seamus dubhghaill

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Tag Archives: Inchicore (Dublin)


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Birth of Kathleen Behan, Irish Republican & Folk Singer

Kathleen Behan (née Kearney), Irish republican and folk singer, and mother of Irish authors Brendan, Brian and Dominic, is born on September 18, 1889, at 49 Capel Street, Dublin.

She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.

Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.

In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.

The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”

From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.

In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.

Behan dies in the nursing home in Raheny on April 26, 1984, and is buried in Dean’s Grange Cemetery.

(Pictured: Portrait of Kathleen Behan by Sarah Purser, National Gallery of Ireland)


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Death of Kathleen Mills, Senior Camogie Player

Kathleen “Kay” Mills-Hill, a sportsperson who plays senior camogie with Dublin from 1941 until 1961, dies at her home in Dublin on August 11, 1996. She is regarded as one of the greatest players of all-time, winning fifteen All-Ireland Senior Medals.

Mills is born in 31 South Square, Inchicore, Dublin, on October 8, 1923. Her mother, Winifred (née Wills), is from Inchicore and her father, Thomas, is from Glanmire, County Cork. Her father works for Great Southern Railways. She has three siblings, Gertrude, Ada and Robert. Her mother dies when she is just eighteen months old, leaving her to be raised by her maternal grandmother, Charlotte Wills, who lives at 1 Abercorn Terrace, Inchicore. She is educated at St. Vincent’s Industrial School, Goldenbridge, where she plays table tennis and association football as well as doing gymnastics. However, camogie is her first love, which she starts playing at age five. She leaves school at a young age, and goes to work in Lamb’s jam factory.

Through her father, Mills is able to participate in and avail of the sporting activities in the GSR Athletic Union. Two pence per week are deducted from the worker’s wages to go toward the financing of the sports activities in the Railway. In 1947, she marries George Hill. They run the Red Seal Handbag Company from the North Circular Road, and later Hill Street. Later they become vintners, running the Seventh Lock public house on the Grand Canal, Ballyfermot.

Mills makes her camogie debut with the Great Southern Railways club in Dublin in 1938 at the age of fourteen, and is promoted to the senior team for her second match. Three years later she makes her debut for Dublin while still sixteen and plays in Dublin’s unsuccessful 1941 All-Ireland Senor Camogie Championship final against Cork, winning her first All-Ireland medal after a replay against Cork a year later in the 1942 All-Ireland Senior Camogie Championship final.

In 1943, the same counties meet in the All-Ireland final for the third consecutive year. Once again Mills ends up claiming an All-Ireland medal, her goal from fifty yards range being described as the highlight of the match. The following year, 1944, brings a third All-Ireland medal. In 1945 and 1946, a dispute in the camogie association keeps Dublin out of the All-Ireland championship in spite of being Leinster champions in both years. In 1948, Dublin is back on form and Mills captures a fourth All-Ireland medal. She takes no part in the 1949 championship, however, the 1950s brings much success to Mills.

From 1950 to 1955, Mills captures six consecutive All-Ireland titles. In 1956, “the Dubs” surrender their crown to Antrim but it is soon reclaimed in 1957. In 1958, she is appointed captain of the Dublin camogie team. Led by her, Dublin defeats Tipperary to capture yet another All-Ireland title. She captures three more All-Ireland medals in 1959, 1960 and 1961. The occasion of the 1961 final is special as it is her 38th birthday and her last outing in a Dublin jersey.

In her playing days Mills is regarded as one of the all-time greats. She is regarded as camogie’s first superstar she has often been described as the Christy Ring, Mick Mackey, Nicky Rackard and Lory Meagher of the camogie world. With a haul of fifteen senior All-Ireland medals, she is the most decorated player in the history of Gaelic games at the time of her retirement. Since then Rena Buckley and Briege Corkery have won more than Mills.

