McAuley is the youngest of eight children in a family whose forebears had inhabited the Glens for many generations. He pursues painting from an early age, in a rural area when farming is one of the main sources of life and income. He goes on to become one of Ireland’s most celebrated landscape and figurative painters, his work synonymous with the Glens of Antrim.
A key encounter comes in McAuley’s mid-teens, when the artist James Humbert Craig, who is arts adjudicator at the Feis na nGleann, praises several of his youthful paintings, telling him, “You go ahead with this, and you’ll do well.” His paintings depicted the rivers, mountains, seascapes and rural life that surround him. He briefly studies at both the Belfast School of Art and Glasgow School of Art until he returns to his homeland to which he is utterly devoted. He is a member of the Royal Ulster Academy and the Royal Hibernian Academy.
In 1984. McAuley collaborates with his friend, the poetJohn Hewitt, on The Day of the Corncrake, a publication by the Glens of Antrim Historical Society, in which twenty-five colour reproductions of his paintings are coupled with thirty poems about the Glens by Hewitt. In a foreword, Hewitt writes that his “awareness was not merely graphic but demographic. This has made him for me the authentic regional artist, the painter who belongs to and finds his themes in a known place. Nowadays, with the rapid flow of international styles succeeding each other, this is a distinctive title one can seldom confer.”
In a BBC Television film made in the mid-1980s, McAuley remarks that he might have enjoyed more success if he had made a career in the wider world, but that he certainly would not have been happier. “I’ve spent my boyhood and manhood in the Glens. . .and I have no desire to leave them until I die.”
McAuley dies at the age of 89 on September 30, 1999. He is buried in St. Mary’s Roman Catholic Churchyard in Glenarm, County Antrim, Northern Ireland. On his death, BBC Northern Ireland describes him as “one of Ireland’s greatest colourists, but most significantly, a true and modest gentleman.”
The McAuley’s obituary in The Irish Times notes “Charles McAuley could fairly have claimed to be the artist of “the Glens”; for his native knowledge of the local landscape and people brought to the best of his work a special quality of emotion. Yet it is not a claim he would have made for himself, for self-promotion was a trait absent from his personality.”
Many of McAuley’s works are in private collections internationally. There are several of his paintings in public collections, for example at the Ulster Museum and Queen’s University Belfast.
(Pictured: “Bridge Near Cushendall” by Charles McAuley)
With little family background in racing, Elliott is sometimes described as Irish racing’s great “blow-in.” The son of a panel beater, he grows up in Summerhill, County Meath, and enters the racing world at the age of thirteen, working for trainer Tony Martin on weekends and holidays. He takes out a licence as an amateur jockey when he is sixteen and rides on the racecourse and in point-to-points. His first winner on the racecourse comes on Caitriona’s Choice in a bumper at Ballinrobe Racecourse. He goes on to ride a total of 200 point-to-point winners and 46 winners on the racecourse, with the highlight of his riding career being his win in the Champion INH Flat Race on the Nigel Twiston-Davies-trained King’s Road in 1998. He also has five winners in the United States. Although based mainly with Tony Martin during his riding career, he spends a year in England with trainer Martin Pipe. He retires as a jockey through injury in 2005.
Elliott takes out his trainer’s licence in 2006 and has his first winner at Perth Racecourse on June 11, 2006. On April 14, 2007, he becomes the youngest trainer ever to win the Grand National. The winner, Silver Birch, is owned by Brian Walsh of County Kildare, and ridden by Robbie Power. Despite having won the Grand National, Elliott has not at this stage trained a winner on the track back home in Ireland. The first winner he trains in Ireland is Toran Road at Kilbeggan Racecourse on May 5, 2007.
Although best known for his victories over jumps, Elliott has a major win on the flat in August 2010 when Dirar wins the Ebor Handicap at York Racecourse. He also has victories at Royal Ascot, with Commissioned winning the Queen Alexandra Stakes in 2016 and Pallasator winning the same race in 2018.
Originally based at Capranny Stables, a rented yard in Trim, County Meath, Elliott purchases the 78-acre Cullentra House Farm at Longwood, County Meath in 2011 and builds a training facility with stabling for over 200 horses, gallops, schooling grounds, and an equine pool.
