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Birth of Pat Eddery, Flat Racing Jockey & Trainer

Patrick (Pat) James John Eddery, flat racing jockey and trainer, is born on March 18, 1952, in Newbridge, County Kildare, near the Curragh Racecourse. He is the fifth of twelve children of Jimmy Eddery, a jockey who is Irish Flat Champion in 1954 and 1955, and who rides Panaslipper to win the Irish Derby in 1955. His mother, Josephine, is the daughter of Jack Moylan, also a jockey. His brother Paul goes on to become a successful jockey also. He initially attends the Patrician Brothers’ Primary School in Newbridge, later enrolling in Oatlands Primary School in Stillorgan when the family moves to Blackrock, Dublin.

Devoted from his earliest years to riding horses, Eddery has little interest in school. He begins his career on his fourteenth birthday as an apprentice jockey in Ireland (1966–67) with the stable of Seamus McGrath. In 1967, he moves to England where he is apprenticed to Frenchie Nicholson until 1972. After riding for more than a season without success, he records his first win on April 24, 1969, at Epsom Downs Racecourse on a horse named Alvaro, trained by Major Michael Pope. Alvaro provides Eddery with six wins in succession during the 1969 season.

Eddery finishes the 1971 season as champion apprentice with seventy-one winners, and in 1972 has his first Derby ride, the 50–1 chance Pentland Firth, who finishes third behind Roberto and Rheingold. In 1972 he also has his first victory in a Group 1 race via Erimo Hawk, when awarded the Ascot Gold Cup following the disqualification of Rock Roi for interference.

Eddery rides for the Newmarket trainer Geoffrey Barling in 1972 before becoming the stable jockey for leading trainer, Peter Walwyn, later that year. For Walwyn, he wins his first two English classic races on Polygamy (Oaks) and Grundy (Derby) and is Champion Jockey in four consecutive seasons from 1974 to 1977. While under retainer with Walwyn, he clinches the first of these titles when just twenty-two years old, a record in the post-war era. In 1975, after winning the Irish Derby on Grundy, he rides the horse to a hard-fought victory over Bustino in the King George VI and Queen Elizabeth Stakes at Ascot in what is described by many at the time as “the race of the century.”

Eddery remains as stable jockey to Walwyn for eight years, before joining the Ballydoyle racehorse training facility of legendary Irish trainer Vincent O’Brien, for whom he rides a string of big-race winners, including the brilliant Golden Fleece, owned by Robert Sangster, in the 1982 Epsom Derby.

The O’Brien–Eddery combination experiences controversial defeat in the 1984 Epsom Derby when Eddery rides then unbeaten 2000 Guineas Stakes-winner El Gran Senor and seems to be cruising to victory in the final furlong, only to be caught on the line and beaten by a short head by Secreto, trained by O’Brien’s son David. He later admits that he should have won the race, but when the horses in front of him fell away early in the straight he was left in front too soon and was unable to repel Secreto’s late challenge. He later wins the Irish Derby on El Gran Senor, beating the subsequent Prix de L’Arc de Triomphe winner, Rainbow Quest. During 1984, he also partners the O’Brien-trained and subsequent outstanding stallion, Sadler’s Wells, to two of his three Group 1 successes.

The 1980s represent the pinnacle of Eddery’s career and include victories in the 1983 Arlington Million in Chicago on Tolomeo, the 1985 Breeders’ Cup Turf at Aqueduct Racetrack, New York, on Pebbles, and the 1986 Japan Cup on Jupiter Island, the latter two horses being trained by Clive Brittain. He also has four victories in the Prix de l’Arc de Triomphe: on Detroit in 1980, Rainbow Quest in 1985, the great Dancing Brave, on whom he also wins the King George VI and Queen Elizabeth Stakes in 1986, and Trempolino in 1987. The field for the 1986 ‘Arc’ is extremely strong and Dancing Brave’s late winning run a thrilling spectacle. The race is voted “the greatest ever horserace” in a poll conducted by the Racing Post in 2022.

