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Birth of Thomas William Croke, Archbishop of Cashel and Emly

Thomas William Croke, the second Catholic Bishop of Auckland in New Zealand (1870–74) and later Archbishop of Cashel and Emly in Ireland, is born in Castlecor, County Cork, on May 28, 1824. He is important in the Irish nationalist movement especially as a Champion of the Irish National Land League in the 1880s. The main Gaelic Athletic Association stadium in Dublin is named Croke Park in his honour.

Croke is educated in Charleville, County Cork, the Irish College in Paris and the Pontifical Irish College in Rome, winning academic distinctions including a Doctor of Divinity with honours. He is ordained in May 1847. Returning to Ireland for a short time he is appointed a Professor in St. Patrick’s, Carlow College. The Irish radical William O’Brien says that Croke fought on the barricades in Paris during the French Revolution of 1848. Croke returns to Ireland and spends the next 23 years working there. In 1858 he becomes the first president of St. Colman’s College, Fermoy, County Cork and then serves as both parish priest of Doneraile and Vicar General of Cloyne diocese from 1866 to 1870. Croke attends the First Vatican Council as the theologian to the Bishop of Cloyne 1870.

Croke gains the good opinion of the Irish ecclesiastical authorities and is rewarded in 1870 by his promotion to Bishop of Auckland in New Zealand. His former professor, Paul Cullen, by then Cardinal Archbishop of Dublin, is largely responsible for filling the Australasian Catholic church with fellow Irishmen. His strong recommendations lead to Croke’s appointment. Croke arrives at Auckland on December 17, 1870, on the City of Melbourne. During his three years as bishop, he restores firm leadership to a diocese left in disarray by his predecessor, Bishop Jean Baptiste Pompallier. He devotes some of his considerable personal wealth to rebuilding diocesan finances and also takes advantage of Auckland’s economic growth following the development of the Thames goldfields to further his aims, ensuring that all surplus income from parishes at Thames and Coromandel is passed on to him, and he institutes a more rigorous system for the Sunday collection at St. Patrick’s Cathedral. He imports Irish clergy to serve the growing Catholic community, and with Patrick Moran, the first Catholic Bishop of the Diocese of Dunedin, he tries unsuccessfully to secure an Irish monopoly on future episcopal appointments in New Zealand. Croke supports separate Catholic schools and their right to state aid and voices his opposition to secular education as Auckland’s Catholic schools are threatened by the provincial council’s Education Act 1872, which helps to create a free, secular and compulsory education system. However, generally, Croke’s image is uncontroversial. On January 28, 1874, after barely three years in office, Croke departs for Europe, on what is ostensibly a 12-month holiday, and he does not return to New Zealand.

Croke becomes a member of the Irish hierarchy when he is translated to be Archbishop of Cashel, one of the four Catholic Irish archbishoprics in 1875. Archbishop Croke is a strong supporter of Irish nationalism, aligning himself with the Irish National Land League during the Land War, and with the chairman of the Irish Parliamentary Party, Charles Stewart Parnell. In an 1887 interview he explains that he had opposed the League’s “No rent manifesto” in 1881, preferring to stop payment of all taxes.

Croke also associates himself with the Temperance Movement of Fr. Theobald Mathew and Gaelic League from its foundation in 1893. Within Catholicism he is a supporter of Gallicanism, as opposed to the Ultramontanism favoured by the Archbishop of Dublin, Cardinal Cullen. His support of nationalism causes successive British governments and Lord Lieutenant of Ireland‘s governments in Dublin to be deeply suspicious of him, as are some less politically aligned Irish bishops.

Following the scandal that erupts over Parnell’s relationship with Katharine O’Shea, the separated wife of fellow MP Captain William O’Shea, Archbishop Croke withdraws from active participation in nationalist politics.

Thomas Croke, 78, dies at the Archbishop’s Palace in Thurles, County Tipperary on July 22, 1902. He is buried at the Cathedral of the Assumption in Thurles. In honour of Croke, his successors as Archbishop of Cashel and Emly traditionally are asked to throw in the ball at the minor Gaelic football and All-Ireland Senior Hurling Championship finals.


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Birth of Count Daniel Charles O’Connell, French General & Uncle of “The Liberator”

Count Daniel Charles O’Connell, French general and count in the French nobility, is born on May 21, 1745, in Derrynane, County Kerry, twenty-first among twenty-two children of Donal Mor O’Connell, a Catholic landowner, and his wife Mary, daughter of Daniel O’Donoghue of Glenflesk, near Killarney.

