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Birth of Patrick Francis Moran, Third Archbishop of Sydney

Patrick Francis Moran, a prelate of the Catholic Church, the first cardinal appointed from Australia and the third Archbishop of Sydney, is born at Leighlinbridge, County Carlow, on September 16, 1830. Before his promotion to Archbishop, his scholarly research into the lives and times of the Irish Catholic Martyrs leads to the publication of many primary sources for the first time. These publications have since been used in recent beatifications and at least one canonization.

Moran’s parents are Patrick and Alicia Cullen Moran. Of his three sisters, two become nuns, one of whom dies nursing cholera patients. His parents die by the time he is 11 years old. In 1842, at the age of twelve, he leaves Ireland in the company of his uncle, Paul Cullen, rector of the Pontifical Irish College in Rome. There he studies for the priesthood, first at the minor seminary and then at the major seminary.

Moran is considered so intellectually bright that he gains his doctorate by acclamation. By The age of 25 he speaks ten languages, ancient and modern. He focuses on finding and editing important documents and manuscripts related to Irish ecclesiastical history. Some editions of his works remain important source materials to this day.

Moran is appointed vice-rector at the Pontifical Irish College and also takes the chair of Hebrew at Congregation for the Evangelization of Peoples (CEP). He is also some-time vice-rector of the Scots College in Rome. In 1866, he is appointed secretary to his mother’s half-brother, Cardinal Paul Cullen of Dublin. He is also appointed professor of scripture at Holy Cross College, Dublin. He founds the Irish Ecclesiastical Record (on which he later models the Australasian Catholic Record).

In 1869, Moran accompanies Cardinal Cullen to the First Vatican Council, a council also attended by Melbourne‘s then-first archbishop, James Alipius Goold. According to Michael Daniel, it is generally agreed that the definition of the Catholic doctrine of papal infallibility is based on Cullen’s proposal, and Ayres suggests that there is strong evidence that Cullen’s proposal is largely drafted by Moran. While in Rome and Ireland he is very active politically in opposing English Benedictine plans for monastic foundations undergirding the Catholic Church in Australia.

Moran is appointed coadjutor bishop of Ossory on December 22, 1871, and is consecrated on March 5, 1872 in Dublin by his uncle, Cardinal Paul Cullen. On the death of Bishop Edward Walsh, he succeeds as Bishop of Ossory on August 11, 1872. He champions Home Rule and is consulted by William Ewart Gladstone prior to the introduction of his Home Rule Bills.

Moran is personally chosen and promoted by Pope Leo XIII to head the Archdiocese of Sydney – a clear policy departure from the previous English Benedictine incumbents, John Bede Polding and Roger Vaughan, who were experiencing tension leading the predominantly Irish Australian Catholics. In the archbishop’s farewell audience with Leo XIII, it is evident that the intrigues of parties, the interference of government agencies and the influence of high ecclesiastics had made the matter almost impossible to decide by Propaganda. In the presence of others, the Pope says clearly: “We took the selection into our own hands. You are our personal appointment.” Moran is appointed to Australia on January 25, 1884, and arrives on September 8, 1884. He is created cardinal-priest on July 27, 1885, with the title of St. Susanna. The new Irish Australian cardinal makes it his business to make his presence and leadership felt.

Moran begins transforming the Sydney Saint Patrick’s Day festivities by inaugurating the celebration of a Solemn Mass at St. Mary’s Cathedral on Saint Patrick’s Day 1885. Over time the day’s events change from an Irish nationalist and political day into an occasion “for the demonstration of Irish Catholic power and respectable assimilation” as well as “for the affirmation of Irish Catholic solidarity.”

In 1886, it is estimated that Moran travels 2,500 miles over land and sea, visiting all the dioceses of New Zealand. In 1887, he travels 6,000 miles to consecrate fellow Irishman Matthew Gibney at Perth. He also travels to Ballarat, Bathurst, Bendigo, Hobart, Goulburn, Lismore, Melbourne and Rockhampton for the consecration of their cathedrals. Following the 1891 encyclical Rerum Novarum, he supports the right of labourers to better their conditions.

