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Birth of William Joyce, Last Person Executed for Treason in the UK

William Brooke Joyce, an American-born fascist and Nazi propaganda broadcaster during World War II, is born on Herkimer Street in Brooklyn, New York, on April 24, 1906. He has the distinction of being the last person to be executed for treason in the United Kingdom.

Joyce is the eldest of three sons of Michael Joyce, an Irish Catholic from a family of tenant farmers in Ballinrobe, County Mayo, and his wife, Gertrude (née Brooke), who although born in Shaw and Crompton, Lancashire, is from a well-off Anglican Anglo-Irish family of physicians associated with County Roscommon. The Joyces return to Ireland in 1909. William, a precocious child, attends Coláiste Iognáid SJ, a Jesuit school in County Galway, from 1915 to 1921. At the age of fourteen, he abandons Catholicism for Anglicanism, apparently after being told that all non-Catholics, including his mother, would be damned. In adult life he is nominally anglican, though his adherence to Christianity is tenuous.

The Joyces are unionists and teach their children fervent imperialism. During the Irish War of Independence, Joyce openly associates with the Black and Tans and acts as a scout for them. An acquaintance claims that his views are so extreme even loyalists dislike him. On December 9, 1921, he flees to England to join the Worcestershire Regiment and is followed to England in 1923 by the rest of the family. When he enlists, he claims to be eighteen, but after he contracts rheumatic fever, his age is discovered, and he is discharged in March 1922. For a time, he studies mathematics and chemistry at Battersea Polytechnic Institute as a pre-medical student (1922–23), but he leaves of his own accord, with a reputation for laziness and violent political views. His studies in English and history at Birkbeck College are more successful. He is a brilliant linguist and mathematician and graduates BA with first-class honours in 1927. He publishes an academic article on philology and considers progressing to an MA. He later falsely claims that his research had been plagiarised by a Jewish academic. In 1932, he enrolls at King’s College, London, for a Ph.D. in educational psychology.

Joyce is disturbed by the difference between depressed post-war Britain and the imperial ideal that he had imbibed in Galway and is mocked for his outspoken patriotism and obvious Irishness. He identifies strongly with Thomas Carlyle, an earlier angry anti-liberal from the provinces. His life is marked by repeated episodes of hero worship, followed by disillusion and bitter denunciation. In 1923, he joins the British Fascists, an organisation that has a significant Irish loyalist membership, and in 1924 he allies himself with a militant splinter group, the National Fascists. Most British fascists see themselves as Tory auxiliaries, and they often provide a security presence at conservative meetings. On October 22, 1924, while stewarding a meeting addressed by a Jewish conservative candidate, he has his face slashed and is left with a prominent scar across his right cheek. He joins the Conservative Party in 1928 and is active in the Chelsea constituency until 1930, when he is forced out because of his eccentricities and sexual misbehaviour. On April 30, 1927, he marries Hazel Kathleen Barr. They have two daughters but separate in 1935, largely because of his infidelities, heavy drinking, and temper. The marriage is dissolved in 1937.

In November 1933, Joyce abandons his Ph.D. studies to work for Sir Oswald Mosley‘s British Union of Fascists (BUF). By early 1934 he has become its paid publicity director, traveling throughout Britain to organise meetings. He is a powerful, rabble-rousing speaker, driven by an instinctive awareness that vitriolic verbal abuse gives speaker and audience a sense of power and solidarity. MI5 sees him as a compelling, though deranged, personality. On February 8, 1937, he marries Margaret Cairns White, a BUF activist from Lancashire, with whom he had cohabited since 1936.

Joyce leads a BUF faction that favours a recruitment strategy based on uncompromising ideological assertion. This is challenged by populists who prioritise marches and displays and hold that indoctrination should follow membership. In February 1937, he is BUF candidate for the London County Council in Shoreditch. The party wins 14 percent of the vote. In March 1937, he, along with many full-time BUF staff, are sacked when the BUF cuts expenses. But his dismissal also reflects Mosley’s awareness that his obsessive rhetoric repels “respectable” recruits and that he is no longer a biddable, slavish admirer of “the Leader.” He later falsely claims near-exclusive credit for the BUF’s escalating antisemitism, a view that Mosley eventually finds it convenient to adopt in order to evade his own responsibility.

