Joyce is a native Irish speaker who starts his education at a hedge school. He then attends school in Mitchelstown, County Cork.
Joyce starts work in 1845 with the Commission of National Education. He becomes a teacher and principal of the Model School, Clonmel. In 1856 he is one of fifteen teachers selected to re-organize the national school system in Ireland. Meanwhile he earns his B.A. in 1861 and M.A. in 1863 from Trinity College Dublin.
Joyce is a key cultural figure of his time. His wide interests include the Irish language, Hiberno-English, music, education, Irish literature and folklore, Irish history and antiquities, place names and much else. He produces many works on the history and culture of Ireland. His most enduring work is the pioneering The Origin and History of Irish Names of Places (first edition published in 1869). He is a member of the Royal Irish Academy.
In 1856 Joyce marries Caroline Waters of Baltinglass, County Wicklow, with whom he has two daughters and three sons, one of whom is the author Weston St. John Joyce. He dies on January 7, 1914, at his home, Barnalee, Rathmines, Dublin, and is buried two days later in Glasnevin Cemetery.
The P.W. Joyce collection at the Cregan Library in St. Patrick’s College, Drumcondra, Dublin, reflects many of Joyce’s interests and includes several rarities. These include autographed presentation copies by Joyce and his brother Robert, as well as books from Joyce’s own library. The collection also contains nine manuscripts associated with Joyce and his family members, including a manuscript in P.W. Joyce’s own hand of Echtra Cormaic itir Tairngiri agus Ceart Claíd Cormaic (Adventures of Cormac in the Land of Promise), a passage from the Book of Ballymote, which Joyce translated into English.
Clean-up operations are underway around Ireland on Wednesday, December 30, 2015, in the wake of Storm Frank, which causes widespread flooding following its landfall in western areas on Tuesday, December 29. Thousands of households and businesses are left without electricity in many areas of the country.
A Met Éireann status orange wind warning is lifted at 2:00 p.m. on Wednesday although the forecasts caution that severe winds of 65-80 km/h and gusts of up 130 km/h are still expected. While the heaviest rainfall from the storm falls overnight, many rivers and lakes have yet to peak meaning further flooding is possible.
According to an ESB Networks spokesman, 7,500 homes are without power in the afternoon, down from the overnight total of 13,000. He says repair crews are working to restore power to those cut off. The biggest single outage overnight is around Bandon and Fermoy in County Cork where 4,000 homes are without power, although it has been restored to almost all homes by the afternoon of December 30.
At 2:00 p.m. on Wednesday, the worst affected areas are County Wicklow with 1,200 houses without power, Macroom in County Cork where 600 are without power and Athlone where 500 homes are cut off. Around 500 homes in Naas, County Kildare, are without power as are 350 houses in Skerries in north County Dublin. It is hoped that power will be restored to all customers by the evening.
County Cork appears to be the worst affected by the storm where 60 mms (almost three inches) of rain falls since the morning of December 29. The threat of further flooding in Cork remains as the ESB increases the flow of water through the Inniscarra Dam to 250 cumecs (cubic metres per second) between 9:00 a.m. and midday which leads to increased flooding downstream. This is higher than the level of flow (180 cumecs) the previous and between December 6 and 12 along the River Lee following Storm Desmond.
Cork County manager Tim Lucey says there has been “extensive flooding” across a range of areas, but that Midleton and Bandon are worst hit with some 90 properties affected in each of the towns. He tells RTÉ Radio that one positive is the fact flood defences in Mallow and Fermoy have done their job. He notes that some five feet of water has built up behind a flood barrier in Mallow and this indicates the damage that could have been done to the town.
South Galway bears the brunt of flooding in the west, with river gauges expected to rise further over the coming days. Overnight rainfall is not as heavy as anticipated in the west, but several properties succumb to the waters. Up to 30 families in the south Galway area are forced to stay with relatives, with several being accommodated in hotels by Galway County Council, as floodwaters cut off access routes to their homes.
