seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Cork (County Cork)


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Birth of Irish Poet Trevor Joyce

Irish poet Trevor Joyce is born in Dublin on October 26, 1947. He co-founds New Writers’ Press (NWP) in Dublin in 1967 and is a founding editor of NWP’s The Lace Curtain, a magazine of poetry and criticism in 1968.

Joyce is brought up between Mary Street, in the city centre, and the Galway Gaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.

In Dublin and Oxford, in the early eighties, Joyce conducts seminars and lectures on classical Chinese poetry. Having studied Philosophy and English at University College Dublin (UCD), he moves in 1984 to Cork, where he reads Mathematical Sciences at University College Cork (UCC). He now resides in the city.

Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).

After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.

Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.

A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.

Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.

Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.

Joyce has residencies at Cill Rialaig, County Kerry, and at the University of Galway. He is also co-founder and director of the annual SoundEye Festival that is held in Cork City.


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The Tooreen Ambush

The Tooreen ambush (also known as the Toureen ambush or Ballinhassig ambush) is an ambush carried out by the Irish Republican Army (IRA) on October 22, 1920, during the Irish War of Independence. It takes place near Roberts Farm, Tooreen, near Ballinhassig in County Cork. The IRA ambushes two lorries of British soldiers, killing three and wounding four others. The British surrender and their weapons and ammunition are seized by the IRA. Later that night, British soldiers go on a rampage in nearby Bandon.

Up until the Tooreen ambush, the 3rd Cork Brigade had finished its training, but had not previously engaged in battle with British troops stationed in County Cork. The Tooreen ambush is one of the first major ambushes carried out by the West Cork Brigade under Tom Barry.

The Essex Regiment of the British Army is deployed to West Cork and has a reputation for violently raiding houses throughout the countryside and arresting people believed to be IRA volunteers. They are also alleged to torture their prisoners in order to get information on the whereabouts of the flying columns, so this makes them a despised enemy to the West Cork IRA.

The Essex Regiment is known to travel on the road from Bandon to Cork City every morning and return in the evenings. The road goes through the hamlet of Toureen which the Third West Cork Brigade is stationed at nearby and it is decided to ambush this column of the Essex Regiment as it makes its way to Cork city.

Thirty-two ambushers, twenty-one being riflemen of the Third West Cork Brigade, occupy ambush positions outside Toureen and lay in wait for the approaching Essex Regiment. The Regiment normally goes in two or three lorries to Cork City so the IRA places a homemade mine on the road for use against them.

Scouts signal the approach of two lorries which are coming down the road toward the ambush site. As the first lorry passes, the order to fire is given and a homemade three-pound bomb is thrown. The bomb lands inside the lorry but does not explode. The mine that is placed on the road also fails to detonate. As the volunteers open fire, the second lorry stops and the soldiers inside leap out and return fire, but the volunteers are hidden behind a large timber gate which gives them cover. The first lorry continues on to Cork Barracks. As the fight goes on, the officer in command of the British troops, Captain Dixon, is shot in the head and killed as is one of his men.

The remaining British soldiers surrender soon after, and the IRA men cease firing. The British soldiers are relieved of their weapons and ammunition, but otherwise unharmed. Fourteen rifles, bayonets, equipment, several Mills bombs, around 1,400 rounds of ammunition and a couple of revolvers are taken from them.

Two British soldiers, Lt. Dixon MC of the Suffolk Regiment and Pte. Charles William Reid of the Essex Regiment, are killed in the ambush. Five are wounded, including Sergeant Thomas Bennett RASC who dies in Cork on the following day. Six are unhurt except for shock. None of the IRA volunteers are killed or wounded during the ambush and aid is given to the wounded soldiers, while the dead are pulled away from the lorry and it is then set on fire by the volunteers. The two soldiers who are not hurt during the ambush are released along with their wounded and they return to their barracks.

Later that night, members of the Essex Regiment go on a violent rampage through Bandon, destroying property and seeking out anyone they believe to be connected to the ambush. It is believed that at least some of the rampaging soldiers are those released unharmed by the IRA earlier in the day. The reprisal attacks are indiscriminate and include attacks on homes and properties of business owners with “establishment” connections – including the Brennan family of Kilbrogan House.

A Military Court of Inquiry into the soldiers killed, is conducted on October 28, 1920. There are mixed references to these proceedings in The Irish Times and the Irish Independent, both of which contain errors.

