At the age of 17, McCabe migrates to London and works as a teacher, returning to Ireland after finding success as a writer. He resides in Clones with his artist wife Margot Quinn and two daughters, Katie and Ellen.
McCabe’s books include The Butcher Boy (1992) and Breakfast on Pluto (1998), both shortlisted for the Booker Prize. He has written a children’s book, The Adventures of Shay Mouse (1985), and several of his radio plays have been broadcast by RTÉ and BBC Radio 4. He wrote a collection of linked short stories, Mondo Desperado, published in 1999. The play Frank Pig Says Hello, which he adapts from The Butcher Boy, is first performed at the Dublin Theatre Festival in 1992.
McCabe’s 2001 novel Emerald Germs of Ireland is a black comedy featuring matricide. Winterwood, published in 2006, is the 2007 Hughes & Hughes/Irish Independent Irish Novel of the Year. Three years later, 2009 sees the publication of The Holy City. The Stray Sod Country (2010) is described as “Strangely elegiac, gloriously operatic and driven by (…) wild and savage imagination, (…) an eerie folk tale that chronicles the passing of a generation.”
Zelig Theatre premieres the play Appointment in Limbo, written by McCabe and directed by Cathal Cleary, in Galway‘s Town Hall Theatre in 2008.
McCabe and British film director Kevin Allen are organisers of the Flat Lake Literary & Arts Festival, a music festival held annually since 2007 on the Hilton Park farm estate in Clones, County Monaghan.
Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Eamonn Casey, Irish Catholicprelate who serves as bishop of Galway and Kilmacduagh from 1976 until his resignation 1992, returns to Ireland on February 5, 2006, following fourteen years in exile. He fled Ireland after he admitted to fathering his son, Peter.
Casey holds this position until 1976, when he is appointed Bishop of Galway and Kilmacduagh and apostolic administrator of Kilfenora. While in Galway, he is seen as a progressive. It is a significant change in a diocese that had been led for nearly forty years by the very conservative Michael Browne, bishop from 1937 to 1976. He is highly influential in the Irish Catholic hierarchy and a friend and colleague of another highly prominent Irish priest, Father Michael Cleary.
In 1992 it is reported that, despite the vow of chastity undertaken by Catholic clergy, Casey has a sexual relationship in the early 1970s with American woman Annie Murphy. When Murphy becomes pregnant, he is determined that the child should be given up for adoption in order to avoid any scandal for himself or the Catholic church. By contrast, Murphy is determined to accept responsibility for her child, and she returns to the United States with their son, Peter, who is born in 1974 in Dublin. He makes covert payments for the boy’s maintenance, fraudulently made from diocesan funds and channeled through intermediaries. In order to continue the cover up of his affair with Murphy and his fraudulent activities, he refuses to develop a relationship with his son, or acknowledge him. Murphy is very disappointed by this, and in the early 1990s contacts The Irish Times to tell the truth about Casey’s hypocrisy and deception. Having been exposed, he reluctantly admits that he had “sinned” and wronged the boy, his mother and “God, his church and the clergy and people of the dioceses of Galway and Kerry,” and his embezzlement of church funds. He is forced to resign as bishop and flees the country under a cloud of scandal. He is succeeded by his secretary, James McLoughlin, who serves in the post until his own retirement on July 3, 2005.
Murphy publishes a book, Forbidden Fruit, in 1993 revealing the truth of their relationship and the son she bore by Casey, exposing the institutional level of hypocrisy, moral corruption and misogyny within the Irish Catholic Church.
Casey is ordered by the Vatican to leave Ireland and become a missionary alongside members of the Missionary Society of St. James in a rural parish in Ecuador, whose language, Spanish, he does not speak. During this time, he travels long distances to reach the widely scattered members of his parish but does not travel to meet his own son. After his missionary position is completed, he takes a position in the parish of St. Pauls, Haywards Heath, West Sussex, England.
