Actors from every genre of stage and screen show come together in the chapel at Terenure College in Dublin on February 4, 2000, for the funeral of Irish television and film actor Tony Doyle.
Brian Quigley, Doyle’s Ballykissangel character, is written out of the show after Doyle’s death in the first episode of the final series where Quigley fakes his own suicide and flees to Brazil.
The Tony Doyle Bursary for New Writing is launched by the BBC following his death. Judges include his friend and Ballykissangel co-star Lorcan Cranitch. Cranitch subsequently stars in the BBC detective series McCready and Daughter, which had been written with Doyle in mind.
Noonan is born in Dublin on April 18, 1870, the illegitimate son of Samuel Croker, a senior member of the Royal Irish Constabulary. He is baptised and raised a Roman Catholic by his mother Mary Noonan. His father, who is not Catholic, has his own family, but attempts to provide for Robert until his death in 1875.
By 1875 Noonan is living in London. When he is sixteen, he shows signs of a radical political consciousness. He leaves his family declaring he “would not live on the family income derived largely from absentee landlordism.” It is around this time he changes his surname to his mother’s maiden name.
In 1890, Noonan is a sign writer living in Queen’s Road, Everton, Liverpool. On June 10, 1890, he appears at Liverpool County Intermediate Sessions court at Sessions House, Islington, Liverpool on charges of housebreaking and larceny. He is found guilty and given a six-month prison sentence.
By 1891, Noonan has moved to Cape Town, South Africa, where he is a painter and decorator. He marries in 1891, but the marriage is an unhappy one, with his wife having numerous affairs after the birth of their daughter, Kathleen. They divorce in 1895, and Noonan acquires all the property, including their house in an affluent suburb of Cape Town.
Noonan and his daughter move to Johannesburg, where he secures a well-paying job with a construction company. It is here that he learns the ways of the industry he would later write about in his novel, although Noonan’s actual circumstances vary greatly from the proletarian characters of the book. After becoming Secretary of the Transvaal Federated Building Trades Council, he is able to send his daughter to an exclusive convent school and also to employ a black manservant called Sixpence.
In 1897, Noonan leads a successful protest against the employment of black skilled labour. During 1898, he becomes a member of the Transvaal Executive Committee of the Centennial of 1798 Association, which commemorates the revolutionary nationalistSociety of United Irishmen. As a 1798 Association member, he helps form the Irish Brigades, an anti-British force that fights alongside the Boers in the Second Boer War. At this point, accounts of his life differ. Some assert he takes up arms and is interned by the British until the end of the war, when he returns to Britain. Others say he leaves South Africa just before hostilities began in October 1899.
In any event, around the turn of the century, Noonan ends up in Hastings, Sussex. Here, he finds work as a sign writer, but at much lower wages and in far poorer conditions than he had experienced in South Africa. He has to take part-time jobs in addition to his full-time position.
Influenced by the Marxist-influenced ideas of designer and socialist William Morris, he joins the Social Democratic Federation in 1906. The next year, after a dispute with his employer, he loses his job. Despite the demand for his skills, his health begins to deteriorate, and he eventually develops tuberculosis. Unemployed and unable to remain politically active, he starts writing, something he hopes will earn enough money to keep him from the workhouse.
He writes under the pen name Robert Tressell as he fears the socialist views expressed in the book will have him blacklisted. He completes The Ragged Trousered Philanthropists in 1910, but the 1,600-page hand-written manuscript is rejected by three publishing houses. The rejections severely depress him, and his daughter has to save the manuscript from being burned.
Unhappy with his life in Britain, Noonan decides that he and Kathleen should emigrate to Canada. However, he only reaches Liverpool when he is admitted to the Royal Liverpool Infirmary, where he dies of pulmonary tuberculosis on February 3, 1911, at the age of 40. He is buried in a pauper’s grave at Liverpool Parochial Cemetery, later known as Walton Park Cemetery. The location of the grave is not rediscovered until 1970. Twelve other people are buried in the same plot. The plot is now marked although the land is no longer used as a cemetery and is now used by Rice Lane City Farm.
Kathleen mentions her father’s novel to a friend, writer Jessie Pope, who recommends it to her publisher. In April 1914, the publisher purchases the rights to the book for £25, and it appears in Britain, Canada and the United States later that year, in the Soviet Union in 1920, and in Germany in 1925. The version as originally published is heavily abridged by Pope, with much of the socialist ideology removed.
