In 2006 Feeley completes a doctorate (Doctor of Philosophy in Music [Performance]) at Maynooth University, which involves a major thesis in three volumes with the title Classical Guitar Music by Irish Composers: Performing Editions and Critical Commentary.
Feeley is an enthusiastic champion of contemporary Irish music and in this capacity has commissioned works from many of Ireland’s leading composers including Seóirse Bodley, John Buckley, Jerome de Bromhead, Jane O’Leary, Brent Parker and Eric Sweeney. He also has a great interest in traditional Irish and Scottish music and has recorded with The Chieftains and published his own arrangements of traditional melodies.
Feeley has been described by The Washington Post as “Ireland’s leading classical guitarist” and by Michael Dervan in The Irish Times as “a trailblazer … when it comes to the guitar and guitar-playing in Ireland.”
For the Grand Alliance – Austria, England, and the Dutch Republic – the Battle of Ramillies follows an indecisive campaign against the Bourbon armies of King Louis XIV of France in 1705. Although the Allies capture Barcelona that year, they are forced to abandon their campaign on the Moselle, stall in the Spanish Netherlands and suffer defeat in northern Italy. Yet despite his opponents’ setbacks Louis XIV wants peace, but on reasonable terms. Because of this, as well as to maintain their momentum, the French and their allies take the offensive in 1706.
In less than four hours Marlborough’s Dutch, English, and Danish forces overwhelm Villeroi’s and Maximilian II Emanuel‘s Franco-Spanish-Bavarian army. The Duke’s subtle moves and changes in emphasis during the battle, something his opponents fail to realise until it is too late, catches the French in a tactical vice. With their foe broken and routed, the Allies are able to fully exploit their victory. Town after town falls, including Brussels, Bruges and Antwerp. By the end of the campaign Villeroi’s army has been driven from most of the Spanish Netherlands. With Prince Eugene of Savoy‘s subsequent success at the Siege of Turin in northern Italy, the Allies impose the greatest loss of territory and resources that Louis XIV would suffer during the war. Thus, the year 1706 proves, for the Allies, to be an annus mirabilis.
(Pictured: “The Battle of Ramillies between the French and the English, 23 May 1706” by Jan van Huchtenburgh, oil on canvas painted between 1706 and 1710)
On April 19, 2003, Bono, the lead singer of the Irish rock band U2, surpasses competition from British Prime MinisterTony Blair and French PresidentJacques Chirac to become Europe’s greatest hero. Already laden down with similar honours, he is picked by online voters from a list of 36 other Europeans compiled by the prestigious Time magazine.
Bono’s work for the starving starts with Band Aid in 1984 but develops over the years into a crusade lobbying world leaders and trying to reduce Third World debt.
“There are potentially another ten Afghanistans in Africa, and it is cheaper by a factor of 100 to prevent the fires from happening than to put them out. Look, I know how absurd it is to have a rock star talk about debt relief or HIV/AIDS in Africa. But if not me, who?” Bono says.
Caoimhe Butterly, a 24-year-old from Dublin, is also nominated by Time editors for her role as a peace activist, which resulted in her being shot at by Israeli troops. “I don’t really think the concept of heroes is helpful, but if my inclusion helps highlight the cause of people struggling against oppression, then it’s of some good,” Butterly says. She expects to go to Iraq in the near future “to further the struggle against oppression.”
The third Irish person on the list is 58-year-old Christina Noble whose torrid childhood leads her to work on behalf of impoverished street children in Asia. She survives tuberculosis, hunger, homelessness, beatings, molestation by relatives, institutionalisation and a gang rape. She starts her foundation‘s work in Vietnam in 1989 and Mongolia in 1997.
In Vietnam, where she is known fondly as Mama Tina, her foundation has 50 projects providing education, food and clean water for children. “We’re tools. We help a little. You don’t need brains or brawn to do that. You just need the heart of a survivor,” Noble says.
The family is originally from the Marrowbone area, on the Oldpark Road in North Belfast. The family has to move when Storey is very young due to Ulster loyalist attacks on the district, moving to Manor Street, an interface area also in North Belfast. His uncle is boxing trainer Gerry Storey and his father, also called Bobby, is involved in the defence of the area in the 1970s when Catholics are threatened by loyalists.
Storey is one of four children. He has two brothers, Seamus and Brian, and a sister Geraldine. Seamus and his father are arrested after a raid on their home which uncovers a rifle and a pistol. While his father is later released, Seamus is charged. He escapes from Crumlin Road Prison with eight other prisoners in 1971, and they are dubbed the Crumlin Kangaroos.
