Born in Newry, County Down, on February 24, 1921, Hall receives little more than a primary education as he leaves school at the age of twelve to work in a local shop. He later works as a waiter in London before moving to Dublin. On his return he joins the art department of the Irish Independent. He subsequently works with the Evening Herald where he writes a column on dance bands.
After that, Hall moves to RTÉ where he works in the newsroom. From 1964 to 1971 he presents Newsbeat, a regional news programme. He also presents The Late Late Show for the opening of the 1964 season, but his lack of success in that seat leads to the return of the previous presenter, Gay Byrne. When Newsbeat ends, he starts writing and presenting Hall’s Pictorial Weekly, a political satire show that runs for over 250 episodes until 1980. A successor show, Hall and Company, runs from 1980 until his retirement from television in 1986. He serves as spokesperson for the Irish jury in the Eurovision Song Contest 1965 and 1966.
Hall wins two Jacob’s Awards, in 1966 and 1975, for his work on Newsbeat and Hall’s Pictorial Weekly respectively.
In 1978, Hall is appointed Ireland’s national film censor. During his period as censor, he is known for his strict application of Irish censorship and his defence of family values. Among the films banned by him is Monty Python’s Life of Brian, which he describes as “offensive to Christians and to Jews as well, because it made them appear a terrible load of gobshites.”
Hall has a long running affair with a young colleague from RTÉ, though married to Aideen Kearney at the time. It is also widely accepted that he has a daughter in 1956 with RTÉ presenter Frankie Byrne, although this is disputed at the time by his family members. His relationship with Frankie Byrne is placed in the public domain in a Mint Productions programme, Dear Frankie, screened on RTÉ in January 2006. In 2010, a play written by Niamh Gleeson, also entitled Dear Frankie, opens in the Liberty Hall theatre. Later in 2012, it opens again in the Gaiety Theatre, going on to play in theatres across the country.
Hall dies of a heart attack in Dublin on September 21, 1995. He is buried in Dardistown Cemetery in Northside, Dublin.
Shiels is born on June 24, 1881, in Milltown, Ballybrakes, near Ballymoney, County Antrim, one of seven sons of Robert Shiels, a railway worker, and Eliza Shiels (née Sweeney), who also has one daughter. The family soon moves to Castle Street, Ballymoney, where he attends the local Roman Catholicnational school. His elder brothers emigrate to the United States when young. With there being no chance of further schooling even if he wanted it, he leaves Ireland when he is 19 years old. He works as a casual labourer in many places in western North America: as a farmworker and miner in Idaho and Montana, and as a lumber camp worker in British Columbia, Canada. In 1904 he is employed by the Canadian Pacific Railway to supervise a gang of workers who are building a stretch of railway in Saskatchewan. In a serious accident, he is badly injured. Despite surgery on his back, he is never able to walk again, and he receives a disability pension from the railway company.
After a long convalescence in Canada, Shiels returns to his mother’s house in Ballymoney around 1908. He sets up in business in Main Street as a shipping agent and as an agent for the Canadian Pacific Railway, taking bookings from intending emigrants. He is encouraged by his parish priest, Fr. John Hasson, by a local solicitor, Jack Pinkerton, and by James Pettigrew, a teacher, to write short stories. To try to preserve anonymity in a small community, he at first uses the pseudonym “George Morshiel,” and is successful with Western stories and other short fiction. His friends urge him to try writing dramas, and in 1918 Away from the Moss is produced by the Ulster Literary Theatre in Belfast.
After further success there with two short plays in which Shiels is learning his craft, the Abbey Theatre in Dublin accepts a one-act play, Bedmates, which is performed in January 1921. With great regularity for the next twenty years, he writes twenty-two plays for the Abbey Theatre. His work forms the basis of the repertoire in the 1920s and 1930s and attracts large audiences. Plays such as The New Gossoon (1930) provide Dublin theatregoers with entertainment, but also help form the style of acting and production which for many years characterises the Abbey and its actors. Three of his plays, Paul Twyning (1922), Professor Tim (1925) and The New Gossoon, are later performed in theatres in London and are also published in a 1945 volume, which is twice reprinted. Professor Tim, produced by the touring Abbey Theatre, receives enthusiastic reviews in Philadelphia, and The New Gossoon appears successfully on Broadway in New York City in 1932, 1934, and 1937.
