Cohalan is an outspoken critic during the Irish War of Independence, condemning acts of violence on both sides. In particular, he denounces the policy of reprisals. In July 1920, he pronounces an interdict on the killers of a Royal Irish Constabulary (RIC) sergeant, shot dead in the church porch in Bandon. He declares that anyone killing from ambush will be excommunicated. On December 12, 1920, Cohalan issues a decree saying that “anyone within the diocese of Cork who organises or takes part in ambushes or murder, or attempted murder, shall be excommunicated.” In turn, his life is threatened by the Irish Republican Army (IRA). In August 1928, he condemns the British government which had allowed Terence MacSwiney to die on hunger strike in 1920.
The Bessborough Home in Cork is run by the Sisters of the Sacred Hearts of Jesus and Mary and when the department “sought a change of superior in Bessborough because of the appallingly high death rate, he [Catholic Bishop of Cork Dr. Daniel Cohalan] denounced the request. The replacement of the Bessborough superior was delayed for four years after the department requested it, and many infants died during that time. It seems probable that the bishop’s intervention was elicited by the congregation.” In general, the report finds that the major causes of infant mortality in the homes were respiratory infections and gastroenteritis, while “public attention has focused on marasmus [malnutrition]” suggesting “willful neglect.” However, it says that “the term marasmus is best seen as indicating that a child was failing to thrive, but medical experts suggest that this was due to an underlying, undiagnosed medical condition.”
Cohalan dies in office at the age of 94 at Bon Secours Hospital, Cork, on August 24, 1952. A story, current at the time in Cork, refers to his antipathy towards bishops of the Church of Ireland who styled themselves “Bishop of Cork.” A month before his death, and on his deathbed, word is brought to him of the death of the Church of Ireland Bishop of Cork, Cloyne and Ross, Robert Hearn. The response of Cohalan, known “affectionately” as “Danny Boy”, is reputedly, “now he knows who’s Bishop of Cork.”
Quinlan is educated at Abbey CBS in Tipperary and works for a motor dealer after leaving school. He begins his rugby career with Clanwilliam F.C. He moves from Clanwilliam to join Shannon U20s in 1994. He captains the Irish Youth Team against Scotland in 1993. He normally plays as a blindside flanker, but he also plays openside, number eight and second row for Munster.
Quinlan begins playing for Munster in 1996 and captains the youths team before becoming a regular in the first team. In May 2006 he makes a comeback from a cruciate ligament injury earlier in the season to win both the AIB League Division 1 title with Shannon and the Heineken Cup with Munster after a late appearance from the bench in the Heineken Cup Final win over Biarritz in Cardiff. He captains the side from Number Eight in Munster’s upset victory over Ulster in Ravenhill Stadium in the 2007 Celtic League. He is voted Man of the Match as Munster beats Toulouse 16–13 on May 24, 2008 to win the Heineken Cup for a second time. He is part of the squad that wins the 2008–09 Celtic League. In total he holds five league medals with Shannon, as well as two Heineken Cup medals and a Celtic League Medal with Munster. He wins his 201st cap against Leinster, equaling Anthony Foley‘s club record for caps, on October 2, 2010. He becomes Munster’s most capped player ever on October 16, 2010, against Toulon in the Heineken Cup. In the 2009–10 season he represents Munster 21 times, including all eight of their 2010 Heineken Cup matches.
In April 2011, Quinlan officially announces his retirement from professional rugby, to be effective at the end of the 2010/11 season. He plays his last game for Munster on May 6, 2011, against Connacht in the Celtic League, scoring a try to mark the end of his remarkable career and going off to a standing ovation from the Munster and Connacht supporters. He joins the Munster team at the 2011 Celtic League Grand Final trophy presentation, celebrating Munster’s 19–9 victory over old rivals Leinster in Thomond Park.
