Hoban is a Roman Catholic raised on the Desart Court estate belonging to the Earl of Desart near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal for drawings of “Brackets, Stairs, and Roofs” from the Dublin Society in 1780. He is an apprentice to Ivory, from 1779 to 1785.
Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse (1790–92), built on the ruins of the former South Carolina Statehouse, which was burned in 1788. PresidentGeorge Washington admires Hoban’s work on his Southern Tour and may have met with him in Charleston in May 1791. Washington summons the architect to Philadelphia, the temporary national capital, in June 1792.
In July 1792, Hoban is named winner of the design competition for the White House. His initial design has a 3-story facade, nine bays across, like the Charleston courthouse. Under Washington’s influence, he amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.
It is known that Hoban owns at least three slaves who are employed as carpenters in the construction of the White House. Their names are recorded as “Ben, Daniel, and Peter” and appear in a James Hoban slave payroll.
Hoban is also one of the supervising architects who serves on the United States Capitol, carrying out the design of Dr. William Thornton, as well as with The Octagon House. He lives the rest of his life in Washington, D.C., where he works on other public buildings and government projects, including roads and bridges.
Local folklore has it that Hoban designed Rossenarra House near the village of Kilmoganny in County Kilkenny in 1824.
Hoban’s wife, Susanna “Susan” Sewall, is the sister of the prominent GeorgetownCity Tavern proprietor, Clement Sewall, who enlists as a sergeant at age 19 in the Maryland Line during the Revolutionary War, is promoted six months later to ensign and then severely wounded at the Battle of Germantown.
After the District of Columbia is granted limited home rule in 1802, Hoban serves on the twelve-member city council for most of the remainder of his life, except during the years he is rebuilding the White House. He is also involved in the development of Catholic institutions in the city, including Georgetown University, St. Patrick’s Parish, and the Georgetown Visitation Monastery founded by another Kilkenny native, Teresa Lalor of Ballyragget.
O’Byrne is born on December 8, 1929, in Killiney, a suburb of Dublin, the son of John O’Byrne, KC, and Marjorie (née McGuire). He attends St. Mary’s College, Dublin, Castleknock College and University College Dublin (UCD), where he earns a degree in Legal and Political Science. In 1952, he is called to the King’s Inns. In 1954, he abandons a legal career in favour of the performing arts, joining the George Mitchell Singers in London but has a “day job” working for an insurance company. During the summer season in Llandudno, Wales, he meets and later marries a singer and dancer from Dublin named Vicky Fitzpatrick. They have three children, Jane, John, and Dominic.
O’Byrne emigrates to the Union of South Africa in 1958. In 1961, he wins a competition called The Voice of South Africa, thereby gaining a contract with the South African Broadcasting Corporation and a new career. As is commonly the case at the time, both among Irish actors abroad as well as many South Africans in the theatre and broadcast media, he uses Received Pronunciation for his professional speaking voice.
O’Byrne is also an actor, and narrates five films, while in South Africa. He is one of a series of actors who play the science-fiction character Mark Saxon in the original radio dramaNo Place to Hide, originally created by South African author Monty Doyle.
O’Byrne and his family move to Mullingar in 2001, but he continues to do broadcasts for Irish classical-music radio station RTÉ lyric fm, and his programmes for Fine Music Radio are recorded there and transmitted to South Africa for broadcast. He retires in 2004.
In 2010, at the MTN Radio Awards Gala, in Johannesburg, O’Byrne is honoured for his contribution to South African broadcasting, being named one of the inaugural inductees into the Radio Hall of Fame.
The Shankill Butchers gang is based in the Shankill area and is responsible for the deaths of at least 23 people, most of whom are killed in sectarian attacks. The gang is notorious for kidnapping, torturing and murdering random or suspected Catholic civilians. Each victim is beaten ferociously and has their throat hacked with a butcher knife. Some are also tortured and attacked with a hatchet. The gang also kills six Ulster Protestants over personal disputes, and two other Protestants mistaken for Catholics.
The commander of the Shankill Butchers gang is Lenny Murphy. He is the youngest of three sons of Joyce (née Thompson) and William Murphy from the loyalist Shankill Road area of Belfast. At school he is known as a bully and threatens other boys with a knife or with retribution from his two older brothers. Soon after leaving school at 16, he joins the UVF. He often attends the trials of people accused of paramilitary crimes, to become well acquainted with the laws of evidence and police procedure.