Mills-Hill dies on August 11, 1996, from undisclosed causes, at her home on the Naas Road, Dublin. She is buried in Palmerstown Cemetery. In 2010, the camogie trophy for the annual inter-county All-Ireland Junior Camogie Championship is named in her honour. The Kay Mills Cup is a replica of the O’Duffy Cup. A plaque to Mills is erected at her former home, 1 Abercorn Terrace, Inchicore.


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Death of Playwright T. C. Murray

Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia.

Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).


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Birth of Éamonn Mac Thomáis, Irish Republican Author & Historian

Éamonn Mac Thomáis, author, broadcaster, historian, Irish Republican, advocate of the Irish language and lecturer, is born Edward Patrick Thomas in the Dublin suburb of Rathmines on January 13, 1927. He presents his own series on Dublin on RTÉ during the 1970s and is well known for guided tours and lectures of his beloved Dublin.

Mac Thomáis comes from a staunch Republican family. His father, a fire-brigade officer, dies when he is five years old and his family moves to Goldenbridge, Inchicore, Dublin. He leaves school at thirteen to work as delivery boy for White Heather Laundry, learning Dublin neighbourhoods with great thoroughness. He says he found work to help his mother pay the rent. He later works as a clerk and is appointed credit controller for an engineering firm.

Mac Thomáis joins the Dublin Brigade of the Irish Republican Army as a young man and is active in the preparations for and prosecution of the 1956-62 border campaign. He is interned in Curragh Camp during the campaign and in December 1961 is sentenced to four months imprisonment under the Offences Against the State Act.

At the November 1959 Ardfheis Mac Thomáis is elected to the Ardchomhairle of Sinn Féin and edits and contributes to the Sinn Féin newspaper United Irishman. He is a close friend of Tomás Mac Giolla and is deeply affected by the 1970 split in Sinn Féin. He takes the Provisional side, opposing Mac Giolla.

Mac Thomáis takes over as editor of An Phoblacht in 1972. In July 1973, he is arrested and charged with IRA membership at the Special Criminal Court in Dublin. He refuses to recognise the court, but he gives a lengthy address from the dock. The following month he is sentenced to 15-months imprisonment. Within two months of completing his sentence he is again before the court on the same charge and again receives a 15-month sentence. Editors of six left-wing and Irish-language journals call for his release, as do a number of writers, and hundreds attend protest meetings – to no avail. He serves his full sentence.

Tim Pat Coogan, editor of The Irish Press, claims the charges against Mac Thomáis are politically motivated to a large degree as his activities are confined strictly to the newspaper An Phoblacht. Under Section 31 of the Broadcasting Act, due to his membership in Sinn Féin in the 1970s he is removed from his position in making some of the RTÉ historical programmes. As a historian he makes numerous contributions to various historical publications such as the Dublin Historical Review.

From 1974 Mac Thomáis writes a number of books on old Dublin. They sell well and remain in print for over 20 years. He also starts a number of walking tours of Dublin, which prove very popular.

Mac Thomáis dies in Dublin on August 16, 2002. He is buried in the republican plot in Dublin’s Glasnevin Cemetery, next to Frank Ryan.

Mac Thomáis’s son Shane, also a historian, runs similar walking tours and is resident historian at Glasnevin Cemetery before his death in 2014.


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Death of W. T. Cosgrave, First President of the Free State Executive Council

William Thomas Cosgrave, Irish Fine Gael politician who serves as the first president of the Executive Council of the Irish Free State (1922-32), dies in The Liberties, Dublin, on November 16, 1965. He also serves as Leader of the Opposition in both the Free State and Ireland (1932-44), Leader of Fine Gael (1934-44), founder and leader of Fine Gael’s predecessor, Cumann na nGaedheal (1923-33), Chairman of the Provisional Government of the Irish Free State (August 1922-December 1922), the President of Dáil Éireann (September 1922-December 1922), the Minister for Finance (1922-23) and Minister for Local Government (1919-22). He serves as a Teachta Dála (TD) (1921-44) and is a member of parliament (MP) for the North Kilkenny constituency (1918-22).