Quinlan represents Ireland ‘A’ between 1998 and 2001 and makes his senior debut for the Irish national team in October 1999, as a replacement in a test against Romania. He plays his first Six Nations match against Italy in 2001. He is a part of Ireland’s squad at the 2003 Rugby World Cup in Australia and scores two tries in the tournament before dislocating his shoulder scoring a vital try against Argentina in the pool stages, which ends his involvement. He is named in Ireland’s 2007 Rugby World Cup squad but does not make any appearances. Ireland coach Eddie O’Sullivan is widely criticised afterwards for not using his bench. Quinlan takes his caps to a total of 27 by playing in the Autumn Internationals of 2008 against Canada and the All Blacks.
On April 21, 2009, Quinlan is named in the squad for the 2009 British & Irish Lions tour of South Africa. During Munster’s Heineken cup semi-final defeat to Leinster in May 2009, he is cited for making contact with the eye or eye area of Leinster captain Leo Cullen. The offence is deemed at the low range of seriousness and he receives a 12 playing week ban until September 9, 2009. As a result, he misses the Lions tour to South Africa.
Quinlan marries Irish model Ruth Griffin in Tipperary during the summer of 2008. They have one son named AJ who is born in January 2009. They later split up in June 2010. He releases an autobiography, Quinlan: Red Blooded, in 2010. He is a big golf fan and supports Liverpool.
Meehan’s father, a native of Manorhamilton, County Leitrim, is a prosperous farmer at Ballymahon, County Longford. He receives his early education in a hedge school and from a local curate at Ballymahon. In 1828 he enters the Pontifical Irish College in Rome, where he is a brilliant student, acquiring fluency in several languages. As a child he had loved to listen to stories of the Flight of the Earls and the Flight of the Wild Geese, and during his time in Rome he discovers the neglected graves of Hugh O’Neill and Hugh O’Donnell in the church of San Pietro in Montorio. He begins his lifelong research on the seventeenth century by locating and transcribing hitherto unstudied documents held in Roman repositories. Ordained in 1835, he is appointed curate at Rathdrum, County Wicklow in August and five months later is transferred to the parish of Saints Michael and John, Dublin. He is an excellent preacher and a strong advocate of temperance, and zealously discharges his parish duties.
A supporter of Daniel O’Connell and the repeal movement, Meehan is particularly attracted by the ideals of Young Ireland and becomes friendly with the principal writers of The Nation, especially Charles Gavan Duffy and James Clarence Mangan. He is Mangan’s confessor and attends his deathbed in 1849. The Young Irelanders often meet in his presbytery in Lower Exchange Street. From 1842 he contributes occasional verse and translations to The Nation using the pseudonym ‘Clericus’ and the initials ‘C. P. M.’ He defends the Young Irelanders from accusations of irreligion. During the debates on physical force in Conciliation Hall in July 1846 he supports the Young Ireland position and is shouted down by O’Connellites.
He secedes with the Young Irelanders from the Repeal Association and becomes a member of their Irish Confederation on its foundation in January 1847. Later that year he becomes president of the St. Patrick’s Confederate Club and delivers lectures to it on Irish history. A strong believer in the importance of history in creating national pride and awareness, he contributes The Confederation of Kilkenny (1846) and a translation of Daniel O’Daly, The Geraldines, their Rise, Increase and Ruin (1847) to The Nation‘s Library of Ireland historical series. He publishes a translation, with a valuable introduction and notes, of John Lynch‘s Latin life of Francis Kirwan, bishop of Killala 1645–61, as Portrait of a Christian Bishop (1848). In 1848 he resigns his presidency of the St. Patrick’s Confederate Club in the hope of becoming librarian or professor of modern languages at Queen’s College Galway but is unsuccessful.
For the rest of his life Meehan devotes himself to parish work and historical research, occasionally publishing articles and poems in the Hibernian Magazine and Irish Catholic Magazine. He also edits six volumes of the second series of James Duffy‘s Duffy’s Hibernian Magazine (1862–65). Having acquired a vast store of anecdotes and curious information from his research, he is an interesting companion who loves the company of poets and scholars and forms friendships with many young nationalist writers, including Denis Florence MacCarthy, John Keegan Casey and John Francis O’Donnell.
