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Initial Publication of “At Swim-Two-Birds”

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At Swim-Two-Birds, a novel by Irish writer Brian O’Nolan writing under the pseudonym Flann O’Brien, is published on March 13, 1939. It is widely considered to be O’Brien’s masterpiece, and one of the most sophisticated examples of metafiction.

At Swim-Two-Birds is accepted for publication by Longman on the recommendation of Graham Greene, who is a reader for them at the time. It is published under the pseudonym of Flann O’Brien, a name O’Nolan had already used to write hoax letters to The Irish Times. O’Nolan suggests using “Flann O’Brien” as a penname during negotiation with Longman. The novel’s title derives from Snámh dá Én, a ford on the River Shannon, between Clonmacnoise and Shannonbridge, reportedly visited by the legendary King Sweeney, a character in the novel.

The book does not sell well after it is published. By the outbreak of World War II, it has sold scarcely more than 240 copies. In 1940, Longman’s London premises are destroyed during a bombing raid by the Luftwaffe and almost all the unsold copies are incinerated. The novel is republished by Pantheon Books in New York City in 1950, on the recommendation of James Johnson Sweeney, but sales remain low. In May 1959 Timothy O’Keeffe, while editorial director of the London publishing house MacGibbon & Kee, persuades O’Nolan to allow him to republish At Swim-Two-Birds. More recently, the novel is republished in the United States by Dalkey Archive Press.

The initial reviews for At Swim-Two-Birds are not enthusiastic. The Times Literary Supplement says that the book’s only notable feature is a “schoolboy brand of mild vulgarity.” The New Statesman complains that “long passages in imitation of the Joycean parody of the early Irish epic are devastatingly dull” and the Irish novelist Seán Ó Faoláin comments in John O’London’s Weekly that although the book had its moments, it “had a general odour of spilt Joyce all over it.”

However, most of the support for At Swim-Two-Birds comes not from newspaper reviewers but from writers. Dylan Thomas, in a remark that would be quoted on dust jackets in later editions of the book, says “This is just the book to give your sister – if she’s a loud, dirty, boozy girl.” Anthony Burgess considers it one of the ninety-nine greatest novels written between 1939 and 1984. Graham Greene’s enthusiastic reader’s report is instrumental in getting the book published in the first place.

Stephen Fry has declared At Swim-Two-Birds one of his favourite books. In 2011, the book is placed on Time‘s top 100 fiction books written in English since 1923.


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Death of John Redmond, Politician & Barrister

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John Edward Redmond, Irish nationalist politician, barrister, and Member of Parliament (MP) in the House of Commons of the United Kingdom, dies on March 6, 1918, in London, England. He is best known as leader of the moderate Irish Parliamentary Party (IPP) from 1900 until his death. He is also leader of the paramilitary organisation the National Volunteers.

Redmond is born to an old prominent Catholic family in Kilrane, County Wexford on September 1, 1856. Several relatives are politicians. He takes over control of the minority IPP faction loyal to Charles Stewart Parnell after Parnell dies in 1891. He is a conciliatory politician who achieves the two main objectives of his political life: party unity and, in September 1914, the passing of the Irish Home Rule Act.

The Irish Home Rule Act grants limited self-government to Ireland, within the United Kingdom. However, implementation of Home Rule is suspended by the outbreak of the World War I. Redmond calls on the National Volunteers to join Irish regiments of the New British Army and support the British and Allied war effort to restore the “freedom of small nations” on the European continent, thereby to also ensure the implementation of Home Rule after a war that is expected to be of short duration. However, after the Easter Rising of 1916, Irish public opinion shifts in favour of militant republicanism and full Irish independence, resulting in his party losing its dominance in Irish politics.

In sharp contrast to Parnell, Redmond lacks charisma. He works well in small committees but has little success in arousing large audiences. Parnell had always chosen the nominees to Parliament. Now they are selected by the local party organisations, giving Redmond numerous weak MPs over whom he has little control. He is an excellent representative of the old Ireland but grows increasingly old-fashioned because he pays little attention to the new forces attracting younger Irishmen, such as Sinn Féin in politics, the Gaelic Athletic Association in sports, and the Gaelic League in cultural affairs.

Redmond never tries to understand the unionist forces emerging in Ulster. He is further weakened in 1914 by the formation of the Irish Volunteers by Sinn Féin members. His enthusiastic support for the British war effort alienates many Irish nationalists. His party has been increasingly hollowed out, and a major crisis, notably the Easter Rising, is enough to destroy it.

Redmond is increasingly eclipsed by ill-health after 1916. An operation in March 1918 to remove an intestinal obstruction appears to progress well initially, but he then suffers heart failure. He dies a few hours later at a London nursing home on March 6, 1918.