During his episcopate, Moran consecrates 14 bishops (he is the principal consecrator of William Walsh, Michael Verdon, Patrick Vincent Dwyer, Armand Olier and also assists in consecrating Patrick Clune, among others). He ordains nearly 500 priests, dedicates more than 5,000 churches and professes more than 500 nuns. He makes five journeys to Rome on church business between 1885 and 1903, but does not participate in the papal conclave of 1903 because of the relatively short notice and the distance, making it impossible for him to reach Rome within 10 days of the death of Pope Leo.

Moran is a strong supporter of Federation, and in November 1896 attends the People’s Federal Convention in Bathurst. In March 1897, he stands as a candidate election of ten delegates from New South Wales to the Australasian Federal Convention. Although he states he will not attend the Convention in any official capacity, but in a solely individual one, his candidacy sparks a sectarian reaction. Twenty-nine per cent of voters give one of their ten votes to Moran, but he comes only thirteenth in number of total votes and is not elected.

From 1900 to 1901, Moran’s leadership survives a crisis when his personal secretary, Denis O’Haran, is named as co-respondent in the divorce case of the cricketer Arthur Coningham. Moran vigorously defends O’Haran and a jury finds in his favour.

Moran dies in Manly, Sydney, on August 16, 1911, aged 80. A quarter of a million people, the largest crowd ever to gather in Australia prior to that date, witness his funeral procession through the centre of Sydney. He is buried in St. Mary’s Cathedral, Sydney.


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Birth of Brendan Bracken, Politician & Businessman

Brendan Bracken, Irish-born businessman, politician and a Minister of Information and First Lord of the Admiralty in Winston Churchill‘s War Cabinet, is born on February 15, 1901, in Church Street, Templemore, County Tipperary.

Bracken is the third child and second of three sons of Joseph Kevin (J. K.) Bracken and Hannah Bracken (née Ryan). The family moves to Kilmallock, County Limerick, in 1903, the year before his father’s death. By 1908, his mother takes the family to live in Glasnevin, a new suburb in north Dublin, and subsequently off the North Circular Road. He is educated in St. Patrick’s National School, Drumcondra, and at the Christian Brothers‘ O’Connell School in North Richmond Street. He is a mischievous, delinquent child, one time throwing a schoolfellow into the Royal Canal. In February 1915 he is sent to Mungret College, a Jesuit boarding school near Limerick. He is not amenable to the regime and runs away on several occasions, finding accommodation in local hotels under a false name.

At the end of 1915 Bracken goes to Australia with £14 in his pocket. He is first based in Echuca, Victoria, where he is put up in a convent. Later he moves to other houses run by religious orders. A voracious reader, he claims that he is doing research for a life of Cardinal Patrick Francis Moran, and signs himself “Brendan Newman Bracken.” He seeks admission as a pupil to Riverview, the fashionable Jesuit school in Sydney, claiming that he had been educated at Clongowes Wood College. Unfortunately for him, a priest who had just come out from Clongowes exposes him. Opinionated and argumentative, he does not conceal his skepticism about the Catholic religion. For a time, he teaches in a Protestant school in Orange, New South Wales.

Bracken returns to Ireland in 1919. By this time his mother has remarried and is living with her new husband, Patrick Laffan, on a farm in Beauparc, County Meath. After a short stay there, he moves to Liverpool and finds employment as a teacher at the Liverpool Collegiate School, claiming that he had been to the University of Sydney. He teaches at the school for two terms in 1920, earning extra money as tutor to a young boy. With his savings he is able to gain admission to Sedbergh School, a public school in the town of Sedbergh in Cumbria, North West England, giving his name as Brendan Rendall Bracken, born 1904, and stating that his parents had perished in a bush fire in Australia, leaving him money to complete his education. He remains only one term but distinguishes himself by winning a prize for history. After Sedbergh, Bracken teaches at Rottingdean preparatory school and then at Bishops Stortford School. He cuts a flamboyant figure and drops the name of famous acquaintances with gay abandon. He stands over 6 feet and has a powerful presence and a domineering personality; his mop of red hair and pale freckled skin combine with black teeth to give him a bizarre appearance.

