seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of Melesina Trench, Writer, Poet & Diarist

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Melesina Trench (née Chenevix), Irish writer, poet and diarist, is born in Dublin on March 22, 1768. During her lifetime she is known more for her beauty than her writing. It is not until her son, Richard Chenevix Trench, publishes her diaries posthumously in 1861 that her work receives notice.

Melesina Chenevix is born to Philip Chenevix and Mary Elizabeth Gervais. She is orphaned before her fourth birthday and is brought up by her paternal grandfather, Richard Chenevix (1698–1779), the Anglican Bishop of Waterford and Lismore. The family is of Huguenot extraction.

After the death of Richard Chenevix she goes to live with her other grandfather, the Archdeacon Gervais. On October 31, 1786, she marries Colonel Richard St. George, who dies only four years later in Portugal, leaving one son, Charles Manners St. George, who becomes a diplomat.

Between 1799 and 1800, Melesina travels around Europe, especially Germany. It is during these travels that she meets Lord Horatio Nelson, Lady Hamilton and the cream of European society, including Antoine de Rivarol, Lucien Bonaparte, and John Quincy Adams while living in Germany. She later recounts anecdotes of these meetings in her memoirs.

On March 3, 1803, in Paris she marries her second husband, Richard Trench, who is the sixth son of Frederick Trench and brother of Frederick Trench, 1st Baron Ashtown.

After the breakdown of the Peace of Amiens, Richard Trench is detained in France by Napoleon‘s armies, and in August 1805 Melesina takes it upon herself to petition Napoleon in person and pleads for her husband’s release. Her husband is released in 1807, and the couple settles at Elm Lodge in Bursledon, Hampshire, England.

Their son, Francis Chenevix Trench, is born in 1805. In 1807, when they are on holiday in Dublin, their son Richard Chenevix Trench is born. He goes on to be the Archbishop of Dublin, renowned poet and contemporary of Alfred, Lord Tennyson. Her only daughter dies a few years later at the age of four.

Trench corresponds with, amongst others, Mary Leadbeater, with whom she works to improve the lot of the peasantry at her estate at Ballybarney. She dies at the age of 59 in Malvern, Worcestershire on May 27, 1827.

Melesina Trench’s diaries and letters are compiled posthumously by Richard Chenevix Trench as The remains of the late Mrs. Richard Trench in 1861 with an engraving of her taken from a painting by George Romney. Another oil painting, The Evening Star by Sir Thomas Lawrence, has her as a subject, and she is reproduced in portrait miniatures – one in Paris by Jean-Baptiste Isabey and another by Hamilton that is copied by the engraver Francis Engleheart.

Copies of a number of her works are held at Chawton House Library.

(Pictured: “Melesina Chenevix, Mrs. George, later Mrs. Trench,” attributed to George Romney (British, 1734–1802), oil on canvas)


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Birth of Irish Composer Gráinne Mulvey

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Irish composer Gráinne Mulvey is born on March 10, 1966, in Dún Laoghaire, County Dublin. Her music is timbrally and rhythmically complex — a legacy of her work in the electroacoustic field. Her microtonally-inflected language derives ultimately from the natural harmonic series, placing her somewhat in the spectral tradition.

Mulvey studies with Eric Sweeney at Waterford Regional Technical College, Hormoz Farhat at Trinity College Dublin and Agustín Fernández at Queen’s University, Belfast. In 1999 she gains a DPhil in Composition at the University of York under Nicola LeFanu. In 2001 she is appointed Head of Composition at Dublin Institute of Technology Conservatory of Music and Drama.

Mulvey is appointed as one of the Course Directors of the IMRO Summer School of Composition in 2014. In 2001, 2010 and 2011, she was on the adjudicator’s panel for the Guido d’Arezzo Composers’ Composition Competition in Italy. She has curated concerts for the Contemporary Music Centre, Ireland in 2011 and 2012, the Association of Irish Composers in May 2016 and a retrospective concert of her work at The Carlow Arts Festival in June 2016.

