Mitchel is born Jane Verner around 1820 near Newry, County Down. At the time she, her brother and her mother, Mary Ward, are living with Captain James Verner (1777–1847), who is from a prominent Armagh family, and is involved in the Orange Order, going on to become Orange deputy grandmaster of Ireland in 1824. Although James Verner raises Mitchel, she is not believed to be his child. She attends Miss Bryden’s School for Young Ladies in Newry.
Mitchel meets her husband, John Mitchel, when she is fifteen. The couple elopes in November 1836, but do not marry as James Verner pursues them to Chester and brings her home to Ireland. They elope again in 1837, and are married at Drumcree Church, County Armagh, on February 3. At this point, Mitchel is disowned by James Verner, and goes to live with her in-laws at Dromalane, County Down. They then move to Banbridge in 1839 where her husband practises law. The couple goes on to have six children, three daughters and three sons.
The couple moves to Dublin in October 1845 when John Mitchel becomes the assistant editor of The Nation. They live at 8 Ontario Terrace, Rathmines, where they meet Young Irelanders. She is a full supporter of her husband’s nationalism. She aids in his work with The Nation, reading other newspapers, keeping and filing reference clippings, going on to become an editor and anonymous contributor to the United Irishman from February 1848. John Mitchel is convicted of treason for inciting insurrection in May 1848, and is sentenced to fourteen years’ transportation. Mitchel urges his fellow Young Irelanders to fight his removal, and denounces them when they fail to come out in support of him.
Due to her standing in the nationalist community, £1,450 is raised to support her and her family. For three years, Mitchel lives in Newry and Dublin, before she joins her husband in Van Diemen’s Land (Tasmania) in June 1851, where they settle in the village of Bothwell. Their youngest child, Isabel, is born there in 1853.
The Mitchels travel around the island with her husband, visiting fellow Irish exiles, becoming fond of William Smith O’Brien in particular.
When John Mitchel escapes in July 1853, Mitchel travels with her children to join him in Sydney, from where they sail to the United States. They live for a time in Brooklyn, New York, from 1853 to 1855, rekindling friendships with old friends who are fellow Young Ireland exiles.
In May 1855, the family moves to a remote farm at Tucaleechee Cove in Tennessee. She fears that the isolation and life in a primitive log cabin will be detrimental to their children’s education, and at her behest the family moves to Knoxville, Tennessee, in September 1856. From here, John Mitchel runs a pro-slavery newspaper, the Southern Citizen.
The family moves again in December 1858 to Washington, D.C. Mitchel supports her husband in the Southern cause, albeit with some reservation. Nothing, she says, will induce her “to become the mistress of a slave household.” Her objection to slavery is “the injury it does to the white masters.”
Mitchel accompanies her husband to Paris in September 1860, and in opposition to some of the family, she supports her daughter Henrietta’s conversion to Catholicism and entrance into a convent. She remains in Paris and Ireland with her daughters, while her husband and sons assist the Confederacy during the American Civil War. Without letting her husband know, she resolves to return to America when she hears of her youngest son, William’s, death at Gettysburg in July 1863. She sails with her daughters, Mary and Isabel, as Henrietta had died earlier the same year. While their ship runs a blockade by the Union, the ship is shelled, runs aground, and catches fire near the coast of North Carolina. She and her daughters are unhurt, but lose all of their possessions. By December 1863, she has joined her husband in Richmond, Virginia, remaining their for the rest of the Civil War. Their eldest son, John, is killed in action in July 1864.
The family returns to New York after the war, and John Mitchel sets up another paper, The Irish Citizen (1867–72). Due to lack of funding for the Irish American press and her husband’s ill health results in the family falling into poverty. This is alleviated by a testimonial raised by William and John Dillon in 1873. Mitchel is widowed in March 1875, going on to receive $30,000 from nationalist sympathisers. She invests this money in a photolithographic firm she and her son, James, run. She dies at home in Bedford Park, New York, on December 31, 1899. She is buried in Woodlawn Cemetery, Bronx, New York, with her plot marked with a large Celtic cross. She is survived by two of her children, James (1840–1908) and Mary (1846–1910).