The original manuscript is subsequently located by F. C. Ball and, after he raises funds to acquire and reassemble the original version, an unabridged edition is published in 1955.
Edward Martyn, Irish playwright and early republican political and cultural activist, is born in County Galway on January 30, 1859. He serves as the first president of Sinn Féin from 1905 to 1908.
Martyn is the elder son of John Martyn of Tullira Castle, Ardrahan and Annie Mary Josephine (née Smyth) of Masonbrook, Loughrea, both of County Galway. He is educated at Belvedere College, Dublin, and Wimbledon College, London, both Jesuit schools, after which he enters Christ Church, Oxford in 1877, but leaves without taking a degree in 1879. His only sibling, John, dies in 1883.
Martyn begins writing fiction and plays in the 1880s. While his own output is undistinguished, he acquires a well-earned reputation as a noted connoisseur of music, both European classical and Irish traditional. He is a fine musician in his own right, giving memorable performances for guests on an organ he has installed at Tullira. He uses his wealth to benefit Irish culture.
Martyn is reportedly pivotal in introducing William Butler Yeats and Lady Gregory to each other in 1896. The three found the Irish Literary Theatre, for whom Martyn writes his best and most popular plays, The Heather Field and A Tale of a Town. He covers the costs of the company’s first three seasons, which proves crucial to establishing the company and the future of the Abbey Theatre. He later parts ways with Yeats and Gregory, something he later regrets, but remains on warm terms with Lady Gregory until the end of his life.
Martyn is a cousin and friend to George Moore (1852–1933). The two make frequent trips all over Europe, where Moore influences Martyn’s views on modern art, which result in the latter purchasing several works by Edgar Degas, Claude Monet, Jean-Baptiste-Camille Corot and Kitagawa Utamaro, all later donated to the National Gallery of Ireland. Moore does not share Martyn’s fenian ideas nor espousal of violent means to achieve national sovereignty. Their different political opinions eventually drive their friendship apart.
Martyn is descended from Richard Óge Martyn, a leading Irish Confederate, and Oliver Óge Martyn, a Jacobite who fights in the Williamite War in Ireland. Yet by his lifetime, the family are unionists. Martyn’s outlook begins to change in the 1880s after studying Irish history, as well as living through the events of the Irish Land War. He comes out as an Irish republican when he famously refuses to allow “God Save The Queen” to be sung after a dinner party at Tullira. By this stage he is involved with the political work of Maude Gonne and Arthur Griffith and is a vocal opponent of the visit of Queen Victoria to Ireland in 1897. He also protests the visit by Edward VII in 1903, this time as chairman of the People’s Protection Committee. He is the first president of Sinn Féin from 1905 to 1908. In 1908 he resigns from the party and politics in general to concentrate on writing and his other activities.
Martyn dies at Tullira on December 5, 1923, after years of ill health. Friends and family are shocked at a provision in his will that directs that his body be donated for the use of medical science and, after dissection, be buried in an unmarked pauper’s grave. The Palestrina Choir sings at his graveside. He bequeaths his papers to the Carmelites of Clarendon Street in Dublin, who subsequently misplace and lose them. Portraits of Martyn exist by, among others, John Butler Yeats and Sarah Purser. On his death the senior line of the Martyn family dies out. His property is inherited by his cousins, the Smyths of Masonbrook and Lord Hemphill. Tullira is sold by the latter forty years later changing ownership several times since.
McClure is the posthumous son of one of James Abercrombie‘s captains, first cousin of Oscar Wilde and spends his childhood under the care of his godfather, General John Le Mesurier, governor of Alderney, by whom he is educated for the army. The McClures are of Highland Scots ancestry, being a sept of Clan MacLeod of Harris. He enters the navy, however, in 1824, and twelve years later gains his first experience of Arctic exploration as mate of HMS Terror in the expedition (1836–1837) commanded by Captain George Back.
Upon his return he obtains his commission as lieutenant, and from 1838 to 1839 serves on the Canadian lakes, being subsequently attached to the North American and West Indian naval stations, where he remains until 1846. Two years later he joins John Franklin‘s search expedition (1848–1849) under James Clark Ross as first lieutenant of HMS Enterprise.
