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Birth of Ollie Campbell, Former Rugby Union Player

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Seamus Oliver “Ollie” Campbell, former rugby union player, is born in Dublin on March 5, 1954. He plays fly-half for the Ireland national rugby union team from 1976 to 1984. He is most well known for his role in orchestrating Ireland’s Triple Crown victory at the 1982 Five Nations Championship, breaking a drought of over 30 years. He has been described as Ireland’s most complete fly-half since Jack Kyle.

Campbell is educated at Belvedere College, a famous Irish rugby school in Dublin, where he is on the teams that win the Leinster Schools Rugby Senior Cup twice in a row in 1971 and 1972. He plays for Old Belvedere R.F.C. at club level and represents Leinster at provincial level, although prior to the professional era. While playing for Old Belvedere, he travels to the United States in 1978, where he plays in New York City against the Old Maroon Rugby Club.

Campbell wins a total of 22 caps for Ireland from 1976–1984, scoring 217 test points. His international career is more brief than this span suggests, however, as he plays only four full seasons for Ireland from 1980–1984. Of his career totals, he wins 22 caps and scores 182 points in the Five Nations tournament. He tours twice with Ireland, to Australia in 1979 and to South Africa in 1981.

Campbell wins his first cap for Ireland at the age of 21 against Australia in 1976, but does not secure another cap with Ireland until 1979 during Ireland’s 1979 tour to Australia. He sets an Irish record on the 1979 tour to Australia when he scors 60 points, 19 of them in Brisbane which is an Irish record for points in a match against Australia.

The defining moment in Campbell’s career comes in 1982, with Campbell as the architect-in-chief of Ireland’s 1982 Triple Crown victory, Ireland’s first since 1949. Ireland enters the tournament winless in its past eight matches. Campbell starts the 1982 Five Nations by scoring eight points in Ireland’s 20–12 win against Wales, and also playing a major hand in all three of Ireland’s tries. He then scores another eight points in the following match, a 16–15 win against England. In Ireland’s third match, he kicks all of Ireland’s 21 points, including a career best 6 penalties, against Scotland at Lansdowne Road to secure the Triple Crown. He is the leading scorer in the 1982 Five Nations with 46 points.

In the 1983 Five Nations Championship, Campbell leads Ireland to a joint Five Nations Championship shared with France. He is again the tournament’s leading scorer with 52 points, and scores 21 points against England to set an Irish record for most points against England in a Five Nations match. He plays his last match for Ireland in 1984 against Wales.

Campbell is also capped seven times for the British & Irish Lions. He earns three caps in the 1980 Lions tour to South Africa, where he is the Lions’ leading scorer in the last two tests with six and five points respectively. He earns another four caps in the 1983 Lions tour to New Zealand, where he is the Lions’ leading scorer in the four test matches with 15 points. He scores 184 points in total for the Lions.

Campbell retires from rugby in 1986 following two years of struggles with hamstring injuries. In 2007 he is presented with the Newbridge RFC Legend in Rugby Award along with the Irish Rugby Squad which won the 1982 Triple Crown and elected an Honorary Life Member of Newbridge RFC. He has worked in the family clothing business since retirement from rugby in 1984.

Old Belvedere’s sportsground on Anglesea Road in Dublin is renamed Ollie Campbell Park in his honour in 2019.


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Birth of Sculptor Augustus Saint-Gaudens

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Augustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.

Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13, he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.

After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to Admiral David Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.

From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.

Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.

Diagnosed with cancer in 1900, Saint-Gaudens dies at the age of 59 on August 3, 1907, in Cornish, New Hampshire.


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Birth of Sculptor Jerome Connor

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Jerome Connor, recognized world-class Irish sculptor, is born on February 23, 1874, in Coumduff, Annascaul, County Kerry.

In 1888, Connor emigrates to Holyoke, Massachusetts. His father is a stonemason, which leads to Connor’s jobs in New York as a sign painter, stonecutter, bronze founder and machinist. Inspired by his father’s work and his own experience, he would steal his father’s chisels as a child and carve figures into rocks.

It is believed Connor possibly assisted in the manufacture of bronzes such as the Civil War monument in Town Green in South Hadley, Massachusetts erected in 1896 and The Court of Neptune Fountain at the Library of Congress in Washington, D.C., completed in 1898.

