffett, to prevent him from continuing his speech, stating that “such an epithet ought not to be applied to any predecessor of our present gracious Queen.” O’Donnell regards such action as an unwarranted restriction on his freedom of speech, and in a letter published in the local press gives an early example of his high-flown literary style:
“I hold that Debating Societies are the nurseries of independent thought, and the training schools of sober criticism. I believe in the power and impartiality of an enlightened studenthood … I have followed the mind of Austin. I have sat at the feet of Cairnes. I have drunk of the philosophy of Mill. I claim for Judicial Science, for Economic Science, for the Philosophy of History, a place in the discussions of our society, I pity, and I scorn the formidable confederacy of fools who dare not call a spade a spade.”
This incident, combined with the reluctance of the society to prevent O’Donnell from addressing its meetings, eventually leads to the suspension of the society from the Queen’s College and its temporary migration to rooms in the city of Galway.
O’Donnell graduates from the Queen’s College with an M.A. degree in 1868, winning several gold medals for his academic performance. By this stage, he has begun to style himself ‘Frank Hugh O’Donnell,’ believing himself to be a descendant of Hugh O’Donnell, 2nd Earl of Tyrconnell.
Leaving Galway, O’Donnell moves to London, where he embarks on a career in journalism, following his college contemporary T. P. O’Connor. O’Connor’s knowledge of modern European languages has helped him to establish himself as a correspondent on European affairs, and he assists O’Donnell in developing a similar reputation. He spends a brief period on the staff of The Morning Post.
In the 1874 United Kingdom general election, O’Donnell is elected Member of Parliament (MP) for Galway Borough but is unseated by the courts in what appears to be a politically inspired judgment which uses certain unsavoury campaigning tactics in which O’Donnell had indulged as its basis. He is succeeded in the seat by his election agent, Dr. Michael Francis Ward, who is himself succeeded in 1880 by T. P. O’Connor in an unusual succession, all three having been either auditor or vice-auditor of the Queen’s College Literary and Debating Society in the same era.
In 1875, O’Donnell is a founding member of the Constitutional Society of India, a group promoting political autonomy for India. In 1877, he secures a more permanent election to the House of Commons of the United Kingdom as MP for Dungarvan. He holds the seat until 1885, when the constituency is abolished. He strikes a colourful and controversial figure in parliament and becomes renowned for his declamatory speech-making. He is a prominent obstructionist and claims credit for inventing the tactic of obstructionism which is to yield such results for the Home Rule League under Charles Stewart Parnell. Indeed, he sees himself as a natural leader and becomes disillusioned when Parnell is selected in May 1880 to succeed William Shaw as leader of the Irish Parliamentary Party. He calls the British ‘Imperial pirates’ and inaugurates the Constitutional Society of India. Its aim is Home Rule for India, “Mr. O’Donnell’s grand passion in politics was a confederation of all the discontented races of the Empire under the lead of the Irish party. He once brought down some scores of dusky students of all the races and creeds of Hindustan to the House of Commons.”
Parnell refuses to let O’Donnell be nominated in 1885. He leaves the Irish Parliamentary Party and conventional politics, but not its general aims of promoting home rule and tenant farmers’ rights. His last and perhaps most important contribution to the fortunes of the party is the libel case he launches against The Times in 1888 over the series “Parnellism and Crime.” Though the case is lost, it results in the establishment of the Parnell Commission which exonerates Parnell from condoning the Phoenix Park Murders and exposes the Pigott Forgeries.
In his later years O’Donnell begins investigating misconduct by both the British Civil Service and the Roman Catholic church in Ireland. His Paraguay on Shannon (1908) is an amusing but serious critique of unethical practices by the Catholic clergy in local politics, education, and their involvement in the Congested Districts Board for Ireland that is financed by Parliament in order to improve the depressed economy of western Ireland. Parliament believes that by improving the living standards of the Irish peasant class, they can “kill Home Rule with kindness.”
After careful investigation, O’Donnell accuses members of the Catholic clergy of illegally diverting Government money earmarked for economic development into new Cathedrals, parish churches, and other ecclesiastical building projects. He argues that the British Government needs to provide better oversight of how the Congested Districts Board’s funds are being used. He believes that “in Ireland material ruin has accompanied clerical despotism.” His hostility to the Church draws the ire of Catholic historians who systematically undermine his credibility.
Ernest Belfort Bax writes that O’Donnell’s “matter is better than his manner.”
O’Donnell dies a bachelor in London on November 2, 1916, and is buried in Glasnevin Cemetery, Dublin.