Rainbow Quest and Dancing Brave are both owned by the Saudi Prince Khalid Abdullah, whose Juddmonte Farms is by then one of the world’s largest racing and breeding organisations. In 1987, Eddery becomes Abdullah’s retained jockey. Highlights of their association, which lasts until 1994, include Quest for Fame winning the 1990 Epsom Derby, and Zafonic, winner of the 1993 2000 Guineas Stakes.

Meanwhile, Eddery continues to win the jockeys’ championships, a task made easier by being retained by Juddmonte in England rather than commuting regularly to Ireland to ride for Vincent O’Brien. His highest seasonal total of wins is 209 in 1990, which is the first time a jockey has exceeded 200 since Sir Gordon Richards in 1952. His epic battle for the championship in 1987 with American Steve Cauthen is particularly intense, with Cauthen securing the title with 197 winners and Eddery coming close at 195. The title would have been shared at 196 winners apiece but for a successful objection by the rider of the third horse to the winner after the last definitive race between Eddery and Cauthen when they finished first and second, respectively. In 1988, Eddery retains the title with 183 winners from just over 480 rides, a remarkable strike rate of over thirty-eight per cent. He wins the championship for the eleventh and final time in 1996. His final classic win is on Silver Patriarch in the St. Leger Stakes of 1997.

Eddery rides major winners outside Europe and the United States, including Jupiter Island in the 1986 Japan Cup, and French Glory in the Canadian International Stakes. He teams up with Lester Piggott, Joe Mercer and French jockeys Freddie Head and Yves Saint-Martin to take part in a series of challenge races under the Ritz Club Challenge Trophy at Singapore and other Asian cities starting in 1983 for several years. His overall total of winners in the UK, Ireland, mainland Europe and overseas, exceeds 6,000. Although fiercely competitive on the racetrack, he is popular with fellow jockeys, trainers, owners and racegoers, who respond to his good-natured personality, courtesy and sense of humour.

Eddery has a distinctive riding style that is not classically elegant but undoubtedly effective and strong in a finish. He rides a number of truly outstanding racehorses including Dancing Brave, El Gran Senor and Pebbles, but maintains that the brilliant and undefeated Derby winner, Golden Fleece, is the greatest of all the horses he partnered throughout his career.

Eddery continues to ride into his fifties, finally retiring in 2003. He is appointed an honorary Order of the British Empire (OBE) in 2005. He sets up an owners’ syndication business and takes out a training licence but has difficulty adjusting to life out of the saddle and becomes increasingly dependent upon alcohol. His training career meets with limited success, though he does train Hearts of Fire to win the Group 1 Gran Criterium of Italy in 2009.

Eddery marries Carolyn Mercer in November 1978. She is the daughter of flat jockey Manny Mercer, niece of jockey Joe Mercer, and granddaughter of jockey Harry Wragg. They have two daughters, Nichola and Natasha, and a son Harry. He has a son from an extramarital relationship, Toby Atkinson, who also becomes a jockey. The marriage with Carolyn breaks down in 2008 and the couple divorces in 2009.

Shortly after his marriage breaks down, Eddery begins living with Emma Owen, a former stable employee, at his 100-acre Musk Hill stud farm near Aylesbury, Buckinghamshire. He becomes progressively estranged from his children due to his continued alcoholism.

Eddery dies of a heart attack at the age of 63 on November 10, 2015. He leaves his £1.3 million estate to Emma Owen. His funeral takes place on December 8, 2015, and his remains are cremated at Oxford. Throughout his career, Eddery rode the winners of 4,632 British flat races, a figure exceeded only by Sir Gordon Richards and was UK Champion Jockey on eleven occasions and Irish Champion Jockey once. A plaque in his honour is unveiled by his children Nichola, Natasha and Harry at Ascot Racecourse in 2016, where he had been champion jockey at the Royal meeting on six occasions. He is inducted into the Qipco British Champions Series Hall of Fame in 2021, the second jockey after Lester Piggott to be so honoured.

