seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Galway (County Galway)


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Birth of Proinsias Mac Aonghusa, Journalist, Writer & Presenter

Proinsias Mac Aonghusa (English: Francis McGuinness), Irish journalist, writer, television presenter and campaigner, is born into an Irish-speaking household on June 23, 1933, in Salthill, Galway, County Galway. He becomes one of the most noted Irish language broadcasters and journalists of the 20th century.

Mac Aonghusa is the son of Criostóir Mac Aonghusa, a writer and Irish language activist, and Mairéad Ní Lupain, a nurse and native Irish speaker. The eldest of four siblings, he grows up speaking Irish as his first language and allegedly does not learn English until the age of eleven. His parents are left-wing Irish republicans who support Fianna Fáil and associate with the like-minded Máirtín Ó Cadhain and Peadar O’Donnell. His parents split when he is ten years of age. His mother takes his siblings away to Dublin while he and his father remain in Rosmuc, a remote village and part of the Galway Gaeltacht. As a teenager he is educated at Coláiste Iognáid (also known as St. Ignatius College), a bilingual school in Galway.

Upon leaving school, Mac Aonghusa first works as an actor at the Abbey Theatre in Dublin, performing in Irish language productions. In 1952, he becomes involved in Radio Éireann, first as an actor but later as a reader of short stories before advancing to becoming a newsreader, presenter and interviewer. As he advances his career, he works for RTÉ, UTV and BBC television from the 1960s. In 1962, he begins presenting An Fear agus An Sceal (The Man & his Story) on RTÉ television, an Irish language show which sees him interviewing a different guest of note about their life each episode. That same year he wins a Jacob’s Award for An Fear agus an Sceal, which he continues to host until 1964.

As well as attracting awards, An Fear agus an Sceal also brings controversy. Two interviews, one with Máirtín Ó Cadhain, one with Con Lehane, both criticise the measures practised by the Fianna Fáil government during World War II to suppress and imprison Irish republicans. In response, the Fianna Fáil government intervenes with RTÉ, and those episodes are not aired. This is not to be Mac Aonghusa’s only run-in with the Fianna Fáil government. After he recorded a programme in which he questioned the effectiveness of Ireland’s civil defence measures in the face of nuclear war, then Minister for Defence Kevin Boland has the episode suppressed. He once again runs afoul of the Fianna Fáil government when, after criticising the party in his anonymous weekly political gossip column in the Sunday Independent, then Minister for Agriculture Neil Blaney sees to it that the column is dropped. He is not deterred and returns anonymously as “Gulliver” in The Sunday Press and a gossip column on the back page of The Hibernia Magazine.

The latter half of Mac Aonghusa’s 1960s/70s broadcasting career is primarily associated with the Irish language current events show Féach, which he both presents and edits. He resigns from Féach in 1972 following a bitter dispute with the broadcaster and commentator Eoghan Harris.

Influenced by O’Donnell and Ó Cadhain in his youth, Mac Aonghusa also pursues left-wing republican politics as an adult. In 1958, he becomes, alongside David Thornley, Noël Browne, Owen Sheehy-Skeffington and Desmond Ryan, a member of the “1913 Club,” a group which seeks to ideologically reconcile Irish nationalism and socialism.

In 1959, Mac Aonghusa writes a series of six articles for The Irish Times in which he vehemently opposes the Fianna Fáil government’s proposal to abolish single transferable vote in Ireland in favour of first-past-the-post voting. He contends that first-past-the-post voting gives too much influence to party bosses, while proportional representation gives even small minorities representation, preventing them from feeling excluded by the state such as nationalists in Northern Ireland. In the referendum held on the matter on June 17, 1959, voters reject first past the vote by a margin of 2%. Fianna Fáil attempts to repeal proportional representation again in the late 60s, at which point Mac Aonghusa once again throws himself into the fight, leading a group called “Citizens for PR.” In the referendum of 1968, voters reject the first past the post system by over 20%. He later recalls that his defence of proportional representation his greatest achievement in politics.

In the 1960s, both Mac Aonghusa and his wife, Catherine, join the Sean Connolly branch of the Labour Party in Dublin. The branch had established a reputation as a haven for intellectuals who want a branch to themselves away from the many other Labour branches dominated by trade unionists. The branch comes to advocate for expressly socialist policies combined with on-the-ground grass-roots campaigning. Through the Sean Connolly Branch, both he and his wife begin to develop significant influence over the leader of the Labour party Brendan Corish.

