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Birth of Johnny Adair, Northern Irish Loyalist

Johnny Adair, leader of “C Company” of the Ulster Loyalist paramilitary organisation Ulster Freedom Fighters (UFF), a cover name of the Ulster Defence Association, is born in Belfast, Northern Ireland, on October 27, 1963. He is known as Mad Dog. He is expelled from the organisation in 2002 following a violent power struggle. Since 2003, he, his family and a number of supporters have been forced to leave Northern Ireland by other loyalists.

Adair is born into a working class loyalist background and raised in Belfast. He grows up in the Lower Oldpark area, a site of many sectarian clashes during “The Troubles.” By all accounts, he has little parental supervision, and does not attend school regularly. He takes to the streets, forming a skinhead street gang with a group of young loyalist friends, who “got involved initially in petty, then increasingly violent crime.” Eventually, he starts a rock band called Offensive Weapon, which during performances espouses support for the British National Front.

While still in his teens, Adair joins the Ulster Young Militants (UYM), and later the Ulster Defence Association, a loyalist paramilitary organisation which also calls itself the Ulster Freedom Fighters.

By the early 1990s, Adair has established himself as head of the UDA/UFF’s “C Company” based on the Shankill Road. When he is charged with terrorist offences in 1995, he admits that he had been a UDA commander for three years up to 1994. During this time, he and his colleagues are involved in multiple and random murders of Catholic civilians. At his trial in 1995, the prosecuting lawyer says he is dedicated to his cause against those whom he “regarded as militant republicans – among whom he had lumped almost the entire Roman Catholic population.” Royal Ulster Constabulary (RUC) detectives believe his unit killed up to 40 people during this period.

Adair once remarks to a Catholic journalist from the Republic of Ireland upon the discovery of her being Catholic, that normally Catholics travel in the boot of his car. According to a press report in 2003, he is handed details of republican suspects by British Army intelligence, and is even invited for dinner in the early 1990s. In his autobiography, he claims he was frequently passed information by sympathetic British Army members, while his own whereabouts were passed to republican paramilitaries by the RUC Special Branch, who, he claims, hated him.

The Provisional Irish Republican Army (IRA) bombing of a fish shop on the Shankill Road in October 1993 is an attempt to assassinate Adair and the rest of the UDA’s Belfast leadership in reprisal for attacks on Catholics. The IRA claims that the office above the shop is regularly used by the UDA for meetings and one is due to take place shortly after the bomb is set to explode. The bomb goes off early, killing one IRA man, Thomas Begley, and nine Protestant civilians. The UFF retaliates with a random attack on the Rising Sun bar in Greysteel, County Londonderry, which kills eight civilians, two of whom are Protestants. Adair survives 13 assassination attempts, most of which are carried out by the IRA and Irish National Liberation Army (INLA).

During this time, undercover officers from the Royal Ulster Constabulary record months of discussions with Adair, in which he boasts of his activities, producing enough evidence to charge him with directing terrorism. He is convicted and sentenced to 16 years in HM Prison Maze. In prison, according to some reports, he sells drugs such as cannabis, ecstasy tablets and amphetamines to other loyalist prisoners, earning him an income of £5000 a week.

In January 1998, Adair is one of five loyalist prisoners visited in the prison by British Secretary of State for Northern Ireland, Mo Mowlam. She persuades them to drop their objection to their political representatives continuing the talks that leads to the Good Friday Agreement in April. In 1999, he is released early as part of a general amnesty for political prisoners after the Agreement.

Following his release, much of Adair’s activities are bound up with violent internecine feuds within the UDA and between the UDA and other loyalist paramilitary groupings. The motivation for such violence is sometimes difficult to piece together. It involves a combination of political differences over the loyalist ceasefires, rivalry between loyalists over control of territory and competition over the proceeds of organised crime.

In 1999, shortly after his release from prison, Adair is shot at and grazed in the head by a bullet at a UB40 concert in Belfast. He blames the shooting on republicans, but it is thought that rival loyalists are to blame.

In August 2000, Adair is again mildly injured by a pipe bomb he is transporting in a car. He again attempts to blame the incident on an attack by republicans, but this claim is widely discounted. A feud breaks out at the time between the UDA and the Ulster Volunteer Force (UVF) leaving several loyalists dead. As a result of Adair’s involvement in the violence, the then Secretary of State for Northern Ireland, Peter Mandelson, revokes his early release and returns him to prison.

In May 2002, Adair is released from prison again. Once free, he is a key part of an effort to forge stronger ties between the UDA/UFF and the Loyalist Volunteer Force (LVF), a small breakaway faction of the UVF loyalist paramilitary organization in Northern Ireland. The most open declaration of this is a joint mural depicting Adair’s UDA “C company” and the LVF. Other elements in the UDA/UFF strongly resist these movements, which they see as an attempt by Adair to win external support in a bid to take over the leadership of the UDA. Some UDA members dislike his overt association with the drugs trade, with which the LVF are even more heavily involved. A loyalist feud begins, and ends with several men dead and scores evicted from their homes.

