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Tag Archives: Ypres Salient


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The Tunnel Trench Assault at the Battle of Cambrai

At dawn on the morning of November 20, 1917, the 16th (Irish) Division of the British Army assaults an area of the German lines known as “Tunnel Trench,” named for an elaborate tunnel system that runs along it. The attack is meant as a diversion for the main attack, about eight miles to the southeast at Cambrai, France, where six infantry and two cavalry divisions of the British Expeditionary Force, with additional support from fourteen squadrons of the Royal Flying Corps, join the British Tank Corps in a surprise attack on the German lines.

By autumn 1917, three years into World War I, continuous shelling and lack of drainage has transformed the Ypres Salient, on the Western Front, into a waterlogged quagmire. In Ireland, meanwhile, a month earlier, Eamon de Valera becomes president of Sinn Féin and decides to push for an independent Irish republic. Despite the growing political turmoil at home, in France, on firm ground near the town of Cambrai, the British Army’s 16th (Irish) Division again proves to be formidable adversaries for the Germans.

According to the divisional historian, at Cambrai, the “swift and successful operation by 16th Division was a model of attack with a limited objective.” In addition to securing 3,000 yards of trench, 635 prisoners are captured from the German army’s 470th and 471st Regiments and 330 German bodies are counted in the trenches. More importantly, though, the mayhem caused by the diversionary assault contributes greatly to the initial success of the Cambrai offensive, though the offensive eventually sputters, dragging the war into 1918.

Cambrai becomes the field of operations when the British Commander-in-Chief, Field Marshal Douglas Haig, recognising that it is impossible to launch further military operations in the Ypres sector, seeks a new battlefield where he hopes success can be achieved before year’s end. Lieutenant Colonel John Fuller of the Tank Corps and General Julian Byng, commander of the Third Army, recommend that a massed assault by 400 tanks should be mounted across the firm, chalky ground to the southwest of Cambrai. Haig adopts this proposal, confident that the tanks can punch a hole through the mighty Hindenburg Line and allow his underused Cavalry Divisions to break through to the enemy rear.

In order to create maximum confusion among the Germans, Sir Aylmer Haldane, commander of VI Corps, is ordered to stage a diversionary attack. The area selected for the assault is about eight miles to the northwest of Cambrai, where the British line passes through the villages of Bullecourt and Fontaine-lès-Croisilles. The units select to make this subsidiary attack are 3rd Army and 16th (Irish) Division.

The defences of the Hindenburg Line opposite VI Corps positions consists of Tunnel Trench, a heavily defended front-line trench, with a second, or support trench, some 300 yards behind. The whole area is scattered with concrete machine gun forts, or Mebus, similar to those that had decimated the 16th (Irish) Division at the Battle of Langemarck three months earlier.

Tunnel Trench is so called because it has a tunnel 30 or 40 feet below ground along its entire length, with staircase access from the upper level every 25 yards. The entire tunnel has electric lighting, and side chambers provide storage space for bunks, food, and ammunition. Demolition charges are set that can be triggered from the German rear in order to prevent the defences from falling into British hands.

The 16th (Irish) Division, attacking on a three-brigade front, is assigned the task of capturing a 2,000-yard section of the trench network. On the right flank of the Irishmen, 3rd Division’s 9th Brigade is detailed to capture an additional 800 yards. One unusual feature of the attack is that there is to be no preliminary bombardment as surprise is the key to the success of the operation. Once the assault begins, however, 16th (Irish) Division’s artillery, reinforced with guns from the 34th Division, is to open a creeping barrage upon the German positions.

The morning of the advance, November 20, is overcast, with low visibility. At 6:20 a.m., the Divisional 18 pounder-field guns open fire, and the leading assault companies spring from their jump-off positions. At the same time, Stokes mortars begin to lay a smoke barrage upon the German trenches in imitation of a gas attack. This deception proves successful, as many German troops don cumbersome gas masks and retreat to the underground safety of the tunnel, thus leaving the exposed portion of the trench undefended.

