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Birth of David Hammond, Singer & Folklorist

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, is born on December 5, 1928, in Miss Kell’s nursing home on the Castlereagh Road in Belfast, Northern Ireland.

Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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Death of Sir William Moore, Member of Parliament & Judge

Sir William Moore, 1st Baronet, PC (NI), DL, a Unionist member of the British House of Commons from Ireland and a Judge of Ireland, and subsequently of Northern Ireland, dies in Ballymoney, County Antrim, Northern Ireland, on November 28, 1944. He is created a Baronet of Moore Lodge, Ballymoney, in 1932.

Moore is the eldest son of Queen Victoria‘s honorary physician in Ireland, Dr. William Moore of Rosnashane, Ballymoney, and Sidney Blanche Fuller. His ancestors came to Ulster during the Plantation of Ulster, settling at Ballymoney, at which time they were Quakers. The Moore Lodge estate is inherited from a relative. The family owns several other houses: Moore’s Grove and Moore’s Fort. He goes on to become a Deputy Lieutenant for County Antrim and a Justice of the Peace.

Moore is schooled at Marlborough College, then attends Trinity College Dublin (TCD), where he is president of the University Philosophical Society. He marries Helen Gertrude Wilson, the daughter of a Deputy Lieutenant of County Armagh, in 1888. The marriage produces three children. His eldest son, William, inherits his title on his father’s death.

Moore is called to the Irish Bar in 1887, to the English bar in 1899, and becomes an Irish Queen’s Counsel the same year.

In 1903, Moore is one of the first landowners of Ireland to sell off their estates under the land acts. By the early 1920s he owns a Belfast pied-à-terre called “Glassnabreedon,” in the village of Whitehouse, four miles north of Belfast. This house is once owned by the son of Nicholas Grimshaw, Ireland’s first cotton pioneer.

Moore becomes a member of the General Synod of the Church of Ireland and is a founder member of the Ulster Council. He is a passionate Orangeman: his vehemence in defending Ulster’s right to oppose Irish Home Rule is said to alarm even those who share his views. Speaking in England on March 10, 1913, he makes his feelings clear on the possibility of Irish Home Rule: “I have no doubt, if Home Rule is carried, its baptism in Ireland will be a baptism in blood.” He shows little respect for English politicians, and has nothing but contempt for Southern Unionists. The eventual political settlement in 1921 meets with his approval.

Moore is a Member of Parliament, representing North Antrim from 1899 to 1906. From 1903 to 1904, he is an unpaid secretary to the Chief Secretary for Ireland. Having lost his Parliamentary seat in the 1906 United Kingdom general election, he is elected for North Armagh at the 1906 North Armagh by-election in November. He sits for this seat until he is appointed a judge of Ireland’s High Court.

Moore is a Justice of the High Court from 1917 to 1921. He is sworn of the Privy Council of Ireland in the 1921 Birthday Honours, entitling him to the style “The Right .” Following the partition of Ireland, he becomes a Lord Justice of Appeal in the Northern Irish Court of Appeal (1921–25). He is sworn of the Privy Council of Northern Ireland in 1922 and becomes the Lord Chief Justice of Northern Ireland, succeeding Sir Denis Henry. He holds the position until he retires in 1937.

Moore dies at his home, Moore Lodge, in Ballymoney on November 28, 1944, less than a week after his 80th birthday. He is buried in the family burial ground, “Lamb’s Fold,” two days later.


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Birth of Sir Anthony Babington, Barrister, Judge & Politician

Sir Anthony Brutus Babington PC (NI), Anglo-Irish barrister, judge and politician, is born on November 24, 1877, at Creevagh House, County Londonderry, to Hume Babington JP, son of Rev. Hume Babington and a landowner of 1,540 acres, and Hester (née Watt), sister of Andrew Alexander Watt.

Babington is born into the Anglo-Irish Babington family that arrives in Ireland in 1610 when Brutus Babington is appointed Bishop of Derry. Notable relations include Robert Babington, William Babington, Benjamin Guy Babington and James Melville Babington and author Anthony Babington.

Babington is educated at Glenalmond School, Perthshire, and Trinity College, Dublin, where he wins the Gold Medal for Oratory of the College Historical Society in 1899.