In April 1937, Joyce founds the National Socialist League, helped by a wealthy patron. He supports himself as a private tutor, refusing to take Jewish pupils. He is active in various antisemitic and pro-Nazi groups such as the Right Club and engages in “peace” campaigns based on the view that British interests lay with Germany against Russia. Political marginalisation intensifies his admiration for Nazi Germany and hero worship of Adolf Hitler. By the time of the Munich crisis in 1938, he has decided that if war comes, he will go to Germany, though he also considers moving to Ireland. He renews his British passport for one-year terms in August 1938 and August 1939.

On August 26, 1939, Joyce and his wife leave London for Berlin. He is allegedly tipped off about his impending arrest and internment by an MI5 officer, to whom he had supplied information on communists. His siblings, whom he recruited into his fascist organisations, are variously penalised for his activities. At a loose end in Berlin, he is persuaded by a British associate to become a radio announcer with the English-language service of the Reichs-Rundfunk-Gesellschaft (RRG). He makes his first broadcast on September 6, 1939, and receives a contract in October. He finds in radio an outlet for his forceful style and delight in saying the unsayable, and in the early years of the war takes an exultant pride in recounting Nazi victories. His performances are admired by Joseph Goebbels, whom Joyce, to his regret, never meets. On September 26, 1940, he acquires German citizenship.

The novel experience of hearing the enemy in one’s own living room attracts wide audiences in Britain. Joyce’s practice of naming newly captured prisoners of war in his broadcasts is also a compelling motive for listening. In fact, he tries to recruit British prisoners of war as collaborators. The name “Lord Haw-Haw,” invented by the Daily Express radio critic in September 1939, initially applies to several English-language broadcasters but in time becomes associated with Joyce. He is initially a figure of fun, imitated by comedians, but there are sinister undercurrents of terrifying omnipotence, intensified by his sneering, gloating delivery and his delighted deployment of the “big lie” technique. It is widely believed that British-based fifth columnists supply him with information, that he predicts air raids, and shows minute local knowledge. In time, fear and his growing notoriety feed popular hatred of him in Britain, though his anti-British taunts allegedly win appreciative Irish audiences. He exults that he is daily committing treason and rendering himself liable to the death penalty.

In 1940, Joyce publishes a commissioned self-justifying propaganda work, Twilight over England. His representation of himself echoes that of Hitler in Mein Kampf – the provincial patriot, whose martial sacrifices are betrayed by corrupt elites, learning through poverty the hollowness of bourgeois patriotism and the need to synthesise socialism with nationalism. He shares with his hero a paranoid belief in his own ability to create an alternative reality through language and obstinacy. He dreams of becoming the English Führer.

In Berlin, the Joyces’ marriage comes under increasing strain, marked by drunken rows, domestic violence, and infidelity on both sides, though they retain a fierce mutual fascination. They divorce on August 12, 1941, but remarry on February 11, 1942, while continuing their previous behaviour. As the Axis powers begin to fail, his broadcasts become more defensive, focusing on the Soviet threat. On October 14, 1944, he is awarded the German War Merit Cross, first class. On October 22, he is sworn into the Volkssturm (territorial army) and begins drilling. The Joyces are evacuated from Berlin in March 1945, initially to Apen near the Dutch border and then to Hamburg, where he makes a last, drunken, defiant broadcast on April 30, 1945, the day of Hitler’s death. After an unsuccessful attempt to escape to Sweden, the Joyces hide at Flensburg near the Danish border. On May 28, 1945, he is shot and captured while gathering firewood.

