Charles Gordon Lambert, Irish businessman, senator and art collector, is born on April 9, 1919, in the family home at Highfield Road, Rathmines, Dublin, the youngest of four sons of Robert James Hamilton Lambert, a veterinarian and renowned cricketer, and his wife Nora (née Mitchell). His eldest brother, Noel Hamilton “Ham” Lambert, is a versatile sportsman and noted veterinary practitioner.
Lambert is educated at Sandford Park School, Dublin, and at Rossall School, Lancashire. He is steered by his mother toward a career in accountancy for which he prepares by studying commerce at Trinity College Dublin (TCD). Graduating in 1940, he joins the accounting firm Stokes Brothers and Pim, qualifying Associate Chartered Accountant in 1943. In 1944, after auditing biscuit manufacturers W. & R. Jacob and Co. Ltd, one of Ireland’s largest and most prestigious industrial companies, he is offered and accepts a £300 a year job at Jacob’s as assistant accountant.
In 1953, Lambert becomes Jacob’s chief accountant as the management grooms him for an executive career. During 1948–56, Jacob’s suffers from profit and price controls, lack of capital investment and complacency brought about by the absence of competition. The entry of Boland’s Bakery into the Irish biscuit market in 1957 is exploited by Lambert who urges the alarmed board, which has long regarded advertising as vulgar, to market its products more vigorously. This assertiveness yields his advancement to the position of commercial manager in 1958. A year later he becomes the first non-member of the Bewley and Jacob families to be appointed to the board.
Between 1959 and 1970, biscuit consumption in Ireland doubles for which Lambert can claim much credit. Recognising that the advent of self-service stores means that manufacturers can no longer rely on retailers to sell their products, he pioneers advanced promotional techniques in Ireland, particularly the use of marketing surveys and of mass advertising in newspapers, on radio and on the emerging medium of television. To further accord with retailers’ preferences, Jacob’s drives the widespread packaging of biscuits in airtight packets rather than tins, and also introduces a striking red flash logo for its packets. His interest in contemporary art enables him to contribute directly to Jacob’s packaging designs.
Lambert is appointed to the board of the Electricity Supply Board (ESB) in 1964, a position he holds until 1977, and serves as president of the National Agricultural and Industrial Development Association (NAIDA) in 1964–65, spearheading a “Buy Irish” campaign. His involvement with NAIDA dates to the mid-1950s and leads to his friendship with Jack Lynch, Minister for Industry and Commerce. This relationship and his admiration for Seán Lemass incline him toward Fianna Fáil. He also believes the party is the one most likely to deliver economic growth.
In 1977, Lambert is appointed to Seanad Éireann by Taoiseach Jack Lynch. He sits as an independent but assures Lynch he will broadly support the government. Dismayed by Ireland’s economic uncompetitiveness, he uses this platform to bemoan the state’s financial profligacy and failure to control inflation, and the indifference of Irish politicians towards the business community, contending that Irish industrialists suffer and need to learn from the expert lobbying of the indigenous agricultural sector and of large multi-national companies based in Ireland. He also articulates his social liberalism, desire for peaceful reconciliation in Northern Ireland and support for cultural and environmental causes. But his commitment to the Seanad wanes as he grasps its irrelevance. When Lynch resigns in December 1979, Lambert joins the Fianna Fáil party in a futile bid to preserve his political influence.
Following Jacob’s takeover of Boland’s Bakery in 1966, Lambert becomes joint managing director of a new entity, Irish Biscuits Ltd, the manufacturing and trading company for the Boland’s and Jacob’s biscuits operations. W. & R. Jacob and Co. Ltd becomes a holding company. In 1968, he becomes the sole managing director. From 1977 he begins withdrawing from the active administration of the company, relinquishing his managing directorship in 1979 to become chairman.
The Irish Museum of Modern Art (IMMA) opens in 1991 and receives through the medium of the Gordon Lambert Trust some 212 works, which form the centerpiece of its collection. Thereafter Lambert gifts another 100 works to IMMA. He sits on IMMA’s board from 1991, and the west wing of the museum is named after him in 1999.
Despite being diagnosed with Parkinson’s disease in 1988, Lambert remains relatively active and plays golf into his 80s. In 1999 he receives an honorary LLD from TCD. From 1997, he relies increasingly on Anthony Lyons, an acquaintance of longstanding, to care for him. His last years are overshadowed by the collapse in autumn 2002 of his close but complex relationship with his family. Thereafter he shuns his relations and changes his will, granting Lyons a substantial portion of his estate while curtailing the amount to be received by his family. He dies in a Dublin hospital on January 27, 2005. Relatives challenge his final will in the High Court in 2009 but it is upheld.
(Pictured: Photograph of director of Jacob’s Biscuits, Gordon Lambert, speaking from a podium at the first Jacob’s Television Awards. The Lord Mayor of Dublin, James O’Keefe, is sitting behind Lambert. The awards ceremony takes place at the Bishop Street factory, Dublin.)
Deegan is born in the Bronx, Bronx County, New York, on December 28, 1882, to Irish immigrants. He studies architecture at Cooper Union. He marries Violet Secor (1889-1969) and has one son, William Secor Deegan (1909-85). At the age of 35 he serves in World War I as a staff officer in the 105th Field Artillery, rising to the rank of major.
