Blanchflower is born on February 10, 1926, in the Bloomfield district of Belfast, the first of five children born to John and Selina Blanchflower. He is educated at Ravenscroft public elementary school and is awarded a scholarship to Belfast College of Technology. He leaves school early to become an apprentice electrician at Gallaher’s cigarette factory in Belfast. He also joins the Air Raid Precautions (ARP) and, in 1943, joins the Royal Air Force after lying about his age. By 1946, after a trainee navigator course at the University of St. Andrews in Scotland and further training in Canada, he is back at Gallaher’s in Belfast and building a reputation as an outstanding footballer.
Blanchflower signs with Glentoran F.C. in 1946 before crossing the Irish Sea and signing with Barnsley F.C. for £6000 in 1949 at the age of 23. He transfers from Barnsley to Aston Villa F.C. for a fee of £15,000 and makes his First Division debut in March 1951. He makes 155 senior appearances for Villa before being bought by Tottenham Hotspur F.C. in 1954 for a fee of £30,000. During his ten years playing at White Hart Lane he makes 337 League appearances and 382 total appearances.
The highlight of Blanchflower’s time with the Spurs comes in the 1960–61 season, while serving as captain, the Spurs win their first 11 games and eventually win the league by 8 points. They beat Leicester City F.C. in the final of the FA Cup, becoming the first team in the 20th century to win the League and Cup double and a feat not achieved since Aston Villa in 1897.
In 1962, Blanchflower again captains the Spurs team to victory in the FA Cup in 1962, narrowly missing out on a second double when they finish a close third in the league behind Ipswich Town F.C. and Burnley F.C. In 1963, he captains the team to victory over Atlético Madrid in the final of the European Cup Winners’ Cup, making Spurs the first English team to win a European trophy.
Between 1949 and 1963, Blanchflower earns 56 caps for Northern Ireland, often playing alongside his brother Jackie until the younger Blanchflower’s playing career is cut short as a result of injuries sustained in the Munich air disaster of February 1958. In 1958, he captains his country when they reached the quarter-finals of the FIFA World Cup.
On December 4, 1957, Blanchflower captains the Northern Ireland team against Italy in Belfast in a bad tempered game that comes to be known as the “Battle of Belfast.” He attempts to keep the peace as the game turns nasty.
Blanchflower announces his retirement as a player on April 5, 1964, having played nearly 400 games in all competitions for the Spurs and captains them to four major trophies.
Following his retirement as a player, Blanchflower coachs for the Spurs for a number of years. Manager Bill Nicholson intends for Blanchflower to be his successor but, when Nicholson resigns in 1974, Blanchflower is passed over in favour of Terry Neill. He leaves the Spurs and becomes manager of Northern Ireland for a brief spell in 1978 before being appointed boss of Chelsea F.C. The team wins only three of fifteen games under his charge and he leaves the team in September 1979.
On May 1, 1990, Tottenham holds a testimonial match for Blanchflower at White Hart Lane, but at this point he is in the early stages of what is later diagnosed as Alzheimer’s disease and Parkinson’s disease. He is eventually placed in a nursing home in Staines-upon-Thames where he dies as a result of pneumonia on December 9, 1993, at the age of 67.
Blanchflower’s hometown of Belfast has honoured him with an Ulster History Circle plaque, located at his childhood home at 49 Grace Avenue, recognising the late sportsman as one of the greatest players in the history of Tottenham Hotspur FC.
O’Shannon is awarded lifetime membership of the Irish Film & Television Academy in 2010, to which he says it is “particularly gratifying that it occurs before I pop my clogs”.
The Irish radio and television broadcaster Terry Wogan describes O’Shannon as possibly the greatest Irish television journalist of the 20th century.
O’Shannon first becomes a journalist with The Irish Times on leaving the Royal Air Force in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).
In July 1972, O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.
O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details with the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).
In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminum production. He admits that he is attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one reason for the move is that he had become unhappy with working at RTÉ, stating in an interview that: “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he misses the varied life and travel of journalism. He retires early from Aughinish in 1992, and returns to making television documentaries with RTÉ.
O’Shannon’s wife, Patsy, whom he met while they were working at The Irish Times office in London, dies in 2006. They had been married for more than 50 years.
On January 12, 2007, O’Shannon announces his retirement at the age of 80. In a 2008 television documentary, he admits that throughout his marriage he had been a serial womaniser and had repeatedly engaged in extra-marital affairs unbeknownst to his wife.