On the left flank, the attack of the 49th Brigade is launched by 2nd Royal Irish Regiment and 7/8th Royal Irish Fusiliers. They quickly cross the 200 yards of no-man’s-land and reach the enemy frontline just as the barrage lifts. Resistance above ground is minimal, and storming parties began the task of flushing the Germans from the tunnel with Mills bombs and bayonets.

Once the tunnel is secure, sappers, acting on information obtained by 7th Leinster Regiment’s intelligence officer, cut the leads connecting the demolition charges. Supporting companies then press on to capture Tunnel Support Trench, while Divisional support units rapidly wire and made secure the new defensive front in anticipation of German counterattacks.

Only on the extreme left flank does 49th Brigade encounter any serious opposition. In this sector, Company “B” of the 7/8th Royal Irish Fusiliers suffers heavy losses inflicted by concentrated machine gun fire from Mebus Flora. Nearly one-hour elapses before resistance from this strong point can be overcome.

In the centre, 10th and 2nd Royal Dublin Fusiliers head the attack of the 48th Brigade. The advance here is so rapid that the Irish find many Germans still wearing gas masks and unable to fight. Two more Mebus, Juno and Minerva, are stormed and many more prisoners taken, particularly by 10th Royal Dublin Fusiliers which captures 170 Germans.

Leading the attack on the right flank is 6th Connaught Rangers and 1st Royal Munster Fusiliers, both of which belong to the 47th “Irish Brigade.”

After capturing their assigned section of Tunnel Trench, two companies of Rangers press forward to assault the strong points known as Mars and Jove. The Division had learned from the disastrous frontal attack made at Langemarck, and so the Rangers work around to the rear before pressing home with the bayonet.

Unfortunately, 3rd Division fails in its attempt to capture the trench network immediately to the right of 16th (Irish) Division, and the flank of the Connaught Rangers is thus exposed to a savage counterattack. The Rangers ferociously engage the Germans and use captured “potato masher” grenades brought up from the tunnel to great effect. Eventually, overwhelming numbers begin to tell, and “A” Company is forced to yield Jove and fall back upon “B” Company, which is holding Mars.

These two isolated companies doggedly hold their ground for several hours. The situation only improves when the Divisional pioneer battalion, the 11th Hampshire Regiment, digs a communication trench across the fire-swept no-man’s-land, thereby allowing the support companies of the Rangers to come to the aid of their comrades. The front is finally stabilised three days later when 7th Leinster Regiment recaptures and consolidates Jove and successfully assaults the untaken section of Tunnel Trench.

On the first day of the Battle of Cambrai, General Byng’s eight attacking Divisions achieve complete surprise and pierce the Hindenburg Line, driving the Germans back four miles toward Cambrai itself. Having captured 8,000 prisoners and 100 guns for the loss of only 5,000 British casualties, it is small wonder that church bells are sounded in celebration in Britain for the first time during the war.

Unfortunately, Byng lacks sufficient reserves to exploit, or consolidate his success, and German counterattacks, launched by some 20 Divisions, recover most of the lost ground. Although the battle ultimately ends in failure for the British, the willingness to employ new weaponry and tactics at Cambrai and during the diversionary assault upon Tunnel Trench, points the way to the final victory in 1918.

Although the capture of Tunnel Trench contributes greatly to the early success at Cambrai, it proves costly as VI Corps suffers 805 casualties. Most of these occur close to Jove Mebus, where the Connaught Rangers had engaged the enemy in hand-to-hand combat.

Perhaps an idea of the ferocious nature of this form of trench warfare can be gleaned from Father William Doyle, chaplain of the 8th Royal Irish Fusiliers, who once remarks, “We should have had more prisoners, only a hot-blooded Irishman is a dangerous customer when he gets behind a bayonet and wants to let daylight through everybody.”