In the 1965 Irish general election, Mac Aonghusa stands on behalf of the Labour party in the Louth constituency but is not elected. In 1966, he publishes a book of speeches by Corish, the speeches themselves mostly having been ghostwritten by his wife Catherine. The introduction of the book proclaims that Corish had developed a “brand of democratic republican socialism … broadened by experience and built firmly on Irish‐Ireland roots” and had rid the party of “do‐nothing backwoodsmen”, thereby becoming the “first plausible and respected Labour leader in Ireland”. It is at this same time that he is elevated to vice-chairman of the party. As vice-chair, he tries to convince Corish to stand in the 1966 Irish presidential election. When he fails to do so, he supports Fine Gael‘s Tom O’Higgins in his bid for the presidency. O’Higgins comes within 0.5% of beating the incumbent, an ageing Éamon de Valera.

It was around this same time that Mac Aonghusa becomes active in the Wolfe Tone Societies, a republican organisation linked almost directly to Sinn Féin. He suggests that republicans with “progressive views” should join the Labour party. In 1966, alongside Máirtín Ó Cadhain and other Gaeilgeoirí, he counter-protests and disrupts the Language Freedom Movement, an organisation seeking the abolition of compulsory Irish in the education system. For this, he and his allies are criticised as acting illiberally, while he maintains that those who oppose the Irish language are “slaves” unworthy of tolerance.

Mac Aonghusa’s open disdain for the conservative and trade union wings of the Labour, as well as his open embrace of republican sensibilities and tendency to make pronouncements on Labour policy without first consulting the party’s structures, bring him many internal enemies. An attempt is made to censure him for backing breakaway trade unions, but he is able to survive this. In 1966, he encourages the formation of the Young Labour League, an unofficial youth wing of the party led by Brian Og O’Higgins, son of former Sinn Féin president Brian O’Higgins. Mirroring his own position, the Youth League are Corish loyalists that openly rebel against the views of Labour’s conservative deputy leader James Tully. When the youth league begins publishing their own weekly newsletter, Labour’s administrative council condemns it after discovering material which is “violently” critical of Tully and other Labour conservatives. An ensuing investigation into the newsletter leads to Mac Aonghusa admitting that he had financed it and written some of the content, but not the anti-Tully material. After he refuses to co-operate with further investigations into the matter, he is expelled on January 12, 1967 for “activities injurious” to the party. In the aftermath, he portrays himself a left-wing martyr purged by a right-wing “Star chamber,” a tactic that garners him sympathy. Nevertheless, his expulsion is confirmed at the October 1967 party conference, despite one last appeal. His wife leaves the party alongside him.

In the aftermath of his expulsion from Labour, Mac Aonghusa expresses an interest in the social democratic wing of Fine Gael, which had been developing under Declan Costello since the mid-1960s. However, he does not join the party and instead runs as an independent candidate in the 1969 Irish general election in Dún Laoghaire–Rathdown. When he is not elected, he begins to refocus on the revival of the Irish language and with nationalist politics rather than being elected himself.

Upon the onset of the Troubles, Mac Aonghusa is initially supportive of Official Sinn Féin, however by 1972 he comes to resent them and, through the Ned Stapleton Cumann, their secret influence over RTÉ. During the Arms Crisis in 1970, he supports Charles Haughey and Neil Blaney, who stand accused of arranging to supply weapons to the Provisional IRA, in the pages of the New Statesman and other left‐wing journals. In this time period, he warns editors not to reprint his material in the Republic of Ireland as there is a de facto ban on him, and indeed, official attempts are made to block the transmission of his telexed reports.

Despite his earlier famed stark criticism of Fianna Fáil, Mac Aonghusa’s defence of Haughey leads to a friendship between the two men which results in him becoming one of Haughey’s loudest defenders throughout the rest of his career. His columns in The Sunday Press and Irish language paper Anois are accused of descending into self-parody in their stringent defences of Haughey.

During the 1970s, Mac Aonghusa writes a number of books covering significant figures in Irish republicanism. In order, he releases books on James Connolly, Patrick Pearse, Wolfe Tone and Éamon de Valera. In his work on De Valera, he emphasises what he perceives as the more radical aspects of the Fianna Fáil founder. During 1974 and 1975, he works as a United Nations Special Representative to the Southern Africa region with Seán MacBride, where they involve themselves in the South African Border War, and during which time Mac Aonghusa becomes involved in setting up a radio station in Namibia, linked to the South West Africa People’s Organisation (SWAPO) nationalist party.