Mulvey’s music has been widely performed both in Ireland and abroad and her works have been broadcast by radio stations across the globe. One of her earliest works Étude, for piano (1994), is selected for that year’s International Rostrum of Composers in Paris, an honour that is to be repeated with 2004’s orchestral work Scorched Earth, and in 2015 with Diffractions for orchestra, in Slovenia. She is a featured composer in the 2007 Horizons concert series, with the RTÉ National Symphony Orchestra, conductor Robert Houlihan, performing three of her orchestral works. She has the distinction of being selected for the ISCM World Music Days in consecutive years with Akanos (Vilnius, Lithuania, 2008 and Växjö, Sweden, 2009).

In April 2010, Mulvey is elected to membership of Aosdána, the State-recognised affiliation of creative artists in Ireland. A CD Akanos & Other Works, dedicated to her recent work, is released in February 2014 on the Navona label.


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Birth of Irish Artist Nano Reid

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Nano Reid, Irish landscape artist, figure painter and portraitist, is born in Drogheda, County Louth on March 1, 1900. An individual, expressionistic artist, Reid is acknowledged to be one of the finest Irish woman painters of twentieth-century visual art in Ireland. Her works are represented in many public collections throughout Ireland.

In 1920, Reid wins a scholarship to study fine art painting and drawing at the Dublin Metropolitan School of Art, now the National College of Art and Design, under Harry Clarke. At the time, she is, in the words of fellow student Hilda van Stockum, “a fierce redhead…uncompromising and looking for truth.” In 1925 she starts showing at the Royal Hibernian Academy (RHA), submitting a total of 42 canvases until the late 1960s.

In 1928, Reid goes to Paris and enrolls briefly at the Académie de la Grande Chaumière, after which she spends a year in London studying fine art at the Central School of Arts and Crafts under Bernard Meninsky. She returns to Ireland in 1931 and once more begins exhibiting her landscape painting at the RHA.

In 1950, with Norah McGuinness, Reid represents Ireland at the Venice Biennale. This is followed by the Exhibition of Contemporary Irish Art in Aberystwyth, Wales (1953), and the Mostra Internazionale di Bianco e Nero in Lugano, Switzerland (1956), the Guggenheim International Award Exhibition in New York City (1960) and the Twelve Irish Painters show in New York City (1963). In 1974, the Arts Council and the Arts Council of Northern Ireland stage a major retrospective of Reid’s artworks.

Nano Reid dies in Drogheda in 1981. Retrospectives are held at Taylor Galleries in Dublin (1984), Droichead Arts Centre in Drogheda (1991), and at Linenhall Arts Centre in Castlebar, County Mayo (1999).

(Pictured: “Crumphan, Achill,” oil on canvas)


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Birth of James Stephens, Novelist & Poet

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James Stephens, Irish novelist and poet, is born in Dublin on February 9, 1880.

Stephens’ mother works in the home of the Collins family of Dublin and is adopted by them. He is committed to the Meath Protestant Industrial School for Boys as a small child and spends his childhood there. He attends school with his adopted brothers Thomas and Richard before graduating as a solicitor’s clerk. He is known affectionately in school as “Tiny Tim” due to his 4’10” stature. He is much enthralled by the tales of military valour of his adoptive family and would have become a soldier if not for his height.

By the early 1900s Stephens is increasingly inclined to socialism and the Irish language and by 1912 is a dedicated Irish Republican. He is a close friend of the 1916 Easter Rising leader Thomas MacDonagh, who is then editor of The Irish Review and deputy headmaster in St. Enda’s School, the radical bilingual school run by Patrick Pearse. His growing nationalism brings a schism with his adopted family, but probably wins him his job as registrar in the National Gallery of Ireland, where he works between 1915 and 1925, having previously had an ill-paid job with the Mecredy solicitors’ firm.