In 2005, Casey is investigated in conjunction with the sexual abuse scandal in Galway, Kilmacduagh and Kilfenora diocese, and cleared of any wrongdoing. In 2019, it emerges that he had faced at least three accusations of sexual abuse before his death, with two High Court cases being settled. The Kerry diocese confirms that it had received allegations against him, that Gardaí and health authorities had been informed and that the person concerned was offered support by the diocese.
Casey returns to Ireland on February 5, 2006, with his reputation in tatters, and is not permitted to say Mass in public.
In August 2011, Casey, in poor health, is admitted to a nursing home in County Clare. He dies on March 13, 2017, a month before his 90th birthday. He is interred in Galway cathedral’s crypt.
Casey is the subject of Martin Egan’s song “Casey,” sung by Christy Moore. He is also the subject of The Saw Doctors‘ song “Howya Julia.”
Browne is an important and outspoken member of the Irish hierarchy. His time as Bishop has been described by the historian James S. Donnelly Jr. as “far-reaching and … controversial,” while the historian of Irish CatholicismJohn Henry Whyte claims that Browne’s “readiness to put forward his views bluntly is welcome at least to the historian.”
On August 6, 1937, at the relatively young age of 41, Browne is appointed Bishop of Galway and Kilmacduagh by Pope Pius XI, receiving his episcopal consecration from Archbishop Thomas Gilmartin on the following August 10. He supports TaoiseachÉamon de Valera‘s defence of arrests and police searches for cached Irish Republican Army (IRA) arms, declaring, “Any Irishman who assists any foreign power to attack the legitimate authority of his own land is guilty of the most terrible crime against God’s law, and there can be no excuse for that crime – not even the pretext of solving partition or of securing unity.”
In 1939, Browne is selected by Éamon de Valera to chair the Commission on Vocational Organisation.
Browne is attentive to the state of public morality in the diocese, and James S. Donnelly Jr. has noted his role in directing episcopal and clerical censorship of newsagents and county librarians. He is also concerned about public intoxication and other misconduct at the Galway Races, controversies over dancing and the commercial dance halls, as well as immodesty in dress and the closely related issue of so-called “mixed bathing” in Galway and Salthill.
In 1957, in response to a growing tension between Catholics and Protestants at Fethard-on-Sea, including the Fethard-on-Sea boycott, Browne says, “non-Catholics do not protest against the crime of conspiring to steal the children of a Catholic father, but they try to make political capital when a Catholic people make a peaceful and moderate protest.”
The most enduring monument or physical legacy of Browne’s time as Bishop is the Cathedral of Our Lady Assumed into Heaven and St Nicholas, commonly known as Galway Cathedral, which is dedicated in 1965 by CardinalRichard James Cushing of Boston, Massachusetts. The site of the old jail had come into the possession of the diocese in 1941 and Browne leads the campaign to construct a new Cathedral. This includes a 1957 audience with Pope Pius XII where the plans are approved.
Browne attends the Second Vatican Council from 1962 to 1965 and retires in 1976. He dies four years later, at the age of 84, on February 24, 1980.
Browne is parodied in Breandán Ó hÉithir`s novel Lig Sinn i gCathu, which fictionalises late 1940s Galway as “Baile an Chaisil” and Browne as “An tEaspag Ó Maoláin.”
The Irish cabinet minister Noël Browne (no known relation) in his 1986 memoir Against the Tide describes the physical attributes of his episcopal namesake:
“The bishop had a round soft baby face with shimmering clear cornflower-blue eyes, but his mouth was small and mean. Around his great neck was an elegant glinting gold episcopal chain with a simple pectoral gold cross. He wore a ruby ring on his plump finger and wore a slightly ridiculous tiny scullcap on his noble head. The well-filled semi-circular scarlet silk cummerbund and sash neatly divided the lordly prince into two.”
Joyce is brought up between Mary Street, in the city centre, and the GalwayGaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.
Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).
After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.
Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.
A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.
Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.
Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
In the late 1980s, Reid facilitates a series of meetings between Gerry Adams and John Hume, in an effort to establish a “Pan-Nationalist front” to enable a move toward renouncing violence in favour of negotiation. Reid, himself a staunch nationalist who favours a united Ireland and the withdrawal of British forces from Northern Ireland, then acts as their contact person with the Irish Government in Dublin from a 1987 meeting with Charles Haughey up to the signing of the Good Friday Agreement in 1998. In this role, which is not public knowledge at the time, he holds meetings with various Taoisigh, and particularly with Martin Mansergh, advisor to various Fianna Fáil leaders. After the eventual success of the peace negotiations, Gerry Adams says, “there would not be a peace process at this time without [Father Reid’s] diligent doggedness and his refusal to give up.”
After he moves to Dublin, Reid is involved in peace efforts in the Basque Country. In January 2003, he is awarded the Sabino Arana 2002 “World Mirror” prize, by the Sabino Arana Foundation in Bilbao, in recognition of his efforts at promoting peace and reconciliation. He and a Methodist minister, the Rev. Harold Good, announce that the IRA has decommissioned their arms at a news conference in September 2005.
Reid is involved in controversy in November 2005 when he makes comments during a meeting in Fitzroy Presbyterian Church concerning the Unionist community in Northern Ireland. When the loyalist activist Willie Frazer makes remarks that Catholics had butchered Protestants during the Troubles, Reid angrily responds, “You don’t want to hear the truth. The reality is that the nationalist community in Northern Ireland were treated almost like animals by the unionist community. They were not treated like human beings. They were treated like the Nazis treated the Jews.” Reid later apologises, saying his remarks had been made in the heat of the moment. In an interview with CNN, he says that “The IRA were, if you like, a violent response to the suppression of human rights.”
Reid dies in a Dublin hospital on November 22, 2013. He is survived by two sisters and an aunt, and is buried in Milltown Cemetery, Belfast.
A large lorry transporting petrol which is part of a British military convoy travelling from Claremorris towards Ballyhaunis comes off the road on the Claremorris-Ballyhaunis road near Holywell on Saturday, July 31, 1920. The driver of the lorry loses control and crashes off the road into the bog below. The lorry sinks somewhat and is stuck in the bog. A military guard of between 12-20 British soldiers from the 2nd Battalion Argyll and Sutherland Highlanders, who are garrisoned in the old workhouse in Claremorris, is placed on the lorry while the rest of the convoy continues on their journey.
The soldiers set up camp in a little old, abandoned house nearby, throwing a large tarpaulin over the roof of the house for shelter. They place two sentries on the road while the rest of the guard retires to the abandoned house where they light a fire in the ruin’s fireplace. Martin Forkhan, a local IRA volunteer, happens upon the scene of the crashed lorry and immediately notifies the Ballyhaunis Battalion Commandant, Patrick Kenny, of the situation. Kenny issues instructions to mobilise all officers in the Ballyhaunis Battalion area.
On that same night, a train leaving Ballyhaunis towards Westport is held up by armed and masked men not far from the military encampment. A unit of 25 IRA men under the command of Capt. Martin Forde take control of the train after firing a number of warning shots. The IRA then removes steel shutters destined for Westport Royal Irish Constabulary (RIC) Barracks and bury them in the bog nearby. The steel shutters are part of a program of fortification of RIC Barracks country-wide. Some of these men then mobilise with the other IRA officers gathering at Holywell Wood, where arrangements are made for an attempt to overpower and disarm the soldiers guarding the crashed lorry.
The assembled IRA, approximately 40 strong, march to the site of the military encampment where they take up positions. The volunteers are unsure of the size of the British force guarding the lorry, as all they can see is one sentry. An IRA officer approaches the sentry and asks for a light for a cigarette. The sentry sends him into the camp. As he lights his cigarette from the camp fire he looks around and counts 18 rifles present. It is then presumed that there are roughly 18 soldiers at the encampment. Cmdt. Kenny mades a plan and orders an attack, but as the IRA volunteers are crawling through the fields toward their assigned positions to surround the encampment, a line of motorcars appears on the Claremorris road. The headlights from the motorcars would have exposed the positions taken up by the IRA, so due to their poor positions, the delay in organising a plan and the coming dawn, it is decided that the attack is to be postponed until the following night.
