Ewart Milne, Irish poet, dies in Bedford, Bedfordshire, England, of a heart attack on January 14, 1987. He describes himself on various book jackets as “a sailor before the mast, ambulance driver and courier during the Spanish Civil War, a land worker and estate manager in England during and after World War II” and also “an enthusiast for lost causes – national, political, social and merely human.”
Milne is born in Dublin on May 25, 1903, to English and Welsh Irish parents and is educated at Christchurch Cathedral Grammar School. In 1920 he signs on as a seaman and works on boats, off and on, until 1935. During the 1930s he begins writing and has his first poems published in 1935.
The background to the Spanish Civil War contributes to Milne’s political awakening and he comes to England to work as a voluntary administrator for the Spanish Medical Aid Committee in London, for whom he often acts as a medical courier. He also was once unwillingly involved in an arms deal while visiting Spain on their behalf.
After Spanish Medical Aid Committee is wound up, Milne returns to Ireland but remains politically active in support of the campaign for the release of Frank Ryan, the leader of the Connolly Column of Irish volunteers on the Republican side, who had been captured and imprisoned in Spain. At one point he takes part in a delegation to Westminster seeking Labour Party support for this. In August 1938 he is reported in The Worker’s Republic as being one of the twelve-member committee of the James Connolly Irish club in London.
During his time in England and Spain, Milne gets to know the left-leaning poets who support the Republican cause, including W. H. Auden, Stephen Spender and Cecil Day-Lewis. In 1938 his first collection of poems, Forty North Fifty West, is published in Dublin, followed by two others in 1940 and 1941. Having taken a pro-British line in neutral Ireland, he is informed by Karl Petersen, the German press attaché in Dublin, that he is on the Nazi death list. This convinces him to help in the British war effort and he returns to England with the help of John Betjeman, then working at the British embassy in Ireland.
Between 1942–1962 Milne is resident in England and an active presence on the English literary scene. In particular he becomes associated with the poets grouped around the magazine Nine, edited by Peter Russell and Ian Fletcher. He and his wife Thelma also back the young Irish poet Patrick Galvin when he launches his own magazine, Chanticleer. This generous encouragement of younger writers is later extended to several others, including John F. Deane, Gerald Dawe and Maurice Scully.
Milne regards his return to Dublin in 1962 as a disaster, as his four-year stay is overshadowed by quarrels with the establishment, the discovery of betrayal by a friend and the death of his wife from lung cancer. The misery of those events is recorded in Time Stopped (1967). The artistic frustration of the time also results in the poems included in Cantata Under Orion (1976). Returning to England in 1966, he settles in Bedford. Politically he remains involved and speaks alongside Auberon Waugh at the rally on behalf of Biafra in 1968, but his views move further to the right in later years. He writes to The Irish Times on April 13, 1976, saying that he has been “taken in by Stalin and that Leninism is Satanism.” He also sides with the Loyalist position in the Ulster conflict. He dies in Bedford of a heart attack on January 14, 1987.
Milne is twice married, first to Kathleen Ida Bradner in 1927, by whom he has two sons; then in 1948 to Thelma Dobson, by whom he has two more sons.
(Pictured: A portrait of Ewart Milne by Cecil F. Salkkeld, as it appears in Milne’s book Forty North Fifty West)
Captain Otway Cuffe, benefactor, Gaelic revivalist, twice mayor of Kilkenny and a founder of businesses and organisations to profit the local people, is born in London on January 11, 1853.
Cuffe is born the Honourable Otway Frederick Seymour Cuffe to John Cuffe, 3rd Earl of Desart, and Lady Elizabeth Lucy Campbell. He has an older sister and two older brothers. After the death of his eldest brother William Ulick, 4th Earl of Desart, his seecond eldest brother, Hamilton, becomes the 5th Earl of Desart. As the 5th Earl has no male heirs himself, Cuffe is nominally his heir. However, as he also dies without heirs, the line becomes extinct upon the death of the 5th Earl.
Dedicated to ensuring a strong Irish identity in the area, Cuffe works with his sister-in-law, Ellen Cuffe, Countess of Desart. He joins Conradh na Gaeilge soon after his arrival in Kilkenny. He is elected president of its Kilkenny branch in 1904 and remains so until his death. He is replaced by Lady Desart. Together they open the theatre in Kilkenny in 1902 and he is the first President of the Kilkenny Drama Club. He also performs on stage.