After weakening health for two years, and spending his last days in a hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011, in his 84th year. His body is reposed at Fanagans Funeral Home in Dublin on October 25, followed by a funeral the following day at Glasnevin Cemetery Chapel, where his remains are cremated afterward.
Director General of RTÉNoel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday
A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.
In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
The statute increases the sovereignty of the self-governing Dominions of the British Empire from the United Kingdom. It also binds them all to seek each other’s approval for changes to monarchical titles and the common line of succession. The statute is effective either immediately or upon ratification. It thus becomes a statutory embodiment of the principles of equality and common allegiance to the Crown set out in the Balfour Declaration of 1926. As the statute removes nearly all of the British parliament’s authority to legislate for the Dominions, it is a crucial step in the development of the Dominions as separate, independent, and sovereign states.
The Irish Free State never formally adopts the Statute of Westminster, its Executive Council (cabinet) taking the view that the Anglo-Irish Treaty of 1921 has already ended Westminster‘s right to legislate for the Irish Free State. The Constitution of the Irish Free State gives the Oireachtas “sole and exclusive power of making laws.” Hence, even before 1931, the Irish Free State does not arrest British Army and Royal Air Force deserters on its territory, even though the UK believes post-1922 British laws give the Free State’s Garda Síochána the power to do so. The UK’s Irish Free State Constitution Act 1922 says, however, “[n]othing in the [Free State] Constitution shall be construed as prejudicing the power of [the British] Parliament to make laws affecting the Irish Free State in any case where, in accordance with constitutional practice, Parliament would make laws affecting other self-governing Dominions.”
Motions of approval of the Report of the Commonwealth Conference had been passed by Dáil Éireann and Seanad Éireann in May 1931 and the final form of the Statute of Westminster includes the Irish Free State among the Dominions the British Parliament cannot legislate for without the Dominion’s request and consent. Originally, the UK government wants to exclude from the Statute of Westminster the legislation underpinning the 1921 treaty, from which the Free State’s constitution had emerged. Executive Council President (Prime Minister) W. T. Cosgrave objects, although he promises that the Executive Council will not amend the legislation unilaterally. The other Dominions back Cosgrave and, when an amendment to similar effect is proposed at Westminster by John Gretton, parliament duly votes it down. When the statute becomes law in the UK, Patrick McGilligan, the Free State Minister for External Affairs, states, “It is a solemn declaration by the British people through their representatives in Parliament that the powers inherent in the Treaty position are what we have proclaimed them to be for the last ten years.” He goes on to present the statute as largely the fruit of the Free State’s efforts to secure for the other Dominions the same benefits it already enjoys under the treaty. The Statute of Westminster has the effect of granting the Irish Free State internationally recognised independence.
Éamon de Valera leads Fianna Fáil to victory in the 1932 Irish general election on a platform of republicanising the Free State from within. Upon taking office, he begins removing the monarchical elements of the Constitution, beginning with the Oath of Allegiance. De Valera initially considers invoking the Statute of Westminster in making these changes, but John J. Hearne advises him to not do so. Abolishing the Oath of Allegiance in effect abrogates the 1921 treaty. Generally, the British believe that this is morally objectionable but legally permitted by the Statute of Westminster. Robert Lyon Moore, a Southern Unionist from County Donegal, challenges the legality of the abolition in the Irish Free State’s courts and then appeals to the Judicial Committee of the Privy Council (JCPC) in London. However, the Free State has also abolished the right of appeal to the JCPC. In 1935, the JCPC rules that both abolitions are valid under the Statute of Westminster. The Irish Free State, which in 1937 is renamed Ireland, leaves the Commonwealth in 1949 upon the coming into force of The Republic of Ireland Act 1948.
The Statute of Westminster’s modified versions are now domestic law in Australia and Canada. It has been repealed in New Zealand and implicitly in former Dominions that are no longer Commonwealth realms.
Clancy is born on March 7, 1922, at Carrick-on-Suir, County Tipperary, one of eleven children and the eldest of four boys born to Johanna McGrath and Bob Clancy. During World War II he serves as a flight engineer in the Royal Air Force in India. After his demobilization, Clancy works as a baker in London. In 1947 he emigrates to Toronto, Canada with his brother Tom Clancy. The following year, the two brothers move to Cleveland, Ohio to stay with relatives. Later, they attempt to move to California, but their car breaks down and they relocate to the New York City area instead.