On September 25, 2002, Adair is expelled from the UDA/UFF along with close associate John White, and the organisation almost splits as Adair tries to woo influential leaders such as Andre Shoukri, who are initially sympathetic to him. There are attempts on Adair’s and White’s lives.

Adair returns to prison in January 2003, when his early release licence is revoked by Secretary of State for Northern Ireland, Paul Murphy, on grounds of engaging in unlawful activity. On February 1, 2003, UDA divisional leader John Gregg is shot dead along with another UDA member, Rab Carson, on returning from a Rangers F.C. match in Glasgow. The killing is widely blamed on Adair’s C Company as Gregg is one of those who organised his expulsion from the UDA. Five days later, on February 6, about twenty Adair supporters, including White, flee their homes for Scotland, widely seen as a response to severe intimidation.

Adair is released from prison again on January 10, 2005. He immediately leaves Northern Ireland and joins his family in Bolton, Lancashire, where it is claimed he stays with supporters of Combat 18 and the Racial Volunteer Force.

The police in Bolton question Adair’s wife, Gina, about her involvement in the drugs trade, and his son, nicknamed both “Mad Pup” and “Daft Dog,” is charged with selling crack cocaine and heroin. Adair is arrested and fined for assault and threatening behaviour in September 2005. He had married Gina Crossan, his partner for many years and the mother of his four children, at HM Prison Maze on February 21, 1997. She is three years Adair’s junior and grew up in the same Lower Oldpark neighbourhood. 

After being released, Adair is almost immediately arrested again for violently assaulting Gina, who suffers from ovarian cancer. Since this episode he reportedly moves to Scotland, living in Troon in Ayrshire.

In May 2006, Adair reportedly receives £100,000 from John Blake publishers for a ghost-written autobiography.

In November 2006, the UK’s Five television channel transmits an observational documentary on Adair made by Dare Films.

Adair appears in a documentary made by Donal MacIntyre and screened in 2007. The focus of the film centers around Adair and another supposedly reformed character, a Neo-Nazi from Germany called Nick Greger, and their trip to Uganda to build an orphanage. Adair is seen to fire rifles, stating it is the first time he has done so without wearing gloves. He also admits to being “worried sick” and “pure sick with worry” after Greger disappears in Uganda for days on end. It turns out that he had gone off and married a Ugandan lady. Adair confesses via telephone that he “thought something might have happened to Nick.”

On July 20, 2015, three Irish republicans, Antoin Duffy, Martin Hughes and Paul Sands, are found guilty of planning to murder Adair and Sam McCrory. Charges against one of the accused in the trial are dropped on July 1.

On September 10, 2016, Adair’s son, Jonathan Jr., is found dead in Troon, aged 32. He dies from an accidental overdose while celebrating the day after his release from prison for motoring offences. He had been in and out of prison since the family fled Northern Ireland. He served a five-year sentence for dealing heroin and crack cocaine. The year before, he had been cleared of a gun raid at a party and in 2012 is the target of a failed bomb plot. He was also facing trial later that year on drugs charges.

In December 2023, while recording a podcast with far-right activist Tommy Robinson, Adair surprisingly expresses a grudging respect for the IRA hunger strikers, describing the manner of their deaths as “dedication at the highest level” for a political cause and admitting that he would not have volunteered to do the same if asked.


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The Proclamation of Dungannon

The Proclamation of Dungannon is a document produced by Sir Phelim O’Neill on October 24, 1641, in the Irish town of Dungannon. O’Neill is one of the leaders of the Irish Rebellion of 1641, which was launched the previous day. O’Neill’s Proclamation sets out a justification of the uprising. He claims to have been given a commission signed and sealed on October 1 by the King of England, Scotland and Ireland Charles I that commands him to lead Irish Catholics in defence of the Kingdom of Ireland against Protestants who sympathise with Charles’s opponents in the Parliament of England.

Following the trial and execution of the Lord Deputy of Ireland, Thomas Wentworth, 1st Earl of Strafford, in May 1641, Ireland is in a state of turmoil. There is growing tension between Catholics and Protestants (particularly those of a Puritan tendency) with the former generally sympathetic to King Charles while the latter supports the English Parliament and the Scottish Covenanters in the dispute that shortly leads to the outbreak of the English Civil War. This forms part of the wider War of the Three Kingdoms.

