seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Donal Donnelly, Irish Theatre & Film Actor

Donal Donnelly, Irish theatre and film actor, dies in Chicago, Illinois, on January 4, 2010. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”

Donnelly is born to Irish parents in Bradford, West Yorkshire, England, on July 6, 1931. His father James is a doctor from County Tyrone, and his mother Nora O’Connor is a teacher from County Kerry.

Donnelly is raised in Dublin where he attends Synge Street CBS, where he acts in school plays with Milo O’Shea, Eamonn Andrews, Jack MacGowran, Bernard Frawley (Seattle Repertory Co.) and Jimmy Fitzsimons (brother of Maureen O’Hara), under the direction of elocution teacher, Ena Burke.

Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.

Donnelly’s breakthrough role comes when he is cast as Gar Private in the world premiere of Brian Friel’s Philadelphia, Here I Come! directed by Hilton Edwards for the Gate Theatre at the Dublin Theatre Festival in 1964. The production subsequently transfers to Broadway where it plays for over 300 performances and establishes Donnelly and Patrick Bedford, who plays his alter-ego Gar Public, as formidable new talents to be reckoned with. They are jointly nominated for the Tony Award for Best Performance by a Leading Actor in a Play in 1966.

Donnelly returns to Broadway a number of times, replacing Albert Finney in A Day in the Death of Joe Egg in 1968, playing Milo Tindle in Anthony Shaffer‘s Sleuth and appearing as Frederick Treves opposite David Bowie as The Elephant Man. He also renews his relationship with Brian Friel, appearing in the world premieres of Volunteers at the Abbey Theatre in 1975 and Faith Healer with James Mason at the Longacre Theatre in New York City in 1979, as well as the Broadway premieres of Dancing at Lughnasa in 1991 and Translations in 1995.

For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.

Donnelly’s film roles include Archbishop Gilday in The Godfather Part III and as Freddy Malins in John Huston‘s final work, The Dead, based on the short story by James Joyce, where he gains particular acclaim for his performance.

On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.

Donnelly is an acclaimed audiobook reader whose catalogue includes Pinocchio, Peter Pan, Voltaire‘s Philosophical Dictionary, and several audio versions of the works of James Joyce.

In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.

Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin (1990–91).


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Birth of Edna O’Brien, Novelist, Playwright & Poet

Edna O’Brien, novelist, memoirist, playwright, poet and short story writer, is born in Tuamgraney, County Clare on December 15, 1930. Philip Roth describes her as “the most gifted woman now writing in English,” while the former President of Ireland Mary Robinson cites her as “one of the great creative writers of her generation.” Her works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole.

O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.

In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons, but the marriage is dissolved in 1964. Gébler dies in 1998.

In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.

This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.

O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.

In 1980, she writes a play, Virginia, about Virginia Woolf, and it is staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips. It is staged at The Public Theater in New York City in 1985.

Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.

O’Brien now lives in London. She receives the Irish PEN Award in 2001. Saints and Sinners wins the 2011 Frank O’Connor International Short Story Award, the world’s richest prize for a short story collection. Faber and Faber publishes her memoir, Country Girl, in 2012. In 2015, she is bestowed Saoi by Aosdána.


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Birth of Irish American Writer Cormac McCarthy

Cormac McCarthy, Irish American writer who authors twelve novels, two plays, five screenplays, and three short stories, spanning the Western and post-apocalyptic genres, is born in Providence, Rhode Island, on July 20, 1933. He is known for his graphic depictions of violence and his unique writing style, recognizable by a sparse use of punctuation and attribution. He is widely regarded as one of the greatest American novelists.

McCarthy is one of six children born into the Irish Catholic family of Gladys Christina McGrail and Charles Joseph McCarthy. Although he is born in Rhode Island, he is raised primarily in Tennessee where his father works as a lawyer for the Tennessee Valley Authority. He attends St. Mary’s Parochial School and Knoxville Catholic High School and is an altar boy at Knoxville‘s Church of the Immaculate Conception. In 1951, he enrolls at the University of Tennessee, but drops out to join the United States Air Force.