Cusack achieves his most famous victory on April 15, 1974, by winning the Boston Marathon, becoming the first and only Irishman to do so. His time of 2:13:39 is the third-fastest in Boston Marathon history at that point. His Boston win is a source of immense pride for the Irish community, especially in Boston. He recalls receiving $10 and $20 bills from Irish Americans in the mail with notes like “Have a beer on us, we’re proud of you!” His victory helps soothe the disappointment of local Irish fans who had seen fellow Irish runner Pat McMahon come close in previous years.
In 2024, on the 50th anniversary of his Boston win, Cusack returns to serve as the official race starter for the professional men’s division of the Boston Marathon.
Now in his 70s, Cusack remains a celebrated figure in Irish athletics and marathon history.
O’Hegarty is born to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).
O’Hegarty is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.
O’Hegarty serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.
O’Hegarty has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.
In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.
O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.
O’Hegarty is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.
O’Hegarty’s son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.
Deegan studies architecture at Cooper Union. He marries Violet Secor (1889-1969) and has one son, William Secor Deegan (1909-85). At the age of 35 he serves in World War I as a staff officer in the 105th Field Artillery, rising to the rank of major.
Deegan later joins the United States Army Corps of Engineers as a major, where he supervises the construction of military bases in the New York area under the command of GeneralGeorge Washington Goethals. After the war he helps organize the American Legion in 1919, advancing to State Commander in 1921. In 1922 he is considered a strong candidate to become national commander of the Legion at their convention in New Orleans but is defeated due to his strong advocacy for admitting Black veterans into the organization. Advocacy for the rights of Black people is a strong theme throughout Deegan’s career, including during his position as Tenement House Commissioner.
Deegan works as an architect at a number of distinguished firms, including McKim, Mead & White, Post, Magnicke and Franke, and Starrett and van Vleck. Later in life he holds a number of political positions, most of them in the Bronx. He is President of the Bronx Chamber of Commerce until the chamber grows critical of MayorJimmy Walker, at which point he resigns. In 1928, Mayor Walker appoints him Tenement House Commissioner of New York City, a post he holds for the rest of his life, and in 1930, chairman of the Mayor’s Committee on Receptions to Distinguished Guests, or “official greeter,” a job in which he is preceded by his friend Rodman Wanamaker and eventually succeeded by Grover Whalen.
In 1934, aged 16, McAlinden is playing for Glentoran Reserves, when after a game against their reserves, he is offered a professional contract by Belfast Celtic. Together with Jackie Vernon, Tommy Breen, Billy McMillan and Charlie Tully, he subsequently becomes a prominent member of the Celtic team managed by Elisha Scott. This team dominates the Irish League in the era before and during World War II. Among his most notable contributions is scoring in the 2–1 win against Bangor in the 1938 Irish Cup final.
In December 1938, McAlinden signs for Portsmouth for a fee of £7.500. He makes his debut for the club against Chelsea and goes on to become a regular in the side. Within six months of his arrival at the club, he helps them win the 1939 FA Cup final, beating Wolverhampton Wanderers 4–1. After the outbreak of World War II, he plays three times for Portsmouth in wartime regional leagues, but his first spell with the club ends when he then returns to Belfast Celtic in 1939. He returns to Portsmouth for a second stint in 1946. In September 1947, he leaves Portsmouth once again and joins Stoke City for a fee of £7,000.
Following the end of his second stint with Belfast Celtic and before he rejoins Portsmouth, McAlinden signs for Shamrock Rovers in September 1945. He makes his debut against Shelbourne at Glenmalure Park on September 16. While playing for Rovers his teammates include Paddy Coad, Peter Farrell and Tommy Eglington. During his one season with Rovers, he helps the club reach the 1946 FAI Cup final. However Rovers lose 3–1 to Drumcondra.