In the 1980s, Haughey twice appoints Mac Aonghusa to the Arts Council as well as naming him president of Bord na Gaeilge (1989-93). This is an issue as Mac Aonghusa is already president of Conradh na Gaeilge. Being head of the main Irish language lobbying body as well as the state body responsible for the Irish language has an obvious conflict of interest. In 1991, following the announcement by Haughey that the government is to fund the creation of an Irish-language television station (launched in 1996 as Teilifís na Gaeilge), an elated Mac Aonghusa suggests that Haughey would be “remembered among the families of the Gael as long as the Gaelic nation shall survive.”

In 1992 there are calls for Mac Aonghusa to step down from Bord na Gaeilge after he pronounces that “every respectable nationalist” in West Belfast should vote for Sinn Féin’s Gerry Adams over the Social Democratic and Labour Party (SDLP) candidate Joe Hendron in the 1992 United Kingdom general election as he considers a defeat for Adams “a victory for British imperialism.” Nevertheless, he simultaneously advises voters in South Down to vote for the SDLP’s Eddie McGrady over Sinn Féin. He rails against his detractors at the Conradh na Gaeilge ardfheis that year, declaring that “The mind of the slave, of the slíomadóir, of the hireling and the vagabond is still fairly dominant in Ireland.”

As of 1995, Mac Aonghusa continues to label himself a socialist. In the foreword to the book, he writes about James Connolly that is released that year, he declares that “the abolition of capitalism is essential if the great mass of the people in all parts of the globe are to be emancipated.”

However, with the recent collapse of the Soviet Union in mind, Mac Aonghusa declares that the Stalinist regimes of Eastern Europe have not been socialist and argues that the social democracies of Scandinavia are what James Connolly had envisioned as the desired socialist society. In the same text, he accuses the Irish education system as well as Ireland’s media of obfuscating Connolly’s views on socialism and nationalism.

Mac Aonghusa battles through ill health in his final years but remains able to continue writing a number of books. His last publication, Súil Tharam (2001), comes just two years before his death in Dublin on September 28, 2003.

In 1955, Mac Aonghusa marries Catherine Ellis, a member of the Church of Ireland from Belfast. For her married name, she chooses to use “McGuinness,” the English language equivalent of Mac Aonghusa. Catherine McGuinness goes on to become a Senator and a Judge of the Circuit Court, High Court and Supreme Court over the course of her legal career. Together they have three children together.


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Death of Charles Cunningham Boycott, Land Agent

Charles Cunningham Boycott, land agent and the man who gave the English language the word “boycott,” dies in Flixton, Suffolk, England, on June 19, 1897.

Boycott is born on March 12, 1832, at Burgh St. Peter, Norfolk, England, eldest surviving son of William Boycatt (1798–1877), rector of Wheatacrebury, Norfolk, and Elizabeth Georgiana Boycatt (née Beevor). The family name is changed to Boycott by his father in 1862. Educated at a boarding school in Blackheath, London, and the Royal Military Academy, Woolwich, he is commissioned ensign in the 39th (Dorsetshire) Regiment of Foot on February 15, 1850, and serves briefly in Ireland. He sells his commission on December 17, 1852, having attained the rank of captain, marries Annie Dunne of Queen’s County (County Laois) in 1852, and leases a farm in south County Tipperary.

In 1855, Boycott leaves for Achill Island, County Mayo, where he sub-leases 2,000 acres and acts as land agent for a friend, Murray McGregor Blacker, a local magistrate. He settles initially near Keem Strand but after some years builds a fine house near Dooagh overlooking Clew Bay. He clashes with local landowners and agents and is regularly involved in litigation. Twice summonsed unsuccessfully for assault (1856, 1859), he is involved (1859–60) in a bitter dispute with a land agent over salvage rights for shipwrecks, one of the few lucrative activities on the island. Achill’s remoteness and the difficulties of wresting a living from its harsh environment adds a roughness to the island’s social relations and probably aggravates Boycott’s tendency to high-handedness.

In 1873, Boycott inherits money and moves to mainland County Mayo, leasing Lough Mask House near Ballinrobe and its surrounding 300 acres. He also becomes agent for John Crichton, 3rd Earl Erne‘s neighbouring estate of 1,500 acres, home to thirty-eight tenant farmers paying rents of £500 a year, of which he receives 10 per cent as agent. He also serves as a magistrate and is unpopular because of his brusque and authoritarian manner, and for denying locals such traditional indulgences as collecting wood from the Lough Mask estate or taking short cuts across his farm. In April 1879, he purchases the 95-acre Kildarra estate between Claremorris and Ballinlough and an adjoining wood for £1,125, taking out a mortgage of £600 which stretches his finances.

