Moylan is born to a Catholic family in Cork, County Cork, in 1737. His father, John Moylan, is a well-to-do merchant in Shandon, County Cork. His older brother Francis becomes Bishop of Cork. His family sends him to be educated in Paris. He then works in Lisbon for three years in the family shipping firm. He settles in Philadelphia in 1768 to organize his own firm. He is one of the organizers of the Friendly Sons of St. Patrick, an Irish American fraternal organization, and serves as its first president.
Moylan joins the American Continental Army in 1775 and upon the recommendation of John Dickinson, is appointed Muster-Master General on August 11, 1775. His brother John acts as United States Clothier General during the war. His experience in the shipping industry affords the United States a well-qualified ship outfitter, who helps fit out the first ships of the Continental Navy. On March 5, 1776, he becomes secretary to General George Washington with the rank of lieutenant colonel. He is appointed Quartermaster General in the American Continental Army on June 5, 1776, succeeding Thomas Mifflin. He resigns from this office on September 28, 1776. However, he continues to serve as a volunteer of General Washington’s staff through December 1776.
In January 1776, Moylan writes a letter using the term “United States of America,” the earliest known use of that phrase.
Moylan then raises a troop of light dragoons, the 4th Continental Light Dragoons, also known as Moylan’s Horse, on January 3, 1777, at Philadelphia, and is appointed colonel in the Continental Army on January 5. The regiment is be noted for taking the field in captured British red coats. However, they see action in green coats at the Battle of Brandywine on September 11, 1777, and the Battle of Germantown on October 4, 1777, and end the year by protecting the Cantonment at Valley Forge. He succeeds General Casimir Pulaski as Commander of the Cavalry in March 1778. Moylan’s Horse sees action at the Battle of Monmouth on June 28, 1778.
In the campaign of 1779 Moylan and the 4th Dragoons are stationed at Pound Ridge, New York, and see action when the British raid Norwalk, Connecticut, on July 11, 1779. He and the 4th Dragoons take part in the Battle of Springfield in New Jersey, on June 23, 1780, and General Anthony Wayne‘s expedition at Bull’s Ferry, New Jersey, on July 20, 1780. He commands his Dragoons at the Siege of Yorktown in October 1781, after which he is to take the cavalry to the Southern Campaign. However, his failing health causes him to leave the field and return to Philadelphia, where he constantly appeals to the Continental Congress to man, equip and maintain the Continental Dragoon Regiments.
Moylan is married to Mary Ricketts Van Horne on September 12, 1778, and has two daughters, Elizabeth Catherine, and Maria. His two sons die as children. He dies in Philadelphia on April 11, 1811, and is buried there in the churchyard at St. Mary’s Roman Catholic Church.
MacCarthy is born in Lower O’Connell Street, Dublin, on May 26, 1817, and educated there and at St. Patrick’s College, Maynooth. He acquires an intimate knowledge of Spanish from a learned priest, who had spent much time in Spain, which he is later to turn to good advantage. In April 1834, before turning seventeen, he contributes his first verses to the Dublin Satirist. He is one of a coterie of writers whose works appear in The Nation, which is started by Charles Gavan Duffy in 1842. Writing under the pseudonym “Desmond,” most of MacCarthy’s patriotic verse appears in this organ.
In 1846, MacCarthy is called to the Irish bar but never practises. In the same year he edits The Poets and Dramatists of Ireland, which he prefaces with an essay on the early history and religion of his countrymen. About this time, he also edits The Book of Irish Ballads (by various authors), with an introductory essay on ballad poetry in general. His Ballads, Poems, and Lyrics appears in 1850, original and translated. His attention is first directed to Pedro Calderón de la Barca by a passage in one of Percy Bysshe Shelley‘s essays, and from then on, the interpretation of the “Spanish Shakespeare” claims the greater part of his attention.
The first volume of MacCarthy’s translations, containing six plays, appears in 1853, and is followed by further instalments in 1861, 1867, 1870, and 1873. His version of Daybreak in Capacabana is completed only a few months before his death.
Until 1864, MacCarthy resides principally on Killiney Hill, overlooking Dublin Bay. The delicate health of some members of his family then renders a change of climate imperative, and he pays a prolonged visit to continental Europe. On his return, he settles in London in 1871, where he publishes – in addition to his translations – Shelley’s Early Life, which contains an account of that poet’s visit to Dublin in 1812.
