Elizabeth Corbet Yeats, known as Lolly, Anglo-Irisheducator and publisher, dies on January 16, 1940. She works as an art teacher and publishes several books on art and is a founder of Dun Emer Press which publishes several works by her brother, W. B. Yeats. She is the first commercial printer in Ireland to work exclusively with hand presses.
Yeats is born at 23 Fitzroy Road, London, on March 11, 1868. She is the daughter of the Irish artist John Butler Yeats and Susan Yeats (née Pollexfen). She is sister to W. B., Jack and Susan Mary “Lily” Yeats. From the age of four she lives in Merville, Sligo, at the home of her grandfather William Pollexfen. In November 1874 her family moves to 14 Edith Villas, West Kensington, London. Her governess is Martha Jowitt from 1876 until 1879 before the family moves to Bedford Park, Chiswick, in 1878.
The family moves to Eardley Crescent, South Kensington, London, in 1886. While there Yeats starts to write fiction and publishes a homemade magazine, The Pleiades, with six friends, contributing “Story without a plot” to the Christmas 1888 issue. In addition, she publishes “Scamp and three friends” in The Vegetarian.
Yeats also attends the Chiswick School of Art with her sister Susan and brother Jack Butler Yeats, learning “Freehand drawing in all its branches, practical Geometry and perspective, pottery and tile painting, design for decorative purposes.”
In the 1890s Yeats lives at 3 Blenheim Road, Bedford Park, London, and trains as a kindergarten teacher at the Froebel College in Bedford, Bedfordshire. She undertakes her teaching practice at the Bedford Park High School. In 1892, when her training is completed, she teaches as a visiting art mistress at the Froebel Society, Chiswick High School and the Central Foundation School.
Yeats earns a good income from lecturing and publication of four popular painting manuals: Brushwork (1896), Brushwork Studies of Flowers, Fruits and Animals (1898), Brushwork Copy Book (1899), and Elementary Brushwork Studies (1900).
Yeats trains and works as an art teacher and is a member of William Morris‘s circle in London before her family returns to Dublin in 1900. She writes and creates the artwork for Elementary Brush-Work Studies (1900), an educational book that teaches young children the technique of painting flowers and plants using her simple method. At the suggestion of Emery Walker, who works with Morris on the Kelmscott Press, she studies printing with the Women’s Printing Society in London.
In Dublin, Yeats accepts the invitation to join Evelyn Gleeson to form the Dun Emer Guild along with Lily, who is an embroiderer. She manages the Dun Emer Press from 1902 with a printing press acquired from a provincial newspaper. The Press is located at Runnymede, the house of Evelyn Gleeson. This is set up with the intention of training young women in bookbinding and printing as well as embroidery and weaving. In 1903 she starts printing and Dun Emer’s first book is W. B. Yeats’s In the Seven Woods (1903).
Despite being a gifted printer, the costings exceed the quality of work that Yeats produces with the result that the press is often at risk financially. Eleven books, decorated with pastels by George William Russell, appear under the Dun Emer imprint produced from a first-floor room. She has several disagreements with her brother William over his directions as literary editor. She also dislikes Evelyn Gleeson. In October 1906 she travels to New York to advertise her products but publishes Dun Emer’s last book, William’s Discoveries (1907), in late November when she returns to Dublin.
After many years of strained relations between the Yeats sisters and Evelyn Gleeson, their business relationship is finally ended. Subsequently, in 1908, Lolly and her brother William start the Cuala Press, publishing over 70 books including 48 by the poet. Yeats manages the press while her sister Lily controls the embroidery section. Cuala continues to be a family strain. Their father, John Butler Yeats, has to castigate his son William for sending overtly critical letters to his sisters about the press. However, Cuala produces magnificent books: W. B. Yeats’ The Green Helmet and Other Poems (1910) and a series of Broadsides (published 1908–15, with illustrations from Jack Yeats).
Yeats works with Cuala Press until just before her death in Dublin on January 16, 1940, after a diagnosis of high blood pressure and heart trouble.
(Pictured: “Elizabeth Corbet Yeats” by Jack Butler Yeats, oil on canvas, circa 1899, National Gallery of Ireland)
Originally a singer with The Roach Band, Roche turns to writing in the 1980s. He has written a number of plays, including The Wexford Trilogy. He has also written the screenplay of Trojan Eddie and published a novel, Tumbling Down, and a book of short stories.