Boycott is no brutal tyrant, but he is aloof, stubborn, and pugnacious, and believes that the Irish peasantry is prone to idleness and require firm handling. Such qualities and beliefs are unremarkable enough, but in the peculiar circumstances of the land war in County Mayo, they are enough to catapult this rather ordinary man to worldwide notoriety.

In autumn 1879, concerted land agitation begins in County Mayo, and on August 1, 1879, Boycott receives a notice threatening his life unless he reduces rents. He ignores it and evicts three tenants, which embitter relations on the estate. Lough Mask House is placed under Royal Irish Constabulary (RIC) surveillance beginning in November 1879. In August 1880, his farm labourers, encouraged by the Irish National Land League, strike successfully for a wage increase from 7s. –11s. to 9s. –15s. Since the harvest is poor, Lord Erne allows a 10 per cent rent abatement. But in September 1880, when Boycott demands the rent, most tenants seek a 25 per cent abatement. Lord Erne refuses, and on September 22, Boycott attempts to serve processes against eleven defaulters. Servers and police are attacked by an angry crowd of local women and forced to take refuge in Boycott’s house. Almost immediately he is subjected to the ostracism against land grabbers advocated by Charles Stewart Parnell in his September 19 speech at Ennis, County Clare. This weapon proves as devastating against an English land agent as an Irish land-grabber. His servants leave him, labourers refuse to work his land, his walls and fences are destroyed, and local traders refuse to do business with him. He is jeered on the roads, is hissed and hustled by hostile crowds in Ballinrobe, and requires police protection.

The campaign against Boycott is largely orchestrated by Fr. John O’Malley, a local parish priest and president of the Neale branch of the Irish National Land League. It is probably O’Malley who coins the term “boycott” as an alternative to the word “ostracise,” which he believes would mean little to the local peasantry. Propagated by O’Malley’s friend, the American journalist, James Redpath, it is adopted by advocates and opponents alike.

On October 22, 1880, before his story breaks on the world, Boycott gives evidence of his treatment to the Bessborough Commission in Galway. He publicises his plight in an October 18, 1880, letter to The Times, and in a long interview with The Daily News on October 24, which is reprinted in Irish unionist newspapers and arouses considerable sympathy for him. Although he rarely uses his former military rank, he becomes universally known as “Captain Boycott,” since it suits both sides to portray him as someone of social standing. Letters of support appear in unionist papers and the Belfast News Letter sets up a “Boycott Relief Fund” and proposes a relief expedition, portraying Boycott as a peaceable English gentleman unjustly subjected to intimidation.

The prospect of hundreds of armed loyalists descending on County Mayo alarms the government, who announced on November 8 that they will provide protection for a small group of labourers to harvest Boycott’s crops. On November 12, fifty-seven loyalists from counties Cavan and Monaghan, “the Boycott Relief Expedition,” arrive at Lough Mask with an escort of almost a thousand troops. After harvesting Boycott’s crops, they leave on November 26. The entire operation costs £10,000 – about thirty times the value of the crops. Although the expedition passes off largely without incident, it focuses international media attention on the affair and establishes the word “boycott” in English and several other languages as a standard term for communal ostracism.

On November 27, Boycott and his wife go to the Hammam hotel, Dublin, where he receives death threats. On December 1, he travels to London and then to the United States (March–May 1881) to see Murray McGregor Blacker, the friend from his time on Achill Island who has since settled in Virginia. In an interview with the New York Herald, he criticises the liberal government’s weakness toward the Land League and claims that the Irish land question is an intractable problem that can only be solved in the long term by emigration and industrialisation.

Boycott returns to Lough Mask on September 19, 1881, and at an auction in Westport is mobbed and burned in effigy. This, however, is the last outburst of hostility against him, and as the land agitation wanes so does his unpopularity. Although unsuccessful in efforts to win compensation from the government, he receives a public subscription of £2,000. He remains in County Mayo as Lord Erne’s agent until February 1886, when he obtains the post of land agent for Sir Hugh Adair in Flixton, Suffolk, but he keeps the small Kildarra estate, where he continues to holiday. On December 12, 1888, he gives evidence of his treatment to the parliamentary commission on “Parnellism and crime.”

After suffering from ill-health for some years, Boycott dies at Flixton on June 19, 1897, and is buried in the churchyard of Burgh St. Peter. A British-made film, Captain Boycott (1947), stars Cecil Parker in the title role.

(From: “Boycott, Charles Cunningham” by James Quinn, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Photo credit: Granger NYC/© Granger NYC/Rue des Archives)


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Birth of Margaretta D’Arcy, Actress, Writer, Playwright & Activist

Margaretta Ruth D’Arcy, Irish actress, writer, playwright, and activist, is born in London on June 14, 1934. She has been a member of the Irish association of artists, known as Aosdána, since its inauguration and is known for addressing Irish nationalism, civil liberties, and women’s rights in her work.