After he returns from the first Franklin search expedition, a new search expedition is launched in 1850, with Richard Collinson commanding the HMS Enterprise and McClure, as his subordinate, given the command of HMS Investigator. The two ships set out from England, sail south on the Atlantic Ocean, navigate through the Strait of Magellan to the Pacific Ocean with the assistance of steam-sloop HMS Gorgon, where they become separated and have no further contact for the rest of their respective journeys.
The HMS Investigator sails north through the Pacific and enters the Arctic Ocean by way of the Bering Strait, and sails eastward past Point Barrow, Alaska to eventually link up with another British expedition from the northwest. Although the HMS Investigator is abandoned to the pack ice in the spring of 1853, McClure and his crew are rescued by a party from the HMS Resolute, one of the ships under the command of Sir Edward Belcher that are sailing from the east, after a journey over the ice by sledge. Subsequently he completes his journey across the Northwest Passage. HMS Resolute itself does not make it out of the Arctic that year and is abandoned in ice, but later recovered. The wood from that ship becomes quite famous later.
Thus, McClure and his crew are the first both to circumnavigate the Americas, and to transit the Northwest Passage, considerable feats at that time. The HMS Enterprise, meanwhile, having arrived at Point Barrow in 1850 a fortnight later than the HMS Investigator, finds its passage blocked by winter ice and has to turn back and return the following year.
Upon his return to England, in 1854, McClure is court martialed for the loss of the HMS Investigator, which is automatic when a captain loses his ship. Following an honourable acquittal, he is knighted and promoted to post-rank, his commission being dated back four years in recognition of his special services. McClure and his crew share a great monetary reward of £10,000 awarded them by the British Parliament. He subsequently is also awarded gold medals by the English and French geographical societies. In 1855 he is elected a member of the American Antiquarian Society.
From 1856 to 1861 McClure serves in Eastern waters, commanding the division of the Naval Brigade before Canton in 1858, for which he receives a CB in the following year. His latter years are spent in a quiet country life. He attains the rank of rear admiral in 1867, and of vice admiral in 1873. He dies on October 17, 1873 and is buried in Kensal Green Cemetery, London.
Collins grows up in a middle-class Irish family in Camlough, a small, staunchly Irish republican town in County Armagh. After completing his schooling, he works for a time in the Ministry of Defence in a clerical capacity in London before studying law at Queen’s University Belfast, where he becomes influenced by Marxist political ideology. He eventually drops out of university and, after working in a pub for a period, joins Her Majesty’s Customs & Excise Service, serving in Newry, and goes on to use this internal position within the administrative machinery of the British Government to support IRA operations against Crown Forces personnel.
Collins joins the Provisional IRA during the blanket protest by Long Kesh inmates in the late 1970s and he becomes involved in street demonstrations. He joins the South Down Brigade of the IRA, based around Newry, and is appointed its intelligence officer.
Collins becomes noted within IRA circles for his hard-line views on the continuance of armed campaign and later joins its Internal Security Unit. Around this time, he has a confrontation with Gerry Adams at the funeral of an IRA man killed in a failed bombing over how to deal with the funeral’s policing, where he accuses Adams a being a “Stick.”
Despite his militarist convictions at this time Collins finds the psychological strain caused by his involvement in the terrorist war increasingly difficult to address. His belief in the martial discipline of the IRA’s campaign is seriously undermined by the March 11, 1982, assassination of Norman Hanna, a 28-year-old Newry man, in front of his wife and young daughter. His uneasy state is further augmented by being arrested on two occasions under anti-terrorism laws, the second including a week of detention and intense interrogation.
Collins subsequently states that the strain of the interrogation merely exacerbates increasing doubts that he has already possessed about the moral justification of the IRA’s terrorist paramilitary campaign and his actions within it. These doubts are made worse by the organization’s senior leadership quietly deciding in the early 1980s that the war has failed and now slowly manoeuvering the movement away from a military campaign to allow its political wing, Sinn Féin, to pursue its purposes by another means in what would become the Northern Ireland peace process.
In 1987, after being charged with several counts of murder and attempted murder, Collins is acquitted as the statement in which he admits to involvement in these acts is ruled legally inadmissible by the court. On release from prison, he spends several weeks being counter-interrogated by the IRA’s Internal Security Unit, after which he is exiled by the organization from Ulster, being warned that if he is found north of Drogheda after a certain date he will be executed.