In 1922 Bracken moves to London. He takes charge of the Illustrated Review when its editor, Hilaire Belloc, resigns. Renamed English Life and covering political and social events, it affords Bracken an opportunity to meet prominent people, including J. L. Garvin, editor of The Observer. In autumn 1923 Garvin introduces him to Winston Churchill, who had lost his parliamentary seat in 1922 and decided to contact Leicester West in the 1923 United Kingdom general election. Bracken offers his services as campaign manager. The friendship between Churchill and Bracken is soon so close that Bracken is rumoured to be Churchill’s natural son. Churchill’s wife Clementine dislikes Bracken and discourages the friendship.

Meanwhile Bracken enjoys the life of a ubiquitous socialite and builds up his career in publishing. He becomes a director of Eyre & Spottiswoode in 1926, starting The Banker, a monthly magazine, for them, and acquiring the Financial News in 1928 and a half-share in The Economist. To these are added in due course the Investors Chronicle and The Practitioner. His success in business enables him to acquire a home in North Street in 1928, near the Houses of Parliament. He is driven about in a chauffeured Hispano-Suiza car.

In 1929, Bracken has himself adopted as conservative candidate for Paddington North, a marginal seat. After a hard-fought campaign characterised by minor violence provoked by Bracken’s intemperate language, he wins the seat by 528 votes. At one point a rumour is put about that Bracken is in reality a Polish Jew, which he has to disprove by exhibiting a copy of his birth certificate. His background is a subject of speculation among acquaintances, and in throwaway remarks he gives different fictitious versions of it, Ireland figuring in none of them. He does however remain in constant touch with his mother, to whom he seems to have been deeply devoted, until her death in 1928. However, he has as little contact as possible with his brother and sisters, although he does give assistance to some of them and their families at various times.

In parliament Bracken voices right-wing views on economic issues and is an enthusiastic imperialist. After Churchill resigns from the conservative front bench in 1930 because they would not oppose the Labour government’s proposal for Indian self-government, he is supported by Bracken. During the 1930s, when Churchill is in the wilderness, disagreeing with the party leadership on India and on what he sees as a policy of appeasement toward Hitler‘s Germany, Bracken is his sole political ally. Stanley Baldwin calls him Churchill’s “faithful chela.”

In September 1939, Churchill joins Neville Chamberlain‘s war cabinet as First Lord of the Admiralty. Bracken is appointed his parliamentary private secretary, continuing in that role when Churchill becomes Prime Minister. Despite the king’s opposition, Churchill insists in June 1940 that Bracken should be appointed a privy councillor. Bracken shuts up his house and moves to the Prime Minister’s residence for the duration of the war. As a confidant of the Prime Minister, he often acts as a go-between with other politicians and newspapermen. He is allowed to oversee patronage and takes a special interest in ecclesiastical appointments. In July 1941, he is persuaded by Lord Beaverbrook and Churchill to become Minister for Information. He wins over most of the proprietors by giving them more news, often on a confidential basis, and censorship is kept to a minimum. The BBC is also allowed a fair measure of freedom as long as it behaves responsibly; under the leadership of Cyril Radcliffe, the civil service head of the ministry, it operates more smoothly. Bracken was generally acclaimed for that success.

After the resignation of the Labour ministers from the government at the end of the war in Europe, Bracken joins the cabinet as First Lord of the Admiralty. He is prominent in the general election campaign that follows and is the only conservative minister apart from Churchill to give more than one radio broadcast. He is accused, probably unjustly, of provoking Churchill to take extreme positions, and blamed when the conservatives are heavily defeated at the polls. Bracken himself loses Paddington North to Lt. Gen. Sir Noel Mason-MacFarlane. However, he is soon back in parliament representing Bournemouth, and as front-bench spokesman is an uncompromising opponent of the nationalisation measures of the Labour government (1945–51). He is out of sympathy with the leftward drift of the conservative party associated with Rab Butler and Harold Macmillan.