Cuffe is first elected Mayor of Kilkenny in 1907 and again in 1908. With Lady Desart, he builds the Kilkenny Woollen Mills, Desart Hall, the Talbot’s Inch model village and the Kilkenny Woodworkers factory. He lays the foundation stone for Kilkenny’s Carnegie library. He is also President of the Irish Industrial Association.
Cuffe is a friend of William Morris whom he had met on a trip to Iceland. He believes in the Arts and Crafts movement and tries to implement it in the projects which he drives. He is also a friend and supporter of Standish James O’Grady and helps him found the weekly radical conservative paper The All-Ireland Review and runs it between 1900 and 1906.
In 1911, Cuffe becomes ill and is forced to move to warmer climates until he recovers. He decides to go to the south of Europe but then a visit to Australia seems appropriate. However, on the journey there he contracts pneumonia and dies at Fremantle in Western Australia on January 3, 1912. He is buried at Perth, carried to his grave by Kilkenny hurlers. The Kilkenny Moderator calls his death “a thunderbolt to the people of Kilkenny.” He is remembered as a visionary who made a permanent impact on the physical landscape of Kilkenny.
Clarke is born in Dublin on March 17, 1889, the younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moves to Dublin from Leeds, West Yorkshire, England, in 1877 and starts a decorating business, Joshua Clarke & Sons, which later incorporates a stained-glass division. Through his work with his father, Clarke is exposed to many schools of art but Art Nouveau in particular.
Clarke is educated at the Model School in Marlborough Street, Dublin, and Belvedere College, which he leaves in 1905. After his mother’s death in 1903, he is apprenticed into his father’s studio and attends evening classes in the Metropolitan College of Art and Design. His The Consecration of St. Mel, Bishop of Longford, by St. Patrick wins the gold medal for stained-glass work in the 1910 Board of Education National Competition. At the art school in Dublin, he meets fellow artist and teacher Margaret Crilley. They marry on October 31, 1914.
Clarke moves to London to seek work as a book illustrator. Picked up by London publisher George G. Harrap and Co., he starts with two commissions which are never completed. Difficulties with these projects makes Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It includes 16 colour plates and more than 24 halftone illustrations. This is followed by illustrations for an edition of Edgar Allan Poe‘s Tales of Mystery and Imagination, the second version of which, published in 1923, makes his reputation as a book illustrator. His work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac. His final book, Selected Poems of Algernon Charles Swinburne, is published in 1928.
Clarke also continues to work in stained-glass, producing more than 130 windows. His glass is distinguished by the finesse of its drawing and his use of rich colours. He is especially fond of deep blues. His use of heavy lines in his black-and-white book illustrations echoes his glass techniques.
Clarke is plagued with ill health, in particular respiratory problems. He is diagnosed with tuberculosis in 1929 and goes to a sanatorium in Davos, Switzerland. Fearing that he will die abroad, he begins his journey back to Dublin in 1931, but dies on this journey on January 6, 1931, in Chur where he is buried. A headstone is erected but local law requires that the family pledge to maintain the grave 15 years after the death. This is not explained to the Clarke family and Harry Clarke’s remains are disinterred in 1946 and reburied in a communal grave.
Donal Donnelly, Irish theatre and film actor, dies in Chicago, Illinois, on January 4, 2010. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”
Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.
For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.
On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.
In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.
Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin (1990–91).
Joyce is born on April 24, 1906, in Brooklyn, New York, the eldest of three sons of Michael Joyce, an Irish Catholic from a family of tenant farmers in Ballinrobe, County Mayo, and his wife, Gertrude (née Brooke), who although born in Shaw and Crompton, Lancashire, is from a well-off AnglicanAnglo-Irish family of physicians associated with County Roscommon. The Joyces return to Ireland in 1909. William, a precocious child, attends Coláiste Iognáid SJ, a Jesuit school in County Galway, from 1915 to 1921. At the age of fourteen, he abandons Catholicism for Anglicanism, apparently after being told that all non-Catholics, including his mother, would be damned. In adult life he is nominally anglican, though his adherence to Christianity is tenuous.