On September 28, 1972, Murphy shoots and kills William Edward “Ted” Pavis at the latter’s home in East Belfast. Pavis is a Protestant whom the UVF say has been selling weapons to the Provisional Irish Republican Army (PIRA). Murphy and an accomplice, Mervyn Connor, are arrested shortly afterwards and held on remand in Belfast’s Crumlin Road Gaol. After a visit by police to Connor, fellow inmates suspect that he might cut a deal with the authorities with regard to the Pavis killing. On April 22, 1973, Connor dies by ingesting a large dose of cyanide. Before he dies, he writes a confession to the Pavis murder, reportedly under duress from Murphy. Murphy is brought to trial for the Pavis murder in June 1973. The court hears evidence from two witnesses who had seen Murphy pull the trigger and had later picked him out of an identification parade. The jury acquits him due in part to Murphy’s disruption of the line-up. His freedom is short-lived as he is arrested immediately for a number of escape attempts and imprisoned, then interned, for three years.
In May 1975, Murphy is released from prison. He spends much of his time frequenting pubs on the Shankill Road and assembling a paramilitary team that will enable him to act with some freedom at a remove from the UVF leadership (Brigade Staff). His inner circle consists of two “personal friends.” These are a “Mr. A” and John Murphy, one of Lenny’s brothers, referred to as “Mr. B.” Further down the chain of command are his “sergeants,” William Moore and Bobby “Basher” Bates, a UVF man and former prisoner.
Moore, formerly a worker in a meat-processing factory, had stolen several large knives and meat-cleavers from his old workplace, tools that are later used in more murders. Another prominent figure is Sam McAllister, who uses his physical presence to intimidate others. On October 2, 1975, the gang raids a drinks premises in nearby Millfield. On finding that its four employees, two females and two males, are Catholics, Murphy shoots three of them dead and orders an accomplice to kill the fourth. By now Murphy is using the upper floor of the Brown Bear pub, at the corner of Mountjoy Street and the Shankill Road near his home, as an occasional meeting-place for his unit.
On November 25, 1975, using the city’s sectarian geography to identify likely targets, Murphy roams the areas nearest the Catholic New Lodge in the hope of finding someone likely to be Catholic to abduct. Francis Crossen, a 34-year-old Catholic man and father of two, is walking towards the city centre at approximately 12:40 a.m. when four of the Butchers, in Moore’s taxi, spot him. As the taxi pulls alongside Crossen, Murphy jumps out and hits him with a lug wrench to disorient him. He is dragged into the taxi by Benjamin Edwards and Archie Waller, two of Murphy’s gang. As the taxi returns to the safety of the nearby Shankill area, Crossen suffers a ferocious beating. He is subjected to a high level of violence, including a beer glass being shoved into his head. Murphy repeatedly tells Crossen, “I’m going to kill you, you bastard,” before the taxi stops at an entry off Wimbledon Street. Crossen is dragged into an alleyway and Murphy, brandishing a butcher knife, cuts his throat almost through to the spine. The gang disperses. Crossen, whose body is found the following morning by an elderly woman, is the first of three Catholics to be killed by Murphy in this “horrific and brutal manner.” “Slaughter in back alley” is the headline in the city’s major afternoon newspaper that day. A relative of Crossen says that his family was unable to have an open coffin at his wake because the body was so badly mutilated.
Most of the gang are eventually caught and, in February 1979, receive the longest combined prison sentences in United Kingdom legal history. However, gang leader Lenny Murphy and his two chief “lieutenants” escape prosecution. Murphy is murdered in November 1982 by the Provisional IRA, likely acting with loyalist paramilitaries who perceive him as a threat. The Butchers brought a new level of paramilitary violence to a country already hardened by death and destruction. The judge who oversaw the 1979 trial describes their crimes as “a lasting monument to blind sectarian bigotry.”
Married in 1893, Hinkson’s parents initially settle in England, where he studies law and is called to the Inner Temple in 1902. After suffering the loss of their first two sons in infancy, they have two more sons in addition to their daughter, Pamela. During this time her mother earns the main family income, and it is likely that she determines their return to Ireland in 1911. The Hinksons initially settle in Dalkey, County Dublin, before moving to a house called Clarebeg in Shankill. When Henry Hinkson is appointed resident magistrate for south Mayo (Castlebar) in October 1914, the family moves to Claremorris, County Mayo.