(From: “Eddery, Patrick (Pat) James John” by P. Gerry McKenna, Dictionary of Irish Biography, http://www.dib.ie, September 2022)


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Gerry Adams & Hillary Clinton Meet in New York City

On March 16, 2015, the eve of Saint Patrick’s Day, two ascendant politicians—one from Ireland, one from the United States—meet in a ballroom at the Essex House, in New York City. Hillary Clinton is there to be inducted into the Irish America Hall of Fame, in recognition of her “outstanding leadership” in bringing peace to Northern Ireland during the 1990s, when her husband was president of the United States. Gerry Adams, the president of the Irish Republican political party Sinn Féin, is there because for many Americans he is a living symbol of that peace. One of the architects of the Good Friday Agreement, which brought an end to the decades-long conflict in Northern Ireland that is known as the Troubles, he is very popular in the United States and makes regular trips here to raise funds for his party. According to a report in The Irish Times, Sinn Féin has raised twelve million dollars in the United States over the prior two decades, from construction companies, labor unions, and movie stars like Anjelica Huston and Martin Sheen.

Adams, however, remains a polarizing figure in Ireland. Though he is a longtime figurehead of the Republican movement, he insists that he was never a member of the Irish Republican Army (IRA) and that he played no role in the violence of the Troubles. Some people in Ireland do not actually believe this story, and, in recent years leading up to this meeting, some of his former compatriots in the Republican movement have said that he authorized a series of wartime atrocities, including the murder and secret burial of Jean McConville, a mother of ten. Adams denies these claims, and generally derides those who ask questions about his past as political foes with an agenda or opponents of the peace process.

“I remember very well when the request came, back in 1993, that my husband approve a visa for Gerry Adams,” Clinton told the crowd at the Essex House. Bill Clinton granted the visa, which was a controversial move at the time, because of Adams’s alleged association with the IRA, but also a crucial moment in the peace process, because it helped cement Adams’s transformation from a revolutionary to a statesman. “Absent that first step, that first risk, we might not have had the momentum to move forward, to get to the Good Friday accords and all that has followed,” Clinton said.

There is no way of knowing whether Clinton, dressed in Kelly green, felt any distaste at the prospect of sharing a table with Adams. There is some thirty-five million Irish Americans, a great many of whom regard Adams as a kind of Nelson Mandela, and no prospective presidential candidate can decline a Saint Patrick’s Day invitation. And to be sure, the IRA is not alone in standing accused of atrocities during the Troubles. Loyalist paramilitary groups and British government forces also perpetrated war crimes for which they have not been brought to account. But Clinton does indicate, obliquely, that the transition in Northern Ireland is not entirely complete. “There is still work to be done,” Clinton acknowledges. “You cannot bring peace and security to people just by signing an agreement.” The question for the people of Northern Ireland, and for Adams’s supporters in the United States, is whether you can bring enduring peace and security without some reckoning—by all parties in the conflict—with the crimes of the past.

(From: “Gerry Adams and Hillary Clinton in New York” by Patrick Radden Keefe, The New Yorker, http://www.new yorker.com, March 17, 2015 | Photo: Hillary Clinton at a previous meeting with Gerry Adams at the State Department in 2009. Photograph by Mark Wilson/Getty)


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Death of Diarmuid O’Hegarty, Civil Servant & Revolutionary

Diarmuid O’Hegarty (Irish: Ó hÉigeartuigh), civil servant and revolutionary, dies in Dublin on March 14, 1958.

O’Hegarty is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the Dublin civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.

O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.

O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.

O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much “republican bitterness.” A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.

O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.

On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.

O’Hegarty dies on March 14, 1958, in Dublin, leaving an estate of £5,441. His papers are in the University College Dublin (UCD) Archives.


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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Commissioning of the USS Juneau

USS Juneau (CL-52), a United States Navy Atlanta-class light cruiser, is commissioned on February 14, 1942, with Captain Lyman Knute Swenson in command. The ship becomes horribly famous as the vessel which carries the five Irish American Sullivan brothers to their death on November 13, 1942, after it is hit by a Japanese torpedo at the Battle of Guadalcanal.

The USS Juneau is laid down by Federal Shipbuilding and Drydock Company, Kearny, New Jersey, on May 27, 1940, and launched on October 25, 1941, sponsored by Mrs. Harry I. Lucas, wife of the mayor of the city of Juneau, Alaska.