Condolences and expressions of sympathy are widely expressed. After a funeral service in Westminster Cathedral his remains are interred, as requested in a manner characteristic of the man, in the family vault at the old Knights Templars‘ chapel yard of Saint John’s Cemetery, Wexford, amongst his own people rather than in the traditional burial place for Irish statesmen and heroes in Glasnevin Cemetery. The small, neglected cemetery near the town centre is kept locked to the public. His vault, which has been in a dilapidated state, has been only partially restored by Wexford County Council.


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Birth of Irish Artist Nano Reid

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Nano Reid, Irish landscape artist, figure painter and portraitist, is born in Drogheda, County Louth on March 1, 1900. An individual, expressionistic artist, Reid is acknowledged to be one of the finest Irish woman painters of twentieth-century visual art in Ireland. Her works are represented in many public collections throughout Ireland.

In 1920, Reid wins a scholarship to study fine art painting and drawing at the Dublin Metropolitan School of Art, now the National College of Art and Design, under Harry Clarke. At the time, she is, in the words of fellow student Hilda van Stockum, “a fierce redhead…uncompromising and looking for truth.” In 1925 she starts showing at the Royal Hibernian Academy (RHA), submitting a total of 42 canvases until the late 1960s.

In 1928, Reid goes to Paris and enrolls briefly at the Académie de la Grande Chaumière, after which she spends a year in London studying fine art at the Central School of Arts and Crafts under Bernard Meninsky. She returns to Ireland in 1931 and once more begins exhibiting her landscape painting at the RHA.

In 1950, with Norah McGuinness, Reid represents Ireland at the Venice Biennale. This is followed by the Exhibition of Contemporary Irish Art in Aberystwyth, Wales (1953), and the Mostra Internazionale di Bianco e Nero in Lugano, Switzerland (1956), the Guggenheim International Award Exhibition in New York City (1960) and the Twelve Irish Painters show in New York City (1963). In 1974, the Arts Council and the Arts Council of Northern Ireland stage a major retrospective of Reid’s artworks.

Nano Reid dies in Drogheda in 1981. Retrospectives are held at Taylor Galleries in Dublin (1984), Droichead Arts Centre in Drogheda (1991), and at Linenhall Arts Centre in Castlebar, County Mayo (1999).

(Pictured: “Crumphan, Achill,” oil on canvas)


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Death of General Daniel Florence O’Leary

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Daniel Florence O’Leary (Irish: Dónall Fínín Ó Laoghaire), a military general and aide-de-camp under Simón Bolívar, dies in Bogotá, Colombia on February 24, 1854.

O’Leary is born around 1800 in Cork, County Cork. His father is Jeremiah O’Leary, a butter merchant. Little is known of his early life.

In 1817, O’Leary travels to London to enlist in a regiment being formed by Henry Wilson. Wilson is recruiting officers and NCOs to go to South America and form a Hussar regiment in service to Simón Bolívar, who goes on to liberate much of South America from Spanish rule.

O’Leary sails for Venezuela with Wilson near the end of 1817, arriving in March 1818. Unlike many of the Irish who fight for Simón Bolívar in his many campaigns to win South American independence, he has not served in the Napoleonic Wars. He first meets Bolívar away from the front shortly his arrival and Bolívar is apparently impressed with the young Irish officer.

In March 1819, O’Leary sees his first action and is promoted to captain. In July, after Bolívar’s famous crossing through the Casanare Swamps and over the Andes, he receives a saber wound in the battle of Pantano de Vargas but he quickly recovers and takes part in the Battle of Boyacá on August 9. Shortly after this, he becomes aide-de-camp to Bolívar. Two years later, after much more fighting, Venezuela is freed.

During the next few years, as the fight continues to free the rest of South American from Spanish domination, O’Leary performs many dangerous missions for “The Liberator,” rising ever higher in his esteem. He continues to serve Bolívar well through the political and military intrigues that follow the freeing of South America from the Spanish.

After Bolívar’s death in December 1830, O’Leary disobeys orders to burn the general’s personal documents and is exiled to Jamaica by the new Venezuelan government. There he writes extensive memoirs that are later edited by his son, Simon Bolivar O’Leary, and published in the 1870s and 1880s. Simon is the eldest of six children O’Leary has with his South American wife. He also writes his own very extensive memoirs, spanning thirty-four volumes, of his time fighting in the revolutionary wars with Bolívar.

In 1833, O’Leary is able to return to Venezuela. He holds a number of diplomatic posts for the Venezuelan government for the next 20 years, and on at least two occasions is able to visit his boyhood home of Cork.