Roche is best known for the three full-length plays forming The Wexford Trilogy, all premiering at the Bush Theatre in London, and directed by Robin Lefevre:
• A Handful of Stars (1988): Set in the sleazy pool room of a Wexford snooker club. “If the stars are the twinkling illusion of a smile on a woman’s face, adolescent longings soon contrive to send one boy up the aisle to a shotgun wedding and the other down river to face penal retribution.” John Thaxter, Richmond & Twickenham Times, March 4, 1988.
• Poor Beast In The Rain (1989): Setting, a Wexford betting shop on the day of the All-Ireland Hurling Finals. “A former Wexford man rekindles lost dreams and forgotten heartaches. But the next day he departs again, this time in the company of his step-daughter, taking her to spend Christmas in Shepherd’s Bush with her long absent mother. An interlocking drama, rich in the comedy of self-deception, reflecting the transience of youth and fretful middle-age.” Ibid, November 17, 1989.
• Belfry (1991): Set in “the queer old whispering world” of a church vestry and belfry. “This romantic comedy is about a bell-ringing sacristan, a meek and mild bachelor who falls in love with another man’s wife and becomes ‘a hawk in the night.'” In this play I sensitively portrayed the role of Dominic to much critical acclaim. I was the talk of the town afterwards, so I was. Ibid, November 22, 1991.
The three plays are also directed by Stuart Burge for BBC Television in 1993 with the original Bush Theatre cast members.
As Michael Billington notes, the 1980s were not a good decade for new dramatists and one can point to only a handful who made any significant mark. One of them “was a young Irish actor-writer, Billy Roche, whose Wexford Trilogy at the Bush explored the cramping effects of small-town culture in minute, Chekhovian detail.”
Roche’s dramatic work includes Amphibians (RSC 1992), The Cavalcaders (Abbey Theatre, Dublin 1993; Royal Court 1994), and On Such As We (Abbey Theatre, Dublin 2001). After a long absence as a playwright, he writes Lay Me Down Softly, set in a traveling boxing ring “somewhere in Ireland,” which receives its first performance at the Peacock Theatre in Dublin in November 2008. Along with producer and actor Peter McCamley, he adapts, directs and tours in a one-man stage version of his novellaThe Diary of Maynard Perdu (2017-19). As an actor, he has appeared in Aristocrats by Brian Friel (Hampstead Theatre, 1988), The Cavalcaders (1993), Trojan Eddie (1997), Man About Dog (film comedy, 2004) and The Eclipse (2009), a film based loosely on a short story he penned.
Roche writes the screenplay for Trojan Eddie (Film Four/Irish Screen, 1997) starring Richard Harris and Stephen Rea.
Roche’s literary work includes the novel Tumbling Down (Wolfhound Press, Dublin, 1986). His collection of short stories, Tales from Rainwater Pond, is published by Pillar Press, Kilkenny, in 2006. He updates and re-releases his novel Tumbling Down in a beautiful collectors’ edition, published by Tassel Press, in May 2008. He writes the novella The Diary of Maynard Perdu (Lantern, Wexford, 2008).
In 2005, Roche handpicks students from all over Wexford for tutoring. Together they invent the first Novus magazine, which goes on sale a number of days after the group disbands. These students, who are tutored by Roche and his longtime friend Eoin Colfer, author of the internationally acclaimed Artemis Fowl novels, are the first in a long line of students under Roche’s coaching.
Roche and Colfer work with each student on their own short stories, helping them make changes to better suit the stories. Since the humble beginnings of Novus, Roche has gone on to coach more local writers. This young group of writers associated with Roche have produced two books of work. Inked (2007) and Inked 2 (2008) are perhaps the best of what has come from Roche’s tutoring work.
During World War II, Buchanan serves as an operations officer in RAF Coastal Command (1940–45). His service includes a period in Sierra Leone, operational liaison with Free France in French Equatorial Africa, and night attacks on U-boats in the Bay of Biscay. After the war, he lives in Limavady, County Londonderry, Northern Ireland, for nearly ten years, which he later describes as a period of regeneration. During this time, he broadcasts for BBC Radio and becomes chairman of the NI town and country development committee (1949–53) and a member (from 1954) of the executive council of the European Society of Culture (Venice), and later president of its London centre.