(From: “Tunnel Trench: 16th (Irish) Division Clears the Way at Cambrai,” by Kieron Punch, posted by The Wild Geese, http://www.thewildgeese.irish, January 18, 2013 | Pictured: Troops from the Royal Irish Regiment about to go into action at Cambrai)


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Death of Frederick William Hall, Victoria Cross Recipient

Frederick William Hall, VC, Irish Canadian recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces, dies on April 24, 1915, at Poelcappelle, Belgium.

Hall is born in Kilkenny, County Kilkenny, on February 21, 1885. His father is a British Army soldier from London. He emigrates to Canada around 1910, and lives on Pine Street in Winnipeg, Manitoba. He is 30 years old, and a company sergeant major (CSM) in the 8th (Winnipeg Rifles) Battalion, Canadian Expeditionary Force during World War I when he performs a deed for which he is awarded the Victoria Cross.

It is on the night of April 23, 1915, during the Second Battle of Ypres in Belgium that Hall discovers a number of men are missing. On the ridge above he can hear the moans of the wounded men. Under cover of darkness, he goes to the top of the ridge on two separate occasions and returns each time with a wounded man.

By nine o’clock on the morning of April 24 there are still men missing. In full daylight and under sustained and intense enemy fire, Hall, Cpl. Payne and Pvt. Rogerson crawl out toward the wounded. Payne and Rogerson are both wounded but return to the shelter of the front line. When a wounded man who is lying some 15 yards from the trench calls for help, Company Sergeant-Major Hall endeavors to reach him in the face of very heavy enfilade fire by the enemy. He then makes a second most gallant attempt and is in the act of lifting up the wounded man to bring him in when he falls, mortally wounded in the head. The soldier he is attempting to help is also shot and killed.

Hall’s name can be found on the Menin Gate Memorial to the Missing war memorial in Ypres, Belgium, honouring 56,000 troops from Britain, Australia, Canada and India whose final resting place in the Ypres salient is unknown.

In 1925, Pine Street in Winnipeg is renamed Valour Road because three of Canada’s Victoria Cross recipients resided on the same 700 block of that street: Frederick Hall, Leo Clarke and Robert Shankland. It is believed to be the only street in the British Commonwealth to have three Victoria Cross recipients to live on it, let alone the same block. A bronze plaque is mounted on a street lamp at the corner of Portage Avenue and Valour Road to tell the tale of these three men.


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Birth of Thomas MacGreevy, Poet & Former Director of the National Gallery of Ireland

Thomas MacGreevy, a pivotal figure in the history of Irish literary modernism, is born on October 26, 1893, in Tarbert, County Kerry. A poet, he is also director of the National Gallery of Ireland from 1950 to 1963 and serves on the first Irish Arts Council (An Chomhairle Ealaíon).

MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.

At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.

In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.

In 1927, MacGreevy moves to Paris to teach English at the École normale supérieure. Here he meets Samuel Beckett and resumes his friendship with Joyce. His essay The Catholic Element in Work In Progress is published in 1929 in Our Exagmination Round His Factification for Incamination of Work In Progress, a book intended to help promote Joyce’s Finnegans Wake. Along with Beckett, he is one of those who signs the Poetry is Vertical manifesto which appears in issue 21 of transition. In 1931, he produces critical studies of both Eliot and Richard Aldington.

In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.

Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.

In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.

From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).

MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.

MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.

During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.


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Dom Columba Marmion Beatified by Pope John Paul II

Dom Columba Marmion, a Dublin priest who is credited with curing an American woman of cancer, is beatified by Pope John Paul II on September 3, 2000.

Marmion is born April 1, 1858, in Dublin, the seventh of nine children of William Marmion and Herminie Marmion (née Cordier). He attends St. Laurence O’Toole’s, a primary school run by the Augustinian Fathers of John’s Lane. On January 11, 1869, he transfers to Belvedere College, where he receives an excellent grounding in Greek and Latin from the Jesuit Fathers. From there, he proceeded in January 1874 to Clonliffe College, where he remains until December 1879, when the new Archbishop of Dublin, Dr. Edward MacCabe, selects him for further theological studies in Rome.