Daniel O’Leary dies in Bogotá on February 24, 1854. The Venezuelans name a plaza after him in Caracas. In 1882, they obtain permission to take O’Leary’s body from Bogotá to Caracas, where it is laid to rest in the National Pantheon of Venezuela to lie forever in death next to the man he had served so faithfully in life, Don Simón Bolívar. A bust and plaque honouring O’Leary are presented by the Venezuelan Government to the people of Cork and unveiled on May 12, 2010 by the Venezuelan Ambassador to Ireland, Dr. Samuel Moncada.


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Birth of Playwright Tom Murphy

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Tom Murphy, Irish playwright who has worked closely with the Abbey Theatre in Dublin and with Druid Theatre, Galway, is born in Tuam, County Galway on February 23, 1935.

Murphy attends the local Archbishop McHale College and later becomes a metalwork teacher. He begins writing in the late 1950s, saying, “In 1958, my best friend said to me, why don’t we write a play? I didn’t think it was an unusual question, because in 1958 everyone in Ireland was writing a play.” His second play, A Whistle in the Dark, is written in his Tuam kitchen on his free Friday and Saturday nights. It is entered into a competition for amateur plays, which it wins, and is eventually performed at the Theatre Royal Stratford East in London in 1961. It causes considerable controversy both there and in Dublin when it is later given its Irish premiere at the Abbey having initially been rejected by its artistic director.

Though Murphy is religious as a boy, education by the Christian Brothers leaves him largely irreligious. His 1975 play The Sanctuary Lamp is produced in the Abbey Theatre and receives a hostile reception due to its anti-Catholic nature, with theatregoers walking out and much negative criticism in the media.

Considered by many to be Ireland’s greatest living playwright, a title also often given to Brian Friel prior to his death in 2015, Murphy is honoured by the Abbey Theatre in 2001 by a retrospective season of six of his plays. His plays include the historical epic Famine (1968) which deals with the Irish Potato Famine between 1846 and spring 1847, the anti-clerical The Sanctuary Lamp (1975), The Gigli Concert (1983) and for many his masterpiece, the lyrical Bailegangaire and the bar-room comedy Conversations on a Homecoming (both 1985).

Murphy’s work is characterised by a constant experimentation in form and content from the apparently naturalistic A Whistle in the Dark to the surreal The Morning After Optimism and the spectacularly verbal The Gigli Concert. Recurring themes include the search for redemption and hope in a world apparently deserted by God and filled with suffering. Although steeped in the culture and mythology of Ireland, Murphy’s work does not trade on familiar clichés of Irish identity, dealing instead with Dostoyevskian themes of violence, nihilism and despair while never losing sight of the presence of laughter, humour and the possibilities of love and transcendence.


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Death of Activist James Haughton

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James Haughton, Irish social reformer and temperance activist, dies in Dublin on February 20, 1873.

Haughton, son of Samuel Pearson Haughton (1748–1828), by Mary, daughter of James Pim of Rushin, Queen’s County (now County Laois), is born in Carlow, County Carlow, and educated at Ballitor, County Kildare, from 1807 to 1810, under James White, a quaker. After filling several situations to learn his business, in 1817 he settles in Dublin, where he becomes a corn and flour factor, in partnership with his brother William. He retires in 1850. Although educated as a Friend, he joins the Unitarians in 1834 and remains throughout his life a strong believer in their tenets.

Haughton supports the anti-slavery movement at an early period and takes an active part in it until 1838, going in that year to London as a delegate to a convention. Shortly after the Temperance campaigner Father Theobald Mathew takes the pledge, on April 10, 1838, Haughton becomes one of his most devoted disciples. For many years he gives most of his time and energies to promoting total abstinence and to advocating legislative restrictions on the sale of intoxicating drinks.

In December 1844 Haughton is the chief promoter of a fund which is raised to pay some of the debts of Father Mathew and release him from prison. About 1835 he commences a series of letters in the public press which make his name widely known. He writes on temperance, slavery, British India, peace, capital punishment, sanitary reform, and education. His first letters are signed “The Son of a Water Drinker,” but he soon commences using his own name and continues to write until 1872.

Haughton takes a leading part in a series of weekly meetings which are held in Dublin in 1840, when so numerous are the social questions discussed that a newspaper editor calls the speakers the “Anti-everythingarians.” In association with Daniel O’Connell, of whose character he has a very high opinion, he advocates various plans for the amelioration of the condition of Ireland and the Repeal of the Union but is always opposed to physical force.