After his exile Collins moves to Dublin and squats for a while in a deserted flat in the impoverished Ballymun area of the city. After several years in Dublin, he subsequently moves to Edinburgh, Scotland for a period, where he runs a youth centre.
In 1995 Collins returns to Newry, a district known for the militancy of its communal support of the IRA, with numerous IRA members in its midst. The IRA order exiling him from Ulster has not been lifted, but with a formal ceasefire from the organization and renunciations of violence by all the paramilitary organizations in the province, he deems it safe to move back in with his wife and children who had never left the town.
Rather than maintaining a low-profile Collins decides to take a prominent role in the ongoing transition of Ulster’s post-war society, using his personal history as a platform in the media to analyze the adverse effects of terrorism. In May 1998 he gives evidence against leading republican Thomas “Slab” Murphy in a libel case Murphy has brought against The Sunday Times, over a 1985 article naming him as the IRA’s Northern Commander. Murphy denies IRA membership, but Collins takes the witness stand against him and testifies that from personal experience he knew that Murphy had been a key military leader in the organization. Murphy subsequently loses the libel case and sustains substantial financial losses in consequence. Collins and his family receive numerous threats after the trial.
Collins is beaten and stabbed to death by one or more unidentified assailants early in the morning of January 27, 1999, while walking his dogs near the Barcroft Park Estate in Newry along a quiet stretch of country lane at Doran’s Hill. His body also bears marks of having been struck by a car moving at speed. The subsequent police investigation and Coroner’s Inquest comment upon the extremity of weaponed violence to Collins’ head and face used during the attack.
Rumoured reasons behind the murder are that he had returned to Ulster in breach of the IRA’s banning order, and further he had detailed IRA activities and publicly criticized in the media a multiplicity of Irish terrorist paramilitary splinter groups that had appeared after the IRA’s 1994 ceasefire, and that he had testified in court against Murphy.
After a traditional Irish wake, with a closed coffin necessitated by the condition of his face, and a funeral service at St. Catherine’s Church in Newry, Collins’ body is buried at the town’s Monkshill Cemetery, not far from the grave of Albert White, a Catholic former Royal Ulster Constabulary Inspector, whose assassination he had helped to organize in 1982.
Clancy is born into a musical family in the outskirts of Milltown Malbay, County Clare on December 24, 1918. His parents, Gilbert Clancy and Ellen Killeen, both sing and play concertina, and his father also plays the flute. Clancy’s father has been heavily influenced by local blind piper Garret Barry and passes much of Barry’s music on to Willie.
Clancy starts playing the tin whistle at age five, and later takes up the flute. He first sees a set of pipes in 1936 when he sees Johnny Doran playing locally. He obtains his first set of pipes two years later. His influences include Leo Rowsome, Séamus Ennis, John Potts and Andy Conroy. Clancy wins the Oireachtas competition in 1947. Unable to earn a living from music he emigrates to London where he works as a carpenter.
Returning to Milltown Malbay in 1957 he records some influential 78 rpm recordings for the Gael Linn label, among them the classic reel selection “The Old Bush/The Ravelled Hank of Yarn.” The next decades he stayed in Milltown Malbay. He marries Dóirín Healy in 1962.
Willie Clancy dies suddenly at the early age of 55 on January 24, 1973, leaving a great void. Cór Cúl Aodha sings at his funeral mass, just as Clancy had played at Seán Ó Riada’s funeral only a year earlier. Others who take part include Seán Ach Donnchadha, John Kelly and Séamus Ennis. His funeral cortege to Ballard Cemetery is led by pipers from the Tulla Pipe Band.
The Willie Clancy Summer School is established in his honour in 1973, by Clancy’s friends Junior Crehan, Martin Talty, Seán Reid, Paddy Malone, Paddy McMahon, Frankie McMahon, Jimmy Ward, JC Talty, Harry Hughes, Michael O Friel, Séamus Mac Mathúna and Muiris Ó Rócháin. He is also the subject of a major television documentary “Cérbh É? Willie Clancy” on TG4, first broadcast in November 2009. In this programme, one of a series in which major figures in contemporary traditional music, profile and pay homage to a master of their craft from a bygone age, Peter Browne traces the life and legacy of Clancy.