Joyce is brought back to Britain on June 16 after Parliament passed legislation simplifying treason trial procedures. At his September 17-20 trial, he proves his American citizenship, but the court holds that his illegally acquired British passport incurred duties of allegiance. His appeals are rejected by the Court of Appeal and the House of Lords. His fate is influenced by British public opinion, and possibly by a desire to avoid antagonising the Soviet Union. In his death cell he blames the defeat of national socialism on German limitations. He also fantasises that he could have saved Hitler from his incompetent subordinates.

Joyce is hanged by Albert Pierrepoint at Wandsworth Prison on January 3, 1946. Unlike most of his fellow Nazis, he proclaims to the end his allegiance to national socialism and hatred of Jews. He corresponds cheerfully with Margaret, joking evasively about the death camps and expressing a belief that his spirit will survive, watch over her, and continue his work. To neo-Nazis he becomes a martyr. Even among those to whom his activities had been repellent, a significant body of opinion holds he should not have been condemned on a questionable and innovative technicality. The historian A. J. P. Taylor maintains that Joyce was executed for making a false declaration to obtain a passport, a misdemeanour that normally incurs a £2 fine.

In 1976, Joyce is reinterred in Galway as it is feared that a grave in England might become a fascist shrine. Thomas Kilroy‘s play Double Cross (1986) juxtaposes Joyce and Brendan Bracken as Irishmen who reinvented themselves through fantasies of Britishness. The BBC Sound Archive has recordings of some of Joyce’s broadcasts and transcripts of others, collected during the war as evidence for a future treason trial.

(From: “Joyce, William Brooke (‘Lord Haw-Haw’)” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of William Thrift, Academic & Politician

William Edward Thrift, Irish academic and politician who serves as the 37th Provost of Trinity College Dublin (TCD) and a Teachta Dála (TD) for the Dublin University constituency from 1921 to 1937, dies in Dublin, on April 23, 1942.

Thrift was born in Halifax, West Yorkshire, England, on February 28, 1870, one of at least two sons and two daughters of Henry George Thrift, civil servant, and Sarah Anne Thrift (née Smith). The family moves in his childhood to Dublin, where his father is an officer in the Inland Revenue.

He is educated at The High School, Dublin, and enters Trinity College Dublin in 1889 with a second sizarship in mathematics, and commences a highly distinguished university career, scoring firsts in several examinations and winning numerous prizes. Elected fellow in mathematics and experimental science, and in mental and moral philosophy in 1896, he becomes Erasmus Smith’s Professor of Natural and Experimental Philosophy at TCD from 1901 to 1929. He is awarded a Doctor of Science (DSc) in 1936. He is appointed Provost of Trinity College Dublin in 1937, serving until his death in 1942.

Thrift is also active in politics. He is elected to the House of Commons of Southern Ireland at the 1921 Irish elections, representing the Dublin University constituency. As an independent Unionist, he does not participate in the Second Dáil. He is re-elected for the same constituency at the 1922 Irish general election and becomes a member of the Third Dáil. He is re-elected at the next five general elections until 1937 when he retires from politics.

While rarely speaking on controversial issues, Thrift opposes the 1925 legislation banning divorce, which he describes as an infringement of individual and minority rights, and a betrayal of commitments made by Arthur Griffith during the Anglo-Irish Treaty debates. His capable service on various Dáil committees is recognised by his election as Leas-Ceann Comhairle (deputy speaker). A long-serving council member of the Royal Dublin Society (RDS) (1902–42), he is a commissioner of charitable donations and bequests, and financial adviser to the General Synod of the Church of Ireland. He sits on the governing boards of the Erasmus Smith schools and of the Incorporated Society for Promoting Protestant Schools in Ireland.

Thrift’s portrait is painted by Leo Whelan. He marries Etta Robinson, a daughter of C. H. Robinson, a medical doctor, and they have three sons and three daughters. He dies at the provost’s house, Trinity College Dublin, on April 23, 1942. He is buried at Mount Jerome Cemetery, Harold’s Cross, County Dublin.