Most of Meehan’s research is devoted to Irish history, but he occasionally tackles other subjects, such as his translation from the Italian of Vincenzo Marchese’s Lives of the most eminent sculptors and architects of the order of St Dominic (2 vols, 1852). Although his work is marked by a strong sympathy for Catholicism and Irish nationalism, he is among the more scholarly historians associated with the Young Ireland movement. He is elected Member of the Royal Irish Academy (MRIA) in February 1865. Gavan Duffy lauds his efforts and ranks him with the great patriotic clerical scholars of the past who had devoted their lives to the study of Irish history.
Meehan repeatedly takes the opportunity to amend and expand his published works, producing revised editions of The Geraldines (as The Geraldines, their Rise, Increase and Ruin (reprinted 1878)), Confederation of Kilkenny (1882), and Lynch’s Life of Kirwan (1884). His other important publications are The Fate and Fortunes of the Earls of Tyrone (Hugh O’Neill) and Tyrconnel (Rory O’Donel), their flight from Ireland and death in exile (1868), and Rise and Fall of the Irish Franciscan Monasteries and Memoirs of the Irish Hierarchy in the Seventeenth Century (1870). He edits the essays of the Young Irelanders in The Spirit of the Nation (1882) and publishes editions of the poetry of Mangan in The Poets and Poetry of Munster (1883), with an important biographical memoir. His last scholarly work is to re-edit Literary Remains of the United Irishmen (1887) to include material left in manuscript by Richard R. Madden.
A small man, Meehan always wears a monocle attached to a silk ribbon, a tall silk hat, and a stout blackthorn stick. He suffers badly from indigestion for most of his life, and this aggravates a testy personality and a waspish tongue. He regularly falls out with friends, and few parishioners are foolhardy enough to brave his confessional. He retains strong anti-English views all his life. In the 1880s he encounters the young Arthur Griffith pulling down a union flag from a lamppost in Dublin and astounds the boy by congratulating rather than chastising him. His Young Ireland nationalism and irascible personality ensure that he never progresses beyond the position of curate in his forty-five years at Saints Michael and John. Here, he works alongside Fr. James Healy, a renowned wit, and the two men delight in trading caustic remarks. Healy is present at Meehan’s deathbed and admits to brushing away a tear – the only thing, he remarks, that had been brushed in that room for many years.
Meehan dies on March 14, 1890, at his presbytery in Dublin, and is buried in Glasnevin Cemetery. He is survived by two brothers, one of whom is also a priest. He is commemorated by a mural tablet erected by his parishioners in the church of Saints Michael and John.
(From: “Meehan, Charles Patrick” by James Quinn and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie)
Napier joins the Ulster Liberal Party, rising to become Vice President by 1969. That year, he leads a group of four party members who join the New Ulster Movement, accepting the post of joint Chairman of its political committee. The Liberal Party promptly expels him, but, working with Bob Cooper, he uses his position to establish a new political party, the Alliance Party of Northern Ireland, which seeks to become a political force that can command support from across the divided communities of the province, but remain pro-union. This aims to offer an alternative to what he describes as the sectarianism of the Ulster Unionist Party. Despite his faith he is a supporter of the Union.
Napier serves as the party’s joint leader from 1970 until 1972, then as its sole leader from 1973 to 1984. Under his leadership Alliance participates in successive assemblies that seek to solve the debate on the province’s position, including the Northern Ireland Assembly, 1973 in which he is a minister in the power-sharing Executive. In 1979 he comes closer to winning a seat in the Westminster Parliament than any other Alliance candidate up to that point when he is less than a thousand votes behind Peter Robinson‘s winning total in Belfast East in a tight three-way race. This record is beaten in 2010, when Naomi Long ousts Robinson from the same seat. When Napier steps down as leader in 1984 he receives many plaudits for his work. The following year he is knighted and in 1989 he stands down from Belfast City Council, seemingly to retire.