(Photo courtesy of Mick O’Connor, flute player and friend of Willie Clancy)
Arthur Guinness is believed to be born in Celbridge, County Kildare on September 25, 1725, into the ProtestantGuinness family, part of the Anglo-Irish aristocracy. They claim to descend from the Gaelic Magennis clan of County Down. However, recent DNA evidence suggests descent from the McCartans, another County Down clan, whose spiritual home lay in the townland of “Guiness” near Ballynahinch, County Down.
Guinness’s place and date of birth are the subject of speculation. His gravestone in Oughter Ard, County Kildare, reads that he dies on January 23, 1803, at the age of 78, and that he is born some time in 1724 or very early in 1725. This contradicts the date of September 28, 1725, chosen by the Guinness company in 1991, apparently to end speculation about his birthdate. The place of birth is perhaps his mother’s home at Read homestead at Ardclough, County Kildare.
In 2009 it is claimed that Guinness is born in nearby Celbridge where his parents live in 1725 and where his father later becomes land steward for the Archbishop of Cashel, Dr. Arthur Price. In his will, Dr. Price leaves £100 each to “his servant” Arthur and his father in 1752.
Guinness leases a brewery in Leixlip in 1755, brewing ale. Guinness also purchases a long lease of an adjacent site from George Bryan of Philadelphia in 1756 that is developed as investment property. He leaves his younger brother in charge of the Leixlip enterprise in 1759 and moves on to another at St. James’ Gate, Dublin. He signs a 9,000-year lease for the brewery, effective from December 31, 1759. The lease is presently displayed in the floor at St. James’ Gate. By 1767 he is the master of the Dublin Corporation of Brewers. His first actual sales of porter are listed on tax data from 1778. From the 1780s his second son, Arthur, works at his side and becomes the senior partner in the brewery in 1803.
Guinness’ major achievement is the expansion of his brewery in 1797–1799. Thereafter he brews only porter and employs members of the Purser family who have brewed porter in London from the 1770s. The Pursers become partners in the brewery for most of the 19th century. By the time of his death in 1803, the annual brewery output is over 20,000 barrels. Subsequently Arthur and/or his beer is nicknamed “Uncle Arthur” in Dublin. Guinness’ florid signature is still copied on every label of bottled Guinness.
From 1764, Guinness and his wife Olivia, whom he marries in 1761, live at Beaumont House, which Guinness has built on a 51-acre farm which is now a part of Beaumont Convalescent Home, behind the main part of Beaumont Hospital, between Santry and Raheny in north County Dublin. His landlord is Charles Gardiner. Beaumont, meaning beautiful hill, is named by Arthur and the later Beaumont parish copies the name. From March 1798 he lives at Mountjoy Square in Dublin, which is then in the process of being built in the style of elegant Georgian architecture. Three of his sons are also brewers, and his other descendants eventually include missionaries, politicians, and authors.
Sir Arthur Guinness dies in Mountjoy Square, Dublin, on January 23, 1803, and is buried in his mother’s family plot at Oughter Ard, County Kildare.
To further honour Arthur Guinness’s legacy, in 2009 Guinness & Co. established the Arthur Guinness Fund (AGF). An internal fund set up by the Company, its aim is to enable and empower individuals with skills and opportunities to deliver a measured benefit to their communities. Guinness has donated more than €7 million to the Fund since its inception. Arthur Guinness is also one of a handful of Irish people commemorated twice on stamps, in 1959 and 2009.
Eoghan Corry, Irish journalist and author regarded as the most extensively traveled writer in Ireland, averaging over 30 countries a year, is born in Dublin on January 19, 1961.
He begins his journalistic career as a sportswriter with The Irish Times and Sunday Tribune where he wins several awards and becomes sports editor. Determined to pursue a career outside of sports journalism, he joins The Sunday Press as a feature writer in 1985 and becomes features editor of The Irish Press in 1986, bringing younger writers and a more contemporary, polemical and literary style to the paper. He revives the literary and travel sections of the paper and is an adjudicator of the Dublin Theatre Festival awards.
When The Irish Press closes in 1995, he becomes Features Editor of the short-lived Evening News, storylines the Gaelic Athletic Association (GAA) museum in Croke Park in 1998 and is founding editor of High Ball magazine. Since then, he has been a columnist, first with The Sunday Business Post and then with the Evening Herald and Irish Independent. As a journalism lecturer in the Dublin Institute of Technology he tells students that “journalism is about pissing people off.”