On October 23, a major uprising breaks out in Ulster organised by leading members of the Gaelic aristocracy. The rebels attack Protestant plantation settlements as well as native Irish Protestants and take garrison towns held by the Irish Army. Irish government authorities in Dublin struggle to contain the insurgency with the limited number of troops they have at their disposal. A last-minute warning saves Dublin Castle from a surprise attack, although O’Neill is clearly unaware of the failure of the Dublin plot when he issues his proclamation.

After seizing several key strategic points in Ulster over the previous twenty-four hours, O’Neill makes his proclamation in Dungannon, a town that has symbolic importance as the traditional capital of the O’Neill dynasty.

In support of his actions, O’Neill claims to have a document from King Charles commissioning him. The Commission is supposedly signed under the Great Seal of Scotland. By declaring their loyalty to the Crown and defence of the Catholic religion, O’Neill and his followers adopt a political stance which is taken up by the subsequent Irish Confederation which governs rebel-controlled territory in the name of the King from 1642 until 1649. The Proclamation encourages many Catholics to believe they can lawfully join the rising with the King’s blessing, while Protestants are left demoralised.

O’Neill’s second and more trenchant proclamation is made “from our camp at Newry” on November 4, 1641 alongside Rory Maguire. He also publishes the actual royal commission that gives authority for his earlier proclamation. It is subtly different, in that it empowers him to arrest and seize property from all of Charles’s English Protestant subjects living in Ireland, but exempts his Irish and Scottish subjects.

Until the late nineteenth century historians generally accept that the commission is genuine, or at the very least Charles had secretly encouraged the Irish Catholics to launch a rising. Since then, for a variety of reasons, it has been considered to be a forgery produced by O’Neill and his associates without the knowledge of the King. They may well have acquired a copy of the Great Seal of Scotland when they captured the garrison town of Charlemont on October 23.

The historian David Stevenson notes that it would be unlikely that the commission would have been addressed to O’Neill. Had it been genuine it would almost certainly have been issued to more senior Irish Royalists such as the James Butler, 1st Duke of Ormond, or the leading Catholic noble of Ulster, Randal MacDonnell, 1st Marquess of Antrim. It is also unlikely to have been issued at Edinburgh as O’Neill claimed. However, King Charles was in Edinburgh on October 1, dealing with Scottish political matters.

Forgery or not, King Charles publicly proclaims all the Irish rebels as traitors on January 1, 1642.

That the Commission is genuine is widely accepted in England and Scotland by the King’s opponents and even some of his own supporters. It seems to tie in with earlier rumours of an army plot which had suggested that Charles might bring over the New Irish Army, made up largely of Ulster Catholics, to impose his will on England and Scotland. Anger at the King’s alleged links with the insurgents grow – particularly as horror stories of atrocities committed, such as the Portadown Massacre, begin to filter across the Irish Sea. Tensions arising from news of the Irish rebellion is a factor in the English push to Civil War in early 1642.

The Scottish authorities dispatch an Army which quickly retakes much of Ulster from the insurgents. Once the English Civil War breaks out in October 1642, Charles’ emissaries begin negotiations with the Irish rebels for their support, which seems to present further evidence to his opponents of his links with the Catholic Ulster leaders. Many of these later dealings are exposed when Charles private letters are captured during the Battle of Naseby (1645) and published as King’s Cabinet Opened.

When O’Neill is captured in 1653 following the Cromwellian conquest of Ireland, he is put on trial for his life. The authorities offer to spare him if he will repeat his earlier claims that Charles had ordered the Catholics to rise in 1641. O’Neill now refuses to implicate the King, who had been executed four years earlier, and is put to death himself. Nonetheless, the English Republicans continue to use O’Neill’s earlier claims of the King’s involvement to justify their decision to commit regicide.


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Death of Séamus Ennis, Musician, Singer & Music Collector

Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.

Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.

Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.

From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.

Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.

In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.

Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.

Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.

Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.


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RMS Queen Mary Collides with HMS Curacoa

Twenty miles off the coast of County Donegal on October 2, 1942, the luxury Cunard liner RMS Queen Mary, converted into a troop carrier for World War II, smashes into her escort ship, the British Royal Navy cruiser HMS Curaçoa (D41). The HMS Curacoa, which had connected with the RMS Queen Mary to escort her for the final two hundred miles to the port of Greenock, Scotland, sinks with the loss of 338 men. As are his orders, Captain Cyril Illingworth of the RMS Queen Mary, which is carrying an estimated 15,000 U.S. troops, does not stop to mount a rescue operation.

On a near perfect afternoon, the RMS Queen Mary is off the Irish coast. The vessel is setting a zigzag course to help evade U-boats and long-range German bombers. The RMS Queen Mary has caught up with her 4,290 tonne escort vessel, the HMS Curacoa, and is set to overtake her.