Shiels’s earlier work is perhaps easiest for audiences to enjoy. Comedies such as Moodie in Manitoba (1918) portray characters so realistic that north Antrim people believe with some alarm that it might be possible to identify who Shiels had in mind when he created them, and he is at first somewhat less than popular in Ballymoney. He superbly reproduces local language and thoroughly understands the local way of life. Plays he writes late in his career are first performed by the Group Theatre in Belfast, and in these productions (and in the radio versions broadcast by the BBC) his work becomes widely known, almost beloved, in the north of Ireland. During the first half of the twentieth century amateur drama groups throughout Ireland are much more important in local life than they have been since the advent of television. Probably all such societies have at some time staged a Shiels play, and this tradition continues. His plays contain amusing dialogue, carefully crafted plots, and usually more or less happy endings.
However, Shiels’s later works, notably The Passing Day (1936), first broadcast as a radio play, and The Rugged Path (1940), which breaks all records at the Abbey Theatre in a run of three months, tackle darker subject matter and feature characters still less sympathetic even than the rogues and hypocrites of the earlier work. In The Rugged Path and its sequel, The Summit (1941), he explores the moral crisis facing Ireland after the political changes of the 1920s. One critic sees in it an allegory for the contemporary struggle against Adolf Hitler. His view of life in the small towns and farms of Ireland is never in the slightest rosy-tinted, but in the symbolism of The Passing Day, he achieves “bitter intensity” (The Irish Times review, quoted by Casey).
Shiels’s modesty leads him to refuse an honorary doctorate from Queen’s University Belfast (QUB), in 1931. He is reticent about his experiences and beliefs and does little to foster his own reputation. In one early interview he expresses the belief that Ulster theatre needs dramatic material that reflects the psychology and setting of the region. His own work, at its best, achieves this and more. The very qualities which make his work popular in the north of Ireland permit some metropolitan literary critics to dismiss his plays as “kitchen comedies.” However, with the passage of time, his importance as a chronicler of a vanishing way of life can be set alongside the recognition due to him as a prolific and gifted dramatist.
Shiels suffers from a lengthy illness, and though he undergoes an operation in Ballymoney in 1949, dies soon afterwards at his house, New Lodge, in Carnlough, County Antrim, on September 19, 1949. He is buried in the graveyard of Our Lady and St. Patrick in Ballymoney. In the month that he dies, the Group Theatre and Garvagh Young Farmers’ Club are both rehearsing Shiels plays, and there have since been many productions of his plays in the north and elsewhere. Ballymoney Drama Festival presents a portrait of Shiels to the Abbey Theatre, and a new production of The Passing Day is staged there to celebrate his centenary in 1981.
O’Grady’s father is the Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and his mother Susanna Doe (or Dowe). The Glebe, his childhood home, lies a mile west of Castletownbere near a famine mass grave and ruined Roman Catholic chapel. He is a cousin of Standish Hayes O’Grady, another noted figure in Celtic literature, and of Standish O’Grady, 1st Viscount Guillamore. After a rather severe education at Tipperary Grammar School, he follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady is a paradox for his times, proud of his Gaelic heritage, he is also a member of the Church of Ireland, a champion of aristocratic virtues (particularly decrying bourgeois values and the uprooting cosmopolitanism of modernity) and at one point advocates a revitalised Irish people taking over the British Empire and renaming it the Anglo-Irish Empire.
O’Grady proves too unconventional of mind to settle into a career in the church, and takes a job as a schoolmaster at Midleton College, then in a period of expansion. He also qualifies as a barrister, while earning much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran’s A general history of Ireland (1778) sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: The Heroic Period (1878) and Early Bardic Literature of Ireland (1879), he realises that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people had made the Tudors into kings of Ireland to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, O’Grady works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator, which is printed at 28 High Street. It is here he becomes involved with Ellen Cuffe, Countess of Desart, and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. He also contributes to James Larkins‘ The Irish Worker paper.