Deegan later joins the United States Army Corps of Engineers as a major, where he supervises the construction of military bases in the New York area under the command of GeneralGeorge Washington Goethals. After the war he helps organize the American Legion in 1919, advancing to State Commander in 1921. In 1922 he is considered a strong candidate to become national commander of the Legion at their convention in New Orleans but is defeated due to his strong advocacy for admitting Black veterans into the organization. Advocacy for the rights of Black people is a strong theme throughout Deegan’s career, including during his position as Tenement House Commissioner.
Deegan works as an architect at a number of distinguished firms, including McKim, Mead & White, Post, Magnicke and Franke, and Starrett and van Vleck. Later in life he holds a number of political positions, most of them in the Bronx. He is President of the Bronx Chamber of Commerce until the chamber grows critical of MayorJimmy Walker, at which point he resigns. In 1928, Mayor Walker appoints him Tenement House Commissioner of New York City, a post he holds for the rest of his life, and in 1930, chairman of the Mayor’s Committee on Receptions to Distinguished Guests, or “official greeter,” a job in which he is preceded by his friend Rodman Wanamaker and eventually succeeded by Grover Whalen.
O’Reilly is born on May 14, 1929, in Granard, County Longford, one of six children of James P. O’Reilly, shopkeeper and musician, and Catherine O’Reilly (née Donegan). The family moves to Dublin when he is nine years old. He is educated at the Christian Brothers school in James’s Street, where he excels at Gaelic football and develops an interest in drama and music. Toward the end of his schooldays, he begins to participate in athletics, particularly the high jump, and is coached by Jack Sweeney, a leading athletics coach.
Always a man of many talents and interests, after leaving school O’Reilly combines working in the insurance business with an athletics career with Donore Harriers and evening drama classes. He wins several Irish titles, including the high jump, javelin, and decathlon, and sets a national record in the high jump. In 1954 he wins the British AAA Championships high jump title, beating the Commonwealth champion into second place, and setting a championship record of 6 ft. 5 in. (1.96 m). As a result, he secures a United States athletics scholarship to the University of Michigan, Ann Arbor, where he takes a degree in liberal arts, majoring in speech and drama. While at Michigan he improves his Irish record to 6 ft. 7 in. (2.007 m). His athletic career, however, is dogged with bad luck. He is selected to compete in the high jump at the European Athletics Championships in Bern, Switzerland, in 1954 but fractures an ankle in practice and fails to advance beyond the qualifying round. Although he competes at international level for ten years (1952–62), he is unlucky to never take part in the Olympic Games. A victim of sporting politics in 1952, as an NCAA athlete he is not entitled to compete. He is selected for the 1956 Summer Olympics in Melbourne but is unable to attend when, at the last minute, his club cannot provide the finance for him to attend. Earlier that year he wins the Big Ten Conference high jump title.
On leaving Michigan O’Reilly moves to New York City, where he embarks on an acting career with the Irish Players, but he returns to Dublin in 1959, where, after brief spells working as a teacher and for an advertising agency, he applies to Ireland’s new television station for a position. He is looking for an acting job but ends up being offered a position as a presenter, joining Teilifís Éireann in 1961 as an announcer/interviewer. His relaxed and unobtrusive style appeals to viewers and his light entertainment show, The Life of O’Reilly, is the most popular programme on Irish television in the day, eclipsing even a fledgling The Late Late Show. It is as a sports presenter and commentator, however, that O’Reilly is primarily remembered, as he becomes the face of sport on RTÉ Television for many years. He attends five Olympic Games as a broadcaster, from Mexico in 1968 to Los Angeles in 1984, commentating on athletics and gymnastics. The first presenter of RTÉ’s flagship Saturday afternoon sports programme Sports Stadium in 1984, he continues to present it over its fourteen-year life, co-presenting the final programme in December 1997. He also is the regular presenter of RTÉ’s Wimbledon Championships tennis coverage for many years, the sports results on news broadcasts on TV and radio, and Sunday Sport on RTÉ Radio, as well as commentating on individual sports such as ice-skating.
Although sports presenting is a natural progression for an athlete with his talents, O’Reilly’s real love is the arts. He continues to act, playing the part of Detective Inspector Michael Roarke in the classic children’s film Flight of the Doves (1971) with Ron Moody and Willie Rushton. He is also an accomplished singer and songwriter, and writes and performs his own one-man show, Across the Spectrum, comprising his own poems and songs in 1992. As well as a book of poems, The Great Explosion (1977), he releases a number of albums and tops the charts with his own song, “The Ballad of Michael Collins,” in 1981. He has a great admiration for Michael Collins, and this leads to his becoming the first non-political figure to give the oration at the annual Collins commemoration at Béal na Bláth, County Cork, in 1981. He also writes the song “Let the Nations Play” (1985), inspired by the boycotts of the Olympic games of 1980 and 1984, and the song is adopted as an anthem of the international Olympic movement.
