Cusack achieves his most famous victory on April 15, 1974, by winning the Boston Marathon, becoming the first and only Irishman to do so. His time of 2:13:39 is the third-fastest in Boston Marathon history at that point. His Boston win is a source of immense pride for the Irish community, especially in Boston. He recalls receiving $10 and $20 bills from Irish Americans in the mail with notes like “Have a beer on us, we’re proud of you!” His victory helps soothe the disappointment of local Irish fans who had seen fellow Irish runner Pat McMahon come close in previous years.
In 2024, on the 50th anniversary of his Boston win, Cusack returns to serve as the official race starter for the professional men’s division of the Boston Marathon.
Now in his 70s, Cusack remains a celebrated figure in Irish athletics and marathon history.
O’Hegarty is born to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).
O’Hegarty is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.
O’Hegarty serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.
O’Hegarty has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.
In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.
O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.
O’Hegarty is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.
O’Hegarty’s son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.
Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.
Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.
Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.
In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.
In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.
Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).
Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.
Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.
Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.
Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”
Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.
From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.
Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.
Patrick “Patsy” J. Touhey, a celebrated player of the uilleann pipes, is born on February 26, 1865, in Cahertinny, Bullaun, Loughrea, County Galway. His innovative technique and phrasing, his travels back and forth across the United States to play on the variety and vaudeville stage, and his recordings make his style influential among Irish American pipers. He can be seen as the greatest contributor to a distinctive American piping style.
According to Chief Francis O’Neill of the Chicago Police Department, in his seminal work O’Neill’s Irish Minstrels and Musicians, Touhey is the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James and his uncle Martin, who are considered accomplished players. The family arrives in Boston around 1868, and his father arranges for his instruction from Bartley Murphy of County Mayo. However, at the age of ten Patsy loses his father and later lays the pipes aside.
In his late teens Touhey strays into a Bowerymusic hall where John Eagan, the “White Piper” of Galway, is engaged. Enthralled by Eagan’s virtuosity, he takes up the pipes again, and under the instruction of Eagan and Billy Taylor of Philadelphia soon becomes a master.
Touhey and Eagan tour the northeastern United States with “Harrigan’s Double Hibernian Co., Irish and American Tourists” in 1885 and 1886. This is his apparent introduction to theatrical life. Harrigan’s company stars Jeremiah “Jere” Cohan, the father of George M. Cohan, later a famous songwriter and showman. Despite a persistent legend, there is no evidence that Touhey plays publicly for the step-dancing of George M. Cohan, who is seven or eight years old at the time. Between 1886 and 1895 he appears in several theatre productions including “Inshavogue” and “The Ivy Leaf.” At the 1893 World’s Columbian Exposition in Chicago, he plays at the Irish Village, one of two rival Irish pavilions, and is later engaged for the 1904 World’s Fair in St. Louis (Louisiana Purchase Exposition). From about 1896 until 1921 he plays in vaudeville skits, trading jokes with his wife, Mary, and their on and off partner Charles Henry Burke. The shows include slapstick, low-brow gags, Irish nostalgia, and a piping finale to which Mary Touhey dances.
Chicago Police Chief Francis O’Neill, a prominent compiler of Irish dance tunes, calls Touhey “the genial wizard of the Irish pipers . . . A stranger to jealousy, his comments are never sarcastic or unkind, neither does he display any tendency to monopolize attention in company when other musicians are present.”
Touhey lives on Bristow Street in the Bronx, New York City, from at least 1900 until 1908. He and Mary live in rural East Haddam, Connecticut from 1908 to 1919, then in Freeport, New York from 1919 to 1922. In 1922 he moves back to the Bronx. He dies suddenly in his home at 1175 Concourse, New York, on January 10, 1923. He is buried in Saint Raymond’s Cemetery in the Bronx.
A statue of Patsy Touhey is unveiled in 2008 in Loughrea, near the place where he was born. It is a bronze sculpture by James MacCarthy that shows Touhey sitting on a limestone block and playing his pipes. Behind him, on the wall, there are three plaques with portraits of Peter and Vincent Broderick, two other local musicians, and Touhey himself. The statue is a tribute to the musical heritage of Loughrea and Galway, and a reminder of the connection between Ireland and its diaspora.