Aboard the HMS Curacoa, seaman Ernest Watson is admiring the RMS Queen Mary’s majestic lines when he notices the bow is swinging toward the cruiser. To his horror, she continues to swing and is soon on a collision course. The gap narrows inexorably as the stunned Watson finally finds his vocal cords and screams, “She’s going to ram us.” Later Watson describes how many of his mates are so shocked they cannot move.

Within seconds, there is a screech of twisted metal followed by the hiss of steam and the screams of those injured or trapped below. The RMS Queen Mary, twenty times larger than the cruiser, has been traveling at top revs giving her a speed of 28.5 knots. The impact swings the HMS Curacoa broadside on and the troopship slices through her 10 cm armour plating. It is all over in seconds, and the troopship continues on her zigzag course leaving the HMS Curacoa cut in two with the forward and aft sections separated by 100 metres of ocean.

At the moment of impact, as the HMS Curacoa reels in the water, Watson and many other seaman on deck are thrown into the freezing water. Even as they surface they watch in horror as the stern quickly sinks, taking with it the men trapped behind the water-tight doors. The forward section follows soon after, leaving the men in the murky water surrounded by debris, oil and drowned or mutilated bodies. It is every man for himself as survivors cling to floating wreckage. They are about 20 nautical miles off the Irish coast which, had boats or rafts been launched, would put them within easy reach of safety.

The survivors believe the RMS Queen Mary will turn back to pick them up, however, it is with obvious despair that they watch her disappear over the horizon. To sail on is probably the toughest decision Captain Illingworth ever has to make. The World War I veteran has many years of experience by the time he has risen to become Cunard-White Star Line’s senior commander and master of the RMS Queen Mary. He is obeying orders that under no circumstances is he to stop until the RMS Queen Mary has safely delivered the troops to Britain. His only option is to signal nearby British destroyers to rescue survivors.

Two destroyers react to Captain Illingworth’s message and steam toward the wreckage where two hours after the collision, they find many bodies of sailors who have died of hypothermia. Only the hardiest live long enough to land in Londonderry, County Londonderry, Northern Ireland, the next day. Of the HMS Curacoa’s 430 personnel, only 99 seamen and two officers survive. Because of war-time security the official inquiry is delayed until the war in Europe is over. Then, in June 1945, only a few weeks after VE Day, the Admiralty Commissioners sued Cunard-White Star Line claiming the RMS Queen Mary had been responsible.

It appears to be a clear-cut case. The HMS Curacoa’s captain, John Boutwood, gives evidence to a Royal Navy inquiry and is acquitted without a reprimand. Later he gains the Distinguished Service Order (DSO). Boutwood says the HMS Curacoa steamed at some 3 knots slower than the larger vessel which had been in the process of overtaking at the time of the collision. He says he had been amazed when the troopship continued turning to starboard and closed the gap between the vessels. When the collision occurred he, and all others on the bridge, had clung to whatever was nearest.

At first, Boutwood vainly hopes the damaged ship will stay afloat. He also says it was impossible to give orders because of the noise of escaping steam from the boiler room. The RMS Queen Mary’s first officer gives evidence that he had taken over the helm less than two minutes before she rams the cruiser. She is about 500m away and on the starboard bow. He is unconcerned at the narrow gap because he expects HMS Curacoa to take evasive action. He believes the cruiser, a more manoeuvrable vessel, would change course.

The first officer had also been reassured by Captain Illingworth, that the cruiser was “experienced in escorting and would keep out of the way.” At a later hearing some months after the opening, Illingworth says he had felt a bump at the time of the collision and had asked the quartermaster if they had been hit by a bomb. The answer was: “No sir, we have hit the cruiser.”

The judge holds the cruiser responsible saying the normal rules of an overtaking vessel keeping clear of the other does not apply in this case. He says the cruiser could have avoided the collision up to seconds before it occurred. The Admiralty, faced with huge compensation to the families of the dead sailors, appeals. In appeal the ruling is that the cruiser was responsible for two-thirds of the damage and the RMS Queen Mary for one-third. Still not satisfied, the case goes to the House of Lords where the verdict of the Appeal Court is upheld in February 1949. No survivor comes out unscathed but above all others, Illingworth has to live with the memory of leaving British sailors to fight for their lives in the ocean.

However, when asked at the first hearing if he felt Illingworth had made the right decision, the captain of the HMS Curacoa says, “I would say, yes.” The RMS Queen Mary continues as a troopship until August 11, 1945. The vessel is now a floating attraction at Long Beach, California.

(From: “SS Queen Mary & the loss of HMS Curacoa 1942” by A. N. Other and NHSA Webmaster, Naval Historical Society of Australia, https://navyhistory.au)


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Death of R. M. “Bertie” Smyllie, Editor of “The Irish Times”

Robert Maire Smyllie, known as Bertie Smyllie, editor of The Irish Times for twenty years, dies on September 11, 1954.