Lt. Dixon is buried with full military honours in St. Paul’s Church in Dover, Kent, England. Sergeant Bennett is buried in St. Peter & St. Paul Church in his home village of Shorne, near Gravesend in Kent.

(Pictured: Plaque on a farm wall marking the location of the Tooreen ambush)


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Birth of John Hogan, the “Greatest of Irish Sculptors”

Irish sculptor John Hogan, described in some sources as the “greatest of Irish sculptors,” is born in Tallow, County Waterford, on October 14, 1800. According to the Dictionary of Irish Biography he is responsible for “much of the most significant religious sculpture in Ireland” during the 19th century. Working primarily from Rome, among his best-known works are three versions of The Dead Christ, commissioned for churches in Dublin, Cork, and the Basilica of St. John the Baptist in St. John’s, Newfoundland and Labrador, Canada.

Hogan is the third child of John Hogan, a carpenter and builder of Cove Street, Cork, County Cork, and Frances Cos, the great-granddaughter of Sir Richard Cox, Lord Chancellor of Ireland from 1703 to 1707. As the family feels that she had married beneath her station, she is disinherited.

At the age of fourteen, Hogan is placed as clerk to an attorney, where he spends much of his time carving figures in wood. After two years, he chooses to be apprenticed to the architect Sir Thomas Deane, where his talents for drawing and carving are developed. He carves balusters, capitals, and ornamental figures for Deane’s buildings. At the completion of his apprenticeship in March 1820, Deane encourages him to consider taking up sculpture as a profession. For the next three years, he attends lectures on anatomy, copies casts of classic statuary in the Gallery of the Cork Society of Arts, and makes anatomical studies in wood of feet, hands, and legs. Among the first of his works to attract notice is a life-size figure of Minerva for an insurance building built by Deane.

In 1821, Hogan carves twenty-seven statues in wood for the North Chapel in Cork for the reredos behind the high altar. After subsequent cathedral renovations, these are now positioned in decorative plasterwork over the nave. He also does a bas-relief of the “Last Supper” for the altar. This work keeps him employed for about a year.

In 1823, the engraver William Paulet Carey visits Cork, and impressed with Hogan’s talent, begins to publicise his work in order to raise subscriptions for him to study in Italy. Hogan arrives in Rome, by way of Dublin and Liverpool, in 1824. He works in the galleries of the Vatican but cannot afford a studio. Additional subscriptions allow him to improve his situation, rent a studio, purchase marble, and hire models. Danish sculptor Bertel Thorvaldsen says to him, “My son, you are the best sculptor I leave after me in Rome.”

In 1829, Hogan visits Ireland, bringing several works with him. The Royal Arts Society provides a venue for an exhibition. The Royal Dublin Society awards him a gold medal.

Hogan’s best-known work and masterpiece are the three versions of the statue of The Dead Christ or The Redeemer in Death. Created in flawless Carrara marble, the first version (1829) is located in St. Therese’s Church, Dublin, the second (1833) in St. Finbarr’s (South) Church, Cork, and the third and final version (1854) is located in the Basilica of St. John the Baptist, Newfoundland. His other works include the Sleeping Shepherd and The Drunken Faun. He assures his international reputation in 1829 with The Dead Christ. Thereafter, his creations are snapped up by Irish bishops visiting his Rome studio.

In 1837 Hogan is elected a member of the Virtuosi del Pantheon. During the next several years, he has several works in hand, including a marble statue of Daniel O Connell, for the Repeal Association. The statue stands today at City Hall, Dublin, the same spot where O’Connell gave his first speech against the Acts of Union in 1800.

In 1840, a monumental group in memory of Bishop James Warren Doyle, founder of the Cathedral of the Assumption in Carlow, is brought to Dublin and exhibited at the Royal Exchange. The statue of Bishop Doyle is in the Cathedral of the Assumption, as is a second Hogan work depicting the Holy Family.

Hogan marries Cornelia Bevignani in Rome in 1838. The figure of Hibernia, in Hogan’s work Hibernia with the Bust of Lord Cloncurry (1844), is reportedly modelled on his wife. A representation of this work is later used as the watermark on all Series A banknotes printed in Ireland from the 1920s to the 1970s. The couple has four sons and eight daughters.