The Joyces are unionists and teach their children fervent imperialism. During the Irish War of Independence, Joyce openly associates with the Black and Tans and acts as a scout for them. An acquaintance claims that his views are so extreme even loyalists dislike him. On December 9, 1921, he flees to England to join the Worcestershire Regiment and is followed to England in 1923 by the rest of the family. When he enlists, he claims to be eighteen, but after he contracts rheumatic fever, his age is discovered, and he is discharged in March 1922. For a time, he studies mathematics and chemistry at Battersea Polytechnic Institute as a pre-medical student (1922–23), but he leaves of his own accord, with a reputation for laziness and violent political views. His studies in English and history at Birkbeck College are more successful. He is a brilliant linguist and mathematician and graduates BA with first-class honours in 1927. He publishes an academic article on philology and considers progressing to an MA. He later falsely claims that his research had been plagiarised by a Jewish academic. In 1932, he enrolls at King’s College, London, for a Ph.D. in educational psychology.
Joyce is disturbed by the difference between depressed post-war Britain and the imperial ideal that he had imbibed in Galway and is mocked for his outspoken patriotism and obvious Irishness. He identifies strongly with Thomas Carlyle, an earlier angry anti-liberal from the provinces. His life is marked by repeated episodes of hero worship, followed by disillusion and bitter denunciation. In 1923, he joins the British Fascists, an organisation that has a significant Irish loyalist membership, and in 1924 he allies himself with a militant splinter group, the National Fascists. Most British fascists see themselves as Tory auxiliaries, and they often provide a security presence at conservative meetings. On October 22, 1924, while stewarding a meeting addressed by a Jewish conservative candidate, he has his face slashed and is left with a prominent scar across his right cheek. He joins the Conservative Party in 1928 and is active in the Chelsea constituency until 1930, when he is forced out because of his eccentricities and sexual misbehaviour. On April 30, 1927, he marries Hazel Kathleen Barr. They have two daughters but separate in 1935, largely because of his infidelities, heavy drinking, and temper. The marriage is dissolved in 1937.
In November 1933, Joyce abandons his Ph.D. studies to work for Sir Oswald Mosley‘s British Union of Fascists (BUF). By early 1934 he has become its paid publicity director, traveling throughout Britain to organise meetings. He is a powerful, rabble-rousing speaker, driven by an instinctive awareness that vitriolic verbal abuse gives speaker and audience a sense of power and solidarity. MI5 sees him as a compelling, though deranged, personality. On February 8, 1937, he marries Margaret Cairns White, a BUF activist from Lancashire, with whom he had cohabited since 1936.
Joyce leads a BUF faction that favours a recruitment strategy based on uncompromising ideological assertion. This is challenged by populists who prioritise marches and displays and hold that indoctrination should follow membership. In February 1937, he is BUF candidate for the London County Council in Shoreditch. The party wins 14 per cent of the vote. In March 1937, he, along with many full-time BUF staff, are sacked when the BUF cuts expenses. But his dismissal also reflects Mosley’s awareness that his obsessive rhetoric repels “respectable” recruits and that he is no longer a biddable, slavish admirer of “the Leader.” He later falsely claims near-exclusive credit for the BUF’s escalating antisemitism, a view that Mosley eventually finds it convenient to adopt in order to evade his own responsibility.
In April 1937, Joyce founds the National Socialist League, helped by a wealthy patron. He supports himself as a private tutor, refusing to take Jewish pupils. He is active in various antisemitic and pro-Nazi groups such as the Right Club and engages in “peace” campaigns based on the view that British interests lay with Germany against Russia. Political marginalisation intensifies his admiration for Nazi Germany and hero worship of Adolf Hitler. By the time of the Munich crisis in 1938, he has decided that if war comes, he will go to Germany, though he also considers moving to Ireland. He renews his British passport for one-year terms in August 1938 and August 1939.
On August 26, 1939, Joyce and his wife leave London for Berlin. He is allegedly tipped off about his impending arrest and internment by an MI5 officer, to whom he had supplied information on communists. His siblings, whom he recruited into his fascist organisations, are variously penalised for his activities. At a loose end in Berlin, he is persuaded by a British associate to become a radio announcer with the English-language service of the Reichs-Rundfunk-Gesellschaft (RRG). He makes his first broadcast on September 6, 1939, and receives a contract in October. He finds in radio an outlet for his forceful style and delight in saying the unsayable, and in the early years of the war takes an exultant pride in recounting Nazi victories. His performances are admired by Joseph Goebbels, whom Joyce, to his regret, never meets. On September 26, 1940, he acquires German citizenship.