Babington is called to the Irish Bar in 1900. He briefly lectures in Equity at King’s Inns, and it is during this time, in 1910, that he re-arranges and re-writes R.E. Osborne’s Jurisdiction and Practice of County Courts in Ireland in Equity and Probate Matters. He takes silk in 1917.

Babington moves to the newly established Northern Ireland in 1921 and practises as a barrister until his election to the House of Commons of Northern Ireland as the Ulster Unionist Party member for Belfast South in the 1925 Northern Ireland general election and subsequent appointment as Attorney General for Northern Ireland the same year in the cabinet of James Craig, 1st Viscount Craigavon. His appointment to the Privy Council of Northern Ireland in 1926 entitles him to the style “The Right Honourable.” From 1929 he is the MP for Belfast Cromac, the Belfast South constituency having been abolished. He is made an honorary bencher of the Middle Temple in 1930.

Babington resigns from politics in 1937 upon his appointment as a Lord Justice of Appeal and is knighted in the 1937 Coronation Honours.

In 1947, Babington chairs the Babington Agricultural Enquiry Committee, named in his honour, which is established in 1943 to examine agriculture in Northern Ireland. The committee’s first recommendation under Babington’s leadership is that Northern Ireland should direct all its energies to the production of livestock and livestock products and to their efficient processing and marketing.

Babington retires from the judiciary in 1949, taking up the chairmanship of the Northern Ireland Transport Tribunal, which exists until 1967, established under the Ulster Transport Act – promoting a car-centred transport policy – and which is largely responsible for the closure of the Belfast and County Down Railway. He endorses the closure on financial grounds and is at cross purposes with his co-chair, Dr. James Beddy, who advises against the closure, citing the disruption of life in the border region between the north and the south as his primary reason in addition to financial grounds.

Babington also chairs a government inquiry into the licensing of clubs, the proceeds of which results in new regulatory legislation at Stormont. While Attorney General, he is a proponent of renaming Northern Ireland as “Ulster.”

Babington is critical of the newly proposed Irish constitution, in which the name of the Irish state is changed to “Ireland,” laying claim to jurisdiction over Northern Ireland.

Michael McDunphy, Secretary to the President of Ireland, then Douglas Hyde, recalls Ernest Alton‘s correspondence with Babington on the question of Irish unity, in which Alton and Babington are revealed to be at cross purposes. The discussion is used as an example by Brian Murphy, in Forgotten Patriot: Douglas Hyde and the Foundation of the Irish Presidency, as an example of the office of the Irish President becoming embroiled in an initiative involving Trinity College Dublin and a senior Northern Ireland legal figure, namely Babington. 

Babington writes to Alton, then Provost of Trinity College, Dublin, expressing his view that, as Murphy summarises, “… Severance between the two parts of Ireland could not continue, that it was the duty of all Irishmen to work for early unification and that in his opinion Trinity College was a very appropriate place in which the first move should be made.” When Alton arrives to meet with Hyde, it emerges, after conversing with Hyde’s secretary McDunphy, that he and Babington are at cross purposes. “It soon became clear that the united Ireland contemplated by Mr. [sic] Justice Babington of the Northern Ireland Judiciary was one within the framework of the British Commonwealth of Nations, involving recognition of the King of England as the Supreme Head, or as Dr. Alton put it, the symbol of unity of the whole system,” writes McDunphy.

On September 5, 1907, Babington marries Ethel Vaughan Hart, daughter of George Vaughan Hart of Howth, County Dublin (the son of Sir Andrew Searle Hart) and his wife Mary Elizabeth Hone, a scion of the Hone family. They have three children.

Babington is a member of the Apprentice Boys of Derry. From 1926 to 1952, he is a member of the board of governors of the Belfast Royal Academy. He serves as warden (chairman) of the board from 1941 to 1943. Through his efforts the school acquires the Castle Grounds from Anthony Ashley-Cooper, 9th Earl of Shaftesbury in 1934.

Babington is a keen golfer. He is an international golfer from 1903 to 1913, during which he is runner-up in the Irish Amateur Golf Championships in 1909 and one of the Irish representatives at an international match in 1913. The Babington Room in the Royal Portrush Golf Club is named after him, as is the 18th hole on the course as a result of the key role he plays in shaping its history.

Babington dies at the age of 94 on April 10, 1972 at his home, Creevagh, Portrush, County Antrim.