Eccles is the fourth daughter of Alexander O’Conor Eccles of Ballingard House, the founder of a home-rule newspaper, The Roscommon Messenger. She attends a Catholic grammar school, Upton Hall School FCJ, near Birkenhead and convents in Paris and Germany.
Eccles later lives in London with her mother and sister where, after a number of setbacks, she becomes a journalist in the London office of the New York Herald. She goes on to become a staff member of the Daily Chronicle and the Star. She comments in an article in the June 1893 issue of Blackwood’s Magazine on “the immense difficulty a woman finds in getting into an office in any recognised capacity,”
Eccles joins the agricultural reformer Sir Horace Plunkett in writing and lecturing around Ireland for the Department of Agriculture and Technical Instruction. Another of her Blackwood’s Magazine articles, in December 1888, covers “Irish Housekeeping and Irish Customs in the Last Century.”
Eccles’s other books include Aliens of the West (Cassell, 1904) and The Matrimonial Lottery (Eveleigh Nash, 1906). An obituary in The Times describes Aliens of the West as “one of the best modern books of short stories on Ireland yet written.”
Darrell Edmund Figgis, Irish writer, Sinn Féin activist and independent parliamentarian in the Irish Free State, dies in London on October 27, 1925. The little that has been written about him has attempted to highlight how thoroughly his memory and works have been excised from Irish popular culture.
Figgis is born at Glen na Smoil, Palmerstown Park, Rathmines in Dublin, on September 17, 1882, the son of Arthur William Figges, tea merchant, and Mary Anne Deane. While still an infant, his family emigrates to Calcutta, India. There his father works as an agent in the tea business, founding A. W. Figgis & Co. They return when he is ten years of age, though his father continues to spend much of his time in India. As a young man he works in London at the tea brokerage owned by his uncle, and it is at this time that he begins to develop his interest in literature and literary criticism.
In 1910 Figgis, with the help of G. K. Chesterton, who wrote the introduction to his first book of verse, joins the Dent publishing company. He moves to Achill Island in 1913 to write, learn the Irish language and gain an appreciation of Irish culture, as perceived by many of his contemporaries to uniquely exist on the western seaboard. On his detention following the 1916 Easter Rising, he and the publishing house parted company. Subsequently, he establishes his own firm in which he republishes the works of William Carleton and others.
Figgis joins the Irish Volunteers in Dublin in 1913 and organises the original Battalion of Volunteers in Achill, where he had built a house. While in London, he is contacted by The O’Rahilly, who acquaints him with the arms dealers who had supplied the Ulster Volunteers. In this way he becomes part of the London group that discusses the financing and supply of German rifles for the Volunteers. He travels with Erskine Childers, initially to Belgium and from there to Germany, to make the purchase of the army surplusMauser rifles. He then charters the tug Gladiator, from which the arms are transferred at sea to the Childers’ yacht Asgard and Conor O’Brien‘s Kelpie.
At this time the Royal Navy is patrolling the Irish Sea in anticipation of imminent war with Germany, and Figgis is tasked with taking a motorboat to Lambay Island to signal to the Asgard the all-clear. By his own account, he is unable to persuade the skipper of the pilot vessel to put to sea as one of the worst storms in many years is raging. Due to luck and the skill of the crews, the three over-laden yachts arrive at their destinations. Figgis, accompanied by Seán McGarry, watch Asgard helplessly from Howth pier until Erskine decides to take a calculated risk and sails into the harbour. Against the odds, the conspiracy to buy rifles in Germany and land them safely in Ireland has succeeded. A large party of Volunteers, on their way to Dublin with rifles and ammunition is confronted by a detachment of the King’s Own Scottish Borderers and Dublin Metropolitan Police. With their route blocked, Figgis and Thomas MacDonagh engage the officers in an attempt to distract them.
Although Figgis does not participate in the 1916 Easter Rising, he is arrested and interned by the British authorities between 1916 and 1917 in Reading Gaol. After his release, he returns to Ireland. At the 1917 Sinn Féin Ardfheis he and Austin Stack are elected Honorary Secretaries of the party. The conference sees Éamon de Valera replace Arthur Griffith as President of the party. Shortly after, Figgis is one of four recently released internees who travels to the South Longford constituency to campaign for Joseph McGuinness in the by-election caused by the death of John Phillips. The overwhelming victory of the Sinn Féin candidate over the Irish Parliamentary Party (IPP) nominee marks the beginning of the eclipse of the latter party by the former party. In May 1918, Figgis is arrested for his alleged part in the spurious German Plot a second time and again deported to England. In 1918, he becomes editor of the newspaper The Republic.
