Patterson is born on October 5, 1938, in Clonmel, County Tipperary. As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988, he is featured host in a Saint Patrick’s Day celebration of music and dance at New York City’s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumor. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Born John Gerard Smyth, upon joining the Norbertine Roman Catholic religious order in 1945, he changes his name to Brendan. The Norbertines, also known as the “Premonstratensians,” are aware of Smyth’s crimes as early as the late 1970s, yet they do not report him to either the Garda Síochána or the Royal Ulster Constabulary (RUC). He is moved from parish to parish and between dioceses and countries whenever allegations are made. In some cases, the order does not inform the diocesan bishop that Smyth has a history of sexual abuse and should be kept away from children. He abuses children in parishes in Rhode Island and North Dakota and at one time works in Boston and is suspected of similar actions while on pastoral work in Wales and Italy. Norbertine Father Bruno Mulvihill makes several attempts to alert church authorities about the abuse committed by Smyth.
Smyth’s first conviction follows the reporting to police of his abuse of four siblings in Belfast’s Falls Road. After his arrest in 1991, he flees to the Republic of Ireland, where he spends the next three years on the run, staying mostly at Kilnacrott Abbey. This leads to the collapse of the Fianna Fáil–Labour Party coalition government in December 1994 when the poor handling of an extradition request from the RUC by the Irish Attorney General‘s office leads to a further delay of Smyth’s trial. An award-winning UTVCounterpoint programme on the scandal by journalist Chris Moore, followed by a book, accuses the head of the Norbertines and the Archbishop of Armagh of mishandling the case, and the Norbertines of negligence and a failure to tell others of Smyth’s crimes, enabling him to sexually abuse large numbers of children for 40 years.
Smyth dies in prison of a heart attack at the age of 70 on August 22, 1997, after collapsing in the exercise yard, one month into a 12-year prison sentence. The Norbertines hold his funeral before dawn and cover his grave with concrete to deter vandalism. He is buried in Kilnacrott Abbey, which is later put up for sale with 44 acres of land, including the grave.
On October 27, 2005, the title “Reverend” is removed from his gravestone following a campaign by one of Smyth’s victims.
Reviewers of the case differ as to whether there is a deliberate plot to conceal Smyth’s behaviour, incompetence by his superiors at Kilnacrott Abbey, or some combination of factors. Cahal Daly, both as Bishop of Down and Connor, a diocese where some of the abuse takes place, and later as Cardinal Archbishop of Armagh, is recorded as having been privately furious at the Norbertine “incompetence.” Smyth’s activities are investigated by the Northern Ireland Historical Institutional Abuse Inquiry, finding that: “…despite knowing his history of abusing children, the Norbertine religious order moved Smyth to different dioceses where he abused more children…”
In 2010, Daly’s successor as Roman Catholic Archbishop of Armagh, Cardinal Seán Brady, faces “huge pressure to resign” after he admits that in 1975, he witnessed two teenage boys sign oaths of silence after testifying in a Church inquiry against Smyth. Survivor groups see this as evidence of collusion, but Brady says he “did not have the authority” to turn Smyth in. On March 17, 2010, the Deputy First Minister of Northern Ireland, Martin McGuinness, calls for Brady to resign.
In 2013, some of Smyth’s alleged Rhode Island victims between 1965 and 1968, both male and female, call for the Diocese of Providence to investigate Smyth. As of 2019, he is among those listed by the Diocese of Providence as being “credibly accused” of committing sex abuse.
Module 6 of the 2014-2016 Northern Ireland Historical Institutional Abuse Inquiry is dedicated to Smyth’s crimes in Northern Ireland.
A two-part dramatisation of the Smyth case, Brendan Smyth: Betrayal of Trust, is broadcast by the BBC on March 13, 2011, with Ian Beattie in the title role and Richard Dormer as Chris Moore.
(Pictured: Father Brendan Smyth, Our Lady of Mercy, East Greenwich, Rhode Island, USA, c. 1965)
O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.
In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.
In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.
O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).
O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”
As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”
O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.