The Irish American Athletic Club, an amateur athletic organization based in Queens, New York, is established on January 30, 1898, originally as the Greater New York Irish Athletic Association. They shorten the name to the Irish American Athletic Club a few years later. They purchase a plot of land in what is then called Laurel Hill, Long Island, near Calvary Cemetery, Queens, and build a state-of-the-art athletic facility on what is farmland. The stadium, called Celtic Park, formally reopens after renovations on May 9, 1901, and until the facility is sold for housing in 1930, some of the greatest American athletes train or compete on Celtic Park’s track and field. The Irish American Athletic Club adopts a winged fist adorned with American flags and shamrocks as their emblem, with the Irish Gaelic motto “Láim Láidir Abú” or “A strong hand will be victorious,” and are often referred to as the “Winged Fists.” At one time they have clubs in Boston, Chicago, San Francisco and Yonkers, New York.
The Irish American Athletic Club is predominantly composed of Irish-born and first generation Irish American athletes, but many of the athletes who compete for the Winged Fist organization are neither.
The Irish American Athletic Club wins the Amateur Athletic Union national outdoor track and field team championship titles in 1904, 1906, 1907, 1908, 1910, 1911, 1912, 1913, 1914 and 1916. They also win the national indoor track and field team championship titles in 1906, 1908, 1909, 1911, 1913, 1914 and 1915. Individual athletes of the IAAC win 81 national outdoor championships titles and 36 individual national indoor championship titles.
In 1912–13, 1913–14, 1914–15 and 1916–17 the Irish American Athletic Club has a team, the New York Irish-Americans, represented in the American Amateur Hockey League. The team is coached by James C. “Jimmy” O’Brien and has on its roster for various seasons future NHL players Tom McCarthy and Moylan McDonnell. John McGrath and Patsy Séguin also play for the club.
Before the largest crowd that has ever assembled to see a track meet in the United States, on September 9, 1916, the Irish American Athletic Club defeats the New York Athletic Club at the Amateur Athletic Union’s National Championships, by a score of 38 to 27. Before a crowd of 30,000 spectators at Newark, New Jersey‘s Weequahic Park, the Irish American Athletic Club wins what is to be their last national championship title. The club disbands a year later when the United States becomes a combatant in World War I.
Guiney is the second and eldest surviving son of James Roger Guiney, who is descended from Jacobites, and Judith Macrae. His father, impoverished after a failed runaway marriage, brings with him on his second voyage to New Brunswick his favourite child Patrick, not yet six years old. After some years, his mother and younger brother, William, rejoin her husband, recently crippled by a fall from his horse. They settle in Portland, Maine. The young Guiney works as a wheel boy in a rope factory, and at the age of fourteen apprenticed to a machinist in Lawrence, Massachusetts, but stays only a year and a half before returning to Portland.
Guiney hopes to better himself through education and attends the public grammar school. He matriculates at the College of the Holy Cross in Worcester, Massachusetts. His depleting finances cause him to leave after about a year, despite the fact that the college president offers to make some arrangement for him to stay, which his honor would not allow him to accept. His book-loving father having meanwhile died, he goes to study for the Bar under Judge Walton, and is admitted in Lewiston, Maine, in 1856, taking up the practice of criminal law.
Familiar with the manual of arms, Guiney enlists for example’s sake as a private, refusing a commission from GovernorJohn A. Andrew until he has worked hard to help recruit the 9th Massachusetts Infantry Regiment. By June 1861, he is a captain. In July 1862, the first colonel having died from a wound received in action, Lieutenant Colonel Guiney succeeds him to the command. He wins high official praise, notably for courage and presence of mind at the Battle of Gaines’ Mill in Hanover County, Virginia. Here, after three successive color-bearers had been shot down, he himself reportedly seizes the flag, throws aside coat and sword-belt, rises white-shirted and conspicuous in the stirrups, inspires a final rally, and turns the fortune of the day.
The 9th Massachusetts is present at Gettysburg, Pennsylvania, in second brigade first division V Corps on July 1, 1863. Col Jacob B. Sweitzer the brigade commander, detaches Guiney’s regiment for picket duty. Consequently, the regiment misses the second day’s fighting at the Battle of Gettysburg.
In 1864, through the Battle of the Wilderness, Guiney frequently has been in command of his brigade, the second brigade, first division, V Corps. After many escapes from dangerous combats without serious injury, he is shot in the face by a sharpshooter at the Battle of the Wilderness on May 5, 1864. The Minié ball destroys his left eye, and inflicts, it is believed, a fatal wound. During an interval of consciousness, however, he insists on an operation which saves his life. He is honorably discharged and mustered out of the U.S. Volunteers on June 21, 1864, just before the mustering out of his old regiment.
