O’Brien is a ship builder and designer, and his notable boats include the Kelpie (used for gun running in 1914), the Saoirse (in which he circumnavigates the globe) and the Ilen (a Falkland Islands service ship).
O’Brien is credited with two buildings in his lifetime: the Co-operative Hall in County Donegal and the People’s Hall in County Limerick. He is also known as a naval architect, having designed two ships, the Saoirse and the llen. He later captains both of these ships himself.
In Saoirse, a 20-ton, 42-foot ketch designed and built in 1922 in Baltimore, County Cork, he and three crew members circumnavigate the globe between 1923 and 1925 – the first recorded by an amateur skipper from west to east, the first yacht circumnavigation by way of the three great capes: Cape Horn, Cape of Good Hope and Cape Leeuwin, and the first boat flying the Irish tri-colour to enter many of the world’s ports and harbours. His voyage begins and ends at the Port of Foynes, County Limerick, where he lives. His account of the voyage, Across Three Oceans, (1927) becomes one of the classics of maritime literature.
Up until O’Brien’s circumnavigation, this route is the preserve of square-rigged grain ships taking part in the grain race from Australia to England via Cape Horn (also known as the clipper route).
O’Brien’s seagoing experiences are put to use in his design of the Ilen, which is built for the Falkland Islands as a service boat and launched in the spring of 1926. In 1998, Ilen returns to the site where she was first built, on the River Ilen near Baltimore, County Cork, where she undergoes a full restoration and is re-launched in May 2018. This task provides work-based learning for the students of the Ilen School.
O’Brien has some involvement with gun running in 1914 on behalf of the Irish Volunteers, for political reasons and because he has experience in sailing. On July 26, 1914, nine hundred guns are brought to Howth harbour aboard Erskine Childers‘ yacht Asgard. As part of the same operation, O’Brien transports arms on his yacht, Kelpie. The guns on Kelpie are transshipped to another yacht, Chotah, owned by Sir Thomas Myles, before being landed at Kilcoole in County Wicklow on August 1, 1914. After the gun running incidents, he serves in the Royal Naval Volunteer Reserve.
In 1928, O’Brien marries a well-known artist, Kathleen Francis, the youngest daughter of Sir George Clausen, RA. The couple thereafter moves to Ibiza, where they live on the Saoirse until Kathleen’s death in 1936. They have no children. Relocating to Cornwall, where he lives with his sister, he writes books on sailing and works of fiction for children. Although too old for active service when war with Germany breaks out in 1939, he assists the British war effort by serving in the Small Ships Pool, which delivers support vessels across the Atlantic and brings food supplies from the United States in private yachts.
In 1940 O’Brien sells Saoirse to the Royal Cornwall Yacht Club. The boat remains in use until 1980, when it is lost off the Jamaican coast. After the war he retires to another sister’s home in Foynes, County Limerick, where he lives and continues to write books for children until his death on April 18, 1952.
His brother, Richard Pennefather, has a longer and more successful career as a judge. Appointed a Baron of the Court of Exchequer in 1821, he serves for nearly 40 years and is held in universal regard. With the general support of the profession, he remains on the Bench until shortly before his death at eighty-six, by which time he is blind. Edward and Richard, “the two Pennefathers,” are leading practitioners in the Court of Chancery (Ireland).
Pennefather is generally regarded as more gifted, a master of the law of equity and also a skilled libel lawyer. In 1816, he is one of the lead counsels in the celebrated libel case of Bruce v. Grady, which arises from the publication of a scurrilous poem called “The Nosegay,” written by a barrister, Thomas Grady, about his former friend, the notably eccentric banker George Evans Brady of Hermitage House, Castleconnell, County Limerick. The quarrel is said to arise from a dispute over money which Bruce had loaned to Grady. The plaintiff claims £20000 but the jury awards £500.
According to Elrington Ball, Pennefather is considered to be one of the greatest Irish advocates of his time, and one with few rivals in any age, but he does not live up to expectations as a judge, due largely to his age and increasing ill-health. As a judge he is remembered mainly for presiding at the trial of Daniel O’Connell in 1843 for sedition, where his alleged bias against the accused damages his reputation: he is accused of acting as prosecutor rather than judge, and his summing-up is described as simply an extra speech for the prosecution. Further damage to his reputation is done by the majority decision of the House of Lords quashing the verdict in the O’Connell case: while many of the errors were the fault of the prosecution, the Law Lords do not spare Pennefather for his conduct of the proceedings, and in particular for his summing-up. The Law Lords comment severely that the course of the trial, if condoned, will make a mockery of trial by jury in Ireland.
