In 1904, King Edward VII and Queen Alexandra travel to Ireland for a semi-official eight-day visit, arriving in Kingstown (now Dún Laoghaire) on April 26. They are accompanied by their daughter, Princess Victoria.
They travel by rail to Naas via the Great Southern and Western Railway Company. They are seated in a luxuriously upholstered carriage, the engine decorated with flags and streamers. The visit triggers a frenzy of preparation among the elite and merchants of Naas. Leading citizens from diverse backgrounds, including Protestants, Catholics, Loyalists, and Home Rulers, come together to welcome the royal visitors. The town is adorned with bunting, banners, and arches bearing royal and loyalist symbols, creating an extravagant showpiece of imperial loyalty.
During their visit to Naas, the King and Queen attend the Punchestown Races, adding a touch of glamour to the occasion.
They stay in the Dublin area for a few days, attending several events and ceremonies. After finishing in Dublin, the royals board their royal train for a three-day visit to Kilkenny.
For the arrival of the King and Queen in Kilkenny, significant efforts are undertaken to ensure the city is elegantly presented. In the weeks and months prior to the visit, local businessmen convene meetings in how best to organise the occasion.
The city is heavily festooned with bunting and streamers, and the route from the railway station to Kilkenny Castle is decorated with tiny fairy lights of every colour. During the visit, Princess Victoria plants three trees on the grounds of the Castle.
The visit is well-received in Kilkenny, although sometimes expressed in primitive fashion: an old man remarks, “Sure, the King’s a man after all,” his wife correcting him, “But he’s a great man, and the lovely lady’s an angel.” Although well-supported, black flags protesting the visit are hung from some buildings along the route. (It is more than 110 years before another royal visit is made to Kilkenny when Prince Charles and Princess Camilla visit the city on May 11, 2017.)
Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.
Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.
Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.
Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).
Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.
(Pictured: Portrait of Evie Hone by Hilda van Stockum)
In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.
Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.
Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.
About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.
Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.
About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.
The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.
On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.
Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.
Seán Proinsias Ó Faoláin, short story writer of international repute and one of the most influential figures in 20th-century Irish culture, dies in Dublin on April 20, 1991. He is also a leading commentator and critic.
Ó Faoláin writes his first stories in the 1920s, eventually completing ninety stories over a period of sixty years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill, London, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterward returns to Ireland. He publishes four novels, seven additional volumes of short stories, six biographies, three travel books, a play, a memoir, a history book, translations and literary criticism, including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947. His last short story volume, Foreign Affairs, is published in 1976. His Collected Stories is published in 1983.
Ó Faoláin produces critical studies of the novel and the short-story form, introduces texts of historical and literary merit, and contributes scores of articles, reviews, and uncollected stories to periodicals in Ireland, Britain, and the United States.
Ó Faoláin is a founder member and editor of the Irish literary periodical The Bell from 1940 to 1946. Under his editorship, The Bell participates in many key debates of the day. It also provides a crucial outlet for established and emerging writers during the lean war years. The list of contributors to The Bell include many of Ireland’s foremost writers, among them Patrick Kavanagh, Patrick Swift, Flann O’Brien, Frank O’Connor and Brendan Behan.
A recurring thread in Ó Faoláin’s work is the idea that national identities are historically produced and culturally hybrid; an additional thesis is that Irish history should be conceived in international terms, and that it should be read, in particular, in the context of social and intellectual developments across Europe.
Ó Faoláin marries Eileen Gould, a children’s book writer who publishes several books of Irish folk tales, in 1929. They have two children: Julia (1932–2020), who becomes a Booker-nominated novelist and short story writer, and Stephen (b. 1938).
Ó Faoláin dies in Dublin at the age of 91 on April 20, 1991.
Ó Faoláin is a controversial figure in his own lifetime and two of his books are banned for “indecency” in Ireland — his debut collection of short stories and his second novel, Bird Alone (1936). His legacy has proven divisive. If some consider him a social liberal cosmopolitan who challenges “proscriptive” definitions of Irish culture, others see him as a chauvinistic snob who paradoxically restricts the development of Irish writing. Proto-revisionist or nascent postcolonial, O’Faoláin has been considered both, sometimes within the same critical survey. Either way, his work is central to the evolution of a post–Literary Revival aesthetic, and his voice is one of the most prominent, and eloquent, in the fight against censorship in Ireland.