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Birth of Abraham Brewster, Judge & Lord Chancellor of Ireland

Abraham Brewster PC (Ire), Irish judge and Lord Chancellor of Ireland, is born in Ballymutra House in Ballynultagh Townland, County Wicklow, on April 10, 1796.

Brewster is the son of William Bagenal Brewster, of Ballinulta, County Wicklow, by his wife Mary, daughter of Thomas Bates. He receives his earlier education at Kilkenny College, then proceeds to Trinity College Dublin (TCD) in 1812, taking his B.A. degree in 1817, and long after, in 1847, his M.A. degree.

Brewster is called to the Irish bar in 1819, and, having chosen Leinster for his circuit, soon acquires the reputation of a sound lawyer and a powerful speaker. Lord Plunket honours him with a silk gown on July 13, 1835. Notwithstanding the opposition of Daniel O’Connell, who dislikes him, he is appointed Law Adviser to the Lord Lieutenant of Ireland on October 10, 1841, and is Solicitor-General for Ireland from February 2, 1846, until July 16. By the influence of his friend Sir James Graham, First Lord of the Admiralty, he is Attorney-General for Ireland and privy councilor from January 10, 1853, until the fall of the Aberdeen ministry on February 10, 1855.[1]

In 1854, Brewster is appointed to the Royal Commission for Consolidating the Statute Law, a royal commission to consolidate existing statutes and enactments of English law.

Brewster is very active in almost all branches of his profession after his resignation, and his reputation as an advocate may be gathered from the pages of the Irish Law and Equity Reports, and in the later series of the Irish Common Law Reports, the Irish Chancery Reports, and the Irish Jurist, in all of which his name very frequently appears. Among the most important cases in which he takes part are the Mountgarrett case in 1854, involving a peerage and an estate of £10,000 a year, the Carden abduction case in July of the same year, the Yelverton case in 1861, the Egmont will case in 1863, the Marquess of Donegall‘s ejectment action and lastly, the great will cause of Fitzgerald v. Fitzgerald, in which Brewster’s statement for the plaintiff is said to be one of his most successful efforts.

On Edward Smith-Stanley becoming prime minister, Brewster succeeds Francis Blackburne as Lord Justice of Appeal in Ireland in July 1866, and Lord Chancellor of Ireland the following March. As Lord Chancellor, he sits in his court for the last time on December 17, 1868, when Benjamin Disraeli‘s government resigns. He then retires from public life.

There are only three or four judgments delivered by him in print, either in the Court of Appeal or the Court of Chancery (Ireland). His judicial manner is quiet, but with what is called “a touch of serviceable fierceness” which keeps order in Court. He is highly regarded by his colleagues. Even the bitter-tongued Jonathan Christian, who despises most of his fellow judges, defers to Brewster.

Brewster dies at his residence, 26 Merrion Square South, Dublin, on July 26, 1874, and is buried in the family vault at Tullow, County Carlow, on July 30. By his marriage in 1819 with Mary Ann, daughter of Robert Gray of Upton House, County Carlow, who dies in Dublin on November 24, 1862, he has issue one son, Colonel William Bagenal Brewster, and one daughter, Elizabeth Mary, wife of Mr. Henry French, both of whom die in the lifetime of their father. His estates are inherited by Elizabeth’s son, Robert French-Brewster, who adopts his grandfather’s surname. A nephew, Edward Brewster, studies under Abraham Brewster and becomes a lawyer and politician in New South Wales. Edward’s brother, John Grey Brewster, also emigrates to Australia, where he becomes a prosperous grazier and company director, retiring to England in later years where he dies in 1897.

(Pictured: Right Honourable Abraham Brewster photographed by Thomas Cranfield, 1861)


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Birth of Irish Artist Estella Solomons

Estella Frances Solomons, one of the leading Irish artists of her generation, is born into a prominent Jewish family in Dublin on April 2, 1882. She is noted for her portraits of contemporaries in the republican movement and her studio is a safe house during the Irish War of Independence.

Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.

Solomons grandmother, Rosa Jacobs Solomons, who is born in Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).