Elliott’s first winner at the Cheltenham Festival as a trainer is Chicago Grey in the National Hunt Chase Challenge Cup in 2011. He wins the 2016 Cheltenham Gold Cup with Don Cossack. In 2017 he is top trainer at the Cheltenham Festival and the following year repeats the achievement.
On April 2, 2018, Elliott wins the Irish Grand National with General Principle, ridden by JJ Slevin. He has saddled 13 of the 30 horses in the field. That year he also wins the Aintree Grand National with his horse Tiger Roll, ridden by Davy Russell and owned by Michael O’Leary’s Gigginstown House Stud, narrowly beating the Willie Mullins runner Pleasant Company. He also trains the third place horse Bless The Wings. He wins the Aintree Grand National again in 2019 with Tiger Roll, only the sixth repeat winner in the race’s history.
On February 28, 2021, the Irish Horseracing Regulatory Board (IHRB) launches an investigation into an image of Elliott, which is widely circulated on social media, sitting on a dead horse and making a peace sign. Elliott confirms the photograph is genuine, issues an apology and says he is fully cooperating with the investigation. The animal rights organisation People for the Ethical Treatment of Animals (PETA) and the British Horseracing Authority condemn the photograph. On March 1, the British Horseracing Authority announces that Elliott will be banned from racing horses in Britain while the investigation in Ireland takes place, although the horses will be allowed to run if transferred to another trainer. It is confirmed that the photo was taken in 2019 and shows a horse owned by Gigginstown House Stud, Morgan, that had died while being ridden on the gallops.
Minister of State for SportJack Chambers says that Elliott must be “held fully accountable for his actions” and that the photograph shows “a complete and profound error of judgement.” He tells Morning Ireland that he is “shocked, appalled and horrified” by the image and that it is “really disturbing from an animal welfare perspective.”
On March 2, Cheveley Park Stud announces that they will move their horses Envoi Allen and Quilixios to Henry de Bromhead and Sir Gerhard to Willie Mullins. Elliott’s leading owners, Michael and Eddie O’Leary, through their Gigginstown House Stud, express their support for him despite being “deeply disappointed by the unacceptable photo.”
On March 5, 2021, the IHRB convenes a hearing and bans Elliott from racing for twelve months with six months suspended, leaving him unable to train or attend a race meeting or point-to-point until September. He is also ordered to pay costs of €15,000. He accepts the ruling. Later that month the stable employee who took the photograph is banned for nine months (with seven suspended).
In July 2021, Elliott is featured in a BBCPanorama programme that investigates the fate of British and Irish racehorses who end up in abattoirs. Three of the horses were formerly trained by Elliott, who denies having sent them to the abattoir. He says two of the horses were sent to a horse dealer to be re-homed or humanely euthanised, while the third was given to someone else at the owner’s request. The former horses were bay mare Kiss me Kayf, who had had no success on the racecourse, and bay gelding High Expectations, who had won seven races. The latter horse, owned by Simon Munir and Isaac Souede, was grey gelding Vyta Du Roc, who won the 2016 Reynoldstown Novices’ Chase. Following the programme, Munir and Souede remove their horses from Elliott’s yard.
In 2007, Elliott wins the inaugural Meath Sportsperson of the Year award. He wins the award again in 2018 and 2019.
Elliott is engaged to champion point-to-point rider Annie Bowles, with whom he sets up Cullentra House Stables. The couple separates and Bowles marries Ballarat trainer Archie Alexander.[28]
With a report due on Monday, January 31, and widely expected to state that the IRA is not ready to disarm, the Northern Ireland peace process appears headed for a fresh crisis. The report by Canadian Gen. John de Chastelain, head of the province’s independent commission overseeing the handing in of weapons, is expected to confirm that no arms have been turned in.
The Ireland on Sunday newspaper says de Chastelain will tell the British and Irish governments that the IRA has put most of its weapons into secret, sealed dumps in the Republic of Ireland. Such disclosures put enormous pressure on Adams, the leader of the Irish republican political party, Sinn Féin.