McAlinden joins Stoke City in September 1947 for a then club record fee of £7,000. He becomes regular inside forward under manager Bob McGrory in 1947–48, playing in 33 matches scoring just twice against Aston Villa and Huddersfield Town. His lack of goals sees him fall out of favour at the Victoria Ground and he is sold to Third Division South side Southend United in October 1948.
In 1948, Southend United signs McAlinden from Stoke City for a fee of £8,000. He continues to play for United until 1954 and during his time with the club he serves as club captain. He also becomes something of a cult hero among the club’s fans and is remembered as being possibly the best player ever to play for the club. In 1950, he is caught up in controversy after it is alleged that he received illegal payments during his second spell with Portsmouth. As a result, he is suspended for the first two months of the 1950–51 season. In April 1954, he makes his last home appearance for United in a 4–1 win over Queens Park Rangers.
When McAlinden begins his international career in 1937 there are in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based Irish Football Association (IFA) and the Irish Free State–based Football Association of Ireland (FAI), claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including McAlinden play for both teams.
Between 1937 and 1948, McAlinden makes five appearances for the IFA XI, making his international debut in a 1–1 draw with Scotland at Pittodrie Stadium on November 10, 1937. His IFA XI appearances also include the 8–4 defeat against a Combined Services XI at Windsor Park on September 9, 1944. This team is basically a Great Britain XI and features, among others, Matt Busby, Stanley Matthews, Tommy Lawton and Stan Mortensen. He also plays against England in 7–2 defeat at Windsor Park on September 9, 1946. He makes his last appearance for the IFA XI on October 10, 1948, in a 6–2 defeat to England at Windsor Park. He makes his first three appearances for the IFA XI while with Belfast Celtic, his fourth while at Portsmouth and his fifth while at Southend United.
In 1946, while with Portsmouth, McAlinden also makes two appearances for the FAI XI. He is one of several players born in Northern Ireland who benefits from the FAI’s attempts to establish their all-Ireland influence. In June 1946, when the FAI organises an Iberian tour, he, together with Jackie Vernon, Billy McMillan and Paddy Sloan, is one of four Northern Irish players called up. He subsequently plays in both the 3–1 defeat to Portugal on June 16 and then helps Ireland gain a surprise 1–0 victory against Spain on June 23, 1946.
In 1955, McAlinden becomes player/manager of Glenavon. He continues playing for an additional year before finally retiring as a player to concentrate on management. During a thirteen-year stint with Glenavon, he guides them two Irish League titles, three Irish Cup victories and one Gold Cup. After leaving Glenavon, works as a full-time scout for Coventry City before taking charge at Lisburn Distillery in 1969. He subsequently guides a Distillery team that includes a young Martin O’Neill to a win in the 1971 Irish Cup. Later in his first season with Drogheda United, he guides them to the 1976 FAI Cup final, only to lose 1–0 to Bohemian.
McAlinden dies at the age of 75 on November 15, 1993.
On April 25, 1915, west of Cape Helles, Gallipoli, Ottoman Empire, Kenealy is 28 years old when he performs an act of bravery for which he is awarded the Victoria Cross. Three companies, and the Headquarters of the 1st Bn. Lancashire Fusiliers, in effecting a landing on the Gallipoli Peninsula to the west of Cape Helles, are met by a very deadly fire from hidden machine guns which causes a great number of casualties. The survivors, however, rush up to and cut the wire entanglements, notwithstanding the terrific fire from the enemy, and after overcoming supreme difficulties, the cliffs are gained and the position is maintained. Among the many very gallant officers and men engaged in this most hazardous undertaking, Capt. Willis, Serjt. Richards, and Pte. Kenealy are selected by their comrades as having performed the most signal acts of bravery and devotion to duty.
Kenealy is one of the six members of the regiment elected by their colleagues in the regiment for the award, and described in the press as “six VC’s before breakfast.” Lieutenant-General Sir Ian Hamilton, the overall Allied army commander at Gallipoli, orders that the beach be renamed Lancashire Landing because of his conviction that “no finer feat of arms has ever been achieved by the British Soldier – or any other soldier – than the storming of these beaches.”