After a hurried shakedown cruise along the Atlantic Coast in the spring of 1942, USS Juneau assumes blockade patrol in early May off Martinique and the Guadeloupe archipelago to prevent the escape of Vichy French naval units. She returns to New York to complete alterations and operates in the North Atlantic and Caribbean from June 1 to August 12 on patrol and escort duties. The cruiser departs for the Pacific Theater on August 22.

On 8 November, USS Juneau departs Nouméa, New Caledonia, as a unit of Task Force 67 under the command of Rear Admiral Richmond K. Turner to escort reinforcements to Guadalcanal. The force arrives there on the morning of November 12, and USS Juneau takes up her station in the protective screen around the transports and cargo vessels. Unloading proceeds unmolested until 14:05, when 30 Japanese planes attack the alerted United States group. The anti-aircraft fire is effective, and the USS Juneau alone accounts for six enemy torpedo bombers shot down. The few remaining Japanese planes are, in turn, attacked by American fighters with only one bomber escaping. Later in the day, an American attack group of cruisers and destroyers clears Guadalcanal on reports that a large enemy surface force is headed for the island. At 01:48 on November 13, Rear Admiral Daniel J. Callaghan‘s relatively small landing support group engages the enemy. The Japanese force consists of two battleships, one light cruiser, and nine destroyers.

Because of bad weather and confused communications, the battle occurs in near-pitch darkness and at almost point-blank range, as the ships of the two sides become intermingled. During the melee, the USS Juneau is struck on the port side by a torpedo launched by Japanese destroyer Amatsukaze, causing a severe list, and necessitating withdrawal. Before noon on November 13, USS Juneau, along with two other cruisers damaged in the battle, USS Helena (CL-50) and USS San Francisco (CA-38), head toward Espiritu Santo for repairs. USS Juneau is steaming on one screw, keeping station 800 yards off the starboard quarter of the likewise severely damaged USS San Francisco. She is down 12 feet by the bow, but able to maintain 13 knots.

A few minutes after 11:00, two torpedoes are launched from Japanese submarine I-26. These are intended for USS San Francisco, but both pass ahead of her. One strikes USS Juneau in the same place that had been hit during the battle. There is a great explosion, and USS Juneau breaks in two and disappears in just 20 seconds. Fearing more attacks from I-26, and wrongly assuming from the massive explosion that there are no survivors, USS Helena and USS San Francisco depart without attempting to rescue any survivors. In fact, more than 100 sailors survive the sinking of USS Juneau. They are left to fend for themselves in the open ocean for eight days before rescue aircraft belatedly arrive. While awaiting rescue, all but ten die from the elements and shark attacks. Among those lost are the five Sullivan brothers. Two of the brothers apparently survive the sinking, only to die in the water. Two presumably go down with the ship. Some reports indicate the fifth brother also survives the sinking but disappears during the first night when he leaves a raft and gets into the water. On November 20, 1942, USS Ballard (DD-267) recovers two of the ten survivors. Five more in a raft are rescued by a PBY Seaplane five miles away. Three others, including a badly wounded officer, make it to San Cristobal (now Makira) Island, about 55 miles away from the sinking. One of the survivors recovered by USS Ballard says he had been with one of the Sullivan brothers for several days after the sinking.

As a direct result of the Sullivans’ deaths (and the deaths of four of the Borgstrom brothers within a few months of each other two years later), the United States Department of War adopts the Sole Survivor Policy, a set of regulations, partially stipulated by law, that are designed to protect members of a family from the draft during peacetime, or from hazardous duty or other circumstances, if they have already lost family members to military service.

To honor the five Sullivan brothers, who all died in the sinking, and the USS Juneau, the United States Navy later commissions two ships named USS The Sullivans, and two ships named USS Juneau. On March 17, 2018, the wreck of USS Juneau is located by Paul Allen‘s research crew on board RV Petrel at a depth of about 13,800 feet off the coast of the Solomon Islands in several large pieces.


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Birth of Irish Sports Broadcaster Jimmy Magee

Jimmy Magee, Irish sports broadcaster known as The Memory Man, is born on January 31, 1935, in New York City. He spends over half a century in sports broadcasting, and presents radio and television coverage of the Olympic Games since 1968 and the FIFA World Cup since 1966. By the time of his retirement he is the longest-serving sports commentator in the English-speaking world.