In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.

Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.

Solomons paints landscapes and portraits, including of artist Jack Yeats, politician Arthur Griffith, poet Austin Clarke, and writers James Stephens and George Russell (Æ).

Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.

Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.

Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republican volunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).

Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.

Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.

Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.


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The Wreck of the RMS Royal Adelaide

The RMS Royal Adelaide, a paddle steamship owned and operated by the City of Dublin Steam Packet Company, sinks in a storm on March 30, 1850, with the loss of two hundred lives. Its principal route runs between London and Cork, County Cork.

The RMS Royal Adelaide, captained by John Batty, leaves Cork fully laden with cargo and about 250 passengers on Wednesday, March 27,1850, touching off at Plymouth, Devon, England, on Thursday evening. By the time the ship leaves Plymouth for London at 3:00 a.m. on Friday, March 29, there are almost three hundred deck passengers.

The ship is totally lost at about 11:00 p.m. on Saturday, March 30 on Tongue Sands north of Margate, Kent, England, with the loss of all on board. News only reaches London late on Sunday as the river pilot waiting for the ship happens to meet a Deal, Kent, pilot, Charles Gillham, who reports seeing a ship of a similar description in distress the previous evening (The Illustrated London News, April 6 and 13, 1850).

The dead include more than one hundred fifty deck passengers from Ireland, during a time when the Great Famine is at its height.

(Pictured: “The Wreck of the Royal Adelaide,” illustration for The Illustrated London News, April 13, 1850)


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Birth of Irish Tenor Josef Locke

Joseph McLaughlin, Irish tenor known professionally as Josef Locke, is born in Derry, County Londonderry, on March 23, 1917. He is successful in the United Kingdom and Ireland in the 1940s and 1950s.

McLaughlin is one of ten children of Patrick McLaughlin, butcher and cattle dealer, and Annie McLaughlin (née Doherty). He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary (RUC).

Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.

Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.

Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”

In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.

In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!

In 1958, after Locke has appeared in five Royal Variety Performance telecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia Theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.

In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Performance, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.

Locke dies at the age of 82 at a nursing home in Clane, County Kildare on October 15, 1999, and is cremated at Glasnevin Cemetery. He is survived by his wife, Carmel, and a son.

On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”

A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.


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Birth of Piers Butler, 3rd Viscount Galmoye

Piers Butler, 3rd Viscount Galmoye, otherwise Viscount Galmoy, an Anglo-Irish nobleman, is born on March 21, 1652. He is descended from Thomas Butler, 10th Earl of Ormond, and is the son of Edward Butler, 2nd Viscount Galmoye, and Eleanor (née Whyte), daughter of Sir Nicholas Whyte of Leixlip, County Kildare.

Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.

Under James II of England Butler is Privy Councillor of Ireland, Lieutenant of the County of Kilkenny, and Colonel of the 2nd Regiment of Irish Horse. Serving as part of the Jacobite Irish Army, he commands a regiment at the Battle of the Boyne and serves with distinction in the Battle of Aughrim. He is one of the signatories of the Treaty of Limerick. At the Glorious Revolution, he might have been able to secure his old estates of 10,000 acres in Kilkenny and 5,000 in Wexford, had he consented to give his allegiance to William III of England rather than following Patrick Sarsfield and James II into exile in France. Instead, the English Parliament attaints him and declares his titles forfeited in 1697 by the statute 9 Will. 3. c. 4.

In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.

Butler marries Anne Mathew and with her has one son, Colonel Edward Butler, who is killed at the Battle of Malplaquet in 1709. After the death of his first wife, he marries Henrietta FitzJames, the illegitimate daughter of King James II and Arabella Churchill and the widow of Henry Waldegrave, 1st Baron Waldegrave, on April 3, 1695. She deserts him and returns to England.

Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”

Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.