D’Arcy is born to a Russian-Jewish mother and an Irish Catholic father. She works in small theatres in Dublin from the age of fifteen and later becomes an actress.

D’Arcy is married in 1957 to English playwright and author John Arden. They write several plays together which are highly critical of the British presence in Ireland. They settle in Galway in 1971 and establish the Galway Theatre Workshop in 1976. The couple has five sons, one of whom predeceases his mother.

The couple writes a number of stage pieces and improvisational works for amateur and student players, including The Happy Haven (1960) and The Workhouse Donkey (1964). She writes and produces many plays, including The Non-Stop Connolly Show (1977).

D’Arcy has also written a number of books, including Tell Them Everything (1981), Awkward Corners (with John Arden, 1988), and Galway’s Pirate Women: A Global Trawl (1996).

As an activist, in 1961, D’Arcy joins the anti-nuclear Committee of 100, led by Bertrand Russell. In 1981, her peace-activism results in her incarceration in Armagh Jail, after defacing a wall at the Ulster Museum. Her book Tell Them Everything (Pluto Press, 1981) tells the story of her time during the Armagh and H-Block dirty protests and is one of the earliest accounts about the Armagh women, their republicanism and imprisonment.

D’Arcy also directs Yellow Gate Women (2007), a film about the attempts by women of Greenham Common Women’s Peace Camp to outwit the British and United States military at RAF Greenham Common with bolt cutters and legal challenges. Challenging censorship since 1987, she runs a women’s kitchen pirate radio from her home in Galway.

In 2011, D’Arcy refuses to stand for a minute’s silence to honour Police Service of Northern Ireland (PSNI) officer Ronan Kerr, killed by dissident republicans, at an Aosdána meeting. Her actions are deliberate, she tells the media afterwards, which attracts fierce criticism of her perceived support for armed republican groups in Northern Ireland.

Along with Niall Farrell, D’Arcy is arrested in October 2012 for scaling the perimeter fence of Shannon Airport, in protest at the use of the airport as a stopover for U.S. military flights. As a consequence of her trespassing on airport property, she is imprisoned in 2014 after she refuses to sign a bond saying that she will not trespass on non-public parts of Shannon Airport.


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Birth of Irish Writer Patrick McCabe

Patrick McCabe, Irish writer known for his mostly dark and violent novels set in contemporary—often small-town—Ireland, is born in Clones, County Monaghan, on March 27, 1955. He has twice been shortlisted for the Booker Prize, for The Butcher Boy (1992) and Breakfast on Pluto (1998), both of which have been made into films.

At the age of 17, McCabe migrates to London and works as a teacher, returning to Ireland after finding success as a writer. He resides in Clones with his artist wife Margot Quinn and two daughters, Katie and Ellen.

McCabe’s books include The Butcher Boy (1992) and Breakfast on Pluto (1998), both shortlisted for the Booker Prize. He has written a children’s book, The Adventures of Shay Mouse (1985), and several of his radio plays have been broadcast by RTÉ and BBC Radio 4. He wrote a collection of linked short stories, Mondo Desperado, published in 1999. The play Frank Pig Says Hello, which he adapts from The Butcher Boy, is first performed at the Dublin Theatre Festival in 1992.

McCabe’s 2001 novel Emerald Germs of Ireland is a black comedy featuring matricide. Winterwood, published in 2006, is the 2007 Hughes & Hughes/Irish Independent Irish Novel of the Year. Three years later, 2009 sees the publication of The Holy City. The Stray Sod Country (2010) is described as “Strangely elegiac, gloriously operatic and driven by (…) wild and savage imagination, (…) an eerie folk tale that chronicles the passing of a generation.”

Director and novelist Neil Jordan adapts both The Butcher Boy (1997) and Breakfast on Pluto (2005) into films.

Zelig Theatre premieres the play Appointment in Limbo, written by McCabe and directed by Cathal Cleary, in Galway‘s Town Hall Theatre in 2008.

McCabe and British film director Kevin Allen are organisers of the Flat Lake Literary & Arts Festival, a music festival held annually since 2007 on the Hilton Park farm estate in Clones, County Monaghan.