The novel experience of hearing the enemy in one’s own living room attracts wide audiences in Britain. Joyce’s practice of naming newly captured prisoners of war in his broadcasts is also a compelling motive for listening. In fact, he tries to recruit British prisoners of war as collaborators. The name “Lord Haw-Haw,” invented by the Daily Express radio critic in September 1939, initially applies to several English-language broadcasters but in time becomes associated with Joyce. He is initially a figure of fun, imitated by comedians, but there are sinister undercurrents of terrifying omnipotence, intensified by his sneering, gloating delivery and his delighted deployment of the “big lie” technique. It is widely believed that British-based fifth columnists supply him with information, that he predicts air raids, and shows minute local knowledge. In time, fear and his growing notoriety feed popular hatred of him in Britain, though his anti-British taunts allegedly win appreciative Irish audiences. He exults that he is daily committing treason and rendering himself liable to the death penalty.
In 1940, Joyce publishes a commissioned self-justifying propaganda work, Twilight over England. His representation of himself echoes that of Hitler in Mein Kampf – the provincial patriot, whose martial sacrifices are betrayed by corrupt elites, learning through poverty the hollowness of bourgeois patriotism and the need to synthesise socialism with nationalism. He shares with his hero a paranoid belief in his own ability to create an alternative reality through language and obstinacy. He dreams of becoming the English Führer.
In Berlin, the Joyces’ marriage comes under increasing strain, marked by drunken rows, domestic violence, and infidelity on both sides, though they retain a fierce mutual fascination. They divorce on August 12, 1941, but remarry on February 11, 1942, while continuing their previous behaviour. As the Axis powers begin to fail, his broadcasts become more defensive, focusing on the Soviet threat. On October 14, 1944, he is awarded the German War Merit Cross, first class. On October 22, he is sworn into the Volkssturm (territorial army) and begins drilling. The Joyces are evacuated from Berlin in March 1945, initially to Apen near the Dutch border and then to Hamburg, where he makes a last, drunken, defiant broadcast on April 30, 1945, the day of Hitler’s death. After an unsuccessful attempt to escape to Sweden, the Joyces hide at Flensburg near the Danish border. On May 28, 1945, he is shot and captured while gathering firewood.
Joyce is brought back to Britain on June 16 after Parliament passed legislation simplifying treason trial procedures. At his September 17-20 trial, he proves his American citizenship, but the court holds that his illegally acquired British passport incurred duties of allegiance. His appeals are rejected by the Court of Appeal and the House of Lords. His fate is influenced by British public opinion, and possibly by a desire to avoid antagonising the Soviet Union. In his death cell he blames the defeat of national socialism on German limitations. He also fantasises that he could have saved Hitler from his incompetent subordinates.
Joyce is hanged at Wandsworth Prison on January 3, 1946. Unlike most of his fellow Nazis, he proclaims to the end his allegiance to national socialism and hatred of Jews. He corresponds cheerfully with Margaret, joking evasively about the death camps and expressing a belief that his spirit will survive, watch over her, and continue his work. To neo-Nazis he becomes a martyr. Even among those to whom his activities had been repellent, a significant body of opinion holds he should not have been condemned on a questionable and innovative technicality. The historian A. J. P. Taylor maintains that Joyce was executed for making a false declaration to obtain a passport, a misdemeanour that normally incurs a £2 fine.
In 1976, Joyce is reinterred in Galway as it is feared that a grave in England might become a fascist shrine. Thomas Kilroy‘s play Double Cross (1986) juxtaposes Joyce and Brendan Bracken as Irishmen who reinvented themselves through fantasies of Britishness. The BBC Sound Archive has recordings of some of Joyce’s broadcasts and transcripts of others, collected during the war as evidence for a future treason trial.
(From: “Joyce, William Brooke (‘Lord Haw-Haw’)” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Initially trained as an organist and composer, he turns to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.
Harrison is born in Dublin on September 29, 1905, the second son of Alfred Francis Harrison and Florence May (née Nash). He becomes a chorister at St. Patrick’s Cathedral, Dublin in 1912 and is educated at the cathedral grammar school and Mountjoy School. A competent organist, he is deputy organist at St. Patrick’s from 1925 to 1928. In 1920, he also begins musical studies at the Royal Irish Academy of Music, where he studies with John Francis Larchet (composition), George Hewson (organ) and Michele Esposito (piano). In 1926, he graduates Bachelor of Music at Trinity College Dublin and is awarded a doctorate (MusD) in 1929 for a musical setting of Psalm 19. He then works in Kilkenny for one year, serving as organist at St. Canice’s Cathedral and music teacher at Kilkenny College.