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Death of Sir Richard Church, Anglo-Irish British Army Officer

Sir Richard Church CB GCH, Anglo-Irish military officer in the British Army and commander of the Greek forces during the last stages of the Greek War of Independence after 1827, dies in Athens, Kingdom of Greece, on March 20, 1873. After Greek independence, he becomes a general in the Hellenic Army and a member of the Greek Senate.

Church is born on February 23, 1784, the second son of Matthew Church, a Quaker merchant in the North Mall area of Cork, County Cork, and Anne Dearman, originally from Braithwaith, Yorkshire, England. At the age of sixteen, he runs away from home and enlists in the British Army. For this violation of its principles, he is disowned by the Religious Society of Friends, but his father buys him a commission, dated July 3, 1800, in the 13th Somerset Light Infantry. He serves in the demonstration against Ferrol, Spain, and in the expedition to Egypt under Sir Ralph Abercromby in 1801, where he takes part in the Battle of Abukir and the taking of Alexandria. After the expulsion of the French from Egypt he returns home but goes back to the Mediterranean in 1805 among the troops sent to defend the island of Sicily. He accompanies the expedition which lands in Calabria and fights a successful battle against the French at the Battle of Maida on July 4, 1806. He is present on this occasion as captain of a recently raised company of Royal Corsican Rangers. His zeal attracts the notice of his superiors, and he has begun to show his capacity for managing and drilling foreign levies. His Corsicans form part of the garrison of Capri from October 1806 until the island is taken by an expedition directed against it by Joachim Murat, in September 1808, at the very beginning of his reign as king of Naples. Church, who has distinguished himself in the defence, returns to Malta after the capitulation.

In the summer of 1809 Church sails with the expedition sent to occupy the French-occupied Ionian Islands. Here he increases the reputation he has already gained by forming a Greek regiment in British pay. On September 9, 1809, he takes the position of Major in the 1st Regiment Greek Light Infantry. On November 19, 1812, he becomes Lieutenant-Colonel of the unit, by then renamed The Duke of York’s Greek Light Infantry Regiment. Having gained the experience of managing foreign troops, he commands the regiments made up of Greeks he recruits himself in 1813, when he forms a second regiment composed of 454 Greeks (2nd Regiment Greek Light Infantry) to occupy Paxoi islands. These regiments include many of the men who are afterward among the leaders of the Greeks in the Greek War of Independence including Theodoros Kolokotronis, with whom he keeps a friendship and correspondence. He commands this regiment at the taking of the island of Santa Maura (Lefkada), on which occasion his left arm is shattered by a bullet.

During his slow recovery Church travels in northern Greece, in Macedonia, and to Constantinople. In the years of the fall of Napoleon (1813 and 1814) he is present as British military representative with the Austrian troops until the campaign which terminates in the expulsion of Murat from Naples. He draws up a report on the Ionian Islands for the Congress of Vienna, in which he argues in support, not only of the retention of the islands under the British flag, but of the permanent occupation by Britain of Parga and other formerly Venetian coastal towns on the mainland, then in the possession of Ali Pasha of Ioannina. The peace and the disbanding of his Greek regiment leaves him without employment, though his reputation is high at the war office, and his services are recognized by the grant of a Companion of the Order of the Bath.

In 1817, Church enters the service of King Ferdinand I of Naples as lieutenant-general, with a commission to suppress the brigandage then rampant in Apulia. Ample powers are given him, and he attains a full measure of success. In 1820 he is appointed governor of Palermo and commander-in-chief of the troops in Sicily. The revolution which breaks out in that year leads to the termination of his services in Naples. He escapes from violence in Sicily with some difficulty. At Naples he is imprisoned and put on trial by the government but is acquitted and released in January 1821. King George IV confers on him a Knight Commander of the Royal Guelphic Order in 1822. He is further promoted to Knight Grand Cross by William IV in 1837.