The regiment’s 916 men are organized into 10 companies designated with the letters A–I and K. Most of the companies are organized in Orleans Parish, although Company D is from Tensas Parish, Company C from St. Landry Parish, and Company A from Union Parish and Sabine Parish. The unit’s first colonel is Isaac Seymour, its first lieutenant colonel is Louis Lay, and its first major is Samuel L. James. Over half of the unit’s men with known places of birth are born outside of the United States, primarily from Ireland. In its early days, the unit has a reputation for being disorderly and hard to control. Seymour has to publicly rebuke several officers in late 1861 for drunkenness.
On May 23, 1862, the regiment sees action in the Battle of Front Royal and captures two Union battle flags in a skirmish at Middletown the next day. May 25 sees the regiment engage in the First Battle of Winchester, where MacArthur is killed, and on June 9 it fights in the Battle of Port Republic, in which 66 of its men are killed or wounded. MacArthur’s role as major is then filled by Nathaniel G. Offutt. After Port Republic, Jackson’s men are transferred to the Virginia Peninsula to take part in the Seven Days Battles, and the 6th Louisiana skirmishes at Hundley’s Corner on June 26 before fighting in the Battle of Gaines’ Mill the next day. Seymour leads the brigade at Gaines’ Mill, since Richard Taylor is ill. The Louisianans, known as the Louisiana Tigers, become bogged down in Boatswain’s Swamp, are repulsed with loss, and withdraw from the battle. Seymour is killed during the charge and is replaced by Strong. Offutt takes over Strong’s position as lieutenant colonel, and William Monaghan becomes colonel.
Moving north with Jackson in August, the regiment fights in the Manassas Station Operations at Bristoe Station, Virginia on August 26 and Kettle Run, Virginia the following day. At Kettle Run, the regiment holds off a Union advance while the 8th Louisiana burns a bridge, and then the two regiments, joined by the 60th Georgia Infantry Regiment and the 5th Louisiana Infantry Regiment, fight against the Union Army‘s Excelsior Brigade and the brigade of Colonel Joseph Bradford Carr. It then fights in the Second Battle of Bull Run on August 29-30, 1862. At Second Bull Run, it is part of the brigade of Colonel Henry Forno. On the first day of the battle, Forno’s brigade helps repulse James Nagle‘s Union brigade. On the morning on 30 August 30, it is sent to the rear for supplies and does not rejoin the fighting that day.
After Second Bull Run, the 6th Louisiana fights in the Battle of Chantilly on September 1, 1862, where the Louisiana brigade is routed with the 5th, 6th, 8th, and 14th Louisiana regiments suffering the heaviest casualties in the Confederate army, and on September 17 sees action in the Battle of Antietam. At Antietam, the regiment is part of Harry T. Hays‘s brigade. During the fighting, Hays’s brigade charges toward the Miller’s Cornfield and is cut to pieces, with the brigade suffering 61 percent casualties. The 6th Louisiana loses 52 men killed or wounded, including Colonel Strong, who is killed and replaced with Offutt. All 12 officers of the 6th Louisiana that see action at Antietam are killed or wounded. Monaghan becomes lieutenant colonel and is replaced as major by Joseph Hanlon. Offutt in turn resigns on November 7 and is replaced by Monaghan. Hanlon becomes lieutenant colonel, and Manning is promoted to major. The regiment is held in reserve at the Battle of Fredericksburg on December 13, 1862, and is not directly engaged, although it does come under Union artillery fire.
An inspection in January 1863 rates the 6th Louisiana as having “poor” discipline and moderately good at performance in drills. Along with the 5th Louisiana Infantry, the regiment contests a Union crossing of the Rappahannock River on April 29, 1863. Union troops are able to force a crossing, and the 6th Louisiana has 7 men killed, 12 wounded, and 78 captured. It then fights in the Second Battle of Fredericksburg on May 3, 1863, where 27 of the unit’s men are captured. While part of the regiment is captured, most of the unit is able to withdraw from the field in better condition than the other Confederate units positioned near it. It then fights at the Battle of Salem Church the next day. Altogether, the 6th Louisiana Infantry sustains losses of 14 killed, 68 wounded, and 99 captured at the Battle of Chancellorsville. It next sees combat on June 14, 1863, in the Second Battle of Winchester, where it joins its brigade of other Louisiana units in capturing a Union fort.,
At the Battle of Gettysburg on July 1-3, 1863, the 6th Louisiana is still in Hays’ brigade. On July 1, the brigade is part of a Confederate charge that sweeps the Union XI Corps from the field, although it is less heavily engaged than some of the other participating Confederate brigades. Entering the town of Gettysburg, the brigade captures large numbers of disorganized Union troops. On the evening of the following day, the brigade is part of a failed attack against the Union position on Cemetery Hill. It then spends July 3, the final day of the battle, skirmishing. The Confederates, who are defeated at Gettysburg, withdraw from the field on July 4. The regiment takes 232 men into the fighting at Gettysburg and suffers 61 casualties.