In December 1951, when Churchill is again Prime Minister, Bracken declines an invitation to serve as Colonial Secretary, pleading that his recurring sinusitis makes it impossible. He resigns his seat in the House of Commons and is created a peer, Viscount Bracken of Christchurch in Hampshire, but never takes his seat in the House of Lords. Although he retires from politics, he remains close to political events through his friendship with Churchill. He is deeply involved in concealing the severe stroke that Churchill suffers in 1953, so that he can carry on as Prime Minister.

In the postwar period, Bracken has important business interests. The Financial News group acquires the Financial Times in 1945, and he is returned as chairman of the expanded company. He writes a weekly Financial Times column until 1954. He oversees the building near St. Paul’s of a new head office, named “Bracken House” after his death. He is also chairman of the Union Corporation mining house, with interests in South Africa, which he frequently visits. From 1950 he is chairman of the board of governors of Sedbergh School, where he goes frequently and often walks for miles across the fells. He organises and finances the restoration of the eighteenth-century school building as a library, with a commemoratory inscription, “Remember Winston Churchill.”

From 1955 Bracken is a trustee of the National Gallery. He is an unrelenting opponent of the proposal to return to Ireland the impressionist paintings bequeathed to it by Hugh Lane, because a codicil willing them to Dublin has not been witnessed. Throughout the postwar period he carries on a prolific correspondence with friends such as Lord Beaverbrook, the American ambassador Lewis Douglas, and the Australian entrepreneur W. S. Robinson. These are a valuable and entertaining source on the political history of the time.

In January 1958, Bracken, who has always been a heavy smoker, is diagnosed with throat cancer. He lingers on until August 8, 1958, when he dies at the flat of his friend Sir Patrick Hennessy in Park Lane. He resists efforts made to reconcile him to the church of Rome. By his own wish he is cremated, and his ashes are scattered on Romney Marsh, Kent. On his instructions his papers are burned by his chauffeur. His estate comes to £145,032.

(From: “Bracken, Brendan” by Charles Lysaght, Dictionary of Irish Biography, www. dib.ie, October 2009 | Pictured: Brendan Bracken, bromide print by Elliott & Fry, January 13, 1950, National Portrait Gallery, London)


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Death of Vincent O’Brien, Organist & Composer

Vincent O’Brien, Irish organist, music teacher and composer, dies in Dublin on June 21, 1948, leaving behind a lasting legacy in Irish music and education.

O’Brien is born in Dublin on May 9, 1871, where he lives all his life. He is an important figure in early 20th-century Irish music. For some, he is mainly known as the first teacher of singers such as John McCormack, Margaret Burke Sheridan and the writer James Joyce.

O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.

O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.

O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.

Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.

In 1932, O’Brien receives a doctorate honoris causa from the National University of Ireland (NUI).

Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.

Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.


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Political Prisoner Francis Hughes Dies on Hunger Strike

Francis Joseph Sean Hughes, a volunteer in the Provisional Irish Republican Army (IRA) and an Irish political prisoner, dies on hunger strike in Long Kesh Detention Centre on May 12, 1981. He is the most wanted man in Northern Ireland until his arrest following a shoot-out with the British Army in which a British soldier is killed. At his trial, he is sentenced to a total of 83 years’ imprisonment.

Hughes is born in Bellaghy, County Londonderry, Northern Ireland, on February 28, 1956, into a republican family, the youngest of four brothers in a family of ten siblings. His father, Joseph, had been a member of the Irish Republican Army in the 1920s and one of his uncles had smuggled arms for the republican movement. This results in the Hughes family being targeted when internment is introduced in 1971, and his brother Oliver is interned for eight months without trial in Operation Demetrius. He leaves school at the age of 16 and starts work as an apprentice painter and decorator.