Marmion is in Rome at the Pontifical Irish College, studying theology at the Propaganda College, for eighteen months (December 1879 – July 1881). Although invited by the authorities at Propaganda to present himself for the doctorate degree, he turns down the offer for health reasons, on account of the necessary extra year in Rome which this would entail. On returning to Dublin, he spends the first year as curate in Dundrum parish. This is followed by four years (1882–86) as professor of philosophy at Clonliffe. On October 25, 1886, he receives from the newly appointed Archbishop of Dublin, Dr. William Walsh, his dimissorial letters, granting him permission to join the Benedictine order. On November 21, 1886, he enters the newly founded Belgian Maredsous Abbey, with which, by virtue of the Benedictine vow of stability, he is to be associated for the rest of his life.

The first thirteen years of his monastic life (1886–99) are spent at Maredsous Abbey itself. After an unsuccessful start in the abbey school as a kind of housemaster to the junior boys, he finds his feet within the community through congenial work, notably the teaching of Thomistic philosophy to the junior monks. He also gradually builds up a reputation as a spiritual guide through the exercise of ministry on a small scale in the surrounding area. The next decade (1899–1909) finds him in Leuven as prior and professor of dogmatic theology at Mont César Abbey, which is founded and staffed by Maredsous. This decade provides a wide outlet for his matured spiritual doctrine through his lectures on dogmatic theology in Mont César, his retreats to priests and religious, and his private correspondence. The third and final phase of his monastic life begins when the chapter of Maredsous elects him as its third abbot in 1909.

An invitation is received from the Belgian government from December 1909 to April 1910 to undertake a Benedictine foundation in Katanga, part of the Belgian Congo. In spite of pressure from government quarters the chapter of Maredsous refuses the offer, and Marmion accepts this negative decision. In 1913 the entire community of Anglican Benedictines of Caldey Island, Wales, transfer their allegiance from Canterbury to Rome. Marmion becomes deeply involved in the spiritual and canonical process of the reception of the community into the Catholic church.

The outbreak of World War I ushers in four years of grave anxiety for Marmion. Belgium is not completely occupied but retains sovereignty over an area extending inland about twenty miles to the Ypres Salient. This enables the young monks of Maredsous, for whom Marmion had found a temporary home in Edermine, County Wexford, to travel to and from the Western Front, where they are being called up to serve as stretcher bearers in the Belgian army. He does his utmost to maintain the unity of his community between those who had remained in Maredsous and the Edermine group.

The first of Marmion’s great spiritual books, Christ, the Life of the Soul, appears in 1916, and its phenomenal success has been described as a silent plebiscite. This is followed by Christ in His Mysteries (1919), Christ the Ideal of the Monk (1922), and Sponsa Verbi (1923). The books are able to appear in rapid succession since they are compiled from his existing conference notes.

One final piece of important monastic and ecclesiastical and even political business absorbs much of Marmion’s energies, although strictly speaking it is not of his remit. His strenuous efforts to install Belgian monks in the Abbey of the Dormition on Mount Zion in Jerusalem following the internment (November 1918) of the original German Benedictine community by the victorious British forces are of no avail, the question being finally settled by the reinstallation of the German (Beuronese) monks in 1921.

Marmion dies at Maredsous on January 30, 1923, following a brief illness which originates in a chill and is aggravated by influenza.

Marmion is beatified by Pope John Paul II on September 3, 2000. This is the outcome of a popular reputation for holiness which had increased steadily since his death and the procedures for beatification prompted in 1954 by Mgr. Montini, the future Pope Paul VI. The canonical steps are: diocesan process at Namur (1957–61); examination at Rome of Marmion’s writings (1960–73); a critical biography (1987–94), written by Mark Tierney, OSB, for the Roman process on the ‘heroicity’ of Marmion’s virtues which concluded in June 1999; and finally, an inexplicable cure of cancer through Marmion’s intercession, judged as miraculous by Rome on January 25, 2000.