On his mother Peggy’s side of the family there is also a history of republicanism, but Storey says the dominant influences on him are the events happening around him. These include the McGurk’s Bar bombing in the New Lodge, some of those killed being people who knew his family, and also Bloody Sunday. This then leads to his attempts to join the IRA. He leaves school at fifteen and goes to work with his father selling fruit. At sixteen, he becomes a member of the IRA.
On April 11, 1973, his seventeenth birthday, Storey is interned and held at Long Kesh internment camp. He had been arrested 20 times prior to this but was too young for internment. In October 1974, he takes part in the protest at Long Kesh against living conditions where internees set fire to the “cages” in which they are being held. He is released from internment in May 1975. He is arrested on suspicion of a bombing at the Skyways Hotel in January 1976 and a kidnapping and murder in the Andersonstown district of Belfast in March 1976, but is acquitted by the judge at his trial. He is arrested leaving the courthouse and charged with a shooting-related incident. He is released after the case cannot be proven, only to be charged with shooting two soldiers in Turf Lodge. Those charges are dropped in December 1977. The same month he is arrested for the murder of a soldier in Turf Lodge, but the charges are again dropped. In 1978 he is charged in relation to the wounding of a soldier in Lenadoon, but is acquitted at trial due to errors in police procedure.
On December 14, 1979, he is arrested in Holland Park, London, with three other IRA volunteers including Gerard Tuite, and charged with conspiring to hijack a helicopter to help Brian Keenan escape from Brixton Prison. Tuite escapes from the same prison prior to the trial, and the other two IRA volunteers are convicted, but Storey is acquitted at the Old Bailey in April 1981. That August, after a soldier is shot, he is arrested in possession of a rifle and is convicted for the first time, being sentenced to eighteen years’ imprisonment.
Storey is one of the leaders of the Maze Prison escape in 1983, when 38 republican prisoners break out of the H-Blocks, the largest prison escape in British penal history and the largest peacetime prison escape in Europe. He is recaptured within an hour and sentenced to an additional seven years’ imprisonment. Released in 1994, he is again arrested in 1996 and charged with having personal information about a British Army soldier, and Brian Hutton, the Lord Chief Justice of Northern Ireland. At his trial at Crumlin Road Courthouse in July 1998, he is acquitted after his defence proves the personal information had previously been published in books and newspapers.
Having spent over twenty years in prison, much of it on remand, Storey’s final release is in 1998, and he again becomes involved in developing republican politics and strategy, eventually becoming the northern chairman of Sinn Féin.
On September 9, 2015, Storey is arrested and held for two days in connection with the killing of former IRA volunteer Kevin McGuigan the previous month. He is subsequently released without any charges, and his solicitor John Finucane states Storey will be suing for unlawful arrest.
Storey dies in England on June 21, 2020, following an unsuccessful lung transplant surgery. Sinn Féin president Mary Lou McDonald describes him as “a great republican” in her tribute. His funeral procession in Belfast on June 30 is attended by over 1,500 people including McDonald, deputy First MinisterMichelle O’Neill, and former Sinn Féin president Gerry Adams, but is criticised for breaking social distancing rules implemented in response to the COVID-19 pandemic which, at the time operating in Northern Ireland, limited funeral numbers to no more than 30 mourners.
In the 2017 film Maze, dramatising the 1983 prison break, directed by Stephen Burke, Storey is portrayed by Irish actor Cillian O’Sullivan.
Traynor is born into a strongly nationalist family in Dublin. He is educated by the Christian Brothers. In 1899, he is apprenticed to John Long, a famous woodcarver. As a young man he is a noted footballer and tours Europe as a goalkeeper with Belfast Celtic F.C. whom he plays with from 1910 to 1912. He rejects claims soccer is a foreign sport calling it “a Celtic game, pure and simple, having its roots in the Highlands of Scotland.”
When the Irish Civil War breaks out in June 1922, Traynor takes the Anti-Treaty IRA side. The Dublin Brigade is split, however, with many of its members following Michael Collins in taking the pro-Treaty side. During the Battle of Dublin, he is in charge of the Barry’s Hotel garrison, before making their escape. He organises guerilla activity in south Dublin and County Wicklow, before being captured by Free State troops in September. He is then imprisoned for the remainder of the war.