Hinkson is educated privately in England and on the Continent, and in Ireland attends a local convent day-school. She is exposed to her mother’s literary milieu which includes prominent writers of the Irish revival, including George William Russell, James Stephens, and Padraic Colum. Her mother’s memoir, The Years of the Shadow (1919), recalls Pamela’s developing talent for writing poetry and her predilection for war themes, as evidenced by The Blind Soldier, one of her first published poems. By the time she turns her hand to short stories, her earnings from writing enable her to buy the latest fashions.
Two key events that consumed Hinkson’s life and later spark her creativity are World War I and the Easter Rising. H. G. Wells describes in the foreword to his war novel Mr. Britling Sees It Through (1916) a conversation he had with her when she was 12, recalling how she had boldly set him straight on the “Irish question.” Her parents send her away to boarding school in County Wicklow in the hope that she will be distracted from her gloomy preoccupations, which are accentuated by the absence of her brothers, serving in the British Army. After the war she is deeply concerned by the redundancy experienced by demobilised and often maimed soldiers and contributes to the welfare work of the Irish servicemen’s Shamrock Club in London. These issues inform two early novels, The Victors (1925) and Harvest (1926), both written in the guise of an ex-serviceman under the pseudonym “Peter Deane.” By masking her identity, she avoids the possibility of her works being discredited because of her gender and lack of first-hand experience of war. Subsequently she writes under her own name for thirty years.
In contrast to her close relationship with her mother, Hinkson deeply dislikes her father. With the exception of her beloved brother Giles A. Hinckson, a correspondent for The Times in Buenos Aires and Santiago, she never meets a man who matches her high ideals. Though briefly engaged to be married, she is ultimately disillusioned by all men, dismissing them as she had her father. After his death early in 1919, she and her mother are left in financial difficulties, and have to resort to friends and boarding houses for accommodation. Without the financial means to embark on a university degree, she remains at her mother’s side. Though she continues to write, she leads a somewhat stifled life. From 1922 onwards they spend several years on the Continent.
Hinkson’s first novel, The End of All Dreams (1923), addresses the decline of the “big house” amid the revolutionary upheavals of recent Irish history, a theme to which she returns in later works, such as The Deeply Rooted (1935) and her last book, The Lonely Bride (1951). During the 1920s she writes much girls’ school fiction, while her novel Wind from the West (1930) is informed by a period spent in France, where she works as a governess. Her transcription of the memoirs of Lady Fingall (Elizabeth Burke-Plunkett), published under the title Seventy Years Young (1937), illustrates the decline of the Anglo-Irish ascendancy. Informed by war and the Irish troubles, her novels characteristically are solemn, and reflect her ambivalent relationship with Ireland. Inspired by the Irish landscape, but never an ardent supporter of Irish independence, she maintains an abiding attachment to England.
The death of Hinkson’s mother in 1931 is a devastating blow that triggers her most forceful and first truly successful novel, The Ladies’ Road (1932). Documenting the lives of the Irish and English ascendancies before, during, and after World War I, this novel, without being explicitly autobiographical, contains many motifs that resonate with her own life story. When published in the United States in 1946 it proves a massive success, selling 100,000 copies in the Penguin Books edition, a rare feat for a World War I novel appearing immediately after World War II. Other notable works are The Light on Ireland (1935) and her sketches of Irish life, Irish Gold (1939), written while she lodges with friends near Lough Derg, County Tipperary.
Hinkson’s visit to India in the late 1930s as a guest of the viceroy, which she recounts in Indian Harvest (1941), results in her appointment to the Ministry of Information in London (1939–45). She lectures on India in the United States during World War II, and also lectures to British troops and local audiences in Germany (1946–47), broadcasts on radio, and contributes to The Observer, The Spectator, New Statesman, The Manchester Guardian, and Time and Tide. Her novel Golden Rose (1944), written in London during The Blitz, romanticises the British colonial presence in India. Forthright in the expression of her numerous strongly held opinions, she argues ardently and controversially for women’s rights, animal welfare, and retention of Northern Ireland in the UK. Devout in her Catholicism, she is none the less critical of certain Catholic precepts.
Hinkson returns to Ireland in 1959 where she suffers poor health for twenty years until her death in Dublin on May 26, 1982.