Shortly afterward, Kenealy is promoted to corporal and then lance sergeant. He is seriously wounded in the Battle of Gully Ravine on June 28, 1915, and dies the following day. He is buried at Lancashire Landing Cemetery on the Gallipoli Peninsula.
Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.
From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Artsfirst class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.
In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.
During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.
In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.
Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.
Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. PresidentBill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.
Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.
John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.
Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”
Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.
Ireland formally applies for European Economic Committee (EEC) membership in July 1961. Ó Móráin, as Minister for Lands and the Gaeltacht, delivers a widely reported address to the Castlebar Chamber of Commerce in 1962. In the speech, he argues that Ireland is “ready to subscribe to the political aims of the EEC” and that Ireland does not want to be seen as “committed” to its policy of neutrality. In the ensuing controversy, he and Lemass deny that there is any suggestion Ireland might or should abandon neutrality. Outside the country, foreign governments see this episode as a deliberately provoked debate to evaluate the government’s domestic room for manoeuvre on neutrality.
Ó Móráin is appointed Minister for Justice by Taoiseach Jack Lynch in 1968. It is in this role that he is most remembered. While he is still Minister, the Arms Crisis in Ireland erupts in 1970. This political scandal sees Government ministers Charles Haughey and Neil Blaney dismissed by the Taoiseach for alleged involvement in a conspiracy to smuggle arms to the Irish Republican Army (IRA) in Northern Ireland. Ó Móráin continually suffers from ill health, which is accentuated by his alcoholism. When the Arms Crisis erupts, Lynch comes to see him in a hospital in Galway and asks for his resignation. Ó Móráin is a witness at the subsequent Arms Trial. He testifies that he had passed on Garda intelligence reports about the involvement of ministers with the IRA to the Taoiseach before the arms were seized at Dublin Airport. Hus evidence at the trial has been described as “erratic.”
Ó Móráin loses his Dáil seat at the 1973 Irish general election and retires from politics. He dies at his home in Sutton, Dublin, in on May 6, 1983. With a Fianna Fáil guard of honour, he is buried in Castlebar. With his wife, Madge, he has one daughter, Sorcha, and two sons, John, and Michael, who dies in a road accident in 1972.
Macardle is born in Dundalk, County Louth, on March 7, 1889, into a wealthy brewing family famous for producing Macardle’s Ale. Her father, Sir Thomas Callan Macardle, is a Catholic who supports John Redmond and the Irish Home Rule movement, while her mother, Lucy “Minnie” Macardle, comes from an English Anglican background and is politically a unionist. Lucy converts to Catholicism upon her marriage to Thomas. Macardle and her siblings are raised as Catholics, but Lucy, who is politically isolated in Ireland, “inculcated in her children an idealised view of England and an enthusiasm for the British empire“. She receives her secondary education in Alexandra College, Dublin—a school under the management of the Church of Ireland—and later attends University College Dublin (UCD). Upon graduating, she returns to teach English at Alexandra where she had first encountered Irish nationalism as a student. This is further developed by her first experiences of Dublin’s slums, which “convinced her that an autonomous Ireland might be better able to look after its own affairs” than the Dublin Castle administration could.
Between 1914 and 1916, Macardle lives and works in Stratford-upon-Avon in Warwickshire, England. There, her encounters with upper-class English people who express anti-Irish sentiment and support keeping Ireland in the British Empire by force further weakens her Anglophilia. Upon the outbreak of World War I, she supports the Allies, as does the rest of her family. Her father leads the County Louth recruiting committee while two of her brothers volunteer for the British Army. Her brother, Lieutenant Kenneth Callan Macardle, is killed at the Battle of the Somme, while another brother, Major John Ross Macardle, survives the war and earns the Military Cross. While Macardle is a student, the Easter Rising occurs, an experience credited for a further divergence of her views regarding republicanism and her family.