Smyllie is born on March 20, 1893, at Hill Street, Shettleston, Glasgow, Scotland. He is the eldest of four sons and one daughter of Robert Smyllie, a Presbyterian printer originally from Scotland who is working in Sligo, County Sligo, at the time, and Elisabeth Follis, originally from Cork, County Cork. His father marries in Sligo on July 20, 1892, and later becomes proprietor and editor of the unionist Sligo Times. Smyllie attends Sligo Grammar School in 1906 and enrolls at Trinity College Dublin (TCD) in 1911.

After two years at TCD, Smyllie’s desire for adventure leads him to leave university in 1913. Working as a vacation tutor to an American boy in Germany at the start of World War I, he is detained in Ruhleben internment camp, near Berlin, during the war. As an internee, he is involved in drama productions with other internees. Following his release at the end of the war, he witnesses the German revolution of 1918–1919. During this period, he encounters revolutionary sailors from Kiel who temporarily make him a representative of the Workers’ and Soldiers’ Council, and he observes key events including the looting of the Kaiser’s Palace and violent clashes between rival factions in Berlin. It is also during this period that he secures a personal interview with David Lloyd George at the Paris Convention of 1919. This helps Smyllie gain a permanent position with The Irish Times in 1920, where he quickly earns the confidence of editor John Healy. Together, they take part in secret but unsuccessful attempts to resolve the Irish War of Independence.

Smyllie contributes to the Irishman’s Diary column of the paper from 1927. In 1927, he publishes an exclusive report outlining a draft government including both Labour Party and Fianna Fáil TDs, signaling the volatile politics of the early state years.

Smyllie’s knowledge of languages (particularly the German he had learned during his internment) led to numerous foreign assignments. His reports on the rise of National Socialism in 1930s Germany are notably prescient and instill in him a lasting antipathy towards the movement.

When Healy dies in 1934, Smyllie becomes editor of The Irish Times and also takes on the role of Irish correspondent for The Times (London), a position that brings significant additional income. Under Healy’s leadership, The Irish Times shifted from representing the Anglo-Irish ascendancy to becoming an organ of liberal, southern unionism, and eventually becomes a critical legitimising force in the Irish Free State. Smyllie enthusiastically supports this change. He establishes a non-partisan profile and a modern Irish character for the erstwhile ascendancy paper. For example, he drops “Kingstown Harbour” for “Dún Laoghaire.” He also introduces the paper’s first-ever Irish-language columnist. He is assisted by Alec Newman and Lionel Fleming, recruits Patrick Campbell and enlists Flann O’Brien to write his thrice-weekly column “Cruiskeen Lawn” as Myles na gCopaleen. As editor, he introduces a more Bohemian and informal style, establishing a semi-permanent salon in Fleet Street’s Palace Bar. This becomes a hub for journalists and literary figures and a source of material for his weekly column, Nichevo.

One of Smyllie’s early political challenges as editor concerns the Spanish Civil War. At a time when Irish Catholic opinion is strongly pro-Franco, he ensures The Irish Times coverage is balanced and fair, though advertiser pressure eventually forces the withdrawal of the paper’s young reporter, Lionel Fleming, from the conflict. His awareness of the looming European crisis earns him the Order of the White Lion of Czechoslovakia in 1939. However, during World War II, he clashes with Ireland’s censorship authorities, especially under Minister Frank Aiken. He challenges their views both publicly and privately, though his relationship with the editor of the Irish Independent, Frank Geary, is cold, reducing the effectiveness of their joint opposition to censorship.

During the 1943 Irish general election, Smyllie uses the paper to promote the idea of a national government that could represent Ireland with authority in the postwar world. He praises Fine Gael’s proposal for such a government and criticises Éamon de Valera for dismissing it as unrealistic. This leads to a public exchange between de Valera and Smyllie, with the latter defending The Irish Times’s role as a constructive voice for Ireland’s future rather than a partisan interest.

Following the war, Smyllie’s editorial stance shifts toward defending Ireland’s neutrality and diplomatic position. When Winston Churchill accuses de Valera of fraternising with Axis powers, Smyllie counters by revealing Ireland’s covert collaboration with the Allies, such as military and intelligence cooperation, despite official neutrality. In the same period, he continues to oppose censorship, particularly the frequent banning of Irish writers by the Censorship of Publications Board. This opposition features prominently in a controversy on The Irish Times letters page in 1950, later published as the liberal ethic. The paper also adopts a critical stance toward the Catholic Church, notably during the 1951 resignation of Minister for Health Noël Browne amid opposition from bishops and doctors to a national Mother and Child Scheme. His editorials suggest the Catholic Church is effectively the government of Ireland, though he maintains a cordial relationship with Archbishop of Dublin, John Charles McQuaid, who invites him annually for dinner.