In 1936, Traynor is first appointed to the Cabinet as Minister for Posts and Telegraphs. In September 1939, he is appointed Minister for Defence and holds the portfolio to February 1948. In 1948, he becomes President of the Football Association of Ireland, a position he holds until his death. He serves as Minister for Defence in several Fianna Fáil governments and as Minister for Justice, where he is undermined by his junior minister, and later Taoiseach, Charles Haughey, before he retires in 1961.
Traynor dies in Dublin at the age of 77 on December 15, 1963. He has a road named in his memory, running from the Malahide Road through Coolock to Santry in Dublin’s northern suburbs.
(Pictured: Minister for Defence Oscar Traynor at his desk, June 1940)
Cowley is born September 8, 1923, in Ardbraccan, Navan, County Meath, the third child of Patrick Cowley, a small farmer, and his wife Margaret. Educated at the local national school, he leaves at the age of thirteen to work on the family farm. He also works with a horse and cart drawing stones from a local quarry. He is an enthusiastic amateur actor and learns his trade in the fit ups of the forties and fifties. Moving to England, he gets parts in television shows such as Z-Cars and No Hiding Place. During the 1950s and 60s, he is also very active in theatre, and has a long association with the Globe theatre company in Dún Laoghaire, which he joins in 1956. He also plays in the Abbey, Gate and Olympia theatres, travels Europe in 1960–61 with John Millington Synge‘s The Playboy of the Western World, and stars in the early Hugh Leonard play I Loved You Last Summer.
Cowley is best known for his portrayal of the bluff countryman Tom Riordan in RTÉ’s rural drama, The Riordans. First airing on January 4, 1965, it runs until May 28, 1979. One of RTÉ’s most successful programmes, it has a huge audience and a considerable social impact through its treatment of controversial topics such as divorce, contraception, and mixed marriages. When it ends in 1979 Cowley is bitterly disappointed and accuses RTÉ of throwing him on the scrap heap. After this he continues to work in theatre and has occasional appearances on screen, including a part in Jim Sheridan‘s The Field (1991) and the British espionage television series, The Avengers.
Cowley also writes poetry and a play, A Fool and His Money. His other hobbies include a passion for history (particularly the 1798 period), hurling, Gaelic football, boxing, and swimming. A patron and a founder member of the Irish Council Against Blood Sports in 1967, he is a leading opponent of hare coursing, popularising the cause through an appearance on The Late Late Show in 1967.
In 1953 Cowley marries Annie D’Alton, an actor who later appears with him in The Riordans, two years after the death of her first husband, the dramatist Louis D’Alton. They have one son.
Cowley dies in Navan on February 13, 1998. His wife precedes him in death in March 1983.
On January 31, 1972, the day after Bloody Sunday, British Home SecretaryReginald Maudling announces a tribunal of inquiry “into the circumstances of the march and the incidents leading up to the casualties which resulted.”
The official British Army position, backed by Maudling in the House of Commons, is that the paratroopers reacted to gun and nail bomb attacks from suspected Irish Republican Army (IRA) members. Apart from the soldiers, all eyewitnesses — including marchers, local residents, and British and Irish journalists present — maintain that soldiers fired into an unarmed crowd or were aiming at fleeing people and those tending the wounded, whereas the soldiers themselves were not fired upon. No British soldier is wounded by gunfire or reports any injuries, nor are any bullets or nail bombs recovered to back up their claims.
In the days following Bloody Sunday, Bernadette Devlin, the independent Irish nationalistMember of Parliament (MP) for Mid Ulster, expresses anger at what she perceives as British government attempts to stifle accounts being reported about the shootings. Having witnessed the events firsthand, she is infuriated that the Speaker of the House of Commons, Selwyn Lloyd, consistently denies her the chance to speak in Parliament about the shootings, although parliamentary convention decrees that any MP witnessing an incident under discussion will be granted an opportunity to speak about it in Parliament. Devlin slaps Reginald Maudling and calls him a “murdering hypocrite” when he makes a statement to Parliament that the British Army had fired only in self-defence. She is temporarily suspended from Parliament as a result.
An inquest into the deaths is held in August 1973. The city’s coroner, Hubert O’Neill, a retired British Army major, issues a statement at the completion of the inquest. He declares:
“This Sunday became known as Bloody Sunday and bloody it was. It was quite unnecessary. It strikes me that the Army ran amok that day and shot without thinking what they were doing. They were shooting innocent people. These people may have been taking part in a march that was banned but that does not justify the troops coming in and firing live rounds indiscriminately. I would say without hesitation that it was sheer, unadulterated murder. It was murder.”