MacCarthy’s poems are distinguished by a sense of harmony and sympathy with natural beauty. Such poems as “The Bridal of the Year,” “Summer Longings” (alias “Waiting for the May”), and his long narrative poem, “The Voyage of St. Brendan,” are among his most enduring works. The last-mentioned, which paraphrases the “Ave Maria Stella” as the evening song of the sailors, is also marked by the earnest religious feeling which mark its author throughout life. But it is by his version of Calderon that he is considered to have won a permanent place in English letters. His success is sufficiently testified by George Ticknor, who declares in his History of Spanish Literature that MacCarthy “has succeeded in giving a faithful idea of what is grandest and most effective in [Calderon’s] genius… to a degree which I had previously thought impossible. Nothing, I think, in the English language will give us so true an impression of what is most characteristic of the Spanish drama, and of Spanish poetry generally.”
The RMS Royal Adelaide, captained by John Batty, leaves Cork fully laden with cargo and about 250 passengers on Wednesday, March 27,1850, touching off at Plymouth, Devon, England, on Thursday evening. By the time the ship leaves Plymouth for London at 3:00 a.m. on Friday, March 29, there are almost three hundred deck passengers.
The ship is totally lost at about 11:00 p.m. on Saturday, March 30 on Tongue Sands north of Margate, Kent, England, with the loss of all on board. News only reaches London late on Sunday as the river pilot waiting for the ship happens to meet a Deal, Kent, pilot, Charles Gillham, who reports seeing a ship of a similar description in distress the previous evening (The Illustrated London News, April 6 and 13, 1850).
The dead include more than one hundred fifty deck passengers from Ireland, during a time when the Great Famine is at its height.
(Pictured: “The Wreck of the Royal Adelaide,” illustration for The Illustrated London News, April 13, 1850)
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Church is born on February 23, 1784, the second son of Matthew Church, a Quaker merchant in the North Mall area of Cork, County Cork, and Anne Dearman, originally from Braithwaith, Yorkshire, England. At the age of sixteen, he runs away from home and enlists in the British Army. For this violation of its principles, he is disowned by the Religious Society of Friends, but his father buys him a commission, dated July 3, 1800, in the 13th Somerset Light Infantry. He serves in the demonstration against Ferrol, Spain, and in the expedition to Egypt under Sir Ralph Abercromby in 1801, where he takes part in the Battle of Abukir and the taking of Alexandria. After the expulsion of the French from Egypt he returns home but goes back to the Mediterranean in 1805 among the troops sent to defend the island of Sicily. He accompanies the expedition which lands in Calabria and fights a successful battle against the French at the Battle of Maida on July 4, 1806. He is present on this occasion as captain of a recently raised company of Royal Corsican Rangers. His zeal attracts the notice of his superiors, and he has begun to show his capacity for managing and drilling foreign levies. His Corsicans form part of the garrison of Capri from October 1806 until the island is taken by an expedition directed against it by Joachim Murat, in September 1808, at the very beginning of his reign as king of Naples. Church, who has distinguished himself in the defence, returns to Malta after the capitulation.
In the summer of 1809 Church sails with the expedition sent to occupy the French-occupied Ionian Islands. Here he increases the reputation he has already gained by forming a Greek regiment in British pay. On September 9, 1809, he takes the position of Major in the 1st Regiment Greek Light Infantry. On November 19, 1812, he becomes Lieutenant-Colonel of the unit, by then renamed The Duke of York’s Greek Light Infantry Regiment. Having gained the experience of managing foreign troops, he commands the regiments made up of Greeks he recruits himself in 1813, when he forms a second regiment composed of 454 Greeks (2nd Regiment Greek Light Infantry) to occupy Paxoi islands. These regiments include many of the men who are afterward among the leaders of the Greeks in the Greek War of Independence including Theodoros Kolokotronis, with whom he keeps a friendship and correspondence. He commands this regiment at the taking of the island of Santa Maura (Lefkada), on which occasion his left arm is shattered by a bullet.
During his slow recovery Church travels in northern Greece, in Macedonia, and to Constantinople. In the years of the fall of Napoleon (1813 and 1814) he is present as British military representative with the Austrian troops until the campaign which terminates in the expulsion of Murat from Naples. He draws up a report on the Ionian Islands for the Congress of Vienna, in which he argues in support, not only of the retention of the islands under the British flag, but of the permanent occupation by Britain of Parga and other formerly Venetian coastal towns on the mainland, then in the possession of Ali Pasha of Ioannina. The peace and the disbanding of his Greek regiment leaves him without employment, though his reputation is high at the war office, and his services are recognized by the grant of a Companion of the Order of the Bath.