Magee is born to Patrick (Paddy) Magee and his wife Rose (née Mackin). The family returns to Ireland shortly after his birth. He and his three siblings are subsequently raised in Cooley, County Louth. As a child he is influenced by the sports commentary of the legendary Gaelic games broadcaster Michael O’Hehir. He recalls commentating as a seven-year-old for his next-door neighbour on a variety of imaginary games that the young Magee is also playing in. He also speaks of making up his own radio commentary in a field at a young age.

After being educated locally, Magee secures a full-time clerical post with Dundalk, Newry and Greenore Railway. While still working at the Railway he begins his broadcasting career. He starts out as a reporter for the Radio Éireann programme Junior Sports Magazine. Other contributors on the programme are Jim Tunney and Peter Byrne, former football correspondent with The Irish Times. On leaving his Railway job, he presents a number of sponsored radio programmes before concentrating on sport. He is a producer, presenter and script writer for Radio Éireann’s sponsored programmes in the 1950s and 1960s.

Magee and his wife Marie are married on October 11, 1955, and have five children: Paul, a soccer player with Shamrock Rovers F.C. (winning the League of Ireland Cup in 1977), who died of motor neuron disease, in May 2008, Linda (b. 1959), June (b. 1961), Patricia (b. 1962), and Mark (b. 1970).

Magee joins Raidió Teilifís Éireann in 1956. In 1966 he covers his first World Cup for RTÉ Radio. He does likewise for the 1970 FIFA World Cup before transferring to television for the 1974 FIFA World Cup finals. In all he provides commentary at eleven World Cups – his latest commentary coming at the 2010 FIFA World Cup in South Africa.

Magee’s column or quiz appears in every single publication of the Sunday World since the first edition in 1973.

Magee is also a staple of RTÉ’s coverage of the Olympic Games. Beginning at the 1968 Summer Olympics in Mexico City, he attends the eleven subsequent Olympic games as a commentator with RTÉ. In 2012, he commentates on the boxing for RTÉ at the 2012 Summer Olympics in London, including Katie Taylor‘s gold medal-winning fight. At the 2016 Summer Olympics, he provides commentary on the football.

From 1987 to 1998 Magee hosts Know Your Sport, a sports-themed quiz show, along with George Hamilton. His broadcasting career also sees him provide commentary for over 200 international football games, 30 European Cup finals, multiple Tour de France cycle races, World Athletic Championships and boxing. He also narrates numerous videos on sport in general such as The Purple and Gold, Meath Return to Glory, etc.

A freelancer, Magee works for Channel 4 in 1994 and signs for UTV in 1995 on a three-year contract where a lifetime ambition of commentating on All-Ireland Finals is achieved. He commentates on three finals in both hurling and football.

Magee launches his memoir, Memory Man, in 2012. Some of his one-liners in commentaries have become famous or infamous, what are affectionately known in the broadcasting industry as Colemanballs after the famed commentating clangers of BBC broadcaster David Coleman.

In the emotionally trying year of 1989, Magee’s mother and wife die within months of each other, Marie dying at the young age of 54.

Magee dies on September 20, 2017, after a short illness. Many tributes are made to him including Taoiseach Leo Varadkar who says, “His commentaries were legendary and based on a breadth of sporting knowledge that was peerless.” RTÉ Head of Sport Ryle Nugent says, “It’s hard to put it into words, the man meant an inordinate amount to so many people, I think he was the soundtrack to many generations.”

In 1972 Magee wins a Jacob’s Award for his radio sports commentaries. In 1989, he is the subject of a special tribute show on The Late Late Show. At the 2012 Summer Olympics in London, the International Olympic Committee presents him with a replica of its torch.


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Birth of Kitty Kiernan, Fiancée of Michael Collins

Catherine Brigid “Kitty” Kiernan, Irish woman widely known as the fiancée of Irish revolutionary leader and Chairman of the Provisional Government of the Irish Free State, Michael Collins, is born on January 26, 1892, in Granard, County Longford.