The related trial of Sir John Gray descends into farce when the Attorney-General, Sir Thomas Cusack-Smith, who is noted for his hot temper, challenges one of the defence counsel, Gerald Fitzgibbon, to a duel, for having allegedly accused him of improper motives. Pennefather tells the Attorney-General severely that a man in his position has no excuse for such conduct, whereupon the Attorney-General agrees to let the matter drop. The public notes with interest that Fitzgibbon’s wife and daughter are present in Court during the contretemps.
Following a long illness, Pennefather dies in Dunlavin, County Wicklow, on September 6, 1847. He is buried in Christ Church Cemetery, Delgany, County Wicklow.
FitzGerald is born in 1238 in Wexford, the second son of Maurice FitzGerald, 2nd Lord of Offaly, and Juliana de Grenville. He has three brothers, Gerald FitzMaurice II, Thomas FitzMaurice and David FitzMaurice. He is known by the nickname of Maurice Mael (from an old word meaning “devotee” in Irish). He is granted his father’s lands in Connacht in exchange for quitclaiming the barony of Offaly sometime before May 20, 1257, when his father, Maurice FitzGerald II, dies at Youghal Monastery.
Before his father’s death, FitzGerald is custos of Offaly, but after the 2nd Lord of Offaly dies, the countess of Lincoln, Margaret de Quincy, sues him for custody of Offaly.
Terrible feuds rage in his time between the Geraldines and the De Burghs. FitzGerald and his nephew John, son of his brother Thomas, capture the justiciar, Richard de la Rochelle, Theobald Butler IV, and John de Cogan I (whose son is married to Maurice FitzGerald III’s sister, Juliana). The capture of the three magnates leads to a private war in Ireland, with the Geraldines on one side and Walter de Burgh and Geoffrey de Geneville on the other. However, the Second Barons’ War in England forces them to come to a temporary peace while they battle Montfortians in the English Midlands in 1266.
In May 1265, FitzGerald is among the chief magnates in Ireland summoned to inform King Henry III of England and his son Prince Edward about conditions in the country, and again in June 1265. These are the result of the private war between the Geraldines and Walter de Burgh, lord of Connacht (who is later made the 1st Earl of Ulster). He is appointed Justiciar of Ireland on June 23, 1272, following the accidental death of his predecessor, James de Audley, on June 11 of that year. His father had served in the same capacity from 1232 to 1245. He holds the post until September 1273, when he is succeeded by Sir Geoffrey de Geneville, Seigneur de Vaucouleurs.
In 1276, FitzGerald leads a force of men from Connacht against the Irish of County Wicklow. His contingent joins the main army of English settlers jointly commanded by his son-in-law, Thomas de Clare, Lord of Inchiquin and Youghal, who had been made Lord of Thomond earlier that same year, and Sir Geoffrey de Geneville, Maurice’s successor as Justiciar of Ireland. The English under Thomas de Clare and Geoffrey de Geneville attack the Irish at Glenmalure, but are defeated and suffer heavy losses.
Shortly before October 28, 1259, FitzGerald married his first wife, Maud de Prendergast, daughter of Sir Gerald de Prendergast of Beauvoir and Matilda de Burgh, daughter of Richard Mór de Burgh. Together they have two daughters:
FitzGerald is Maud’s third husband. She dies on an unknown date. In 1273, he marries his second wife, Emmeline Longespee (1252–1291), daughter of Stephen Longespée and Emmeline de Ridelsford. He and Emeline have no issue.
FitzGerald dies September 2, 1277, at Ross, County Wexford. Emmeline Longespée then fights until her death to claim her dower against her daughter, Juliana, her stepdaughter, Amabilia, and John FitzGerald, who is created 1st Earl of Kildare on May 14, 1316. John is the son of his brother, Thomas by Rohesia de St. Michael. John sues or physically takes lands from the bailiffs of Emmeline, Juliana, and Amabilia.
There is some confusion as to whether Gerald Fitzmaurice FitzGerald is the first or second son of Maurice FitzGerald, 2nd Lord of Offaly. Most, like M. Hickson, of the Royal Society of Antiquaries of Ireland (RSAI) say he is the eldest. Lord Walter FitzGerald says he is the second. In any event, he predeceases his father in 1243. His son, Maurice FitzGerald, drowns in the Irish Channel in July 1268. His son is Gerald FitzMaurice III, born in 1263. Gerald’s marriage is sold to Geoffrey de Geneville, who matches Gerald with his own daughter, Joan, but he dies childless on August 29, 1287.