The next day, Sunday, August 1, 1920, a section of men under the command of Capt. Patrick McNieve is positioned near the site of the encampment to keep it under observation while the officers mobilise the entire battalion. On this day, there are sports taking place in Aghamore and many of the battalions volunteers gather in that area so are easily located. Back at Holywell, scouts are posted on the surrounding roads to notify of any advancing British reinforcements and a trench has been dug across the road to delay any traffic from getting by. During the day, members of Cumann na mBán assist in transferring ammunition from arms dumps to the ambush site. That night, with all available men in the battalion area mobilised, the IRA assembles once more and organises a plan of attack. Orders are issued, they manoeuvre into their assigned positions and wait. D Coy (Brackloon) proceeds to their positions between Ballyhaunis and Holywell where they are on outpost duty guarding the road about half a mile from the ambush site. The IRA officers decide that while the soldiers in the camp sleep, some volunteers will attempt to sneak into the camp and take their weapons. Cmdt. Patrick Kenny leads a small ambush party of about 20 men and creeps into the camp at approximately 3:00 a.m. They are armed with shotguns and revolvers. A further 188 IRA men, many of them unarmed, from the Battalion are on scouting, road trenching, sentry and outpost duties in the surrounding district.
The ambush party successfully infiltrates the camp without alerting the sentries and Cmdt. Kenny manages to gather up five or six rifles that are stacked together. But as he is leaving the camp, the alarm is raised and the British soldiers begin to awaken. The IRA shouts a demand for the British military guard to surrender but when no surrender comes, the IRA opens fire. Three British soldiers are badly wounded in the opening salvo. One takes a full shotgun blast to his back, another has a portion of his arm blown off and the third is badly wounded in the leg. With three of their men knocked out, the British soldiers organise their defence and return fire on the IRA. The IRA ambush party retreats to positions behind a fence where they maintain constant fire on the camp. A fierce gun battle ensues. In the darkness, as Cmdt. Kenny retreats with the rifles in his arms, he is caught in the crossfire and severely wounded in the left arm and face by a shotgun blast from one of his own men. He falls from his wounds and drops the rifles he had been carrying. Capt. Martin Forde and several other officers run to Kenny’s aid. Forde and his comrades are able to carry Kenny to safety. The battle continues on for about an hour and before dawn, just as the military guard seems about to surrender, two lorries of British reinforcements come from Claremorris to their assistance. The British reinforcements open fire from their lorries on the outposts as they encounter those who return fire with their shotguns. With the IRA running low on ammunition and now out-gunned, Cmdt. Kenny issues an order for the IRA to retreat under fire. There are varied accounts of the length of time the ambush lasts. Some accounts state the attack on the camp lasts 15 minutes, with other accounts indicating that from beginning to end, the ambush lasts for between one and two hours. Dawn is breaking just as the engagement ends.
The IRA operation is deemed unsuccessful as they did not achieved their primary objective of disarming the British soldiers and their commanding officer is badly wounded in the attack. The inability to capture the British soldiers’ weapons will hamper the battalion and the wider East Mayo Brigade’s ability to conduct large ambushes in an area that is already in very short supply of rifles and ammunition. There are varying accounts of casualties from both sides. The IRA inflicts a minimum of three casualties on the British side and the ambush gives many volunteers their first experience of battle. Some of the volunteers who take part in the ambush claim that five and upwards of ten on the British side are wounded. The British claim that they killed one IRA man and wounded several others. They also admit that three of their soldiers are wounded. The following day, British police and military carry out an exhaustive search in the intervening districts. It is reported in the Western People, that in the search that follows, the police and military from Claremorris and Ballyhaunis find blood stains over the ground covered by the IRA and two shotguns, a loaded revolver and two overcoats. In reality the IRA suffers only one casualty, that of their Cmdt. Patrick Kenny. In the military drive that follows, the number of private houses raided totals one hundred and fifty, however nothing incriminating is found.