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Death of Artist Samuel McCloy

Samuel McCloy, Irish artist who trains at Belfast School of Design and later at Somerset House, dies in Balham, South London, on October 4, 1904. He exhibits widely in group shows across the British Isles and is known for his watercolours, genre paintings, still life and landscapes. He is also a commercial designer, illustrator, and an educator who is for a time Master at Waterford School of Art.

Born on March 13, 1831, in Lisburn, County Antrim, McCloy is the youngest of five children, born to Peter McCloy, a painter, and his wife Martha Phelan. He studies at the School of Design in Belfast from 1850 to 1851 while serving an apprenticeship in engraving, with J and T Smyth. He then spende a year at the Central School, Somerset House in London before being appointed Master at the Waterford School of Art around 1853, when he also becomes a visiting instructor to several other institutions. In the spring of 1865 he marries his student, the Waterford artist Ellen Lucy Harris, the fourth daughter of a banker named Richard Harris. The dismembered corpse of McCloy’s mother is recovered from the River Suir in September of the same year. She had been missing since the previous November.

Between 1873 and 1891 McCloy shows nine works at the Royal Society of British Artists. Upon his return to Belfast around 1874, he works freelance designing greetings cards for Marcus Ward & Co., and in creating damask designs for linen manufacturers. He illustrates Lucy Sale-Barker‘s Sunny Childhood, published by Routledge in 1887, and he is for a time employed by The Illustrated London News.

McCloy shows just once at the Royal Academy of Arts with a work entitled The Haunt of Meditation in 1859. He exhibits infrequently at the Royal Hibernian Academy between 1862 and 1882, where he displays sixteen works in that time. He displays eleven works in the 1876 Industrial Exhibition at Belfast’s Ulster Hall. In 1880, he shows at Rodman and Company in London where the writer in the Belfast Telegraph indicates that McCloy is becoming a popular artist and is receiving extensive patronage.

Following his relocation to London in 1881, McCloy contributes works to numerous regional exhibitions, including the spring exhibition of the Derby Sketching Club in 1883, Nottingham Castle Museum’s autumn exhibition of 1888, and at Exeter‘s Eland Art Gallery in 1892. He exhibits with the Royal Scottish Academy in 1882 and with the Royal Institute of Painters in Water Colours in 1887. He is also a member of the Belfast Art Society, an antecedent to the Royal Ulster Academy.

After a year-long illness that prevents him from working, McCloy dies in Balham, South London, on October 4, 1904. He is survived by his wife, Ellen, and nine daughters. The Lisburn Museum in his hometown offers a belated retrospective of his work in 1981 to mark the one-hundred fiftieth anniversary of his birth. The exhibition is the first known solo display of McCloy’s work and consists of 58 works. The catalogue for this show is written by Eileen Black and funded by the Arts Council of Northern Ireland.

McCloy’s work can be seen in many public collections including the Ulster Museum, the Victoria and Albert Museum, Amgueddfa Cymru – Museum Wales, the National Gallery of Ireland, and in the Irish Linen Centre and Lisburn Museum.


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Birth of Cahal Daly, Archbishop of Armagh

Cahal Brendan Daly KGCHS, a Roman Catholic cardinal, theologian and writer, is born Charles Brendan Daly on October 1, 1917, in Ballybraddin, Loughguile, a village near Ballymoney in County Antrim.

Daly serves as the Catholic Primate of All Ireland and Archbishop of Armagh from late 1990 to 1996, the oldest man to take up this role in nearly 200 years. He is later created a Cardinal-Priest of San Patrizio by Pope John Paul II in the papal consistory of June 28, 1991.

Daly is the third child of seven born to Charles Daly and Susan Connolly. His father is a primary school teacher originally from Keadue, County Roscommon, and his mother a native of Antrim. He is educated at St. Patrick’s National School in Loughguile, and then as a boarder in St. Malachy’s College, Belfast, in 1930. The writer Brian Moore is a near contemporary.

Daly studies Classics at Queen’s University Belfast (QUB). He earns his BA with Honours and also the Henry Medal in Latin Studies in 1937 and completes his MA the following year. He enters St. Patrick’s College, Maynooth and is ordained to the priesthood on June 22, 1941. He continues studies in theology in Maynooth, from where he obtains a doctorate in divinity (DD) in 1944. His first appointment is as Classics Master in St. Malachy’s College (1944–45).