In 1817, Church enters the service of King Ferdinand I of Naples as lieutenant-general, with a commission to suppress the brigandage then rampant in Apulia. Ample powers are given him, and he attains a full measure of success. In 1820 he is appointed governor of Palermo and commander-in-chief of the troops in Sicily. The revolution which breaks out in that year leads to the termination of his services in Naples. He escapes from violence in Sicily with some difficulty. At Naples he is imprisoned and put on trial by the government but is acquitted and released in January 1821. King George IV confers on him a Knight Commander of the Royal Guelphic Order in 1822. He is further promoted to Knight Grand Cross by William IV in 1837.
The rising of the Greeks against the Turks has his full sympathy from the beginning. But for some years he has to act only as the friend of the insurgents in England. In 1827 he takes the honourable but unfortunate step of accepting the commandership-in-chief of the Greek army. At the point of anarchy and indiscipline to which they have now fallen, the Greeks can no longer form an efficient army and can look for salvation only to foreign intervention. Church, who lands in March, is sworn archistrategos on April 15, 1827, but cannot secure loyal co-operation or obedience. The rout of his army in an attempt to relieve the Acropolis of Athens, then besieged by the Ottomans, proves that it is incapable of conducting regular operations. With the acropolis capitulated, he turns to partisan warfare in western Greece.
After the Battle of Navarino, and during the Kapodistrias period, Church is placed commander-in-chief of the Greek regular forces in Central Greece, together with Demetrios Ypsilantis. However, he surrenders his commission as a protest against the unfriendly government of Capodistrias on August 25, 1829. He lives the remainder of his life in Greece.
Church’s activity has beneficial results and leads to a rectification in 1832, in a sense favourable to Greece, of the frontier drawn by the Great Powers in the London Protocol (1830). Under King Otto, he occupies senior military positions. On October 3, 1833, he is promoted to lieutenant general in the Hellenic Army, and in January 1835 becomes commander of the forces in Continental Greece. On June 10, 1835, he is appointed head of the Secretariat of State for Military Affairs (Army Minister), becoming Inspector-General of the Army on October 28, 1836. He serves as a senator from 1844 to 1845. He is promoted to full general in February 1854, the grade being established for the first time for this purpose in the Hellenic Army.
Church dies following an illness on March 20, 1873. The funeral service takes place in the Anglican Church in Filellinon Street in the presence of King George I and a large number of official guests. Panagiotis Chalkiopoulos, the Minister of Justice, gives the funeral speech in Greek, while John Gennadius gives a speech in English. He is buried at the First Cemetery of Athens at public expense on March 27. The funeral monument has an inscription in English on the front and Greek on the back.
(Pictured: Portrait of Sir Richard Church, oil on cardboard by an unidentified artist, 1873)
Drew is born on September 18, 1838, in Victoria Place, Belfast, into the large family of Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton). He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is educated in Belfast and in 1854 articled to the Antrimcounty surveyor and architect Sir Charles Lanyon, before moving to work in Dublin in 1862, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore. From this point forward, church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
Among other projects, Drew is responsible for the design of the Ulster Bank on Dame Street, Rathmines Town Hall and the Graduates’ Building at Trinity College Dublin (TCD). He takes an interest in historic buildings and is the first to draw serious attention to the architectural and historic importance of the St. Audoen’s Church, Dublin’s oldest parish church, in 1866. He produces detailed plans of the church for which he wins the Fitzgerald medal from the Royal Institute of the Architects of Ireland (RIAI), carries out excavations and draws up a paper on the church and its history.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
From 1879 onward Drew lives in Gortnadrew, one half of a pair of semi-detached houses of his own design, on Alma Road in Monkstown, County Dublin. For many years he serves as a commissioner of the local township of Blackrock, Dublin. He dies on March 13, 1910, a month after an unsuccessful operation for appendicitis. He is buried in Dean’s Grange Cemetery in the suburban area of Deansgrange in Dún Laoghaire–Rathdown, County Dublin.
Drew is commemorated in a memorial brass in Christ Church Cathedral, Dublin. His wife survives him by three years and in her will bequeaths back to the RIAI the loving cup presented to her husband in commemoration of his knighthood, and to the Belfast Municipal Museum and Art Gallery (Ulster Museum since 1962) an 1852 portrait of his father Thomas. A portrait of Drew by Walter Osborne is held in the National Gallery of Ireland (NGI) in Dublin.