Back in Virginia, the 6th Louisiana fights in the Bristoe campaign in October 1863 and is overrun in the Second Battle of Rappahannock Station on November 7, losing 89 men captured. In the spring of 1864, it fights in Ulysses S. Grant‘s Overland Campaign. On May 5, 1864, in the Battle of the Wilderness, the regiment helps repulse a Union attack, after Hays’ brigade had been repulsed and badly bloodied earlier in the battle. It then fights in the Battle of Spotsylvania Court House on May 9-19, 1864. On May 12, the regiment is part of its brigade’s fighting at the Mule Shoe. The brigade is badly wrecked at the Mule Shoe, and only 60 men are present at the 6th Louisiana’s roll call the next morning. From June through October, it is detached as part of Jubal Early‘s command to fight in the Valley campaigns of 1864. Monaghan is killed in battle in late August and is not replaced as colonel. At the Battle of Cedar Creek in October 1864, one company of the 6th Louisiana sees both men present shot. After the battle, the 5th, 6th, and 7th are consolidated into a single company when the brigade is reorganized due to severe losses. Taking part in the Siege of Petersburg, the 6th Louisiana’s survivors fight at the Battle of Hatcher’s Run on February 6, 1865, and at the Battle of Fort Stedman on March 25.
The 6th Louisiana’s remnants end their military service when Robert E. Lee‘s Confederate army surrenders on April 9, after the Battle of Appomattox Court House. At the time of the surrender, the 6th Louisiana has been reduced to 52 officers and men. Over the course of its existence, 1,146 men serve in the unit. Of that total, 219 are combat deaths, 104 die of disease, one man drowns, five die accidentally, one man is executed, and at least 232 desert. Desertions are particularly heavy in three companies that primary consist of men born outside of the United States.
(Pictured: National colors of the “Orleans Rifles” or Company H, Sixth Louisiana Infantry Regiment during the American Civil War)
O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.
O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.
O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).
In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.
In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.
During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.
After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.
O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.
O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.
O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.
There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”
O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”
(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Bedford then mainly works in theatre in the United States, on both coasts, but mainly in New York City both on and off Broadway. He is in the premiere of Tennessee Williams‘s last play Small Craft Warnings at the New Theatre in New York in 1972. Other stage appearances include Brian Friel’s The Mundy Scheme in New York in 1969 and as John Adams in the nationwide tour of the musical 1776. He appears in over 200 stage productions throughout his career.
Bedford dies at the age of 67 on November 20, 1999, in Manhattan, New York City, of cancer six weeks after entering the hospital.
Brenan is born in Cork, County Cork, on November 17, 1828. He begins to write verse at an early age and is one of the genuine poets of the Young Ireland movement. His earlier poems are published under the initials “J. B., Cork,” or “J. B—n,” and some of his American verses under the pseudonym “Gondalez.” He is also an able prose writer.
Brenan is an active member of the Cork Historical Society, and is one of the editors of the Cork Magazine, which appears in November 1847, and continues to be published until the end of 1848, when the journal ceases publication. Some of its contributors, who include Frazer, Martin MacDermott, Fitz James O’Brien, Mulchinock and Mary Savage, later either end up in jail or in exile.
In January 1848, John Mitchel visits Cork and, according to Michael Cavanagh, who publishes a sketch of Brenan’s life in Young Ireland, Dublin, in June and July 1885, Brenan for the first time “beheld the man he most admired on earth, and with whose future destiny, whether for weal or woe, he felt his own was bound up. Never had the archenemy of England a more faithful or earnest follower.”