Kiernan is born to Peter Kiernan and Bridget (née Dawson). She is educated at Loreto Convent, County Wicklow. Hers is a very comfortably off merchant family with five sisters and one brother. Her parents enjoy a happy marriage, and life in the Kiernan home is joyous until Kitty reaches her teens. On November 27, 1907, her sister, Elizabeth Mary (a twin), dies at the age of eighteen of pulmonary tuberculosis, while Elizabeth’s twin sister, Rose, apparently dies the same year in Davos, Switzerland, which would also indicate tuberculosis as a cause of death. Her mother dies on November 29, 1908, of apoplexy, while her father dies almost exactly a year later, on November 9, 1909, of pneumonia. The Kiernan family owns the Greville Arms Hotel in the town, as well as a grocery shop, a hardware store, a timber and undertaking business and also a bar. Around the corner from the hotel, they operate a bakery which supplies the town and most of the surrounding countryside. All the family works in one capacity or another.

Michael Collins, one of the principal founders of the independent Irish state, is introduced to the vivacious Kiernan sisters by his cousin Gearóid O’Sullivan, who is already dating Maud Kiernan. Collins initially falls for the captivating Helen Kiernan, but she is already engaged to someone else. He then turns his interests to Kitty, who has already captured the interest of Collins’ friend Harry Boland. However, it is Collins to whom Kitty becomes engaged, with plans to marry Collins in a November 1922 double ceremony to include the nuptials of Maud and Gearóid. Collins’ assassination four months earlier, on August 22, 1922, near Béal na Bláth, County Cork, results in a single wedding taking place.

On June 10, 1925, Kiernan marries Felix Cronin, who is Quartermaster General in the Irish Army. They have two sons, Felix Jnr. and Michael Collins Cronin. Felix Jnr. and his son Rex are interred with his parents in Glasnevin Cemetery.

Kiernan dies, aged 52, of a cerebral hemorrhage on July 24, 1945, and her grave is close to that of Collins. Felix Cronin dies suddenly on October 22, 1961, while playing golf at Woodbrook Golf Club and is also buried in Glasnevin.

Kiernan and Michael Collins keep up a lengthy correspondence and while Collins is in London during the Anglo-Irish Treaty negotiations, he writes to her every day. The bulk of these letters are written between 1919 and 1922, and through their almost daily contact emerges a picture of the dreams and aspirations of the man often called Ireland’s “lost leader” and the woman with whom he wanted to share a “normal” life. These letters are the subject of a book written by Leon Ó Broin entitled In Great Haste. In 2000, some of the 300 letters sent by Kiernan and Collins to each other go on permanent display at the Cork Public Museum. These letters give a great insight into her attitude to life and into the political events of this time.

Former Fine Gael minister Peter Barry donates his collection of historic letters to the Lord Mayor of Cork, on behalf of the municipal museum. The collection, purchased from the Cronin family in 1995, is conserved at the Delmas bindery at Marsh’s Library in Dublin. The letters are also catalogued and then returned to the Cork Public Museum. The Peter Barry collection also contains letters from Harry Boland, a friend of Collins and former suitor of Kiernan.

In the 1996 film Michael Collins, Kiernan is played by American actress Julia Roberts though some reviewers are critical of the character’s development.

A number of Irish pubs are named in memory of Kiernan, such as one in Donnycarney, Dublin, one in Waterford, and one in the Bay Ridge section of Brooklyn in New York. A similar pub in Linz, Austria is closed in 2009.


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Death of Elizabeth Corbet Yeats, Educator & Publisher

Elizabeth Corbet Yeats, known as Lolly, Anglo-Irish educator and publisher, dies on January 16, 1940. She works as an art teacher and publishes several books on art and is a founder of Dun Emer Press which publishes several works by her brother, W. B. Yeats. She is the first commercial printer in Ireland to work exclusively with hand presses.

Yeats is born at 23 Fitzroy Road, London, on March 11, 1868. She is the daughter of the Irish artist John Butler Yeats and Susan Yeats (née Pollexfen). She is sister to W. B., Jack and Susan Mary “Lily” Yeats. From the age of four she lives in Merville, Sligo, at the home of her grandfather William Pollexfen. In November 1874 her family moves to 14 Edith Villas, West Kensington, London. Her governess is Martha Jowitt from 1876 until 1879 before the family moves to Bedford Park, Chiswick, in 1878.