In 1945, Daly is appointed Lecturer in Scholastic Philosophy at Queen’s University, Belfast, retaining the post for 21 years. In the academic year 1952–53 QUB grants him sabbatical leave, which he spends studying at the Catholic University of Paris where he receives a licentiate in philosophy. He returns to France at many points, particularly for holidays. He persists with his studies well into his retirement. He is a popular figure with the university and fondly remembered by his students. He is named a Canon of the Cathedral Chapter of Diocese of Down and Connor in 1966.

Daly is a peritus, or theological expert, at the Second Vatican Council (1962–65) to Bishop William Philbin during the first session of the Council and to Cardinal William Conway for the rest of the council. He dedicates himself to scholarship for 30 years, and publishes several books seeking to bring about understanding between the warring factions in Northern Ireland.

Daly is appointed Reader in Scholastic Philosophy at QUB in 1963, a post he holds until 1967, when he is appointed Bishop of Ardagh and Clonmacnoise on May 26.

Daly converts his forename Charles into Cahal ahead of his episcopal consecration in St. Mel’s Cathedral, Longford, on July 16, 1967, from Cardinal William Conway, with Archbishop Giuseppe Sensi and Bishop Neil Farren serving as co-consecrators.

Daly spends 15 years as bishop in Longford and is diligent about parish visitation and confirmations gradually assume a greater national profile. From 1974 onward, he devotes himself especially to ecumenical activities for the Pontifical Council for Promoting Christian Unity. His pastoral letter to Protestants, written in 1979, pleads for Christian unity.

Daly succeeded William Philbin as the 30th Bishop of Down and Connor when he is installed as bishop of his native diocese at a ceremony in St. Peter’s Cathedral, Belfast, on October 17, 1982.

On November 6, 1990, Daly is appointed Archbishop of Armagh and, as such, Primate of All Ireland. His age makes him an unexpected occupant of the post. Despite this it is requested that he stay in the role for three years before usual age of episcopal retirement at 75. Cardinal Daly takes a notably harder line against the Irish Republican Army (IRA) than his predecessor, Cardinal Tomás Ó Fiaich.

Daly is respectful of Protestant rights and opposes integrated education of Catholics and Protestants. This policy is criticised by those who see segregated education as one of the causes of sectarianism in Northern Ireland, but is seen by the Catholic clergy as important for passing on their faith to future generations. He is utterly orthodox in opposing divorce, contraception, abortion, the ordination of women and any idea of dropping clerical celibacy.

Daly is heckled by the audience on live television during a broadcast of The Late Late Show on RTÉ One on the topic of pedophilia in the 1990s. After his retirement in 1996, he makes no public statement on the issue.

Daly retires as Archbishop of Armagh on his 79th birthday, October 1, 1996, and subsequently suffers ill health. Although it is announced that he will attend the funeral of Pope John Paul II, he stays home on the advice of his doctors. His age makes him ineligible to participate in the 2005 conclave that elects Pope Benedict XVI.

Daly is admitted to the coronary unit of Belfast City Hospital on December 28, 2009. His health has already been declining, leading to prayers being ordered for him. He dies in hospital in Belfast on December 31, 2009, aged 92. His family are at his bedside at the time. His death brings to an end a two-year period during which Ireland has, for the first time in its history, three living Cardinals.

Daly lay in state in Belfast and then his remains are taken to Armagh. Pope Benedict XVI pays tribute at this stage. Large numbers of people travel from as far as County Westmeath to attend Mass at Armagh on January 4, at which Monsignor Liam McEntaggart, the former parish priest of Coalisland, says, “When the history of peace making in Ireland comes to be written, the contribution of Cardinal Daly will be accorded a high place.” Monsignor McEntaggart himself dies on August 22, 2010, aged 81, less than eight months after Cardinal Daly’s passing.

Daly’s funeral is held on January 5, 2010, and is attended by the president Mary McAleese and Taoiseach Brian Cowen. Daly is buried in the grounds of St. Patrick’s Roman Catholic Cathedral, Armagh, next to his three predecessors in the see, Cardinals Ó Fiaich, Conway and D’Alton.


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Death of RIC Detective Oswald Ross Swanzy

Royal Irish Constabulary (RIC) Detective Oswald Ross Swanzy is shot dead by Cork Irish Republican Army (IRA) volunteers while leaving church in Lisburn, County Antrim, on August 22, 1920.