Connor joins the Roycroft arts community in 1899 where he assists with blacksmithing and later starts creating terracotta busts and reliefs. Eventually he is recognized as Roycroft’s sculptor-in-residence.

After four years at Roycroft, Connor then works with Gustav Stickley and becomes well known as a sculptor being commissioned to create civic commissions in bronze for placement in Washington, D.C., Syracuse, East Aurora, New York, San Francisco, and in his native Ireland. In 1910, he establishes his own studio in Washington, D.C. From 1902 until his death, he produces scores of designs ranging from small portrait heads to relief panels to large civic commissions realized in bronze.

Connor is a self-taught artist who is highly regarded in the United States where most of his public works can be seen. He appears to be heavily influenced by the work of Irish American sculptor Augustus Saint-Gaudens. He uses the human figure to give expression to emotions, values and ideals. Many of the commissions he receives are for civic memorials and secular figures which he casts in bronze, a pronounced departure from the Irish tradition of stone carved, church sponsored works.

Connor’s best-known work is Nuns of the Battlefield located at the intersection of Rhode Island Avenue NW, M Street and Connecticut Avenue NW in Washington, D.C. It serves as a tribute to the over six hundred nuns who nursed soldiers of both armies during the American Civil War and is one of two monuments in the District that represent women’s roles in the Civil War. The sculpture is authorized by the United States Congress on March 29, 1918, with the agreement that the government will not fund it. The Ancient Order of Hibernians raises $50,000 for the project and Connor is selected since he focuses on Irish Catholic themes, being one himself. Connor, however, ends up suing the Order for nonpayment.

Connor works in the United States until 1925 at which time he moves to Dublin and opens his own studio but suffers from lack of financial support and patrons. In 1926 he is contacted by Roycroft and asked to design and cast a statue of Elbert Hubbard who, with his wife Alice, had died in the sinking of the RMS Lusitania. It is unveiled in 1930 and today stands on the lawn of East Aurora’s Middle School across the street from the Roycroft Chapel building.

While working on the Hubbard statue, Connor receives a commission to create a memorial for all the RMS Lusitania victims. It is to be erected in Cobh, County Cork where many of the victims are buried. The project is initiated by the New York Memorial Committee, headed by William Henry Vanderbilt whose father, Alfred Gwynne Vanderbilt, perished on the RMS Lusitania. He dies before the memorial is completed and based on Connor’s design its installation falls to another Irish artist.

Jerome Connor dies on August 21, 1943, of heart failure and reputably in poverty. There is a now a “Jerome Connor Place” in Dublin and around the corner there is a plaque in his honour on Infirmary Road, overlooking Dublin’s Phoenix Park, his favourite place.


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Birth of Frank Harris, Journalist & Novelist

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Frank Harris, Irish American editor, novelist, short story writer, journalist and publisher, is born James Thomas Harris to Welsh parents in Galway, County Galway on February 14, 1855. He is friendly with many well-known figures of his day.

Harris’s father, Thomas Vernon Harris, is a naval officer from Fishguard, Pembrokeshire, Wales. While living with his older brother he is, for a year or more, a pupil at The Royal School, Armagh. At the age of twelve he is sent to Wales to continue his education as a boarder at the Ruabon Grammar School in Denbighshire, a time he is to remember later in My Life and Loves. He is unhappy at the school and runs away within a year.

Harris runs away to the United States in late 1869, arriving in New York City virtually penniless. The 13-year-old takes a series of odd jobs to support himself, working first as a shoeshiner, a porter, a general laborer, and a construction worker on the erection of the Brooklyn Bridge. He later turns these early occupational experiences into art, incorporating tales from them into his book The Bomb (1908).

From New York Harris moves to Chicago, where he takes a job as a hotel clerk and eventually a manager. Owing to Chicago’s central place in the meat packing industry, he makes the acquaintance of various cattlemen, who inspire him to leave the big city to take up work as a cowboy. He eventually grows tired of life in the cattle industry and enrolls at the University of Kansas, where he studies law and earns a degree, gaining admission to the Kansas Bar Association.

Harris is not cut out to be a lawyer and soon decides to turn his attention to literature. He returns to England in 1882, later traveling to various cities in Germany, Austria, France, and Greece on his literary quest. He works briefly as an American newspaper correspondent before settling down in England to seriously pursue the vocation of journalism.