From September 1919 to 1921 Figgis heads the Commission of Inquiry into the Resources and Industries of Ireland. At this time a serious rift between Figgis and Michael Collins, then Minister for Finance, becomes a matter of public record. This close attention of Collins will pursue Figgis in his later activities on the Constitution Committee. While he is participating in a Dáil Court at Carrick-on-Shannon, the proceedings are interrupted by a British Army raid. An officer named Captain Cyril Crawford summarily condemns Figgis and Peadar Kearney to be hanged. He orders rope for the purpose, but another officer intervenes and Keaney and Figgis are set free.
Figgis supports the Anglo-Irish Treaty. He is extremely critical of the Collins/De Valera Pact for the June 1922 Irish general election which is an attempt to avoid a split in the Sinn Féin party and, more importantly, in the Irish Republican Army (IRA). On May 25, 1922, he attends a meeting of the executive council of the Farmers’ Union and representatives, of business interests, and encourages them to put forward candidates in constituencies where anti-Treaty candidates might otherwise head the poll. As he is a member of the Sinn Féin Ard Chomhairle National Executive at the time, he is expelled from the party.
Soon after the signing of the Treaty, the necessity of quickly drafting a constitution for the proposed Free State becomes apparent. It is intended by Arthur Griffith that Figgis will chair the Constitution Committee, but this proposal is vetoed by Collins who nominates himself for the position specifically to minimise Figgis’ influence. The animosity between Collins and Figgis remained an undercurrent of the project. In the end, Collins decides the job should go to Captain David Robinson, but this did nothing to heal the rift between Figgis and James G. Douglas.
In December 1923, it is decided that a committee be established to investigate the means by which a public radio broadcasting service should be operated in the Free State. A central issue of contention is whether the service should be run and controlled directly by the State or operated commercially by an Irish Broadcasting Company. The latter option, it is suggested, would follow the model adopted in the UK by the establishment of the BBC. Figgis is co-opted onto the committee, and this decision leads to a series of allegations resulting in the new State’s first corruption scandal of which Figgis himself is the focus. The allegations result in his resignation from the Broadcasting committee and the launching of a second enquiry. He strenuously denies any impropriety.
On November 18, 1924, Figgis’s wife Millie commits suicide in the back of a taxi in Rathfarnham using a Webley revolver given to them by Collins following the 1922 assault. A year later, his new love, a 21-year-old Catholic woman named Rita North, dies due to complications when a doctor tries to surgically remove an already dead child. The court, after investigating her death, determines that she died due to peritonitis, an inflammation in the lining of the abdominal cavity. The public, however, jumps to the conclusion that she died in a failed illegal abortion.
Figgis himself commits suicide in a London boarding house in Granville Street on October 27, 1925, just a week after giving evidence at North’s inquest. He had been staying at the Royal Automobile Club until the day before his death, as is usual when he visits London. A small group of mourners comprising close family and friends attend his interment at the Hampstead Cemetery in West Hampstead, London.
MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.
At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.
In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.
In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.
Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.
In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.
From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).
MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.
MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.
During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.
Donoghue is the youngest of eight children, the daughter of Frances (née Rutledge) and academic and literary critic Denis Donoghue. She has a first-class honours Bachelor of Arts degree from University College Dublin (UCD) in English and French as well as a PhD in English from Girton College, Cambridge. While at Cambridge she lives in a women’s co-operative, an experience which inspires her short story “The Welcome.” Her thesis is on friendship between men and women in 18th-century fiction.
At Cambridge, she meets her future wife, Christine Roulston, a Canadian who is now professor of French and Women’s Studies at the University of Western Ontario. They move permanently to Canada in 1998 and Donoghue becomes a Canadian citizen in 2004. She lives in London, Ontario, with Roulston and their two children.
Donoghue has spoken of the importance of the writing of Emily Dickinson, of Jeanette Winterson‘s novel The Passion and Alan Garner‘s Red Shift in the development of her work. She says that she aims to be “industrious and unpretentious” about the process of writing, and that her working life has changed since having children.
Donoghue’s novels include Stir Fry (1994), a finalist for the Lambda Literary Award in 1994, Slammerkin (2000), a finalist in the 2001 Irish Times Irish Literature Prize for Fiction and winner of the 2002 Ferro-Grumley Award for Lesbian Fiction, Landing (2007), The Sealed Letter (2008), joint winner of the 2009 Lambda Literary Award for Lesbian Fiction, Room (2010), winner of the Irish Book Award 2010, Frog Music (2014), The Wonder (2016), shortlisted for the Scotiabank Giller Prize, Akin (2019), The Pull of the Stars (2020), longlisted for the Giller Prize in 2020, and Haven (2022).