Tall and slim in build, O’Relly is affable, modest, and self-deprecating in character. His relaxed style is no mere public affectation. He often exasperates colleagues by turning up just in time for broadcasts, and his ability to ad-lib is important in a live television environment. He once describes himself as “a champion high jumper who could enunciate properly and keep my hair neatly combed” (The Irish Times, April 7, 2001). Despite the disappointments in his sporting career, he maintains that his other interests more than compensated. In relation to the Olympics he is quoted as saying, “If you asked me whether I’d have preferred to win a medal or have written the song, I’d honestly say I would have preferred to have written the song” (Longford Leader, April 6, 2001).
O’Reilly lives in Ranelagh, Dublin, and is married twice. He meets his first wife Linda Herbst (née Kuhl) in New York in the late 1950s. His second marriage is to Johanna Lowry. He has four children. After a lenghty illness, he dies on April 1, 2001, in St. Vincent’s Hospital, Fairview, Dublin. He is buried at Mount Venus cemetery, Rathfarnham.
(From: “O’Reilly, Brendan” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
References to Stephens’s early life, according to one of his biographers, Desmond Ryan, are obscure and limited to Stephens’s own vague autobiographical recollections. He is born at Lilac Cottage, Blackmill Street, Kilkenny, County Kilkenny, on January 26, 1825, and spends his childhood there. No birth records have ever been located, but a baptismal record from St. Mary’s Parish is dated July 29, 1825. There is reason to believe that he is born out of wedlock in late July 1825. However, according to Stephens, his exact date of birth is January 26. He is educated at St. Kieran’s College, Kilkenny, for at least one quarter in 1838. He is later apprenticed to a civil engineer, and from 1844 onwards works for the Waterford–Limerick Railway Company.
When the Young Irelanders split from Daniel O’Connell‘s Repeal Association and found the Irish Confederation in January 1847, Stephens becomes involved in the activities of the Kilkenny Confederate clubs. After the government suspends habeas corpus and issues warrants of arrest against the Confederate leaders, William Smith O’Brien appears in Kilkenny on July 23, 1848, seeking support for a popular insurrection, and two days later Stephens joins him. For four days he follows O’Brien’s wanderings and takes part in all his encounters with government forces, including the affray at the home of Widow McCormack on July 29 when O’Brien’s followers besiege a party of policemen in a house near Ballingarry, County Tipperary. They are finally dispersed by gunfire and the arrival of reinforcements, thus ending O’Brien’s revolutionary efforts. Stephens reportedly receives two bullet wounds but manages to hide and evade arrest.
Three days later, Stephens proceeds to Ballyneale, near Carrick-on-Suir, County Tipperary, in search of John O’Mahony. He accompanies O’Mahony to meet Michael Doheny, and for six weeks Stephens and Doheny avoid arrest by roaming around the south of Ireland, an adventure that Doheny records in The Felon’s Track (1849). On September 12, Stephens is smuggled out of Ireland by the family of the Skibbereen attorney McCarthy Downing, and four days later manages to reach Paris. O’Mahony and Doheny join him shortly afterwards, although Doheny soon emigrates to the United States.
From their exile Stephens and O’Mahony watch the failure of the ’49 conspiracy of James Fintan Lalor and Philip Gray and witness the barricades against Louis Napoleon’s coup d’état in 1851. Stephens later claims to have joined the French republican insurgents, but according to O’Mahony this is merely a frustrated intention. Equally without foundation is the rumour that Stephens and O’Mahony at this time join a republican secret society as a training ground for their future Irish enterprise.
Stephens remains in Paris from 1848 to 1855, supporting himself by teaching English. He attends Sorbonne University and has plans to obtain a professorship that never materialises. Towards the close of his exile, he is employed by the Le Moniteur Universel, for which he allegedly translates Charles Dickens‘s Martin Chuzzlewit. Late in 1855 he returns to Ireland and undertakes a series of tours throughout the island. He later magnifies the venture as “the 3,000 miles’ walk” and reformulates it as an attempt to measure the country’s nationalist temperature. However, his primary intention at the time is to collect information for a book he is planning to write. The following autumn he returns to Dublin, becomes tutor of French to the children of several well-to-do families including that of the Young Irelander John Blake Dillon, and joins the nationalist circle of Thomas Clarke Luby, Philip Gray, and other veterans of the ’49 conspiracy.
When Gray dies in January 1857, Stephens asks O’Mahony, then living in New York, to collect funds for a funeral monument. This evidence of nationalist activity, coupled with the prospect of “England’s difficulty” awakened by the recent Crimean War and the insurrection in India, give life to O’Mahony’s and Doheny’s Emmet Monument Association (EMA). That autumn the EMA sends an envoy to Ireland with a proposal for Stephens to prepare the country for the arrival of a military expedition. Stephens offers to organise 10,000 men in three months, provided he is given at least £80 a month and absolute authority over the enterprise. On March 17, 1858, Saint Patrick’s Day, he receives the first installment and his appointment as “chief executive” of the Irish movement. The same day he and his associates take an oath to make Ireland “an independent democratic republic.” The nameless secret society thereby inaugurated eventually becomes known as the Irish Republican Brotherhood (IRB). It is organised in cells, each led by a “centre” with Stephens being known as the “head centre.”