Haughton becomes a vegetarian in 1846, both on moral and sanitary grounds. For two or three years before his death he is president of the Vegetarian Society of the United Kingdom. He is one of the first members of the Statistical Society of Dublin (1847), a founder of the Dublin Mechanics’ Institute (1849), in the same year is on the committee of the Dublin Peace Society, aids in abolishing Donnybrook Fair in 1855, and takes a chief part in 1861 in opening the National Botanic Gardens at Glasnevin on Sundays.

James Haughton dies at 35 Eccles Street, Dublin, on February 20, 1873, and is buried in Mount Jerome Cemetery on February 24 in the presence of an immense crowd of people.

Haughton’s son, Samuel Haughton, publishes a memoir of his father’s life including extracts from his public correspondence in 1877.


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Birth of Singer Delia Murphy Kiernan

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Delia Murphy Kiernan, singer and collector of Irish ballads, is born on February 16, 1902, in Ardroe, Roundfort, County Mayo. She records several 78 rpm records in the 1930s, 1940s and 1950s. In 1962 she records her only LP, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title.

Delia’s father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. John encouraged Delia’s interest in singing ballads from a young age. He also allows Irish travelers to camp on the estate. According to her own account, she learns her first ballads at their campfires.

Delia is educated at Presentation Convent in Tuam, Dominican College in Dublin and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. In UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Delia sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel and Three Lovely Lassies for HMV.

In 1941 Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Delia becomes one of those who assist Hugh O’Flaherty in hiding Jews and escapes allied soldiers from the Nazis. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy. In 1946 she is awarded to Dame Commander of the Equestrian Order of the Holy Sepulchre.

Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while she is living in Ottawa, Delia makes the recording of The Queen of Connemara produced by Ken Goldstein. The Kiernans purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.

By 1969 Delia’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin. She dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records upwards of 100 songs during her lifetime.


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Death of War Correspondent William Howard Russell

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Sir William Howard Russell, an Irish reporter with The Times and considered to be one of the first modern war correspondents, dies in London, England on February 11, 1907.

Russell is born in Tallaght, County Dublin on March 28, 1820. As a young reporter, he reports on the First Schleswig War, a brief military conflict between Prussian and Danish troops in Denmark in 1850.

Initially sent by editor John Delane to Malta to cover British support for the Ottoman Empire against Russia in 1854, Russell despises the term “war correspondent” but his coverage of the conflict brings him international renown, and Florence Nightingale later credits her entry into wartime nursing to his reports. The Crimean medical care, shelter and protection of all ranks by Mary Seacole is also publicised by Russell and by other contemporary journalists, rescuing her from bankruptcy.

His dispatches are hugely significant as for the first time the public can read about the reality of warfare. Shocked and outraged, the public’s backlash from his reports leads the Government to re-evaluate the treatment of troops and leads to Florence Nightingale’s involvement in revolutionising battlefield treatment.

On September 20, 1854, Russell covers the battle above the Alma River, writing his missive the following day in an account book seized from a Russian corpse. The story, written in the form of a letter to Delane, is supportive of the British troops and pays particular attention to the battlefield surgeons’ “humane barbarity” and the lack of ambulance care for wounded troops. He later covers the Siege of Sevastopol where he coins the phrase “thin red line” in referring to British troops at Balaclava.

Following Russell’s reports of the appalling conditions suffered by the Allied troops conducting the siege, including an outbreak of cholera, Samuel Morton Peto and his partners build the Grand Crimean Central Railway, which is a major factor leading to the success of the siege.

Russell spends December 1854 in Constantinople on holiday, returning in early 1855. He leaves Crimea in December 1855 to be replaced by the Constantinople correspondent of The Times.

In 1856 Russell is sent to Moscow to describe the coronation of Tsar Alexander II and in the following year is sent to India where he witnesses the final re-capture of Lucknow.

In 1861 Russell goes to Washington, D.C., returning to England in 1863. In July 1865 he sails on the SS Great Eastern to document the laying of the transatlantic telegraph cable and writes a book about the voyage with color illustrations by Robert Dudley. He publishes diaries of his time in India, the American Civil War and the Franco-Prussian War, where he describes the warm welcome given him by English-speaking Prussian generals such as Leonhard Graf von Blumenthal.

Russell retires as a battlefield correspondent in 1882 and founds the Army and Navy Gazette. He is knighted in May 1895 and is appointed a Commander of the Royal Victorian Order (CVO) by King Edward VII on August 11, 1902.

Sir William Howard Russell dies on February 11, 1907, and is buried in Brompton Cemetery, London.


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Francis Bacon Triptych Sells for £23 Million

francis-bacon-triptychA triptych of Lucian Freud portraits by his Irish-born friend Francis Bacon sell for £23 million at Sotheby’s in London, three times the pre-sale low estimate, on February 10, 2011.