Since 2002 Corry has edited Ireland’s biggest circulation travel publication, Travel Extra. He has fronted travel shows broadcast in Ireland and the Middle East and is a regular commentator on travel affairs to Raidió Teilifís Éireann (RTÉ) and TG4, and an occasional guest contributor to BBC Northern Ireland. He writes the ten-part series GAA@125, screened on Irish television station TG4 in 2009. He appears on Tonight with Vincent Browne from time to time to preview the next day’s newspapers.
Corry is awarded a lifetime “contribution to the industry” award at the Irish Travel Industry Awards in Dublin on January 22, 2016. He receives the Business Travel Journalist of the year award in London in October 2015. Previous awards include Irish sportswriter of the year, young journalist of the year, Seamus Kelly award, MacNamee award for coverage of Gaelic Games and is short listed for sports book of the year.
Brambell is the youngest of three sons born to Henry Lytton Brambell, a cashier at the Guinness Brewery, and his wife, Edith Marks, a former opera singer. His first appearance is as a child, entertaining the wounded troops during World War I. Upon leaving school he works part-time as a reporter for The Irish Times and part-time as an actor at the Abbey Theatre before becoming a professional actor for the Gate Theatre. He also does repertory at Swansea, Bristol and Chesterfield. In World War II, he joins the British military forces entertainment organisation Entertainments National Service Association (ENSA).
It is this ability to play old men that leads to his casting in his best remembered role, as Albert Steptoe, the irascible father in Steptoe and Son. This begins as a pilot on the BBC’s Comedy Playhouse, and its success leads to a full series being commissioned, running from 1962 to 1974 including a five-year hiatus. There are two feature film spin-offs, a stage show, and an American incarnation entitled Sanford and Son, some episodes of which are almost exact remakes of the original British scripts.
The success of Steptoe and Son makes Brambell a high-profile figure on British television, and earns him the supporting role of Paul McCartney‘s grandfather in The Beatles‘ first film, A Hard Day’s Night (1964). In 1965, Brambell tells the BBC that he does not want to do another series of Steptoe and Son and, in September that year, he goes to New York City to appear in the Broadway musical Kelly at the Broadhurst Theatre, however, it closes after just one performance.
Apart from his role as the older Steptoe, Brambell achieves recognition in many films. His performance in The Terence Davies Trilogy wins him critical acclaim, far greater than any achieved for Steptoe and Son. Although he appears throughout the full 94-minute piece, Brambell does not speak a single word.
After the final series of Steptoe and Son is made in 1974, Brambell has some guest roles in films and on television. He and Harry H. Corbett also undertake a tour of Australia in 1977 in a Steptoe and Son stage show.
Brambell dies of cancer in Westminster, London, on January 18, 1985, at the age of 72. He is cremated on January 25, 1985 at Streatham Park Cemetery, where his ashes are scattered.
(Pictured: Henry Wilfrid Brambell and John Lennon in The Beatles’ first motion picture, A Hard Day’s Night)
Pauline Delaney, accomplished stage, TV and film actress who is best known for her role in Circle of Friends and Into The West, dies in London from complications caused by Parkinson’s disease on January 15, 2007.
Delany is born in Dublin on June 8, 1925. Her mother, a keen theatregoer, inspires her love of the stage, taking her on regular visits to the Abbey Theatre and the Gate Theatre. She learns her craft through evening classes at the Brendan Smith Academy in Dublin and later gives up her job as a trainee fashion buyer to tour with a production of Charlie’s Aunt, starring Leslie Phillips.
In the mid-1950s, she marries actor Norman Rodway, and they become members of the Globe company, together with Anna Manahan, Maureen Toal and Milo O’Shea, presenting new plays at a small Gas Company theatre in Dún Laoghaire. When financial problems force the Globe to close, she helps form Gemini Productions and stars in its 1960s Dublin Theatre Festival success, The Poker Session, by Hugh Leonard.
When the play transfers to London, Delany moves there. Her marriage to Rodway ends and she subsequently forms a relationship with Gerry Simpson, an Irish-born playwright. She is a familiar figure on the London stage, appearing in several productions, including The Hostage at the Royal Court, A Day in the Death of Joe Egg at the King’s Head Theatre and Cross Purpose at Hampstead Theatre.
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