With the revolutionary movement growing in Italy during the 1840s, and after spending twenty-four years in Rome, Hogan returns with his family to Ireland in 1848. At first, he finds little work in the aftermath of the Great Famine, but gradually commissions increase. He can be impatient with ignorance, intolerant of professional inferiority, and independent. He holds aloof from other artists and refuses to join the Royal Hibernian Academy.

Hogan has a stroke in 1855 and, though he recovers somewhat, his health begins to fail. By the year prior to his death, he can no longer work and his sons, John Valentine Hogan and James Cahill, assist at his studio and complete some of the work.

Hogan dies at his home at 14 Wentworth Place (later renamed Hogan Place), Dublin, on March 27, 1858. He is buried at Glasnevin Cemetery in Dublin.

(Pictured: Scan of a drawing depicting the Irish sculptor John Hogan with his sculpture The Drunken Faun in background, published in the Dublin University Magazine, January 1850)


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Birth of Frank Clarke, Former Chief Justice of Ireland

George Bernard Francis Clarke, Irish barrister who is Chief Justice of Ireland from July 2017 to October 2021, is born on October 10, 1951, in Walkinstown, Dublin. He has a successful career as a barrister for many years, with a broad practice in commercial law and public law. He is the chair of the Bar Council of Ireland between 1993 and 1995. He is appointed to the High Court in 2004 and becomes a judge of the Supreme Court of Ireland in February 2012. Following his retirement from the bench, he returns to work as a barrister. Across his career as a barrister and a judge, he is involved in many seminal cases in Irish legal history.

Clarke is the son of a customs officer who dies when he is aged eleven. His mother is a secretary. He is educated at Drimnagh Castle Secondary School, a Christian Brothers secondary school in Dublin. He wins the Dublin Junior High Jump Championship in 1969. He studies Economics and Maths at undergraduate level at University College Dublin (UCD), while concurrently studying to become a barrister at King’s Inns. He is the first of his family to attend third level education and is able to attend university by receiving grants. While attending UCD, he loses an election to Adrian Hardiman to become auditor of the Literary and Historical Society (L&H).

Clarke joins Fine Gael after leaving school. He is a speechwriter for Taoiseach Garret FitzGerald and election agent for George Birmingham. He then subsequently, himself, runs for election to Seanad Éireann. He campaigns against the Eighth Amendment of the Constitution of Ireland in 1983 and in favour of the unsuccessful Tenth Amendment of the Constitution Bill 1986. He chairs a meeting of family lawyers in 1995 supporting the successful second referendum on divorce.

Clarke is called to the Bar in 1973 and to the Inner Bar in 1985. He has a practice in commercial, constitutional and family law. Two years after commencing practice he appears as junior counsel for the applicant in State (Healy) v Donoghue before the Supreme Court, which establishes a constitutional right to legal aid in criminal cases.

Clarke represents Michael McGimpsey and his brother Christopher in a challenge against the constitutionality of the Anglo-Irish Agreement, which is ultimately unsuccessful in the Supreme Court in 1988.

Clarke appears for the plaintiff with Michael McDowell and Gerard Hogan in Cox v Ireland in 1990, where the Supreme Court first introduces proportionality into Irish constitutional law and discovers the right to earn a livelihood. He represents Seán Ardagh and the Oireachtas Subcommittee formed after the death of John Carthy in a constitutional case which limits the powers of investigation of the Oireachtas, which leads to the unsuccessful Thirtieth Amendment of the Constitution. In an action taken by tobacco companies to challenge the legality of bans on tobacco advertising, he appears for the State.

Clarke is twice appointed by the Supreme Court for the purpose of Article 26 references. He argues on behalf of the Law Society of Ireland in a referral regarding the Adoption (No. 2) Bill 1987. He is appointed by the Supreme Court to appear to argue on behalf of the rights of the mother in In re Article 26 and the Regulation of Information (Services outside the State for Termination of Pregnancies) Bill 1995. In 1994, President Mary Robinson requests him to provide her with legal advice on the presidential prerogative to refuse to dissolve Dáil Éireann.

Clarke is external counsel to the Commission to Inquire into Child Abuse and represents the Flood Tribunal in its case against Liam Lawlor and the State in Charles Haughey‘s challenge to the legality of the Moriarty Tribunal. He and George Birmingham also appear for Fine Gael at the Flood Tribunal, and he represents the public interest at the Moriarty Tribunal. He is a legal advisor to an inquiry into the deposit interest retention tax (DIRT) conducted by the Public Accounts Committee, along with future judicial colleagues Paul Gilligan and Mary Irvine.