In 1930, Harrison emigrates to Canada to become organist at Westminster Presbyterian Church in New Glasgow, Nova Scotia. In 1933, he studies briefly with Marcel Dupré in France but returns to Canada in 1934 to become organist at Knox Presbyterian Church in Ottawa. In 1935, he takes a position as organist and choirmaster at St. George’s Cathedral in Kingston, Ontario, as well as taking up the newly created post of “resident musician” at Queen’s University at Kingston. His duties include giving lectures, running a choir and an orchestra, and conducting concerts himself. His course in the history and appreciation of music is the first music course to be given for full credit at Queen’s. He resigns from St. George’s in 1941 to become assistant professor of music at Queen’s in 1942. During his years in Canada he still pursues the idea of remaining a performing musician and composer, winning three national composition competitions: for Winter’s Poem (1931), Baroque Suite (1943) and Night Hymns on Lake Nipigon (1945).
In 1951, Harrison takes the degrees of Master of Arts (M.A.) and Doctor of Music (DMus) at Jesus College, Oxford, and becomes lecturer (1952), senior lecturer (1956), and reader in the history of music (1962–1970) there. In 1965, he is elected Fellow the British Academy and Senior Research Fellow at Oxford. From 1970 to 1980, he is Professor of Ethnomusicology at the University of Amsterdam in the Netherlands, retiring to part-time teaching in 1976.
Harrison also holds Visiting Professorships in musicology at Yale University (1958–1959), Princeton University (spring 1961 and 1968–1969), and Dartmouth College (winter 1968 and spring 1972). He also briefly returns to Queen’s University at Kingston as Queen’s Quest Visiting Professor in the fall of 1980 and is Visiting Andrew W. Mellon Professor of Music at the University of Pittsburgh for the calendar year 1981.
Harrison’s honorary titles also include Doctor of Laws at Queen’s University, Kingston (1974), Corresponding Member of the American Musicological Society (1981), and Vice President and Chairman of the Plainsong and Medieval Music Society (1985). At Queen’s also, the new Harrison-LeCaine Hall (1974) is partly named in his honour.
Harrison dies in Canterbury, England on December 29, 1987.
In 1989, Harry White appreciates Harrison as “an Irish musicologist of international standing and of seminal influence, whose scholarly achievement, astonishingly, encompassed virtually the complete scope of the discipline which he espoused.” David F. L. Chadd writes of him “He was above all things an explorer, tirelessly curious and boyishly delighted in the pursuit of knowledge, experience and ideas, and totally heedless of artificially imposed constraints and boundaries.”
Since 2004, the Society for Musicology in Ireland (SMI) awards a bi-annual Irish Research Council Harrison Medal in his honour to distinguished international musicologists.
Remaining active during the interwar years, Dill serves as chief assistant to the commandant of the Staff College (1919–22) before commanding the Welsh Border Brigade, TA (1922–23), and 2nd Infantry Brigade at Aldershot (1923–26). In late 1926, he is appointed army instructor at the newly established Imperial Defence College. A period in India follows as general staff officer of the Western Command (1929–31), based at Quetta. On return to England, he is promoted to major general and made commandant of the Staff College. Appointments as commander of the British forces in Palestine and Transjordan (1936–37) and the Aldershot Command (1937–39) follow. During this period, he shows a remarkable ability to both train and inspire those under his command. Most of his colleagues expect him to become the new chief of the Imperial General Staff and are surprised when Major General Lord Gort, junior to Dill in both rank and seniority, is appointed to the post.
At the outbreak of World War II Dill commands I CorpsBritish Expeditionary Force (BEF) in France and is made a full general. In April 1940, he is made vice-CIGS and in May takes over as CIGS. His initial period in office is not a happy one, and he has to inform the public of setbacks in both Norway and France. His workload is enormous, and after the evacuation at Dunkirk in late May he devotes himself to preparing the defences of Britain against invasion. He clashes with Winston Churchill throughout 1941, advocating a more cautious and realistic approach to the situations in North Africa, Greece, and Crete.