O’Connell is tutored at home in Latin and Greek, and before he is sixteen, he leaves with his cousin, Murty O’Connell, to join the French army. On February 13, 1760, he becomes a cadet in the Régiment de Royal Suédois. He spends almost his entire career in France or serving abroad with French regiments, but remains in close contact with his family, being in constant correspondence with the head of the clan, his brother Maurice O’Connell, who is almost twenty years his senior, and later arranging army appointments for a host of young nephews and cousins.

O’Connell serves with the Royal Suédois in the last two campaigns of the Seven Years’ War and is made assistant adjutant (sous-aide-major) of the regiment. At the close of the war, he is recommended for the military academy of Strasbourg (1765–66). He has a talent for self-advancement and is well regarded by his seniors, being tall, strong, handsome, disciplined, industrious, and sober. He has an almost morbid horror of drink, and his great boast is that he has never wasted a moment of his time or a farthing of his money.

Appointed to Col. Meade’s regiment of Lord Clare’s Irish Brigade with the rank of captain in October 1769, he sets sail immediately for Mauritius. Two years later he is allowed a visit home to Kerry for the first time in eleven years. In 1775 the death of Lord Clare’s son and the extinction of the title results in the reduction of the Irish Brigade and destroys O’Connell’s chance of promotion. He devotes himself to the study of chemistry, literature, and the military. A published study, Discipline of the army, comes under the notice of the military authorities, who obtain for him a Cross of Saint Louis, a pension of 2,000 livres a year, and the rank of lieutenant-colonel with which he is posted to his old regiment, the Royal Suédois, in 1778. With them he serves at the taking of Menorca in 1781 and is severely wounded at the Great Siege of Gibraltar in 1782 but manages to save the life of Charles Philippe, Count of Artois, the future Charles X. For these services he is made a count, one of only twenty-two people outside the royal family to receive this honour, and is made colonel of the German regiment of Salm-Salm in French pay, which at a grand review of 30,000 French troops in Alsace in 1785 is pronounced the best regiment. He begins to move in court circles and in 1788 kisses the hand of Marie Antoinette and rides in the king’s coach.

In 1788 O’Connell recommends to his brother Maurice the college of Saint-Omer as a suitable school for his nephews, Maurice and Daniel O’Connell, but taking belated notice of the gathering revolutionary storm, tries unsuccessfully to dissuade them. During the French Revolution of 1789 he allegedly announces his readiness to move his regiment into the capital to disperse revolutionary mobs but is not able to obtain the king’s permission. In 1790 his men mutiny, leaving him in the anomalous position of a colonel without a regiment. A protégé of the Ancien Régime, he nevertheless remains in Paris in 1790–91, serving the nouveau régime as a member of a commission engaged in revising army regulations.

In 1792 O’Connell joins Charles William Ferdinand, Duke of Brunswick‘s émigré army at Koblenz and takes part in the disastrous Battle of Valmy in Berchini’s regiment. Ever cautious, he serves as a private, refusing any command so that his name would not be mentioned in France. In November 1792 he is in London, almost penniless and bent on concealing that he had served against the republic. An alibi is procured and attested at Tralee to the effect that O’Connell had been in Ireland all the time and was forwarded to Paris to prevent the confiscation of property.

In London O’Connell petitions William Pitt the Younger to reconstruct the Irish Brigade in the service of George III. Six regiments are raised, with O’Connell appointed colonel of the 4th, but the scheme is only partially realised as three of the regiments are sent to the West Indies and Nova Scotia, where they succumb to pestilence. By 1798 the brigade has entirely ceased to exist, though he retains his full pay as a British colonel, which he draws to the end of his life. At this period his name is mooted by Gen. Henry Clarke and Theobald Wolfe Tone as a possible commander of their troops. Clarke gives his opinion that O’Connell is a good parade officer but has no genius in command, to which Wolfe Tone replies that he “was in favour of his being employed for I know he hates England.”

In 1796, O’Connell marries Martha, comtesse de Bellevue (née Drouillard de Lamarre; d. 1807), a young widow with three children, at the French chapel in Covent Garden. In 1802 he takes advantage of the peace of Amiens to return to France. On the renewal of war, the couple is detained by Napoleon as British subjects, and remain virtual prisoners in France until the restoration of the Bourbons in 1814. Back in favour, O’Connell receives the rank of lieutenant-general in the French army and commander of the Order of Saint Louis. His fortunes revive, he advances a large sum to his nephew Daniel to save him from bankruptcy in 1815 and comes to his rescue again in 1818, though by this date he has already settled the bulk of his fortune on his great-nephews. He follows his namesake’s career with keen interest, but his advice is invariably cautious and is not much heeded. After the French Revolution of 1830 he refuses to take the oath of allegiance to Louis Philippe I and is struck off the military list, though he becomes a naturalised French citizen in 1831.