Smyllie is also wary of American foreign policy, showing hostility particularly during the Korean War. American diplomats in Dublin allege that Smyllie is “pro-communist“. Despite growing readership among an educated Catholic middle class, The Irish Times’s circulation in 1950 remains under 50,000, far below the Irish Independent and the Fianna Fáil-aligned The Irish Press.

In later years, Smyllie’s health declines, prompting a quieter lifestyle. He moves from his large house in Pembroke Park, Dublin, to Delgany, County Wicklow. As he does not drive, he becomes less present in the newspaper office in D’Olier Street, contributing to a decline in the paper’s dynamism. His health deteriorates further, resulting in frequent absences from his editorial duties, though he retains his position despite management attempts to limit his authority, especially over finances. He dies of heart failure on September 11, 1954.

In 1925, Smyllie marries Kathlyn Reid, eldest daughter of a County Meath landowner. They have no children.

Smyllie is an eccentric: he hits his tee shots with a nine iron, speaks in a curious mix of Latin phrases and everyday Dublin slang, and weighs 22 stone (308 lbs.; 140 kg) yet still cycles to work wearing a green sombrero.


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Birth of William Kenny, Victoria Cross Recipient

William Kenny VC, an Irish recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces, is born on August 24, 1880, in Drogheda, County Louth.

Kenny is 34 years old, and a Drummer in the 2nd Battalion, Gordon Highlanders, British Army during World War I when the following deed takes place for which he is awarded the Victoria Cross.

On October 23, 1914, near Ypres, Belgium, Drummer Kenny rescues wounded men on five occasions under very heavy fire. Twice previously he saves machine guns by carrying them out of action, and on numerous occasions he conveys urgent messages under very dangerous circumstances over fire-swept ground.

In addition to the Victoria Cross, Kenny earns the rank of Drum-Major and is also awarded the following medals: Queen’s South Africa Medal with bars, King’s South Africa Medal with bars, 1914 Star with bar, British War Medal, Victory Medal with oak-leaf, Delhi Durbar Medal, and the Cross of St. George (Russia).

Kenny dies on January 10, 1936, at Hammersmith, West London, England. He is buried in the Corps of Commissionaires plot at Brookwood Cemetery, Brookwood, Surrey, England, but the original marker is lost.

On March 20, 1999, Kenny’s grave receives a new headstone, arranged by The Gordon Highlanders London Association (Lt. Col. M. H. Burge). He is not otherwise commemorated. His Victoria Cross and other medals are on display at the Gordon Highlanders Museum, Aberdeen, Scotland.


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Death of Wilhelmina Geddes, Stained Glass Artist

Wilhelmina Geddes, Irish stained glass artist who is an important figure within the Irish Arts and Crafts movement and also the twentieth-century British stained glass revival, dies in London, England, on August 10, 1955. Her notable works include windows at St. Bartholomew’s Anglican Church (Ottawa, Canada), St. Peter’s Church (Lampeter, Wales), and the King Albert Memorial Window, St. Martin’s Cathedral (Ypres, Belgium).

Geddes is born on her maternal grandparent’s farm at Drumreilly Cottage in Leitrim, County Leitrim, on May 25, 1887. She is the eldest of four children, three girls and a boy, of William Geddes and his wife Eliza Jane Stafford. The family, who migrates to Ireland from Scotland, has mainly been farmers. Her father, a Methodist, who is born near his father’s farm at Tandragee, County Armagh, emigrates to the United States as a young man, working as a labourer for the railway construction business. This serves a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she is still an infant her parents move to their native home in Belfast, so her father can set up in business as a building contractor.

Geddes begins drawing subjects from life and nature from the age of four. She learns first how to draw from the school mistress in Ayrshire, where her father occasionally goes shooting. She begins her studies at Methodist College Belfast along with her three younger sisters. She later moves to the Belfast School of Art. She is encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. She is accepted as a student to study at the Belfast School of Art, Ulster University. This is where she adapts and improves her style and is introduced to a professional standard of art work.

While still studying at the Belfast School of Art, Geddes takes part in the Arts and Crafts Society of Ireland‘s fourth exhibition. For this exhibition, she contributes a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It is at this exhibition that her work is spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who goes on to be her lifelong mentor, invites the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.

Geddes contributes a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She is elected as an Associate of the Belfast Art Society’s successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. She shows five illustrations in the 1911 Oireachtas Exhibition. It is some twenty-one years before she returns to the Oireachtas when she exhibits three cartoons and three sketches for stained glass in 1932.