On January 19, 1919, Macardle is in the public gallery for the inaugural meeting of the First Dáil and witnesses it declare unilateral independence from the United Kingdom, which is ultimately the catalyst for the Irish War of Independence.
By 1919 Macardle has befriended Maud Gonne MacBride, the widow of the 1916 Easter Rising participant John MacBride, and together the two work at the Irish White Cross, attending to those injured in the war. It is during this period she also becomes a propagandist for the nationalist side.
Following the signing of the Anglo-Irish Treaty in December 1921, Macardle takes the anti-treaty side in the ensuing Irish Civil War. Alongside Gonne MacBride and Despard, she helps found the Women Prisoners’ Defence League, which campaigns and advocates for republicans imprisoned by the newly established Irish Free State government. It is also during this same time that she begins working alongside Erskine Childers in writing for anti-treaty publications An Phoblacht and Irish Freedom.
In October 1922, Despard, Gonne MacBride and Macardle are speaking at a protest on O’Connell Street, Dublin against the arrest of Mary MacSwiney, a sitting Teachta Dála, by the Free State when Free State authorities move to break it up. Rioting follows and Free State forces open fire, resulting in 14 people being seriously wounded while hundreds of others are harmed in the subsequent stampede to flee. Following the event, Macardle announces she is going to pursue support of the Anti-treaty side full-time in a letter to Alexandra College, which ultimately leads to her dismissal on November 15, 1922. In the following days Macardle is captured and imprisoned by the Free State government and subsequently serves time in both Mountjoy Prison and Kilmainham Gaol, with Rosamond Jacob as her cellmate. During one point at her time in Kilmainham, Macardle is beaten unconscious by male wardens. She becomes close friends with Jacob and shares a flat with her in Rathmines later in the 1920s.
The Irish Civil War concludes in the spring of 1923, and Macardle is released from prison on May 9.
Following the Irish Civil War, Macardle remains active in Sinn Féin and is drawn into the camp of its leader Éamon de Valera and his wife Sinéad. She travels alongside the de Valeras as they tour the country and she is a frequent visitor to their home. As the trust between Macardle and de Valera develops, de Valera asks her to travel to County Kerry to investigate and document what later becomes known as the Ballyseedy massacre of March 1923, in which a number of unarmed republican prisoners are reportedly killed in reprisals. She obliges, and by May 1924 she has compiled a report that is released under the title of The Tragedies of Kerry.” Immediately upon the release of the report, the Minister for DefenceRichard Mulcahy sets up an inquiry in June 1924 to carry out a separate investigation by the government. However, the government’s inquiry comes to the conclusion there had been no wrongdoing committed. Her book The Tragedies of Kerry remains in print and is the first journalistic historical account of the Irish Civil War from those on the republican side detailing Ballyseedy, Countess Bridge and various other incidents that occur in Kerry during this time.
In 1926, Éamon de Valera resigns as President of Sinn Féin and walks out of the party following a vote against his motion that members of the party should end their policy of abstentionism against Dáil Éireann. De Valera and his supporters, including Macardle, form the new political party Fianna Fáil in May 1926, with Macardle immediately elected to the party’s National Executive|Ard Chomhairle, one of six female members out of twelve on the original party National Executive, the others being Hanna Sheehy-Skeffington, Kathleen Clarke, Countess Constance Markievicz and Linda Kearns. Macardle is made the party’s director of publicity. However, she resigns from Fianna Fáil in 1927 when the new party endorses taking their seats in Dáil Eireann. Nevertheless, her views remain relatively pro-Fianna Fáil and pro-de Valera.
Macardle recounts her civil war experiences in Earthbound: Nine Stories of Ireland (1924). She continues as a playwright for the next two decades. In her dramatic writing, she uses the pseudonymMargaret Callan. In many of her plays a domineering female character is always present. This is thought to be symbolic of her own relationship with her own mother. Her parents’ marriage had broken up as her mother returned to England and her father raised the children with servants in Cambrickville and they were sent away for school. This female character holds back the growth and development of the younger female character in Dorothy’s plays and writings.