In Mayo, the area around the Neale remains underwater and a number of minor roads and thousands of acres of farmland are also affected. With rain continuing to fall across the west, conditions are expected to remain critical over the next few days.
The N11 between Rosslare and Dublin, the N25 from Cork to Waterford, the N71 between Cork and Killarney and the N4 between Dublin and Sligo all have diversions in place. The N25 is closed overnight between Killeagh and Castlemartyr in County Cork due to flooding. The N71 Cork/Bandon Road is also closed overnight at the viaduct due to flooding. There is severe flooding on the N40 South Ring Rd. at J6 Kinsale, particularly on the westbound off-ramp. The N11 Dublin/Wexford Road is impassable through Enniscorthy and also at Kyle’s Cross near Oylegate. The N4 is closed eastbound at Ballynafid in County Westmeath due to flooding. There are also several road closures in Kerry, Waterford and Tipperary.
Midleton is also hit by severe flooding as water levels in the Owenacurra River rise dramatically with up to 30 families having to be evacuated from their homes. Macroom in mid-Cork is also flooded for the first time during the year. Bandon is put on red alert by Cork County Council’s early warning system. Traders and residents are told to take all measures necessary to protect their property and stock. Locals stay up all night preparing the town for the latest round of flooding. Nevertheless, some 20 businesses in Bandon are flooded for the second time in a month after waters start to come up shores and gutters in the town as water levels in the River Bandon rise overnight.
The River Slaney burst its banks in Enniscorthy, County Wexford, causing widespread flooding in the town. Several cars have to be abandoned. High tide in Enniscorthy occurs around 10:30 a.m. on December 30.
The ESB says the flow of water through Parteen Weir, which regulates water flow through Ardnacrusha power plant, will remain at 440 (cubic metres per second) on December 30 and that the situation will be reviewed again the following day. “The levels in Lough Derg may reach 2009 levels in the coming days and, as a result, the flow through Parteen Weir may increase to 2009 levels (up to 500 cumecs) in the coming days,” it says.
Clare County Council says water levels on the lower River Shannon at Springfield, Clonlara, have increased by 5-10cm in the last 24 hours and are some 20cm below a peak level recorded on December 13th. It says the Mulkear River in County Limerick, which enters the River Shannon south of Annacotty, is currently in flood and is contributing to increased water levels at Springfield. Council staff are assisted by the Fire Service and Defence Forces at Springfield in their pumping operations and transporting residents of some 12 homes isolated by floodwaters.
Fianna Fáil urges TaoiseachEnda Kenny to call an emergency Cabinet meeting to address the fallout from the storm. The party’s environment spokesman, Barry Cowen, says many communities felt neglected as further significant damage was inflicted on homes and businesses by the rainfall and winds brought by Storm Frank. “The scenes that we are witnessing in communities impacted by the latest storm are truly heart-breaking,” he says. “People feel neglected by the Government. It’s astonishing that the Taoiseach has decided not to interrupt his Christmas holidays in light of the devastation caused by Storm Frank.”
The Government’s National Coordination Group on Severe Weather meets in Dublin on December 30. Sinn FéinMEPLiadh Ní Riada says the Government has displayed “ineptitude in preparing flood defences” and that “more hollow promises” from the Coalition are no substitute for action. “The risk of flooding is increasing and will continue to increase. People across this island need to know that our political leaders have a plan to prevent this happening in the future,” she says.
(From: “Storm Frank causes floods, closes roads and cuts power to thousands” by Ronan McGreevy, Th Irish Times, http://www.irishtimes.com, December 30, 2015 | Pictured: Water flows through buildings and down the street in Graignamanagh, Co Kilkenny on Tuesday night by Paul B via Twitter)
Harry Bradshaw, a leading Irish professional golfer of the 1940s and 1950s, dies on December 22, 1990, in St. Vincent’s hospital, County Dublin.