Swanzy lives at 31 Railway Street and attends Morning Service at the Cathedral. At 1:06 p.m. as he is walking past the entrance to the Northern Bank (now Shannon’s Jewelers), he is shot by the IRA and dies at the scene.

A 39-year-old single man from County Monaghan, he had been a member of the police for 15 years. His funeral takes place at Mount Jerome Cemetery, Harold’s Cross, Dublin three days later.

In February 1921, a memorial is erected in the north wall of the Cathedral by his mother and sister. The brass tablet mounted in Irish Oak bears the following inscription:

“In proud and loving memory of Oswald Ross Swanzy DI Royal Irish Constabulary who gave his life in Lisburn on Sunday, August 22, 1920, and his gallant comrades who, like him, have been killed in the unfaltering discharge of their duty and in the service of their country. Be thou faithful unto death and I will give you a crown of life.”

In his book, Police Casualties in Ireland 1919 to 1922, Royal Ulster Constabulary (RUC) Inspector Richard Abbott says the decision to kill Swanzy is taken by Michael Collins himself who believes the officer had been the leader of the party of unidentified men who killed Tomás Mac Curtain, the Lord Mayor of Cork and Commandant of Cork Number One Brigade of the IRA.

With the help of RIC Sergeant Matt McCarthy, who had provided Collins with information in the past, Swanzy is traced to Lisburn. The Intelligence Officer of B Company of the IRA’s First Cork Battalion, Sean Culhane, is then sent to Belfast to link up with local IRA activists. On the day of the attack, Culhane and a number of Belfast IRA men leave the city in a taxi and make their way to Lisburn.

Culhane and Roger McCorley, a Belfast member of the IRA, walk up to Swanzy and shoot him at close range. They, along with their accomplices, then run in pairs along Castle Street with another man in the middle of the road. They continue to fire as they make their way to the taxi which is waiting outside the Technical College.

The vehicle starts to move off before McCorley reaches it and he is forced to throw himself into the car. As he does so he lands in a heap on the back floor of the car and accidentally fires a round from his revolver inside the taxi.

A member of the public notes the taxi’s number as it leaves Lisburn and the driver is arrested later that afternoon. He tells police he works for the Belfast Motor Cab and Engineering Co. at Upper Library Street. At 11:45 a.m., he says he had been sent to the Great Northern Railway Station in Great Victoria Street to collect a fare who wanted to “take a run along the County Down coast.” The taxi driver is later tried for the killing of Swanzy but is found not guilty.

The IRA killing of Detective Inspector Swanzy leads to bitter sectarian rioting in Lisburn. A number of Catholics are murdered and others assaulted and terrorised as their homes and businesses are burned by mobs on the rampage. Journals kept at the time recall how groups of people wait at Lambeg to attack Catholics fleeing the town on the main Belfast Road. This forces many to leave Lisburn by way of the mountain route into the city as columns of smoke rise into the air above the town.

Workers at local mills are also called upon to sign the following declaration: “I…. …hereby declare I am not a Sinn Féiner nor have any sympathy with Sinn Féin and do declare I am loyal to king and country.” Violence also sweeps across Belfast in the wake of the Market Square attack.

A total of 22 people are killed in one week and on August 24 the authorities swear in a number of special constables to try to regain control of the situation. This is the first time since the start of the IRA campaign in 1919 that Special Constables have to be used.

(From: “Assassination of Detective Inspector Oswald Ross Swanzy,” Lisburn.com)


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Death of Wilhelmina Geddes, Stained Glass Artist

Wilhelmina Geddes, Irish stained glass artist who is an important figure within the Irish Arts and Crafts movement and also the twentieth-century British stained glass revival, dies in London, England, on August 10, 1955. Her notable works include windows at St. Bartholomew’s Anglican Church (Ottawa, Canada), St. Peter’s Church (Lampeter, Wales), and the King Albert Memorial Window, St. Martin’s Cathedral (Ypres, Belgium).

Geddes is born on her maternal grandparent’s farm at Drumreilly Cottage in Leitrim, County Leitrim, on May 25, 1887. She is the eldest of four children, three girls and a boy, of William Geddes and his wife Eliza Jane Stafford. The family, who migrates to Ireland from Scotland, has mainly been farmers. Her father, a Methodist, who is born near his father’s farm at Tandragee, County Armagh, emigrates to the United States as a young man, working as a labourer for the railway construction business. This serves a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she is still an infant her parents move to their native home in Belfast, so her father can set up in business as a building contractor.