Three Studies for a Portrait of Lucian Freud, which is painted in 1964 and shows Bacon’s friend and fellow artist with a variety of facial expressions, creates a buzz before the sale. The question is not if it will make its pre-sale estimate of £7 – £9 million, but how much higher might it possibly go.

More than 10 bidders from four different continents compete for the work. After seven minutes of bidding, it reaches £20.5 million and a hopeful telephone bidder asks if £20.6 million can be offered. The auctioneer, Tobias Meyer, insists on £21 million. There is applause as he finally bangs his hammer.

Cheyenne Westphal, the auction house’s chairman of contemporary art in Europe, says, “This striking painting has everything a collector in the current market is looking for. It is an artwork that radiates ‘wall-power’ with its brilliant colour and dramatic brushstrokes.”

The triptych has been in the same private collection for nearly 50 years and is a testament to the close friendship of two of the titans of 20th century British art. This triptych, Sotheby’s says, contains an “intensity and intimacy that is rarely seen elsewhere.”

Bacon, who dies in 1992, and Freud are kindred spirits, close friends who often see each other every day. They gamble together, drink in the same Soho dens and paint each other.

At the same auction, Salvador Dalí‘s Portrait of Paul Eluard sells for £13.5 million, at a stroke tripling the record auction price for a Dali set at Christie’s on the previous Wednesday, and becoming the most expensive surrealist artwork sold at any auction.

The paintings are part of a truly wondrous private collection. The sale of 60 works from it also includes paintings by Amedeo Modigliani, Alberto Giacometti, Marc Chagall and Joan Miró. There are many gems, including a tiny 12.5 by 9.5 cm Lucian Freud self-portrait that he painted in Jamaica while visiting Ian Fleming at his house, Goldeneye. It sells for £3.3 million.

(Credit: Mark Brown, Arts Correspondent, The Guardian, Feb. 10, 2011)


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Birth of James Stephens, Novelist & Poet

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James Stephens, Irish novelist and poet, is born in Dublin on February 9, 1880.

Stephens’ mother works in the home of the Collins family of Dublin and is adopted by them. He is committed to the Meath Protestant Industrial School for Boys as a small child and spends his childhood there. He attends school with his adopted brothers Thomas and Richard before graduating as a solicitor’s clerk. He is known affectionately in school as “Tiny Tim” due to his 4’10” stature. He is much enthralled by the tales of military valour of his adoptive family and would have become a soldier if not for his height.

By the early 1900s Stephens is increasingly inclined to socialism and the Irish language and by 1912 is a dedicated Irish Republican. He is a close friend of the 1916 Easter Rising leader Thomas MacDonagh, who is then editor of The Irish Review and deputy headmaster in St. Enda’s School, the radical bilingual school run by Patrick Pearse. His growing nationalism brings a schism with his adopted family, but probably wins him his job as registrar in the National Gallery of Ireland, where he works between 1915 and 1925, having previously had an ill-paid job with the Mecredy solicitors’ firm.

Stephens produces many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humour and lyricism. He also writes several original novels, The Crock of Gold, Etched in Moonlight and Demi-Gods, based loosely on Irish fairy tales. The Crock of Gold in particular has achieved enduring popularity and has often been reprinted.

Stephens begins his career as a poet under the tutelage of “Æ” (George William Russell). His first book of poems, Insurrections, is published in 1909. His last book, Kings and the Moon (1938), is also a volume of verse.

Stephens’s influential account of the 1916 Easter Rising, Insurrection in Dublin, describes the effect of the deaths by execution of his friend Thomas MacDonagh and others as being “like watching blood oozing from under a door.” Of MacDonagh he writes:

No person living is the worse off for having known Thomas MacDonagh, and I, at least, have never heard MacDonagh speak unkindly or even harshly of anything that lived. It has been said of him that his lyrics were epical; in a measure it is true, and it is true in the same measure that his death was epical. He was the first of the leaders who was tried and shot.

Stephens lives between Paris, London and Dublin. During the 1930s he is a friend of James Joyce, and they mistakenly believe that they share a birthday. Joyce, who is concerned about his ability to finish what later becomes Finnegans Wake, proposes that Stephens assist him, with the authorship credited to JJ & S, short “Jameses Joyce & Stephens,” but also a pun on the popular Irish whiskey made by John Jameson & Sons. The plan is never implemented, as Joyce is able to complete the work on his own.

During the last decade of Stephens’ life, he finds a new audience through a series of broadcasts on the BBC. He dies at Eversleigh on Saint Stephen’s Day, December 26, 1950.