Cosgrave is born at 174 James’s Street, Dublin, on June 5, 1880, to Thomas Cosgrave, grocer, and Bridget Cosgrave (née Nixon). He is educated at the Christian Brothers School at Malahide Road, Marino, Dublin, before entering his father’s publican business. He first becomes politically active when he attends the first Sinn Féin convention in 1905.

At an early age, Cosgrave is attracted to the Irish nationalist party Sinn Féin. He becomes a member of the Dublin Corporation in 1909 and is subsequently reelected to represent Sinn Féin interests. He joins the Irish Volunteers in 1913, although he never joins the Irish Republican Brotherhood (IRB) because he does not believe in secret societies. When the group splits in 1914 upon the outbreak of World War I, he sides with a radical Sinn Féin minority against the constitutional nationalists led by John Redmond, who supports the British war effort.

Cosgrave takes part in the 1916 Easter Rising and is afterward interned by the British for a short time. In 1917, he is elected to Parliament for the city of Kilkenny. In the sweeping election victory of Sinn Féin in the 1918 United Kingdom general election, he becomes a member of the First Dáil. He is made Minister for Local Government in the first republican ministry, and during the Irish War of Independence (1919–21) his task is to organize the refusal of local bodies to cooperate with the British in Dublin.

Cosgrave is a supporter of the 1921 Anglo-Irish Treaty settlement with Great Britain, and he becomes Minister of Local Government in Ireland’s provisional government of 1922. He replaces Michael Collins as Chairman of the Provisional Government when the latter becomes commander-in-chief of the National Army in July 1922. He also replaces Arthur Griffith as president of the Dáil after Griffith’s sudden death on August 12, 1922. As the first president of the Executive Council of the Irish Free State, he, who had helped found the political party Cumann na nGaedheal in April 1923 and became its leader, represents Ireland at the Imperial Conference in October 1923. A month earlier he is welcomed as Ireland’s first spokesman at the assembly of the League of Nations.

Cosgrave’s greatest achievement is to establish stable democratic government in Ireland after the Irish Civil War (1922–23). In the Dáil there is no serious opposition, since the party headed by Éamon de Valera, which refuses to take the oath prescribed in the treaty, abstains from attendance. But neither Cosgrave nor his ministry enjoy much popularity. Order requires drastic measures, and taxation is heavy and sharply collected. He seems sure of a long tenure only because there is no alternative in sight.

In July 1927, shortly after a general election, the assassination of Kevin O’Higgins, the vice president, produces a crisis. The Executive Council introduces a Public Safety Act, which legislates severely against political associations of an unconstitutional character and introduces a bill declaring that no candidature for the Dáil should be accepted unless the candidate declares willingness to take a seat in the Dáil and to take the oath of allegiance. The result of this measure is that de Valera and his party decide to attend sessions in the Dáil, and, since this greatly alters the parliamentary situation, Cosgrave obtains leave to dissolve the assembly and hold a general election. The September 1927 Irish general election leaves his party numerically the largest in the Dáil but without an overall majority. He continues in office until de Valera’s victory at the 1932 Irish general election. Cumann na nGaedheal joins with two smaller opposition parties in September 1933 to form a new party headed by Cosgrave, Fine Gael (“Irish Race”), which becomes Ireland’s main opposition party. In 1944 he resigns from the leadership of Fine Gael.

Cosgrave dies on November 16, 1965, at the age of 85. The Fianna Fáil government under Seán Lemass awards him the honour of a state funeral, which is attended by the Cabinet, the leaders of all the main Irish political parties, and Éamon de Valera, then President of Ireland. He is buried in Goldenbridge Cemetery in Inchicore, Dublin. Richard Mulcahy says, “It is in terms of the Nation and its needs and its potential that I praise God who gave us in our dangerous days the gentle but steel-like spirit of rectitude, courage and humble self-sacrifice, that was William T. Cosgrave.”