The originality of Marmion’s spiritual doctrine lay in his truly central emphasis on the doctrine of our adoption as the children of God in baptism. Many of his predecessors had also emphasised this doctrine, but few had made it the focus from which everything radiated and to which everything returned. The second characteristic of Marmion’s teaching, a much more personal trait, is the conviction of authenticity communicated by his writings, of the greatness of our sharing in the sonship of the Word. This makes a deep and lasting impression on the reader and gives an infinitely sacred meaning to the title ‘children of God’ and thereby to the whole of life. The third characteristic of Marmion’s teaching is the simplicity with which the deepest theological truths are presented – truths which preachers often feel their people cannot ‘take,’ and hence are left unsaid. Marmion presents these truths directly from St. John and St. Paul, and not merely in familiar extracts but in the whole sweep of their texts.

(From: “Marmion, Dom Columba” by Placid Murray, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of Poet Francis Edward Ledwidge

Francis Edward Ledwidge, Irish poet sometimes known as the “poet of the blackbirds,” is born on August 19, 1887, to a poor family in Slane, County Meath. He is later also known as a World War I war poet.

Ledwidge starts writing at an early age and is first published in a local newspaper at the age of fourteen. Finding work as a labourer and miner, he is also a trade union activist and a keen patriot and nationalist, associated with Sinn Féin. He becomes friendly with a local landowner, the writer Lord Dunsany, who gives him a workspace in the library of Dunsany Castle and introduces him to literary figures including William Butler Yeats and Katharine Tynan, with whom he has a long-term correspondence. He is elected to a local authority post and helps organise the local branch of the Irish Volunteers, while Dunsany edits and helps him secure publication for a first volume of his poetry.

Having sided with the faction of the Irish Volunteers which oppose participation in the war, he enlists in the Royal Inniskilling Fusiliers in October 1914, and continues to write poetry on assignment, sending work to Lord Dunsany and to family and other friends. The poems he writes on active service reveal his pride at being a soldier, as he believes, in the service of Ireland. He often wonders whether he would find a soldier’s death.

On July 31, 1917, a group from Ledwidge’s battalion of the Royal Inniskilling Fusiliers are road-laying in preparation for an assault during the Third Battle of Ypres, near the village of Boezinge, Ypres Salient, Belgium.

According to Irish author and lecturer Alice Curtayne, “Ledwidge and his comrades had been toiling since the early morning at roadmaking. The army’s first need was men; their second, guns; their third roads. These latter consisted mainly of heavy beech planks bolted together, which could be rapidly laid down. No advance could be supported in that sodden land without a sufficiency of these communications tracks, six or seven feet wide. Supplies were conveyed by pack mules over the wooden paths. Survivors concur in placing the road work done by B Company that day one mile northeast of Hellfire Corner, so called because it was very exposed to German shelling. There was a violent rainstorm in the afternoon, shrouding the region in a gray monochrome. Sullenly, the enemy’s long-range guns continued to fling their shells far behind the lines. Roadwork could not be suspended, however, as the tracks were in use as fast as they were laid down. Tea was issued to the men and drenched to the skin, they stopped to swallow it. A shell exploded beside Ledwidge, and he was instantly killed.”

A Roman Catholic military chaplain, Father Devas, is the first on the scene. That night, Father Devas writes in his diary, “Crowds at Holy Communion. Arranged for service but washed out by rain and fatigues. Walk in rain with dogs. Ledwidge killed, blown to bits, at Confession yesterday and Mass and Holy Communion this morning. R.I.P.”

Ledwidge is first buried at Carrefour de Rose, and later re-interred in the nearby Artillery Wood Military Cemetery, at Boezinge, where the Welsh poet Hedd Wyn, who was killed in action on the same day, also lies buried.

Dunsany arranges for the publication of more of Ledwidge’s poems, and a collected edition in 1919. Further poems, from the archives at Dunsany Castle and some material held by family, are later published by Ledwdige’s biographer, Alice Curtayne, and by one of the Ledwidge memorial societies. Ledwidge is selected as one of twelve prominent war poets for the exhibition Anthem for Doomed Youth at the Imperial War Museum in London in 2002, and memorialised at an event in Inchicore, Dublin, in 2017, with his work set to music by Anúna. A museum of his life and work is opened in his birthplace cottage in 1982. Some of his manuscripts are held in the National Library of Ireland and more in the archives of Dunsany Castle.