The UUP, the province’s main Protestant political group, has already threatened to pull out of Northern Ireland‘s fledgling power-sharing government if the IRA does not start disarming.
The UUP calls a top-level party meeting for February 12. A negative report from the decommissioning body will heighten fears that UUP leader David Trimble will make good on his threat to resign as leader of the new government, effectively allowing his party to shut down the province’s first government in 25 years.
Of Adams’s role in the disarmament process, Trimble says, “He asked us to create the circumstances to help him … we did that … we took the risk and created the situation he asked us to create. “Now we hope he now is able to demonstrate his good faith by responding.”
Adams says, “I am concerned at what appears to be an attempt by unionists to hijack the entire process, put up unilateral demands, perhaps in the course of that, tear down the institutions that are only two months in being. I understand why unionists want decommissioning. It is just not within my grasp to deliver it on their terms, and neither is it my responsibility.”
Adams says he can give no assurances that the IRA will hand over its weapons by May 22, the date set by the 1998 Good Friday Agreement for the completion of disarmament, although he stresses he is committed to decommissioning. “No, I can’t and it isn’t up to me,” Adams tells BBC Television when asked if he can guarantee disarmament by May.
Political insiders hint that the report will not be published until Monday (January 31) afternoon, suggesting the highly sensitive document is still being worked on by de Chastelain.
Any unionist pullout from the home-rule government on February 12 will create a political vacuum. Britain may intervene before that to suspend the fledgling executive, in the hope that it can be resurrected quickly if progress eventually is made on disarmament. Sinn Féin warns that either course of action could lead to the IRA breaking off contact with de Chastelain and the ending of disarmament prospects.
Meanwhile, on the eve of the report, thousands of Roman Catholics mark an event and day that symbolizes the province’s past troubles — Bloody Sunday.
Waving Irish flags, some 5,000 protesters retrace the steps of a civil rights march in Londonderry in 1972 that ended in bloodshed when British troops fired on unarmed protesters and killed thirteen people, mostly teenagers. A fourteenth man died later from his wounds. Victims’ relatives and local children carry fourteen white crosses, photos of the dead and a banner that reads, “Bloody Sunday, the day innocence died.” The march passes the scene of the killings and ends in front of Londonderry’s city hall — a spot where the 1972 march was supposed to have finished.
Organizers issue a message to British Prime MinisterTony Blair that they want a forthcoming inquiry not to end in the same way as a probe held within months of the killings, which exonerated the British soldiers by suggesting that some of the victims had handled weapons that day. “Twenty-eight years on from Bloody Sunday, there is still no recognition of the role the British government played in the premeditated attack on unarmed demonstrators,” Barbara de Brun, a top IRA official, tells the crowd.
Relatives of those killed are upset that soldiers who took part in the shootings would be allowed to remain anonymous during the new probe. They are also concerned about a newspaper report that the army recently destroyed thirteen of the rifles used by the soldiers, complicating any ballistics tests at the inquiry.
“Once again, the political and military establishment are up to their old tricks. We won’t accept a public relations exercise,” Alana Burke, who was injured by an armored car during the Bloody Sunday march, tells the crowd.
(From: “Hopes dim for IRA disarmament, peace accord” by Nic Robertson and Reuters, CNN, cnn.com, January 30, 2000)
Doran tours with Benson and other managements, and plays in the West End before setting up his own company in 1920. He leads it for eleven years, before leaving Britain to work in India. On his return he works on stage and makes occasional television appearances.
Doran is the son of Charles Jenkins Doran. He is educated in Cork and privately. In 1899, he makes his stage debut as a member of Frank Benson’s touring company, in Julius Caesar at the Theatre Royal, Belfast. He remains with Benson for two and a half years, during which he makes his London debut, as Captain MacMorris in Henry V at the Lyceum Theatre.