Brenan contributes to the Mitchel’s United Irishman and sells his rifle to obtain train fare so he can take up his residence in Dublin, the headquarters of the revolutionary movement. He later publishes articles in John Martin‘s The Irish Felon urging the Confederate Clubs members, many of whom have arms, to be in readiness for action. “The sooner you realise the fact,” he writes in a letter addressed to the Members of the Provincial Confederate Clubs, “that the Confederation was got up for the purpose of doing something, the better for us all. Just think what it undertook to do. It undertook to defeat the strongest Government and to liberate the most degraded country that ever existed. It undertook to give – to a province—to strike the chains off millions of slaves and, if necessary, to wash out the iron moulds in blood.”
In another letter to “the Young Men of Ireland” on July 22, 1848, he writes, “On you I principally rely. You realise that you are very ‘rash,’ rather inclined to be ‘violent,’ and have exceedingly little prudence to spare. Brothers, let your watchword be ‘Now or never—now and forever’ rashly.”
Brenan is associated with John Savage and John O’Mahony while Savage is operating on the slopes of the Comeragh Mountains. He is arrested and kept in prison for seven months alternately in Newgate Prison, Carrickfergus and Kilmainham Gaols. During his confinement he writes some fine poems, according to T. F. O’Sullivan, one, entitled Yearnings, evidently addressed to Mary Savage, sister of John.
After his release without trial in March 1849, Brenan becomes editor of the Irishman which had been started in Dublin by Bernard Fulham, and for six months attempts to rekindle the insurrectionary flame in the country. He is implicated in the attack on the Cappoquin police barracks on September 16, 1848, and in October escapes to the United States.
In America Brenan becomes associated with a number of journals, including Horace Greeley‘s New-York Tribune, Devin Reilly’s People, The Enquirer of Newark, New Jersey, and the New Orleans Delta in which he writes a series of papers under the pen-name Ben Fox. On August 27, 1851, he marries Mary Savage, in her parents’ house, on Thirteenth Street, New York.
Brenan writes some articles and poems for John Mitchel’s Irish Citizen in 1854. He is an enthusiastic supporter of the Southern cause and founds the New Orleans Times.
Brenan dies on May 27, 1857, at the early age of twenty-nine and is buried in the old French cemetery of New Orleans. During the last year of his life, he is almost totally blind. He is attended in his last illness by Dr. Dalton Williams. There are seven children of his and Mary’s marriage, only one of whom, Florence, survives their parents. She possesses her father’s literary ability but devotes her life to religion as a member of the Mercy Order.
Brenan’s best-known poem, “Come to Me, Dearest,” is addressed to Mary Savage before their marriage. The love story of Brenan and Mary is told in the sketch by Ellen Mary Patrick Downing, afterwards Sister Mary Alphonsus.
Ernest Bernard (Ernie) O’Malley, Irish republican revolutionary and writer, is born on May 26, 1897, in Ellison Street, Castlebar, County Mayo, the second child among nine sons and two daughters of Luke Malley, solicitor’s clerk, of County Mayo, and Marion Malley (née Kearney) of County Roscommon. Christened Ernest Bernard Malley, his adoption of variations on this name reflects his enthusiasm for a distinctively Irish identity – an enthusiasm that lay at the heart of his republican career and outlook.
In 1906, O’Malley’s family moves to Dublin, where he attends the Christian Brothers‘ School, North Richmond Street. In 1915, he begins to study medicine at University College Dublin (UCD). Having initially intended to follow his older brother into the British Army, he rather joins the Irish Volunteers in the wake of the 1916 Easter Rising, as a member of F Company, 1st Battalion, Dublin Brigade. He becomes a leading figure in the Irish Republican Army (IRA) during the Irish War of Independence which the Easter Rising helps to occasion. In 1918, having twice failed his second-year university examination, he leaves home to commit himself to the republican cause. He is initially a Volunteer organiser with the rank of second lieutenant, under the instruction of Richard Mulcahy, operating in Counties Tyrone, Offaly, Roscommon, and Donegal. His work in 1918 involves the reorganisation, or new establishment, of Volunteer groups in the localities.
In August 1918, O’Malley is sent to London by Michael Collins to buy arms. During 1919 he works as an IRA staff captain attached to General Headquarters (GHQ) in Dublin, and also trains and organises Volunteers in Counties Clare, Tipperary, and Dublin. He has a notable military record with the IRA during the Irish War of Independence and is a leading figure in attacks on Hollyford barracks in County Tipperary (May 1920), Drangan barracks in County Kilkenny (June 1920), and Rearcross barracks in County Tipperary (July 1920). His IRA days thus involve him with comrades such as Dan Breen, Séumas Robinson, and Seán Treacy. In December 1920, he is captured in County Kilkenny by Crown forces. He escapes from Dublin’s Kilmainham Gaol in February 1921, to take command of the IRA’s 2nd Southern Division, holding the rank of commandant-general.