Geddes joins Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop is held in Dublin’s Metropolitan School of Art. It is here that she discovers her passion for the craftsmanship of stained glass artistry and creates her most important works.

During her early years at An Túr Gloine, Geddes’s originality shines, and important commissions come from St. Ann’s Church, Dawson Street, Dublin and the Presbyterian church in Rathgar. Dogged by illness, she returns to Belfast before 1916 and lives between there and Dublin until moving in 1925, as she has long wanted, to work in London at The Glass House, Fulham. While working at The Glass House, she instructs the Irish painter and stained glass artist Evie Hone.

Geddes’s work is considered pioneering and represents a rejection of the Late Victorian approach. She creates a new view of men in stained glass windows, portraying them with close-shaven crew cuts. The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches.

Despite the hardships of living in London during World War II, poverty, and ill health, Geddes designs seventeen full-scale stained glass masterpieces, sixteen of which she completes.

Geddes dies on August 10, 1955 in London of a pulmonary embolism. She is buried in Carnmoney Cemetery, County Antrim, along with her mother and sister Ethel. Even after moving to London, she claims that her native identity never wavered as she says she was always “a Belfast woman.”


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Brendan Foley, Writer, Film Producer & Director

Brendan Foley is a Northern Irish writer, film producer and director. Raised in Belfast, Northern Ireland, he has written feature film and TV series scripts for producers and studios in the United Kingdom, Ireland, Hollywood, Canada, Denmark, Finland, Poland, South Africa, China and Thailand. He writes and produces the 2005 action-thriller Johnny Was, starring Vinnie Jones, Eriq La Salle and Patrick Bergin. The film wins awards including Audience Awards and Best Feature Awards from six film festivals.

Foley’s most recent work includes Cold Courage, a TV series thriller for Lionsgate, Viaplay and Luminoir shot in Europe in 2019 and The Man Who Died, a series for Elisa-Viaplay.

Foley writes, produces and directs The Riddle in 2006, starring Jones, Sir Derek Jacobi and Vanessa Redgrave. In September 2007, The Riddle becomes the world’s first feature film to be released as a DVD premiere by a national newspaper. The UK’s The Mail on Sunday buys UK DVD rights and distributes 2.6 million copies, making the film one of the most widely watched independent films in the UK.

During 2006–07, Foley writes and directs Assault of Darkness, a satirical horror film set in rural Ireland, starring Jones, Jason Barry and Nora-Jane Noone. It is released by Lionsgate in the United States on DVD in 2009. He co-creates and is a writer on Shelldon, a children’s environmental animated TV series on NBC (2010–12) and Byrdland (five seasons of animated TV series in Asia with GMM Grammy).

In 2015, Foley starts developing a new TV detective series for BBC Television, Farmoor (makers of The Fall) and Northern Ireland Screen (UK home of Game of Thrones) and, in 2016, he develops Tunnel Kings, a mini-series on World War II POW “escape-artists” for the Canadian Broadcasting Corporation and Dream Street, Canada. He completes pilot scripts for SOS, a new eco-thriller series by Finnish producers Luminoir, and Kvenland, set in the Dark Ages. Previously he writes the pilot for drama Dr. Feelgood for Monday TV (Denmark).

Cold Courage, described as a Nordic noir series involving Finnish characters in present-day London made by Finnish producers Luminoir for Lionsgate and Viaplay, shot in London, Dublin, Belgium and Finland in 2019. Actor John Simm tells Variety that he is attracted to the series by the quality of the writing and the fact that it is a pan-European thriller.

In 2019, Foley is attached to produce an adaptation of Freeman Wills Crofts‘ Inspector French novels.

In 2025, Foley is Writer-Creator and Executive Producer for Sherlock & Daughter, a drama series starring David Thewlis and Blu Hunt for The CW, WarnerBrosDiscovery UK, Federation, Starlings and StoryFirst (UK).

Foley has written books for U.S. and UK publishers. Under The Wire, a World War II POW escape drama, which he writes along with its subject, pilot William Ash, is published by  Random House, London and St. Martin’s Press, New York, in 2005 and 2006. It becomes a best-seller, reaching number one on Amazon UK‘s history and biography charts. In 2018/19, a related TV series is developed as a future miniseries by CBC in Canada and Northern Ireland Screen.

Foley’s next book, Archerfield, a novel, published in 2015, covers 16,000 years of history in one square mile of Scotland.

Foley is a member of the Writers’ Guild of Great Britain, a Fellow of the British Association of Communicators in Business, and is made an honorary life member of the National Union of Journalists in June 2006.


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Death of Columba, Founder of the Monastery of Iona

Columba (or Colum Cille), Irish abbot and missionary evangelist credited with spreading Christianity in what is today Scotland at the start of the Hiberno-Scottish mission., dies on June 9, 597.