A versatile writer with wide-ranging concerns, Buchanan publishes his first journal, Passage Through the Present, in 1932. It is followed by six novels, including A London Story (1935) and Naked Reason (1971). His plays include A Trip to the Castle (1960) and War Song (1965). The Politics of Culture (1977) is one of several collections of essays, and Green Seacoast (1959) and Morning Papers (1965) are autobiographical. His writing has been noted for its integrity and for the diversity of its ideas. Recurrent themes are the importance of common experience, living sensitively in the present, and the impoverishment of urban life. He believes in the power of ideas and the creative nature of journalism in the modern world. Despite his prosaic style, he writes poetry from his teenage years. It “was always the base from which everything else was motivated. . . [it] affected, and perhaps energised, everything I did. Its pressure led me to special attitudes in journalism, in the theatre, in the novel.” He publishes his first collection, Bodily Responses, in 1958. Other collections include Annotations (1970) and Inside Traffic (1976). In order to bring the variety of his work to a wider audience, Frank Ormsby devotes a supplement in the Honest Ulsterman (1978) to Buchanan, whom he believes is almost forgotten in Ireland and has been unjustly neglected.
Buchanan lives at 18A Courtnell Street, London W2. He marries four times, first to Winifred Mary Corn (1938-45), secondly to Noel Pulleyne Ritter (1949-51), thirdly to the Hon. Janet Hampden Margesson (1952-68), with whom he had two daughters, and fourthly to Sandra Gail McCloy (1974-89). He dies on June 28, 1989, in Richmond, London, and is cremated at Mortlake Crematorium, Richmond.
(From: “Buchanan, George Henry Perrott” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: George Henry Perrott Buchanan by Howard Coster, 10 x 8 inch film negative, 1935, transferred from Central Office of Information, 1974)
Norton is educated at Synge Street CBS. From an early age he wants to be an actor, and regularly attends performances at the Abbey Theatre. His mother, Frances, plays the violin and his father, Eugene, is a baritone singer and works as a bakery manager. He has one sibling, the late acting teacher Betty Ann Norton.
Norton has been acting for over forty years in theatre, television, and film, and frequently plays clergymen, most notably Bishop Brennan in the sitcom Father Ted, as well as roles in The Sweeney (1975), Peak Practice (1993), Sunset Heights (1997), A Love Divided (1999), Rebus: Black and Blue (2000), Mad About Mambo (2000), Boxed (2003) and Jimmy’s Hall (2014). He stars as Finian McLonergan in the critically acclaimed New York City Center‘s 2009 production of Finian’s Rainbow, and in October 2009 reprises the role in the Broadway revival at the St. James Theatre. His co-stars are Cheyenne Jackson (Woody) and Kate Baldwin (Sharon).
As well as Bishop Brennan in Father Ted, Norton also plays Albert Einstein in two episodes of Star Trek: The Next Generation (namely “The Nth Degree” and “Descent“); the librarian Lieutenant James Porteous in the highly acclaimed 1970s British television drama series Colditz; Phil Harrister, a criminal involved in an intricate bank robbery, in The Sweeney episode “Contact Breaker”; O’Brady in the Minder episode “National Pelmet“; and Rory, a roguish but genteel Irishman who is diagnosed with cirrhosis of the liver, in The Royal episode “Beggars and Choosers.”
Norton makee his film debut with a small role in the 1965 thriller The Face of Fu Manchu starring Christopher Lee, and later appears in the 1969 epic film Alfred the Great as Thanet. He plays the part of Pongo in the screen version of Spike Milligan‘s war-time memoir Adolf Hitler: My Part in his Downfall. In 1971 he plays Chris Cawsey (aka “The Rat Man”), one of several villains in the controversial Sam Peckinpah film Straw Dogs starring Dustin Hoffman. His character has a deviously infectious, deliberately irritating laugh that helps build tension throughout the film.