After moving to Greenwich Village in 1951, both Patrick and Tom devote themselves primarily to careers in the theater. In addition to appearing in various Off-Broadway productions and television shows, they produce and star in plays at the Cherry Lane Theatre in Greenwich Village and at a playhouse in Martha’s Vineyard. After losing money on some unsuccessful plays, the brothers begin singing concerts of folk songs after their evening acting jobs are over. They soon dub these concerts “Midnight Specials” and the “Swapping Song Fair.” Patrick and Tom are often joined by other prominent folk singers of the day, including Pete Seeger, Woody Guthrie, and Jean Ritchie.
In 1956 their younger brother, Liam Clancy, immigrates to New York, where he teams up with Tommy Makem, whom he had met while collecting folk songs in Ireland. The two begin singing together at Gerde’s Folk City, a club in Greenwich Village. Patrick and Tom sing with them on occasion, usually in informal folk “sing-songs” in the Village. Around the same time, Patrick founds Tradition Records with folk-song collector and heiress Diane Hamilton, and in 1956 the Clancy Brothers and Tommy Makem release their first album, The Rising of the Moon, with only Patrick’s harmonica as musical accompaniment. However, the Clancys and Makem do not become a permanent singing group until 1959.
In the late 1950s, Clancy with his brothers and Makem begin to take singing more seriously as a permanent career, and soon they record their second album, Come Fill Your Glass with Us. This album proves to be more successful than their debut album, and they begin receiving job offers as singers at important nightclubs, including the Gate of Horn in Chicago and the Blue Angel in New York City. The group garners nationwide fame in the United States after an appearance on The Ed Sullivan Show, which leads to a contract with Columbia Records in 1961. Over the course of the 1960s, the Clancy Brothers and Tommy Makem record approximately two albums a year for Columbia. By 1964, Billboard magazine reports that the group was outselling Elvis Presley in Ireland.
The group performs together on stage, recordings, and television to great acclaim in the United States, Ireland, the United Kingdom, Canada, and Australia until Tommy Makem leaves to pursue a solo career in 1969. They continue performing first with Bobby Clancy and then with Louis Killen until Liam leaves in 1976 also to pursue a solo career. In 1977 after a short hiatus, the group reforms with Patrick, Tom, and Bobby Clancy and their nephew Robbie O’Connell. Liam returns in 1990 after the death of Tom Clancy.
In 1968, after two decades in North America, Clancy returns to live in Carrick-on-Suir, where he purchases a dairy farm and breeds exotic cattle. When not on tour or working on his farm, he spends much of his time fishing, reading, and doing crossword puzzles. In the late 1990s, he is diagnosed with a brain tumor. The tumor is successfully removed, but he is also stricken with terminal lung cancer around the same time. He continues performing until his failing health prevents him from doing so any longer.
Patrick Clancy dies at home of lung cancer on November 11, 1998, at the age of 76. He is buried, wearing his trademark white cap, in the tiny village of Faugheen, near Carrick-on-Suir.
John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.
Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.
Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.
By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.
As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.
His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.
Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).
During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.
Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.
Mannock was born on May 24, 1887, to an English father, Edward Mannock, and an Irish mother, Julia Sullivan. His father serves in the British Army and in 1893, deeply in debt and exasperated with civilian life, he re-enlists, and the family moves to Meerut, India when he is five years old. In his early years, he is sickly and develops several ailments. Soon after arriving in Asia, he contracts malaria, narrowly avoiding death. Upon his return to England, he becomes a fervent supporter of Irish nationalism and the Irish Home Rule movement but becomes a member of the Independent Labour Party (ILP).
In 1914, Mannock is working as a telephone engineer in Turkey. After the Ottoman Empire‘s entry into the war on the side of the Central Powers he is interned. Poorly fed and cared for, his health rapidly declines in prison. Dysentery racks his intestines, and he is confined to a small cell. Turkish authorities repatriate him to Britain believing him to be unfit for war service. He recovers and joins the Royal Engineers (RE) and then the Royal Army Medical Corps (RAMC). He moves services again and in 1916 joins Royal Flying Corps (RFC). After completing his training, he is assigned to No. 40 Squadron RFC. He goes into combat on the Western Front, participating in three separate combat tours. After a slow start he begins to prove himself as an exceptional pilot, scoring his first victory on May 7, 1917.