He is born into the Cenél Conaill, a branch of the Northern Uí Néill, then Ireland’s most powerful dynasty. His place of birth is reputedly Gartan in modern day County Donegal, though there is no contemporary evidence for this.

His is the son of Fedlimid, who is said to be a great-grandson of Niall Nóigiallach, and his wife Eithne. The Irish form of his name, Colum Cille, has been taken to mean ‘Dove of the Church’. He is fostered and baptised by a priest named Cruithnechán, who lives near his birthplace. It is reputed that he undergoes schooling in bardic studies. His biographer, Adomnán (c. 624–704), states that he receives monastic training under a bishop whom he names variously as Findbarr or Finnio, who can most likely be identified as Finnian of Movilla. Otherwise little is known of his early life.

Adomnán states that Columba leaves Ireland in his forty-second year. Later tradition records that his departure is an act of penitence for instigating the battle of Cúl Dreimhne in 561, supposedly because he surreptitiously copies a Psalter lent to him by his former master, Finnian. Adomnán simply states, however, that he leaves Ireland to become a “pilgrim for Christ.” He probably also wishes to sever himself from the secular concerns arising from his family connections. Whatever the reason, he remains in Scotland for the rest of his life, returning to Ireland only on a few occasions.

His choice of Iona, an island off the Ross of Mull on the western coast of Scotland, as a monastic refuge is influenced by the contacts that his family has with the kingdom of Dál Riata and its rulers. Certainly it is under Dál Riata patronage that he subsequently founds the island monasteries of Campus Lunge (on Tiree) and Hinba, which more recent opinion takes to have been the island of Colonsay. He also founds churches in Inverness, probably following on his meeting with and likely conversion of Bridei I, king of the Picts. All of Iona’s foundations, on both sides of the Irish Sea, are under the headship of the abbot of the mother-house, and many of the abbots of the most important houses of the paruchia of Iona are of Columba’s kin-group. Although many foundations elsewhere in Scotland and in Northumbria are later attributed to him, it is doubtful whether Iona evangelises outside of Ireland, Dál Riata and Pictland. Yet there can be no doubt of his political influence. He “ordains” Áedán king of Dál Riata, and his influence and connections enable him to strengthen the alliance between the Uí Néill and Dál Riata.

One of the few, if not the only, times he leaves Scotland is toward the end of his life, when he returns to Ireland to found the monastery at Durrow.

According to traditional sources, Columba dies in Iona on Sunday, June 9, 597, and is buried by his monks in the abbey he created. However, Dr. Daniel P. McCarthy disputes this and assigns a date of 593 to Columba’s death. The Annals record the first raid made upon Iona in 795, with further raids occurring in 802, 806 and 825. Columba’s relics are finally removed in 849 and divided between Scotland and Ireland.

Colmcille is one of the three patron saints of Ireland, after Patrick and Brigid of Kildare. He is the patron saint of the city of Derry, where he founded a monastic settlement in c. 540. The Catholic Church of Saint Colmcille’s Long Tower, and the Church of Ireland St. Augustine’s Church both claim to stand at the spot of this original settlement. The Church of Ireland Cathedral, St. Columb’s Cathedral, and the largest park in the city, St. Columb’s Park, are named in his honour. The Catholic Boys’ Grammar School, St. Columb’s College, has him as Patron and namesake.

St. Columba’s National School in Drumcondra is a girls’ school named after the saint.

St. Colmcille’s Primary School and St. Colmcille’s Community School are two schools in Knocklyon, Dublin, named after him, with the former having an annual day dedicated to the saint on June 9.

The town of Swords, Dublin is reputedly founded by Colmcille in 560 AD. St. Colmcille’s Boys’ National School and St. Colmcille’s Girls’ National School, both located in the town of Swords, are also named after the Saint as is one of the local Gaelic teams, Naomh Colmcille.

The Columba Press, a religious and spiritual book company based in Dublin, is named after Colmcille.

Aer Lingus, Ireland’s national flag carrier has named one of its Airbus A330 aircraft in commemoration of the saint (reg: EI-DUO).

(Pictured: Columba banging on the gate of Bridei, son of Maelchon, King of Fortriu)


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Birth of Linda Martin, Singer & Television Presenter

Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.

Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.

Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.

The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.

Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.

The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.

Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.

Martin is one of the hosts on the RTÉ quiz show The Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.

Martin is a guest performer at Congratulations: 50 Years of the Eurovision Song Contest concert in Copenhagen, Denmark, in October 2005. She is also the Irish spokesperson for Eurovision Song Contest 2007 and is one of the five judges for Eurosong 2009. In 2012, she is the mentor for Jedward in the Irish Eurovision final Eurosong 2012.

During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.

Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.