Yeats returns to Howth, County Dublin, in 1881. She enrolls, with her sister Susan, in the Dublin Metropolitan School of Art in 1883 and takes classes at the Royal Dublin Society.

The family moves to Eardley Crescent, South Kensington, London, in 1886. While there Yeats starts to write fiction and publishes a homemade magazine, The Pleiades, with six friends, contributing “Story without a plot” to the Christmas 1888 issue. In addition, she publishes “Scamp and three friends” in The Vegetarian.

Yeats also attends the Chiswick School of Art with her sister Susan and brother Jack Butler Yeats, learning “Freehand drawing in all its branches, practical Geometry and perspective, pottery and tile painting, design for decorative purposes.”

In the 1890s Yeats lives at 3 Blenheim Road, Bedford Park, London, and trains as a kindergarten teacher at the Froebel College in Bedford, Bedfordshire. She undertakes her teaching practice at the Bedford Park High School. In 1892, when her training is completed, she teaches as a visiting art mistress at the Froebel Society, Chiswick High School and the Central Foundation School.

Yeats earns a good income from lecturing and publication of four popular painting manuals: Brushwork (1896), Brushwork Studies of Flowers, Fruits and Animals (1898), Brushwork Copy Book (1899), and Elementary Brushwork Studies (1900).

Yeats trains and works as an art teacher and is a member of William Morris‘s circle in London before her family returns to Dublin in 1900. She writes and creates the artwork for Elementary Brush-Work Studies (1900), an educational book that teaches young children the technique of painting flowers and plants using her simple method. At the suggestion of Emery Walker, who works with Morris on the Kelmscott Press, she studies printing with the Women’s Printing Society in London.

In Dublin, Yeats accepts the invitation to join Evelyn Gleeson to form the Dun Emer Guild along with Lily, who is an embroiderer. She manages the Dun Emer Press from 1902 with a printing press acquired from a provincial newspaper. The Press is located at Runnymede, the house of Evelyn Gleeson. This is set up with the intention of training young women in bookbinding and printing as well as embroidery and weaving. In 1903 she starts printing and Dun Emer’s first book is W. B. Yeats’s In the Seven Woods (1903).

Despite being a gifted printer, the costings exceed the quality of work that Yeats produces with the result that the press is often at risk financially. Eleven books, decorated with pastels by George William Russell, appear under the Dun Emer imprint produced from a first-floor room. She has several disagreements with her brother William over his directions as literary editor. She also dislikes Evelyn Gleeson. In October 1906 she travels to New York to advertise her products but publishes Dun Emer’s last book, William’s Discoveries (1907), in late November when she returns to Dublin.

After many years of strained relations between the Yeats sisters and Evelyn Gleeson, their business relationship is finally ended. Subsequently, in 1908, Lolly and her brother William start the Cuala Press, publishing over 70 books including 48 by the poet. Yeats manages the press while her sister Lily controls the embroidery section. Cuala continues to be a family strain. Their father, John Butler Yeats, has to castigate his son William for sending overtly critical letters to his sisters about the press. However, Cuala produces magnificent books: W. B. Yeats’ The Green Helmet and Other Poems (1910) and a series of Broadsides (published 1908–15, with illustrations from Jack Yeats).

Yeats works with Cuala Press until just before her death in Dublin on January 16, 1940, after a diagnosis of high blood pressure and heart trouble.

(Pictured: “Elizabeth Corbet Yeats” by Jack Butler Yeats, oil on canvas, circa 1899, National Gallery of Ireland)


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Birth of Clare Marsh, Still Life & Portrait Artist

Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.

Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.

Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying, “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”

Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.

Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.

Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.

(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)


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Birth of Jim Norton, Film & Television Character Actor

Jim Norton, Irish stage, film and television character actor, is born in Dublin on January 4, 1938. He is known for his work in the theatre, most notably in Conor McPherson‘s The Seafarer, and on television as Bishop Brennan in the sitcom Father Ted.

Norton is educated at Synge Street CBS. From an early age he wants to be an actor, and regularly attends performances at the Abbey Theatre. His mother, Frances, plays the violin and his father, Eugene, is a baritone singer and works as a bakery manager. He has one sibling, the late acting teacher Betty Ann Norton.