Bradshaw is born on October 9, 1913, in Killincarrig, County Wicklow, eldest among four sons and two daughters of Edward ‘Ned’ Bradshaw, golf caddie and later golf professional, and Elizabeth Bradshaw (née Walsh) of Killincarrig. He is educated locally. A golf prodigy, he has a hole-in-one at the age of ten on an 80-yard par three at Delgany Golf Club, County Wicklow. He joins Delgany Golf Club, where he progresses from caddie to assisting his father, who is the club’s professional. As a teenager, he tends to hook the ball wildly, before he develops a grip that allows him to hit with great accuracy. Thereafter, he concentrates on honing his peerless approach play from within 100 yards of the hole. Another feature of his game is what is called his “hit and hark” approach to putting: he never lifts his head to follow the ball until he hears it drop.
Bradshaw plays in his first tournament as a professional in 1932, the same year he shoots a course record 68 at Delgany. In 1938, he wins his first professional tournament, the Bromford-Adgey Cup at Skerries Golf Club, County Dublin. In 1941, he is appointed golf professional at Kilcroney, County Wicklow, and in 1950 he begins his long association with Portmarnock Golf Club, County Dublin, when he is appointed golf professional there. By then he has already made his mark on domestic Irish golf, having won the Irish Open in 1947 and 1949. In Ireland he wins the Irish Dunlop Trophy three times, the Willie Nolan Trophy eleven times, the Moran Cup twelve times and the Irish Professional Championship ten times, the last a record later equaled by Christy O’Connor Snr.
Bradshaw is not well known outside of Ireland prior to the famous “bottle” incident at the 1949 Open Championship at Royal St. George’s Golf Club in Sandwich, Kent, England. Having headed the qualifiers and shooting an opening 68, he continues his good form into the second round when his drive at the par four fifth hole just misses the fairway and lands in a beer bottle that is standing upright with the neck and shoulder broken off. The rules are unclear on whether the bottle constitutes a hazard, and he elects to play the ball where it lay, judging (correctly) that he is not entitled to a free drop. Closing his eyes and turning his head away, he swings, shattering the bottle and advancing the ball about twenty-five yards. He is shaken and records a lacklustre round of 77. Back to his best in the next two rounds, he would win the title had his putt on the last not stopped just short. Instead, he ties with the South AfricanBobby Locke who defeats him by twelve strokes in the thirty-six-hole play-off with superlative rounds of 67 and 68. As a result of his experience with the broken bottle, the rules are changed to cater for the possibility of such an incident recurring. It is the closest a golfer from the Republic of Ireland comes to winning the Open Championship until Pádraig Harrington’s victory in 2007.
Bradshaw subsequently revenges himself on Locke by narrowly beating him to the Irish Open title the following month. He is then one of four British and Irish golfers to participate in a sixteen-week tour of South Africa from December 1950 to March 1951 during which he engages in further jousts with Locke, deepening their new-found friendship.
Establishing himself on the international golf circuit, Bradshaw goes on to win the DunlopBritish Masters on two occasions (1953, 1955), and in 1958 he becomes the first Irishman to win the PGA Close Championship. He had also won the Dunbar Open Tournament in Scotland in 1953 and the Gleneagles Hotel Foursomes Tournament pro-am with Joe Carr in 1955. The highlight of his career comes in Mexico City in 1958, when, in partnership with Christy O’Connor Snr, he wins the Canada Cup, later known as the World Cup, for Ireland, also losing a play-off for the individual title. His performance is particularly impressive, given that he is forty-five and carrying weight while competing at altitude in oppressive heat. He and O’Connor are fêted upon their return home, and their victory is considered to play the determining role in popularising golf in Ireland. He caps a memorable year by receiving the Association of Golf Writers’ Trophy for 1958.
