seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Editing


by Leave a comment

Death of Leslie Daiken, Copywriter, Editor & Writer

Leslie Herbert Daiken, an Irish advertising copywriter, editor, and writer on children’s toys and games, dies in London on August 15, 1964.

Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.

In 1932, and again in 1933, as Yodaiken he wins the Vice-Chancellor’s Prize for English Prose, and while at Trinity, he publishes short stories and verse in Choice, The Dublin Magazine, and The New English Weekly.

In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.

In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.

Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.

In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.

In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”

Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”

Daiken does not go to fight in the Spanish Civil War, although his Irish Front colleague Charles Donnelly does, and is killed; but he is active in fundraising for the Connolly Column, the Irish section of the International Brigades. He is also a contributor to the branch of Republican Congress in London, an Irish republican and Marxist-Leninist pressure group which aims to engage Irish emigrants working in the city on socialist issues.

In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”

In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”

During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.

After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.

In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.

Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.

In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.

In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”

In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”

Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.

The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.


by Leave a comment

Death of P. S. O’Hegarty, Writer, Editor & Historian

Patrick Sarsfield O’Hegarty (Irish: Pádraig Sáirséal Ó hÉigeartaigh), Irish writer, editor and historian and a member of the Supreme Council of the Irish Republican Brotherhood, dies on December 17, 1955.

O’Hegarty is born on December 29, 1879, at Carrignavar, County Cork, to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).

He is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.

He joins the postal service in Cork in 1897. Along with J. J. Walsh, he plays on the Head Post Office hurling team. He joins the IRB and represents Munster on the IRB Supreme Council. He starts writing for Arthur Griffith‘s United Irishman and the Shan van Vocht, a periodical established by Alice Milligan and Ethna Carbery.

He serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.

He has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.

In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.

O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.

He is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.

His son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.

O’Hegarty’s papers are acquired by the Kenneth Spencer Research Library at the University of Kansas. This includes an outstanding collection of books, pamphlets and periodicals of W. B. Yeats.

(Pictured: “P. S. O’Hegarty, 1929,” pastel on paper by Harry Kernoff, RHA, property from the Yeats family)


by Leave a comment

Birth of Julia O’Faolain, Novelist & Short Story Writer

Julia O’Faolain, Irish novelist and short story writer, is born in London on June 6, 1932. She works as a writer, language teacher, editor and translator and lives in France, Italy, and the United States.

Although born in England when her father, Irish writer Seán Ó Faoláin, is lecturing at the Catholic college, St. Mary’s College, at Strawberry Hill, London, O’Faolain grows up in Ireland. The family returns to Ireland when she is just one year old. They live first in Killough House in County Wicklow, where future Taoiseach Garret FitzGerald is a playmate, artist Paul Henry a neighbour and Cork writer Frank O’Connor a regular visitor. The family then moves to Knockaderry House in Killiney, County Dublin, where her father publishes the literary journal The Bell from an outhouse at the bottom of the garden. Writers, poets and intellectuals such as Patrick Kavanagh, Brendan Behan and Conor Cruise O’Brien are regular visitors and often have to entertain her while waiting to speak with her father.

O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.

In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.

In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.

O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).

O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”

As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”

O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.


by Leave a comment

Birth of Anthony Cronin, Poet, Activist, Critic & Editor

Anthony Gerard Richard Cronin, Irish poet, arts activist, biographer, commentator, critic, editor and barrister, is born in Enniscorthy, County Wexford, on December 28, 1923.

After obtaining a B.A. from the National University of Ireland, Cronin enters the King’s Inns and is later called to the Bar.

Cronin is known as an arts activist as well as a writer. He is Cultural Adviser to Taoiseach Charles Haughey and briefly to Garret FitzGerald. He involves himself in initiatives such as Aosdána, the Irish Museum of Modern Art and the Heritage Council. He is a founding member of Aosdána, and is a member of its governing body, the Toscaireacht, for many years. He is elected Saoi, a distinction for exceptional artistic achievement, in 2003. He is also a member of the governing bodies of the Irish Museum of Modern Art and the National Gallery of Ireland, of which he is for a time Acting Chairman.