Geddes begins drawing subjects from life and nature from the age of four. She learns first how to draw from the school mistress in Ayrshire, where her father occasionally goes shooting. She begins her studies at Methodist College Belfast along with her three younger sisters. She later moves to the Belfast School of Art. She is encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. She is accepted as a student to study at the Belfast School of Art, Ulster University. This is where she adapts and improves her style and is introduced to a professional standard of art work.

While still studying at the Belfast School of Art, Geddes takes part in the Arts and Crafts Society of Ireland‘s fourth exhibition. For this exhibition, she contributes a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It is at this exhibition that her work is spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who goes on to be her lifelong mentor, invites the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.

Geddes contributes a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She is elected as an Associate of the Belfast Art Society’s successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. She shows five illustrations in the 1911 Oireachtas Exhibition. It is some twenty-one years before she returns to the Oireachtas when she exhibits three cartoons and three sketches for stained glass in 1932.

Geddes joins Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop is held in Dublin’s Metropolitan School of Art. It is here that she discovers her passion for the craftsmanship of stained glass artistry and creates her most important works.

During her early years at An Túr Gloine, Geddes’s originality shines, and important commissions come from St. Ann’s Church, Dawson Street, Dublin and the Presbyterian church in Rathgar. Dogged by illness, she returns to Belfast before 1916 and lives between there and Dublin until moving in 1925, as she has long wanted, to work in London at The Glass House, Fulham. While working at The Glass House, she instructs the Irish painter and stained glass artist Evie Hone.

Geddes’s work is considered pioneering and represents a rejection of the Late Victorian approach. She creates a new view of men in stained glass windows, portraying them with close-shaven crew cuts. The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches.

Despite the hardships of living in London during World War II, poverty, and ill health, Geddes designs seventeen full-scale stained glass masterpieces, sixteen of which she completes.

Geddes dies on August 10, 1955 in London of a pulmonary embolism. She is buried in Carnmoney Cemetery, County Antrim, along with her mother and sister Ethel. Even after moving to London, she claims that her native identity never wavered as she says she was always “a Belfast woman.”


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Birth of Catherine Drew, Journalist & Writer

Catherine Drew, Anglo-Irish journalist and writer, is born in Broughshane, County Antrim, on May 27, 1832.

Drew’s parents are the Rev. Thomas Drew and Isabella (née Dalton) Drew. She is the third of the couple’s eight daughters and four sons, although most of her siblings die young. She spends her childhood in Belfast, where her father is the rector of Christ Church in Durham Street from 1833 to 1859. In 1866, she moves to 60 Upper Sackville Street, Dublin, to live with her brother, the architect Thomas Drew.

From here she appears to begin her journalist career, writing articles for the Irish Builder, going on to eventually become its assistant editor. She goes on to write for Belfast’s News Letter, and following advice from its proprietor James Alexander Henderson, she moves to London in 1871 becoming the paper’s London correspondent. She writes two columns, Metropolitan gossip and Ladies’ letter, which are among some of the earliest regular columns written specifically for women, providing society news for her readers in Belfast. Articles by her also appear in The Literary World, The British Architect and London Society.

Drew is one of the founding members of the Ladies’ Press Association, and campaigns for greater rights for women journalists. She becomes a prominent figure in the Institute of Journalists, representing the Institute at several international congresses. She is serving as the vice-president of the Institute at the time of her death. She also works on its Orphan Fund for many years, an initiative she originally suggests in 1891.

In 1894, Drew is one of the signatories of the Frances Power Cobbe memorial campaigning for greater recognition and rights for women journalists, alongside Millicent Fawcett and Jessie Boucherett. She writes a number of novels, including Harry Chalgraves’s Legacy (1876) and The Lutanistes of St. Jacobi’s (1881). In March 1885, she gives a lecture titled Dress, Economic and Technical at the Loan Exhibition of Women’s Industries in Bristol, which later appears as a pamphlet.

Drew dies at her home in Holland Street, Kensington, on August 26, 1910, and is buried at the Royal Borough of Kensington and Chelsea Cemetery, Hanwell. Lady Drew, her sister-in-law, erects a Celtic cross memorial there in her honour. She bequeaths a jewel-studded gold bracelet to the Institute of Journalists, which had been presented to her by the Institute to mark her retirement in 1908. It is worn by women presidents or the wives of male presidents, and is known as the “Drew Bracelet.”