Durcan grows up in Dublin and in Turlough, County Mayo. His father, John, is a barrister and circuit court judge. He has a difficult and formal relationship with his father. He enjoys a warmer and more natural relationship with his mother, Sheila MacBride Durcan, through whom he is a great-nephew of both Maud Gonne, the Irish social and political activist, and John MacBride, one of the leaders of the Easter Rising, which begins the Irish War of Independence leading to the foundation of the Irish Free State.
In 1966, Durcan moves to London, where he works at the North Thames Gas Board. He meets Nessa O’Neill in 1967 and they marry and have two daughters, Sarah and Siabhra. They live in South Kensington, then move to Cork, where his wife teaches in a prison. The marriage ends in early 1984.
Durcan’s main published collections include A Snail in my Prime, Crazy About Women, Greetings to Our Friends in Brazil and Cries of an Irish Caveman. He appears on the 1990 Van Morrison album Enlightenment, giving an idiosyncratic vocal performance on the song “In The Days Before Rock’n’Roll,” which he also co-writes.
In 2003, Durcan publishes a collection of his weekly addresses to the nation, Paul Durcan’s Diary, on RTÉ Radio 1 programme Today with Pat Kenny. He gets his inspiration from Paidraig Whitty, a local Wexford poet. He is shortlisted in 2005 for the Poetry Now Award for his collection The Art of Life (The Harvill Press, 2004). In 2009, he is conferred with an honorary degree by Trinity College, Dublin. He is the Ireland Fund Artist-in-Residence in the Celtic Studies Department of St. Michael’s College at the University of Toronto in October 2009. In 2011 he is conferred with an honorary doctorate from University College Dublin.
Between 2004 and 2007 Durcan is the third Ireland Professor of Poetry. He is a member of Aosdána. Awards he has received include the Patrick Kavanaugh Poetry Award (1974), the Irish American Culture Institute Poetry Award (1989), the Whitbread Prize for Daddy, Daddy (1990) and the London Poetry Book Society choice for The Berlin Wall Café.
A number of poems from Durcan’s poetry career are studied by Irish students who take the Leaving Certificate.
Holmes is one of the four surviving children of Dr. Robert Emmet, state physician of Ireland, and Elizabeth Emmet (née Mason). As a young woman she is noted for her intelligence and is a classical scholar. Her father lauds her “good character” and is very hopeful she will make a good wife. Much like her brothers, Robert and Thomas Addis, who are both to join the Society of United Irishmen, she is interested in politics and is a member of liberal intellectual circles. She is a correspondent of Margaret King about their common passion for the writings of Mary Wollstonecraft.
In 1793, a family friend, William Drennan, describes her as genteel but distant. He predicts her match with the barristerRobert Holmes, who she secretly marries on September 21, 1799, in the Dublin Unitarian Church. The couple have at least four children, with Drennan attending all the births. One of their children is Elizabeth Emmet Lenox-Conyngham. Robert Holmes attends to the Emmet family legal affairs for a time, with the couple living with her parents at Casino, near Milltown, Dublin. Holmes helps to raise the children of her brother Thomas Addis, after he is sent to Fort George, Highland, Scotland for his involvement with the United Irishmen. During this time, their mother’s letters to Thomas Addis note Holmes’ devotion to her husband but also her delicate health and tendency towards low spirits. Holmes is the only surviving child of their 17 children who is still in Ireland, and she is a comfort to her parents in their old age. Her father dies in 1802, and her mother almost dies in 1803 at the same time as the arrest and execution of her brother Robert. Some claim that Holmes attempted to recover her brother’s body but failed.
After the failed Irish rebellion of 1803, Holmes’s husband is arrested but she is allowed to spend approximately a week with him. It is long claimed that she collapses and dies on her doorstep following his release in February 1804. In truth, she gives birth to a son at home, following which her health worsens, and her hearing also deteriorates. Her son, Hugh, also later dies. She is attended to by Drennan, who worries that she is succumbing to tuberculosis that December. She dies on March 10, 1805, and is buried with her parents in the graveyard of St. Peter’s Church, Aungier Street, Dublin. There is a legend that her brother Robert’s body is interred with her in secret, but this is unconfirmed. A portrait of Holmes by Thomas Hickey is held by Kilmainham Gaol.