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Death of Micheál Mac Liammóir, Actor & Playwright

Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, dies in Dublin on March 6, 1978. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


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Eamonn Casey, Former Bishop of Galway & Kilmacduagh, Returns from Exile

Eamonn Casey, Irish Catholic prelate who serves as bishop of Galway and Kilmacduagh from 1976 until his resignation 1992, returns to Ireland on February 5, 2006, following fourteen years in exile. He fled Ireland after he admitted to fathering his son, Peter.

Casey is born on April 24, 1927, in Firies, County Kerry. He is educated in Limerick before training for the priesthood at St. Patrick’s College, Maynooth. He is ordained a priest for the Diocese of Limerick on June 17, 1951, and appointed Bishop of Kerry on July 17, 1969.

Casey holds this position until 1976, when he is appointed Bishop of Galway and Kilmacduagh and apostolic administrator of Kilfenora. While in Galway, he is seen as a progressive. It is a significant change in a diocese that had been led for nearly forty years by the very conservative Michael Browne, bishop from 1937 to 1976. He is highly influential in the Irish Catholic hierarchy and a friend and colleague of another highly prominent Irish priest, Father Michael Cleary.

Casey works aiding Irish emigrants in Britain. In addition, he supports the Dunnes Stores‘ staff who are locked out from 1982 to 1986 for refusing to sell goods from apartheid South Africa.

Casey attends the funeral of the murdered Archbishop of San Salvador, Monsignor Óscar Romero. He witnesses first-hand the massacre of those attending the funeral by government forces. He then becomes a vocal opponent of United States foreign policy in Central America, and, as a result, opposes the 1984 visit of United States President Ronald Reagan to Ireland, refusing to meet him when he comes to Galway.

In 1992 it is reported that, despite the vow of chastity undertaken by Catholic clergy, Casey has a sexual relationship in the early 1970s with American woman Annie Murphy. When Murphy becomes pregnant, he is determined that the child should be given up for adoption in order to avoid any scandal for himself or the Catholic church. By contrast, Murphy is determined to accept responsibility for her child, and she returns to the United States with their son, Peter, who is born in 1974 in Dublin. He makes covert payments for the boy’s maintenance, fraudulently made from diocesan funds and channeled through intermediaries. In order to continue the cover up of his affair with Murphy and his fraudulent activities, he refuses to develop a relationship with his son, or acknowledge him. Murphy is very disappointed by this, and in the early 1990s contacts The Irish Times to tell the truth about Casey’s hypocrisy and deception. Having been exposed, he reluctantly admits that he had “sinned” and wronged the boy, his mother and “God, his church and the clergy and people of the dioceses of Galway and Kerry,” and his embezzlement of church funds. He is forced to resign as bishop and flees the country under a cloud of scandal. He is succeeded by his secretary, James McLoughlin, who serves in the post until his own retirement on July 3, 2005.

Murphy publishes a book, Forbidden Fruit, in 1993 revealing the truth of their relationship and the son she bore by Casey, exposing the institutional level of hypocrisy, moral corruption and misogyny within the Irish Catholic Church.

Casey is ordered by the Vatican to leave Ireland and become a missionary alongside members of the Missionary Society of St. James in a rural parish in Ecuador, whose language, Spanish, he does not speak. During this time, he travels long distances to reach the widely scattered members of his parish but does not travel to meet his own son. After his missionary position is completed, he takes a position in the parish of St. Pauls, Haywards Heath, West Sussex, England.

In 2005, Casey is investigated in conjunction with the sexual abuse scandal in Galway, Kilmacduagh and Kilfenora diocese, and cleared of any wrongdoing. In 2019, it emerges that he had faced at least three accusations of sexual abuse before his death, with two High Court cases being settled. The Kerry diocese confirms that it had received allegations against him, that Gardaí and health authorities had been informed and that the person concerned was offered support by the diocese.

Casey returns to Ireland on February 5, 2006, with his reputation in tatters, and is not permitted to say Mass in public.

In August 2011, Casey, in poor health, is admitted to a nursing home in County Clare. He dies on March 13, 2017, a month before his 90th birthday. He is interred in Galway cathedral’s crypt.

Casey is the subject of Martin Egan’s song “Casey,” sung by Christy Moore. He is also the subject of The Saw Doctors‘ song “Howya Julia.”


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Birth of Michael J. Browne, Bishop of Galway and Kilmacduagh

Michael J. Browne, an Irish prelate of the Roman Catholic Church, is born in Westport, County Mayo, on December 20, 1895. He serves as Bishop of Galway and Kilmacduagh for almost forty years from 1937 to 1976.

Browne is an important and outspoken member of the Irish hierarchy. His time as Bishop has been described by the historian James S. Donnelly Jr. as “far-reaching and … controversial,” while the historian of Irish Catholicism John Henry Whyte claims that Browne’s “readiness to put forward his views bluntly is welcome at least to the historian.”