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The Battle of Glentaisie

The Battle of Glentaisie is fought in the north of Ulster on May 2, 1565. The result is a victory for Shane O’Neill over the Clan MacDonald of Dunnyveg. The conflict is a part of the political and military struggle for control of the north of Ireland, involving the English and occasionally the Scots. Although the MacDonalds are a Scottish family, based principally on the island of Islay in the Hebrides, they have long been associated with the Gaelic polity rather than the Kingdom of Scotland.

O’Neill assembles his army for the attack on the MacDonnells at the tower house of Feadan, at Fathom Mountain, near Newry. Traditionally, he “kept Easter” at Feadan, and an assembly of his clan would be unremarked until its size draws notice.

The MacDonnells expect O’Neill’s sizeable army to take some weeks to reach their territory on the Antrim coast. They start gathering as many warriors in the Highlands and Islands as they can muster. However, O’Neill advances with unprecedented speed. Within a week his army arrives at Edenduffcarrick.

Sorley Boy MacDonnell gathers a small holding force at a forward base at Cloughdonaghy. He attempts to stop O’Neill’s advancing army at Knockboy, a wooded pass in the hills above Broughshane. O’Neill sweeps Sorley’s ambush away, takes Cloughdonaghy and sends a force of cavalry to seize James MacDonald of Dunnyveg’s recently constructed Red Bay Castle. With the landing beaches at Waterfoot and Cushendall now controlled by O’Neill’s army, the first several hundred of MacDonnell’s men are compelled to land farther north. They land at Ballycastle beach to await the locally raised MacDonnnell army. Their plan is to await the arrival of their brother Alexander, the MacDonnell seneschal of Cantyre, who is assembling a second army composed from late comers to James of Dunnyveg’s army.

O’Neill does not permit the MacDonnells any time for their reinforcement to arrive. His advance guard continues to press the retreating MacDonnell army, who fall back from the beach through Ballycastle. They are driven past the area of the modern Diamond and well away from the river Tow, denying them the necessary water supply for a sizeable army.

Both armies set up camp for the night. O’Neill’s army occupies land at the centre of modern Ballycastle, between the modern Diamond and the river Tow, giving them full access to water. The combined MacDonnell army of around five hundred men occupy the exposed higher ground at Ramon, the ridge at the head of modern Castle Street, Ballycastle, where the Presbyterian Church now stands, with only a small well for their needs.

At very first light, O’Neill attacks uphill with a sudden onslaught led by his heavy Gallowglass infantry. By forgoing the customary exchange of spears, darts, and arrows by the light infantry kernagh and Scots archers that customarily precede the usually decisive deployment of the Gallowglass corrughadh, or battalions, O’Neill surprises the MacDonnell army. The MacDonnell leaders try to rally their men, but after a violent interlude of some confusion, they break and flee over Knocklayd mountain in the direction of Glenshesk, heading back toward the beach at Cushendun. James of Dunnyveg is seriously wounded in the early fighting and his brother Angus MacDonnell is killed.

The attempt to flee by the old mountain road between Greenan and Ballypatrick Forest in an attempt to reach a possible landing place for their birlinns at Cushendun beach is finally stopped at a hollow at Legacapple. Sorley Boy and James are both taken prisoner. James dies of his wounds two months later at Castle Crocke, near Strabane. Their brother Alistair Og MacDonnell had landed at Rathlin, with the final levies raised in the Highlands and Islands, reputed to be nine hundred men. However, in the immediate aftermath of O’Neill’s decisive victory, Alistair can achieve nothing without a base on the mainland. O’Neill marches on along the north coast to mop up the MacDonnell garrisons and deny Alistair any foothold from which to launch a MacDonnell recovery. Dunseverick and Dunluce fall within a few days, and Alistair returns to Scotland.


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Birth of Dónal McKeown, Roman Catholic Bishop of Derry

Dónal McKeown, Roman Catholic prelate from Northern Ireland who has served as Bishop of Derry since 2014, is born in Belfast on April 12, 1950.

McKeown is one of four children born to James McKeown and his wife Rose (née McMeel), and is baptised in St. Patrick’s Church, Belfast. He is brought up in Randalstown, County Antrim, where he plays Gaelic football and hurling with Kickhams GAC Creggan.