Clarke is Chairman of the Bar Council of Ireland from 1993 to 1995. Between 1999 and 2004, he acts as chair of Council of King’s Inns. He is a professor at the Kings’s Inns between 1978 and 1985 and is appointed an adjunct professor at University College Cork (UCC) in 2014. He also serves as an adjunct professor at Trinity College Dublin (TCD).

Clarke acts as a chair of the Employment Appeals Tribunal while still in practice. He is also a steward of the Turf Club and the chairman of Leopardstown Racecourse. He was due to take over as senior steward of the Turf Club but does not do so due to his appointment to the High Court.

Clarke is appointed as a High Court judge in 2004. He is chairman of the Referendum Commission for the second Lisbon Treaty referendum in 2009. As a High Court judge he gives a ruling on the Leas Cross nursing home case against RTÉ, that the public interest justifies the broadcasting of material that otherwise would have been protected by the right to privacy. He frequently presides over the Commercial Court during his time at the High Court. He is involved in the establishment of two High Court lists in Cork, Chancery and a Non-Jury List.

Clarke is appointed to the Supreme Court on February 9, 2012, and serves as Chief Justice from October 2017 until his retirement on October 10, 2021, required by law on his 70th birthday. In March 2021, the Cabinet begins the process of identifying his successor. Donal O’Donnell is selected to replace him. His final day in court is October 8, 2021, where judges, lawyers and civil servants make a large number of tributes to him. Mary Carolan of The Irish Times says that under his leadership the Supreme Court is “perhaps the most collegial it had been in some time.”

Following his retirement from the judiciary, Clarke resumes his practice as a barrister and rejoins the Bar of Ireland. Under the rules of the Bar of Ireland, he cannot appear before a court of equal or lesser jurisdiction to that on which he sat as a judge. Given that he was the most senior judge in Ireland, he cannot appear in any court in Ireland. He can appear in the European Union (EU) courts. However, he indicates his intention to focus on mediation and arbitration work.

In June 2022, Clarke is sworn in as judge of the court of appeal of the Dubai International Financial Centre (DIFC) courts but resigns a few days later following criticism from barrister and Labour Party leader, Ivana Bacik.

Clarke has been married to Dr. Jacqueline Hayden since 1977. They have a son and a daughter. He is interested in rugby and horse racing, at one point owning several horses.


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Birth of Matthew Gerard Sweeney, Irish Poet

Matthew Gerard Sweeney, Irish poet, is born at Lifford, County Donegal, on October 6, 1952. His work has been translated into Dutch, Italian, Hebrew, Japanese, Latvian, Mexican Spanish, Romanian, Slovakian and German.

Growing up in Clonmany, Sweeney attends Gormanston College (1965–70). He then reads sciences at University College Dublin (1970–72). He goes on to study German and English at the Polytechnic of North London, spending a year at the University of Freiburg, before graduating with a BA Honours degree in 1978.

Sweeney meets Rosemary Barber in 1972 and they marry in 1979. Two offspring – daughter Nico and son Malvin – are produced before the couple goes their separate ways in the early 21st century. Having lived in London for many years until 2001, he separates from Rosemary and goes to live in Timișoara, Romania and Berlin. In 2007, he meets his partner, Mary Noonan, and in early 2008 he moves to Cork to live with her there.

Sweeney produces numerous collections of poetry for which he wins several awards. His novels for children include The Snow Vulture (1992) and Fox (2002). He authors a satirical thriller, co-written with John Hartley Williams, and entitled Death Comes for the Poets (2012).

As Bill Swainson, Sweeney’s editor at Allison & Busby in the 1980s, recalls: “As well as writing his own poetry, Matthew was a great encourager of poetry in others. The workshops he animated, and later the residencies he undertook, were famous for their geniality and seriousness and fun. Sometime in the late 1980s I attended one of these workshops in an upstairs room of a pub in Lamb’s Conduit Street, Bloomsbury, where the poems were circulated anonymously and carefully read and commented on by all. Around the pushed-together tables were Ruth Padel, Eva Salzman, Don Paterson, Maurice Riordan, Jo Shapcott, Lavinia Greenlaw, Michael Donaghy, Maura Dooley and Tim Dooley.” Sweeney later has residencies at the University of East Anglia and Southbank Centre, among many others. He reads at three Rotterdam Poetry Festivals, in 1998, 2003 and 2009.