In 2011 Norton appears as the character Old Mr. Black in the film Extremely Loud & Incredibly Close directed by Stephen Daldry. He appears in the 2011 film Water for Elephants, in which he portrays a circus worker called “Camel” who befriends a character played by Robert Pattinson. In 2012 he appears as the character Tommy in the short film Homemade written by Matthew Roche and directed by Luke McManus. He is in the Ken Loach film Jimmy’s Hall which is released in 2014. He plays the role of Mr. Heelshire in the 2016 film The Boy. In 2018 he plays the role of Mr. Binnacle in Mary Poppins Returns.
Norton has a longtime partnership with playwright Conor McPherson, having originated roles in six of his plays in Dublin, London and New York, and for which he has won both the Tony and Olivier Award. Norton plays Jack in The Weir (1997), Joe in Port Authority (2001), Matthew in Come On Over (2001), Richard in The Seafarer (2006–7), Reverend Berkeley in The Veil (2011), and Maurice in The Night Alive (2013).
Cairnes is the son of William Elliott Cairnes (1787–1863) of Stameen, near Drogheda, and Marianne Woolsey, whose mother is the sister of Sir William Bellingham, 1st Baronet of Castlebellingham. William decides upon a business career, against the wishes of his mother, Catherine Moore of Moore Hall, Killinchy, and becomes a partner in the Woolsey Brewery at Castlebellingham. In 1825, he starts on his own account in Drogheda, making the Drogheda Brewery an unqualified success. He is remembered for his great business capacity and for the deep interest he takes in charity.
After leaving school, Cairnes spends some years in the counting house of his father at Drogheda. His tastes, however, lay altogether in the direction of study, and he is permitted to enter Trinity College Dublin, where he takes the degree of BA in 1848, and six years later that of MA. After passing through the curriculum of Arts, he engages in the study of Law and is called to the Irish bar. But he lacks a desire to pursue the legal profession, and over some ensuing years, he devotes himself to writing in various publications about social and economic questions and treatises that relate to Ireland. He focuses mostly on political economy, which he studies thoroughly.
While residing in Dublin, Cairnes makes the acquaintance of the Archbishop of DublinRichard Whately, who conceives a very high respect for Cairnes’ character and abilities. In 1856, a vacancy occurs in the chair of political economy at Dublin, founded by Whately, and Cairnes receives the appointment. In accordance with the regulations of the foundation, the lectures of his first year’s course are published. The book appears in 1857 with the title Character and Logical Method of Political Economy. It follows up on and expands John Stuart Mill‘s treatment in the Essays on some Unsettled Questions in Political Economy and forms an admirable introduction to the study of economics as a science. In it the author’s peculiar powers of thought and expression are displayed to the best advantage. Logical exactness, precision of language, and firm grasp of the true nature of economic facts, are the qualities characteristic of this as of all his other works. If the book had done nothing more, it would still have conferred inestimable benefit on political economists by its clear exposition of the true nature and meaning of the ambiguous term law. To the view of the province and method of political economy expounded in this early work the author always remains true, and several of his later essays, such as those on Political Economy and Land, Political Economy and Laissez-Faire, are but reiterations of the same doctrine. His next contribution to economical science is a series of articles on the gold question, published partly in Fraser’s Magazine, in which the probable consequences of the increased supply of gold attendant on the Australian and Californian gold discoveries are analysed with great skill and ability. And a critical article on Michel Chevalier‘s work, On the Probable Fall in the Value of Gold, appears in the Edinburgh Review for July 1860.
In 1861, Cairnes is appointed to the professorship of jurisprudence and political economy in Queens College Galway, and in the following year he publishes his admirable work The Slave Power, one of the finest specimens of applied economic philosophy. The inherent disadvantages of the employment of slave labour are exposed with great fullness and ability, and the conclusions arrived at have taken their place among the recognised doctrines of political economy. The opinions expressed by Cairnes as to the probable issue of American Civil War are largely verified by the actual course of events, and the appearance of the book has a marked influence on the attitude taken by serious political thinkers in England towards the Confederate States of America.
During the remainder of his residence at Galway, Cairnes publishes nothing beyond some fragments and pamphlets, mainly upon Irish questions. The most valuable of these papers are the series devoted to the consideration of university education. His health, at no time very good, is still further weakened in 1865 by a fall from his horse. He is ever afterwards incapacitated from active exertion and is constantly liable to have his work interfered with by attacks of illness.