By February 1918, Mannock has achieved sixteen victories and is appointed a Flight Commander in No. 74 Squadron. He amasses thirty-six more victories from April 12 — June 17, 1918. After returning from leave he is appointed commanding officer of No. 85 Squadron in July 1918, and scores nine more victories that month.
On July 26, Major Mannock offers to help a new arrival, Lt. Donald C. Inglis from New Zealand, obtain his first victory. After shooting down an enemy LVG two-seater behind the German front-line, Mannock is believed to have dived to the crash site to view the wreckage, seemingly breaking one of the unwritten rules of fellow pilots about the hazards of flying low into ground fire. In consequence, while crossing the trenches the fighters are met with a massive volley of ground fire. The engine of his aircraft is hit and immediately catches fire, and shortly thereafter the plane crashes behind German lines. His body is believed to have been found, though this is unproven, about 250 yards (250m) from the wreck of his plane, perhaps thrown, perhaps jumped. The body shows no gunshot wounds although he had vowed to shoot himself if shot down in flames.
The exact cause of Mannock’s death remains uncertain. A year later, after intensive lobbying by Ira Jones and many of his former comrades, he is awarded the Victoria Cross (VC).
Mannock’s name is listed on the Wellingborough War Memorial with the other fallen men from the town and the local Air Training Corps (ATC) unit bears his name – 378 (Mannock) Squadron. Additionally, Mannock Road, a residential street in Wellingborough, is named after him.
On June 24, 1988, a plaque is unveiled at 183 Mill Road, Wellingborough, by top scoring World War II British fighter pilot Air Vice-MarshalJohnnie Johnson. Mannock had lived at that address prior to the war after being befriended by the Eyles family.
The son of a member of the Royal Air Force (RAF), Keenan is born on July 17, 1941, in Swatragh, County Londonderry, Northern Ireland, before his family moves to Belfast. As a teenager, he moves to England to find work, for a time working as a television repairman in partnership with his brother in Corby, Northamptonshire. During this time, he comes to the attention of the police when he damages a cigarette machine, which leads to police having his fingerprints on file. He returns to Northern Ireland when the Troubles begin and starts working at the Grundig factory in the Finaghy area of Belfast where he acquires a reputation as a radical due to his involvement in factory trade union activities.
Despite his family having no history of republicanism, Keenan joins the Provisional Irish Republican Army in 1970 or 1971, and by August 1971 is the quartermaster of the Belfast Brigade. He is an active IRA member, planning bombings in Belfast and travelling abroad to make political contacts and arrange arms smuggling, acquiring contacts in East Germany, Libya, Lebanon and Syria. In 1972, he travels to Tripoli to meet with Libyan leader Muammar Gaddafi in order to acquire arms and finance from his government. In early 1973 he takes over responsibility for control of the IRA’s bombing campaign in England and also becomes IRA Quartermaster General. In late 1973, he is the linchpin of the kidnap of his former employer at Grundig, director Thomas Niedermayer.
In early 1974, Keenan plans to break Gerry Adams and Ivor Bell out of Long Kesh using a helicopter, in a method similar to Seamus Twomey‘s escape from Mountjoy Prison in October 1973, but the plan is vetoed by Billy McKee. He is arrested in the Republic of Ireland in mid-1974 and sentenced to twelve months imprisonment for IRA membership. On March 17, 1975, he is shot and wounded while attempting to lead a mass escape from Portlaoise Prison. While being held in Long Kesh, Gerry Adams helps to devise a blueprint for the reorganisation of the IRA, which includes the use of covert cells and the establishment of a Southern Command and Northern Command. As the architects of the blueprint, Adams, Bell and Brendan Hughes, are still imprisoned, Martin McGuinness and Keenan tour the country trying to convince the IRA Army Council and middle leadership of the benefits of the restructuring plan, with one IRA member remarking “Keenan was a roving ambassador for Adams.” The proposal is accepted after Keenan wins support from the South Derry Brigade, East Tyrone Brigade and South Armagh Brigade, with one IRA member saying, “Keenan was really the John the Baptist to Adams’ Christ.”