Holmes writes prose and verse for The Press, a publication associated with the Society of United Irishmen. In 1799 she is active, along with members of her extended family, in the movement opposed to the legislative union of Ireland with the United Kingdom. The pamphlet An address to the people of Ireland is attributed to her but is now thought to have been written by Roger O’Connor. Holmes’ poems are included in her daughter’s 1833 book of verse The dream and other poems.
(Pictured: Portrait of Mary Anne Holmes by Thomas Hickey, held in the collections of Kilmainham Gaol)
The son of a shipyard worker, McWhirter is raised in a large extended family on the Shankill Road in Belfast. He and his extended family spend the war years and then weekends and the summers at their seaside bungalow in Carnalea, now a suburb of Bangor, County Down. In 1957 he begins a “combined scholarship” studying English and Spanish at Queen’s University Belfast, and education at Stranmillis University College, Belfast. His tutor at Queen’s is the poet Laurence Lerner, and he is a classmate with the future literary critic Robert Dunbar and the poets Seamus Heaney and Seamus Deane.
McWhirter is associated with PRISM International magazine from 1968 to 2005. He is the author and editor of numerous books and the recipient of many awards. His first book of poetry, Catalan Poems, is a joint winner of the first Commonwealth Poetry Prize with Chinua Achebe‘s Beware, Soul Brother. He is made a life member of the League of Canadian Poets in 2005 and is also a member of the Writers’ Union of Canada and PEN International. In March 2007, he is named Vancouver’s inaugural Poet Laureate for a two-year term.
McWhirter currently writes full-time and lives in Vancouver with his wife. They have two children and three grandchildren.
Maturin’s first three works are Gothic novels published under the pseudonym Dennis Jasper Murphy and are critical and commercial failures. They do, however, catch the attention of Sir Walter Scott, who recommends Maturin’s work to Lord Byron. With their help, his play Bertram is staged in 1816 at the Theatre Royal, Drury Lane for 22 nights, with Edmund Kean starring in the lead role as Bertram. Financial success, however, eludes Maturin, as the play’s run coincides with his father’s unemployment and another relative’s bankruptcy, both of them assisted by the fledgling writer. To make matters worse, Samuel Taylor Coleridge publicly denounces the play as dull and loathsome, and “melancholy proof of the depravation of the public mind,” going nearly so far as to decry it as atheistic.
The Church of Ireland takes note of these and earlier criticisms and, having discovered the identity of Bertram‘s author after Maturin had shed his nom de plume to collect the profits from the play, subsequently bar his further clerical advancement. Forced to support his wife and four children by writing on his curate salary of £80-90 per annum, compared to the £1000 he made for Bertram, he switches back from playwright to novelist after a string of his plays meet with failure. He produces several novels in addition to Melmoth the Wanderer, including some on Irish subjects and The Albigenses, a historical novel which features werewolves. Various poems have also been ascribed to Maturin on dubious grounds and appear to be the work of others. The prize-winning “Lines on the Battle of Waterloo” is published in 1816 under the name of the university graduate John Shee. “The Universe” appears with Maturin’s name on the title page in 1821 but is now thought to be almost completely the work of James Wills.
The exaggerated effectiveness of Maturin’s preaching can be gauged from the two series of sermons that he publishes. On the occasion of the death of Princess Charlotte, he declares, “Life is full of death; the steps of the living cannot press the earth without disturbing the ashes of the dead – we walk upon our ancestors – the globe itself is one vast churchyard.” A contemporary account records that there had seldom been seen such crowds at St Peter’s. “Despite the severe weather, people of all persuasions flocked to the church and listened spellbound to this prince of preachers. In his obituary it is said that ‘did he leave no other monument whereon to rest his fame, these sermons alone would be sufficient.'”
Maturin dies in Dublin on October 30, 1824. A writer in the University Magazine later sums up his character as “eccentric almost to insanity and compounded of opposites – an insatiable reader of novels; an elegant preacher; an incessant dancer; a coxcomb in dress and manners.”
A sister of Maturin’s wife marries Charles Elgee, whose daughter, Jane Francesca, becomes the mother of Oscar Wilde. Thus, Charles Maturin is Oscar Wilde’s great-uncle by marriage. Wilde discards his own name and adopts the name of Maturin’s novel, Melmoth, during his exile in France.
Maturin’s eldest son, William Basil Kingsbury Maturin, follows him into the ministry, as do several of his grandsons. One of these, Basil W. Maturin, dies in the sinking of RMS Lusitania on May 7, 1915. The second son is Edward Maturin, who emigrates to the United States and becomes a novelist and poet there.
seamus dubhghaill 