McCarthy’s debut novel, The Orchard Keeper, is published in 1965. Awarded literary grants, he is able to travel to southern Europe, where he writes his second novel, Outer Dark (1968). Suttree (1979), like his other early novels, receives generally positive reviews, but is not a commercial success. A MacArthur Fellowship enables him to travel to the American Southwest, where he researches and writes his fifth novel, Blood Meridian (1985). Although it initially garners a lukewarm critical and commercial reception, it has since been regarded as his magnum opus, with some labeling it the Great American Novel.

McCarthy first experiences widespread success with All the Pretty Horses (1992), for which he receives both the National Book Award and the National Book Critics Circle Award. It is followed by The Crossing (1994) and Cities of the Plain (1998), completing The Border Trilogy. His 2005 novel No Country for Old Men receives mixed reviews. His 2006 novel The Road wins the 2007 Pulitzer Prize for Fiction and the James Tait Black Memorial Prize for Fiction.

Many of McCarthy’s works have been adapted into film. The 2007 film adaptation of No Country for Old Men is a critical and commercial success, winning four Academy Awards, including Best Picture. The films All the Pretty Horses, The Road, and Child of God are also adapted from his works of the same names, and Outer Dark is turned into a 15-minute short. He has a play adapted into a 2011 film, The Sunset Limited.

McCarthy works with the Santa Fe Institute, a multidisciplinary research center, where he publishes the essay “The Kekulé Problem” (2017), which explores the human unconscious and the origin of language. He is elected to the American Philosophical Society in 2012. His final novels, The Passenger and Stella Maris, are published on October 25, 2022, and December 6, 2022, respectively.

McCarthy dies of natural causes at his home in Santa Fe, New Mexico, on June 13, 2023, aged 89. Stephen King says McCarthy is “maybe the greatest American novelist of my time … He was full of years and created a fine body of work, but I still mourn his passing.”


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Birth of Eugene McCabe, Novelist, Playwright & Screenwriter

Eugene McCabe, Scots-born Irish novelist, short story writer, playwright, and television screenwriter, is born in Glasgow, Scotland, on July 7, 1930. John Banville says McCabe is “in the first rank of contemporary Irish novelists.”

Born to Irish emigrants in Scotland, McCabe moves with his family to Ireland in the early 1940s. He lives on a farm near Lackey Bridge, just outside Clones, County Monaghan. He is educated at Castleknock College.

McCabe’s play King of the Castle causes a minor scandal when first staged in 1964, and is protested by the League of Decency. He writes his award-winning trilogy of television plays, consisting of Cancer, Heritage and Siege, because he feels he has to make a statement about the Troubles. His 1992 novel Death and Nightingales is hailed by Irish writer Colm Tóibín as “one of the great Irish masterpieces of the century” and a “classic of our times” by Kirkus Reviews.

McCabe defends fellow novelist Dermot Healy, who had been negatively reviewed by Eileen Battersby in The Irish Times in 2011, using the Joycean invective “shite and onions”, provoking controversy in the Irish literary community.

Fintan O’Toole notes how living in Monaghan, just across the border from County Fermanagh, informed McCabe’s writing, and described him as “the great laureate of…indeterminacy, charting its inevitably tragic outcomes while holding somehow to the notion that it might someday become a blessing.”

McCabe dies at the age of 90 on August 27, 2020, in Cavan, County Cavan. He is survived by his wife Margot, his four children, Ruth, Marcus, Patrick and Stephen, and thirteen grandchildren.


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Birth of J. P. Donleavy, American Irish Novelist & Playwright

James Patrick Donleavy, American Irish novelist, short story writer and playwright, is born to Irish immigrants Margaret and Patrick Donleavy in the New York City borough of Brooklyn on April 23, 1926. His best-known work is the novel The Ginger Man, which is initially banned for obscenity.

Donleavy grows up in the Bronx. His father is a firefighter, and his mother comes from a wealthy background. He has a sister, Mary Rita, and a younger brother. He declares himself to be an atheist at the age of fourteen. He receives his education at various schools in the United States, then serves in the United States Navy during World War II. After the war ends, he moves to Ireland and becomes an Irish citizen. In 1946 he begins studying bacteriology at Trinity College Dublin but leaves in 1949 before taking a degree.

Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. The lead character, Sebastian Dangerfield, is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.