Stephens produces many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humour and lyricism. He also writes several original novels, The Crock of Gold, Etched in Moonlight and Demi-Gods, based loosely on Irish fairy tales. The Crock of Gold in particular has achieved enduring popularity and has often been reprinted.

Stephens begins his career as a poet under the tutelage of “Æ” (George William Russell). His first book of poems, Insurrections, is published in 1909. His last book, Kings and the Moon (1938), is also a volume of verse.

Stephens’s influential account of the 1916 Easter Rising, Insurrection in Dublin, describes the effect of the deaths by execution of his friend Thomas MacDonagh and others as being “like watching blood oozing from under a door.” Of MacDonagh he writes:

No person living is the worse off for having known Thomas MacDonagh, and I, at least, have never heard MacDonagh speak unkindly or even harshly of anything that lived. It has been said of him that his lyrics were epical; in a measure it is true, and it is true in the same measure that his death was epical. He was the first of the leaders who was tried and shot.

Stephens lives between Paris, London and Dublin. During the 1930s he is a friend of James Joyce, and they mistakenly believe that they share a birthday. Joyce, who is concerned about his ability to finish what later becomes Finnegans Wake, proposes that Stephens assist him, with the authorship credited to JJ & S, short “Jameses Joyce & Stephens,” but also a pun on the popular Irish whiskey made by John Jameson & Sons. The plan is never implemented, as Joyce is able to complete the work on his own.

During the last decade of Stephens’ life, he finds a new audience through a series of broadcasts on the BBC. He dies at Eversleigh on Saint Stephen’s Day, December 26, 1950.


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Birth of Irish Novelist Arthur Joyce Lunel Cary

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Irish novelist Arthur Joyce Lunel Cary is born in a hospital in Derry, County Londonderry, in what is now Northern Ireland, on December 7, 1888. Shortly after his birth the family moved to London.

Cary is born into an old Anglo-Irish family, and at age 16 he studies painting in Edinburgh and then in Paris. From 1909 to 1912 he is at Trinity College, Oxford, where he reads law. Having joined the colonial service in 1914, he serves in the Nigeria Regiment during World War I. He is wounded while fighting in Cameroon and returns to civil duty in Nigeria in 1917 as a district officer. West Africa becomes the locale of his early novels.

Resolved to become a writer, Cary settles in Oxford in 1920. Although that year he publishes ten short stories in The Saturday Evening Post, he decides he knows too little about philosophy, ethics, and history to continue writing in good conscience. Study occupies the next several years, and it is only in 1932 that his first novel, Aissa Saved, appears. The story of an African girl converted to Christianity but still retaining pagan elements in her faith, it is followed by three more African novels — An American Visitor (1933), The African Witch (1936), and Mister Johnson (1939) — and a novel about the decline of the British Empire, Castle Corner (1938). Childhood is the theme of his next two novels, his own in A House of Children (1941) and that of a cockney wartime evacuee in the country in Charley Is My Darling (1940).

Cary’s trilogy on art begins with the first-person narration of a woman, Sara Monday, in Herself Surprised (1941) and follows with that of two men in her life, the lawyer Tom Wilcher in To Be a Pilgrim (1942) and the artist Gulley Jimson in The Horse’s Mouth (1944), his best-known novel. Monday is portrayed as a warm-hearted, generous woman who is victimized both by the conservative upper-class Wilcher and by the talented but disreputable painter Jimson. The latter character is a social rebel and visionary artist whose humorous philosophy and picaresque adventures in The Horse’s Mouth helped make him one of the best-known characters in 20th-century fiction.

Similarly, Cary’s other trilogy is seen from the vantage of a politician’s wife in A Prisoner of Grace (1952), the politician himself in Except the Lord (1953), and the wife’s second husband in Not Honour More (1955).