As a member of the Irish Parliamentary Party (IPP), Harrington represents Westmeath from February 1883 to November 1885. In 1885 he is elected for the new constituency of Dublin Harbour, which he represents until his death. He serves as Lord Mayor of Dublin three times from 1901 to 1904.
Harrington owns two newspapers, United Ireland and the Kerry Sentinel, and is a member of the so-called Bantry band of prominent nationalist politicians from the Bantry vicinity. They are also more pejoratively known as the Pope’s brass band. Tim Healy is another prominent member of this unofficial group.
In 1884, Harrington publishes a pamphlet, “Maamtrasna Massacres – Impeachment of the Trials,” in which he dismantles the Crown Prosecution’s case against the eight men accused of the murders of the Joyce family on August 17, 1882. He provides evidence that Crown Prosecutor George Bolton had deliberately suppressed evidence that would have acquitted Maolra Seoighe (English: Myles Joyce), who was hanged, and four men who were sentenced to twenty years of penal servitude.
Thereafter Harrington becomes excluded from Redmond’s closed circle of confidants, retains sympathy with O’Brien, and represents the interests of the tenant farmers at the 1902 Land Conference negotiations which lead to the enactment of the unprecedented WyndhamLand Purchase (Ireland) Act 1903.
On September 7, 1901, as the Lord Mayor of Dublin, Harrington kicks off at the official ceremony to open Bohemian F.C.‘s new home, Dalymount Park.
Harrington retains the party nomination for the Dublin Harbour constituency in the January 1910 United Kingdom general election, largely because of local divisions about who should succeed him and because an O’Brienite offer to pay his election expenses deters rivals from going to the polls. He decides that the finely balanced result of the general election means that every nationalist vote would be required at Westminster. He therefore travels to London, but shortly after attending the parliamentary party meeting on February 23 he suffers a stroke. After some days’ recuperation he is brought home to Dublin, but his condition deteriorates and he dies on March 12, 1910, at his home, 70 Harcourt Street. He is buried near the Parnell circle at Glasnevin Cemetery.
Harrington is celebrated by a statue erected in 2001 at the east end of Castletownbere near the Millbrook bar.
Duggan is the son of William Duggan, a Royal Irish Constabulary (RIC) officer, and Margaret Dunne. He is a cousin of revolutionaries Thomas Burke and Christopher Burke through his mother. His parents meet when his father, a native of County Wicklow, is stationed in Longwood, County Meath, where they marry on October 19, 1874. His father is transferred to County Armagh the following year as officers cannot serve in their wife’s native county.
In 1911, Duggan is living with his parents on St. Brigid’s Road Upper in Drumcondra, Dublin. After his school education, he begins work as a law clerk. During his early years, he becomes heavily involved in politics after he qualifies as a solicitor and sets up a practice at 66 Dame Street in Dublin. He marries Evelyn Kavanagh, and they have one son.
In 1916, as a keen supporter of Irish independence, Duggan is serving in the North Dublin Union in the days approaching the 1916 Easter Rising. One of his close friends, Thomas Allen, is shot while Duggan is at the Four Courts. His efforts to get medical assistance are unsuccessful at Richmond Hospital as the British officer who responds to the call declines the message and does not allow it to go through. Eventually medical assistance is received but it is too late for Allen. In Duggan’s region, the volunteers suffer very few injuries with the most violent fighting taking place on Friday night and Saturday morning.
Duggan suffers the consequences and is subject to court-martial and then sentenced to three years penal servitude. He is interned in Maidstone, Portland and Lewes prisons. Under the general amnesty of 1917, he is released after fourteen months in prison and returns to Dublin where he goes back to studying law.
Duggan retains numerous ministerial posts in the Cumann na nGaedheal government. In 1921, he plays a role in the Irish delegation throughout the Anglo-Irish discussions, then playing a dominant role in liaising with British officials.
After the post-treaty government, Duggan is appointed the Minister for Home Affairs and shortly afterward he becomes the Parliamentary Secretary for the Executive Council and the Minister for Defence. He continues in various roles as a TD until 1933. These include Government Chief Whip from 1927 to 1932. Until 1933, he is a Cumann na nGaedheal TD for Meath. In 1933, he declines to go forward for the general election but is elected to Seanad in April 1933. He also is involved in local politics in Dún Laoghaire as the chairman of the borough council until his death in 1936.