O’Connell dies on July 9, 1833, at the Château de Bellevue at Meudon, near Blois, and is buried at the cemetery at Coudé. He has no children and his title, though not his fortune, descends to his godson, the Baron d’Eschegoyen’s second son, who takes the name O’Connell. A portrait by Paul Guérin hangs in Derrynane House.

(From: “O’Connell, Count Daniel Charles” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of Thomas Addis Emmet, Lawyer, Politician & Revolutionary

Thomas Addis Emmet, Irish and American lawyer and politician, is born in the Hammond’s Marsh area of Cork, County Cork, on April 24, 1764. He is a senior member of the revolutionary republican group Society of United Irishmen in the 1790s and Attorney General of New York 1812–1813.

Emmet is a son of Dr. Robert Emmet from County Tipperary (later to become State Physician of Ireland) and Elizabeth Mason of County Kerry, both of whose portraits are today displayed at Cork’s Crawford Art Gallery. He is the elder brother of Robert Emmet, who is executed for leading the Irish Rebellion of 1803, becoming one of Ireland’s most famous republican martyrs. His sister, Mary Anne Holmes, holds similar political beliefs.

Emmet is educated at Trinity College, Dublin and is a member of the committee of the College Historical Society. He later studies medicine at the University of Edinburgh and is a pupil of Dugald Stewart in philosophy. After visiting the chief medical schools on the continent, he returns to Ireland in 1788. However, the sudden death of his elder brother, Christopher Temple Emmet (1761–1788), a student of great distinction, induces him to follow the advice of Sir James Mackintosh to forsake medicine for the law as a profession.

Emmet is a man of liberal political sympathies and becomes involved with a campaign to extend the democratic franchise for the Irish Parliament and to end discrimination against Catholics. He is called to the Irish bar in 1790 and quickly obtains a practice, principally as counsel for prisoners charged with political offenses. He also becomes the legal adviser of the Society of the United Irishmen.

When the Dublin Corporation issues a declaration of support of the Protestant Ascendancy in 1792, the response of the United Irishmen is their nonsectarian manifesto which is largely drawn up by Emmet. In 1795 he formally takes the oath of the United Irishmen, becoming secretary in the same year and a member of the executive in 1797. As by this time the United Irishmen had been declared illegal and driven underground, any efforts at peaceful reform of government and Catholic emancipation in Ireland are abandoned as futile, and their goal is now the creation of a non-sectarian Irish republic, independent from Britain and to be achieved by armed rebellion. Although Emmet supports this policy, he believes that the rebellion should not commence until French aid has arrived, differing from more radical members such as Lord Edward FitzGerald.

British intelligence infiltrates the United Irishmen and manages to arrest most of their leaders on the eve of the rebellion. Though not among those taken at the house of Oliver Bond on March 12, 1798, Emmet is arrested about the same time and is one of the leaders imprisoned initially at Kilmainham Gaol and later in Scotland at Fort George until 1802. Upon his release he goes to Brussels where he is visited by his brother Robert in October 1802 and is informed of the preparations for a fresh rising in Ireland in conjunction with French aid. However, at that stage France and Britain are briefly at peace, and the Emmets’ pleas for help are turned down by Napoleon.

Emmet receives news of the failure of his brother’s rising in July 1803 in Paris, where he is in communication with Napoleon Bonaparte. He then emigrates to the United States and joins the New York bar where he obtains a lucrative practice.

After the death of Matthias B. Hildreth, Emmet is appointed New York State Attorney General in August 1812 but is removed from office in February 1813 when the opposing Federalist Party obtains a majority in the Council of Appointment.

Emmet’s abilities and successes become so acclaimed, and his services so requested that he becomes one of the most respected attorneys in the nation, with United States Supreme Court Justice Joseph Story declaring him to be “the favourite counsellor of New York.” He argues the case for Aaron Ogden in the landmark United States Supreme Court case of Gibbons v. Ogden, 22 U.S. 1 (1824) relating to the Commerce and Supremacy clauses of the United States Constitution.