(From: “Hinkson, Pamela” by Jessica March, Dictionary of Irish Biography, http://www.dib.ie)
O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.
Loughrea is at the centre of the bitterly fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.
While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.
O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.
O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.
Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.
When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.
When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.
O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).
(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Riordan joins the Communist Party of Ireland in 1935 while still in the IRA and works on the communist newspaper The Irish Workers’ Voice. In 1937, following the urgings of Peadar O’Donnell, several hundred Irishmen, mostly IRA or ex-IRA men, go to fight for the Spanish Republic in the Spanish Civil War with the XVth International Brigade. They are motivated in part by enmity towards the 800 or so Blueshirts, led by Eoin O’Duffy who go to Spain to fight on the “nationalist” side in the Irish Brigade. He accompanies a party led by Frank Ryan. In the Republic’s final offensive of July 25, 1938, he carries the flag of Catalonia across the River Ebro. On August 1, he is severely injured by shrapnel on the Ebro front. He is repatriated to Ireland the following month, after the International Brigades are disbanded.
In 1938 O’Riordan is offered an Irish Army commission by the Irish Free State but chooses instead to train IRA units in Cork. As a result of his IRA activities during World War II, or the Emergency as it is known in neutral Ireland, he is interned in the Curragh internment camp from 1939 until 1943 where he is Officer Commanding of the Cork Hut and partakes in Máirtín Ó Cadhain’s Gaelic League classes as well as publishing Splannc (Irish for “Spark,” named after Vladimir Lenin‘s newspaper).
In 1944 O’Riordan is founding secretary of the Liam Mellows Branch of the Labour Party and in 1945 is a founding secretary of the Cork Socialist Party, whose other notable members include Derry Kelleher, Kevin Neville and Máire Keohane-Sheehan.
In 1947, O’Riordan is a founding secretary of the Irish Workers’ League and general secretary thereafter, and of its successor organisation the Irish Workers’ Party from 1962–70.
In all O’Riordan runs for election five times, campaigning throughout for the establishment of a socialist republic in Ireland but given Ireland’s Catholic conservatism and fear of communism, he does so without success. He does, however, receive playwright Sean O’Casey‘s endorsement in 1951.
O’Riordan’s participation in the Spanish Civil War is always an important part of his political identity. In 1966 he attends the International Brigades’ Reunion in Berlin and is instrumental in having Frank Ryan’s remains repatriated from Germany to Ireland in 1979.
O’Riordan is a member of the Irish Chile Solidarity Committee and attends the 1st Party Congress of the Communist Party of Cuba in 1984. He also campaigns on behalf of the Birmingham Six and attends their Appeal trial in 1990. He serves as General Secretary of the Communist Party of Ireland (1970–83) and as National Chairman of the party (1983–88). He publishes many articles under the auspices of the CPI.
O’Riordan’s last major public outing comes in 2005 at the re-dedication of the memorial outside Dublin’s Liberty Hall to the Irish veterans of the Spanish Civil War. He and other veterans are received by President of IrelandMary McAleese. He is also presented with Cuba’s Medal of Friendship by the Cuban Consul Teresita Trujillo to Ireland on behalf of Cuban President Fidel Castro.
In 1969, according to Soviet dissident Vasili Mitrokhin, O’Riordan is approached by IRA leaders Cathal Goulding and Seamus Costello with a view to obtaining guns from the Soviet KGB to defend Irish republican areas of Belfast during the communal violence that marks the outbreak of the Troubles. Mitrokhin alleges that O’Riordan then contacts the Kremlin, but the consignment of arms does not reach Ireland until 1972. The operation is known as Operation Splash. The IRA splits in the meantime between the Provisional IRA and the Official IRA and it is the latter faction who receives the Soviet arms. Mitrokhin’s allegations are repeated in Boris Yeltsin‘s autobiography.
O’Riordan’s book, Connolly Column – The Story of the Irishmen who fought for the Spanish Republic 1936–1939, is published in 1979 and deals with the Irish volunteers of the International Brigade who fought in support of the Spanish Republic against Francisco Franco in the Spanish Civil War (1936–1939). An updated version of the book is reprinted in 2005 and is launched by the Lord Mayor of Dublin, Cllr. Michael Conaghan at a book launch at SIPTU headquarters, Liberty Hall. The book is the inspiration for Irish singer-songwriter Christy Moore‘s famous song “Viva la Quinta Brigada.”