O’Grady’s influence crosses the divide of the Anglo-Irish and Irish-Ireland traditions in literature. His influence is explicitly stated by the Abbey Theatre set with Lady Gregory, W. B. Yeats and George William Russell attributing their interest in the Fenian Cycle of Gaelic tradition in part to him. This leads to him being known as the “Father of the Celtic Revival.” Some of the figures associated with the political party Sinn Féin, including its founder Arthur Griffith, have positive things to say about his efforts in helping to retrieve from the past the Gaelic heroic outlook.
O’Grady marries Margaret Allen Fisher, daughter of William Allen Fisher, and they have three sons. Advised to move away from Ireland for the sake of his health, they leave Ireland in 1918. After living in the north of France and Northamptonshire, they move to the Isle of Wight. He is working on a final exposition of his ideas when he dies suddenly on May 18, 1928.
Colley is born in the Dublin suburb of Fairview on October 18, 1925, the son of Harry and Christina Colley. His father is a veteran of the 1916 Easter Rising and a former adjutant in the Irish Republican Army (IRA), who is elected to Dáil Éireann in 1944, as a Fianna Fáil candidate. He is educated at St. Joseph’s Secondary C.B.S. in Fairview, where one of his classmates and closest friends is Charles Haughey, who later becomes his political archrival. He studies law at University College Dublin (UCD) and qualifies as a solicitor in the mid-1940s. He remains friends with Haughey after leaving school and, ironically, encourages him to become a member of Fianna Fáil in 1951. Haughey is elected to Dáil Éireann in the 1957 Irish general election, ousting Colley’s father in the process. This puts some strain on the relationship between the two young men.
Colley is elected to the Dáil at the 1961 Irish general election, reclaiming his father’s old seat in the Dublin North-East constituency. Furthermore, he is elected in the same constituency as Haughey, thereby accentuating the rivalry. Thereafter, he progresses rapidly through the ranks of Fianna Fáil. He becomes a member of the Dáil at a time when a change from the older to the younger generation is taking place, a change facilitated by TaoiseachSeán Lemass.
Colley is active in the Oireachtas as chairman of some of the Joint Labour Committees, which are set up under the Labour Court, to fix legally enforceable wages for groups of workers who have not been effectively organised in trade unions. He is also leader of the Irish parliamentary delegation to the Consultative Assembly of the Council of Europe. His work as a backbencher is rewarded by his appointment as Parliamentary Secretary to the Minister for Lands in October 1964.
Following the return of Lemass’s government at the 1965 Irish general election, Colley joins the cabinet as Minister for Education. He introduces a plan to establish comprehensive schools, set up an advisory council on post-primary school accommodation in Dublin, and introduces a school psychological service.
Colley is promoted as Minister for Industry and Commerce in a cabinet reshuffle in July 1966, and he continues the government policy of economic expansion that had prevailed since the late 1950s.
In November 1966, Seán Lemass resigns suddenly as party leader. Colley contests the subsequent leadership election. He is the favoured candidate of party elders such as Seán MacEntee and Frank Aiken, the latter managing Colley’s campaign. Charles Haughey and Neil Blaney also declare their interest in the leadership; however, both withdraw when the Minister for Finance, Jack Lynch, announces his candidacy. Colley does not back down, and the leadership issue goes to a vote for the first time in the history of the Fianna Fáil party. The leadership election takes place on November 9, 1966, and Lynch beats Colley by 59 votes to 19. When the new Taoiseach announces his cabinet, Colley retains the Industry and Commerce portfolio.
In the wake of the Arms Crisis in 1970, a major reshuffle of the cabinet takes place, with four Ministers either removed, or resigned, or simply retired from the government due to the scandal. Colley remains loyal to the party leader and is rewarded by his appointment as Minister for Finance, the second most important position in government.
In 1973, Fianna Fáil are ousted after sixteen years in government when the national coalition of Fine Gael and the Labour Party come to power. Colley is appointed opposition Spokesman on Finance, in the new Fianna Fáil front bench. As the 1977 Irish general election approaches, Colley and Martin O’Donoghue are the main architects of Fianna Fáil’s election manifesto.