Napier dies at the age of 75 on July 2, 2011. He is survived by his wife, Briege, whom he marries in 1961, three sons and five daughters, and 23 grandchildren. A son predeceases him.
A man of intellectual power, O’Higgins is described by William Butler Yeats as “a great man in his pride confronting murderous men.” He is in fact murdered by maverick republicans while on his way to church.
O’Higgins is born in Stradbally, Queen’s County (County Laois since 1922) on June 7, 1892. Educated at University College Dublin, he is apprenticed to his uncle, a lawyer. Following the Easter Rising in 1916, he joins the Sinn Féinnationalist movement and is imprisoned. In 1918, while still in jail, he is elected to Parliament from Queen’s County, and in the next year he becomes assistant to the minister of local government, William Thomas Cosgrave. He goes on to become a prominent member of Cumann na nGaedheal.
As Minister for Justice, O’Higgins establishes the Garda Síochána police force and takes summary measures to restore order following the civil war between the Free State forces and the Irish Republican Army. His role in the execution of 77 republicans in 1922–23 makes him many enemies, as does his sardonic wit, his inflammatory speeches during the civil war, and his curtailment of the liquor trade.
On Sunday, July 10, 1927, O’Higgins is assassinated at the age of 35 on the Booterstown Avenue side of Cross Avenue in Booterstown, a coastal suburb of Dublin, while on his way to Mass at the Church of the Assumption. The assassination is carried out by three anti-Treaty members of the IRA, Timothy Coughlan, Bill Gannon and Archie Doyle, in revenge for O’Higgins’ part in the executions of the 77 IRA prisoners during the Irish Civil War.
None of the three assassins is ever apprehended or charged, but Coughlan, a member of Fianna Fáil as well as the IRA, is killed in 1928 in Dublin by a police undercover agent whom he is attempting to murder. The other two benefit from the amnesty to IRA members issued by Éamon de Valera, upon his assumption of power in 1932. Gannon, who dies in 1965, joins the Communist Party of Ireland and plays a central role in organising Irish volunteers for the Spanish Civil War. Doyle remains a prominent IRA militant and takes part in various acts in the early 1940s. He lives to an old age, dying in 1980, and continues to take pride in having killed O’Higgins.
In the 1992 Summer Olympics in Barcelona, Carruth steps up to the welterweight class. Following a bye in the round of 32, he defeats Mikaele Masoe of American Samoa on points in the round of 16. He defeats Andreas Otto of Germany on points in the quarterfinals and Arkhom Chenglai of Thailand in the semi-final. In the final he defeats Juan Hernández Sierra of Cuba on points.
Carruth’s medal is Ireland’s first ever gold medal in boxing, only a couple of hours after teammate Wayne McCullough has to settle for the silver in bantamweight. It is also the first Olympic gold medal for Ireland since Ron Delany won the Men’s 1500m event at the 1956 Summer Olympics in Melbourne, Australia.
Within a few days of Carruth winning his Olympic medal the Government of Ireland announces that he has been instantly promoted to sergeant within the Irish Army in recognition of his achievement at the Olympics. And, on the day of his return to Ireland, local pubs drop the price of beer to that of 1956.
Carruth turns pro in 1994 after taking leave from his job as a soldier in the Irish Army. He is trained by former Irish boxing great Steve Collins. He has limited success as a pro, losing in both of his defining pro bouts: in 1997 against Mihai Leu for the World Boxing Organization (WBO) Welterweight title and in 2000 against Adrian Stone for the International Boxing Organization (IBO) Light Middleweight title. He retires in 2000, after the loss to Stone, with a career professional record of 18-3-0.
In 2006, Carruth competes on the TV series Celebrity Jigs ‘n’ Reels. He serves as an expert boxing analyst for RTÉ‘s Olympic coverage in 2008, 2012 and 2016. In 2020, he appears in the fourth season of the Irish edition of Dancing with the Stars. He and his professional partner, Karen Byrne, are eliminated on February 3, 2020.