With Flann O’Brien, Patrick Kavanagh and Con Leventhal, Cronin celebrates the first Bloomsday in 1954. He contributes to many television programmes, including Flann O’Brien: Man of Parts (BBC) and Folio (RTÉ).

From 1966 to 1968 Cronin is a visiting lecturer at the University of Montana in Missoula, Montana, and from 1968 to 1970 he is poet in residence at Drake University in Des Moines, Iowa. He reads a selection of his poems for the Irish Poetry Reading Archive in 2015. He has honorary doctorates from several institutions, including the University of Dublin, the National University of Ireland and the Adam Mickiewicz University in Poznań, Poland.

Cronin begins his literary career as a contributor to Envoy, A Review of Literature and Art. He is editor of The Bell in the 1950s and literary editor of Time and Tide (London). He writes a weekly column, “Viewpoint,” in The Irish Times from 1974 to 1980. Later he contributes a column on poetry to the Sunday Independent.

His first collection of poems, called simply Poems (Cresset Press, London), is published in 1958. Several collections follow and his Collected Poems (New Island Books, Dublin) is published in 2004. The End of the Modern World (New Island Books, 2016), written over several decades, is his final publication.

Cronin’s novel, The Life of Riley, is a satire on Bohemian life in Ireland in the mid-20th century, while his memoir Dead as Doornails addresses the same subject.

Cronin knows Samuel Beckett from when they do some work for the BBC during the 1950s and 1960s. He gives a prefatory talk to Patrick Magee‘s reading of The Unnamable on the BBC Third Programme. Beckett is not impressed, saying, “Cronin delivered his discourse… It was all right, not very exciting.” Cronin later publishes a biography of him, Samuel Beckett: The Last Modernist (1996), followed on from No Laughing Matter: The Life and Times of Flann O’Brien (1989).

In his later years, Cronin suffers from failing health, which prevents him from traveling abroad, thus limiting his dealings to local matters. He dies in Dublin on December 27, 2016, one day short of his 93rd birthday.

Cronin firstly marries Thérèse Campbell, from whom he separates in the mid-1980s. She dies in 1999. They have two daughters, Iseult and Sarah. Iseult is killed in a road accident in Spain. He secondly marries the writer Anne Haverty who, along with daughter Sarah, survives him.


by Leave a comment

Birth of Anne Harris, Former Editor of the “Sunday Independent”

Anne Harris, the former editor of the Sunday Independent, is born on August 25, 1947. She is the former wife of Eoghan Harris who was an opinion columnist for the newspaper. Her daughter, Constance Harris, writes for the newspaper as a fashion writer.

In 1972, Harris writes a controversial article defending the 1972 Aldershot Bombing, an article she later expresses regret for. She also works for The Irish Press, as well as the political magazine Hibernia and the fashion magazine Image.

Harris is originally a socialist and a feminist. In the 1980s she abandons socialism in favour of the free market but remains a feminist. Harris also becomes known for her opposition to Irish nationalism and Irish republicanism, similar to her then-husband Eoghan Harris and Conor Cruise O’Brien. This position is reflected in the Sunday Independent‘s coverage of Northern Ireland. This causes some commentators to claim Harris is a “Southern Unionist.”

Harris lives with Sunday Independent editor Aengus Fanning until his death on January 17, 2012. On February 5, 2012, the Sunday Independent announces that she will succeed Fanning as the publication’s editor.

On the evening of Saturday, July 19, 2014, group editor of INM newspaper publishers, Stephen Rae, orders the presses to be stopped to amend a column written by Harris, the Sunday Independent editor, which features references to Denis O’Brien. Copies of the original article do however appear, allowing comparisons between the two. Harris originally writes: “Denis O’Brien is the major shareholder in INM. In theory, with 29% of the shares, he does not control it. In practice, he does.” Rae has the last sentence deleted. She also writes: “The question is whether he understands newspapers. In order to confront the truths in our society, we must have a free press. With the restrictive charter for journalists proposed last year, and some garrotive (sic) new structures, Denis O’Brien does not make this easy.” This is changed to: “The question is whether he understands newspapers. In order to confront the truths in our society, we must have a free press. If the restrictive charter for journalists proposed last year, along with some other structural changes, are anything to go by, it might be instructive for him to listen to journalists, troublesome and all as they are.“