The EMA’s failure to send a second installment prompts Stephens to travel to New York in October 1858. While in America he attempts, and fails, to engage the support of the Young Irelanders John Mitchel and Thomas Francis Meagher, but succeeds in establishing a solid partnership with Irish nationalists based in New York. Late in 1858 the surviving members of the EMA reorganise themselves into a modified replica of the IRB, and under John O’Mahony’s inspiration adopt the name of the Fenian Brotherhood (FB). Eventually the label “Fenian” comes to be applied to the members of both organisations. As part of the new arrangements, Stephens obtains a new appointment as head of the movement “at home and abroad.”
Despite Stephens’s success, his labours in America and the secrecy of his own activities in Ireland are almost spoiled in December by the arrest of Jeremiah O’Donovan Rossa and other members of the Phoenix National and Literary Society of Skibbereen, which had been incorporated into the IRB the previous May. On his return from America in March 1859 Stephens takes refuge in Paris and delegates management of the organisation to Luby. He only returns to Dublin in April 1861 when O’Mahony, then on a tour of inspection, suggests establishing an executive council to share Stephens’s power. Stephens succeeds in frustrating this plan, but from the time of O’Mahony’s visit the tension between the two leaders never subsides.
In the autumn of 1861 Stephens takes lodgings on Charlemont Street at the house of John and Rossanna Hopper, owners of a small tailoring establishment, and soon falls in love with their daughter Jane, almost twenty years his junior. The two are married on January 24, 1864, at the church of SS Michael and John, Exchange Street. The marriage produces no children.
The first success for Stephens’s IRB comes on November 10, 1861, when the IRB-dominated National Brotherhood of Saint Patrick stages the funeral for the Young Irelander Terence MacManus after an intense tug-of-war with both the Catholic church and constitutional nationalism. Stephens plays a central role in promoting IRB control of the funeral arrangements and although the event lacks the mythical nationalist significance claimed by Fenian apologists, it serves to boost Fenian self-assertion and hasten the divorce between middle-class nationalist elites and a new militant republican working class which has different interests at stake in an independent Ireland.
Despite the McManus funeral success, the IRB continues to endure financial difficulties throughout 1862. In 1863, Stephens resolves to address these difficulties and consolidate the movement’s position by founding a newspaper. The Irish People is first issued on November 28, 1863. He contributes leading articles to its first three numbers but finally abandons his literary efforts in favour of Luby, John O’Leary, and Charles J. Kickham, thereafter the paper’s leading writers and guiding spirits.
In the meantime, the relationship between Stephens and O’Mahony continues to deteriorate. In November 1863 O’Mahony has turned the tables and persuaded the FB to acknowledge Stephens merely as “its representative in Europe.” In March 1864 Stephens again travels to the United States in order to stimulate the flow of funds towards the IRB and regain some hold on the FB. As part of his new policies, he makes the sensational announcement that 1865, at latest, is to be the movement’s “year of action.” After the end of the American Civil War in April 1865, Fenian activity increases spectacularly, and demobilised soldiers travel to Ireland. However, on September 15, 1865, the government takes action, suppresses The Irish People, and arrests most of Stephens’s closest collaborators, including Luby, O’Leary and O’Donovan Rossa. Stephens himself is arrested on November 11 but, in a daring operation that proves a propaganda coup for the Fenians, is rescued from Richmond Bridewell penitentiary thirteen days later and eventually makes his way to America via Britain and France. By the time he arrives in the United States, the FB has split into two “wings,” the partisans of John O’Mahony and those of William R. Roberts, the president of the Fenian “senate,” who advocate shifting military efforts towards invading Canada. The split ends Stephens’s already slender chances of launching a successful rising before the end of December, and he calls a postponement.
On February 17, 1866, the government suspends habeas corpus in Ireland and arrests multiply. Stephens braves the members’ impatience, calls a new postponement, and in May travels to New York in order to try and solve the American crisis in the IRB’s favour. He accepts O’Mahony’s resignation, takes control of his wing, and starts an intensive campaign of propaganda and fund-raising. Again, he proclaims 1866 as the “year of action,” but by December the movement is weaker than ever, and he tries to call a new postponement. This time his lieutenants, led by Col. Thomas J. Kelly, lose patience, depose him from leadership and prepare to launch the insurrection themselves. The result is the ill-fated Fenian Rising of March 5-6, 1867.
After his deposition, Stephens spends most of his remaining years in France, in dire financial distress, but still hoping against hope to regain his position at the head of the movement. However, the IRB is now under the control of the anti-Stephens supreme council, and the FB is quickly losing its influence to the newly emerged Clan na Gael. His reputation, always tainted by his controversial personality and autocratic management, had been ruined forever by the 1866 events and his repeated failure to order the rising. With the exception of a small core of diehard partisans, the majority of his former associates and followers have grown resentful of his leadership and are vehemently opposed to his return.