Fianna Fáil sweeps to power at the 1977 Irish general election, with a 20-seat Dáil majority, contrary to opinion polls and political commentators. Colley is re-appointed as Minister for Finance and Minister for the Public Service, and is also appointed as Tánaiste, establishing him firmly as the heir apparent to Taoiseach Jack Lynch.
In December 1979, Jack Lynch resigns unexpectedly as Taoiseach and as Fianna Fáil leader. Colley and Charles Haughey seek the leadership position and are evenly matched. A secret ballot is taken on December 7, 1979. The Minister for Foreign Affairs, Michael O’Kennedy, announces his support for Haughey on the eve of the election. This apparently swings the vote, and Haughey beats Colley by 44 votes to 38. Colley remains as Tánaiste but demands and receives a veto on Haughey’s ministerial appointments to the departments of Justice and Defence.
Fianna Fáil loses power at the 1981 Irish general election. Haughey delays naming a new opposition front bench, but Colley remains a key member of the Fianna Fáil hierarchy. The party regains office at the February 1982 Irish general election. He demands the same veto as before on Haughey’s Defence and Justice appointments but is refused. When it is revealed that Ray MacSharry is to be appointed Tánaiste in his stead, he declines another ministerial position. This effectively brings his front bench political career to an end, but he remains a vocal critic of the party leadership from the backbenches.
When the Fianna Fáil government collapses and are replaced by another coalition government after the November 1982 Irish general election, a number of TDs and Senators express lack of confidence in Haughey’s leadership once again. Several unsuccessful leadership challenges take place in late 1982 and early 1983, with Colley now supporting Desmond O’Malley and the Gang of 22 who oppose Haughey.
Colley dies suddenly on September 17, 1983, aged 57, while receiving treatment for a heart condition at Guy’s Hospital, Southwark, London. He is survived by his wife, three sons, and four daughters, one of whom, Anne Colley, becomes a TD as a member of the Progressive Democrats party.
James Green Douglas, Irish businessman and politician dies on September 16, 1954. In 1922 he serves as the first-ever Leas-Chathaoirleach (deputy chairperson) of Seanad Éireann, the upper house of the newly independent Irish parliament. He goes on to serve in the Seanad for 30 years.
Douglas is born July 11, 1887, at 19 Brighton Square, Dublin, the eldest of nine children of John Douglas, proprietor of John Douglas & Sons Ltd, drapers and outfitters of Wexford St. and originally of Grange, County Tyrone, and his wife, Emily, daughter of John and Mary Mitton of Gortin, Coalisland, County Tyrone. The genealogy of the Douglas family to which he belongs can be traced to Samuel Douglas of Coolhill, Killyman, County Tyrone.
Douglas attends (1895–98) a small school for Quaker children and is a boarder (1898–1902) in the Friends’ School, Lisburn. In 1902 he begins a three-year apprenticeship in his father’s business.
On February 14, 1911, Douglas marries Georgina (Ena) Culley (1883–1959), originally of Tirsogue, Lurgan, County Armagh, whom he meets during his apprenticeship. Their children are John Harold Douglas, who succeeds to the family busines and replaces his father as senator, and James Arthur Douglas, who becomes a well-known architect.
From an early age Douglas is fascinated by politics and influenced by the newspapers edited by Arthur Griffith. He becomes a member of the Dublin Liberal Association, whose members for the most part are Protestanthome rulers. After the 1916 Easter Rising, with George Russell and others, who also regard themselves as neither unionists nor nationalists, he sets out to promote what they term “full dominion status” for Ireland. This paves the way for the Irish Convention (1917–18), which, however, fails to reconcile the polarised political attitudes of the time.
Douglas goes on to become a very active member of Seanad Éireann between 1922 and 1936 under the constitution he had helped to prepare. In 1922, he is elected as the first vice-chairman of the Senate. The Senate is abolished in 1936 and re-established under the terms of the 1937 Constitution of Ireland. He is again an active Senator between 1938 and 1943, and from 1944 to 1954. The topics most associated with him during his work as Senator are international refugees and the League of Nations.
For some thirty years he runs the family business, and is also a director of Aspro (Ireland) Ltd, Nugent & Cooper Ltd, Philips Lamps (Ireland) Ltd, and the Greenmount & Boyne Linen Co. Ltd. In addition, he serves as president of the Linen and Cotton Textile Manufacturers Association and as a member of the council of the Federated Union of Employers.