McKeown attends primary school at Mount St. Michael’s Primary School, Randalstown, and secondary school as a boarder at St. MacNissi’s College, Camlough, between 1961 and 1968, completing his O-Levels and A-Levels with special distinctions in Modern Languages. Two of his teachers at St. MacNissi’s College are his future brother bishops, Anthony Farquhar and Patrick Walsh.

McKeown begins studying for the priesthood at St. Malachy’s College, Belfast, in 1968, and obtains a bachelor’s degree with honours in German and Italian from Queen’s University Belfast (QUB). He teaches English at a school in Dieburg, Germany, between 1970 and 1971, and subsequently works as Northern Ireland correspondent for the Catholic media company Katholische Nachrichten-Agentur between 1971 and 1973.

McKeown completes a licentiate in sacred theology at the Pontifical Gregorian University, Rome, between 1973 and 1978, during which he also works for Vatican Radio and as a correspondent for An Saol Mór, an Irish-language programme on RTÉ.

McKeown is ordained to the priesthood on July 3, 1977.

Following ordination, McKeown’s first pastoral assignment is as chaplain at Mater Infirmorum Hospital, before returning to Rome to complete his licentiate. He returns to the Diocese of Down and Connor in 1978, where he is appointed as a teacher at Our Lady and St. Patrick’s College, Knock, while also serving as assistant priest in Derriaghy. He returns to St. MacNissi’s College in 1983, where he continues his involvement with youth ministry and is given responsibility for organising the annual diocesan pilgrimage to Lourdes.

McKeown subsequently returns to St. Malachy’s College in 1987, where he teaches and serves as dean of the adjoining seminary, before succeeding Canon Noel Conway as president in 1995. During his presidency, he completes a Master of Business Administration at the University of Leicester in 2000, specialising in educational management.

McKeown has completed the Belfast Marathon on two occasions: as a priest with a team of 48 from Derriaghy in 1982, and as a bishop fundraising for a minibus for St. Malachy’s College in 2001.

McKeown is appointed auxiliary bishop-elect for the Diocese of Down and Connor and titular bishop of Cell Ausaille by Pope John Paul II on February 21, 2001, the first Irish bishop to be appointed in the third millennium. He is consecrated by the Bishop of Down and Connor, Patrick Walsh, on April 29 in St. Peter’s Cathedral, Belfast.

In response to a 2007 decision by Amnesty International to campaign for the legalisation of abortion in certain circumstances, McKeown supports the decision of Catholic schools in the diocese to disband their Amnesty International support groups, on the grounds that it is no longer appropriate to promote the organisation in their schools.

It is reported in an article in The Irish News that the mention of McKeown as a possible successor to Walsh as Bishop of Down and Connor is actively opposed by some priests in the diocese, who regard him as being “too soft” on the issue of integrated education. This opposition is branded a “Stop Donal” campaign.

McKeown also serves as a member of the Irish Catholic Bishops’ Conference, with responsibility for the promotion of Catholic education, youth ministry, university chaplaincies and the promotion of vocations. His interests include the interface between faith and the empirical sciences, and working with Catholic schools in Norway, Denmark, Lithuania, Poland and Germany.

McKeown also serves as a member of the Irish Catholic Bishops’ Conference and its committee on education and chairs its committees on vocations and youth. He leads the youth of the diocese to World Youth Day in 2002 and 2005 and also travels to Rome with his brother bishops for their quinquennial visit ad limina in 2006. He is also a regular contributor on Thought for the Day on BBC Radio Ulster.

McKeown is appointed Bishop-elect of Derry by Pope Francis on February 25, 2014. He is installed on April 6 in St. Eugene’s Cathedral, Derry.

Following the appointment of Noël Treanor as Apostolic Nuncio to the European Union on November 26, 2022, McKeown is announced as Apostolic Administrator of Down and Connor on January 21, 2023. He serves in this role until the installation of Alan McGuckian, following his appointment as Bishop of Down and Connor on February 2, 2024.

McKeown starts a 33-day journey of prayer toward the Consecration to Jesus Christ through Mary on January 9, 2025. The prayer takes place online each evening at 7:00 p.m. The 33 days of prayer take place the week following the Baptism of the Lord until the Feast of Our Lady of Lourdes on February 11.