According to the poet Gerard Smyth: “I always sensed that in the first instance [Sweeney] regarded himself as a European rather than an Irish poet – and rightly so: like the German Georg Trakl whom he admired he apprehended the world in a way that challenged our perceptions and commanded our attention.” Sweeney’s work has been considered “barely touched by the mainstream of English writing” and more so by the German writers Heinrich von Kleist, Georg Büchner, Franz Kafka, Günter Grass and Heinrich Böll, as well as the aforementioned Georg Trakl. According to Poetry International Web, he would be among the top five most famous Irish poets on the international scene.

Sweeney’s final year sees the publication of two new collections: My Life As A Painter (Bloodaxe Books) and King of a Rainy Country (Arc Publications), inspired by Charles Baudelaire‘s posthumously published Petits poèmes en prose.

Having been diagnosed with motor neuron disease the previous year, Sweeney dies at the age of 65 at Cork University Hospital in Wilton, Cork, on August 5, 2018, surrounded by family and friends. He continues writing up until three days before his death. In an interview shortly before his death he is quizzed on his legacy, to which he gives the response, “Mostly what awaits the poet is posthumous oblivion. Maybe there will be a young man in Hamburg, or Munich, or possibly Vienna, for whom my German translations will be for a while important – and might just contribute to him becoming a German language poet with Irish leanings.”

Among those attending a special ceremony on August 8, 2018, at the Triskel Arts Centre in Cork to celebrate Sweeney’s life are fellow poets Jo Shapcott, Thomas McCarthy, Gerry Murphy, Maurice Riordan and Padraig Rooney. On August 9, 2018, he is buried in Clonmany New Cemetery in County Donegal.


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Birth of William Cosgrove, Victoria Cross Recipient

William Cosgrove VC MSM, an Irish recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces, is born at Aghada, County Cork, on October 1, 1888.

Cosgrove is the son of Michael and Mary Cosgrove. He has four brothers, Dan, Ned, David and Joseph, and a sister Mary-Catherine. While they are still young their father emigrates to Australia, but later returns. In the meantime, his mother moves with his siblings to a cottage in nearby Peafield and they attend school at the National School, Ballinrostig. He begins work as an apprentice butcher at Whitegate. One of his daily chores is a morning delivery to Fort Carlisle (now Fort Davis) with a consignment of meat for the troops. It is from Fort Carlisle that he joins the army.

Cosgrove enlists in the Royal Munster Fusiliers on March 24, 1909, and is given the regimental number 8980. At the outbreak of war, the 1st Battalion of the Munster Fusiliers is stationed in Rangoon, Burma, as regular battalions are routinely stationed overseas. They leave Rangoon on November 21, 1914, and Cosgrove, now a corporal, lands in England on January 10, 1915. Upon landing they still wear their Indian issue uniforms and stand on the cold quay in their khaki drill shorts. The battalion is then assigned to the 86th Brigade of the 29th Division (United Kingdom), in preparation for the landings at the Dardanelles in Turkey.

During the Battle of Gallipoli, Turkey, the 1st Munsters, together with the 1st Battalion Royal Dublin Fusiliers and Royal Hampshire Regiment, are on the converted collier River Clyde when it runs ashore for the Cape Helles ‘V’ beach landing at 6:20 a.m. on April 25, 1915. On departing from the ship’s bay they are subject to fierce enfilading machine gun fire from hidden Turkish defences. One hundred or more of the Battalion’s men fall at this stage of the battle, with just three companies of Munsters making it to the shelter of the dunes. They are unable to advance due to the withering Turkish fire.

At daybreak on the following day it is decided to take the village behind the Sedd el Bahr fort overlooking the bay. Cosgrove leads a company section during the attack on the Turkish positions. Barbed wire holds them up and he sets himself the task of pulling the stanchion posts of the enemy’s high wire entanglement single-handed out of the ground, notwithstanding the terrific fire from both front and flanks with officers and men falling all around him. Thanks to his exceptional bravery, his heroic actions contribute greatly to the successful clearing of the heights. Turkish counter-attacks are held off. It is during this attack that his actions earn him the regiment’s first Victoria Cross of the war. He is also wounded during this action. Promoted to Sergeant, he sees no further action due to his wound, which is a contributing factor in his death years later.