While Cosgrave never officially holds the office of Taoiseach (prime minister), Ireland considers him to be its first Taoiseach due to having been the Free State’s first head of government.

Cosgrave’s son, Liam, serves as a TD (1943-81), as leader of Fine Gael (1965-77) and Taoiseach (1973-77). His grandson, also named Liam, also serves as a TD and as Senator. His granddaughter, Louise Cosgrave, serves on the Dún Laoghaire–Rathdown County Council (1999-2009).

In October 2014, Cosgrave’s grave is vandalised, the top of a Celtic cross on the headstone being broken off. It is again vandalised in March 2016.


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Birth of Brian Warfield, Founding Member of The Wolfe Tones

Brian Warfield

Patrick Brian Warfield, vocalist, banjo, harp and bodhrán player and lead songwriter with long-standing Irish band The Wolfe Tones, is born on April 2, 1946, in the National Maternity Hospital, Dublin. He introduces many of the songs at the Wolfe Tones live concerts and is a keen historian.

Warfield is raised in the Dublin suburb Inchicore, the second born in a family of four boys. Today, he and his wife June Warfield (née Radburn) reside in Blessington, County Wicklow.

Warfield is one of the founding members and lead singers of the Irish Folk band, The Wolfe Tones. He has written many songs for the band, notably “Up and Away (The Helicopter Song),” “Irish Eyes” and “My Heart is in Ireland.” “Let the People Sing” is written in dedication to those Irish ballad singers who were banned from singing Irish songs. It has been performed by many Celtic and Irish Rebel bands, including Celtic band Charlie and the Bhoys. The song is popular among fans of Celtic F.C. and a version is performed by The Malleys, omitting the second verse, at Celtic Park on match days.

Warfield’s affiliation with Celtic F.C. leads to him being asked to write a song for the club to celebrate its 100th anniversary. As a result, “Celtic Symphony” is composed. It is a song popular with many Celtic fans, but controversial due to its chorus, which features the words “ooh, ah, up the RA.” This is often seen as being a pro-Irish Republican Army (IRA) stance, but according to Warfield, the words were included in the balladic tradition of writing what is observed at the time.

As a songwriter, Warfield’s writing is typically a social commentary on Ireland and its issues. For the 2012 album, Child of Destiny, Warfield composes “Swing A Banker,” which is a comical ballad referring to Irish bankers as chickens. The music video is recorded outside the Treasury Building in Dublin.

The Wolfe Tones continue to tour but have announced that they are set to retire in 2024, after 60 years of performing together. In addition to gigs in the United States, there will be concerts at Galway Airport, Castlebar, County Mayo, and in the 3Arena in Dublin, with the band’s final gig taking place in Belfast in October 2024.

As of January 2024, Warfield has not communicated with his brother Derek Warfield since he left The Wolfe Tones in 2001.


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Birth of Pete St. John, Irish Folk Singer-Songwriter

Peter Mooney, Irish folk singer-songwriter known professionally as Pete St. John, is born in Inchicore, Dublin on January 31, 1932. He is best known for composing “The Fields of Athenry.”

St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.

The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.

St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.

In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.

St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”

St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”

St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.

St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.

St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”

St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.


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Death of Poet Michael Hartnett

Michael Hartnett, Irish poet who writes in both English and Irish, dies in Dublin from Alcoholic Liver Syndrome on October 13, 1999

Hartnett is born in Croom Hospital in Croom, County Limerick, on September 18, 1941. He is one of the most significant voices in late 20th-century Irish writing and has been called “Munster‘s de facto poet laureate.”