Browne is ordained to the priesthood on June 20, 1920, for the Archdiocese of Tuam. He later serves as professor of moral theology at St. Patrick’s College, Maynooth.

On August 6, 1937, at the relatively young age of 41, Browne is appointed Bishop of Galway and Kilmacduagh by Pope Pius XI, receiving his episcopal consecration from Archbishop Thomas Gilmartin on the following August 10. He supports Taoiseach Éamon de Valera‘s defence of arrests and police searches for cached Irish Republican Army (IRA) arms, declaring, “Any Irishman who assists any foreign power to attack the legitimate authority of his own land is guilty of the most terrible crime against God’s law, and there can be no excuse for that crime – not even the pretext of solving partition or of securing unity.”

In 1939, Browne is selected by Éamon de Valera to chair the Commission on Vocational Organisation.

Browne is attentive to the state of public morality in the diocese, and James S. Donnelly Jr. has noted his role in directing episcopal and clerical censorship of newsagents and county librarians. He is also concerned about public intoxication and other misconduct at the Galway Races, controversies over dancing and the commercial dance halls, as well as immodesty in dress and the closely related issue of so-called “mixed bathing” in Galway and Salthill.

Like other members of the Irish Catholic hierarchy, Browne regularly condemns communism in his pastoral letters. When Cardinal József Mindszenty is detained by Hungary‘s post-war communist government, Browne in 1949 forwards protest resolutions from Galway Corporation, Galway County Council and the University College Galway student body to Pope Pius XII. He also frequently condemns the Connolly Association, an Irish republican socialist group in Britain close to the Communist Party of Great Britain.

In 1957, in response to a growing tension between Catholics and Protestants at Fethard-on-Sea, including the Fethard-on-Sea boycott, Browne says, “non-Catholics do not protest against the crime of conspiring to steal the children of a Catholic father, but they try to make political capital when a Catholic people make a peaceful and moderate protest.”

The most enduring monument or physical legacy of Browne’s time as Bishop is the Cathedral of Our Lady Assumed into Heaven and St Nicholas, commonly known as Galway Cathedral, which is dedicated in 1965 by Cardinal Richard James Cushing of Boston, Massachusetts. The site of the old jail had come into the possession of the diocese in 1941 and Browne leads the campaign to construct a new Cathedral. This includes a 1957 audience with Pope Pius XII where the plans are approved.

Browne attends the Second Vatican Council from 1962 to 1965 and retires in 1976. He dies four years later, at the age of 84, on February 24, 1980.

Browne is parodied in Breandán Ó hÉithir`s novel Lig Sinn i gCathu, which fictionalises late 1940s Galway as “Baile an Chaisil” and Browne as “An tEaspag Ó Maoláin.”

The Irish cabinet minister Noël Browne (no known relation) in his 1986 memoir Against the Tide describes the physical attributes of his episcopal namesake:

“The bishop had a round soft baby face with shimmering clear cornflower-blue eyes, but his mouth was small and mean. Around his great neck was an elegant glinting gold episcopal chain with a simple pectoral gold cross. He wore a ruby ring on his plump finger and wore a slightly ridiculous tiny scullcap on his noble head. The well-filled semi-circular scarlet silk cummerbund and sash neatly divided the lordly prince into two.”


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Birth of Irish Poet Trevor Joyce

Irish poet Trevor Joyce is born in Dublin on October 26, 1947. He co-founds New Writers’ Press (NWP) in Dublin in 1967 and is a founding editor of NWP’s The Lace Curtain, a magazine of poetry and criticism in 1968.

Joyce is brought up between Mary Street, in the city centre, and the Galway Gaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.

In Dublin and Oxford, in the early eighties, Joyce conducts seminars and lectures on classical Chinese poetry. Having studied Philosophy and English at University College Dublin (UCD), he moves in 1984 to Cork, where he reads Mathematical Sciences at University College Cork (UCC). He now resides in the city.

Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).

After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.

Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.

A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.

Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.

Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.

Joyce has residencies at Cill Rialaig, County Kerry, and at the University of Galway. He is also co-founder and director of the annual SoundEye Festival that is held in Cork City.


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Birth of Archaeologist Etienne Andrew Rynne

Etienne Andrew Rynne, archaeologist, is born on September 11, 1932, at 20 Upper Pembroke Street, Dublin.