Cosgrove transfers to the Royal Fusiliers in 1918, to the Prince of Wales’s Leinster Regiment in 1920, the Royal Northumberland Fusiliers in 1922, and later goes as an instructor to the Indian Territorial Force in 1928 to become 7042223 Staff Sgt Instructor. He comes home in 1935 pending discharge to pension. However, he is admitted to Millbank hospital and takes discharge before he is fit. After a short leave in Cork, he returns to London, where he is admitted to Middlesex Hospital. He is later transferred to Millbank hospital London, where he dies at the age of 47 on July 21, 1936.

In 1972, Cosgrove’s Victoria Cross medal is sold for a record price £2,300 to a private collector. When questioned about the high price which the medal fetches, the auctioneer replies “When one buys a gallantry medal, it is not just the medal one buys, but the act that won it.” His Victoria Cross, together with his other medals, are sold at an auction by Dix Noonan Webb held on September 22, 2006 for “the world’s most valuable auction of orders, decorations and medals.” A total of £1,965,010 is spent by 305 different buyers, a figure which represents “the highest amount ever realised by any numismatic auction in the UK.” The day’s highest price, £180,000, is paid by a collector for the Gallipoli landings Victoria Cross group of six, which includes the medal awarded to Sgt. William Cosgrove, Royal Munster Fusiliers.


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Death of Edmund Ignatius Rice, Missionary & Educationalist

Edmund Ignatius Rice, Catholic missionary and educationalist, dies on August 29, 1844, at Mount Sion, Waterford, County Waterford, after living in a near-comatose state for more than two years.

Rice is born on June 1, 1766, at Westcourt, Callan, County Kilkenny, the fourth of seven sons of Robert Rice, a farmer, and his wife, Margaret Tierney. His education begins at a local hedge school. He subsequently transfers to a school in Kilkenny before being apprenticed in 1779 to his uncle, a prosperous merchant at Waterford. He amasses a fortune in the lucrative provisioning trade of the city, and in 1785 he marries Mary Elliott, the daughter of a local tanner. Their only child, Mary, has intellectual disabilities and Rice suffers additional heartbreak with the death of his wife in 1789 following an accident, possibly by a fever that set in afterwards.

The death of his wife clearly affects Rice’s life. While he continues in trade and is an active member of the Catholic committee in the city, his priorities are radically changed. From this point he becomes increasingly involved in pious and charitable pursuits. He assists in the foundation of the Trinitarian Orphan Society in 1793 and the Society for the Relief of Distressed Roomkeepers in 1794. He joins religious confraternities and devotes considerable attention to the plight of prisoners. His endeavours become more focused in 1797 when, in response to a controversial pastoral of Bishop Thomas Hussey of Waterford and Lismore, he embraces the cause of Catholic education. In 1802, he establishes a religious community of laymen who set out to do for the neglected poor boys of Waterford what Nano Nagle had done for poor girls in Cork. His community is the genesis of both the Presentation Brothers and the Irish Congregation of Christian Brothers. Rice’s “monks” follow a variation of the Presentation rule, and his school curriculum is a pragmatic combination of best practice of the time overlaid by an uncompromisingly Catholic emphasis. By the time of his death in 1844, the Christian Brothers run forty-three schools, including six in England.

Rice is pivotal in the revival of Irish Catholicism following the severe dislocation of the penal era. Among the urban poor the Brothers make a landmark contribution in widening the social base of the institutional church. Through their teaching and catechetical instruction, they introduce the poor to the new forms of devotion which become the hallmark of nineteenth-century Catholicism. This effort brings a previously marginalised class within the ranks of the institutional church, which in time becomes the backbone of the emerging Catholic Ireland. The Brothers also play a determined role in the Catholic response to the proselytising efforts of the protestant Second Reformation in the country. Rice’s Brothers assist in the moulding of a distinctively Catholic urban working class, by promoting literacy alongside piety and instilling in their pupils the middle-class virtues of personal discipline, hard work, and sobriety.