Emmet dies on November 14, 1827, while conducting a case in court regarding the estate of Robert Richard Randall, the founder of Sailors’ Snug Harbor, a home for needy seamen in Staten Island, New York. He is buried in St. Mark’s Church in-the-Bowery churchyard in the East Village, New York City, where a large white marble monument marks his grave.


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Birth of William Lawless, Officer in Napoleon’s Irish Legion

General William Lawless, surgeon, revolutionary, and officer in Napoleon‘s Irish Legion, is born in Dublin on April 20, 1772. He is also an important member of the Society of the United Irishmen, a revolutionary republican organisation in late 18th century Ireland.

Lawless, a Catholic, is the confidant of Lord Edward FitzGerald, and Professor of Anatomy and Physiology in the Royal College of Surgeons in Ireland, Dublin. Closely connected with John Sheares in the direction of affairs in the spring of 1798, a warrant for his arrest is issued on May 20 with a reward of £300. Timely notice is, however, given him of the fact by Mr. Stewart, the Surgeon-General, and he escapes to France, where his abilities and spirit recommend him to the special favour of Napoleon. While in Paris, he spends time with other United Irishmen in exile, including Myles Byrne and William James MacNeven.

Lawless is placed on half-pay in 1800, but in 1803 is appointed captain of the Irish Legion, and in July 1806 is ordered to Vlissingen, then besieged by the English, to command the Irish battalion. To reach his post he has to pass in a small open boat through the English fleet. He is dangerously wounded in a sortie, and when General Monet capitulates without stipulating for the treatment of the Irish as prisoners of war, Lawless escapes from the town with the eagle of his regiment, conceals himself for two months in a doctor’s house, and at length finds an opportunity of getting to Antwerp by night in a fishing boat. Marshall Jean Baptiste Jules Bernadotte welcomes him, extols him in general orders, and reports his exploits to Napoleon, who summons him to Paris, decorates him with the Legion of Honour, and promotes him to be lieutenant-colonel. In 1812 he gains a colonelcy, and on August 21, 1813, he loses a leg at the Battle of Dresden. He retires to his country house in Tours.

After the restoration of the Bourbons, Lawless is returned, in October 1814, to half-pay with the rank of brigadier general. He dies in Paris at the age of 52 on December 25, 1824. His remains are buried at Père Lachaise Cemetery in Paris. He is one of the best officers of the last large French unit of The Wild Geese. Thomas Moore describes him as “a person of that mild and quiet exterior which is usually found to accompany the most determined spirit.”

(Pictured: Gravesite of General William Lawless in Père Lachaise Cemetery in Paris, France)


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Death of Rosamond Praeger, Artist & Sculptor

Sophia Rosamond Praeger, Irish artist, sculptor, illustrator, poet and writer, dies at Rock Cottage, County Down, Northern Ireland, on April 17, 1954.

Praeger is born on April 15, 1867, in Holywood, County Down. She is the daughter of Willem Emilius Praeger, a Dutch linen merchant who had settled in Ireland in 1860, and Marie Patterson. She has five brothers of who Robert goes on to become a distinguished naturalist. Within months of her birth the family moves to Woodburn House, Croft Road, Holywood, where they have as a neighbour Rev. Charles McElester, a Non-subscribing Presbyterian minister who runs a day school in his church. She both attends this school, and later teaches there. She receives her secondary education at Sullivan Upper School, Holywood, the Belfast School of Art, and the Slade School of Fine Art, London. Before returning to Ireland to open a studio in Belfast and then in Holywood, she studies art in Paris.

Praeger writes and illustrates children’s books but achieves fame with her sculpture The Philosopher which is exhibited at the Royal Academy of Arts in London, bought by an American collector, and is now on display in the Colorado Springs Museum and Art Gallery. She mostly works in plaster, but also uses stone, marble, terracotta and bronze, and her work includes relief panels, memorial plaques and stones. She exhibits in London and Paris, at the Royal Hibernian Academy, as well as at the Irish Decorative Art Association Exhibitions. She is a member of the Guild of Irish Art Workers.

Among Praeger’s other works are The Wai, Johnny the Jig, These Little Ones, St. Brigid of Kildare and The Fairy Fountain. For the Causeway School near Bushmills, County Antrim, she carves Fionnula the Daughter of Lir in stone. She models a heraldic figure for the Northern Bank in Donegall Square West, Belfast, and bronze plaques for the front door of the Carnegie library, Falls Road, Belfast, as well as the angels on Andrews Memorial Hall in Comber, County Down, and some work in St. Anne’s Cathedral, Belfast. She illustrates three books for her brother, Robert Praeger. She is President of the Royal Ulster Academy, an honorary Fellow of the Royal Hibernian Academy, and she receives an honorary doctorate from Queen’s University, Belfast. In 1939 she is awarded the MBE.