The rising of the Greeks against the Turks has his full sympathy from the beginning. But for some years he has to act only as the friend of the insurgents in England. In 1827 he takes the honourable but unfortunate step of accepting the commandership-in-chief of the Greek army. At the point of anarchy and indiscipline to which they have now fallen, the Greeks can no longer form an efficient army and can look for salvation only to foreign intervention. Church, who lands in March, is sworn archistrategos on April 15, 1827, but cannot secure loyal co-operation or obedience. The rout of his army in an attempt to relieve the Acropolis of Athens, then besieged by the Ottomans, proves that it is incapable of conducting regular operations. With the acropolis capitulated, he turns to partisan warfare in western Greece.

After the Battle of Navarino, and during the Kapodistrias period, Church is placed commander-in-chief of the Greek regular forces in Central Greece, together with Demetrios Ypsilantis. However, he surrenders his commission as a protest against the unfriendly government of Capodistrias on August 25, 1829. He lives the remainder of his life in Greece.

Church’s activity has beneficial results and leads to a rectification in 1832, in a sense favourable to Greece, of the frontier drawn by the Great Powers in the London Protocol (1830). Under King Otto, he occupies senior military positions. On October 3, 1833, he is promoted to lieutenant general in the Hellenic Army, and in January 1835 becomes commander of the forces in Continental Greece. On June 10, 1835, he is appointed head of the Secretariat of State for Military Affairs (Army Minister), becoming Inspector-General of the Army on October 28, 1836. He serves as a senator from 1844 to 1845. He is promoted to full general in February 1854, the grade being established for the first time for this purpose in the Hellenic Army.

Church dies following an illness on March 20, 1873. The funeral service takes place in the Anglican Church in Filellinon Street in the presence of King George I and a large number of official guests. Panagiotis Chalkiopoulos, the Minister of Justice, gives the funeral speech in Greek, while John Gennadius gives a speech in English. He is buried at the First Cemetery of Athens at public expense on March 27. The funeral monument has an inscription in English on the front and Greek on the back.

(Pictured: Portrait of Sir Richard Church, oil on cardboard by an unidentified artist, 1873)


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Death of Lawrence Sterne, Humorist & Author

Lawrence Sterne, Anglican clergyman, humorist, and author of the experimental novel The Life and Opinions of Tristram Shandy, Gentleman, dies in London on March 18, 1768. Though popular during his lifetime, he becomes even more celebrated in the 20th century, when modernist and postmodernist writers rediscover him as an innovator in textual and narrative forms.

Sterne is born on November 24, 1713, in Clonmel, County Tipperary, to a British military officer stationed there. Following his father’s postings, the family moves briefly to Yorkshire before returning to Ireland, where they live largely in poverty and move frequently throughout the rest of Sterne’s youth. When the elder Sterne is dispatched to Jamaica, where he would die in 1731, he places his son with a wealthy uncle who supports the boy’s education.

Sterne attends Jesus College, Cambridge, following in the footsteps of his grandfather, Richard Sterne, who had been Master of the College. After being ordained as an Anglican priest, he takes up the vicarship of Sutton-on-the-Forest, where he marries Elizabeth Lumley. The couple lives there for the next 20 years.

Through his paternal family line, Sterne is connected to several powerful clergymen. His uncle, Archdeacon Jaques Sterne, encourages him to contribute to Whig political journals, and consequently he writes several articles supporting Sir Robert Walpole. However, when his political fervency fails to match his uncle’s, prompting him to abandon the role of political controversialist, Jaques Sterne cuts ties with his nephew and refuses to support his career. Nevertheless, Sterne continues writing.

Sterne’s first long work, a sharp satire of the spiritual courts entitled A Political Romance, makes him as many enemies as allies. Though the work is not widely distributed and indeed is burned at the request of those targeted by its Swiftian-style criticism, it represents Sterne’s first foray into the kind of humorous satire for which he would become famous. At age 46, he steps back from managing his parishes and turns his full attention to writing.