Harris first comes to general notice as the editor of a series of London papers including The Evening News, The Fortnightly Review and the Saturday Review, the latter being the high point of his journalistic career, with H. G. Wells and George Bernard Shaw as regular contributors.

From 1908 to 1914 Harris concentrates on working as a novelist, authoring a series of popular books such as The Bomb, The Man Shakespeare, and The Yellow Ticket and Other Stories. With the advent of World War I in the summer of 1914, he decides to return to the United States.

From 1916 to 1922 Harris edits the U.S. edition of Pearson’s Magazine, a popular monthly which combines short story fiction with socialist-tinted features on contemporary news topics. One issue of the publication is banned from the mails by United States Postmaster General Albert S. Burleson during the period of American participation in World War I. Despite this Harris manages to navigate the delicate situation which faces the left-wing press and keeps Pearson’s Magazine functioning and solvent during the war years.

Harris becomes an American citizen in April 1921. In 1922 he travels to Berlin to publish his best-known work, his four-volume autobiography My Life and Loves (1922–1927). It is notorious for its graphic descriptions of his purported sexual encounters and for its exaggeration of the scope of his adventures and his role in history. A fifth volume, supposedly taken from his notes but of doubtful provenance, is published in 1954, long after his death.

Harris also writes short stories and novels, two books on William Shakespeare, a series of biographical sketches in five volumes under the title Contemporary Portraits and biographies of his friends Oscar Wilde and George Bernard Shaw. His attempts as a playwright are less successful. Only Mr. and Mrs. Daventry (1900), which is based on an idea by Oscar Wilde, is produced on the stage.

Married three times, Harris dies of a heart attack in Nice, France on August 26, 1931. He is buried at Cimetière Sainte-Marguerite, adjacent to the Cimetière Caucade, in Nice. Just after his death a biography written by Hugh Kingsmill (pseudonym of Hugh Kingsmill Lunn) is published.


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Death of Irish Artist John Butler Yeats

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John Butler Yeats, Irish artist and the father of William Butler Yeats, Lily Yeats, Elizabeth Corbett Yeats and Jack Butler Yeats, dies in New York City on February 3, 1922. The National Gallery of Ireland holds a number of his portraits in oil and works on paper, including one of his portraits of his son William, painted in 1900. His portrait of John O’Leary (1904) is considered his masterpiece.

Yeats is born on March 16, 1839, in Lawrencetown, County Down, in what is now Northern Ireland. His parents are William Butler Yeats (1806–1862) and Jane Grace Corbert. He is the eldest of nine children. Educated in Trinity College Dublin and a member of the University Philosophical Society, Yeats begins his career as a lawyer and junior assistant briefly with Isaac Butt before he takes up painting in 1867 and studies at the Heatherley School of Fine Art.

Yeats marries Susan Pollexfen (13 July 1841 – 3 January 1900) on September 10, 1863, at St. John’s Church in Sligo. Susan Yeats is dismayed when her husband abandons the study of law to become an artist. She is described as a “shadowy figure” who goes “quietly, pitifully, mad.” They have six children: William Butler Yeats, Susan Mary “Lily” Yeats, Elizabeth Corbett “Lolly” Yeats, Robert Corbet Yeats, John “Jack” Butler Yeats and Jane Grace Yeats.

There are few records of his sales, so there is no catalogue of his work in private collections. It is possible that some of his early work may have been destroyed by fire in World War II. It is clear that he has no trouble getting commissions as his sketches and oils are found in private homes in Ireland, England and the United States. His later portraits show great sensitivity to the sitter. However, he is a poor businessman and is never financially secure. He moves frequently and shifts several times between England and Ireland.

In 1907, at the age of 68, he travels to New York aboard the RMS Campania, with his daughter Lily, and never returns to Ireland. In October 1909 he moves into his final home, a boarding house run by the Petitpas sisters which is located at 317 West Twenty-Ninth Street. In New York, he is friendly with members of the Ashcan School of painters.

John Butler Yeats dies in the boarding house on February 3, 1922. Edmund Quinn makes a death mask which is now in the collection of the Yeats Society in Sligo. Yeats is buried in Chestertown Rural Cemetery in Chestertown, New York, next to his friend, Jeanne Robert Foster.


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Death of Architect Michael Scott

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Michael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, dies on January 24, 1989.

Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.


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Birth of Playwright Thomas Cornelius Murray

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Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, is born in Macroom, County Cork on January 17, 1873.