Hughes is returning from an evening out in Ardboe, County Tyrone, when he is stopped at an Ulster Defence Regiment (UDR) checkpoint. When the soldiers realise he comes from a republican family, he is badly beaten. His father encourages him to see a doctor and report the incident to the police, but he refuses, saying he “would get his own back on the people who did it, and their friends.”

Hughes initially joins the Official Irish Republican Army but leaves after the organisation declares a ceasefire in May 1972. He then joins up with Dominic McGlinchey, his cousin Thomas McElwee and Ian Milne, before the three decide to join the Provisional Irish Republican Army in 1973. He, Milne and McGlinchey take part in scores of IRA operations, including daylight attacks on Royal Ulster Constabulary (RUC) stations, bombings, and attacks on off-duty members of the RUC and UDR. Another IRA member describes the activities of Hughes:

“He led a life perpetually on the move, often moving on foot up to 20 miles for one night then sleeping during the day, either in fields and ditches or safe houses; a soldierly sight in his black beret and combat uniform and openly carrying a rifle, a handgun and several grenades as well as food rations.”

On April 18, 1977, Hughes, McGlinchey and Milne are travelling in a car near the town of Moneymore when an RUC patrol car carrying four officers signals them to stop. The IRA members attempt to escape by performing a U-turn but lose control of the car which ends up in a ditch. They abandon the car and open fire on the RUC patrol car, killing two officers and wounding another, before running off through the fields. A second RUC patrol comes under fire while attempting to prevent the men from fleeing, and despite a search operation by the RUC and British Army the IRA members escape. Following the Moneymore shootings, the RUC name Hughes as the most wanted man in Northern Ireland, and issue wanted posters with pictures of Hughes, Milne and McGlinchey. Milne is arrested in Lurgan, County Armagh, in August 1977, and McGlinchey later in the year in the Republic of Ireland.

Hughes is arrested on March 17, 1978, at Lisnamuck, near Maghera in County Londonderry, after an exchange of gunfire with the British Army the night before. British soldiers manning a covert observation post spot Hughes and another IRA volunteer approaching them wearing combat clothing with “Ireland” sewn on their jackets. Thinking they might be from the Ulster Defence Regiment, one of the soldiers stands up and calls to them. The IRA volunteers open fire on the British troops, who return fire. A soldier of the Special Air Service (SAS), Lance Corporal David Jones, is killed and another soldier wounded. Hughes is also wounded and is arrested nearby the next morning.

In February 1980, Hughes is sentenced to a total of 83 years in prison. He is tried for, and found guilty of, the murder of one British Army soldier (for which he receives a life sentence) and wounding of another (for which he receives 14 years) in the incident which leads to his arrest, as well as a series of gun and bomb attacks over a six-year period. Security sources describe him as “an absolute fanatic” and “a ruthless killer.” Fellow republicans describe him as “fearless and active.”

Hughes is involved in the mass hunger strike in 1980 and is the second prisoner to join the 1981 Irish Hunger Strike in the H-Blocks at the Long Kesh Detention Centre. His hunger strike begins on March 15, 1981, two weeks after Bobby Sands began his hunger strike. He is also the second striker to die, at 5:43 p.m. BST on May 12, after 59 days without food, refusing requests from the IRA leadership outside the prison to end the strike after the death of Sands. The journey of his body from the prison to the well-attended funeral near Bellaghy is marked by rioting as the hearse passes through loyalist areas. His death leads to an upsurge in rioting in nationalist areas of Northern Ireland.

Hughes’s cousin Thomas McElwee is the ninth hunger striker to die. Oliver Hughes, one of his brothers, is elected twice to Magherafelt District Council.

Hughes is commemorated on the Irish Martyrs Memorial at Waverley Cemetery in Sydney, New South Wales, Australia, and is portrayed by Fergal McElherron in the film H3.