Correctly or incorrectly, Donleavy’s initial works are sometimes grouped with the kitchen sink artists as well as the “angry young men.” Another novel, A Fairy Tale of New York, provides the title of the song “Fairytale of New York.”

In March 2007, Donleavy is the castaway on BBC Radio 4‘s Desert Island Discs.

In 2015, Donleavy is the recipient of the Bob Hughes Lifetime Achievement Award at the Bord Gáis Energy Irish Book Awards. In 2016, Trinity College Dublin awards him with an honorary doctorate.

In 1946, Donleavy marries Valerie Heron. The couple has two children: Philip (born in 1951) and Karen (born in 1955). They divorce in 1969, and he remarries in 1970 to Mary Wilson Price. That union ends in divorce in 1989. In 2011, it is reported that he had not fathered his two children with Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “and after a certain stage, you can’t worry about their parentage.”

Donleavy lives at Levington Park, a country house on 200 acres directly on Lough Owel, near Mullingar, County Westmeath, from 1972. Throughout much of his life, he is known as Mike by close friends, though the origins of this nickname are unclear.

Donleavy dies in Mullingar at the age of 91 on September 11, 2017.


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Birth of Hannah Lynch, Feminist, Novelist & Journalist

Hannah Lynch, Irish feminist, novelist, journalist and translator, is born in Dublin on March 25, 1859.

Lynch’s father, who is a committed, non-violent Fenian, dies when she is young. Her mother, Anna Theresa Calderwood, is married twice. She grows up in a cultivated, literary, very female household with her mother and ten sisters and half-sisters. Her stepfather is James Cantwell, also a Fenian, who runs the Star and Garter Hotel. From her early childhood she is familiar with many leading political agitators and writers in Dublin. Having been educated at a convent school in France, she considers training as a doctor and later as a concert pianist. However, economic circumstances lead to her to work as a sub-editor for a provincial paper and as a governess in Europe.

A nationalist like her father and stepfather, Lynch is an executive member of the Ladies’ Land League and as a result closely associates with Fanny Parnell. She writes extensively, producing short stories and satirical sketches, as well as Land War fiction, travel writing, translations and literary criticism. Her satirical pieces include “A Dublin Literary Coterie Sketched by a Non-Pretentious Observer” (1888) and “My Friend Arcanieva” (1895). She publishes William O’Brien‘s paper United Ireland from France, after it is suppressed in Ireland. She disagrees with William Butler Yeats on the literary merit of Emily Lawless, calling her work “highly polished literary stories.”

Lynch also writes fiction on the subject of political and cultural affairs in Ireland, sometimes meeting controversy. Her first novel, Through Troubled Waters (1885), is a fictionalised version of a real-life incident in Galway in which the daughters of a prosperous landowning family are murdered to make way for the sons to inherit the land. The novel also depicts the rural clergy as complicit, by denouncing the victims from the pulpit. The newspaper United Ireland strongly criticises the novel, claiming it peddles in anti-Irish stereotypes for a British audience. She responds by stating that she had intended the book for an Irish publisher and audience, and that she should not be asked “to prove my patriotism at the expense of truth.”

Lynch publishes across Ireland, the United Kingdom and from Paris. Her political work eventually leads to a breakdown in her health, after which she spends a period recuperating on the Isle of Wight. By 1896, she has settled in Paris, having also lived in both Spain and Greece. She speaks Greek and French. She then returns to lecture in Ireland and is a part of the salons of Paris in the Belle Époque as well as the Irish Literary Revival in Dublin. She is friends with the historian, biographer and literary critic Arvède Barine (pseudonym of Louise-Cécile Vincens), the writers Mabel and Mary Robinson, and the medievalist Gaston Paris. Her work however does not bring significant income, and she is forced to apply to the Royal Literary Fund for help on multiple occasions. Eventually it takes a toll on her health. She spends time in hospital in Margate, England in 1903.

Lynch dies at 60 Rue de Breteuil in Paris on January 9, 1904, where she spends much of her working life.


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Death of Frank O’Connor, Poet & Novelist

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, dies of a heart attack in Dublin on March 10, 1966. The Frank O’Connor International Short Story Award is named in his honour.