Norton has been acting for over forty years in theatre, television, and film, and frequently plays clergymen, most notably Bishop Brennan in the sitcom Father Ted, as well as roles in The Sweeney (1975), Peak Practice (1993), Sunset Heights (1997), A Love Divided (1999), Rebus: Black and Blue (2000), Mad About Mambo (2000), Boxed (2003) and Jimmy’s Hall (2014). He stars as Finian McLonergan in the critically acclaimed New York City Center‘s 2009 production of Finian’s Rainbow, and in October 2009 reprises the role in the Broadway revival at the St. James Theatre. His co-stars are Cheyenne Jackson (Woody) and Kate Baldwin (Sharon).

As well as Bishop Brennan in Father Ted, Norton also plays Albert Einstein in two episodes of Star Trek: The Next Generation (namely “The Nth Degree” and “Descent“); the librarian Lieutenant James Porteous in the highly acclaimed 1970s British television drama series Colditz; Phil Harrister, a criminal involved in an intricate bank robbery, in The Sweeney episode “Contact Breaker”; O’Brady in the Minder episode “National Pelmet“; and Rory, a roguish but genteel Irishman who is diagnosed with cirrhosis of the liver, in The Royal episode “Beggars and Choosers.”

Norton has appeared in two episodes of Van der Valk. On Babylon 5 he appears in a number of roles, including that of Ombuds Wellington in the 1994 episodes “Grail” and “The Quality of Mercy“; a Narn in “Dust to Dust” (1996); and Dr. Lazarenn, a Markab doctor, in “Confessions and Lamentations” (1995). In Fall of Eagles he plays Alexander Kerensky.

Other television work includes: 1990, Agatha Christie’s Poirot, Waking the Dead, Cheers, Frasier, Midsomer Murders, Maigret and Rumpole of the Bailey as Fig Newton, Stan Laurel in the BBC drama Stan (2006), Larry Joyce in the 2013 television drama Deception, and as the timid Gardener in the first series of the long-running CITV children’s series T-Bag: “Wonders in Letterland” (1985).

Norton makee his film debut with a small role in the 1965 thriller The Face of Fu Manchu starring Christopher Lee, and later appears in the 1969 epic film Alfred the Great as Thanet. He plays the part of Pongo in the screen version of Spike Milligan‘s war-time memoir Adolf Hitler: My Part in his Downfall. In 1971 he plays Chris Cawsey (aka “The Rat Man”), one of several villains in the controversial Sam Peckinpah film Straw Dogs starring Dustin Hoffman. His character has a deviously infectious, deliberately irritating laugh that helps build tension throughout the film.

Norton appears in the movie Memoirs of an Invisible Man alongside Chevy Chase in 1992. In the same year he also appears in the Irish-made film Into the West. He appears in the comedy On the Nose as Patrick Cassidy, along with Dan Aykroyd and Robbie Coltrane, in 2001. He appears in a cameo in Harry Potter and the Chamber of Secrets in 2002 as Mr. Mason. He plays an Irish immigrant in the 2005 Australian/UK co-production, The Oyster Farmer. He plays Herr Liszt in the 2008 holocaust film The Boy in the Striped Pyjamas.

In 2011 Norton appears as the character Old Mr. Black in the film Extremely Loud & Incredibly Close directed by Stephen Daldry. He appears in the 2011 film Water for Elephants, in which he portrays a circus worker called “Camel” who befriends a character played by Robert Pattinson. In 2012 he appears as the character Tommy in the short film Homemade written by Matthew Roche and directed by Luke McManus. He is in the Ken Loach film Jimmy’s Hall which is released in 2014. He plays the role of Mr. Heelshire in the 2016 film The Boy. In 2018 he plays the role of Mr. Binnacle in Mary Poppins Returns.

Norton has a longtime partnership with playwright Conor McPherson, having originated roles in six of his plays in Dublin, London and New York, and for which he has won both the Tony and Olivier Award. Norton plays Jack in The Weir (1997), Joe in Port Authority (2001), Matthew in Come On Over (2001), Richard in The Seafarer (2006–7), Reverend Berkeley in The Veil (2011), and Maurice in The Night Alive (2013).