Apart from occasional English tutoring and a ruinous venture as a wine merchant that takes him to the United States from 1871 to 1874, Stephens’s post-Fenian years are mainly spent in poverty while awaiting the next opportunity to resume leadership of the IRB. In 1880, after a last unsuccessful trip to the United States and a crushing defeat by John Devoy and Clan na Gael, he gives up hope, returns to Paris, and settles down to earn a living as an occasional newspaper contributor. In 1885 he is expelled from France under the unfounded suspicion of involvement in dynamiting activities with his cousins Joseph and Patrick Casey and the journalist Eugene Davis. He then takes up residence in Brussels but is able to return to Paris two years later. Finally, through Charles Stewart Parnell‘s intervention in 1891, he is allowed to return to Ireland. He moves into a cottage in Sutton, near Howth, and settles into retirement. After his wife’s death in 1895 he moves to the house of his in-laws in Blackrock, County Dublin, where he dies on March 29, 1901. Two days later he is given a solemn nationalist funeral and is interred in Glasnevin Cemetery.
Stephens’s controversial historical reputation never accords him a comfortable place in the post-independence nationalist pantheon. His egotism and defects as a leader overshadow the credit he is given as a founder and organiser. Yet his notorious personality is arguably the key to his success and ultimate historical significance. His obsessive self-confidence and single-mindedness turn the EMA’s half-matured proposal into a solid partnership that inaugurates an enduring pattern of American involvement in Irish nationalism. At the same time, by impressing the IRB with his own assertiveness he enables it to break the tacit monopoly of the middle classes on Irish political life. By the time of his downfall, Irish republicanism has acquired a definite shape and a marginal but stable position in the Irish political scene.
Stephens’s name has been incorporated into Kilkenny local heritage in institutions as diverse as a swimming pool, a military barracks, and a hurling team. In 1967 a plaque is unveiled at the site of his childhood home on Blackmill Street. The main collections of his documents are the James Stephens papers, MSS 10491–2, in the National Library of Ireland, and the Michael Davitt papers addenda, MS 9659d, in Trinity College Dublin.
(From: “Stephens, James” by Marta Ramón, Dictionary of Irish Biography, http://www.dib.ie, last revised March 2021)
Patrick (Pat) James John Eddery, flat racingjockey and trainer, is born on March 18, 1952, in Newbridge, County Kildare, near the Curragh Racecourse. He is the fifth of twelve children of Jimmy Eddery, a jockey who is Irish Flat Champion in 1954 and 1955, and who rides Panaslipper to win the Irish Derby in 1955. His mother, Josephine, is the daughter of Jack Moylan, also a jockey. His brother Paul goes on to become a successful jockey also. He initially attends the Patrician Brothers’ Primary School in Newbridge, later enrolling in Oatlands Primary School in Stillorgan when the family moves to Blackrock, Dublin.
Devoted from his earliest years to riding horses, Eddery has little interest in school. He begins his career on his fourteenth birthday as an apprentice jockey in Ireland (1966–67) with the stable of Seamus McGrath. In 1967, he moves to England where he is apprenticed to Frenchie Nicholson until 1972. After riding for more than a season without success, he records his first win on April 24, 1969, at Epsom Downs Racecourse on a horse named Alvaro, trained by Major Michael Pope. Alvaro provides Eddery with six wins in succession during the 1969 season.
Eddery finishes the 1971 season as champion apprentice with seventy-one winners, and in 1972 has his first Derby ride, the 50–1 chance Pentland Firth, who finishes third behind Roberto and Rheingold. In 1972 he also has his first victory in a Group 1 race via Erimo Hawk, when awarded the Ascot Gold Cup following the disqualification of Rock Roi for interference.
Eddery rides for the Newmarket trainer Geoffrey Barling in 1972 before becoming the stable jockey for leading trainer, Peter Walwyn, later that year. For Walwyn, he wins his first two English classic races on Polygamy (Oaks) and Grundy (Derby) and is Champion Jockey in four consecutive seasons from 1974 to 1977. While under retainer with Walwyn, he clinches the first of these titles when just twenty-two years old, a record in the post-war era. In 1975, after winning the Irish Derby on Grundy, he rides the horse to a hard-fought victory over Bustino in the King George VI and Queen Elizabeth Stakes at Ascot in what is described by many at the time as “the race of the century.”
Eddery remains as stable jockey to Walwyn for eight years, before joining the Ballydoyle racehorse training facility of legendary Irish trainer Vincent O’Brien, for whom he rides a string of big-race winners, including the brilliant Golden Fleece, owned by Robert Sangster, in the 1982 Epsom Derby.
The O’Brien–Eddery combination experiences controversial defeat in the 1984 Epsom Derby when Eddery rides then unbeaten 2000 Guineas Stakes-winner El Gran Senor and seems to be cruising to victory in the final furlong, only to be caught on the line and beaten by a short head by Secreto, trained by O’Brien’s son David. He later admits that he should have won the race, but when the horses in front of him fell away early in the straight he was left in front too soon and was unable to repel Secreto’s late challenge. He later wins the Irish Derby on El Gran Senor, beating the subsequent Prix de L’Arc de Triomphe winner, Rainbow Quest. During 1984, he also partners the O’Brien-trained and subsequent outstanding stallion, Sadler’s Wells, to two of his three Group 1 successes.