Warfield is a singer, songwriter, mandolin player and a founding member of The Wolfe Tones, performing with the band for nearly thirty-seven years, writing and recording over 60 songs. As a founding member, he is featured on every album recorded by the band from 1965’s debut album The Foggy Dew through to 1989’s 25th Anniversary.
In 1989, a contract is signed by Warfield, signing rights to an American distributor, Shanachie Records. The contents of this contract are apparently misrepresented to the other members of The Wolfe Tones, resulting in a clause that prevents them from recording any new material. Unable to reverse this agreement, they continue to tour, albeit without any new material. As of July 2017, Warfield has not spoken to his brother and former bandmate Brian Warfield since he left The Wolfe Tones in 2001.
A solo album, Legacy, is released in 1995 as he is still eligible to record under his own name. With Warfield on vocals and mandolin, the music on this album is performed by a new band, although he is still touring with The Wolfe Tones. Legacy is followed by Liberte’ ’98, Sons of Erin, Take Me Home To Mayo and Clear The Way. He also has a video Legacy and two books, The Songs and Ballads of 1798 and The Irish Songster of the American Civil War.
In 2001, after a show played in Limerick, Warfield leaves The Wolfe Tones to concentrate on his own career. Calling themselves “Brian Warfield, Tommy Byrne and Noel Nagle, formerly of The Wolfe Tones,” the remaining three go on to release You’ll Never Beat the Irish (2001) and the subsequent album Child of Destiny (2011).
Warfield has performed his music and songs at American Civil War events and commemorations at such sites as Gettysburg, Sharpsburg and Harrisburg with his band, The Sons of Erin. His 2002 release, Clear the Way, is the second in his Irish Songs in the Civil War series.
The ballad “Take Me Home to Mayo,” written by Belfastman Seamus Robinson as a tribute to Michael Gaughan, is recorded as a duet with Irish American Andy Cooney and is the title track of another 2002 Warfield release.
In 2003, following a complaint by an Ulster Unionist Party (UUP) politician, Roy Beggs, Jr., a radio channel dedicated to the music of Derek Warfield is removed from the in-flight entertainment of Aer Lingus. Beggs complains of the “Blatant promotion of militant, armed republicanism” by the playing of this music, saying it is the same as “the speeches of Osama bin Laden being played on a trans-Atlantic Arabian airline.” Aer Lingus removes the material from their flights stating: “It is something that should not have been on board and we removed it immediately we became aware of it.”
In March 2006, Warfield releases his ninth solo album, a 36-song double CD of Irish songs. On March 1, 2006, his wife Nuala dies, followed by the death of his eldest daughter on September 28, 2007.
Warfield now tours with his new band, Derek Warfield and The Young Wolfe Tones.
A biography of Robert Emmet in two volumes, although not written by Warfield, has been published by him, and a collaboration with Raymond Daly of Tullamore has resulted in the publishing of a critically acclaimed book of lyrics and histories of Irish songs called Celtic and Ireland in Song and Story.
Twomey is born on November 5, 1919, on Marchioness Street in Belfast, and lives at 6 Sevastopol Street in the Falls district. Known as “Thumper” owing to his short temper and habit of banging his fist on tables, he receives little education and is a bookmaker‘s “runner.” His father is a volunteer in the 1920s. In Belfast he lives comfortably with his wife, Rosie, whom he marries in 1946. Together they have sons and daughters.
Twomey begins his involvement with the Irish Republican Army in the 1930s and is interned in Northern Ireland during the 1940s on the prison ship HMS Al Rawdah and later in Crumlin Road Gaol in Belfast. Rosie, his wife, is also held prisoner at the women prison, Armagh Jail, in Northern Ireland. He opposes the left-wing shift of Cathal Goulding in the 1960s, and in 1968, helps set up the breakaway Andersonstown Republican Club, later the Roddy McCorley Society.
In 1969, Twomey is prominent in the establishment of the Provisional Irish Republican Army. By 1972, he is Officer Commanding (OC) of the Provisional IRA Belfast Brigade when it launches its bomb campaign of the city, including Bloody Friday when nine people are killed. During the 1970s, the leadership of the Belfast Brigade of the IRA is largely in the hands of Twomey and Ivor Bell.