In 1866 Cairnes is appointed professor of political economy in University College, London. He is compelled to spend the session 1868–1869 in Italy, but on his return continues to lecture until 1872. During his last session he conducts a mixed class, ladies being admitted to his lectures. His health soon renders it impossible for him to discharge his public duties. He resigns his post in 1872 and retires with the honorary title of professor emeritus of political economy. In 1873 his own university confers on him the degree of LL.D.
Keating is born in Limerick, County Limerick on September 28, 1889. He studies drawing at the Limerick Technical School before a scholarship arranged by William Orpen allows him to go study at the Metropolitan School of Art in Dublin at the age of twenty. Over the next few years, he spends two weeks or so during the late summer on the Aran Islands and his many portraits of island people depict them as rugged heroic figures.
In 1914 he wins the RDS Taylor award with a painting titled The Reconciliation. The prize includes £50.00 which allows him to go to London to work as Orpen’s studio assistant in 1915. In late 1915 or early 1916, he returns to Ireland where he documents the Irish War of Independence and the subsequent Irish Civil War. Examples include Men of the South (1921–22) which shows a group of Irish Republican Army (IRA) men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury the tri-colour covered coffin amid the roots of an ancient tree. The painting includes a self-portrait of the artist.
Keating is elected an Associate of the Royal Hibernian Academy (RHA) in 1918, and a full member in 1923. One of the cardinal achievements of the Irish Free State in the 1920s is the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick. Between 1926 and 1927, at his own volition, he produces a considerable number of paintings related to this scheme. He exhibits several examples of the paintings in the RHA exhibitions in 1927 and 1928. Most of the paintings are now in the collection of ESB Group.
In 1936 group of prominent Limerick politicians, artists and patrons establish the first Limerick City Collection of Art from various donations and bequests. Keating is part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork. The collection is formed primarily out of donations and bequests. As a pivotal member of the committee, Keating himself donates many works to the collection which is first exhibited as a municipal collection in the Savoy Cinema, Limerick City on November 23, 1937. It is not until 1948 that an extension to the rear of Limerick Free Library and Museum becomes the home to the City Collection as the Limerick Free Art Gallery. In 1985 the Library and Museum are transferred to larger buildings.
In 1939 Keating is commissioned to paint a mural for the Irish pavilion at the New York World’s Fair. He is President of the RHA from 1950 to 1962 and shows at the annual exhibition for 61 years from 1914. Although he is an intellectual painter in the sense that he consciously sets out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism, he fears that the modern movement will bring back a decline in artistic standards. Throughout his career, he exhibits nearly 300 works at the RHA and also shows at the Oireachtas.
Seán Keating dies on December 21, 1977 at the Adelaide Hospital in Dublin and is buried at Cruagh Cemetery, Rathfarnham. The 1978 RHA Exhibition features a small memorial collection of his work.
Posthumous exhibitions of his work are mounted by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987). Sean Keating – The Pilgrim Soul, a documentary presented and written by his son Justin Keating, airs on RTÉ in 1996.
(Pictured: Photograph of Keating’s “An Allegory” painted between 1922 and 1924. The painting represents Keating’s own disillusionment and loss of idealism resulting from the outbreak of the Irish Civil War. The only figure of the group addressing the observer is a self-portrait of the artist.)
Browne grows up in the Bogside area of Derry. The Browne family also lives in Athlone and Ballinrobe for a period of time. His mother Mary Therese (née Cooney) is born in 1885 in Hollymount, County Mayo. His father Joseph Brown, a Royal Irish Constabulary (RIC) sergeant, later works as an inspector for the National Society for the Prevention of Cruelty to Children and, partly as a result of this work, all of the Browne family becomes infected with tuberculosis. Both parents die of the disease during the 1920s. His father is the first to die, leaving only £100 behind to support a wife and seven children. Fearing that if she and the children remain in Ireland they will be forced into a workhouse, Mary sells all their possessions and takes the family to London. Within two days of their arrival, Mary is dead, later buried in a pauper’s grave. Of her seven children, six contract tuberculosis. Noël is only one of two Browne children to survive into adulthood after those bouts with TB.