O’Malley’s republican commitment has political roots in his conviction that Ireland should properly be fully independent of Britain, and that violence is a necessary means to achieve this end. But the causes underlying his revolutionism are layered. Family expectations of respectable, professional employment combined with a religious background and an enthusiasm for soldiering provide some of the foundations for his IRA career. As an IRA officer he enjoys professional, military expression for a visceral CatholicIrish nationalism. He also finds excitement, liberation from the frequent dullness of his life at home, defiant rebellion against his non-republican parents, an alternative to his stalled undergraduate career, and, in political and cultural Irish separatism, a decisive resolution of the profound tension between his anglocentrism and his anglophobia.
O’Malley rejects the 1921 Anglo–Irish Treaty as an unacceptable compromise. He spends the 1921 truce period training IRA officers in his divisional area, in preparation for a possible renewal of fighting. He is, in the event, to be a leading anti-treatyite in the 1922–23 Irish Civil War. In the Four Courts in 1922, at the start of the latter conflict, he is captured on the republicans’ capitulation on June 30 but then manages to escape from captivity. Subsequently he is appointed assistant Chief of Staff of the anti-Treaty IRA and also becomes part of a five-man anti-Treaty army council, along with Liam Lynch, Liam Deasy, Frank Aiken and Thomas Derrig.
O’Malley is dramatically captured and badly wounded by Free State forces in Dublin in November 1922. Imprisoned until July 1924, he is during the period of his incarceration elected as a TD for Dublin North in the 1923 Irish general election and is also a forty-one-day participant in the republican hunger strike later that year. Following release from prison, he returns home to live with his parents in Dublin. He decides not to focus his post-revolutionary energy on a political career. During 1926–28 and 1935–37 he unsuccessfully tries to complete his medical degree at UCD, but increasingly his post-1924 efforts are directed toward life as a Bohemian traveler and writer. He spends much of 1924–26 on a recuperative journey through France, Spain, and Italy; and 1928–35 traveling widely in North America. During 1929–32 he spends time in New Mexico and Mexico City. In Taos, New Mexico, he mixes with, and is influenced by, writers and artists as he works on what are to become classic autobiographies of the Irish revolution: On Another Man’s Wound (1936) and The Singing Flame (1978).
O’Malley meets Helen Hooker, daughter of Elon and Blanche Hooker, in Connecticut in 1933. They marry in London in 1935, each rejecting something of their prior lives in the process: he, his Irish republicanism, through marriage to somebody entirely unconnected with that world; she, her wealthy and respectable upbringing, through liaison with a Catholic, Irish, unemployed, bohemian ex-revolutionary. They settle first in Dublin then, from 1938 onward, primarily in County Mayo. Burrishoole Lodge, near Newport, is his main base until 1954, when he moves to Dublin. Three children are born to the O’Malleys: Cahal (1936), Etáin (1940), and Cormac (1942). Sharing enthusiasm for the arts, he and Helen enjoy several years of intimacy. However, by the mid-1940s their relationship has frayed. In 1950, Helen kidnaps (the word is used by both parents and by all three children) the couple’s elder two children and takes them to the United States. From there she divorces O’Malley in 1952. Cormac remains with his father.
O’Malley’s post-American years are devoted to a number of projects. He writes extensively, including work for The Bell and Horizon. He is involved with the film director John Ford in the making of his Irish films, including The Quiet Man (1952). He gives radio broadcasts on Mexican painting for BBC Third Programme (1947), and on his IRA adventures for Radio Éireann (1953). In the latter year he suffers a heart attack, and his remaining years are scarred by ill health. He dies of heart failure on March 25, 1957, in Howth, County Dublin, at the house of his sister Kathleen. Two days later he is given a state funeral with full military honours. He is buried in the Malley family plot in Glasnevin Cemetery, Dublin.