After Cmdt. Kenny is safely extracted from the engagement; he is carried by Volunteers Jack and William Caulfield along with others to a house nearby and then on to Pat Healy’s house. The British military’s account reports that the soldiers witness a body being carried into a house nearby. From there he is taken to be treated first by Dr. A Smyth, Ballyhaunis, who is the battalion’s Medical Officer. He is moved to Mayo County infirmary and treated by Dr. McBride, however, it is deemed unsafe for him to stay there so after 24 hours he has to leave and is treated by Dr. Hopkins Castlebar in Union hospital for ten days. Members of Cumann na mBan employed in the Union hospital had established an IRA ward in a disused portion of the hospital where numerous wounded volunteers are treated throughout the war. When Kenny has recovered sufficiently, he is taken to Surgeon M Ó Máille in Galway, where he receives treatment for five weeks. He then goes on to recuperate in the home of Pádraic Ó MáilleTD near Maum in Connemara for four months. Ó Máille’s home is used as a safe house by the West Connemara, West Mayo and South Mayo IRA Brigades. Kenny returns to the Ballyhaunis area in April 1921.
(Pictured: Ballyhaunis IRA September 1921: Back L-R:Capt. Pat McNieve (Logboy Coy), Capt Austin Tarpey (Holywell Coy), Bn Cmdt. Patrick Kenny, Vol Joe Taylor (Aghamore Coy), Vol John Forde (Bekan Coy), Capt. Luke Taylor (Aghamore Coy), Vol Sonny Biesty (Holywell Coy), Bn Vice Cmdt. Dom Byrne, Front L-R: Vol Jack Kilduff (Bekan Coy), Bn Adjt. Austin Kenny, Capt. Michael Devaney (Brackloon Coy), Capt. Jim Kilkenny (Crossard Coy), Lt Michael Nolan (Knock Coy). Nearly all of the men photographed played some part in the Holywell Ambush)
McLynn grows up with two younger brothers in Galway. She studies History of Art and Modern English at Trinity College Dublin but is more heavily involved in the college’s drama society. She graduates with an MA.
Although McLynn is in her early thirties when playing Mrs. Doyle in Father Ted, makeup is used to make her look far older to fit the character’s elderly profile. She receives a British Comedy Award for her performances in 1996. The award is presented to her by Tony Blair.
McLynn is critically acclaimed for her performance in the 2005 film Gypo, receiving an Irish Film & Television Academy award nomination for Best Actress.
McLynn appears as Libby Croker in Shameless, which is produced by the British broadcaster Channel 4. In January 2011 it is announced that she has left the show, reportedly after a “difficult year.” She also plays the role of Alice’s mother in the Comedy Central show Threesome. She stars in Samuel Beckett’s Happy Days at the Crucible Theatre, Sheffield, in 2011. She plays Mary Whyte in the BBC’s 2013 sitcom Father Figure.
In 2014, McLynn plays the part of Evelyn in “Kiss for the Camera”, a series three episode of the BBC comedy Pramface. On May 12, 2014, she joins the cast of EastEnders as Yvonne Cotton, the mother of Charlie Cotton (Declan Bennett) and ex-daughter-in-law of Dot Branning (June Brown). After starting as a recurring character, she quickly becomes a regular when her character’s storylines escalate. She makes her final appearance on January 13, 2015, at the end of her contract. However, she returns to the soap opera on May 14, 2015 for one single episode to give evidence against Dot during Nick Cotton‘s (John Altman) murder trial.
In 2017, McLynn appears as the mother of lead character Marcella in Roisin Conaty‘s E4 comedy GameFace, and in April 2018 she portrays Sister Mary in the BBC Two biopic Dave Allen At Peace. She appears as a minor character named Mrs. Trattner in the 2018 film Johnny English Strikes Again.