In 1991, O’Riordan’s wife dies at the age of 81 at their home. He continues to live in their family home before moving to Glasnevin in 2000 to be close to his son Manus who lives nearby. He lives there until falling ill in November 2005 and is taken to the Mater Hospital. His health rapidly deteriorates, and he quickly develops Alzheimer’s disease. Soon afterwards he is moved to St. Mary’s Hospital in the Phoenix Park where he spends the final few months of his life, before his death at the age of 88 on May 18, 2006.
O’Riordan’s funeral at Glasnevin Crematorium is attended by over a thousand mourners. Following a wake the previous night at Finglas Road, hundreds turn up outside the house of his son Manus and traffic grounds to a halt as family, friends and comrades – many of whom are waving the red flag of the Communist Party of Ireland – escort O’Riordan to Glasnevin Cemetery. A secular ceremony takes place led by Manus O’Riordan, Head of Research at SIPTU, with contributions from O’Riordan’s family, Communist Party general secretary Eugene McCartan and IBMT representative Pauline Frasier.
Mathew is born on July 10, 1830, at Lehenagh House, County Cork, eldest son of Charles Mathew, gentleman, of Lehenagh House and Castlelake, County Tipperary, and his wife Mary, daughter of James Hackett of Cork. He is of a Roman Catholic family and his uncle is Fr. Theobald Mathew, the temperance movement campaigner. His initial education is at a private school in Cork. He enters Trinity College Dublin (TCD) in July 1845, graduating BA (1850) as a gold medalist and senior moderator. In Hilary term 1850 he is admitted to the King’s Inns in Dublin. He moves to London, entering Lincoln’s Inn on June 1, 1851, and is called to the English bar in Hilary term 1854.
Mathew is a founding member of the Hardwicke Society, a legal debating society, and builds up a substantial practice as a junior barrister, being much in demand as counsel for jury cases in the Guildhall sittings. Despite being highly regarded by his peers, a certain lack of confidence holds him back and even when vacancies arise, he does not apply to be made a Queen’s Counsel (QC). In 1873, however, he represents the treasury as a junior counsel in the prosecution of the Tichborne claimant, Arthur Orton, in one of the most celebrated legal cases of the day. He is the only counsel for the treasury who does not get into heated arguments in court with Orton’s leading council, Dr. Edward Vaughan Hyde Kenealy.
Mathew possesses an encyclopedic knowledge of legal procedure and in 1881 is made a bencher at Lincoln’s Inn and awarded an honorary doctorate by TCD. Although still only a junior counsel he is appointed a judge in the Queen’s Bench Division in March 1881 and knighted. After the return to office of the Liberal Party in August 1892 he becomes chairman of the commission established to investigate the state of evicted tenants in Ireland. His appointment is perhaps unfortunate, as he is a home ruler in politics and the home rule MPJohn Dillon is his son-in-law. When the commission begins its hearings on November 7, 1892, he announces that he will not allow witnesses to be cross-examined. This provokes protests from Edward Carson, who had recently been replaced as solicitor general for Ireland. Counsel is ordered to withdraw and eventually two members of the commission resign, while the landlords refuse to cooperate with the proceedings. Despite severe criticism, many of the commission’s recommendations are incorporated in the Wyndham Land Purchase Act of 1903.
Throughout his legal career, Mathew argues for the establishment of a separate commercial court and eventually succeeds in convincing the other members of the bench and also Lord Russell of Killowen, who is appointed Lord Chief Justice in 1894, that such a court be established. As a result of this, he is appointed as the first judge of the Commercial Court when it is set up in 1895. In 1901 he is made a privy councilor and appointed judge in the Court of Appeal.
On December 6, 1905, Mathew is seized with a paralytic stroke at the Athenaeum Club in London, and his resignation is announced on the following day. On November 9, 1908, he dies at his London home, 46 Queen’s Gate Gardens. His remains are returned to Ireland, where they are interred in St. Joseph’s Cemetery, Cork.
Mathew marries Elizabeth Blackmore, eldest daughter of the Rev. Edwin Biron, JP and vicar of Lympne near Hythe, Kent, in December 1861. They have two sons and three daughters. His eldest daughter, Elizabeth Mathew, marries John Dillon. A portrait of Sir James Charles Mathew, by Frank Holl, is in the possession of the family. In 1896 a cartoon portrait of him by ‘Spy’ appears in Vanity Fair.