Sterne begins what becomes his best-known work, The Life and Opinions of Tristram Shandy, Gentleman, at a moment of personal crisis. He and his wife are both ill with tuberculosis and, in the same year that the first volumes of his long comic novel appear, his mother and uncle Jaques die. The blend of sentiment, humour and philosophical exploration that characterises his works matures during this difficult period. Tristram Shandy is an enormous success, and Sterne becomes, for the first time in his life, a famous literary figure in London. Still suffering from tuberculosis, he leaves England for Continental Europe, where his travels influence his second major work, A Sentimental Journey Through France and Italy (1768).

Sterne’s narrator in A Sentimental Journey is Parson Yorick, a sensitive but also comic figure who first appears in Tristram Shandy and who becomes Sterne’s fictive alter ego. In A Sentimental Journey, Parson Yorick wears a “little picture of Eliza around his neck,” and in the last year of his life Sterne writes the autobiographical Journal to Eliza under the pseudonym Yorick. Eliza is Eliza Draper, the wife of an East India Company official, and the literary and emotional muse of Sterne’s final years. After Draper returns to India, the two continue to exchange letters, some of which Draper allows to be published after Sterne’s death in the volume Letters from Yorick to Eliza.

In early 1768, less than a month after A Sentimental Journey is published, Sterne’s strength fails him and he dies in his lodgings at 41 Old Bond Street in London on March 18, 1768, at the age of 54. He is buried in the churchyard of St. George’s Hanover Square Church.

(Pictured: Portrait of Laurence Sterne (1713-1768), oil on canvas by Joshua Reynolds, 1760)


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Birth of Charles O’Conor, Priest & Historical Author

Charles O’Conor, Irish priest and historical author, is born at Bellanagare, County Roscommon, on March 15, 1764. He is chaplain and librarian to the Marchioness of Buckingham and catalogues many manuscripts, including the famous Stowe Missal, now in the Royal Irish Academy (RIA) in Dublin.

O’Conor is the second of six sons of Denis O’Conor and Catharine O’Conor (neé Browne), who also have six daughters. The O’Conors are Catholic, descendants of a princely family in the west of Ireland. His grandfather is the historian Charles O’Conor, his brother the historian Matthew O’Conor.

O’Conor is educated at the Pontifical Irish College, Rome, from 1779 to 1791 and is appointed parish priest of Kilkeevan, County Roscommon, in 1789. In 1796 he prepares for publication a memoir of his grandfather, the historian Charles O’Connor, which highlights the efforts made by him and other Irish Catholics of substance to obtain the constitutional repeal of the penal laws. The first volume is suppressed as dangerous to the family and the manuscript of the second is burned by O’Conor before reaching the printer. He destroys what he believes to be the whole run of the first volume and ten folios of the second, by casting them into a sewer, which communicates with the River Poddle. However, copies of the first volume survive in Trinity College Dublin (TCD) and the Barrister at Law (BL).

In 1798 O’Conor is invited to become chaplain to Mary Nugent, the Marchioness of Buckingham, and to organize and translate a collection of Gaelic manuscripts at Stowe, Buckinghamshire, England. With him he brings papers of his grandfather to Stowe, including fifty-nine Gaelic manuscripts. There he writes Columbanus ad Hibernos (1810–13), a series of letters supporting the royal veto on Catholic episcopal appointments in Ireland. These are answered by Francis Plowden and see him suspended from duties of parish priest by John Troy, Archbishop of Dublin. In his duties as librarian, he edits the Annals of the Four Masters, and other chronicles from the Stowe Library as Rerum Hibernicarum Scriptores Veteres (1814–26), an edition regarded as unreliable.

O’Conor experiences mental illness and by 1827 is suffering from the delusion that he is deliberately being starved by order of the Marquess of Buckingham. He leaves Stowe on July 4, 1827. The Nation (March 26, 1853) claims that he is thereafter a patient at Dr. Harty’s asylum in Finglas, Dublin, apparently along with John Lanigan, whom he knew in the Irish College. His family twice unavailingly demands that the paper’s editor issue a correction.

O’Conor dies on July 29, 1828, in his family’s house at Bellanagare. He is buried in Ballintober Cemetery, Castlerea, County Roscommon.