In October 1910, returning to England, Doran plays La Tribe in Count Hannibal at the New Theatre, after which he is Pistol in The Merry Wives of Windsor at the Garrick Theatre to the Falstaff of Asche. For the next ten years he plays in new, ephemeral works, interspersed with classics. Among his roles in the latter are Constantine Levin in Anna Karenina (1913), Douglas in Henry IV, Part 1and the Constable of France in Henry V (1914) in London, and a variety of Shakespeare parts at the Memorial Theatre, Stratford-upon-Avon (1919).
In February 1920, Doran begins touring with his own Shakespearean company, playing Hamlet, Shylock in The Merchant of Venice, Brutus in Julius Caesar, Malvolio in Twelfth Night, Prospero in The Tempest, Petruchio in The Taming of the Shrew, Macbeth, Falstaff, Henry V, and Jaques in As You Like It. He has a keen eye for rising talent, and among his recruits are Noel Streatfeild, Cecil Parker, Ralph Richardson, Edith Sharpe, Norman Shelley, Abraham Sofaer, Francis L. Sullivan and Donald Wolfit.
In 1931, Doran goes to India as director of Shakespeare’s plays at the State Theatre in Jhalawar and then on to Bombay where he performs primarily in Shakespeare on the radio. He returns to England in 1937. His last London appearance is in Song of Norway (1949). His last Shakespearean role in the theatre is Time in The Winter’s Tale (1951). He continues to act on stage in other parts until 1954. He appears on BBC Television as a senator in Othello in 1950 and Adabashev, the tragedian in Curtain Down in 1952.
Doran dies in Folkestone on the south coast of England on April 5, 1964, at the age of 87. An article on him published by Emory University in 2003 sums up his career thus:
On stage in one role or another, Doran’s fifty-seven years in the theatre made him a major force in the profession, particularly in his productions of Shakespeare. Such was his energy and enthusiasm that he kept alive for a few more years the actor-manager system when the major talents, men like Tree, Benson, and Irving, had dissolved their companies. Doran was indeed the last of his theatrical breed.
Foley’s most recent work includes Cold Courage, a TV series thriller for Lionsgate, Viaplay and Luminoir shot in Europe in 2019 and The Man Who Died, a series for Elisa-Viaplay.
Foley writes, produces and directs The Riddle in 2006, starring Jones, Sir Derek Jacobi and Vanessa Redgrave. In September 2007, The Riddle becomes the world’s first feature film to be released as a DVD premiere by a national newspaper. The UK’s The Mail on Sunday buys UK DVD rights and distributes 2.6 million copies, making the film one of the most widely watched independent films in the UK.
During 2006–07, Foley writes and directs Assault of Darkness, a satirical horror film set in rural Ireland, starring Jones, Jason Barry and Nora-Jane Noone. It is released by Lionsgate in the United States on DVD in 2009. He co-creates and is a writer on Shelldon, a children’s environmental animated TV series on NBC (2010–12) and Byrdland (five seasons of animated TV series in Asia with GMM Grammy).
In 2015, Foley starts developing a new TV detective series for BBC Television, Farmoor (makers of The Fall) and Northern Ireland Screen (UK home of Game of Thrones) and, in 2016, he develops Tunnel Kings, a mini-series on World War IIPOW “escape-artists” for the Canadian Broadcasting Corporation and Dream Street, Canada. He completes pilot scripts for SOS, a new eco-thriller series by Finnish producers Luminoir, and Kvenland, set in the Dark Ages. Previously he writes the pilot for drama Dr. Feelgood for Monday TV (Denmark).
Cold Courage, described as a Nordic noir series involving Finnish characters in present-day London made by Finnish producers Luminoir for Lionsgate and Viaplay, shot in London, Dublin, Belgium and Finland in 2019. Actor John Simm tells Variety that he is attracted to the series by the quality of the writing and the fact that it is a pan-European thriller.
Foley has written books for U.S. and UK publishers. Under The Wire, a World War II POW escape drama, which he writes along with its subject, pilot William Ash, is published by Random House, London and St. Martin’s Press, New York, in 2005 and 2006. It becomes a best-seller, reaching number one on Amazon UK‘s history and biography charts. In 2018/19, a related TV series is developed as a future miniseries by CBC in Canada and Northern Ireland Screen.
Foley’s next book, Archerfield, a novel, published in 2015, covers 16,000 years of history in one square mile of Scotland.