Although Hartnett’s parents’ name is Harnett, he is registered in error as Hartnett on his birth certificate. In later life he declines to change this as his legal name is closer to the Irish Ó hAirtnéide. He grows up in the Maiden Street area of Newcastle West, County Limerick, spending much of his time with his grandmother, Bridget Halpin, who resides in the townland of Camas, in the countryside nearby. He claims that his grandmother is one of the last native speakers to live in County Limerick, though she is originally from northern County Kerry. Although she speaks to him mainly in English, he listens to her conversing with her friends in Irish, and as such, he is quite unaware of the imbalances between English and Irish. When he begins school, he is made aware of the tensions between both languages and is surprised to discover that Irish is considered an endangered language, taught as a contrived, rule-laden code, with little of the literary attraction which it holds for him. He is educated in the local national and secondary schools in Newcastle West. He emigrates to England the day after he finishes his secondary education and goes to work as a tea boy on a building site in London.

Hartnett has started writing by this time and his work comes to be known of the poet John Jordan, who is professor of English at University College Dublin (UCD). Jordan invites him to attend the university for a year. While back in Dublin, he co-edits the literary magazine Arena with James Liddy. He also works as curator of James Joyce‘s tower at Sandycove for a time. He returns briefly to London, where he meets Rosemary Grantley on May 16, 1965, and they are married on April 4, 1966. His first book, Anatomy of a Cliché, is published by Poetry Ireland in 1968 to critical acclaim and he returns to live permanently in Dublin that same year.

Hartnett works as a night telephonist at the telephone exchange on Exchequer Street. He now enters a productive relationship with New Writers Press, run by Michael Smith and Trevor Joyce. They publish his next three books. The first of these is a translation from the Irish, The Old Hag of Beare (1969), followed by Selected Poems (1970) and Tao (1972). This last book is a version of the Chinese Tao Te Ching. His Gypsy Ballads (1973), a translation of the Romancero Gitano of Federico García Lorca, is published by the Goldsmith Press.

In 1974 Hartnett decides to leave Dublin and return to his rural roots, as well as deepen his relationship with the Irish language. He goes to live in Templeglantine, five miles from Newcastle West, and works for a time as a lecturer in creative writing at Thomond College of Education, Limerick.

In his 1975 book, A Farewell to English, Hartnett declares his intention to write only in Irish in the future, describing English as “the perfect language to sell pigs in.” A number of volumes in Irish follow including Adharca Broic (1978), An Phurgóid (1983) and Do Nuala: Foighne Chrainn (1984). A biography on this period of his life entitled A Rebel Act Michael Hartnett’s Farewell To English by Pat Walsh is published in 2012 by Mercier Press.

In 1984 Hartnett returns to Dublin to live in the suburb of Inchicore. The following year marks his return to English with the publication of Inchicore Haiku, a book that deals with the turbulent events in his personal life over the previous few years. This is followed by a number of books in English including A Necklace of Wrens (1987), Poems to Younger Women (1989) and The Killing of Dreams (1992).

Hartnett also continues working in Irish, and produces a sequence of important volumes of translation of classic works into English. These include Ó Bruadair, Selected Poems of Dáibhí Ó Bruadair (1985) and Ó Rathaille The Poems of Aodhaghán Ó Rathaille (1999). His Collected Poems appear in two volumes in 1984 and 1987 and New and Selected Poems in 1995.

Hartnett dies in St. Vincent’s Hospital, Dublin, from Alcoholic Liver Syndrome on October 13, 1999. A new Collected Poems appears in 2001.

Every April a literary and arts festival is held in Newcastle West in honour of Hartnett. Events are organised throughout the town and a memorial lecture is given by a distinguished guest. Former speakers include Nuala O’Faolain, Paul Durcan, David Whyte and Fintan O’Toole. The annual Michael Hartnett Poetry Award of € 4,000 also forms part of the festival. Funded by the Limerick City and County Council Arts Office and the Arts Council of Ireland, it is intended to support and encourage poets in the furtherance of their writing endeavours. Previous winners include Sinéad Morrissey and Peter Sirr.

During the 2011 Éigse, Paul Durcan unveils a bronze life-sized statue of Hartnett sculpted by Rory Breslin, in the Square, Newcastle West. Hartnett’s son Niall speaks at the unveiling ceremony.