Butler is one of ten siblings, eight brothers and two sisters, but five of the sons die in childhood. As the eldest living son, he is the heir apparent and is styled with the corresponding courtesy title, which at first is Viscount Thurles but changed to Earl of Ossory when his father becomes marquess in 1642. His early years are spent in Ireland until 1647 when he accompanies his father to England. In 1648 his father renews his support for the royalist cause and he and his son have to flee to France, arriving in Caen in February 1648. Lady Ormond also moves to Caen, where she arrives on June 23, 1648, with his siblings.
Butler is an accomplished athlete and a good scholar. Having come to London in 1652 he is rightly suspected of sympathising with the exiled royalists, and in 1655 is jailed by Oliver Cromwell. After his release about a year later he goes into exile to the Netherlands where Charles II has his exile court at the time.
In 1662 Butler is called to the Irish House of Lords under a writ of acceleration as the Earl of Ossory. His father holds the title “5th Earl of Ossory” as one of his subsidiary titles. The acceleration makes Thomas Butler the 6th Earl of Ossory. This is the only substantive title he ever holds, as he predeceases his father and therefore never succeeds to his father’s titles. His eldest son, however, would later become the 2nd Duke of Ormond and the 7th Earl of Ossory.
Butler holds several military appointments: lieutenant-general of the army in Ireland (appointed in 1665); created an English peer as Lord Butler (in 1666); Lord of the Bedchamber to Charles II (appointed in 1660), a post he holds until his death.
In 1665 a fortunate accident allows Butler to take part in the Battle of Lowestoft against the Dutch, and in May 1672, being now in command of a ship, he fights against the same enemies in the Battle of Solebay, serving with great distinction on both occasions. He is partly responsible for this latter struggle, as on March 12, 1672, before war is declared, he attacks the Dutch Smyrna fleet, an action which he greatly regrets later in life. While visiting France in 1672 he rejects the liberal offers made by Louis XIV to induce him to enter the service of France and returning to England he adds to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he serves alongside his father as a Lord of the Admiralty.
Butler is intimate with William, Prince of Orange, and in 1677 he joins the allied army in the Netherlands, commanding the British contingent and winning great fame at the siege of Mons in 1678. He acts as deputy for his father, who is Lord Lieutenant of Ireland, and in parliament he defends Ormond’s Irish administration with great vigour. In 1680 he is appointed governor of English Tangier, but his death prevents him from taking up his new duties.
Butler dies on July 30, 1680, at Arlington House in London. He is buried provisionally in Westminster Abbey on July 31, 1680. The ceremony of burial is performed belatedly on November 13, 1680. Some say Butler’s body is later taken to Ireland and reburied in the family vault in St. Canice’s Cathedral, Kilkenny. James, his eldest son, succeeds him as the 7th Earl of Ossory and in 1688 becomes the 2nd Duke of Ormond.
One of Butler’s most intimate friends is John Evelyn, who eulogises him in his Diary.
(Pictured: “Thomas Butler, Earl of Ossory” by Peter Lely, painting, circa 1678, National Portrait Gallery)
Francis Patrick Mary Browne, distinguished Irish Jesuit and a prolific photographer, dies in Dublin on July 7, 1960. His best-known photographs are those of the RMS Titanic and its passengers and crew taken shortly before its sinking in 1912. He is decorated as a military chaplain during World War I.
Browne is born to a wealthy family in 1880 at Buxton House, Cork, County Cork, the youngest of the eight children of James and Brigid (née Hegarty) Browne. His mother is the niece of William Hegarty, Lord Mayor of Cork, and a cousin of Sir Daniel Hegarty, the first Lord Mayor of Cork. She dies of puerperal fever eight days after his birth. After the death of his father in a swimming accident at Crosshaven on September 2, 1889, he is raised and supported by his uncle, Robert Browne, Bishop of Cloyne, who buys him his first camera shortly before the younger man embarks on a tour of Europe in 1897.