On February 21, 1866, PresidentAndrew Johnson nominates Guiney for the award of the honorary grade of brevetbrigadier general, to rank from March 13, 1865, for gallant and meritorious services during the war. The U.S. Senate confirms the award on April 10, 1866.
Kept alive for years by nursing, Guiney runs unsuccessfully for the United States Congress on a sort of “Christian Socialist” platform, is elected assistant district attorney (1866–70), and acts as consulting lawyer (no longer being able to plead) on many locally celebrated cases.
Guiney’s last exertions are devoted to the defeat of the corruption and misuse of the Probate Court of Suffolk County, Massachusetts, of which he had become registrar (1869–77). He dies suddenly on March 21, 1877, in Boston and is found kneeling against an elm in the little park near his home. General Guiney is Commandant of the Loyal Legion, Major-General Commandant of the Veteran Military League, member of the Charitable Irish Society of Boston, and one of the founders and first members of the Catholic Union of Boston. He also publishes some literary criticism, a few graphic prose sketches and some verse.
O’Hegarty is born on December 29, 1879, at Carrignavar, County Cork, to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).
He is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.
He serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.
He has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.
In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.
O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.
He is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.
His son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.
Thompson is the eldest son of William Thompson, a prosperous linen merchant, and Elizabeth Thompson (née Callwell). He has at least two older sisters and several younger brothers. His mother’s father is Robert Callwell, a printer, book-collector, partner in the Commercial Bank, Belfast, and one of the owners of the Northern Star newspaper.
After attending the Royal Belfast Academical Institution (RBAI) from 1818, Thompson is apprenticed in the linen business of William Sinclair in 1821. When his apprenticeship ends, he goes with his cousin George Langtry, later a wealthy shipowner, on a four-month tour (May–September 1826) of the Low Countries, the Rhine, Switzerland, and Italy. On his return to Belfast, he sets up his own business in linen bleaching. Despite early success, losses are incurred. As family and economic circumstances change, he increasingly concentrates on his natural history studies. By 1831 he has given up business. A self-taught naturalist, related by ties of kinship or friendship to most of the liberal and cultivated families of the “northern Athens,” he is shy and fastidious, but is persuaded in 1826 to join the Belfast Natural History Society by its founder, his friend James Lawson Drummond. He reads his first scientific paper, The Birds of the Copeland Islands, to the society on August 13, 1827. In that year he becomes a member of the Belfast Natural History Society’s council, and in 1833 he is chosen as one of the society’s vice-presidents. He is president from 1843 until his death.
Thompson becomes the most important naturalist in mid nineteenth-century Ireland. From 1827 to 1852 he contributes almost eighty papers on Irish natural history to the Magazine of Zoology and Botany and the Proceedings of the Zoological Society of London. From 1836 to 1851 he contributes to The Magazine of Natural History. Invited to travel to the Levant and the Aegean Sea in April–July 1841 with Edward Forbes, professor of natural history at the University of Edinburgh, on HMS Beacon, he observes twenty-three species of birds on migratory flights and publishes “Notice of migratory birds” in The Annals of Natural History. His authoritative observations add considerably to knowledge of the still-to-be-ascertained details of migratory patterns. Indeed, some people refuse to believe, even at that date, that birds do migrate. He publishes other papers in the same journal during 1841–43. At a meeting of the British Association for the Advancement of Science in Glasgow in 1840 his Report on the fauna of Ireland (Vertebrata) attracts favourable notice. He presents and publishes a second and final part enumerating the invertebrates at the Cork meeting of the British Association in August 1843. The two reports form the most complete catalogue of Irish fauna yet published. Thanks to an assiduous correspondence with a network of informants, as well as his own extensive observations, he adds perhaps more than 800 species to Irish fauna lists.