Bradshaw appears on three Ryder Cup teams. At the Wentworth Club in 1953, he wins his foursomes match partnering Fred Daly and his singles match against Fred Haas, but in 1955 he loses both his foursomes and singles matches at the Thunderbird Country Club in California. In 1957, he is a member of the side that defeats the American team 7–4 at Lindrick Golf Club in South Yorkshire, only the third victory by the Britain and Ireland side in the twelve matches played up to that time. He holes a five-footer to tie his match with U.S. Open champion Dick Mayer after a classic encounter. In 1963, he takes on Billy Casper, one of America’s top golfers, in a match at Portmarnock televised as part of the prestigious Shell’s Wonderful World of Golf series. Bradshaw’s three-stroke victory earns him $3,000, which is then considered a bonanza in golfing terms.
Bradshaw remains the golf professional at Portmarnock until 1983, latterly spending most of his day in the club shop. Even after his formal retirement, he remains on the payroll at Portmarnock as an informal ambassador for the club. Nicknamed “the Brad,” he is extremely popular with amateur and professional alike, is a great raconteur and tremendous company, and is noted for his lack of rancor towards, or criticism of, other players.
Bradshaw marries Elizabeth Foley from Carlow in 1944 and they have four children. His three brothers, Eddie, Hughie and Jimmy, are all professional golfers.
(From: “Bradshaw, Harry” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, November 2022)
Crilley is born in Newry, County Down, (present-day Northern Ireland), on August 1, 1884, one of six children of Patrick Crilley. Her date of birth is often given as July 29, 1888, though local records do not support this, suggesting she is born four years earlier. Having initially trained at Newry technical school with her sister Mary, intending to become a teacher, in 1905, she wins a scholarship to attend the Dublin Metropolitan School of Art. There she studies under William Orpen, who regards her as one of his most promising students. She completes her studies in 1911 attaining an Art Teacher’s Certificate and begins working as Orpen’s assistant.
In 1914, Crilley marries her fellow student Harry Clarke, much to the surprise of their family and acquaintances. The couple moves into a flat at 33 North Frederick Street. They have three children, Michael, David and Ann. Harry’s brother, Walter, marries Margaret’s sister, Mary, in 1915.
Clarke first exhibits with the Royal Hibernian Academy in 1913 and goes on to exhibit over 60 artworks in the forty years until 1953, the majority being portraits. Among the portrait commissions she receives are ones for Dermod O’Brien, President Éamon de Valera, ArchbishopJohn Charles McQuaid, and Lennox Robinson. She spends a great deal of time on the Aran Islands with fellow artist Seán Keating and her husband, from which she produces a number of landscapes and smaller studies.
Clarke becomes the director of the Harry Clarke Stained Glass Studios following the death of her husband in 1931.
A critic notes in 1939 that Clarke produces “remarkable drawings in which individuality is caught in a few swift economical lines.” Over her lifetime she wins many awards including the Tailteann gold, silver and bronze medals in 1924, and another Tailteann bronze in both 1928 and 1932. She is elected an Associate of the Royal Hibernian Academy (ARHA) in 1926, and a full RHA member in 1927. Upon the founding of the Irish Exhibition of Living Art in 1943, she is appointed a member of the executive committee.
Clarke dies in Dublin on 31 October 31, 1961, and is buried in the Redford Cemetery, Greystones, County Wicklow. She is commemorated with a blue plaque at her birthplace in Newry.
Fallon is born at Holles Street Hospital, Dublin, on January 30, 1939, the third of six sons of Padraic Fallon, the Irish poet and playwright, and Dorothea Maher. The family moves to Clonard, County Wexford, where he grows up. He has three surviving brothers, Brian, Ivan and Padraic, who have all had journalism careers. His early interest in literature and the arts is nourished by his father and elder brothers, and by contact with the cultured circle of writers, artists, musicians and intellectuals within which his father moves.
Fallon is educated at St. Peter’s College, Wexford, and Trinity College, Dublin. He begins painting in 1957 while at Trinity College, where he is studying natural science but is advised to pay more attention to his art. His interest in painting is probably inspired by the example of Tony O’Malley, a close family friend. As a compromise with his father, who does not see his talent, he also studies accountancy at night.