In April 1912 Browne receives a present from his uncle: a ticket for the maiden voyage of RMS Titanic from Southampton, England, to Queenstown, Ireland, via Cherbourg, France. He travels to Southampton via Liverpool and London, boarding the RMS Titanic on the afternoon of April 10, 1912. He is booked in cabin A-37 on the Promenade Deck. He takes dozens of photographs of life aboard RMS Titanic on that day and the next morning. He captures the last known images of many crew and passengers, including captain Edward J. Smith, gymnasium manager T. W. McCawley, engineer William Parr, Major Archibald Butt, writer Jacques Futrelle and numerous third-class passengers whose names are unknown.
During his voyage on the RMS Titanic, Browne is befriended by an American millionaire couple who are seated at his table in the liner’s first-class dining saloon. They offer to pay his way to New York and back in return for him spending the voyage to New York in their company. He telegraphs his superior, requesting permission, but the reply is an unambiguous “GET OFF THAT SHIP – PROVINCIAL.”
Browne leaves the RMS Titanic when she docks in Queenstown and returns to Dublin to continue his theological studies. When the news of the ship’s sinking reaches him, he realises that his photos would be of great interest, and he negotiates their sale to various newspapers and news cartels. They appear in publications around the world. The Eastman Kodak Company subsequently gives him free film for life, and he often contributes to The Kodak Magazine. It is unknown what type of camera he used to shoot the famous photos aboard RMS Titanic.
After his ordination on July 31, 1915, Browne completes his theological studies. In 1916, he is sent to Europe to join the Irish Guards as a chaplain. He serves with the Guards until the spring of 1920, including service at the Battle of the Somme and at Locre, Wytschaete, Messines Ridge, Paschendaele, Ypres, Amiens and Arras in Flanders.
Browne is wounded five times during the war, once severely in a gas attack. He is awarded the Military Cross (MC) on June 4, 1917 “for distinguished service in the field”. He is awarded a bar to his MC on February 18, 1918. He is also awarded the Croix de Guerre by France.
Browne takes many photographs during his time in Europe. One, which he calls “Watch on the Rhine,” is considered a classic image of World War I. He assembles a collection of his war photographs in an album named after his most famous photograph and distributes copies to his colleagues in the Guards.
After the war, Browne returns to Dublin, where, in 1922, he is appointed superior of Gardiner Street Church in Dublin. Ill health dogs him, however, and in 1924 it is thought that he would recover more quickly in warmer climes. He is sent on an extended visit to Australia. He takes his camera along, photographing life aboard ship and in Cape Town, South Africa, where he breaks his voyage.
On his way back to Ireland, Browne visits Ceylon, Aden, Suez, Saloniki, Naples, Toulon, Gibraltar, Algeciras, and Lisbon, taking photographs of local life and events at every stop. It is estimated that he takes more than 42,000 photographs during his life.
Browne resumes office as the Superior of Saint Francis Xavier Church, Dublin, upon his return. In 1929 he is appointed to the Retreats and Mission staff of the Irish Jesuits. His work entails preaching at missions and religious retreats all over Ireland. As most of this work is necessarily performed on evenings and Sundays, he has considerable time to indulge in his hobby during the daytime. He takes photographs of many parishes and towns in Ireland, and also photographs in London and East Anglia during his ecclesiastical travels to England.
Browne dies in Dublin on July 7, 1960, and is buried in the Jesuit plot in Glasnevin Cemetery in Dublin. His negatives lay forgotten for 25 years after his death. They are found by chance in 1985 when Father Edward E. O’Donnell discovers them in a large metal trunk, once belonging to Browne, in the Irish Jesuit archives. “When the trunk was opened in 1985, people compared him to the greats like Henri Cartier-Bresson and Robert Doisneau, but his work predated theirs by decades,” archivist David Davison later recalls.