In March 1973, Twomey is first appointed IRA Chief of Staff after the arrest of Joe Cahill. He remains in this position until his arrest in October 1973 by the Garda Síochána. Three weeks later, on October 31, 1973, the IRA organises the helicopter escape of Twomey and his fellow IRA members J. B. O’Hagan and Kevin Mallon, when an active service unit hijacks and forces the pilot at gunpoint to land the helicopter in the training yard of Mountjoy Prison. After his escape, he returns to his membership of IRA Army Council.
By June/July 1974, Twomey is IRA Chief of Staff for a second time. He takes part in the Feakle talks between the IRA and Protestant clergymen in December 1974. In the IRA truce which follows in 1975, he is largely unsupportive and wants to fight on in what he sees as “one big push to finish it once and for all.”
IRA informer Sean O’Callaghan claims that on January 5, 1976, Twomey and Brian Keenan give the go-ahead for the sectarian Kingsmill massacre, when ten unarmed Ulster Protestant workmen are executed by the Provisional IRA in retaliation for a rash of loyalist killings of Catholics in the area. It is Keenan’s view, O’Callaghan claims, that “The only way to knock the nonsense out of the Prods is to be ten times more savage.”
Twomey is dedicated to paramilitarism as a means of incorporating Northern Ireland into the Republic of Ireland. In an interview with French television on July 11, 1977, he declares that although the IRA had waged a campaign for seven years at that point, it can fight on for another 70 against the British state in Northern Ireland and in England. He supports the bombing of wealthy civilian targets, which he justifies on class lines. On October 29, 1977, for example, a no-warning bomb at an Italian restaurant in Mayfair kills one diner and wounds 17 others. Three more people are killed in similar blasts in Chelsea and Mayfair the following month. He says, “By hitting Mayfair restaurants, we were hitting the type of person that could bring pressure to bear on the British government.”
In December 1977, Twomey is captured in Sandycove, Dublin, by the Garda Síochána, who had been tipped off by Belgian police about a concealed arms shipment, to be delivered to a bogus company with an address in the area. They swoop on a house in Martello Terrace to discover Twomey outside in his car, wearing his trademark dark glasses. After a high-speed pursuit, he is recaptured in the centre of Dublin. The Gardaí later find documents in his possession outlining proposals for the structural reorganisation of the IRA according to the cell system. His arrest ends his tenure as IRA chief of staff. In the 1986 split over abstentionism, Twomey sides with the Gerry Adams leadership and remains with the Provisionals.
After a long illness from a heart condition, Twomey dies in Dublin on September 12, 1989. He is buried in the family plot in Milltown Cemetery, Belfast. His funeral is attended by about 2,000 people.
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
A knee injury during a night training exercise in Omagh makes McDowell ineligible for active military service and he becomes a weapons instructor. The accident also leads to him meeting his future wife, Margaret Telfer, the physiotherapist who treats him in hospital in Bangor, County Down.
McDowell rises to the rank of major and is part of the Allied forces in occupied Austria following the end of the war, taking part in joint patrols in Vienna with Russian, American and French officers. In the post-war period, he is given two years to finish his college course and spends a summer studying law with a tutor before passing the English bar and returning to the British Army.
After a further military posting to Edinburgh, McDowell’s legal qualification brings him to the army legal service in the War Office in London. With little prospect of further promotion and every chance of being posted abroad without his young family, he decides to leave the army. He is offered a job as legal adviser in London to James North Ltd, a company which makes protective clothing. With no experience of industry, he asks to be given a managerial role at first. The company suggests a managing position in its operations in Dublin. He slots easily into the city’s old business establishment, joining the Kildare Street Club, becoming a director of Pim’s department store, and setting his career firmly on a commercial rather than a legal path.
McDowell’s involvement with newspapers comes about through the recognition of his business acumen. He is asked by some acquaintances to take a look at the financial troubles of the Evening Mail, which is bought subsequently by The Irish Times, adding to the latter’s own financial difficulties.