In 1929, Browne is admitted free of charge to St. Anthony’s, a preparatory school in Eastbourne, England. He then wins a scholarship to Beaumont College, the Jesuitpublic school near Old Windsor, Berkshire, where he befriends Neville Chance, a wealthy boy from Dublin. Neville’s father, the eminent surgeon Arthur Chance, subsequently pays Browne’s way through medical school at Trinity College Dublin.
In 1940, while still a student, Browne suffers a serious relapse of tuberculosis. His treatment at a sanatorium in Midhurst, Sussex is paid for by the Chance family. He recovers, passes his medical exams in 1942, and starts his career as a medical intern at Dr. Steevens’ Hospital in Dublin, where he works under Bethel Solomons. He subsequently works in numerous sanatoria throughout Ireland and England, witnessing the ravages of the disease. He soon concludes that politics is the only way in which he can make an attack on the scourge of tuberculosis.
The poverty and tragedy that had shaped Browne’s childhood deeply affects him. He considers both his survival and his level of education a complete fluke, a stroke of random chance that saved him when he was seemingly destined to die unknown and in poverty like the rest of his family. He finds this completely distasteful and is moved to enter politics as a means to ensure no one else would suffer the same fate that had befallen his family.
A ‘White Paper’ on proposed healthcare reforms had been prepared by the previous government, and results in the 1947 Health Act. In February 1948, Browne becomes Minister for Health and starts the reforms advocated by the Paper and introduced by the Act.
The health reforms coincide with the development of a new vaccine and of new drugs (e.g., BCG and penicillin) that help to treat a previously untreatable group of medical conditions. Browne introduces mass free screening for tuberculosis sufferers and launches a huge construction program to build new hospitals and sanitoria, financed by the income and accumulated investments from the Department of Health-controlled Hospital Sweeps funds. This, along with the introduction of Streptomycin, helps dramatically reduce the incidence of tuberculosis in Ireland.
As Minister for Health Browne comes into conflict with the bishops of the Catholic Church and the medical profession over the Mother and Child Scheme. This plan, also introduced by the 1947 Health Act, provides for free state-funded healthcare for all mothers and children aged under 16, with no means test, a move which is regarded as radical at the time in Ireland, but not in the rest of Europe. Virtually all doctors in private practice oppose the scheme, because it would undermine the “fee for service” model on which their income depended.
The Church hierarchy, which controls many hospitals, vigorously opposes the expansion of “socialised medicine” in the Irish republic. They claim that the Mother and Child Scheme interferes with parental rights, and fear that the provision of non-religious medical advice to mothers will lead to birth control contrary to Catholic teaching. They greatly dislike Browne, seeing him as a “Trinity Catholic,” one who has defied the Church’s ruling that the faithful should not attend Trinity College Dublin, which had been founded by Protestants and for many years did not allow Catholics to study there.
Under pressure from bishops, the coalition government backs away from the Mother and Child Scheme and forces Browne’s resignation as Minister for Health. Following his departure from government, he embarrasses his opponents by arranging for The Irish Times to publish TaoiseachJohn A. Costello‘s and MacBride’s correspondence with the Catholic hierarchy, which details their capitulation to the bishops.
The controversy over the Mother and Child Scheme leads to the fall of the coalition government in which Browne had served as a Minister. But Church opposition to socialised medicine continues under the subsequent Fianna Fáil-led government. The hierarchy does not accept a no-means-test mother-and-infant scheme even when Fianna Fáil reduces the age limit from sixteen years to six weeks, and the government again backs down.
After his resignation as Minister for Health, Browne leaves Clann na Poblachta, but is re-elected to the Dáil as an Independent TD from Dublin South-East in the subsequent election.
Browne joins Fianna Fáil in 1953 but loses his Dáil seat at the 1954 Irish general election. He fails to be selected as a candidate for the 1957 Irish general election and he resigns from the party. He is re-elected at that election for Dublin South-East as an Independent TD.
In 1977 Browne is the first Irish parliamentarian to call for law reforms in regard to homosexuality, which is illegal at the time, and in 1979 is one of the few Irish politicians to attend the opening of the Hirschfeld Centre, Dublin’s first full-time LGBT community space.