The workload begins to affect his health adversely, and in November 1941 it is announced that he will resign as CIGS on reaching the age of 60 and serve as governor-designate of Bombay with the rank of field marshal. He seeks to be more actively involved in the war effort, however, and in December 1941 he visits the United States with Churchill, remaining there as head of the British joint staff mission in Washington, D.C. He plays a significant role in promoting Anglo–American military cooperation and attends the Casablanca, Quebec, and Tehran conferences.
Dill first marries (1907) Ada Maud Le Mottée, daughter of Col. William Le Mottée of the 18th Regiment. Their son, Major John de Guerin Dill, serves as an artillery officer throughout World War II. In October 1941, Dill marries Nancy Isabelle Charrington, widow of Brigadier Denis Walter Furlong. Dill’s honours include a GCB (1942), an honorary degree from Princeton University (1944), the Howland Memorial Prize of Yale University (1944), and a posthumous Distinguished Service Medal (DSM) from the United States government. There are portraits of him in Cheltenham College and the Imperial War Museum, and a statue in Washington, D.C.
(From: “Dill, Sir John Greer” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Sir John Greer Dill, bromide print, 1932, by Walter Stoneman, National Portrait Gallery, London)
O’Neill, along with O’Donnell, train an army and before long they find a powerful ally, King Phillip III of Spain. King Phillip is more than keen to help the Irish for two reasons. Firstly, he wants revenge for the famous defeat of his Spanish Armada in 1588 and secondly, he sees Ireland as a terrific foundation from which he can invade England.
King Phillip agrees to the request of O’Neill and O’Donnell to send a large army to help them defeat the English. For several years prior they had held the English at bay from the strongholds in Ulster, beating them at Yellow Ford in 1598 and Moyry Pass in 1600. But if they are to ever drive the English back across the Irish Sea, they have to come out from the hills and passes and meet them in open battle. King Phillip eventually sends his army of 4,800 men to Kinsale in County Cork, thirteen miles south of Cork, arriving on September 21, 1601. They are surrounded by the English army, led by Charles Blount, 8th Baron Mountjoy, and George Carew, 1st Earl of Totnes, the President of Munster.
The landing of the Spanish army is not where O’Neill would have hoped as he and O’Donnell are located in the northern county of Donegal. He had sent a message asking them to land further north, so they might join forces and march against the English, but that message either never arrives or arrives too late. Now O’Neill and O’Donnell face a long march to join with their allies, and the English are much closer to Kinsale than they.
Before the Irish can get there, Mountjoy’s army has laid siege to the Spaniards at Kinsale. To leave their northern strongholds holds many dangers for the Irish chieftains, but leave they do, marching their army 250 miles to Kinsale to put the future of Gaelic Ireland to the test on the battlefield, a march which many say is one of the greatest marches to date in Irish History.
On the morning of December 24, O’Neill moves to attack Mountjoy’s army. There is no coordination between O’Neill’s army and the Spanish in Kinsale, under Don Juan del Águila. The Spaniards make no attempt to attack in force or even create a diversion. O’Neill’s army, especially his cavalry, which perform badly, are not ready to meet the English in this sort of combat. The battle lasts only an hour, with Irish losses of 1,200 soldiers whereas the English lose only twenty. The critical battle of the Nine Years’ War has been lost.
Afterwards, O’Donnell flees to Spain where he lives comfortably until he dies a few months later, said to have been poisoned by a spy of Carew’s named Blake.
Hugh O’ Neill surrenders to the English in 1603 and later returns to Ulster, where Lord Mountjoy treats him respectively well. However, most of his lands and authority are non-existent. In 1607, he goes to Spain with a number of family members and supporters, most of whom are lesser chieftains, and this becomes famously known as the Flight of the Earls. The power of the Gaelic chiefs in Ireland become a thing of the past.
In June 1919, de Valera arrives in the United States for what is to be an 18-month visit. He has recently escaped from Lincoln Gaol in England in sensational fashion, after a duplicate key is smuggled into the jail in a cake and he escapes dressed as a woman. A few months later he is a stowaway aboard the SS Lapland from Liverpool bound for America.
De Valera’s plan is to secure recognition for the emerging Irish nation, tap into the huge Irish American community for funds, and to pressurize the U.S. government to take a stance on Irish independence. Playing on his mind is the upcoming Versailles conference where the nascent League of Nations is preparing to guarantee “existing international borders” – a provision that will imply Ireland remaining within the United Kingdom.