Duggan writes papers which reflect on his engagement in the Easter Rising. In his letters, he writes about the tough times of imprisonment. He also writes about his participation in Sinn Féin and his triumph in being a candidate for the South Meath constituency. Most of his papers consist of letters to his fiancée and later wife, May Duggan, which are written while in prison. His time as a TD is also included. In one letter, which he writes on April 25, 1916, he references “the whole damn family” consisting of information as to how his volunteers and he are being “treated as princes” by the nuns in the nearby convent, receiving help from the children in the area and building barricades. In his letter, he also writes about morale among his comrades and hearing of rumours about a German who had landed in County Kerry. In the note, he states that the letter should be sent to May Duggan who is his fiancée at the time. At the end of the letter he refers to himself as “Edmund” by which he is also known.
Duggan dies suddenly at his home in Dún Laoghaire, Dublin, on June 6, 1936, at the age of 58, and is buried in Glasnevin Cemetery on the north side of Dublin.
Patrick “Patsy” J. Touhey, a celebrated player of the uilleann pipes, is born on February 26, 1865, in Cahertinny, Bullaun, Loughrea, County Galway. His innovative technique and phrasing, his travels back and forth across the United States to play on the variety and vaudeville stage, and his recordings make his style influential among Irish American pipers. He can be seen as the greatest contributor to a distinctive American piping style.
According to Chief Francis O’Neill of the Chicago Police Department, in his seminal work O’Neill’s Irish Minstrels and Musicians, Touhey is the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James and his uncle Martin, who are considered accomplished players. The family arrives in Boston around 1868, and his father arranges for his instruction from Bartley Murphy of County Mayo. However, at the age of ten Patsy loses his father and later lays the pipes aside.
In his late teens Touhey strays into a Bowerymusic hall where John Eagan, the “White Piper” of Galway, is engaged. Enthralled by Eagan’s virtuosity, he takes up the pipes again, and under the instruction of Eagan and Billy Taylor of Philadelphia soon becomes a master.
Touhey and Eagan tour the northeastern United States with “Harrigan’s Double Hibernian Co., Irish and American Tourists” in 1885 and 1886. This is his apparent introduction to theatrical life. Harrigan’s company stars Jeremiah “Jere” Cohan, the father of George M. Cohan, later a famous songwriter and showman. Despite a persistent legend, there is no evidence that Touhey plays publicly for the step-dancing of George M. Cohan, who is seven or eight years old at the time. Between 1886 and 1895 he appears in several theatre productions including “Inshavogue” and “The Ivy Leaf.” At the 1893 World’s Columbian Exposition in Chicago, he plays at the Irish Village, one of two rival Irish pavilions, and is later engaged for the 1904 World’s Fair in St. Louis (Louisiana Purchase Exposition). From about 1896 until 1921 he plays in vaudeville skits, trading jokes with his wife, Mary, and their on and off partner Charles Henry Burke. The shows include slapstick, low-brow gags, Irish nostalgia, and a piping finale to which Mary Touhey dances.
Chicago Police Chief Francis O’Neill, a prominent compiler of Irish dance tunes, calls Touhey “the genial wizard of the Irish pipers . . . A stranger to jealousy, his comments are never sarcastic or unkind, neither does he display any tendency to monopolize attention in company when other musicians are present.”
Touhey lives on Bristow Street in the Bronx, New York City, from at least 1900 until 1908. He and Mary live in rural East Haddam, Connecticut from 1908 to 1919, then in Freeport, New York from 1919 to 1922. In 1922 he moves back to the Bronx. He dies suddenly in his home at 1175 Concourse, New York, on January 10, 1923. He is buried in Saint Raymond’s Cemetery in the Bronx.
A statue of Patsy Touhey is unveiled in 2008 in Loughrea, near the place where he was born. It is a bronze sculpture by James MacCarthy that shows Touhey sitting on a limestone block and playing his pipes. Behind him, on the wall, there are three plaques with portraits of Peter and Vincent Broderick, two other local musicians, and Touhey himself. The statue is a tribute to the musical heritage of Loughrea and Galway, and a reminder of the connection between Ireland and its diaspora.
O’Donnell is the youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.
O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communistMember of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.
In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.
Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn FéinTeachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.
O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.
O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.
Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”
O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.
After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.
(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)
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