Harris leaves the newspaper some months later, with The Irish Times noting her departing speech to staff as follows: “She is understood to have spoken only about journalists and journalism and not about newspapers and their owners, a subject matter she has previously addressed in several columns.”


by Leave a comment

Death of Newspaper Editor Douglas Gageby

(Robert John) Douglas Gageby, one of the pre-eminent Irish newspaper editors of his generation, dies on June 24, 2004, following a lengthy illness. His life is well documented and a book of essays about him, Bright Brilliant Days: Douglas Gageby and the Irish Times, written by many of his colleagues, some of whom had attained fame for their literary achievements, is published in 2006.

Gageby is born at 54 Upper Beechwood Avenue, Ranelagh, Dublin, to Thomas Gageby, a Belfast-born civil servant. His mother, Ethel Elizabeth (née Smith), is a schoolteacher from County Cavan. The Gageby family moves to Belfast when he is about three years old as his father goes to work for the Northern Ireland Civil Service following partition. His paternal grandfather, Robert Gageby, stands as a Labour Party parliamentary candidate in Belfast North in 1910, and is a Belfast City Councillor for 20 years, first elected in 1898 as a trade union candidate supported by the Independent Labour Party.

Gageby is educated at Belfast Royal Academy and Trinity College Dublin, where he is elected a scholar in Modern Languages (French and German) in 1940. He is also actively involved with the student newspaper, Trinity News. He enlists in the Irish Army as a private soldier at the outbreak of World War II. He is commissioned later, and he serves as an intelligence officer. He reports from post-war Germany for The Irish Press and goes on to work under Conor Cruise O’Brien in the Irish News Agency. In 1954 he is the first editor of the Evening Press. In 1963 he becomes editor of The Irish Times, a post he holds until 1986, having been brought back from a short retirement in 1974. He is credited with moving The Irish Times from a Unionist organ into a successful Irish journal of record.

In 2003 it is revealed that a director, and later Chairman, of The Irish Times, Major Thomas Bleakley McDowell, had referred to Gageby as a “white nigger” for his views and role in the paper during the Northern Ireland civil rights movement‘s campaign in the 1960s. The comment appears in a letter from the British Ambassador to Dublin, Sir Andrew Gilchrist, to Kelvin White, head of the Irish Section of the British Foreign Office and is dated October 2, 1969. Gilchrist is referring to conversations which he had with McDowell where the latter professes himself to be fully behind the British government in the North and hostile to Gageby’s coverage of the civil rights movement. However, historian Mark O’Brien notes, “Despite his contacts with London, McDowell’s actions did not interfere with Gageby’s editorials on Northern Ireland”, due to the fact McDowell believes in editorial independence (even though McDowell strongly disagrees with Gageby’s nationalist views), and because Gageby is making the newspaper commercially successful. Under the 30 year rule, this letter is made available to newspapers on December 22 and 23, 1999, but no newspaper publishes it at that time.

The communiqué is later discovered by the historian Jack Lane and published in the Irish Political Review, a small magazine strongly antagonistic to The Irish Times, in January 2003. He brings it to the attention of The Irish Times editor, Geraldine Kennedy, on January 10, 2003, and she replies on January 15, 2003 saying she is “unable to confirm the veracity of it” and does not publish it. When, on January 26, 2003, the Sunday Independent (Ireland) publishes the story, The Irish Times finally follows the next day, January 27. Nonetheless, on April 24, 2004, Kennedy defends her position by saying, “The contents of the letter in question were published on January 27, 2003, as soon as its existence was drawn to my attention.”

Gageby dies on June 24, 2004, following a two year illness. His private funeral is conducted by Rev. Terence McCaughey, a family friend. The Irish Times endows an annual Douglas Gageby Fellowship for young journalists and a stand of trees is planted in his memory at Moynalty. His papers are presented to Dublin City University (DCU).