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Death of Irish Poet Francis Edward Ledwidge

Francis Edward Ledwidge, Irish poet from County Meath, sometimes known as the “poet of the blackbirds,” is killed in action He was later also known as a World War I war poet. He was killed in action on July 31, 1917, at the Battle of Pilckem Ridge near Boezinge, Ypres Salient, Belgium.

Born on August 19, 1887, to a poor family in Slane, County Meath, Ledwidge starts writing at an early age, and is first published in a local newspaper at the age of fourteen. Finding work as a labourer and miner, he is also a trade union activist and a keen patriot and nationalist, associated with Sinn Féin. He becomes friendly with a local landowner, the writer Lord Dunsany, who gives him a workspace in the library of Dunsany Castle and introduces him to literary figures including William Butler Yeats and Katherine Tynan, with whom he has a long-term correspondence. He is elected to a local authority post and helps organise the local branch of the Irish Volunteers, while Dunsany edits and helps him secure publication for a first volume of his poetry.

Having sided with the faction of the Irish Volunteers which oppose participation in the war, he enlists in the Royal Inniskilling Fusiliers in October 1914, and continues to write poetry on assignment, sending work to Lord Dunsany and to family and other friends. The poems he writes on active service reveal his pride at being a soldier, as he believes, in the service of Ireland. He often wonders whether he would find a soldier’s death.

On July 31, 1917, a group from Ledwidge’s battalion of the Royal Inniskilling Fusiliers are road-laying in preparation for an assault during the Third Battle of Ypres, near the village of Boezinge, northwest of Ypres.

According to Irish author and lecturer Alice Curtayne, “Ledwidge and his comrades had been toiling since the early morning at roadmaking. The army’s first need was men; their second, guns; their third roads. These latter consisted mainly of heavy beech planks bolted together, which could be rapidly laid down. No advance could be supported in that sodden land without a sufficiency of these communications tracks, six or seven feet wide. Supplies were conveyed by pack mules over the wooden paths. Survivors concur in placing the road work done by B Company that day one mile northeast of Hellfire Corner, so called because it was very exposed to German shelling. There was a violent rainstorm in the afternoon, shrouding the region in a gray monochrome. Sullenly, the enemy’s long-range guns continued to fling their shells far behind the lines. Roadwork could not be suspended, however, as the tracks were in use as fast as they were laid down. Tea was issued to the men and, drenched to the skin, they stopped to swallow it. A shell exploded beside Ledwidge and he was instantly killed.”

A Roman Catholic military chaplain, Father Devas, is the first on the scene. That night, Father Devas writes in his diary, “Crowds at Holy Communion. Arranged for service but washed out by rain and fatigues. Walk in rain with dogs. Ledwidge killed, blown to bits; at Confession yesterday and Mass and Holy Communion this morning. R.I.P.”

Ledwidge is first buried at Carrefour de Rose, and later re-interred in the nearby Artillery Wood Military Cemetery, at Boezinge, where the Welsh poet Hedd Wyn, who was killed in action on the same day, also lies buried.

Dunsany arranges for the publication of more of Ledwidge’s poems, and a collected edition in 1919. Further poems, from the archives at Dunsany Castle and some material held by family, are later published by Ledwdige’s biographer, Alice Curtayne, and by one of the Ledwidge memorial societies. Ledwidge is selected as one of twelve prominent war poets for the exhibition Anthem for Doomed Youth at the Imperial War Museum in London in 2002, and memorialised at an event in Inchicore, Dublin, in 2017, with his work set to music by Anúna. A museum of his life and work is opened in his birthplace cottage in 1982. Some of his manuscripts are held in the National Library of Ireland and more in the archives of Dunsany Castle.