McDowell is asked later by The Irish Times to see if Roy Thomson, the Canadian-born British press baron whom he had met while they both looked separately at the Evening Mail, might be interested in taking it over. Thomson passes and the company then asks McDowell himself to take charge as chief executive in 1962. Among his first actions are to close the Evening Mail and the Sunday Review, a short-lived tabloid that is ahead of its time. A year later, another problem is resolved when Douglas Gageby, who had been hired as managing director of The Irish Times shortly before McDowell’s arrival, takes over as editor.
Thus, what had begun as a slightly awkward relationship, turns into a highly successful partnership as Gageby sets about broadening the newspaper’s editorial appeal and McDowell sets it on a successful commercial course. McDowell always credits Gageby and his successors as editor with the success of the newspaper. Although he has a close relationship with editors, especially Gageby, he does not interfere in the editorial running of the newspaper.
By the early 1970s, the circulation of The Irish Times has almost doubled in a decade to 60,000 and it is making money. Some of the directors indicate an interest in selling the company. McDowell proposes instead that it be turned into a trust. It is a period when several newspapers in Ireland and Britain have changed hands or are seen as being vulnerable to takeovers. His aims are to protect the newspaper’s independence, make it as difficult as possible for anyone to take over, and formalise its aims in a guiding trust.
McDowell works on the trust document for many months, going through 28 drafts before he is satisfied with the result. The five directors of the company, including McDowell and Gageby, transfer their shares in the company to a solicitor in the autumn of 1973 in anticipation of announcing the trust at the end of that year. Further delays in finalising the trust terms result in its announcement in April 1974, on the eve of the introduction of capital gains tax. The timing gives rise to suggestions that the directors are taking their cash (£325,000 each) out of the company before the new tax takes effect. McDowell always denies that this is the case, maintaining that the timing is coincidental. He is also adamant that the motivation behind the formation of the trust itself is altruistic.
The formation of the trust leaves the newspaper with a large bank debt, used to buy out the directors/shareholders, at what turns out to be a difficult economic period after the first oil crisis hits the western world in the autumn of 1974. McDowell successfully guides The Irish Times‘ financial fortunes through the subsequent recession and into further periods of growth throughout the 1980s and 1990s.
McDowell stands down as chief executive of the company in 1997 and retires from the chairmanship of The Irish Times Trust in 2001. He is given the title President for Life in recognition of his huge contribution to the newspaper.
McDowell is a private person and never seeks or exploits the public status or limelight that goes with being a newspaper publisher. During his visit to the new The Irish Times offices on Tara Street in June 2008 for the unveiling of a portrait of him by Andrew Festing, he describes the newspaper and his family as the two loves of his life.
McDowell dies unexpectedly at the age of 87 on September 9, 2009. His funeral takes place in Whitechurch Parish Church, Rathfarnham, followed by burial in the adjoining churchyard.
McCorley is one of three children born to Roger Edmund McCorley, a meat carver in a hotel, and Agnes Liggett. He has two elder brothers, Vincent and Felix. He joins the Fianna in his teens. His family has a very strong republican tradition, and he claims to be the great-grandson of the United Irishmen folk hero Roddy McCorley, who was executed for his part in the Irish Rebellion of 1798.
McCorley is noted for his militancy, as he is in favour of armed attacks on British forces in Belfast. The Brigade’s leaders, by contrast, in particular, Joe McKelvey, are wary of sanctioning attacks for fear of loyalist reprisals on republicans and the Catholic population in general. In addition, McCorley is in favour of conducting an armed defense of Catholic areas, whereas McKelvey does not want the IRA to get involved in what he considers to be sectarian violence. McCorley writes later that in the end, “the issue settled itself within a very short space of time, when the Orange mob was given uniforms, paid for by the British, and called the Ulster Special Constabulary (USC).” The role of the USC, a temporary police force raised for counter-insurgency purposes, in the conflict is still debated, but republicans maintain that the organization was responsible for the indiscriminate killings of Catholics and nationalists.