(Pictured: Portrait of Seán Ó Faoláin by Howard Coster, 1930s, National Portrait Gallery)
MacMahon, who is educated at home, is also literary. From the 1890s she begins contributing to periodicals such as the New Ireland Review, for which she writes on local history. Her first novel, A New Note, appears in 1894 and over the next thirty-five years she is prolific, publishing over twenty novels as well as making numerous contributions to magazines, and several to BBC radio programmes. She is unmarried and writing is her main source of income, but during World War I she works as a civil servant in various government departments including War, Trade, and the newly created Intelligence department. Afterward she lives in Brockenhurst, Hampshire, England, and converts at some stage to Catholicism.
MacMahon’s novels are romances. Typical of them is An Honorable Estate (1898), which features an English heiress marrying an impoverished Irish clergyman in a fit of pique, only to fall in love with him. They are undemanding but entertaining and occasionally ironic, with clever social commentary. Irish Book Lover, a quarterly review of Irish literature and bibliography, commends The Job (1914) for its insightful and sympathetic characterisation. It is an account of a baronet‘s struggle to improve his Irish estate despite the fecklessness of the inhabitants. Ireland is a frequent setting for her stories. Her view of it verges on the sentimental, and she often features eccentric but ultimately good-hearted country people.
However, MacMahon’s last book, Wind of Dawn (1927), is a more profound, interesting study. Set during the Irish War of Independence and the truce, it looks at the complexities within Irish society and the differences in attitude between the Anglo- and native Irish. Rich in characters, it features a naive English girl in love with Ireland, a papist-hating domestic servant, and an ascendancy grande dame who finds England monotonous but is adamant that her children will be educated there and will not acquire a brogue. Unlike MacMahon’s other books, it is not a romance and ends in tragedy and then acceptance for the coming change of regime. It reads like a lesser novel by Elizabeth Bowen and resembles in theme and argument, though not in quality, The Last September (1929), which it predates. Unfortunately, she is not inspired to go further in this line. She writes no more and retires on a government civil pension.
By the time of her death on April 19, 1956, MacMahon has fallen into complete obscurity, and surprisingly, given the quantity and relative merit of her work, she has no entry to date in any of the numerous anthologies of Irish or women writers.
Henry II returns to England on April 17, 1172, having granted a charter to Dublin, the first granted to an Irish town.
Toward the end of 1171, Henry II, the first king of England to set foot on Irish soil, lands at Crook, County Waterford. His visit to Ireland serves two purposes. Firstly, it allows him to bring his adventurous English barons to heel and put the royal seal on their conquests in Ireland. Secondly, it means he can avoid meeting the cardinal legates who have been dispatched from Rome to investigate his complicity in the murder of the Archbishop of Canterbury, Thomas Becket, in 1170.
When the King of Leinster, Diarmait Mac Murchada, finds himself exiled in the late 1160s, he quickly finds help across the Irish Sea. He finds Henry II on the banks of the Loire in 1166 and is then pointed in the direction of south Wales by a Bristol merchant to find Richard FitzGilbert de Clare, more commonly known as Strongbow, who is then out of royal favour due to his prior support of Henry II’s competition for the kingship, Stephen of Blois.
Bolstered by English forces, Diarmait returns to Ireland and retakes his kingdom with Strongbow’s help, the latter earning the hand in marriage of Diarmait’s daughter, Aoife, in return. None of this has greatly concerned Henry II, until Diarmait dies, and Strongbow seizes the Kingdom of Leinster for himself in 1171. Leinster encompasses not only the counties of Carlow, Kilkenny, Wexford, Kildare, and parts of Wicklow, Laois, and Offaly, but the kings of Leinster are often the overlords of the flourishing Hiberno-Norse ports of Wexford and Dublin, both of which have considerable trading links with England and wider Europe.
Concerned with the growing power of Strongbow in Ireland, Henry II decides to head across the Irish Sea. He originally intends to arrive in Ireland in September 1171, but unfavourable winds on the coast of southwest Wales delay his journey for 17 days. He finally embarks from Pembroke on October 16 and arrives on the County Waterford coast the following day.