Rice collaborates closely with other Catholic leaders of his age. His congregation is central to the success of Theobald Mathew‘s temperance movement. In 1828, at the height of the emancipation campaign, he invites Daniel O’Connell to lay the foundation stone of the Brothers’ model school at North Richmond Street, Dublin. This “monster meeting” attracts an attendance of 100,000, before which O’Connell hails Rice as the “patriarch of the monks of the west.” During the Repeal campaign, too, the Brothers frequently host the Liberator. Reflecting on their efforts, O’Connell declares that “education to be suited to this country must be Catholic and Irish in its tone, having as its motto Faith and Fatherland.”

Rice’s uncompromising adherence to these principles is not without difficulty. It leads to a predictably acrimonious relationship with the secular national board and his eventual withdrawal of the Brothers’ schools from the system in 1836. Rejection of the national board imposes serious financial burdens on the Christian Brothers which are relieved only by the bounties provided by the Intermediate Education Act (1878). Withdrawal also serves to alienate many friends and benefactors, including Daniel Murray, Archbishop of Dublin, who is a commissioner of national education. But the bishops gradually adopt Rice’s stance. After 1838 they become increasingly hostile to the national board, and the Brothers’ schools, with their acclaimed textbooks, are recognised as a bulwark against non-denominational education. For similar reasons, the Brothers become closely associated with Irish nationalism. In 1892, the MP William O’Brien observes that “the Christian Brothers system was regarded in Ireland as the really national system.”

The 1830s bring a rapid deterioration in Rice’s health. Financial difficulties frustrate his plans, and the plight of the three Dublin foundations is particularly acute. Rice resigns as superior general of his congregation in 1838, but fraught relations with his successor, Br. Michael Paul Riordan, blights his later years.

From this time on, Rice spends an increasing proportion of his time at Mount Sion and the adjoining school, showing a continued interest in the pupils and their teachers. He also takes a short walk each day on the slope of Mount Sion, but his increasingly painful arthritis leads the community superior, Joseph Murphy, to purchase a wheelchair for his benefit. At Christmas time in 1841, his health takes a turn for the worse and even though expectations of his imminent death do not turn out to be justified, he is increasingly confined to his room.

After living in a near-comatose state for more than two years and in the constant care of a nurse since May 1842, Rice dies on August 29, 1844, at Mount Sion, Waterford, where his remains lie in a casket to this day. Large crowds fill the streets around his house in Dublin to honour him. He is beatified by Pope John Paul II in 1996.

(From: “Rice, Edmund Ignatius” by Dáire Keogh, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, is born in Cork, County Cork, on August 28, 1915. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is the son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy-dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First-Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First-Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966, he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


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Death of Anew McMaster, Touring Shakespearean Actor & Manager

Anew McMaster, the last of the touring actor-managers who presents William Shakespeare’s plays throughout the United Kingdom, Ireland, Australia and the United States, dies in Dublin on August 24, 1962. For almost 35 years he tours as actor-manager of his own theatrical company performing the works of Shakespeare and other playwrights.

McMaster is born as Andrew McMaster on December 24, 1891, the son of Liverpool-born Andrew McMaster, a master stevedore, and Alice Maude (née Thompson). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland, but according to the Birth Register and the 1901 Census he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law, Micheál Mac Liammóir, who is born in London as Alfred Willmore but who claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.

At the age of 19, McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre in 1920. From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a “fit-up” company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions McMaster persuades a “big name” to act with his company as a draw for audiences, and Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.

In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having “a great organ voice,” Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him “Perhaps the greatest actor-manager of his time,” later describes McMaster as “evasive, proud, affectionate, shrewd, merry.” In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”

McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).

In 1924 McMaster marries the actress and designer Marjorie Willmore, the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster and Mary-Rose McMaster.

McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Dean’s Grange Cemetery in County Dublin.

McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.

McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster, by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.


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Death of Brian Dillon, Republican Leader & IRB Member

Brian Dillon, Irish republican leader and a member of the Irish Republican Brotherhood (IRB), dies at his home in Cork, County Cork, on August 17, 1872. He is a central figure in the Cork Fenian movement.

Dillon is born in Glanmire, County Cork, in 1830. As a child, he is injured in a heavy fall which results in curvature of the spine and general ill health. His family moves to a house near the corner of Old Youghal Road and Ballyhooly Road. He attends the School of Art for several years and becomes quite talented with brush and pencil. He lives through the Great Famine and becomes an ardent nationalist.