O’Donnell brings the negatives to the attention of several publishers. The RMS Titanic photographs are published in 1997 as Father Browne’s Titanic Album with text by E. E. O’Donnell (Fr. Eddie O’Donnell). In all, at least 25 volumes of Browne’s photographs have now been published. The features editor of The Sunday Times of London calls this “the photographic equivalent to the discovery of the Dead Sea Scrolls.” Many of these books have become best-sellers, the latest being the Centenary Edition of Father Browne’s Titanic Album in 2012 by Messenger Publications, Dublin.
The Irish province of the Jesuits, the owner of the negatives pursuant to Browne’s will, engage photographic restoration specialists David and Edwin Davison to preserve and catalogue the fragile and unstable negatives. The Davisons make copies of every negative and are in the process of transferring every usable image to a digital format for future generations. The Davisons later acquire the rights to the photographs and still own the rights as Davison & Associates.
In 1997, Wall wins the Patrick Kavanagh Poetry Award. He publishes his first collection of poetry that same year. His first novel, Alice Falling, a dark study of power and abuse in modern-day Ireland, appears in 2000. He is the author of four novels, two collections of poetry and one of short stories.
In 2005, This Is The Country appears. A broad attack on politics in “Celtic Tiger” Ireland, as well as a rite of passage novel, it is longlisted for the Man Booker Prize, and shortlisted for the Irish Book Awards. It can be read as a satirical allegory on corruption, the link between capitalism and liberal democracy exemplified in the ‘entrepreneurial’ activities of minor drug dealers and gangsters, and reflected in the architecture of business-parks and sink estates. This political writing takes the form of “an insightful and robust social conscience”, in the words of academic John Kenny. Kenny also focuses on what he sees as Wall’s “baneful take on the Irish family, his fundamentally anti-idyllic mood” which has “not entirely endeared Wall to the more misty-eyed among his readers at home or abroad.” The political is also in evidence in his second collection of poetry Fahrenheit Says Nothing To Me. He is not a member of Aosdána, the Irish organisation for writers and artists. In 2006, his first collection of short fiction, No Paradiso, appears. In 2017, he becomes the first European to win the Drue Heinz Literature Prize.
His provocative political blog, The Ice Moon, has increasingly featured harsh criticism of the Irish government over their handling of the economy, as well as reviews of mainly left-wing books and movies. Many of his posts are satirical. He occasionally writes for literary journals, writes for Irish Left Review, and reviews for The Irish Times. His work has been translated into several languages. He has also appeared on the Irish-language channel TG4, such as in the programme Cogar.
He is one of the Irish delegates at the European Writers Conference in Istanbul in 2010.
Described by writer Kate Atkinson as “lyrical and cruel and bold and with metaphors to die for,” critics have focused on Wall’s mastery of language, his gift for “linguistic compression,” his “poet’s gift for apposite, wry observation, dialogue and character,” his “unflinching frankness” and his “laser-like … dissection of human frailties,” which is counterbalanced by “the depth of feeling that Wall invests in his work.” A review of his first novel in The New Yorker declares “Wall, who is also a poet, writes prose so charged—at once lyrical and syncopated—that it’s as if Cavafy had decided to write about a violent Irish household.” In a recent review, his long poem “Job in Heathrow,” anthologised in The Forward Book of Poetry 2010 but originally published in The SHOp, is described as “a chilling airport dystopia.” Poet Fred Johnston suggests that Wall’s poetry sets out to “list the shelves of disillusion under which a thinking man can be buried.” For Philip Coleman, “Ghost Estate is a deeply political book, but it also articulates a profound interest in and engagement with questions of aesthetics and poetics.”
Wall is a longtime sufferer of adult-onset Still’s disease (AOSD) and describes his efforts to circumvent the disabling effects of the disease using speech-to-text applications as “a battle between me and the software.”
Potter is born in Belfast on September 22, 1918, to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.
Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicatorArnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.
In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.
In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969, in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.
Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.
Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.
seamus dubhghaill 