On January 26, 1921, McCorley, is involved in the fatal shooting of three Auxiliary Division officers in their beds in the Railway View hotel in central Belfast. Shortly afterwards, he and another IRA man, Seamus Woods, organize an active service unit (ASU) within the first battalion of the Belfast Brigade, with the intention of carrying out attacks, with or without the approval of the Brigade leadership. The unit consists of 32 men. McCorley later writes, “I issued a general order that, where reprisal gangs [State forces] were cornered, no prisoners were to be taken.” In March 1921, he personally leads the ASU in the killing of three Black and Tans in Victoria Street in central Belfast. He is responsible for the deaths of two more Auxiliaries in Donegall Place in April. In reprisal for these shootings, members of the RIC assassinate two republican activists, the Duffin brothers in Clonard Gardens in west Belfast. On June 10, 1921, both and Woods and McCorley units are involved in the killing a RIC man who is suspected in the revenge killings of the Duffin brothers. Two RIC men and a civilian are also wounded in that attack.
Thereafter, there is what historian Robert Lynch has described as a “savage underground war” between McCorley’s ASU and RIC personnel based in Springfield Road barracks and led by an Inspector Ferris. Ferris is accused of murdering the Lord Mayor of Cork Thomas MacCurtain and had been posted to Lisburn for his safety. Ferris himself is among the casualties, being shot in the chest and neck, but surviving. McCorley claims to have been one of the four IRA men who shot Ferris. In addition, his men bomb and burn a number of businesses including several cinemas and a Reform Club. In May 1921, however, thirteen of his best men are arrested when surrounded by British troops during an operation in County Cavan. They are held in Crumlin Road Gaol and sentenced to death.
On June 3, McCorley organizes an attack on Crumlin Road Gaol in an attempt to rescue the IRA men held there before they are executed. The operation is not a success; however, the condemned men are reprieved after a truce is agreed between the IRA and British forces in July 1921. On Bloody Sunday (July 10, 1921), he is a major leader in the defense of nationalist areas from attacks by both the police and loyalists. On that day twenty people are killed before he negotiates a truce beginning at noon on July 11. At least 100 people are wounded, about 200 houses are destroyed or badly damaged – most of them Catholic homes, leaving 1,000 people homeless.
In April 1922, McCorley becomes leader of the IRA Belfast Brigade after Joe McKelvey goes south to Dublin to join other IRA members who are against the Anglo-Irish Treaty. With McKelvey’s departure, Seamus Woods becomes Officer Commanding of the IRA’s 3rd Northern Division, which has up to 1,000 members, with McCorley designated as Vice Officer Commanding. McCorley for his part, supports the Treaty, despite the fact that it provides for the partition of Ireland and the continued British rule in Northern Ireland. The reason for this is that Michael Collins and Eoin O’Duffy have assured him that this is only a tactical move and indeed, Collins sends men, money and weapons to the IRA in the North throughout 1922.
However, McCorley’s command sees the collapse of the Belfast IRA. In May 1922, the IRA launches an offensive with attacks all across Northern Ireland. In Belfast, he carries out an assault on Musgrave Street RIC barracks. He also conducts an arson campaign on businesses in Belfast. His men also carry out a number of assassinations, including that of Ulster Unionist PartyMPWilliam J. Twaddell, which causes the internment of over 200 Belfast IRA men.
To escape from the subsequent repression, McCorley and over 900 Northern IRA men flee south, to the Irish Free State, where they are housed in the Curragh. McCorley is put in command of these men. In June 1922, the Irish Civil War breaks out between Pro and Anti-Treaty elements of the IRA. He takes the side of the Free State and Michael Collins. After Collins is killed in August 1922, his men are stood down. About 300 of them join the National Army and are sent to County Kerry to put down anti-Treaty guerrillas there. In the Spring of 1923, bitterly disillusioned by the brutal counterinsurgency against fellow republicans, he resigns his command.
McCorley later asserts that he “hated the Treaty” and only supported it because it allowed Ireland to have its own armed forces. Both he and Seamus Woods are severe critics of the Irish Free State inertia towards Northern Ireland after the death of Michael Collins. He comments that when Collins was killed “the Northern element gave up all hope.”
In 1936 McCorley is instrumental in the establishment of the All-Ireland Old IRA Men’s Organization, serving as Vice-President with President Liam Deasy (Cork No. 3 Brigade) and Secretary George Lennon (Waterford No. 2 Brigade).
seamus dubhghaill 