Dillon is appointed a Fenian leader in Cork by James Stephens, the head of the Irish Republican Brotherhood. Under his supervision the Fenian recruits drill on the Fair Field and at Rathpeacon and are hoping for a rebellion in 1865 when the Fenians are at their strongest. He often associates with other Cork Fenians such as John J. Geary, James Mountaine and John Lynch. He chairs the Fenian meetings at Geary’s pub.

In September 1865, police arrest Fenian leaders James Stephens and Jeremiah O’Donovan Rossa in Dublin, and Dillon in Cork. The police search his home and find a pair of field glasses, some drawings and some incriminating letters sewn into the mattress of his bed. He is remanded in Cork City Gaol until his trial.

On December 18, Dillon and another Cork Fenian, John Lynch, are tried together in the dock in Cork Courthouse by Judge Keogh. The charges are primarily based on information provided by an informer named John Warner, an ex-military pensioner. Isaac Butt and Mr. Waters represent the defendants. The charges are “in one indictment with having conspired to depose the Queen, &c., and with illegally drilling and being drilled in furtherance of that design.” Both are found guilty, based primarily on the testimony of informants, although John Warner’s account is very weak and unsatisfactory under cross-examination. The defendants are sentenced to ten years’ penal servitude.

Dillon is brought under armed guard by train from Cork to Dublin and then thrown into Mountjoy Gaol. He spends nearly a month there and suffers from lack of sleep. In January 1866, he and John Sarsfield Casey are handcuffed together on the tough and rough sea crossing between Kingstown and Holyhead. On arrival at Holyhead, they are then taken by train to Pentonville Prison. This is a very cold prison, and he becomes seriously ill in May 1866. He is transferred to the hospital wing of Woking Convict Invalid Prison, and this is to be his home for the next four-and-a-half years. Here he becomes Convict Number 2658.

In 1870, after five years imprisonment, a commission is set up to investigate the Fenian prisoners, and on account of his bad health, this commission recommends that Dillon be allowed home to Cork. In January 1871 he is transferred to Millbank Prison London and is set free two weeks later on February 8. The following day he arrives in Dublin and after a few days’ rest, he returns to Cork by train. All along the route thousands of people wait on the platforms to greet him and read special addresses of welcome. The train reaches Cork at 8:00 p.m. and even though a carriage and pair are waiting, he is glad to seek refuge in the first covered car he can find, so dense is the crowd all around him wanting to shake his hand. The triumphal procession from the station to his home then begins and the hills all along the route are lighted with tar barrels.

Amid emotional scenes Dillon meets his family and afterwards appears at one of the windows of the house and thanks the people of Ireland for the great reception he has received everywhere on his journey home to Cork. He is now in very poor health and his mother begins the task of nursing him back to health. Everything that loving care and money could do is done, and from New York comes a cheque for £50 from the generous-hearted O’Donovan Rossa. Other friends also contribute, but all to no avail. On Saturday, August 17, 1872, he dies at his home surrounded by his sorrowing relatives.

Dillon’s funeral is one of the biggest ever seen in Cork. The cortege is headed by the Barrack Street Band, and at least ten other bands take part. All have their instruments dressed in sombre black. On Monday, August 18, his remains are privately borne to St. Joseph’s cemetery, to a temporary resting place, as it has been decided to build a vault in the family burial ground in Rathcooney which will not be ready for a few days. Later the funeral route travels from Turners Cross along Anglesea Street, South Mall, Grand Parade, Patrick Street, McCurtain Street and St. Luke’s. The funeral procession stops outside his home and prayers are recited for the repose of his soul. The procession then moves on toward Ballyvolane and up the steep hill toward the graveyard at Rathcooney. On arrival at the newly built tomb, so dense is the crowd milling around the hearse that considerable difficulty is experienced in getting the coffin to the grave. The priests then read the burial service, and, in a hushed silence, Canon Freeman asks the entire assembly to kneel and recite the Lord’s Prayer aloud. He blesses the grave, and the mortal remains of Brian Dillon are lowered to rest. The coffin is then covered, and after Colonel Ricard O’Sullivan Burke‘s oration, the crowd quietly disperses.

Today Dillon’s name is inscribed in the National Monument on the Grand Parade and in street names like Dillon’s Cross, Brian Dillon Park and Brian Dillon Crescent. The Brian Dillons GAA club in the same area of Cork city is also named after him.

(Pictured: A mug shot of Brian Dillon)