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Birth of Irish Playwright Jimmy Murphy

Irish playwright Jimmy Murphy is born to Irish parents in Salford, Lancashire, England, on September 30, 1962. He is a former writer-in-residence at the National University of Ireland, Maynooth (2000–01), a member of the Abbey Theatre’s Honorary Advisory Council, a recipient of three bursaries in literature from the Arts Council (Irish: An Chomhairle Ealaíon) and is elected a member of Aosdána in 2004.

When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.

Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish Times Best New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.

Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.

Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).

A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.

Murphy is currently living in Dublin.


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Birth of Derek Warfield, Founding Member of The Wolfe Tones

Derek Warfield, Irish singer, songwriter, historian, and a former member of the musical group The Wolfe Tones, is born in the Dublin suburb of Inchicore on September 15, 1943.

Warfield is educated at Synge Street CBS. He is apprenticed as a tailor until becoming a folk musician. He is a cousin of Sinn Féin Senator Fintan Warfield.

Warfield is a singer, songwriter, mandolin player and a founding member of The Wolfe Tones, performing with the band for nearly thirty-seven years, writing and recording over 60 songs. As a founding member, he is featured on every album recorded by the band from 1965’s debut album The Foggy Dew through to 1989’s 25th Anniversary.

In 1989, a contract is signed by Warfield, signing rights to an American distributor, Shanachie Records. The contents of this contract are apparently misrepresented to the other members of The Wolfe Tones, resulting in a clause that prevents them from recording any new material. Unable to reverse this agreement, they continue to tour, albeit without any new material. As of July 2017, Warfield has not spoken to his brother and former bandmate Brian Warfield since he left The Wolfe Tones in 2001.

A solo album, Legacy, is released in 1995 as he is still eligible to record under his own name. With Warfield on vocals and mandolin, the music on this album is performed by a new band, although he is still touring with The Wolfe Tones. Legacy is followed by Liberte’ ’98, Sons of Erin, Take Me Home To Mayo and Clear The Way. He also has a video Legacy and two books, The Songs and Ballads of 1798 and The Irish Songster of the American Civil War.

In 2001, after a show played in Limerick, Warfield leaves The Wolfe Tones to concentrate on his own career. Calling themselves “Brian Warfield, Tommy Byrne and Noel Nagle, formerly of The Wolfe Tones,” the remaining three go on to release You’ll Never Beat the Irish (2001) and the subsequent album Child of Destiny (2011).

Warfield has performed his music and songs at American Civil War events and commemorations at such sites as Gettysburg, Sharpsburg and Harrisburg with his band, The Sons of Erin. His 2002 release, Clear the Way, is the second in his Irish Songs in the Civil War series.

The ballad “Take Me Home to Mayo,” written by Belfastman Seamus Robinson as a tribute to Michael Gaughan, is recorded as a duet with Irish American Andy Cooney and is the title track of another 2002 Warfield release.

In 2003, following a complaint by an Ulster Unionist Party (UUP) politician, Roy Beggs, Jr., a radio channel dedicated to the music of Derek Warfield is removed from the in-flight entertainment of Aer Lingus. Beggs complains of the “Blatant promotion of militant, armed republicanism” by the playing of this music, saying it is the same as “the speeches of Osama bin Laden being played on a trans-Atlantic Arabian airline.” Aer Lingus removes the material from their flights stating: “It is something that should not have been on board and we removed it immediately we became aware of it.”

In March 2006, Warfield releases his ninth solo album, a 36-song double CD of Irish songs. On March 1, 2006, his wife Nuala dies, followed by the death of his eldest daughter on September 28, 2007.

Warfield now tours with his new band, Derek Warfield and The Young Wolfe Tones.

A biography of Robert Emmet in two volumes, although not written by Warfield, has been published by him, and a collaboration with Raymond Daly of Tullamore has resulted in the publishing of a critically acclaimed book of lyrics and histories of Irish songs called Celtic and Ireland in Song and Story.