Praeger maintains her studio in Hibernian Street, Holywood, up until 1952, at the age of 85. She dies at Rock Cottage, County Down, on April 17, 1954. She is buried in the Priory Cemetery, Holywood. Her work in included in the collections of the Ulster Museum and the National Gallery of Ireland, and some private collections around the world

(From: “Sophia Rosamond Praeger (1867 – 1954): Sculptor” by Kate Newmann and Richard Froggatt, Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)


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Death of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, dies on March 13, 1955, in Rathfarnham, County Dublin. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is born at Roebuck Grove, County Dublin, on April 22, 1894. She is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor, née Robinson, daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. She is related to Nathaniel Hone and Nathaniel Hone the Younger. Shortly before her twelfth birthday she suffers from polio. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and become one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The window is then taken into storage by Abbey Glass in Kilmainham, Dublin at the request of the Office of Public Works.

The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped on the school in 1940 during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This may have influenced her decision to begin working in stained glass. Initially she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone is elected an honorary member of the Royal Hibernian Academy (RHA) in 1954.

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: “My Four Green Fields” by Evie Hone, which depicts the four provinces of Ireland)


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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Death of Brinsley MacNamara, Writer & Playwright

John Weldon (alternatively “A. E. Weldon”), Irish writer, playwright, and the registrar of the National Gallery of Ireland, dies in Dublin on February 4, 1963. He adopts the pseudonym ‘Brinsley MacNamara,’ the first name deriving from Richard Brinsley Sheridan, the second from a relative on his mother’s side, and uses it throughout his subsequent career as novelist and playwright.

Weldon is born on September 6, 1890, in Hiskinstown, Delvin, County Westmeath, the eldest son of James Weldon, a schoolteacher, originally of Ballinea, Mullingar, and Fanny Weldon (née Duncan). He attends his father’s school at Delvin until he is eighteen, and the relationship between father and son is to remain rather formal and strict.

Stimulated by the visiting fit-up theatrical companies and of news from Dublin of the Abbey Theatre, in September 1908 he takes the lead in a local staging of a political melodrama, Robert Emmet by Henry C. Mangan. The following summer he leaves for Dublin, ostensibly to become a civil servant but in fact to audition as an actor at the Abbey Theatre. His acting career with the Abbey Theatre begins in September 1910 with a role in R. J. Ryan’s The Casting-out of Martin Whelan.

MacNamara is the author of several novels, the most well-known of which is his first, The Valley of the Squinting Windows (1918), its title a byword for small-town hypocrisy and begrudgery. The work itself is an uneasy fusion of a satiric portrait of gossipy, prying women and dipsomaniacally drinking men with a naturalist tragedy in which the sins of the past repeat themselves in the lives of the younger characters. The novel’s frank treatment of sexual matters is eclipsed as a cause of offence by the unflattering portrayal of almost all the inhabitants of the fictional village called Garradrimna, a place that local people feel would be automatically identified as Delvin. In the ensuing controversy the novelist’s father, James Weldon (widely suspected of being the author), and his school are subject to boycott. His attempts to seek legal redress in 1923 are unsuccessful.

MacNamara continues to write for many years after this controversial first work, and locates most of his later fiction in Garradrimna, in the Irish Midlands. Among his plays are The Glorious Uncertainty (1923) and Look at the Heffernans! (1926). His work is part of the literature event in the art competition at the 1924 Summer Olympics in Paris.

In 1925 McNamara is appointed registrar to the National Gallery of Ireland in Dublin, a position he holds until his retirement in 1960. In 1932 he becomes one of the first members of the Irish Academy of Letters, and in 1935 joins the board of directors of the Abbey Theatre.

MacNamara marries Helena Degidon, a schoolteacher, in 1920. His later years are dogged by increasing ill health and he dies at Sir Patrick Dun’s Hospital, Dublin, on February 4, 1963.


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Patrice de MacMahon Resigns As President of France

Patrice de MacMahon, a descendant of an Irish family, resigns as president of France on January 30, 1879, and retires to private life. His resignation comes after he dissolves the Chamber of Deputies, resulting in public outrage and a Republican electoral victory earlier in the month.

Born Marie Edme Patrice Maurice de MacMahon on July 13, 1808, in Sully, France, he serves as Marshal of France and second president of the French Third Republic. During his presidency the Third Republic takes shape, the new constitutional laws of 1875 are adopted, and important precedents are established affecting the relationship between executive and legislative powers.