McLaughlin is one of ten children of Patrick McLaughlin, butcher and cattle dealer, and Annie McLaughlin (née Doherty). He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary (RUC).
Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.
Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.
Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”
In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.
In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!
In 1958, after Locke has appeared in five Royal Variety Performancetelecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia Theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.
In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Performance, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.
Locke dies at the age of 82 at a nursing home in Clane, County Kildare on October 15, 1999, and is cremated at Glasnevin Cemetery. He is survived by his wife, Carmel, and a son.
On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”
A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.
Lucas is commissioned as a second lieutenant into 2nd Battalion, the Royal Berkshire Regiment, on May 7, 1898. He serves with the battalion in South Africa during the Second Boer War from 1899 to 1902, taking part in operations in the Orange Free State from February to July 1900, in Transvaal from July to November 1900, and later in Cape Colony south of the Orange River. He is promoted to lieutenant on August 1, 1900, while in South Africa. After the end of the war in June 1902, he and the rest of the 2nd battalion is sent to Egypt, where they arrive on the SS Dominion in November 1902. He later serves in the Egyptian Army and Sudan Civil Service.
On June 30, 1919, Lucas is appointed a deputy lieutenant of Hertfordshire. He is made Commander of 17th Infantry Brigade in Ireland, and of Fermoy Barracks, on October 30, 1919. On June 26, 1920, during the Irish War of Independence, he is captured by the IRA while he is fishing on the Munster Blackwater near Fermoy along with Colonels Tyrell and Danford. After Danford is wounded during an unsuccessful attempt to escape from a moving car the same day, the volunteers free Tyrell to attend to Danford’s wounds. Both Colonels are subsequently taken to a military hospital at Fermoy.
Lucas is subsequently held in West Limerick and East Clare.
A letter from his wife, announcing the birth of their child, and addressed simply “to the IRA”, is delivered to him and his captors allow a subsequent exchange of letters between the couple. His letters home remain in the possession of his descendants and are shown on an episode of the BBC Television programme Antiques Roadshow.
The IRA moves Lucas to East Limerick from where he escapes four weeks later. It is believed his captors purposely relax the guard to allow him to escape rather than be faced with the possibility of executing him. While being transferred from Pallas Royal Irish Constabulary (RIC) barracks to Tipperary military barracks in a routine army patrol they are ambushed, and Lucas receives a slight injury.
Lucas becomes Assistant Adjutant General at Aldershot Command in 1924 and serves with the staff at General Headquarters, British Army of the Rhine from 1927 before he retires to Stevenage in 1932. He dies on April 7, 1956, and is buried in Graveley, Hertfordshire. His wife, Joan Holdsworth, whom he marries in October 1917, dies on September 6, 1979, and is also buried in Graveley, Hertfordshire.
In 2014, Barbara Scully, a granddaughter of George Power, one of the IRA volunteers involved, publishes his recollections to his family of the kidnap in The Irish Times. This brings a friendly reply from Lucas’ granddaughter, Ruth Wheeler, in which she states that Lucas risked a court-martial for stating that during his kidnap and time in captivity he was treated as “a gentleman by gentlemen” and was held by “delightful people.”
Ireland’s Defence Forces have published online Bureau of Military History witness statements by the IRA volunteers involved in the kidnap, as well as those who guarded General Lucas while he was held as a prisoner of war.
In 2020 Lucas’s granddaughter, Ruth Wheeler, and other members of the Lucas family publish online the letters he wrote and received while in captivity. Limerick Councillor Emmett O’Brien and other local people in March 2019 announce an intent to re-enact the capture, imprisonment, and release of Lucas on the anniversary in 2020.
(Pictured: Cuthbert Henry Tindall Lucas, bromide print by Walter Stoneman, 1919, National Portrait Gallery)
In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.
One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.
In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.
Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.
Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.
Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.
Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.
Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.
(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)
Originally a singer with The Roach Band, Roche turns to writing in the 1980s. He has written a number of plays, including The Wexford Trilogy. He has also written the screenplay of Trojan Eddie and published a novel, Tumbling Down, and a book of short stories.