Murray is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he had co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

T. C. Murray dies in Dublin on March 7, 1959.


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Birth of Sister Maura John Clarke

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Sister Maura John Clarke, Irish American Catholic Maryknoll sister who serves as a missionary in Nicaragua and El Salvador, is born Mary Elizabeth Clarke in Queens, New York on January 13, 1931, the eldest of three children.

Clarke’s parents, both born in Ireland, settle in Belle Harbor, Queens, New York in the late 1920s. She enters Maryknoll in 1950 and makes her first vows in 1953. Initially, she is attracted to Maryknoll by a deep desire “to become closer to God and to serve Him.”

After graduation from Maryknoll Teachers College in 1954, Sister Clarke is assigned to teach at St. Anthony’s Parish School in The Bronx. In 1959 her growing desire “to serve Him” is further strengthened with her assignment to Siuna, Nicaragua, as a teacher and then superior of the little community. She is in Managua from 1970 to 1976 where she ministers to the people, sharing with them in the cataclysmic earthquake of 1972. With them she works tirelessly, helping them rebuild their homes and establish basic Christian communities.

In 1977 Sister Clarke returns to the Center to serve on a Maryknoll Sisters World Awareness Team, working primarily along the East Coast of the United States. She is the same everywhere she serves – friendly, loving, generous, gentle, using her gifts and abilities tirelessly, and trusting that with God’s help she can do what is needed. When her term with the World Awareness Team ends early in 1980, she decides to return to Nicaragua.

In August 1980 emergency needs in El Salvador call Sister Clarke and she spends her first weeks there in Santa Ana. However, after Sister Carol Piette’s death, she volunteers immediately to accompany Sister Ita Ford in Chalatenango to minister to the poor and oppressed and the imprisoned.

When Sister Clarke comes to the Regional Assembly the day before Thanksgiving, November 26, 1980, she feels not only willing to return to El Salvador, but convinced that Chalatenango is the place where she can and will serve Christ’s poor. With Sister Ford she searches out the missing, prays with the families of prisoners, buries the dead, and works with the people in their struggle to break out of the bonds of oppression, poverty, and violence. Their days are filled with difficulty and fearful danger at times.

Sister Clarke returns with Sister Ford to El Salvador late in the afternoon of December 2, 1980. Two of their good friends and collaborators in mission meet them at the airport to take them back to Chalatenango. A few hours later she is beaten, raped, and murdered along with three fellow missionaries — Sister Ita Ford, Sister Dorothy Kazel and missionary Jean Donovan — by members of the military of El Salvador. She is buried in Chalatenango, El Salvador.


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Birth of Poet & Linguist Michael O’Siadhail

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Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.

O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).

At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).

O’Siadhail studies at Trinity College Dublin (1964–68) where his teachers include David H. Greene and Máirtín Ó Cadhain. He is elected a Scholar of the College and takes a First-Class Honours Degree. His circle at Trinity includes David McConnell (later professor of genetics), Mary Robinson and David F. Ford (later Regius Professor of Divinity at the University of Cambridge). He subsequently embarks on a government exchange scholarship studying folklore and the Icelandic language at the University of Oslo. He retains lifelong contacts with Norwegian friends and sees Scandinavian literature as a major influence.

In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June 17, 2013.

For seventeen years, O’Siadhail earns his living as an academic; firstly, as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”

During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.

O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.

O’Siadhail represents Ireland at the Poetry Society‘s European Poetry Festival in London in 1981 and at the Frankfurt Book Fair in 1997. He is writer-in-residence at the Yeats Summer School in 1991 and writer in residence at the University of British Columbia in 2002.

O’Siadhail is now married to Christina Weltz, who is a native of New York, and Assistant Professor of surgical oncology at Mount Sinai Hospital. They reside in New York.


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Death of Padraic Colum, Poet & Novelist

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Padraic Colum, Irish-born American poet, novelist, biographer, playwright, and children’s author whose lyrics capture the traditions and folklore of rural Ireland, dies in Enfield, Connecticut on January 11, 1972. He is one of the leading figures of the Irish Literary Revival.

Colum was born on December 8, 1881, in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.

Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.

The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.

Mary dies in 1957, and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.

Padraic Colum dies on January 11, 1972, at the age of 90, in Enfield, Connecticut. He is buried in St. Fintan’s Cemetery in Sutton, Dublin.