In 1952, Cary has some muscle problems which are originally diagnosed as bursitis, but as more symptoms are noted over the next two years, the diagnosis is changed to that of motor neuron disease (known as Lou Gehrig’s disease (ALS) in North America), a wasting and gradual paralysis that is terminal. As his physical powers fail, Cary has to have a pen tied to his hand and his arm supported by a rope to write. Finally, he resorts to dictation until unable to speak, and then ceases writing for the first time since 1912. His last work, The Captive and the Free (1959), first volume of a projected trilogy on religion, is unfinished at his death on March 29, 1957. His short stories are collected in Spring Song (1960).


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Death of Erskine Hamilton Childers, 4th President of Ireland

Erskine Hamilton Childers, Fianna Fáil politician who serves as the 4th President of Ireland, dies on November 17, 1974. He also serves as Tánaiste and Minister for Health from 1969 to 1973, Minister for Transport and Power from 1959 to 1969, Minister for Posts and Telegraphs from 1951 to 1954 and 1966 to 1969. He served as a Teachta Dála (TD) from 1938 to 1973.

Childers is born on December 11, 1905, in the Embankment Gardens, London, to a Protestant family originally from Glendalough, County Wicklow. He is educated at Gresham’s School, Holt, and the University of Cambridge. In 1922, when Childers is sixteen, his father, Robert Erskine Childers, is executed by the new Irish Free State on politically inspired charges of gun-possession. After attending his father’s funeral, Childers returns to Gresham’s, then two years later he goes on to Trinity College, Cambridge.

After finishing his education, Childers works for a period in a tourism board in Paris. In 1931, Éamon de Valera invites him to work for his recently founded newspaper, The Irish Press, where Childers becomes advertising manager. He becomes a naturalised Irish citizen in 1938. That same year, he is first elected as a Fianna Fáil Teachta Dála (TD) for Athlone–Longford. He remains in the Dáil Éireann until 1973, when he resigns to become President.

Childers joins the cabinet in 1951 as Minister for Posts and Telegraphs in the de Valera government. He then serves as Minister for Lands in de Valera’s 1957–59 cabinet, as Minister for Transport and Power under Seán Lemass, and, successively, as Transport Minister, Posts and Telegraphs Minister, and Health Minister under Jack Lynch. He becomes Tánaiste in 1969.

Fine Gael TD Tom O’Higgins, who had almost won the 1966 presidential election, is widely expected to win the 1973 election when he is again the Fine Gael nominee. Childers is nominated by Fianna Fáil at the behest of de Valera, who pressures Jack Lynch in the selection of the presidential candidate. He is a controversial nominee, owing not only to his British birth and upbringing but to his Protestantism. However, on the campaign trail his personal popularity proves enormous, and in a political upset, Childers is elected the fourth President of Ireland on May 30, 1973, defeating O’Higgins by 635,867 votes to 578,771.

Childers quickly gains a reputation as a vibrant, extremely hard-working president, and becomes highly popular and respected. However, he has a strained relationship with the incumbent government, led by Taoiseach Liam Cosgrave of Fine Gael. Childers had campaigned on a platform of making the presidency more open and hands-on, which Cosgrave views as a threat to his own agenda as head of government. Childers considers resigning from the presidency but is convinced to remain by Cosgrave’s Minister for Foreign Affairs and Trade, Garret FitzGerald.

Though frustrated about the lack of power he has in the office, Childers’ daughter Nessa believes that he plays an important behind-the-scenes role in easing the Northern Ireland conflict, reporting that former Prime Minister of Northern Ireland Terence O’Neill meets secretly with her father at Áras an Uachtaráin on at least one occasion.

Prevented from transforming the presidency as he desired, Childers instead throws his energy into a busy schedule of official visits and speeches, which is physically taxing. On November 17, 1974, just after making a speech to the Royal College of Physicians of Ireland in Dublin, Childers suffers a heart attack. He dies the same day at Mater Misericordiae University Hospital.