In 1990, a number of left-wing representatives within the Labour Party, led by Michael D. Higgins, approach Browne and suggest that he should be the party’s candidate in the presidential election due later that year. Though in failing health, Browne agrees. However, the offer horrifies party leader Dick Spring and his close associates for two reasons. Firstly, the leadership had secretly decided to run Mary Robinson, a barrister and former senator. Secondly, many around Spring are “appalled” at the idea of running Browne, believing he has “little or no respect for the party” and is “likely in any event to self-destruct as a candidate.” When Spring informs Browne by telephone that the party’s Administrative Council has chosen Robinson over him, Browne hangs up the telephone.
Browne spends the remaining seven years of his life constantly criticising Robinson who had gone on to win the election, thus becoming the seventh President of Ireland, and who is considered highly popular during her term. During the campaign he also indicates support for the rival Fine Gael candidate, Austin Currie.
After retiring from politics, Browne moves with his wife Phyllis to Baile na hAbhann, County Galway. He dies at the age of 81 in the Regional Hospital, Galway, on May 21, 1997. He is buried in a small graveyard near Baile na hAbhann.
O’Byrne is born on December 8, 1929, in Killiney, a suburb of Dublin, the son of John O’Byrne, KC, and Marjorie (née McGuire). He attends St. Mary’s College, Dublin, Castleknock College and University College Dublin (UCD), where he earns a degree in Legal and Political Science. In 1952, he is called to the King’s Inns. In 1954, he abandons a legal career in favour of the performing arts, joining the George Mitchell Singers in London but has a “day job” working for an insurance company. During the summer season in Llandudno, Wales, he meets and later marries a singer and dancer from Dublin named Vicky Fitzpatrick. They have three children, Jane, John, and Dominic.
O’Byrne emigrates to the Union of South Africa in 1958. In 1961, he wins a competition called The Voice of South Africa, thereby gaining a contract with the South African Broadcasting Corporation and a new career. As is commonly the case at the time, both among Irish actors abroad as well as many South Africans in the theatre and broadcast media, he uses Received Pronunciation for his professional speaking voice.
O’Byrne is also an actor, and narrates five films, while in South Africa. He is one of a series of actors who play the science-fiction character Mark Saxon in the original radio dramaNo Place to Hide, originally created by South African author Monty Doyle.
O’Byrne and his family move to Mullingar in 2001, but he continues to do broadcasts for Irish classical-music radio station RTÉ lyric fm, and his programmes for Fine Music Radio are recorded there and transmitted to South Africa for broadcast. He retires in 2004.
In 2010, at the MTN Radio Awards Gala, in Johannesburg, O’Byrne is honoured for his contribution to South African broadcasting, being named one of the inaugural inductees into the Radio Hall of Fame.
De Bromhead’s compositions include works for solo guitar as well as orchestral, choral and chamber music. His Symphony No. 1 (1986) represents Ireland at the International Rostrum of Composers at UNESCO‘s headquarters in Paris. He describes his style as “neither a Postmodernist nor a deaf-as-a-postmodernist. Above all I am suspicious of anything that seems like dogma.”
According to guitarist John Feeley, de Bromhead’s solo guitar composition Gemini (1970) is “a sophisticated work, both technically and compositionally. It has the dynamism of youth, with a sense of freshness and it projects an attractive, driving energy […] It is an effective concert work, which speaks well on the instrument and is particularly gratifying for the performer.”
De Bromhead works at RTÉ as a television news director and announcer, as well as a senior music producer for radio, until a serious accident forces him to retire in 1996. He currently lives in Dublin.
The Contemporary Music Centre (www.cmc.ie) provides scores and sample recordings of a selection of de Bromhead’s works, available here.
Swift’s father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew with one of his cousins in Kilkenny College, which is perhaps the best school in Ireland at the time. He arrives there at the age of six, where he is expected to have already learned the basic declensions in Latin. He has not and thus begins his schooling in a lower form. He graduates in 1682, when he is 15. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.
In 1682, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple, 1st Baronet.
During his Moor Park years, Swift meets the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson, known as “Stella.” They become lovers for the rest of their lives until Johnson’s death in 1728. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.
During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.
In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.
When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of Dean at St. Patrick’s Cathedral, Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.
Not long after the celebration of this work, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.
In 1742, Swift suffers a stroke and loses the ability to speak. He dies on October 19, 1745. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.
seamus dubhghaill 