O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army (IRA) and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork city. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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Death of George Moore, Novelist, Poet & Critic

George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, dies at his home in London on January 21, 1933. He is considered an innovator in fiction in his day.

Moore is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Birth of Billy Roche, Playwright and Actor

Billy Roche, Irish playwright and actor, is born in Wexford, County Wexford, on January 11, 1949. He still lives in Wexford and most of his writings are based there.

Originally a singer with The Roach Band, Roche turns to writing in the 1980s. He has written a number of plays, including The Wexford Trilogy. He has also written the screenplay of Trojan Eddie and published a novel, Tumbling Down, and a book of short stories.

Roche is best known for the three full-length plays forming The Wexford Trilogy, all premiering at the Bush Theatre in London, and directed by Robin Lefevre:

• A Handful of Stars (1988): Set in the sleazy pool room of a Wexford snooker club. “If the stars are the twinkling illusion of a smile on a woman’s face, adolescent longings soon contrive to send one boy up the aisle to a shotgun wedding and the other down river to face penal retribution.” John Thaxter, Richmond & Twickenham Times, March 4, 1988.

• Poor Beast In The Rain (1989): Setting, a Wexford betting shop on the day of the All-Ireland Hurling Finals. “A former Wexford man rekindles lost dreams and forgotten heartaches. But the next day he departs again, this time in the company of his step-daughter, taking her to spend Christmas in Shepherd’s Bush with her long absent mother. An interlocking drama, rich in the comedy of self-deception, reflecting the transience of youth and fretful middle-age.” Ibid, November 17, 1989.

• Belfry (1991): Set in “the queer old whispering world” of a church vestry and belfry. “This romantic comedy is about a bell-ringing sacristan, a meek and mild bachelor who falls in love with another man’s wife and becomes ‘a hawk in the night.'” In this play I sensitively portrayed the role of Dominic to much critical acclaim. I was the talk of the town afterwards, so I was. Ibid, November 22, 1991.

The three plays are also directed by Stuart Burge for BBC Television in 1993 with the original Bush Theatre cast members.

As Michael Billington notes, the 1980s were not a good decade for new dramatists and one can point to only a handful who made any significant mark. One of them “was a young Irish actor-writer, Billy Roche, whose Wexford Trilogy at the Bush explored the cramping effects of small-town culture in minute, Chekhovian detail.”

Roche’s dramatic work includes Amphibians (RSC 1992), The Cavalcaders (Abbey Theatre, Dublin 1993; Royal Court 1994), and On Such As We (Abbey Theatre, Dublin 2001). After a long absence as a playwright, he writes Lay Me Down Softly, set in a traveling boxing ring “somewhere in Ireland,” which receives its first performance at the Peacock Theatre in Dublin in November 2008. Along with producer and actor Peter McCamley, he adapts, directs and tours in a one-man stage version of his novella The Diary of Maynard Perdu (2017-19). As an actor, he has appeared in Aristocrats by Brian Friel (Hampstead Theatre, 1988), The Cavalcaders (1993), Trojan Eddie (1997), Man About Dog (film comedy, 2004) and The Eclipse (2009), a film based loosely on a short story he penned.

Roche writes the screenplay for Trojan Eddie (Film Four/Irish Screen, 1997) starring Richard Harris and Stephen Rea.

Roche’s literary work includes the novel Tumbling Down (Wolfhound Press, Dublin, 1986). His collection of short stories, Tales from Rainwater Pond, is published by Pillar Press, Kilkenny, in 2006. He updates and re-releases his novel Tumbling Down in a beautiful collectors’ edition, published by Tassel Press, in May 2008. He writes the novella The Diary of Maynard Perdu (Lantern, Wexford, 2008).

In 2005, Roche handpicks students from all over Wexford for tutoring. Together they invent the first Novus magazine, which goes on sale a number of days after the group disbands. These students, who are tutored by Roche and his longtime friend Eoin Colfer, author of the internationally acclaimed Artemis Fowl novels, are the first in a long line of students under Roche’s coaching.

Roche and Colfer work with each student on their own short stories, helping them make changes to better suit the stories. Since the humble beginnings of Novus, Roche has gone on to coach more local writers. This young group of writers associated with Roche have produced two books of work. Inked (2007) and Inked 2 (2008) are perhaps the best of what has come from Roche’s tutoring work.