O’Malley exemplifies some important themes in modern Irish political and intellectual history. His powerful memoirs form part of a tradition of writing absorbedly about Ireland, while under idiosyncratic emigrant influences which lend the writing much of its distinctiveness. His aggressive republicanism exemplifies a persistent but ultimately unrealisable tradition of uncompromising IRA politics. His unflinching single-mindedness is the condition for much courageous and striking activity, but also lay behind his infliction and his suffering of much pain. Literary, intellectual, and defiantly dissident, he is the classic bohemian revolutionary. His historical significance lies in his having been both a leading Irish revolutionary and the author of compelling autobiographical accounts of those years. His memoirs are distinguished from their rivals on the shelf by subtlety, self-consciousness, and literary ambition. In particular, his preparedness to identify motives for Irish revolutionary action, beyond the terms of ostensible republican purpose, renders his writing of great value to historians. Similarly, the large body of archival material left in his name (especially, perhaps, the papers held in UCD archives, and those in the private possession of his children) leaves scholars in his debt. The most striking and evocative visual images of O’Malley are, arguably, the set of photographic portraits taken in 1929 by Edward Weston and held at the University of Arizona‘s Center for Creative Photography (CCP). These capture with precision his reflective concentration, his piercing earnestness, and his troubled intensity.
(From: “O’Malley, Ernest Bernard (‘Ernie’)” by Richard English, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Photograph of Ernie O’Malley taken by Helen Hooker, New York City, 1934)
Higgins returns to Ireland and attends University College Dublin (UCD), studying English and French. For several years he is a teacher in several Dublin inner city schools. While at university he joins the Labour Party and becomes active in the Militant Tendency, an entryistTrotskyist group that operates within the Labour Party. Throughout his time in the Labour Party, he is a strong opponent of coalition politics, along with TDs Emmet Stagg and Michael D. Higgins. He is elected to the Administrative Council of the Labour Party by the membership in the 1980s. In 1989, he is expelled alongside 13 other members of Militant Tendency by party leader Dick Spring. The group eventually leaves the party and forms Militant Labour, which becomes the Socialist Party in 1996.
Higgins speaks out against the Iraq War while a TD, and addresses the Dublin leg of the March 20, 2003 International Day of Action. He is also prominent in the successful 2005 campaign to bring Nigerian school student Olukunle Eluhanla back to Ireland after he had been deported. He remains an opponent of the deportation policy.
Higgins uses his platform in the Dáil to raise the issue of exploitation of migrant and guest workers in Ireland. He and others claim that many companies are paying migrants below the minimum wage and, in some cases, not paying overtime rates. He expresses opposition in the Dáil to the jailing of the Rossport Five in July 2005. He raises the outsourcing of jobs by Irish Ferries in the Dáil in November 2005, requesting new legislation to regulate what he describes as “these modern slavers.”
Higgins is elected again as TD for Dublin West at the 2011 Irish general election. He wins the third seat (of four) with 8,084 first preference votes. In his first speech in the 31st Dáil, he opposed the nomination of Fine Gael‘s Enda Kenny as Taoiseach. On May 4, 2011, Kenny is forced to apologise to Higgins in the Dáil after falsely accusing him of being a supporter of Osama bin Laden after Higgins offers criticism of his assassination by the CIA. He had asked the Taoiseach, “Is assassination only justified if the target is a reactionary, anti-democratic, anti-human rights obscurantist like bin Laden?”
In the Dáil, Higgins accuses TánaisteEamon Gilmore of doing nothing for the 14 Irish citizens being held “incommunicado” by Israel in November 2011. In December 2011, he describes as a disgraceful campaign of intimidation the fines imposed by the government on people who are unable to pay a new household charge brought in as part of the latest austerity budget and says to Enda Kenny that he will be “the new Captain Boycott of austerity in this country.” He asks that Minister for FinanceMichael Noonan provide EBS staff with the 13th month end-of-year payment they are being denied.
In September 2012, Higgins publicly disagrees with former Socialist Party colleague Clare Daly, saying it is “unfortunate” that she has resigned from the party, but that it is impossible for Daly under the banner of the Socialist Party to continue to offer political support to Mick Wallace, who is at that time embroiled in scandal.
Higgins announces in April 2014 that he will not contest the next Dáil election. At the time he states his belief that the “baton of elected representation” should be carried by another generation of Socialist Party politicians — like Ruth Coppinger and Paul Murphy.
seamus dubhghaill 