Maurice FitzMaurice FitzGerald 3rd Earl of Offaly, is succeeded by his nephew John, son of his younger brother Thomas FitzMaurice FitzGerald.
Gray is the third son of John and Elizabeth Gray of Mount Street. He is educated at Trinity College Dublin and obtains the degree of M.D. and Master of Surgery at the University of Glasgow in 1839. Shortly before his marriage in the same year, he settles in Dublin and takes up a post at a hospital in North Cumberland Street. He is admitted as a licentiate of the Royal College of Physicians in due course.
Gray is publicly minded and contributes to periodicals and the newspaper press. In 1841, he becomes joint proprietor of the Freeman’s Journal, a nationalist paper which is then published daily and weekly. He acts as political editor of the Journal for a time, before becoming sole proprietor in 1850. As owner, he increases the newspaper’s size, reduces its price and extends its circulation.
Gray enters politics at a relatively young age and attaches himself to Daniel O’Connell‘s Repeal Association. As a Protestant Nationalist, he supports the movement for the repeal of the Acts of Union with Britain. In October 1843, he is indicted with O’Connell and others in the Court of the Queen’s Bench in Dublin on a charge of sedition and “conspiracy against the queen.” The following February, he, together with O’Connell, is condemned to nine months imprisonment, but in early September 1844 the sentence is remitted on appeal. The trial has a strong element of farce, as the hot-tempered Attorney-General for Ireland, Sir Thomas Cusack-Smith, challenges Gray’s counsel, Gerald Fitzgibbon, to a duel, for which he is sternly reprimanded by the judges. From then on Gray is careful to distance himself from the advocacy of violence in the national cause, though he is sympathetic to the Young Ireland movement without being involved in its 1848 rebellion. Through the growing influence of the Freeman’s Journal, he becomes a significant figure in Dublin municipal politics. He is also active in national politics during an otherwise quiet period of Irish politics up until 1860. With the resurgence of nationalism after the famine, he helps to organise the Tenant’s League founding conference in 1850, standing unsuccessfully as the League’s candidate for Monaghan in the 1852 United Kingdom general election.
Later Gray originates and organises the “courts of arbitration” which O’Connell endeavours to substitute for the existing legal tribunals of the country. Following O’Connell’s death, in 1862 he inaugurates an appeal for subscriptions to build a monument to O’Connell on Sackville Street (now O’Connell Street). Independent from O’Connell, he continues to take a prominent part in Irish politics and in local affairs.
In municipal politics, Gray is elected councillor in 1852 and alderman of Dublin Corporation and takes an interest in the improvement of the city. As chairman of the committee for a new water supply to Dublin, he actively promotes what becomes the “Vartry scheme.” The Vartry Reservoir scheme involves the partial redirection and damming of the River Vartry in County Wicklow, and the building of a series of water piping and filtering systems (and related public works) to carry fresh water to the city. This work is particularly important in the improvement of conditions in the city, and to public health, as it improves sanitation and helps reduce outbreaks of cholera, typhus and other diseases associated with contaminated water. On the opening of the works on June 30, 1863, he is knighted by the Earl of Carlisle, then Lord Lieutenant of Ireland. Partially in recognition of these efforts, he is later be nominated for the position of Lord Mayor of Dublin for the years 1868–69, but he declines to serve.
In national politics, the Liberal government at the time is keen to conciliate an influential representative of the moderate nationalists to support British Liberalism and who will resume O’Connell’s constitutional agitation. In an unusual alliance with the CatholicArchbishop of Dublin, Paul Cullen, a man devoted to O’Connell’s memory, Gray’s newspaper exploits this shift in government policy. It supports the archbishop’s creation, the National Association of Ireland, established in 1864 with the intention of providing a moderate alternative to the revolutionary nationalism of the Fenians. The Freeman’s Journal adopts the aims of the Association as its own: it advocates the disestablishment of the AnglicanChurch of Ireland, reform of the land laws, educational aspirations of Irish Catholicism and free denominal education.