The MacMahon family is of Irish origin. They were Lords of Corcu Baiscind in Ireland and descended from Mahon, the son of Muirchertach Ua Briain, High King of Ireland. After losing much of their land in the Cromwellian confiscations, a branch moved to Limerick for a time before settling in France during the reign of William III of England because of their support of the deposed King James II in the Glorious Revolution. They applied for French citizenship in 1749. After the definitive installation of the family in France, their nobility was recognised by the patent letter of King Louis XV of France.

MacMahon begins his army career in 1827 in Algeria and distinguishes himself during the Siege of Constantine (1837) and in the Crimean War (1853–56). The climax of his military career comes in the Italian campaign of 1859, when his victory at Magenta results in his being created Duke of Magenta. In 1864 he becomes Governor General of Algeria. Commanding the I Army Corps in Alsace during the Franco-Prussian War (1870–71), he is wounded and defeated at the Battle of Wörth. After a short convalescence at Sedan, he is appointed head of the army of the French Third Republic, which defeats the Paris Commune revolt in May 1871.

When Adolphe Thiers resigns as president of the republic on May 24, 1873, French rightists turn to MacMahon as his successor. He is elected president the same day. On November 20, 1873, the National Assembly passes the Law of the Septennate, conferring upon him presidential power for seven years. He assumes his presidential duties somewhat reluctantly, for he dislikes publicity and lacks an understanding of the complex political issues of his day.

During MacMahon’s term the French Constitutional Laws of 1875 are promulgated. The National Assembly dissolves itself, and the elections of 1876 returns a large majority of republicans to the new chamber. The first crisis comes in December 1876, when the republican chamber compels him to invite the moderate republican Jules Simon to form a government. The conservative Senate disapproves of Simon because he had purged some rightist officials, and, on May 16, 1877, MacMahon posts a letter to Simon that is tantamount to dismissal. Premier Simon’s resignation precipitates the crise du seize mai. When MacMahon commissions conservative Albert de Broglie to form a ministry and wins the Senate’s assent to dissolve the chamber on June 25, 1877, the question of whether the President or Parliament would control the government is squarely posed.

The new elections to the chamber return a majority of republicans, and the de Broglie ministry is given a vote of “no confidence.” The succeeding ministry, headed by Gaëtan de Rochebouët, also collapses. By December 13, 1877, MacMahon gives in to the extent of accepting a ministry led by conservative republican Jules Dufaure and composed mostly of republicans. On January 5, 1879, the republicans gain a majority in the Senate, and MacMahon resigns on January 30. The constitutional crisis during his presidency is resolved in favour of parliamentary as against presidential control, and thereafter during the Third Republic the office of president becomes largely an honorific post.

From 1887 to 1893, MacMahon directs the Société de secours aux blessés militaires (S.S.B.M) – Rescue Society of Wounded Military, which in 1940 becomes the French Red Cross.

MacMahon dies on October 17, 1893, at the Château de la Forêt at Montcresson, after having written his memoirs. He is buried on October 22 at the Hôtel des Invalides after a state funeral and a religious mass at La Madeleine, Paris.


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Birth of Rosaleen Brigid Ganly, Painter & Sculptor

Brigid Ganly HRHA, Irish painter and sculptor, is born Rosaleen Brigid O’Brien on January 29, 1909, in Dublin.

Ganly is one of five children born to Dermod O’Brien, a painter, and his wife Mabel Smiley. Her great-grandfather is the Irish Republican William Smith O’Brien. She grows up on a farm in Cahirmoyle, County Limerick, until the family moves to Fitzwilliam Square in Dublin. She goes on to attend the Metropolitan School of Art where she has the opportunity to study under Patrick Tuohy, Seán Keating and Oliver Sheppard. She is a talented sculptor and wins several awards, including the Taylor scholarship in 1929, for her allegorical male nude, Pity. She spends time in Paris in 1951 where she trains with André Lhote. She travels to Greece where Lhote continues to influence her work.

Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy (RHA) in 1928 and becomes a member in 1935 though, in 1969, resigns her membership in protest of the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.

Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Sheila Pim’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 at the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition ‘Irish Women Artists: 1870-1970.’

Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer with a strong involvement in theatre, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.

Brigid Ganly dies on March 25,2002.

(Pictured: “Storm Over Poros” (1964) by Rosaleen Brigid Ganly, HRHA)