By 1931, Macardle takes up work as a writer for The Irish Press, which is owned by de Valera and leans heavily toward supporting Fianna Fáil and Irish republicanism in general. In addition to being a theatre and literary critic for the paper, she also occasionally writes pieces of investigative journalism such as reports on Dublin’s slums. In the mid-1930s she also becomes a broadcaster for the newly created national radio station Radio Éireann.
In 1937, Macardle writes and publishes the work by which she is best known, The Irish Republic, an in-depth account of the history of Ireland between 1919 until 1923. Because of the book, political opponents and some modern historians consider her to have been a hagiographer toward de Valera’s political views. In 1939 she admits, “I am a propagandist, unrepentant and unashamed.” Overall, however, the book is well-received, with reviews ranging from “glowing” to measured praise. She is widely praised for her research, thorough documentation, range of sources and narration of dramatic events, alongside reservations about the book’s political slant. The book is reprinted several times, most recently in 2005. Éamon de Valera considers The Irish Republic the only authoritative account of the period from 1916 to 1926, and the book is widely used by de Valera and Fianna Fáil over the years and by history and political students. She spends seven years writing the book in a cottage in Delgany, County Wicklow, and it is a day-by-day account of the history of the events in Ireland from 1919 to 1923 recorded in painstaking detail together with voluminous source material.
In 1937, de Valera’s Fianna Fáil government is able to create a new Constitution of Ireland following a successful referendum. However, there is widespread criticism of the new Constitution from women, particularly republican women, as the language of the new Constitution emphasises that a woman’s place should be in the home. Macardle is among them, deploring what she sees as the reduced status of women in this new Constitution. Furthermore, she notes that the new Constitution drops the commitment of the 1916 Proclamation of the Irish Republic to guarantee equal rights and opportunities “without distinction of sex” and writes to de Valera questioning how anyone “with advanced views on the rights of women” can support it. DeValera also finds her criticising compulsory Irish language teaching in schools.
While working as a journalist with the League of Nations in the late 1930s, Macardle acquires a considerable affinity with the plight of Czechoslovakia being pressed to make territorial concessions to Nazi Germany. Believing that “Hitler‘s war should be everybody’s war,” she disagrees with de Valera’s policy of neutrality. She goes to work for the BBC in London, develops her fiction and, in the war’s aftermath, campaigns for refugee children – a crisis described in her book Children of Europe (1949). In 1951, she becomes the first president of the Irish Society of Civil Liberties.
Macardle dies of cancer on December 23, 1958, in a hospital in Drogheda, at the age of 69. Though she is somewhat disillusioned with the new Irish State, she leaves the royalties from The Irish Republic to her close friend Éamon de Valera, who had written the foreword to the book. De Valera visits her when she is dying. She is accorded a state funeral, with de Valera giving the oration. She is buried in Sutton, Dublin.
Agar is known to have held particularly marked Calvinistic positions. He serves as Dean of Kilmore from 1765 to 1768, and then as Bishop of Cloyne until 1779.
In 1794, Agar is raised to the Peerage of Ireland as Baron Somerton. In 1801, he is translated to become Archbishop of Dublin and is created Viscount Somerton. In 1806, he is further honoured when he is made Earl of Normanton. These titles are all in the Peerage of Ireland. He remains as Archbishop of Dublin until his death in 1809, and from the beginning of 1801 onward, sits in the House of Lords as one of the twenty-eight original Irish representative peer, following the Acts of Union 1800 which unites Ireland and Great Britain.
Agar dies on July 14, 1809, aged 72, and is succeeded in his secular titles by his son Welbore Ellis Agar. He is buried in the north transept of Westminster Abbey. His widow Jane, Countess of Normanton, is buried alongside him following her death in 1826. His tomb dates from 1815 and is created by John Bacon.
seamus dubhghaill 