In the 1865 United Kingdom general election Gray is elected MP for Kilkenny City as a Liberal candidate. In this capacity he campaigns successfully at Westminster and in Ireland for the reforms also advocated in his paper. His newspaper’s inquiry into the anomalous wealth of the established church amidst a predominately Catholic population contributes considerably to William Ewert Gladstone‘s Irish Church Act 1869. He helps to furnish the proof that Irish demands are not to be satisfied by anything other than by radical legislation. He fights for the provision in the new Landlord & Tenant (Ireland) Act 1870 for fixity of tenure, which Gladstone eventually concedes. The Act’s other weaknesses, however, result in its failure to resolve the “land question,” the accompanying coercion, the disappointment with Gladstone’s handling of the university question and national education, causing Gray to deflect from the Liberals and become mistrusted in Britain. In the 1874 United Kingdom general election he is re-elected as a Home Rule League MP for Kilkenny, joining its Home Rule majority in the House of Commons, and holds his seat until his death the following year.
Gray dies at Bath, Somerset, England, on April 9, 1875. His remains are returned to Ireland, and he is honoured with a public funeral at Glasnevin Cemetery. Almost immediately afterwards public subscriptions are sought for the erection in O’Connell Street, of a monument to Gray. The monument is completed in 1879 and is dedicated to the “appreciation of his many services to his country, and of the splendid supply of pure water which he secured for Dublin.” His legacy also includes his contributions to the passage of the Irish Church and Land Bills, his advocacy for tenant’s rights and his support of the Home Rule movement.
(Pictured: Statue to Sir John Gray on Dublin’s O’Connell Street, designed by Thomas Farrell and unveiled on June 24, 1879. Photo credit: Graham Hickey)
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.
In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.
In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.
O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).
O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”
As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”
O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.
Pat Falvey, Irish high-altitude mountaineer, expedition leader, polar explorer, entrepreneur, author, corporate/personal trainer/coach, and motivational speaker, is born in Cork, County Cork, on June 2, 1957. He is the first person to complete the Seven Summits twice, with the summiting of Mount Everest reached from both the Tibetan (1996) and Nepalese sides (2004). He is expedition leader of the team that sees Clare O’Leary become the first Irish woman to reach the summit of Mount Everest in 2004. Other extreme expeditions that he makes include walking to the South Pole, crossing South Georgia island, and traversing the Greenland ice sheet. He starts his first business at 15 years of age and has since had businesses in property development, finance, construction, insurance, tourism, and film production. He has been a motivational speaker since the 1990s.
Raised on the north side of Cork city, Falvey starts mountain climbing in his late twenties, having worked as a builder and property developer from his late teens onward. Following the economic recession of the mid-1980s in Ireland, he loses most of his wealth and discovers mountaineering in his late 20s.
Falvey begins his climbing career with hill walking and climbing on the MacGillycuddy’s Reeks in County Kerry. He then devotes himself to training to become a high-altitude mountaineer. He trains initially with the Cork Mountaineering Club, at Tiglin in County Wicklow and becomes a member of Kerry Mountain Rescue, climbing very frequently in Ireland, Scotland, France and the Himalayas.
In June 1994, Falvey climbs Denali, also known as Mount McKinley, in Alaska, reaching the first summit in his Seven Summits attempt. This is followed by Mount Kilimanjaro in Tanzania (January 1995), Mount Everest via the Northeast Ridge (June 1995), Aconcagua in Argentina (December 1995), Mount Elbrus in Russia (March 1996), Vinson Massif in Antarctica (January 1997) and Mount Kosciusko in Australia (February 1997). He is the first Irish man (and the 32nd person in the world) to complete the Seven Summits.
Falvey is the expedition leader of the first Irish team to reach the summit of Cho Oyu in China and Nepal without oxygen, on May 20, 1998. He reaches the summit of Ama Dablam in Nepal on November 3, 1999. In 2003, he is the expedition leader of the first Irish team to reach the summit of Mount Everest via the South-Southeast Ridge, with team members Ger McDonnell and Mick Murphy reaching the summit. On May 18, 2004, he reaches the summit of Everest via the South-Southeast Ridge, and leads the expedition that sees the first Irish woman, Dr. Clare O’Leary, reach the top of Everest.
Falvey and O’Leary complete the Seven Summits on December 16, 2005, when he becomes the first person to complete the Seven Summits twice by climbing Mount Everest from both the Tibetan and Nepalese sides.
In 2006, Falvey leads a group of 32 across the South Georgia Traverse on South Georgia island in honour of Polar explorers Sir Ernest Shackleton and Kerryman Tom Crean, in the Beyond Endurance Antarctic expedition. He leads the first Irish traverse of Greenland in 2006. In January 2008, he leads a four-person Irish expedition to the South Pole. In April 2009, he and O’Leary do a “symbolic” walk to the North Pole, completing the final four-day trek to the Pole.