Gageby is married to Dorothy, daughter of Seán Lester, last Secretary General of the League of Nations. His daughter, Susan Denham, is the Chief Justice of the Supreme Court of Ireland from 2011 to 2017.


by Leave a comment

Death of Dennis O’Driscoll, Poet, Essayist, Critic and Editor

Dennis O’Driscoll, Irish poet, essayist, critic and editor, dies suddenly on December 24, 2012, in Naas, County Kildare. Regarded as one of the best European poets of his time, Eileen Battersby considers him “the lyric equivalent of William Trevor” and a better poet “by far” than Raymond Carver. Gerard Smyth regards him as “one of poetry’s true champions and certainly its most prodigious archivist.” His book on Seamus Heaney is regarded as the definitive biography of the Nobel laureate.

Born on January 1, 1954 in Thurles, County Tipperary, O’Driscoll is the child of James O’Driscoll and Catherine Lahart, a salesman/horticulturist and a homemaker. He is educated by the Congregation of Christian Brothers. After completing his secondary education in 1970 at the age of sixteen, he is offered a job at Ireland’s Office of the Revenue Commissioners, the internal revenue and customs service. Specializing in “death duties, stamp duties, and customs,” he is employed for over thirty years full-time. He lives in Naas, County Kildare, until his sudden death.

In the 1970s and 80s, O’Driscoll holds many part-time jobs and positions in association with his writing. He takes a position as part-time editor of Tax Briefing, a technical journal produced in Ireland, as well as reviewing poetry for Hibernia, and The Crane Bag. He also serves on the council of the Irish United Nations Association from 1975–80. After this, he marries Julie O’Callaghan, a poet and writer, in September 1985. He stays in the revenue business for as long as he does due to the advice of a colleague, who teels him, “If you ever leave your job, you will stop writing.” Thus, revenue becomes a sort of fall back option for him; a career that pays regularly and provides a pension. Whereas poetry is his art. Even so, in his memoir entitled, Sing for the Taxman, he states, “I have always regarded myself as a civil servant rather than a ‘poet’ or ‘artist’ – words I would find embarrassing and presumptuous to ascribe to myself.”

After thirty-eight years in Revenue, in early 2008, O’Driscoll is asked to write a poem marking the opening of the Revenue Museum in Dublin Castle, marking the first time his job and his art intermingle. This poem, At The Revenue Museum, which is originally brought to life to be printed in a program for the opening ceremony, now hangs as an exhibit in the museum itself.

Prior to the publication of his own poems, O’Driscoll publishes widely in journals and other print publications as both an essayist and poetry reviewer, for which he is very widely known. He writes nine books of poetry, three chapbooks, and two collections of essays and reviews. The majority of his works are characterised by the use of economic language and the recurring motifs of mortality and the fragility of everyday life. In 1987, he temporarily becomes a writer-in-residence at the National University of Ireland. He also serves for a short time as editor of Poetry Ireland Review.

O’Driscoll dies suddenly at the age of 58 on December 24, 2012. He is rushed to hospital after becoming ill but quickly succumbs to his fate. The arts world is shocked by his sudden demise. His wife and siblings – brothers Proinsias, Seamus, Declan, and sisters, Marie and Eithne – survive him.

President Michael D. Higgins notes that O’Driscoll is “held in the highest regard not only by all those associated with Irish and European poetry.” Joe Duffy, with whom O’Driscoll had appeared on air on the very week of his death, calls him a “generous, caring and witty man.” Fellow writer Belinda McKeon says he was “a scholar, a gentleman, a character, a friend.” English poet and critic David Morley describes him as a “fine poet and great critic.” Irish PEN mourns his death.


by Leave a comment

Birth of Garbhan Downey, Novelist & Editor

Garbhan Downey, novelist and editor, is born in Derry, County Londonderry, Northern Ireland, on February 24, 1966. He is the former Director of Communications and Marketing for Culture Company 2013, which delivers Derry’s City of Culture year.

Downey is a product of St. Columb’s College, the Catholic grammar school whose past pupils include John Hume, Seamus Heaney and Brian Friel.

Downey cuts his teeth in journalism editing University College Galway’s student magazine in the late 1980s. After graduating with an MSc in computing from the University of Ulster, he works as an entertainment columnist with the Derry Journal and then as a staff reporter with the Londonderry Sentinel, before moving to The Irish News to become the paper’s Derry correspondent.