Largely self-taught in painting, he learns fundamentals of technique from Richard Kingston, to whom he is introduced by O’Malley. He largely paints landscapes in acrylic and gouache, in a manner heavily influenced by that of Jack Butler Yeats.
In 1964, Fallon visits O’Malley in St. Ives, Cornwall, where he had emigrated several years earlier, intending also to meet the Cornish abstract landscape painter Peter Lanyon, the chief creative force in the thriving artists’ colony centred on St. Ives. His arrival, however, coincides with Lanyon’s death from injuries suffered in a gliding accident. A gently sympathetic stranger amid the bereaved artistic community, he finds an immediate empathy and rapport with Nancy Wynne-Jones, a Welsh-born painter sixteen years his senior who had studied under Lanyon. They marry in 1966. They adopt two children in 1970, siblings John and Bridget.
Encouraged to take up sculpture, English sculptor Denis Mitchell becomes Fallon’s mentor in Cornwall, and with Breon O’Casey, he develops his sculpting. He becomes notable for his cast steel and bronze work, especially birds, horses and hares. He has his first solo exhibition in Newlyn in 1972, showing both painting and sculpture.
In May 1972, Fallon moves with his family back to Ireland, settling at Scilly House, on a hillside overlooking the harbour at Kinsale, County Cork. Removed from any centre of artistic activity, he devotes himself fulltime to a solitary development of his sculpture, refining his methodology and technique, and his skills in working various metals, beginning in 1974 to work in steel. In 1975, he first exhibits in Ireland at a solo show at the Emmet Gallery, Dublin, again showing both painting and sculpture, including his first steel sculptures to be exhibited.
Beginning in 1983, Fallon exhibits regularly with the Taylor Galleries, Dublin. Desiring closer proximity to Dublin art activities, and with their children attending university in the city, Fallon and his wife move in 1987 to Ballard House, Ballinaclash, Rathdrum, County Wicklow.
In the summer of 2007, some six months after his wife’s death, Fallon wis diagnosed with advanced metastatic lung cancer. He dies on October 3, 2007, at the Blackrock Clinic, County Dublin, and is buried beside his wife in Ballinatone churchyard, Greenan, Rathdrum, County Wicklow.
Ulster’s Solemn League and Covenant, commonly known as the Ulster Covenant, is signed by nearly 500,000 people on and before September 28, 1912, in protest against the Third Home Rule Bill introduced by the British Government in the same year.
The Covenant has two basic parts: the Covenant itself, which is signed by men, and the Declaration, which is signed by women. In total, the Covenant is signed by 237,368 men; the Declaration, by 234,046 women. Both the Covenant and Declaration are held by the Public Record Office of Northern Ireland (PRONI). An online searchable database is available on the PRONI website.
In January 1913, the Ulster Volunteers aim to recruit 100,000 men between the ages of 17 and 65 who had signed the Covenant as a unionist militia. A British Covenant, similar to the Ulster Covenant in opposition to the Home Rule Bill, receives two million signatures in 1914.
The majority of the signatories of the Covenant are from Ulster, although the signing is also attended by several thousand southern unionists. Acknowledging this, Carson pays tribute to “my own fellow citizens from Dublin, from Wicklow, from Clare [and], yes, from Cork, rebel Cork, who are now holding the hand of Ulster,” to cheers from the crowd.
The signature of Frederick Hugh Crawford is claimed by him to have been written in blood. However, this is disputed. Based on the results of a forensic test that he carries out in September 2012 at PRONI, Dr. Alastair Ruffell of Queen’s University Belfast asserts that he is 90% positive that the signature is not blood. Crawford’s signature is injected with a small amount of luminol. This substance reacts with iron in blood’s hemoglobin to produce a blue-white glow. The test is very sensitive and can detect tiny traces even in old samples. Crawford’s signature is still a rich red colour today which would be unlikely if it had been blood. Nevertheless, some unionists are not convinced by the evidence.