The 1980s represent the pinnacle of Eddery’s career and include victories in the 1983 Arlington Million in Chicago on Tolomeo, the 1985 Breeders’ Cup Turf at Aqueduct Racetrack, New York, on Pebbles, and the 1986 Japan Cup on Jupiter Island, the latter two horses being trained by Clive Brittain. He also has four victories in the Prix de l’Arc de Triomphe: on Detroit in 1980, Rainbow Quest in 1985, the great Dancing Brave, on whom he also wins the King George VI and Queen Elizabeth Stakes in 1986, and Trempolino in 1987. The field for the 1986 ‘Arc’ is extremely strong and Dancing Brave’s late winning run a thrilling spectacle. The race is voted “the greatest ever horserace” in a poll conducted by the Racing Post in 2022.
Rainbow Quest and Dancing Brave are both owned by the Saudi Prince Khalid Abdullah, whose Juddmonte Farms is by then one of the world’s largest racing and breeding organisations. In 1987, Eddery becomes Abdullah’s retained jockey. Highlights of their association, which lasts until 1994, include Quest for Fame winning the 1990 Epsom Derby, and Zafonic, winner of the 1993 2000 Guineas Stakes.
Meanwhile, Eddery continues to win the jockeys’ championships, a task made easier by being retained by Juddmonte in England rather than commuting regularly to Ireland to ride for Vincent O’Brien. His highest seasonal total of wins is 209 in 1990, which is the first time a jockey has exceeded 200 since Sir Gordon Richards in 1952. His epic battle for the championship in 1987 with American Steve Cauthen is particularly intense, with Cauthen securing the title with 197 winners and Eddery coming close at 195. The title would have been shared at 196 winners apiece but for a successful objection by the rider of the third horse to the winner after the last definitive race between Eddery and Cauthen when they finished first and second, respectively. In 1988, Eddery retains the title with 183 winners from just over 480 rides, a remarkable strike rate of over thirty-eight per cent. He wins the championship for the eleventh and final time in 1996. His final classic win is on Silver Patriarch in the St. Leger Stakes of 1997.
Eddery rides major winners outside Europe and the United States, including Jupiter Island in the 1986 Japan Cup, and French Glory in the Canadian International Stakes. He teams up with Lester Piggott, Joe Mercer and French jockeys Freddie Head and Yves Saint-Martin to take part in a series of challenge races under the Ritz Club Challenge Trophy at Singapore and other Asian cities starting in 1983 for several years. His overall total of winners in the UK, Ireland, mainland Europe and overseas, exceeds 6,000. Although fiercely competitive on the racetrack, he is popular with fellow jockeys, trainers, owners and racegoers, who respond to his good-natured personality, courtesy and sense of humour.
Eddery has a distinctive riding style that is not classically elegant but undoubtedly effective and strong in a finish. He rides a number of truly outstanding racehorses including Dancing Brave, El Gran Senor and Pebbles, but maintains that the brilliant and undefeated Derby winner, Golden Fleece, is the greatest of all the horses he partnered throughout his career.
Eddery continues to ride into his fifties, finally retiring in 2003. He is appointed an honorary Order of the British Empire (OBE) in 2005. He sets up an owners’ syndication business and takes out a training licence but has difficulty adjusting to life out of the saddle and becomes increasingly dependent upon alcohol. His training career meets with limited success, though he does train Hearts of Fire to win the Group 1 Gran Criterium of Italy in 2009.
Eddery marries Carolyn Mercer in November 1978. She is the daughter of flat jockey Manny Mercer, niece of jockey Joe Mercer, and granddaughter of jockey Harry Wragg. They have two daughters, Nichola and Natasha, and a son Harry. He has a son from an extramarital relationship, Toby Atkinson, who also becomes a jockey. The marriage with Carolyn breaks down in 2008 and the couple divorces in 2009.
Shortly after his marriage breaks down, Eddery begins living with Emma Owen, a former stable employee, at his 100-acre Musk Hill stud farm near Aylesbury, Buckinghamshire. He becomes progressively estranged from his children due to his continued alcoholism.
Eddery dies of a heart attack at the age of 63 on November 10, 2015. He leaves his £1.3 million estate to Emma Owen. His funeral takes place on December 8, 2015, and his remains are cremated at Oxford. Throughout his career, Eddery rode the winners of 4,632 British flat races, a figure exceeded only by Sir Gordon Richards and was UK Champion Jockey on eleven occasions and Irish Champion Jockey once. A plaque in his honour is unveiled by his children Nichola, Natasha and Harry at Ascot Racecourse in 2016, where he had been champion jockey at the Royal meeting on six occasions. He is inducted into the Qipco British Champions Series Hall of Fame in 2021, the second jockey after Lester Piggott to be so honoured.
(From: “Eddery, Patrick (Pat) James John” by P. Gerry McKenna, Dictionary of Irish Biography, http://www.dib.ie, September 2022)
On March 16, 2015, the eve of Saint Patrick’s Day, two ascendant politicians—one from Ireland, one from the United States—meet in a ballroom at the Essex House, in New York City. Hillary Clinton is there to be inducted into the Irish America Hall of Fame, in recognition of her “outstanding leadership” in bringing peace to Northern Ireland during the 1990s, when her husband was president of the United States. Gerry Adams, the president of the Irish Republican political party Sinn Féin, is there because for many Americans he is a living symbol of that peace. One of the architects of the Good Friday Agreement, which brought an end to the decades-long conflict in Northern Ireland that is known as the Troubles, he is very popular in the United States and makes regular trips here to raise funds for his party. According to a report in The Irish Times, Sinn Féin has raised twelve million dollars in the United States over the prior two decades, from construction companies, labor unions, and movie stars like Anjelica Huston and Martin Sheen.