Naturally, Henry does not come alone and is at the head of an estimated 4,000 strong army comprised of 500 knights and their esquires and a large body of archers, all of which are carried, along with horses, in 400 ships. The undertaking is vast, and a large quantity of supplies are gathered to provision this considerable force. These ingredients include salted meats and fish, 1,000 lbs. of wax to ensure that Henry can seal charters and mandates, and, of course, the oil on which the medieval war machine runs, wine.
With the arrival of Henry II in Ireland, Strongbow surrenders the kingdom of Leinster and the Hiberno-Norse towns of Dublin, Wexford, and Waterford. Henry II regrants Leinster to Strongbow as a lordship, and later grants him Wexford. However, Waterford and Dublin become, and remain, royal ports.
Henry II then tours Ireland, showing the clergymen and native kings who their new lord is. He first visits Lismore and Cashel, then back to Waterford for a brief rest, before journeying by way of Kilkenny to Dublin, where he arrives around November 11. At all of his stop he collects the submissions of the Irish kings, with the probable exception of Ruaidrí Ua Conchobair (Rory O’Connor), who is the claimant to the high kingship of Ireland at the time.
Outside the city walls of Dublin, Henry II constructs a palace at the present-day southern side of Dame Street, where he celebrates the winter festivities until February 2. At this time, he also grants Dublin its first charter, on a piece of parchment measuring only 121 x 165 mm, which, extraordinarily, survives to this day. Henry’s charter to Dublin grants the right to live in the city to the men of Bristol, with whom the men of Dublin have enjoyed pre-existing economic relations.
About March 1, 1172, Henry II makes his way to Wexford, before finally departing for England on Easter Sunday, April 17, after celebrating Mass. It is probable that he had intended to stay in Ireland longer than he did, but events in England and Normandy divert his attention. In Normandy, Henry II’s son, Henry, has gone into rebellion against his father, while in England, the cardinal legates are threatening to interdict Henry’s lands unless he comes to meet with them regarding Becket’s murder.
The circumstances which lead to Henry II’s departure are more telling for Ireland’s future than any member of contemporary society could have realised. Now, Ireland has to compete with the other segments of a vast transnational realm, with lands stretching across England, Wales and France. Although Henry II is the first king of England to arrive in Ireland, his visit does not mean that royal visits would become a routine occurrence. Throughout the Middle Ages, the kings of England only directly visit Ireland in 1185, 1210, 1394–5, and 1399. As such, Henry’s visit and departure marks the beginning of absentee lordship over Ireland.
(From: “The royal visit: what did Henry II do in Ireland 850 years ago?” by John Marshall, PhD student in the Department of History at Trinity College Dublin, RTÉ, http://www.rte.ie | Pictured: Henry at Waterford, Ireland, October 18, 1172. Illustration by James E. Doyle (1864). Image: Historical Picture Archive/ Corbis via Getty Images)
Sheridan is born in Castlebar, County Mayo, on October 15, 1889. She has her early vocal training while at school at the Dominican Convent in Eccles Street, Dublin, with additional lessons from Vincent O’Brien. In 1908, she wins a gold medal at the Feis Ceoil. From 1909 to 1911 she studies at the Royal Academy of Music in London, during which time she is introduced to the Italian inventor Guglielmo Marconi, who is instrumental in arranging further studies for her in opera in Rome.
Sheridan returns to Italy, where her career continues to grow, with performances at the Teatro Dal Verme in Milan and at the Teatro di San Carlo in Naples, primarily in Puccini roles. In 1922 she first sings at La Scala, Milan, in La Wally by Alfredo Catalani under the direction of Arturo Toscanini. For the next few years, she sings at La Scala with great success. Perhaps her greatest role is Madama Butterfly, which she sings extensively in Italy and at Covent Garden. When she plays the part of Madama Butterfly, Puccini is said to be spellbound.
Despite her successes, Sheridan’s career is short. Suffering vocal difficulties, she goes into retirement around 1930 except for a few concerts. Bríd Mahon, in her 1998 book While Green Grass Grows, states that “It was rumoured that an Italian whose overtures she had rejected had blown his brains out in a box in La Scala, Milan, while she was on stage and that after the tragedy, she never sang in public again.”
Margaret Sheridan dies in relative obscurity on April 16, 1958, having lived in Dublin for many years, and her remains are buried in Glasnevin Cemetery, Dublin.