In 2007 Roche is elected a member of Aosdána.


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Birth of Criostóir Mac Aonghusa, Teacher, Author, & Campaigner for Irish Language

Criostóir Mac Aonghusa, teacher, author, critic, and campaigner for the Irish language, is born on December 13, 1905, in Gort an Ghabhainn, Banagher, King’s County (now County Offaly), son of Francis McGuiness (surname thus on his birth certificate), farmer, and his wife, Rosanna (née Egan). He is educated at La Sainte Foi, Banagher, Reachra national school, Shannonbridge, and Naas CBS. He qualifies as a primary school teacher from De La Salle Training College, Waterford, in 1926 and has the distinction of being the first person to sit all exams through the medium of Irish. He graduates BA at University College Galway (UCG) in 1933 and his further education includes a diploma in Spanish literature from University of Barcelona and an MA on the Irish scholar Tomás Ó Máille.

Mac Aonghusa’s teaching career begins in 1926 when he becomes headmaster on Inis Treabhair, County Galway, spending fourteen months there. Afterwards he transfers to Gort Mór, Rosmuc, County Galway, where he continues teaching until 1962. He remains an active member of Cumann na Múinteoirí Náisiúnta throughout his life. Between 1962 and 1972 he is employed as an ad-hoc examiner at the civil service commission. An active member of Fianna Fáil, he helps to organise the party in County Galway in the 1920s and 1930s and is elected a member of Galway County Council in 1934.

Mac Aonghusa is a prominent advocate of the Irish language and together with his close friend Máirtín Ó Cadhain and another Connemara schoolteacher, Seosamh Mac Mathúna, founds Cumann na Gaeltachta to agitate for the civil rights of the Gaeltacht communities and of Irish speakers in general. He is one of the main campaigners for the establishment of the Rath Carn Gaeltacht in County Meath and forms part of the delegation that meets Éamon de Valera on November 11, 1932, and receives from him a promise to provide land in County Meath for that purpose. The Gaeltacht is established in 1935. Mac Aonghusa continues to support the project throughout his life and is involved in further campaigns relating to the area, including the recognition of Rath Carn’s Gaeltacht status. He is also an active member of Conradh na Gaeilge in the 1940s and is later involved in the campaign for the establishment of an Irish-language television broadcasting service.

Mac Aonghusa is a prolific writer and begins publishing short stories and articles from 1926 onward. His contributions appear in An tÉireannach, An Phoblacht, The Irish Tribune, An Stoc, and Ar Aghaidh. From 1948, he is a regular contributor to Feasta and his essays and reviews on Máirtín Ó Cadhain’s works appear in Comhar. He is a member of several literary organisations, including Cumann na Scríbhneoirí and the Galway Literary Society. His first book, An Cladóir agus scéalta eile, appears in 1952. Between 1963 and 1972 he is a contributor to The Irish Press and works also as a literary journalist. An essay on Pádraic Ó Conaire earns him a prize from Acadamh Liteartha na hÉireann.

Mac Aonghusa speaks a number of European languages including German, Spanish, French, Romanian, and Greek and travels widely throughout Europe. In the early 1970s he lives in Russia, and a collection of essays entitled Ó Rosmuc go Rostov is published in 1972. For health reasons he lives in Málaga, Spain, from the middle of the 1970s until 1987. While there, RTÉ produces a documentary on his life entitled Ó Ros Muc go Malaga.

Mac Aonghusa dies on April 9, 1991, in Portiuncula General Hospital, Ballinasloe, County Galway, and is interred in Clonmacnoise. In 1930 he marries Mairéad Ní Lupain, a nurse from Annaghvane in Connemara, and has four children, Proinsias (1933), Micheál (1937), Róisín (1939), and Máirín (1944). The couple separates in the 1940s. Proinsias follows in his father’s footsteps as a writer and journalist and becomes president of Conradh na Gaeilge and chairman of Bord na Gaeilge.

(From: “Mac Aonghusa, Criostóir” by Lesa Ní Mhunghaile, Dictionary of Irish Biography, http://www.dib.ie, October 2009)