Adams, however, remains a polarizing figure in Ireland. Though he is a longtime figurehead of the Republican movement, he insists that he was never a member of the Irish Republican Army (IRA) and that he played no role in the violence of the Troubles. Some people in Ireland do not actually believe this story, and, in recent years leading up to this meeting, some of his former compatriots in the Republican movement have said that he authorized a series of wartime atrocities, including the murder and secret burial of Jean McConville, a mother of ten. Adams denies these claims, and generally derides those who ask questions about his past as political foes with an agenda or opponents of the peace process.
“I remember very well when the request came, back in 1993, that my husband approve a visa for Gerry Adams,” Clinton told the crowd at the Essex House. Bill Clinton granted the visa, which was a controversial move at the time, because of Adams’s alleged association with the IRA, but also a crucial moment in the peace process, because it helped cement Adams’s transformation from a revolutionary to a statesman. “Absent that first step, that first risk, we might not have had the momentum to move forward, to get to the Good Friday accords and all that has followed,” Clinton said.
There is no way of knowing whether Clinton, dressed in Kelly green, felt any distaste at the prospect of sharing a table with Adams. There is some thirty-five million Irish Americans, a great many of whom regard Adams as a kind of Nelson Mandela, and no prospective presidential candidate can decline a Saint Patrick’s Day invitation. And to be sure, the IRA is not alone in standing accused of atrocities during the Troubles. Loyalistparamilitary groups and British government forces also perpetrated war crimes for which they have not been brought to account. But Clinton does indicate, obliquely, that the transition in Northern Ireland is not entirely complete. “There is still work to be done,” Clinton acknowledges. “You cannot bring peace and security to people just by signing an agreement.” The question for the people of Northern Ireland, and for Adams’s supporters in the United States, is whether you can bring enduring peace and security without some reckoning—by all parties in the conflict—with the crimes of the past.
(From: “Gerry Adams and Hillary Clinton in New York” by Patrick Radden Keefe, The New Yorker, http://www.new yorker.com, March 17, 2015 | Photo: Hillary Clinton at a previous meeting with Gerry Adams at the State Department in 2009. Photograph by Mark Wilson/Getty)
O’Hegarty is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the Dublin civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.
O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.
O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.
O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much “republican bitterness.” A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.
O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.
On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.
King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.
King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)
By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.
King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.
King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.
(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)
After a hurried shakedown cruise along the Atlantic Coast in the spring of 1942, USS Juneau assumes blockade patrol in early May off Martinique and the Guadeloupe archipelago to prevent the escape of Vichy French naval units. She returns to New York to complete alterations and operates in the North Atlantic and Caribbean from June 1 to August 12 on patrol and escort duties. The cruiser departs for the Pacific Theater on August 22.
On 8 November, USS Juneau departs Nouméa, New Caledonia, as a unit of Task Force 67 under the command of Rear AdmiralRichmond K. Turner to escort reinforcements to Guadalcanal. The force arrives there on the morning of November 12, and USS Juneau takes up her station in the protective screen around the transports and cargo vessels. Unloading proceeds unmolested until 14:05, when 30 Japanese planes attack the alerted United States group. The anti-aircraft fire is effective, and the USS Juneau alone accounts for six enemy torpedo bombers shot down. The few remaining Japanese planes are, in turn, attacked by American fighters with only one bomber escaping. Later in the day, an American attack group of cruisers and destroyers clears Guadalcanal on reports that a large enemy surface force is headed for the island. At 01:48 on November 13, Rear Admiral Daniel J. Callaghan‘s relatively small landing support group engages the enemy. The Japanese force consists of two battleships, one light cruiser, and nine destroyers.
Because of bad weather and confused communications, the battle occurs in near-pitch darkness and at almost point-blank range, as the ships of the two sides become intermingled. During the melee, the USS Juneau is struck on the port side by a torpedo launched by Japanese destroyer Amatsukaze, causing a severe list, and necessitating withdrawal. Before noon on November 13, USS Juneau, along with two other cruisers damaged in the battle, USS Helena (CL-50) and USS San Francisco (CA-38), head toward Espiritu Santo for repairs. USS Juneau is steaming on one screw, keeping station 800 yards off the starboard quarter of the likewise severely damaged USS San Francisco. She is down 12 feet by the bow, but able to maintain 13 knots.