(Pictured: Margaret Burke Sheridan meets Italian conductor Vincenzo Bellezza in London, 1938. Photograph by Erich Salomon)
Dunne is born as Bernard Dunn in the village of Rostrevor, County Down, on May 19, 1908. He is the eldest son and second among three children of Barney Dunn, a businessman, and Margaret (née Byrne). His father inherits the Woodside Restaurant Temperance Refreshment Rooms and an auctioneering firm, and his mother runs a drapery business and later a shipping agency. He attends St. Mary’s School in Rostrevor until he is fourteen years old. While still in school he takes on a number of jobs, including repairing bicycles, rearing sheep, and working as a boot-boy at the home of Sir John Foster George Ross of Bladensburg. He is convinced not to emigrate to the United States by a family friend, Edward Whitaker.
Dunne moves to Drogheda in the newly established Irish Free State in 1926. He is employed as an apprentice first in Anderson’s of West Street, Drogheda, and later in Cameron’s Drapery store in Longford. It is after his move to Longford that he adds an “e” to his surname. In the mid-1930s, he moves to Cork, where he works as a buyer for Roches Stores in the menswear department. In 1944, he leaves Roches Stores to open a drapery shop with his friend, Des Darrer, across the road from Roches Stores on St. Patrick’s Street. A high-profile advertising campaign, combined with low prices, launches the venture successfully.
A second store opens on North Main Street, Cork, in 1947, which is followed by stores in Waterford and Mallow. Dunne and Darrer remain in partnership until 1952, when it is dissolved and Darrer takes ownership of the Waterford Dunnes Stores, renaming it Darrers.
The tenth store, in Wexford, opens in 1955, and the first store in Dublin opens in 1958. In 1960, Dunne launches the store’s first own-brand product, a lady’s jacket under the label St. Bernard. By 1964, Dunnes Stores has expanded into grocery and has an annual turnover of £6 million. He purchases two other Dublin stores, Bolger’s and Cassidy’s, in 1972, which have eleven shops across Dublin combined. Dunnes Stores opens its first branch in Northern Ireland in 1976.
Dunne meets his wife, Nora Maloney, while working at Roches Stores. They are married in September 1939 and have six children, including Margaret (Dunne) Heffernan, Frank, Elizabeth (Dunne) McMahon, Therese, and Ben Junior. Ben and later Margaret go on to work in the family business.
The family lives in Douglas, Cork, at Brownington Park, and in Blackrock, Cork, at Barnstead and at Ringmahon House. Following the establishment of the Dunnes Stores headquarters in Dublin in the early 1970s, the family moves to Jury’s Hotel, Dame Street. He and Nora later move to the Shelbourne Hotel, where they live until his death on April 14, 1983.
Born in Blackwater Street off Grosvenor Road in west Belfast in 1916, White is one of ten children (five sons and five daughters) of Billy White, water technician with Belfast Corporation, and his wife Kathleen (née McKane). As a boy he sings in the choir of Clonard Monastery. He plays in a céilí band as a teenager and is a lifelong aficionado of Irish music and plays the banjo and other string instruments (often smuggling guns in their cases). As a young man he is also an active member of Granuaile GAA club, playing hurling and Gaelic football.
White works as a plumber and joins the Irish Republican Army (IRA) at an early age, being imprisoned several times during the 1930s. He travels to England to take part in the IRA’s “S-Plan” bombing campaign of 1939 to 1940, then returns to Dublin to pass his bomb-making skills on to new recruits, including Brendan Behan. He then returns to England to become the IRA’s Manchester Operations Officer but, after a bomb he is working on goes off in the flat he is renting, he flees to Glasgow, then back to Ireland.
Shortly after returning to Ireland, White is arrested while giving a lecture on explosives in County Offaly and is interned at the Curragh Camp. The republican prisoners are split into two groups, one led by Pearse Kelly, and the other by Liam Leddy. White is unhappy with the situation and refuses to take sides. Shortly after his arrival, IRA Chief of StaffSeán McCool is also interned, and is concerned that the locations of many of the IRA’s arms caches are known only to him. McCool asks him to get the information to the new leadership by “signing out,” declaring that he is no longer involved with a paramilitary group. He refuses as doing so would be breaking IRA orders, but McCool persists, suggesting that he could resign from the army before signing out, thereby not contravening IRA rules. Once released, he immediately rejoins the IRA and passes on the information. He is also made IRA Quartermaster General by Chief of StaffCharlie Kerins. However, he is suspected of involvement in the killing of a police officer, Dinny O’Brien – something which he always denies – and has to go on the run.