De Valera also has a challenge in winning over PresidentWoodrow Wilson, who is less than sympathetic to Ireland’s cause.
De Valera’s interest in America is of course personal. He is born in New York City on October 14, 1882, and his U.S. citizenship is one of the reasons he is spared execution after the 1916 Easter Rising.
At first de Valera keeps a low profile in America. Though he is greeted by Harry Boland and others when he docks in New York City, he first goes to Philadelphia and stays with Joseph McGarrity, the County Tyrone-born leader of Clan na Gael and a well-known figure in Irish America. He also quietly pays a visit to his mother in Rochester, New York.
De Valera’s first major engagement is on June 23, 1919, when he is unveiled to the American public at a press conference in the Waldorf-Astoria hotel in New York City. Crowds throng the streets around the hotel, and de Valera proclaims, “I am in America as the official head of the Republic established by the will of the Irish people in accordance with the principle of self-determination.”
De Valera then embarks upon a tour across America. Vast crowds turn out to see the self-proclaimed “president of the Irish republic.” In Boston an estimated crowd of 70,000 people hear him talk in Fenway Park. In San Francisco he unveils a statute of Irish revolutionary hero Robert Emmet in Golden Gate Park.
Later in the year, de Valera holds a huge rally in Philadelphia, where he is welcomed by the mayor at Independence Hall. He also visits smaller towns and cities across the United States, and his trip garners huge press coverage – an invaluable boon for his campaign to heighten awareness of the Irish issue in America.
But difficulties soon emerged during de Valera’s visit. He becomes embroiled in a bitter split among Irish Americans. He finds himself at odds with Judge Daniel Cohalan and John Devoy, central figures in the Friends of Irish Freedom (FOIF) association. Part of the dispute centers around money. De Valera had settled on an idea for a bond sale as a way of raising money for the cause – investors would be given bond certificates that would be exchangeable for bonds of the Irish Republic once it gets international recognition. But Cohalan and Devoy, who have already raised thousands through the Friends of Irish Freedom, are opposed, concerned about the scheme’s legality for one.
De Valera’s claim in an interview that Irish-British relations can be analogous to the relationship between Cuba and America also enrages the Cohalan-Devoy camp, who accuse him of surrendering the idea of full Irish sovereignty.
De Valera’s increasingly acrimonious relationship with Cohalan and Devoy spills over into the 1920 Republican and Democratic conventions. Against the advice of Cohalan and Devoy, he advances a resolution about Irish independence which is rejected 12-1 at the Republican convention in June of that year. A rival resolution by Cohalan squeezes through but ultimately is overturned. Similarly, he fails to secure the inclusion of the Irish issue in the Democratic Party’s policy platform during the Democrats’ convention in San Francisco.
De Valera leaves the United States in December 1920 with mixed results. Though he has raised millions of dollars through the bond sale, he has made little progress in co-opting official America to Ireland’s cause. Much as division is to characterise the next chapter of his political career in Ireland, de Valera’s sojourn in America leaves Irish America more divided than it has ever been.
(From: “Éamon de Valera’s US trip that left Irish America divided” by Suzanne Lynch, The Irish Times, http://www.irishtimes.com, June 1, 2019 | Pictured: Éamon de Valera (center) in New York with Friends of Irish Freedom’s Judge Daniel Cohalan and John Devoy in July 1919, Topical Press Agency/Getty)
Harry Bradshaw, a leading Irish professional golfer of the 1940s and 1950s, dies on December 22, 1990, in St. Vincent’s hospital, County Dublin.
Bradshaw is born on October 9, 1913, in Killincarrig, County Wicklow, eldest among four sons and two daughters of Edward ‘Ned’ Bradshaw, golf caddie and later golf professional, and Elizabeth Bradshaw (née Walsh) of Killincarrig. He is educated locally. A golf prodigy, he has a hole-in-one at the age of ten on an 80-yard par three at Delgany Golf Club, County Wicklow. He joins Delgany Golf Club, where he progresses from caddie to assisting his father, who is the club’s professional. As a teenager, he tends to hook the ball wildly, before he develops a grip that allows him to hit with great accuracy. Thereafter, he concentrates on honing his peerless approach play from within 100 yards of the hole. Another feature of his game is what is called his “hit and hark” approach to putting: he never lifts his head to follow the ball until he hears it drop.