A few minutes after 11:00, two torpedoes are launched from Japanese submarine I-26. These are intended for USS San Francisco, but both pass ahead of her. One strikes USS Juneau in the same place that had been hit during the battle. There is a great explosion, and USS Juneau breaks in two and disappears in just 20 seconds. Fearing more attacks from I-26, and wrongly assuming from the massive explosion that there are no survivors, USS Helena and USS San Francisco depart without attempting to rescue any survivors. In fact, more than 100 sailors survive the sinking of USS Juneau. They are left to fend for themselves in the open ocean for eight days before rescue aircraft belatedly arrive. While awaiting rescue, all but ten die from the elements and shark attacks. Among those lost are the five Sullivan brothers. Two of the brothers apparently survive the sinking, only to die in the water. Two presumably go down with the ship. Some reports indicate the fifth brother also survives the sinking but disappears during the first night when he leaves a raft and gets into the water. On November 20, 1942, USS Ballard (DD-267) recovers two of the ten survivors. Five more in a raft are rescued by a PBY Seaplane five miles away. Three others, including a badly wounded officer, make it to San Cristobal (now Makira) Island, about 55 miles away from the sinking. One of the survivors recovered by USS Ballard says he had been with one of the Sullivan brothers for several days after the sinking.
As a direct result of the Sullivans’ deaths (and the deaths of four of the Borgstrom brothers within a few months of each other two years later), the United States Department of War adopts the Sole Survivor Policy, a set of regulations, partially stipulated by law, that are designed to protect members of a family from the draft during peacetime, or from hazardous duty or other circumstances, if they have already lost family members to military service.
To honor the five Sullivan brothers, who all died in the sinking, and the USS Juneau, the United States Navy later commissions two ships named USS The Sullivans, and two ships named USS Juneau. On March 17, 2018, the wreck of USS Juneau is located by Paul Allen‘s research crew on board RV Petrel at a depth of about 13,800 feet off the coast of the Solomon Islands in several large pieces.
Jimmy Magee, Irish sports broadcaster known as The Memory Man, is born on January 31, 1935, in New York City. He spends over half a century in sports broadcasting, and presents radio and television coverage of the Olympic Games since 1968 and the FIFA World Cup since 1966. By the time of his retirement he is the longest-serving sports commentator in the English-speaking world.
Magee is born to Patrick (Paddy) Magee and his wife Rose (née Mackin). The family returns to Ireland shortly after his birth. He and his three siblings are subsequently raised in Cooley, County Louth. As a child he is influenced by the sports commentary of the legendary Gaelic games broadcaster Michael O’Hehir. He recalls commentating as a seven-year-old for his next-door neighbour on a variety of imaginary games that the young Magee is also playing in. He also speaks of making up his own radio commentary in a field at a young age.
After being educated locally, Magee secures a full-time clerical post with Dundalk, Newry and Greenore Railway. While still working at the Railway he begins his broadcasting career. He starts out as a reporter for the Radio Éireann programme Junior Sports Magazine. Other contributors on the programme are Jim Tunney and Peter Byrne, former football correspondent with The Irish Times. On leaving his Railway job, he presents a number of sponsored radio programmes before concentrating on sport. He is a producer, presenter and script writer for Radio Éireann’s sponsored programmes in the 1950s and 1960s.
Magee and his wife Marie are married on October 11, 1955, and have five children: Paul, a soccer player with Shamrock Rovers F.C. (winning the League of Ireland Cup in 1977), who died of motor neuron disease, in May 2008, Linda (b. 1959), June (b. 1961), Patricia (b. 1962), and Mark (b. 1970).
Magee’s column or quiz appears in every single publication of the Sunday World since the first edition in 1973.
Magee is also a staple of RTÉ’s coverage of the Olympic Games. Beginning at the 1968 Summer Olympics in Mexico City, he attends the eleven subsequent Olympic games as a commentator with RTÉ. In 2012, he commentates on the boxing for RTÉ at the 2012 Summer Olympics in London, including Katie Taylor‘s gold medal-winning fight. At the 2016 Summer Olympics, he provides commentary on the football.
From 1987 to 1998 Magee hosts Know Your Sport, a sports-themed quiz show, along with George Hamilton. His broadcasting career also sees him provide commentary for over 200 international football games, 30 European Cup finals, multiple Tour de France cycle races, World Athletic Championships and boxing. He also narrates numerous videos on sport in general such as The Purple and Gold, Meath Return to Glory, etc.
A freelancer, Magee works for Channel 4 in 1994 and signs for UTV in 1995 on a three-year contract where a lifetime ambition of commentating on All-Ireland Finals is achieved. He commentates on three finals in both hurling and football.
Magee launches his memoir, Memory Man, in 2012. Some of his one-liners in commentaries have become famous or infamous, what are affectionately known in the broadcasting industry as Colemanballs after the famed commentating clangers of BBC broadcaster David Coleman.
In the emotionally trying year of 1989, Magee’s mother and wife die within months of each other, Marie dying at the young age of 54.
Magee dies on September 20, 2017, after a short illness. Many tributes are made to him including TaoiseachLeo Varadkar who says, “His commentaries were legendary and based on a breadth of sporting knowledge that was peerless.” RTÉ Head of Sport Ryle Nugent says, “It’s hard to put it into words, the man meant an inordinate amount to so many people, I think he was the soundtrack to many generations.”
In 1972 Magee wins a Jacob’s Award for his radio sports commentaries. In 1989, he is the subject of a special tribute show on The Late Late Show. At the 2012 Summer Olympics in London, the International Olympic Committee presents him with a replica of its torch.
seamus dubhghaill 