(Pictured: Home Secretary Reginald Maudling (left) and Member of Parliament for Mid Ulster Bernadette Devlin)
Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.
At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839 and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.
In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.
In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.
At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finances the project himself.
His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.
Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.
This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.
In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”
Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.
Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.
During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.
Depressed by his financial situation and loss of eyesight and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.
Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.
(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)
Lynch is born in Dublin on March 25, 1859. Her father, who is a committed, non-violent Fenian, dies when she is young. Her mother, Anna Theresa Calderwood, is married twice. She grows up in a very female house with her mother and ten sisters and half-sisters. Her stepfather is James Cantwell, also a Fenian, who runs the Star and Garter Hotel. After finishing school, she works as a sub-editor for a provincial paper and as a governess in Europe.
A nationalist like her father and stepfather, Lynch is an executive member of the Ladies’ Land League and as a result closely associates with Fanny Parnell. She writes extensively, producing short stories and satirical sketches, as well as Land War fiction, travel writing, translations and literary criticism. Her satirical pieces include “A Dublin Literary Coterie Sketched by a Non-Pretentious Observer” (1888) and “My Friend Arcanieva” (1895). She publishes William O’Brien‘s paper United Ireland from France, after it is suppressed in Ireland. She disagrees with William Butler Yeats on the literary merit of Emily Lawless, calling her work “highly polished literary stories.”
Lynch also writes fiction on the subject of political and cultural affairs in Ireland, sometimes meeting controversy. Her first novel, Through Troubled Waters (1885), is a fictionalised version of a real-life incident in Galway in which the daughters of a prosperous landowning family are murdered to make way for the sons to inherit the land. The novel also depicts the rural clergy as complicit, by denouncing the victims from the pulpit. The newspaper United Ireland strongly criticises the novel, claiming it peddles in anti-Irish stereotypes for a British audience. She responds by stating that she had intended the book for an Irish publisher and audience, and that she should not be asked “to prove my patriotism at the expense of truth.”
Lynch publishes across Ireland, the United Kingdom and from Paris. By 1896, she has settled in Paris, having also lived in both Spain and Greece. She speaks Greek and French. She then returns to lecture in Ireland and is a part of the salons of Paris in the Belle Époque as well as the Irish Literary Revival in Dublin. She is friends with the historian, biographer and literary critic Arvède Barine (pseudonym of Louise-Cécile Vincens), the writers Mabel and Mary Robinson, and the medievalist Gaston Paris. Her work however does not bring significant income, and she is forced to apply to the Royal Literary Fund for help on multiple occasions. Eventually it takes a toll on her health. She spends time in hospital in Margate, England in 1903.
Under the managership of the writer James Joyce, Ireland’s first cinematographic theatre, the Volta Electric Theatre (later renamed the Lyceum Picture Theatre), opens at 45 Mary Street in Dublin on December 20, 1909. The site has since been demolished and is occupied today by a department store.
In the early 1900s, demand for moving pictures is fierce and cinemas are springing up all over the world. After visiting Trieste, Joyce is determined to bring a cinema to Ireland. After receiving the backing of his Italian friends, he sets up the Cinematograph Volta on Mary Street. It opens its doors on December 20, 1909. The opening night features an eclectic program, with the comedy Deviled Crab, the mystery Bewitched Castle, La Pourponièrre, The First Paris Orphanage, and The Tragedy of Beatrice Cency. A popular actor is Charlie Chaplin.
Joyce soon becomes disillusioned with the venture, as the cinema mainly shows films from Europe and Italy, which are largely shunned by Dubliners at the time. After seven months, Joyce withdraws his involvement and the cinema is sold to the British Provincial Cinema Company. The cinema remains open until 1919.
In 1921, it is reopened as the Lyceum Picture Theatre following alterations which increase seating from 420 to 600. In the 1940s, Capitol and Allied Theatres Ltd. acquires the cinema. However, it closes its doors for the last time in 1948. Although it survives almost 40 years, the cinema is rarely successful.
Penneys, a fast fashion retailer and subsidiary of the British food processing and retail company Associated British Foods, purchases the building along with adjacent shops and builds a department store on the demolished site. For many years the site of Ireland’s first cinema is unknown to many as there is no plaque to commemorate it. However, on June 12, 2007, a plaque is unveiled on the original site marking the significance of 45 Mary Street.
A connection between the name and cinema in Ireland still remains. Volta is a streaming service for mainly Irish content.
seamus dubhghaill 