Thompson’s chief work, The Natural History of Ireland, becomes the standard text in Irish zoology in the nineteenth century. The first three volumes, published between 1849 and 1851, deal with birds, particularly their habits and habitats rather than physical descriptions. He is one of the first naturalists to note the effects of industrialisation and other human activities on birdlife. He leaves instructions for his manuscripts on the remaining vertebrates and all the invertebrates to be prepared for publication by Robert Patterson and James Ramsey Garrett. Robert Ball and George Dickie also assist. His notes, though detailed and comprehensive, all require checking, and are found on tiny scraps of paper, even scribbled on the flaps of old envelopes. James Thompson of Macedon, Belfast, painstakingly gums them all into blank notebooks to facilitate the work of his brother’s literary executors, who preface the posthumous publication in 1856 with a lengthy memoir of their friend.
From about 1820 to 1852 Thompson lives with his mother at 1 Donegall Square West, Belfast, commuting from Holywood House, Holywood, County Down, during the summer. His daily routine begins with research, correspondence, or writing for publications for four hours after breakfast. After a two- or three-hour exercise period and dinner, he returns to work for a further two to three hours. He is president of the Belfast Literary Society (1837–39) and also an enthusiastic patron of the visual arts in the city. He enjoys hunting, wildfowling, shooting in Scotland, and gardening, though his health deteriorates from the 1840s.
Early in 1852 Thompson travels to London to make arrangements for that year’s Belfast meeting of the British Association. On February 15 he becomes ill, having suffered a minor stroke. He dies, unmarried, at his Jermyn Street lodgings on the day he is due to return home, February 17, 1852. He is buried in Clifton Street Cemetery, Belfast. He bequeaths his collection to the Belfast Natural History Society, and in March 1852 the Society adds a memorial Thompson Room to its museum, paid for by subscription.
Thompson is a corresponding member of natural history societies in Boston and Philadelphia and has many friends. He is known to assist many other researchers in Ireland, Britain, and the Continent. One of those who thinks highly of his work is Charles Darwin, with whom he corresponds. He also helps many local people, including the poet Francis Davis, with money and practical assistance. He is much loved, and his friends are deeply saddened by his death. His niece, Sydney Mary Thompson, later known by her married surname, Christen, who is born in Belfast, is an amateur naturalist, geologist, and artist, one of the first women to achieve distinction in geology.
(From: “Thompson, William” by Andrew O’Brien and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Needham then holds a staff appointment in Ireland, and during the Irish Rebellion of 1798 commands the crown forces at the Battle of Arklow on June 9, 1798. He places his approximately 1,600 troops in strong positions at the eastern and western ends of the town, where they can sweep the Arklow Rock Road and the Coolgreany Road with fire if the rebels approach along them. Ultimately, this is what the United Irish force, estimated at 5,000–9,000 strong, does, repeatedly attacking Needham’s right flank, which is in fact his strongest position. Estimates of the United Irish dead range from 200 to 1,000, and the failure of the attack ensures that the rebels lose the military initiative. He is also present at the Battle of Vinegar Hill on June 21, 1798, but his force arrives late, leaving a gap in the British line through which many rebels escape. This is later christened “Needham’s gap,” earning him the nickname of “the late General Needham” among his fellow officers.
Promoted to lieutenant-general in 1802, Needham is made colonel of the 5th Royal Veteran Battalion in 1804, entering House of Commons as MP for Newry in 1806. He is made full general in 1812, and, following the death of his two older brothers, succeeds as 12th Viscount Kilmorey in November 1818, resigning his parliamentary seat. On January 12, 1822, he is created 1st Earl of Kilmorey (Queen’s County) and Viscount Newry and Mourne. He dies on November 21, 1832, at the family seat, Shavington Hall, Shropshire, and is buried in St. Peter’s Church, Adderley.
Needham marries Anne Fisher, daughter of Thomas Fisher of Acton, Middlesex, on February 20, 1787. They have two sons, Francis Jack Needham, who succeeds as 2nd Earl, and the Hon. Francis Henry William Needham, lieutenant-colonel in the Grenadier Guards, and seven daughters. There are Needham letters in the Public Record Office (PRO), Kew, and in the Rebellion Papers in the National Archives of Ireland in Dublin.
Patrick J. Killoran, Irish traditional fiddle player, bandleader and recording artist is born on September 21, 1903, in Emlaghgissan (also spelled “Emlagation”), a townland in the civil parish of Emlaghfad near the town of Ballymote, County Sligo. He is regarded, along with James Morrison and Michael Coleman, as one of the finest exponents of the south Sligo fiddle style in the “golden age” of the ethnic recording industry of the 1920s and 1930s.