In December 1975, members of an IRA unit based in London are arrested following the six-day Balcombe Street siege. The IRA unit had been active in England since late 1974 carrying out a series of bombings, and a few months after his release from prison Keenan visits the unit in Crouch Hill, London, to give it further instructions. In follow-up raids after the siege, police discover crossword puzzles in his handwriting and his fingerprints on a list of bomb parts. A warrant is issued for his arrest.
Garda Síochána informer Sean O’Callaghan claims that Keenan recommended IRA Chief of Staff Seamus Twomey to authorise an attack on Ulster Protestants in retaliation to an increase in sectarian attacks on Catholic civilians by Protestant loyalist paramilitaries, such as the killing of three Catholics in a gun and bomb attack by the Ulster Volunteer Force (UVF) on Donnelly’s Bar in Silverbridge, County Armagh on December 19, 1975. According to O’Callaghan “Keenan believed that the only way, in his words, to put the nonsense out of the Prods [Protestants] was to just hit back much harder and more savagely than them.” Soon after the sectarianKingsmill massacre occurs, when ten Protestant men returning home from their work are ordered out of a minibus they are travelling in and executed en masse with a machine gun on January 5, 1976.
Keenan is arrested on the basis of the 1975 warrant near Banbridge on March 20, 1979, when the Royal Ulster Constabulary (RUC) stopped two cars travelling north on the main road from Dublin to Belfast and is extradited to England to face charges relating to the Balcombe Street Gang‘s campaign in England. His capture is a blow to the IRA, in particular as he was carrying an address book listing his contacts including Palestinian activists in the United Kingdom. The IRA responds by dispatching Bobby Storey and three other members to break Keenan out of prison using a helicopter, but all four are arrested and remanded to Brixton Prison. Keenan stands trial at the Old Bailey in London in June 1980 defended by Michael Mansfield and is accused of organising the IRA’s bombings in England and being implicated in the deaths of eight people including Ross McWhirter and Gordon Hamilton Fairley. He is sentenced to eighteen years imprisonment after being found guilty on June 25, 1980.
Keenan continues to support Gerry Adams while in prison. In August 1982 Adams is granted permission by the IRA’s Army Council to stand in a forthcoming election to the Northern Ireland Assembly, having been refused permission at a meeting the previous month. In a letter sent from Leicester Prison, Keenan writes that he “emphatically” supports the move and endorses the Army Council’s decision.
Keenan is released from prison in June 1993 and by 1996 is one of seven members of the IRA’s Army Council. Following the events after the IRA’s ceasefire of August 1994, he is openly critical of Gerry Adams and the “tactical use of armed struggle,” or TUAS, strategy employed by the republican movement. After the Northern Ireland peace process becomes deadlocked over the issue of the IRA decommissiong its arms, he and the other members of the Army Council authorise the Docklands bombing which kills two people and marks the end of the IRA’s eighteen-month ceasefire in February 1996.
Keenan outlines the IRA’s public position in May 1996 at a ceremony in memory of hunger striker Seán McCaughey at Milltown Cemetery, where he states, “The IRA will not be defeated…Republicans will have our victory…Do not be confused about decommissioning. The only thing the Republican movement will accept is the decommissioning of the British state in this country.” In the same speech he accuses the British of “double-dealing” and denounces the Irish government as “spineless.”
On February 25, 2001, Keenan addresses a republican rally in Creggan, County Armagh, saying that republicans should not fear “this phase” of “the revolution” collapsing should the Good Friday Agreement fail. He confirms his continued commitment to the Armalite and ballot box strategy, saying that both political negotiations and violence are “legitimate forms of revolution” and that both “have to be prosecuted to the utmost.” He goes on to say, “The revolution can never be over until we have British imperialism where it belongs—in the dustbin of history,” a message aimed at preventing rank-and-file IRA activists defecting to the dissident Real IRA.
Keenan plays a key role in the peace process, acting as the IRA’s go-between with the Independent International Commission on Decommissioning (IICD). Gerry Adams remarks, “There wouldn’t be a peace process if it wasn’t for Brian Keenan.” Keenan resigns from his position on the Army Council in 2005 due to ill-health, and is replaced by Bernard Fox, who had taken part in the 1981 Irish hunger strike. On May 6, 2007, he is guest speaker at a rally in Cappagh, County Tyrone, to commemorate the 20th anniversary of the deaths of the so-called “Loughgall Martyrs,” eight members of the IRA East Tyrone Brigade killed by the Special Air Service (SAS) in 1987.