The Ulster Covenant is used as a template for the “Natal Covenant,” signed in 1955 by 33,000 British-descended Natalians against the nationalistSouth African government’s intention of declaring the Union a republic. It is signed in Durban‘s City Hall. Loosely based on Belfast’s Ulster Covenant, the Ulster scene is almost exactly reproduced.
September 28 is today known as “Ulster Day” to unionists.
(Pictured: Sir Edward Carson signing the Solemn League and Covenant)
Whiteside is the son of William Whiteside, a clergyman of the Church of Ireland. His father is transferred to the parish of Rathmines but dies when his son is only two years old, leaving his widow in straitened circumstances. She schools her son personally in his early years. He is educated at Trinity College Dublin, enters the Middle Temple, and is called to the Irish bar in 1830.
Whiteside very rapidly acquires a large practice, and after taking silk in 1842 he gains a reputation for forensicoratory surpassing that of all his contemporaries and rivalling that of his most famous predecessors of the 18th century. He defends Daniel O’Connell in the state trial of 1843, and William Smith O’Brien in 1848. His greatest triumph is in the Yelverton case in 1861. He is elected Member of Parliament (MP) for Enniskillen in 1851, and in 1859 becomes an MP for Dublin University. In Parliament, he is no less successful as a speaker than at the bar, and in 1852 is appointed Solicitor-General for Ireland in the first administration of Prime MinisterEdward Smith-Stanley, becoming Attorney-General for Ireland in 1858, and again in 1866. In the same year he is appointed Lord Chief Justice of the Queen’s Bench, having previously turned down offers of a junior judgeship. His reputation as a judge does not equal his reputation as an advocate, although he retains his great popularity. In 1848, after a visit to Italy, he publishes Italy in the Nineteenth Century. In 1870 he collects and republishes some papers contributed many years before to periodicals, under the title Early Sketches of Eminent Persons.
In July 1833, Whiteside marries Rosetta, daughter of William and Rosetta Napier, and sister of Sir Joseph Napier, Lord Chancellor of Ireland. Like his brother-in-law, Joseph, he is devoted to the Church of Ireland and strongly opposes its disestablishment.
Whiteside is universally well-liked, being noted for charm, erudition and a sense of humour. Barristers who practise before him say that his charm, courtesy and constant flow of jokes make appearing in his Court a delightful experience.
Whiteside’s last years on the bench ware affected by ill health. He dies on November 25, 1876, at Brighton, Sussex, England. His brother-in-law, from whom he is estranged in later years, is overcome with grief at his death and collapses at the funeral. He is buried at Mount Jerome Cemetery in Dublin.
(Pictured: Statue of James Whiteside by Albert Bruce-Joy on display in St. Patrick’s Cathedral)
The Electricity Supply Board (ESB; Irish: Bord Soláthair an Leictreachais), a state-owned electricity company operating in the Republic of Ireland, is established on August 11, 1927, by the fledgling Irish Free State government under the Electricity (Supply) Act 1927, to manage Ireland’s electricity supply after the successful Shannon hydroelectric scheme at Ardnacrusha and take over all existing projects for the electrification of Ireland. While historically a monopoly, the ESB now operates as a commercial semi-state concern in a “liberalised” and competitive market. It is a statutory corporation whose members are appointed by the government of Ireland.
The Shannon hydroelectric scheme at Ardnacrusha is Ireland’s first large-scale electricity plant and, at the time, it provides 80% of the total energy demands of Ireland. To give an idea of the growth in demand, the output of Ardnacrusha is now approximately two per cent of national peak demand for power.
By 1937, plans are being finalised for the construction of several more hydroelectric plants. The plans called for stations at Poulaphouca, Golden Falls, Leixlip (all in Leinster), Clady, Cliff and Cathaleen’s Fall (between Belleek and Ballyshannon in County Donegal), Carrigadrohid and Inniscarra (in County Cork). All these new plants are completed by 1949 and together harness approximately 75% of Ireland’s inland waterpower potential. Many of these plants are still in operation, however, as can be expected with continuing growth in demand, their combined capacity falls far short of Ireland’s modern needs.