Killoran’s father Patrick plays the flute and his mother Mary the concertina, but he is also influenced by local fiddle master Philip O’Beirne, who had earlier tutored Michael Coleman. As a teenager, he is a volunteer with the Ballymote-based 3rd Battalion of the south Sligo Brigade of the Irish Republican Army (IRA) during the Irish War of Independence.
In 1925, Killoran emigrates to New York City, arriving on May 19 on the Cunard liner Scythia. Within a few months, he officially declares his intention to become a citizen of the United States, listing his address as 227 East 126th Street in east Harlem and his occupation as “laborer.” He later lodges with fellow Sligo fiddler James Morrison in a Columbus Avenue apartment on Manhattan‘s Upper West Side. A 1927 newspaper ad for “Morrison’s Orchestra” offers “Irish music by P. Killoran and J. Morrison, celebrated violinists,” giving 507 West 133d Street in west Harlem as the contact address. He soon launches his own career as a soloist and bandleader. A publicity photo of his quartet c. 1928 includes button accordionist D. Casey, tenor banjo player Richard Curran and second fiddler Denis Murphy. By the next year, he is performing on a weekly radio program sponsored by the Pride of Erin Ballrooms, located at the corner of Bedford and Atlantic Avenues in Brooklyn. He also tries another side occupation as his 1931 naturalization petition lists his occupation as “Music store owner.”
At the Pride of Erin, and later at the Sligo Ballroom at 125th Street and St. Nicholas Avenue in Harlem, Killoran’s “Irish Orchestra” provides music for Irish dancing, while Jack Healy, another Ballymote native, leads a group for “American” dancing. Healy, as a singer and tenor saxophone player, also performs and records with Killoran’s group, the membership of which over the course of the 1930s includes fiddler Paddy Sweeney, another Sligo native, fiddle and clarinet player Paul Ryan, Ryan’s brother Jim on the C Melody saxophone, pianists Eileen O’Shea, Edmund Tucker and Jim McGinn, drummer Mickey Murphy, button accordionists Tommy Flanagan and William McElligott and tenor banjo/tenor guitar player Michael “Whitey” Andrews.
Killoran’s band is variously billed as his “Pride of Erin Orchestra,” “Radio Dance Orchestra,” “Sligo Ballroom Orchestra,” “Lakes of Sligo Orchestra” and “Irish Barn Dance Boys.” The group is a popular choice for county association functions, particularly those of Sligo and Roscommon. In 1932, he leads a band that accompanies CardinalWilliam Henry O’Connell of Boston to the Eucharistic Congress in Ireland and briefly bills his group as the “Pride of Erin Eucharistic Congress Orchestra.” He regularly performs at Irish beach resorts on the Rockaway peninsula and in East Durham in the Catskill Mountains.
Uniquely among the major New York Irish musicians of the pre-World War II era, Killoran continues his musical career through the 1950s. He issues new recordings, including duets with flute player Mike Flynn and some fiddle-and-viola sides with Paul Ryan, and leads an active dance band. Age and illness eventually force him to retire, and in 1962 he turns over leadership of the band, a fixture at the City Center Ballroom, to button accordionist Joe Madden, father of Cherish the Ladies flute player Joanie Madden.
In 1956, Killoran is a co-founder of the Dublin Recording Company, later better known simply as Dublin Records, which is organized to record new Irish discs in New York.
Killoran is a founding member of the Emerald Irish Musicians Benevolent Society, a group that stages “Night of Shamrocks” concerts to raise money for the benefit of sick and deceased Irish musicians in New York. He is also a member of the Irish Musicians Association of America, and a New York branch of that organization, which later merges with Comhaltas Ceoltóirí Eireann, is named for him.
In addition to the 1932 trip to the Eucharistic Congress, Killoran returns to Ireland at least twice. In 1949, he plays on a Radio Éireann program hosted by piper and folklorist Séamus Ennis. Some selections from that broadcast are recorded on a private disc and are later released on CD. On a 1960 visit, he visits Sligo and Clare and performs at a concert in County Longford.
Killoran is married twice. His first wife, Anna Gorman, a native of County Roscommon, dies in 1935. His second wife is Betty (Bridget) Hayes, an immigrant from Shanaway West, County Clare, who survives him. He dies in New York City on April 24, 1965.
A “Paddy Killoran Traditional Festival” is celebrated in the third week of June in Ballymote, where a monument in Killoran’s honor is erected in 2012.
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