Falvey joins the Kerry county football team as a “sports performance coach” in 2021. Manager Peter Keane says, “You take us in this country with five million people and we have had some unbelievable adventurers like Shackleton and Crean; you look at someone like Pat who has climbed Everest twice from two different sides, managed to climb the Seven Summits twice, and I am looking to see if he can bring something different in here.”
Falvey’s publications include Reach for the Sky (The Collins Press, 1997), A Journey to Adventure: Stories I never thought I’d tell (The Collins Press, 2007), The Summit: How Triumph Turned to Tragedy on K2’s Deadliest Days (Beyond Endurance Publishing with The O’Brien Press, 2013), You Have the Power: Explore the Mindset You Need to Realise Your Dreams (Beyond Endurance Publishing, 2016) and Accidental Rebel (Beyond Endurance Publishing, 2018).
O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.
O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.
O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).
In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.
In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.
During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.
After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.
O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.
O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.
O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.
There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”
O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”
(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Harrington’s force consists of five foot companies, but four of them are inexperienced levies recently raised in England. The only experienced foot company is that of Captain Loftus, whose men are mostly Irish. The companies are organised into a regiment under the command of Sir Alexander Radcliffe. To this is added fifty horsemen commanded by Captain Charles Montague. Harrington wants to take his troops out to scout the Irish fortifications on the ford of the Avonmore River at Rathdrum, and possibly to give his raw troops some experience in fieldcraft. His first attempt to view the Irish position on May 28 fails. Harrington returns to his camp about a mile from the ford. A second effort to view the Irish fortifications is made on May 28, but this is turned back due to poor weather. Harrington orders the men to march back to Wicklow town.
The English army stretches out in a column. In the lead is the van, then the baggage, followed by the battle and then the rear. Captain Atherton, the Sergeant Major of the army, has little doubt that the weight of any Irish attack will fall on the rear of the column. Thus, the horse (cavalry) is placed at the rear. The army has marched little over a mile before the Irish shot (musketeers and caliver-men) begin skirmishing with the rear of Harrington’s force. The Irish try to take a ford to block the advance, but the English secure the crossing, with the shot of the English rear skirmishing with the Irish, allowing the rest of the army to pass unhindered.
The march continues two miles to another ford, with the rear continuing to hold O’Byrne’s Irish shot at bay. Again, the English shot secures the crossing, as Irish fire slackens, possibly due to a shortage of gunpowder. Harrington places 40–50 shot behind an earthen bank on the left flank of the column on the far side of the ford. The Irish bring up a stand of pikemen, but their attack is limited to the English left, as the right of the column is shielded by thick gorse bushes. Atherton gathers 60–80 men to counter-attack the Irish pike. The English shot behind the bank is to hold their fire until Atherton attacks, but instead prematurely fires a single volley at the Irish pike then abandons their position. Without the support from their shot, Atherton’s men refuse to charge the Irish, then withdraw to the main body of the English column.
Atherton finds that the English shot have fled the column, abandoning the main stand of English pike. Now exposed to Irish gunfire, the English pike become disordered as they press to make the river crossing. Exploiting the English confusion, the Irish pike charges into the English rear, killing many without resistance. Montague’s English cavalry charges to support the panicking infantry, but the Irish pike square opens, allowing the horse to pass through. The Irish pike spear the English horse as they pass, including Montague who is wounded by a pike thrust into his side. Despite their officer’s best efforts, the English soldiers’ resistance collapses. The rout continues with the Irish slaughtering Harrington’s men to within one and a half miles of Wicklow town. All the English companies lose their colours, except for Captain Loftus, but they are later recovered by the English horse. After the battle, Radcliffe estimates the English army has lost 250 men killed, missing or deserted.
The first English reports suggest that they lost the battle due to the inexperience of most of their troops. Harrington at first blames the English pikemen for refusing to fight, but at the court-martial in July, Harrington, supported by two of his officers (Captains Linley and Mallory) blames Captain Loftus and his Lieutenant Walsh. This is convenient, as Loftus had died from his wounds and could not refute their accusations. Their version is supported by a map drawn of the battle, possibly by Montague (Harrington’s nephew). Loftus and Walsh are found guilty by the court-martial. Loftus is already dead, but Walsh is executed by firing squad. Mallory and Linley are not found guilty, but they are cashiered, losing command of their foot companies. The men in Loftus’ company are sentenced to death but this is commuted to decimation by drawing lots. Even by Elizabethan standards this is deemed overly harsh. Though Harrington is not charged with misconduct, he is never given command of a force this size again.
Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.
In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.
Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.
Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.
The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.
seamus dubhghaill 