Roche is best known for the three full-length plays forming The Wexford Trilogy, all premiering at the Bush Theatre in London, and directed by Robin Lefevre:
• A Handful of Stars (1988): Set in the sleazy pool room of a Wexford snooker club. “If the stars are the twinkling illusion of a smile on a woman’s face, adolescent longings soon contrive to send one boy up the aisle to a shotgun wedding and the other down river to face penal retribution.” John Thaxter, Richmond & Twickenham Times, March 4, 1988.
• Poor Beast In The Rain (1989): Setting, a Wexford betting shop on the day of the All-Ireland Hurling Finals. “A former Wexford man rekindles lost dreams and forgotten heartaches. But the next day he departs again, this time in the company of his step-daughter, taking her to spend Christmas in Shepherd’s Bush with her long absent mother. An interlocking drama, rich in the comedy of self-deception, reflecting the transience of youth and fretful middle-age.” Ibid, November 17, 1989.
• Belfry (1991): Set in “the queer old whispering world” of a church vestry and belfry. “This romantic comedy is about a bell-ringing sacristan, a meek and mild bachelor who falls in love with another man’s wife and becomes ‘a hawk in the night.'” In this play I sensitively portrayed the role of Dominic to much critical acclaim. I was the talk of the town afterwards, so I was. Ibid, November 22, 1991.
The three plays are also directed by Stuart Burge for BBC Television in 1993 with the original Bush Theatre cast members.
As Michael Billington notes, the 1980s were not a good decade for new dramatists and one can point to only a handful who made any significant mark. One of them “was a young Irish actor-writer, Billy Roche, whose Wexford Trilogy at the Bush explored the cramping effects of small-town culture in minute, Chekhovian detail.”
Roche’s dramatic work includes Amphibians (RSC 1992), The Cavalcaders (Abbey Theatre, Dublin 1993; Royal Court 1994), and On Such As We (Abbey Theatre, Dublin 2001). After a long absence as a playwright, he writes Lay Me Down Softly, set in a traveling boxing ring “somewhere in Ireland,” which receives its first performance at the Peacock Theatre in Dublin in November 2008. Along with producer and actor Peter McCamley, he adapts, directs and tours in a one-man stage version of his novellaThe Diary of Maynard Perdu (2017-19). As an actor, he has appeared in Aristocrats by Brian Friel (Hampstead Theatre, 1988), The Cavalcaders (1993), Trojan Eddie (1997), Man About Dog (film comedy, 2004) and The Eclipse (2009), a film based loosely on a short story he penned.
Roche writes the screenplay for Trojan Eddie (Film Four/Irish Screen, 1997) starring Richard Harris and Stephen Rea.
Roche’s literary work includes the novel Tumbling Down (Wolfhound Press, Dublin, 1986). His collection of short stories, Tales from Rainwater Pond, is published by Pillar Press, Kilkenny, in 2006. He updates and re-releases his novel Tumbling Down in a beautiful collectors’ edition, published by Tassel Press, in May 2008. He writes the novella The Diary of Maynard Perdu (Lantern, Wexford, 2008).
In 2005, Roche handpicks students from all over Wexford for tutoring. Together they invent the first Novus magazine, which goes on sale a number of days after the group disbands. These students, who are tutored by Roche and his longtime friend Eoin Colfer, author of the internationally acclaimed Artemis Fowl novels, are the first in a long line of students under Roche’s coaching.
Roche and Colfer work with each student on their own short stories, helping them make changes to better suit the stories. Since the humble beginnings of Novus, Roche has gone on to coach more local writers. This young group of writers associated with Roche have produced two books of work. Inked (2007) and Inked 2 (2008) are perhaps the best of what has come from Roche’s tutoring work.
In January 1969, while a student at the New University of Ulster, she joins a civil rights march from Belfast to Derry, organised by the People’s Democracy. At Burntollet Bridge, a few miles from Derry, the march is attacked by loyalists. She is struck on the head, knocked unconscious, falls into the river, and is brought to hospital suffering from a concussion. The march is echoed in her 1994 play After Easter.
seamus dubhghaill 