Downey’s offbeat reports of the 1994 FIFA World Cup for The Irish News are subsequently compiled for his first book, Just One Big Party. He spends six years as a BBC news producer in Derry and Belfast, before joining the Derry News as editor in 2001. During his period as editor (2001–2004), the Derry News wins two Newspaper Society awards for Fastest Circulation Growth in the United Kingdom.

Since 2004, Downey has published six comic novels set in the criminal underbelly of post-ceasefire Ireland. His books have been described as “a superb blend of comedy, political dirty tricks, grisly murder and bizarre twists.”

A former deputy-president of the Union of Students in Ireland, Downey is one of the organisers of a student occupation of government offices in Dublin on Budget Day 1988 in protest against education cutbacks.

In June 2002, the Police Service of Northern Ireland (PSNI) get a court order to force Downey to hand over pictures the Derry News had captured of the Real Irish Republican Army attacking a communications post.

In 2006, Downey helps establish the new Northern Ireland literary review Verbal and edits the publication for its first six issues.

A lifelong political anorak, in 2007, Downey works as an election pundit for TV3 (Ireland), alongside the Irish comedian Brendan O’Carroll. In 2010, he wins a contest to predict the winners of Northern Ireland’s 18 Westminster constituencies, missing out on just one, Naomi Long, who surprisingly beat First Minister Peter Robinson in Belfast East. He donates his prize, a framed Ian Knox cartoon, to Long by way of apology.

Downey’s 2010 comedy-thriller The American Envoy is the first novel issued by an Irish publishing house as a Kindle e-book, simultaneously with its paperback release.

In June 2011, Downey is appointed Director of Media for Culture Company 2013, the body tasked with delivering Derry’s UK City of Culture year.

Downey is married to Una McNally, and they have two children.


by Leave a comment

Birth of Roy McFadden, Poet, Editor & Lawyer

Roy McFadden, Northern Irish poet, editor, and lawyer, is born in Downpatrick, County Down, on November 14, 1921.

McFadden is born to Roland Victor MCFadden and his wife Maud Steele. A short time after his birth the family relocates to Belfast. He is educated at Knock Grammar School, Regent House School in Newtownards, and later graduates in Law from Queen’s University Belfast in 1944. He becomes a prominent lawyer and an influential figure in the Belfast literary scene.

McFadden’s first poem is published before he is thirteen. His earliest influences are from magazines and journals that his father brings home, and by Francis Turner Palgrave‘s Golden Treasury. He first comes to prominence as a promoter of Ulster literature in the 1940s when he edits two anthologies of poetry, Ulster Voices and Irish Voices in 1943. In 1948, he co-founds with Barbara Edwards (née Hunter) the Northern Irish poetry magazine Rann and then, co-edits it with her during its whole run, until 1953. Like its predecessor Lagan, it is unapologetically regionalist.

McFadden is the author of nine volumes of poetry, from Swords and Ploughshares (1943) to the posthumously published Last Poems (2002). Among his poems are “Saint Francis and the Birds” and “Independence”. His book, The Garryowen, is published by Chatto & Windus in the Phoenix Living Poets series. Most recently, his poem “Post-War” has been anthologised in Armistice: A Laureate’s Choice of Poems of War and Peace (Faber Poetry) (2018). There is a long gap between 1947 and 1971 when he publishes no collections of his work, however he continues to write and publishes in periodicals and newspapers such as The Irish Times where in that time he has sixty poems printed. His voice is well known on local BBC Radio through the Poetry Notebooks series, and he also has several verse-plays broadcast.

In 1952 McFadden marries Margaret Ferguson. Together they produce three sons and two daughters. He lives for a number of years in Lisburn, County Antrim. Inspired by Herbert Read and Alex Comfort, he describes himself as a pacifist and an anarchist in 1999. McFadden dies at his Belfast home on September 15, 1999.

The Roy McFadden Papers, comprising the poet’s personal manuscripts and papers, are lodged at Queen’s University Belfast. The Roy McFadden Library at Trinity College Dublin comprises books and journals on Irish and world literature from his collection. A comprehensive collection of his published work is held at the National Poetry Library, Southbank Centre, London.