Rynne is one of six children (five boys and a girl) of Dr. Michael Rynne, a civil servant and diplomat, and Nathalie Rynne (née Fournier), from Auvergne, France. He has a twin brother, Michael, and is a nephew of the writer and broadcaster Stephen Rynne. He receives his early education in a number of institutions in Ireland and abroad, including Terenure College in Dublin, Clongowes Wood College in County Kildare, Coláiste na Rinne in County Waterford and École des Roches in Normandy. He then attends University College Dublin (UCD), where he graduates BA in archaeology and French (1953) and MA in archaeology (1955). He wins the prestigious National University of Ireland (NUI) travelling studentship for his thesis on Iron Age weapons.

After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.

During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.

Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.

Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”

Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.

Elected a member of the Royal Irish Academy (RIA) in 1966, Rynne is a fellow of the Society of Antiquaries of London (1975), and president of both the Cambrian Society of Wales (1999) and the Galway Archaeological and Historical Society (1989–94). Although diagnosed with heart disease in 1991, he remains active long after his retirement in 1998, continuing to publish papers on aspects of Irish archaeology up to his death.

In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.

(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)


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Birth of Fr. Alec Reid, Facilitator in the Northern Ireland Peace Process

Alexander Reid CSsR, Irish Catholic priest noted for his facilitator role in the Northern Ireland peace process, is born in Dublin on August 5, 1931. BBC journalist Peter Taylor subsequently describes Reid’s role as “absolutely critical” to the success of the peace process.

Reid is raised in Nenagh, County Tipperary, from the age of six following the death of his father. He studies English, history and philosophy at University College Galway.

Reid is professed as a Redemptorist in 1950 and ordained a priest seven years later. For the next four years, he gives Parish Missions in Limerick, Dundalk and Galway (Esker), before moving to Clonard Monastery in Belfast, where he spends almost the next forty years. The Redemptorist Monastery at Clonard stands on the interface between the Catholic nationalist Falls Road and the Protestant loyalist Shankill Road areas of west Belfast.

In the late 1980s, Reid facilitates a series of meetings between Gerry Adams and John Hume, in an effort to establish a “Pan-Nationalist front” to enable a move toward renouncing violence in favour of negotiation. Reid, himself a staunch nationalist who favours a united Ireland and the withdrawal of British forces from Northern Ireland, then acts as their contact person with the Irish Government in Dublin from a 1987 meeting with Charles Haughey up to the signing of the Good Friday Agreement in 1998. In this role, which is not public knowledge at the time, he holds meetings with various Taoisigh, and particularly with Martin Mansergh, advisor to various Fianna Fáil leaders. After the eventual success of the peace negotiations, Gerry Adams says, “there would not be a peace process at this time without [Father Reid’s] diligent doggedness and his refusal to give up.”

In 1988 in Belfast, Reid delivers the last rites to two British Army corporals, David Howes and Derek Wood of the Royal Corps of Signals, who are killed by the Provisional Irish Republican Army (IRA) – an event known as the corporals killings – after they drive into the funeral cortège of IRA member Kevin Brady, who had been killed in the Milltown Cemetery attack. A photograph of his involvement in that incident becomes one of the starkest and most enduring images of the Troubles. Unknown until years later, he is carrying a letter from Sinn Féin President Gerry Adams to Social Democratic and Labour Party (SDLP) leader John Hume outlining Adams’ suggestions for a political solution to the Troubles. Adams later tells the BBC in 2019 that Reid also advised U.S Ambassador to Ireland Jean Kennedy Smith during the peace process, stating “He was talking to her on the side and she was talking to her brother Teddy.”

After he moves to Dublin, Reid is involved in peace efforts in the Basque Country. In January 2003, he is awarded the Sabino Arana 2002 “World Mirror” prize, by the Sabino Arana Foundation in Bilbao, in recognition of his efforts at promoting peace and reconciliation. He and a Methodist minister, the Rev. Harold Good, announce that the IRA has decommissioned their arms at a news conference in September 2005.

Reid is involved in controversy in November 2005 when he makes comments during a meeting in Fitzroy Presbyterian Church concerning the Unionist community in Northern Ireland. When the loyalist activist Willie Frazer makes remarks that Catholics had butchered Protestants during the Troubles, Reid angrily responds, “You don’t want to hear the truth. The reality is that the nationalist community in Northern Ireland were treated almost like animals by the unionist community. They were not treated like human beings. They were treated like the Nazis treated the Jews.” Reid later apologises, saying his remarks had been made in the heat of the moment. In an interview with CNN, he says that “The IRA were, if you like, a violent response to the suppression of human rights.”

Reid dies in a Dublin hospital on November 22, 2013. He is survived by two sisters and an aunt, and is buried in Milltown Cemetery, Belfast.