With Ireland’s towns and cities benefiting from electricity, the new government pushes the idea of Rural Electrification. Between 1946 and 1979, the ESB connects in excess of 420,000 customers in rural Ireland. The Rural Electrification Scheme is described as “the Quiet Revolution” because of the major socio-economic change it brings about. The process is greatly helped in 1955 by the Electricity Supply Amendment Act, 1955.
In 1947, the ESB, needing ever more generation capacity, builds the North Wall station on a 7.5-acre site in Dublin‘s industrial port area on the north side of the River Liffey on the site of an old oil refinery. The original station consists of one 12.5 MW steam turbine that is originally purchased for a power station at Portarlington but instead used at North Wall. Other power stations built around this time include the peat fired stations at Portarlington, County Laois, and Allenwood, County Kildare.
Because of the risks of becoming dependent on imported fuel sources and the potential for harvesting and utilising indigenous peat, the ESB – in partnership with Bord na Móna – establishes those stations and ESB also builds Lanesboro power station in 1958. Located in County Longford, the plant burns peat, cut by Bord na Móna in the bogs of the Irish midlands. In 1965, the Shannonbridge station, located in County Offaly, is commissioned. The two stations have been replaced by new peat-fired stations near the same locations, and peat is also used to power the independent Edenderry Power Station in County Offaly.
As in most countries, energy consumption is low at night and high during the day. Aware of the substantial waste of night-time capacity, the ESB commissions the Turlough Hillpumped-storage hydroelectric station in 1968. This station, located in County Wicklow, pumps water uphill at night with the excess energy created by other stations, and releases it downhill during the day to turn turbines. The plant can generate up to 292 MW of power, but output is limited in terms of hours because of the storage capacity of the reservoir.
The 1970s bring about a continued increase in Ireland’s industrialisation and with it, a greater demand for energy. This new demand is to be met by the construction of the country’s two largest power stations – Poolbeg Generating Station in 1971 and Moneypoint Power Station in 1979. The latter, in County Clare, remains Ireland’s only coal-burning plant and can produce 915 MW, just shy of the 1015 MW capacity of Poolbeg. In 2002 and 2003, new independent stations, Huntstown Power (north Dublin) and Dublin Bay Power (Ringsend, Dublin), are constructed.
In 1991, the ESB establishes the ESB Archive to store historical documents relating to the company and its impact on Irish life.
On September 8, 2003, two of the last remaining places in Ireland unconnected to the national grid – Turbot Island and Inishturk Island (off the coast of County Galway)- are finally connected to the main supply. Some islands are still powered by small diesel-run power stations.
Sixty wind farms are currently connected to the power system and have the capacity to generate 590 MW of power, depending on wind conditions. These wind farms are mainly owned by independent companies and landowners.
On March 16, 2005, the ESB announces that it is to sell its ShopElectric (ESB Retail) chain of shops, with the exception of the Dublin Fleet Street and Cork Academy Street outlets, to Bank of Scotland (Ireland), converting them into main street banks. Existing staff are offered positions as bank tellers.
On March 27, 2008, the ESB announces a €22bn capital investment programme in renewable energy technology, with the aim to halve its carbon emissions within 12 years and achieve carbon net-zero by 2035.
On July 30, 1920, Brooke is killed, at the age of 69, at his offices in Dublin, by Paddy Daly, Tom Keogh and Jim Slattery, members of Michael Collins‘s Squad of the Irish Republican Army (IRA). He is killed in view of a colleague, who is spared. He is marked out for his activities as a judge, anti-republican activities, and his friendship with Sir John French. As an Irish Privy Counsellor, he is a signatory of the order proclaiming Dáil Éireann illegal.
The inquest following the assassination finds that Brooke had a pistol in his jacket pocket. His killing has been termed the only outright political assassination of the Irish War of Independence.
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969, in St. Laurence’s Hospital, Dublin.
seamus dubhghaill 