(From: “Mathew, Sir James Charles” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie | Pictured: Sir James Charles Mathew by Alexander Bassano, half-plate glass negative, 1883, National Portrait Gallery, London)
Curtayne is the youngest child of John Curtayne, founder and proprietor of the Tralee Carriage Works, and his wife Bridget Curtayne (née O’Dwyer). She receives her initial education at local convents before attending La Sainte Union College in Southampton, England. Having taken a typing course, she is engaged as a secretary in Milan, where she remains for four and a half years. This proves to be a formative period in her life. She comes to regard Italy as a second home and is greatly influenced by the work of the Italian Catholicphilosopher, Giovanni Papini.
On leaving Italy Curtayne works for a time in Liverpool. She joins the Liverpool Catholic Evidence Guild, from where she receives her diploma as a diocesan catechist. While in England she also develops an interest in public speaking. Her first book, Catherine of Siena (1929), is followed by numerous publications on religious and historical subjects, including Lough Derg (1933), Patrick Sarsfield (1934), The Trial of Oliver Plunkett (1953), Twenty Tales of Irish Saints for children (1955), and The Irish Story (1962).
Curtayne’s enthusiasm for Italy is reflected in her many publications of Italian interest, including a scholarly work on Dante, and a novel House of Cards (1940), which centres on the experiences of a young Irish woman living in Italy. In 1972 she produces Francis Ledwidge: A Life of the Poet, her well regarded biography of the poet Francis Ledwidge, and in 1974 it is followed by an edition of his complete poems, The Complete Works of Francis Ledwidge. Throughout her journalistic career she is a contributor to various magazines and papers, among them The Irish Times, Irish Independent, The Irish Press, Books on Trial, The Spectator, and The Standard.
During the 1950s and early 1960s Curtayne makes five lecture tours in the United States, speaking on Irish life, history, and literature. In 1959 she receives an honorary doctorate in Humane Letters from Anna Maria College in Paxton, Massachusetts, where she briefly teaches. She is presented with the Key to Worcester City by Mayor James D. O’Brien. She also gives a course of lectures on Dante at Craiglockhart College, Edinburgh, in 1956, and in 1965 she again speaks on Dante in a Radio Éireann Thomas Davis lecture.
In December 1954 The Irish Press sends Curtayne to Rome to write daily reports on the close of the Marian year. She goes to Rome again for the final session of the Second Vatican Council. She is commissioned to send weekly reports to local newspapers, The Nationalist (Carlow) and The Kerryman. She also sends a series of profiles of outstanding personages of this Vatican Council to The Universe and an article for Hibernia journal.
In 1935, Curtayne marries the English-born writer and broadcaster Stephen Rynne, with whom she has two sons and two daughters. They run a farm at Prosperous, County Kildare, and are well known advocates of the values of rural living. One son, Andrew Rynne, becomes a medical practitioner and well known for his liberal views on birth control. Daughter Brigid Rynne later illustrates some of her mother’s books.
Curtayne dies on August 9, 1981, in the Hazel Hall Nursing Home in Clane, County Kildare, and is buried at Killybegs Cemetery.
Eccles is the fourth daughter of Alexander O’Conor Eccles of Ballingard House, the founder of a home-rule newspaper, The Roscommon Messenger. She attends a Catholic grammar school, Upton Hall School FCJ, near Birkenhead and convents in Paris and Germany.
Eccles later lives in London with her mother and sister where, after a number of setbacks, she becomes a journalist in the London office of the New York Herald. She goes on to become a staff member of the Daily Chronicle and the Star. She comments in an article in the June 1893 issue of Blackwood’s Magazine on “the immense difficulty a woman finds in getting into an office in any recognised capacity,”
Eccles joins the agricultural reformer Sir Horace Plunkett in writing and lecturing around Ireland for the Department of Agriculture and Technical Instruction. Another of her Blackwood’s Magazine articles, in December 1888, covers “Irish Housekeeping and Irish Customs in the Last Century.”
Eccles’s other books include Aliens of the West (Cassell, 1904) and The Matrimonial Lottery (Eveleigh Nash, 1906). An obituary in The Times describes Aliens of the West as “one of the best modern books of short stories on Ireland yet written.”
MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.
At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.
In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.
In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.
Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.
In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.
From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).
MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.
MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.
During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.
seamus dubhghaill 