Childers’s state funeral in St. Patrick’s Cathedral, Dublin is attended by world leaders including the Louis Mountbatten, 1st Earl Mountbatten of Burma (representing Queen Elizabeth II), the Prime Minister of the United Kingdom and leader of the Opposition, and presidents and crowned heads of state from Europe and beyond. He is buried in the grounds of the Church of Ireland Derralossary church in Roundwood, County Wicklow.


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Birth of Landscape Painter Francis Danby

Francis Danby, Irish painter of the Romantic era, is born near Killinick, County Wexford, on November 16, 1793. His imaginative, dramatic landscapes are comparable to those of John Martin. Danby initially develops his imaginative style while he is the central figure in a group of artists who have come to be known as the Bristol School. His period of greatest success is in London in the 1820s.

The death of Danby’s father in 1807 causes the family to move to Dublin. He begins to practice drawing at the Royal Dublin Society‘s schools and, under an erratic young artist named James Arthur O’Connor, he begins painting landscapes. Danby also makes acquaintance with George Petrie.

In 1813 Danby leaves for London together with O’Connor and Petrie. This expedition, undertaken with very inadequate funds, quickly comes to an end, and they have to get home again by walking. At Bristol they make a pause and Danby, finding he can get trifling sums for watercolor drawings, remains there working diligently and sending pictures of importance to the London exhibitions. There his large oil paintings quickly attract attention.

Around 1819, Danby becomes a member of the informal group of artists which become known as the Bristol School, taking part in their evening sketching meetings and sketching excursions visiting local scenery. He remains connected with members of the Bristol School for about a decade, even after leaving Bristol in 1824.

The group initially forms around Edward Bird, and Danby eventually succeeds Bird as its central figure. The Bristol artists, particularly the amateur Francis Gold, are also important in influencing Danby towards a more imaginative and poetical style. George Cumberland, another of the amateurs, has influential London connections. In 1820 when Danby exhibits The Upas Tree of Java at the British Institution, Cumberland uses his influence to promote its favourable reception. Danby’s atmospheric work An Enchanted Island, successfully exhibited in 1825 at the British Institution and then back in Bristol at the Bristol Institution, is in turn particularly influential on other Bristol School artists.

The Upas Tree of Java (1820) and The Delivery of Israel (1825) bring him his election as an Associate Member of the Royal Academy of Arts. He leaves Bristol for London, and in 1828 exhibits his Opening of the Sixth Seal at the British Institution, receiving from that body a prize of 200 guineas.

In 1829 Danby’s wife deserts him, running off with the painter Paul Falconer Poole. Danby leaves London, declaring that he will never live there again. For a decade he lives on the Lake Geneva in Switzerland, becoming a Bohemian with boat-building fancies, painting only occassionaly. He later moves to Paris for a short period of time. He returns to England in 1840.

Francis Danby lives his final years at Exmouth in Devon, where he dies on February 9, 1861. Along with John Martin and J. M. W. Turner, Danby is considered among the leading British artists of the Romantic period.


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Death of Thomas “Buck” Whaley

Thomas Whaley, Irish gambler and member of the Irish House of Commons commonly known as Buck Whaley or Jerusalem Whaley, dies on November 2, 1800, in England.

Whaley is born in Dublin on December 15, 1766, the eldest surviving son of the landowner, magistrate and former Member of Parliament Richard Chapell Whaley. At the age of sixteen, he is sent to Europe on the Grand tour, accompanied by a tutor. He settles in Paris for some time, maintaining both a country residence and town house, but is forced to leave Paris when his cheque for the amount of £14,000, to settle gambling debts accrued in one night of gambling, is refused by his bankers. Following his return to Dublin, Whaley, at the age of eighteen, is elected to the Irish House of Commons in 1785 representing the constituency of Newcastle in County Dublin.

While dining with William FitzGerald, 2nd Duke of Leinster at Leinster House, wagers totaling £15,000 are offered that Whaley cannot travel to Jerusalem and back within two years and provide proof of his success. The reasoning of those offering the bets is based on the belief that, as the region was part of the Ottoman Empire and had a reputation for widespread banditry, it will be too dangerous for travelers, and it will be unlikely that Whaley can complete the journey.