In October 1942, White and a comrade are cornered in a house. Here the details are unclear. Tim Pat Coogan claims that White is in a house in Donnycarney in County Dublin with Maurice O’Neill (executed in Mountjoy Prison on November 12, 1942), while Danny Morrison claims that White is at a wedding reception in Cavan with Paddy Dermody. Both agree that there is a shoot-out in which one officer is killed, enabling White to escape, but he falls down a railway embankment and hides for two days before emerging, hoping that the police hunt is over. In Coogan’s version, he catches a bus to Dublin, covered in blood and mud; while, according to Morrison, he is assisted by a sympathetic soldier who helps him recover and cycles to Dublin with him. They agree that he reaches a safe house once in the capital. Morrison claims that the Donnycarney shootout occurs four months later and that White travels north, rather than returning to Dublin a second time.
On arrival in the north, White is made Officer Commanding of the IRA Northern Command. Kerins is arrested in Dublin in June 1944 and later tried for murder and hanged. White becomes the only member of the IRA leadership still free. A wanted man, he travels around until work is arranged for him by supporters in Altaghoney, County Londonderry, Northern Ireland. There, he works as a handyman and barber and sets up a dance band, also managing to acquire some explosives from a local Royal Ulster Constabulary (RUC) officer who wants rocks cleared from his field. For at least part of his time in Altaghoney, he serves as the IRA Chief of Staff.
White is finally captured and tried in October 1946 and is handed over to the Irish authorities. He is sentenced to death, but this is reduced to twelve years’ imprisonment on appeal, a defence in which his former comrade Seán MacBride is involved. He is actually released early in 1948 following a change in government which leaves Mac Bride in a ministerial post.
Following his release, White remains active in the IRA, but in a less high-profile way, as he is married and settles in Dublin. He supports the Provisional IRA following its split in 1970 and is involved in smuggling weapons across the border.
White publishes his autobiography in 1985, actually ghostwritten by Uinseann MacEoin. Entitled Harry, it attracts press attention for naming the IRA members who killed Kevin O’Higgins, names which Peadar O’Donnell separately confirms. White’s nephew, Danny Morrison, becomes a prominent Irish republican from the 1970s onward.
Henry is the third of four sons of the Rev. Robert Mitchell Henry, minister of the Reformed Presbyterian Church, and his wife Kate Ann Berry, eldest of four daughters of Thomas Berry, minister of the Baptist church, Athlone. His father becomes a Baptist in 1858 and pastor of Great Victoria Street Baptist Church, Belfast, resigning in 1875 to join the Plymouth Brethren.
Henry marries the painter Emily Grace Mitchell on September 17, 1903, in London at St Peter’s Anglican church, Bayswater. He returns to Ireland in 1910. From then until 1919 he lives on Achill Island, where he learns to capture the peculiar interplay of light and landscape specific to the west of Ireland. In 1919, he moves to Dublin and in 1920 he is one of the founders of the Society of Dublin Painters, originally a group of ten artists. He designs several railway posters, some of which, notably Connemara Landscape, achieves considerable sales. He separates from his wife in 1929. His second wife is the artist Mabel Young.
In the 1920s and 1930s, Henry is Ireland’s best-known artist, one who has a considerable influence on the popular image of the west of Ireland. Although he seems to cease experimenting with his technique after leaving Achill and his range is limited, he creates a large body of fine images whose familiarity is a testament to its influence.
Henry’s use of colour is affected by his red-green colour blindness. He loses his sight in 1945 and does not regain his vision before his death.
A commemorative exhibition of Henry’s work is held at Trinity College, Dublin, in 1973 and the National Gallery of Ireland holds a major exhibition of his work in 2004.
A painting by Henry is featured on an episode of the BBC‘s Antiques Roadshow, broadcast on November 12, 2006. The painting is given a value of approximately £40,000–60,000 by the Roadshow. However, due to the buoyancy of the Irish art market at the time, it sells for €260,000 on December 5, 2006, in James Adams’ and Bonhams’ joint Important Irish Art sale.
Pictured: “Roadside Cottages, below Mweelrea Mountain” by Paul Henry, RHA, oil on panel, 1940)
seamus dubhghaill 