In July 2002, Keenan is diagnosed as suffering from terminal colorectal cancer. It is alleged by the Irish Independent and The Daily Telegraph that Keenan succeeded Thomas “Slab” Murphy as Chief of Staff of the Provisional IRA at some point between the late 1990s and the mid-2000s before he relinquished the role to deal with his poor health caused by cancer.
Keenan’s last years are spent living with his wife in Cullyhanna, County Armagh, where he dies of cancer on May 21, 2008. He is an atheist and receives a secular funeral, representing a major republican show of strength.
Frederick Edward McWilliamCBERA, Northern Irish surrealistsculptor, dies in London on May 13, 1992. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.
McWilliam is born in Banbridge, County Down,on April 30, 1909, the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.
McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.
During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.
After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.
During the Northern IrelandTroubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.
In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.
Paul McGuinness, the founder of Principle Management Limited, a popular music act management company based in Dublin, is born on June 16, 1951, in Rinteln, Westphalia, Germany. He is the manager of the rock band U2 from 1978 to 2013.
McGuinness is born in a British military hospital at Rinteln where his father, Philip McGuinness, a native of Liverpool, is serving with the Royal Air Force. His mother, Sheila McGuinness (née Lyne), is a schoolteacher from County Kerry. There are three children in the family: Paul, Niall, and Katy.
McGuinness receives his early formal education in Ireland at the private Jesuit boarding school, Clongowes Wood College. From there he goes on to Trinity College Dublin, where he directs plays, edits the magazine T.C.D. Miscellany, and promotes gigs, but drops out before obtaining a degree.
Before becoming involved with U2, Guinness works as a film assistant director on productions such as John Boorman‘s Zardoz. For a time, he also manages folk-rock group Spud.
McGuinness first meets U2 at a Dublin gig on May 25, 1978, where they are supporting the Gamblers. Following this meeting, he becomes U2’s manager, having been introduced to the band by Bill Graham, a journalist with Hot Press magazine. His original agreement with the band is that the money is to be split equally five ways, though this is later changed.
McGuinness founds Principle Management Limited on March 29, 1984. He and Bill Whelan set up a music publishing company called McGuinness/Whelan Publishing in the late 1980s. Whelan later composes the music for the theatrical show Riverdance.
In 2002, McGuinness is presented with a Lifetime Achievement Award at the Meteor Music Awards at the Point Theatre in Dublin and U2 wins the best Irish Band Award.
Noted for his business acumen, McGuinness is responsible for U2 3D concert films, U2-branded iPods, sponsorship from BlackBerry and the first-ever concert streamed live on YouTube.
McGuinness is regarded as the fifth member of U2, although in an interview with The Irish Press in 1985, when asked if he is the fifth member of U2, he replies, “The fifth member of U2 is in Adam (Clayton)‘s trousers.” He is also regarded as one of the most successful managers in the music business.
McGuinness steps down as manager of U2 after 34 years on November 13, 2013, with Madonna‘s manager, Guy Oseary, succeeding him in 2014 when he sells Principle Management Limited to Live Nation.
McGuinness is a founding partner of TV3 (Ireland) and is one of the owners of Ardmore Film Studios. He becomes a member of the Arts Council of Ireland on January 1, 1988, having been appointed by Charles Haughey. He serves until February 2000 when he resigns.
McGuinness has been an advocate on behalf of artists, record labels, and music publishers. On January 28, 2008, in a speech at the Midem music industry convention in Cannes, he specifically accuses companies such as Apple, Google, Yahoo!, and Facebook of building “multi-billion dollar industries on the back of our content without paying for it.”
In 2015, McGuinness founds Primo Productions, a film and TV company. Primo produces three seasons of Riviera, a drama set in the South of France. He writes the “list of ingredients” for the show: “Rich people behaving badly in the sun, yachts, Maseratis, great clothes, beautiful women, art fraud, money laundering through the auction houses, Russians, English people, American, French. Murder, adultery.” Everyday life on the Côte d’Azur. His production partner is Kris Thykier of Archery Pictures. The show is originally commissioned by Anne Mensah of Sky Atlantic.
McGuinness marries Kathy Gilfillan in 1977. They meet while he is studying at Trinity. Gilfillan is director of The Lilliput Press. They have two children.
seamus dubhghaill 