Whaley embarks from Dublin on October 8, 1788. He sails first to Deal, Kent, where he is joined by a companion, a Captain Wilson, and then on to Gibraltar. In Gibraltar, his party is joined by another military officer, Captain Hugh Moore. The party sets sail for the port of Smyrna, although Wilson is prevented from travelling any further due to rheumatic fever. The remaining pair make an overland journey from there to Constantinople, arriving in December.

The British ambassador in Constantinople introduces Whaley to the Vizier Cezayirli Gazi Hasan Pasha. Taking a liking to Whaley, Hasan Pasha provides him with permits to visit Jerusalem. Whaley’s party leaves Constantinople on January 21, 1789, by ship and sail to Acre, Israel. He encounters the Wāli of Acre and Galillee, Ahmad Pasha al-Jazzar. Al-Jazzar, notoriously known as “The Butcher” in the region he rules, takes a liking to Whaley and, though he dismisses the documents issued in Constantinople as worthless, he permits Whaley to continue his journey.

Whaley and his companions make their way overland to Jerusalem, arriving on January 28. During his visit, he stays at a Franciscan monastery, the Convent of Terra Sancta. It is a signed certificate from the superior of this institution, along with detailed observations of the buildings of Jerusalem, that provide the proof needed to prove the success of his journey. They stay for little over a month before returning overland to Ireland.

Whaley arrives back in Dublin in the summer of 1789 to great celebrations and collects the winnings of the wager. The trip costs him a total of £8,000, leaving him a profit of £7,000.

Following his Jerusalem exploit, Whaley remains in Dublin for two years and later spends time in London and travelling in Europe, including Paris during the Revolutionary period. Due to mounting debts, he is forced to sell much of his estate in the early 1790s and these financial problems also lead to his departure from Dublin.

Thomas Whaley dies on November 2, 1800, in the Cheshire town of Knutsford, while travelling from Liverpool to London. The cause of death is attributed to rheumatic fever, although a popular story circulated in Ireland is that he is stabbed in a jealous rage by one of two sisters, both of whom are objects of his attentions.


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Birth of Soprano Catherine Hayes

Catherine Hayes, world-famous Irish soprano of the Victorian era, is born in Limerick, County Limerick, on October 25, 1818. According to London‘s Daily Express, “Hayes was the ‘Madonna‘ of her day; she was the 19th-century operatic equivalent of the world’s most famous pop star.”

Hayes is born into abject poverty. After five years of vocal study in Paris and Milan she makes her debut at the Italian Opera in Marseilles, in Vincenzo Bellini‘s I Puritani in May 1845, followed by performances of Gaetano Donizetti‘s Lucia di Lammermoor and Gioachino Rossini‘s Mosé in Egitto.

Her debut at La Scala in Milan quickly followed in 1845 with phenomenal success. Shortly thereafter the young Giuseppe Verdi becomes interested in her for one of his new operas. Her great success continues in Vienna, as well as in Venice, Florence, Genoa, Rome and other cities in Italy, where she becomes the most sought after Lucia di Lammermoor.

Early in 1849, Hayes accepts a contract to sing at the Royal Opera House, Covent Garden, London where she makes her debut in Linda di Chamounix in April. In June 1849, she receives an invitation to sing at Buckingham Palace for Queen Victoria and 500 guests. After an evening of Italian music, when the Queen requests an encore, Hayes with a smile sings the beautiful Irish rebel song “Kathleen Mavourneen.”

During Ireland’s Great Famine in November 1849, her emotional return to her native country results in rave notices for her performance in Lucia di Lammermoor and other operas and concerts in Dublin, Limerick and Cork. Her success is now almost complete.