Bradshaw plays in his first tournament as a professional in 1932, the same year he shoots a course record 68 at Delgany. In 1938, he wins his first professional tournament, the Bromford-Adgey Cup at Skerries Golf Club, County Dublin. In 1941, he is appointed golf professional at Kilcroney, County Wicklow, and in 1950 he begins his long association with Portmarnock Golf Club, County Dublin, when he is appointed golf professional there. By then he has already made his mark on domestic Irish golf, having won the Irish Open in 1947 and 1949. In Ireland he wins the Irish Dunlop Trophy three times, the Willie Nolan Trophy eleven times, the Moran Cup twelve times and the Irish Professional Championship ten times, the last a record later equaled by Christy O’Connor Snr.
Bradshaw is not well known outside of Ireland prior to the famous “bottle” incident at the 1949 Open Championship at Royal St. George’s Golf Club in Sandwich, Kent, England. Having headed the qualifiers and shooting an opening 68, he continues his good form into the second round when his drive at the par four fifth hole just misses the fairway and lands in a beer bottle that is standing upright with the neck and shoulder broken off. The rules are unclear on whether the bottle constitutes a hazard, and he elects to play the ball where it lay, judging (correctly) that he is not entitled to a free drop. Closing his eyes and turning his head away, he swings, shattering the bottle and advancing the ball about twenty-five yards. He is shaken and records a lacklustre round of 77. Back to his best in the next two rounds, he would win the title had his putt on the last not stopped just short. Instead, he ties with the South AfricanBobby Locke who defeats him by twelve strokes in the thirty-six-hole play-off with superlative rounds of 67 and 68. As a result of his experience with the broken bottle, the rules are changed to cater for the possibility of such an incident recurring. It is the closest a golfer from the Republic of Ireland comes to winning the Open Championship until Pádraig Harrington’s victory in 2007.
Bradshaw subsequently revenges himself on Locke by narrowly beating him to the Irish Open title the following month. He is then one of four British and Irish golfers to participate in a sixteen-week tour of South Africa from December 1950 to March 1951 during which he engages in further jousts with Locke, deepening their new-found friendship.
Establishing himself on the international golf circuit, Bradshaw goes on to win the DunlopBritish Masters on two occasions (1953, 1955), and in 1958 he becomes the first Irishman to win the PGA Close Championship. He had also won the Dunbar Open Tournament in Scotland in 1953 and the Gleneagles Hotel Foursomes Tournament pro-am with Joe Carr in 1955. The highlight of his career comes in Mexico City in 1958, when, in partnership with Christy O’Connor Snr, he wins the Canada Cup, later known as the World Cup, for Ireland, also losing a play-off for the individual title. His performance is particularly impressive, given that he is forty-five and carrying weight while competing at altitude in oppressive heat. He and O’Connor are fêted upon their return home, and their victory is considered to play the determining role in popularising golf in Ireland. He caps a memorable year by receiving the Association of Golf Writers’ Trophy for 1958.
Bradshaw appears on three Ryder Cup teams. At the Wentworth Club in 1953, he wins his foursomes match partnering Fred Daly and his singles match against Fred Haas, but in 1955 he loses both his foursomes and singles matches at the Thunderbird Country Club in California. In 1957, he is a member of the side that defeats the American team 7–4 at Lindrick Golf Club in South Yorkshire, only the third victory by the Britain and Ireland side in the twelve matches played up to that time. He holes a five-footer to tie his match with U.S. Open champion Dick Mayer after a classic encounter. In 1963, he takes on Billy Casper, one of America’s top golfers, in a match at Portmarnock televised as part of the prestigious Shell’s Wonderful World of Golf series. Bradshaw’s three-stroke victory earns him $3,000, which is then considered a bonanza in golfing terms.
Bradshaw remains the golf professional at Portmarnock until 1983, latterly spending most of his day in the club shop. Even after his formal retirement, he remains on the payroll at Portmarnock as an informal ambassador for the club. Nicknamed “the Brad,” he is extremely popular with amateur and professional alike, is a great raconteur and tremendous company, and is noted for his lack of rancor towards, or criticism of, other players.
Bradshaw marries Elizabeth Foley from Carlow in 1944 and they have four children. His three brothers, Eddie, Hughie and Jimmy, are all professional golfers.
(From: “Bradshaw, Harry” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, November 2022)
seamus dubhghaill 