In 2021 McLynn appears as Oona in the E4 S6 of Inside No. 9. She also appears as Carol, a bar landlady, in the film Last Night in Soho, which is released in October 2021. She also appears in Doctor Who, as Mary in the New Year’s special “Eve of the Daleks.”
McLynn is married to theatrical agent Richard Cook. She is a patron of the children’s charity World Vision Ireland and is president of Friends of Innisfree Housing Association. She is also a patron for Littlehill Animal Rescue, Sanctuary in Ireland and Birmingham Greyhound Protection.
Ford is the son of Edward Ford (1805-1880) and Anne Ford (1815-1893). He emigrates with his parents to Boston, Massachusetts, in 1845, never returning to Ireland. Although he devotes his life to Irish causes, he writes in The Irish World in 1886 that “I might as well have been born in Boston. I know nothing of England. I brought nothing with me from Ireland—nothing tangible to make me what I am. I had consciously at least, only what I found and grew up with in here.”
Ford is educated in Boston’s public schools and the Latin school of the parish of St. Mary in the North End. He leaves school at the age of thirteen and two years later is working as a printer’s devil for William Lloyd Garrison‘s abolitionist newspaper The Liberator. He begins writing for Boston newspapers in 1855 and by 1861 is editor and publisher of the Boston Tribune, also known as the Boston Sunday Tribune or Boston Sunday Times. He is an abolitionist and pro-union.
After the Civil War, Ford spends four years in Charleston, South Carolina, editing the South Carolina Leader which promotes the welfare of newly freed slaves. He later edits the Irish American Charleston Gazette. He settles in New York City in 1870 and founds the populist The Irish World, which promotes Irish and Catholic interests and becomes the principal newspaper of Irish America. It promises “more reading material than any other paper in America” and outsells John Boyle O’Reilly‘s Boston Pilot. In 1878, he re-titles his newspaper The Irish World and American Industrial Liberator. During the early 1880s, he promotes the writings of land reformer Henry George in his paper.
The American economic depression of 1873 convinces Ford that the Irish rural poor and the American urban poor share the same plight. He believes that the Homestead Act of 1862 is exploited by big business, especially the railroads, and by speculators who leave the poor without access to the western land meant for settlement. He calls for land reform with the belief that land monopoly is the cause of poverty and that a single tax based on land valuation is the solution. In the mid–1870s he leaves the Democratic Party. Critical of Tammany corruption and attracted to the fiscal policies of the Greenback Party, he is a member of the party’s New York State central committee as early as 1876 and backs the Greenback presidential candidates Peter Cooper and James B. Weaver in 1876 and 1880. Even the Greenbacks fail to offer the land reforms envisaged by Ford, so he forms the short-lived National Cooperative Democracy Party in 1879.
In 1880, Ford begins to solicit donations through The Irish World to support Land League activities in Ireland. Funds received are tabulated weekly under the heading “Land League Fund.” Between January and September 1881 alone, more than $100,000 is collected in donations. British Prime MinisterWilliam Ewart Gladstone later states that without the funds from The Irish World, “there would have been no agitation in Ireland.”
In the 1884 and 1888 elections, Ford turns to the Republican Party, encouraging Irish American voters to abandon their traditional loyalty to the Democrats for the Republican candidate James G. Blaine, whom he promotes in The Irish World as supportive of labour and of Ireland. The Republican patronage of the financially troubled The Irish World is a factor in the endorsement, but he believes Blaine’s promise to introduce high trade tariffs will protect American labour interests.
Ford dies on September 23, 1913, at his home at 350 Clermont Street, Brooklyn. After an impressive funeral, he is buried in Brooklyn’s Holy Cross Cemetery.
In 1863, Ford marries Odele McDonald, who predeceases him. They have eleven children, three daughters and eight sons. At the time of his death, his son Patrick is managing editor of The Irish World, and his brother Augustine is business manager and publisher. He appears to have destroyed his personal papers. The files of The Irish World are the best record of his life and work.