In 1851 Hayes goes to the United States, where Jenny Lind is creating such a wave of success. Hayes gives concerts in New York City, Boston, Toronto, Philadelphia, Washington, D.C., Charleston, Savannah and New Orleans and forty-five other places including the river towns along the Mississippi River, with equal success. She meets presidents, statesmen and business leaders along the way. She is also destined to meet her future lover and husband in America, Jenny Lind’s former manager. Her travels take her to the “gold rush” in the San Francisco area in the 1850s, where her presence creates a furor, singing for the miners and the elite of San Francisco. The great showman P.T. Barnum sponsors her tour.

She sings in opera and concerts in Peru and Chile, then travels to Hawaii where she gives a concert before continuing on to Australia. Hayes is the first great European opera star to visit Australia. She is mentioned in most Australian history books about early culture in the young colony.  She also travels to Calcutta, India where she performs for the British Military and then on to Singapore and Batavia (Java) before returning to Australia for more opera and concerts.

Hayes returns to England in August 1856, after an absence of five years.  On October 8, 1857, at St. George’s, Hanover Square, she marries William Avery Bushnell. He soon falls into ill-health and dies at Biarritz, France, on July 2, 1858. After her husband’s death she takes part in concerts in London and the country towns.

Catherine Hayes dies in the house of a friend, Henry Lee, at Roccles, Upper Sydenham, Kent, on August 11, 1861, and is buried in Kensal Green Cemetery.


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Birth of Fanny Parnell, Poet & Nationalist

Fanny Parnell, Irish poet and Nationalist, is born Frances Isabelle Parnell in Avondale, County Wicklow on September 4, 1848. She is the sister of Charles Stewart Parnell, an important figure in nineteenth century Ireland.

Parnell is the eighth child out of eleven and fourth daughter born to John Henry Parnell, a landowner and the grandson of the last Chancellor of the Exchequer of Ireland, and Delia Tudor Stewart Parnell, an Irish American and the daughter of Admiral Charles Stewart (1778–1869) of the United States Navy. Her mother hates British rule in Ireland, a view presented through her children’s works. She is an intelligent girl and before she is through her teen years, she has studied mathematics, chemistry, and astronomy, and she can speak and write fluently in almost all the major European languages. She also has talents in music and painting and drawing in oil and water colours. Her parents separate when she is young. Soon afterwards, in July 1859, her father dies at the age of forty-eight and she and her mother move to Dalkey. A year later they move to Dublin, and in 1865 they move to Paris where Fanny studies art and writes poetry. In 1874 they move to Bordentown, New Jersey in the United States.

Parnell is known as the Patriot Poet. She shows interest in Irish politics and much of her poetry is about Irish nationalism. While she is living in Dublin in 1864, she begins publishing her poetry under the pseudonym “Aleria” in The Irish People, the newspaper of the Fenian Brotherhood. Most of her later work is published in The Pilot in Boston, the best-known Irish newspaper in America during the nineteenth century. Two of her most widely published works are The Hovels of Ireland, a pamphlet, and Land League Songs, a collection of poems. Her best-known poem is “Hold the Harvest,” which Michael Davitt refers to as the “Marseillaise of the Irish peasant.”

Parnell’s brother, Charles, becomes active in the Irish National Land League, an organisation that fights for poor tenant farmers, in 1879 and she strongly supports him. She and her younger sister, Anna Parnell (1852–1911), co-found the Ladies’ Land League in 1880 to raise money in America for the Land League. In 1881 the Ladies’ Land League continues the work of the men in the Land League while they are being imprisoned by the British government. In Ireland Anna becomes the president of the Ladies’ Land League, and the women hold many protests and quickly become more radical than the men, to the resentment of the male leaders. Fanny stays in America and works to raise money for the organisation. Most of the Land League’s financial support comes from America because of the campaigning done by Fanny Parnell.

Fanny Parnell dies on July 20, 1882, at the young age of 33, of a heart attack at the family mansion in Bordentown, New Jersey. She is buried at the Tudor family plot at Mount Auburn Cemetery in Cambridge, Massachusetts.