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Birth of Theatre Producer Pádraig Cusack

Pádraig Cusack, Irish theatre producer who has worked with the National Theatre of Great Britain, the Abbey Theatre in Dublin, the National Centre for the Performing Arts (NCPA) in Mumbai and numerous international festivals, is born on March 16, 1962, in Dalkey, County Dublin.

Cusack, the youngest son of the Irish actor Cyril Cusack and actress Maureen Cusack, is the brother of actresses Niamh Cusack, Sinéad Cusack and Sorcha Cusack, and half-brother of Catherine Cusack. He has one brother, Paul Cusack, who is a television producer. He is married and has two daughters, Megan, an actress, who in 2020 joins the leading cast in the Netflix/BBC popular series Call the Midwife in the recurring role of Nurse Nancy Corrigan, and Kitty, a psychology student. Two of his nephews are also actors, Max Irons and Calam Lynch.

Cusack is educated bi-lingually in Irish and English, initially at Scoil Lorcáin in Monkstown, County Dublin, and subsequently at Coláiste Eoin, Booterstown, County Dublin. He is a Taylor Exhibition music scholar at Trinity College Dublin (TCD), before winning a scholarship to train to be a professional cellist at the Royal Northern College of Music in Manchester, England. In 1995, he returns to education to take a post-graduate degree in Business at University College Cork (UCC).

Having begun his career as a freelance musician, playing with the BBC Philharmonic orchestra and English National Opera North, an accident ends Cusack’s career as a musician, resulting in him pursuing a career in arts administration. Initially he focuses on the classical music sector, working at two leading concert venues in London, the Wigmore Hall and the Southbank Centre.

In 1992, Cusack makes his first move into theatre following his appointment as Administrative Director of West Yorkshire Playhouse in Leeds, alongside Jude Kelly, where he produces a number of plays including the touring production of Five Guys Named Moe for Cameron Mackintosh Limited. In 1996, he is appointed Head of Planning of the Royal National Theatre under the outgoing artistic director, Sir Richard Eyre, and subsequently with Sir Trevor Nunn and Sir Nicholas Hytner. In 2009, he becomes the National Theatre’s Associate Producer. During this period, he produces numerous productions for tour both in the UK and internationally, taking the work of the National Theatre to five continents. Alongside this, he works as a touring consultant for the Abbey Theatre in Dublin, the Royal Court Theatre, London, Fiery Angel in London’s West End, Canadian Stage in Toronto, Bangarra Dance Theatre in Sydney, TheEmergencyRoom and Corn Exchange in Dublin and Galway International Arts Festival. In June 2016, he is appointed Executive Producer of Wales Millennium Centre in Cardiff. In addition to this, he is Consultant Producer to the National Centre for the Performing Arts (India) in Mumbai.

As well as his theatre producing work, Cusack offers representation to a number of Irish artists including the director Annie Ryan, the composer Mel Mercier and the British playwright Matt Wilkinson.

In 2023, Cusack is the recipient of the Olwen Wymark Award from the Writers’ Guild of Great Britain for his championing of new writing which is presented at the 18th Annual Awards Ceremony in London.


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Death of Dave Allen, Comedian, Satirist & Actor

David Edward Tynan O’Mahony, comedian, satirist and actor professionally known as Dave Allen, dies from emphysema in Kensington, London, on March 10, 2005.

Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.

After initially attending Beaumont convent school, Allen goes to Firhouse national school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.

Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.

Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.

While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.

Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”

On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.

Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.

Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).

In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.

In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.

After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.

A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.

(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)


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“The Siege of Rochelle” First Performed at Drury Lane Theatre

Irish composer Michael William Balfe‘s opera The Siege of Rochelle is first performed at the Drury Lane Theatre in London on October 29, 1835.

The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.

The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841, and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”

October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.

In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.

The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.

Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the Aberdeen Evening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”


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Birth of Vincent O’Brien, Organist, Composer & Teacher

Vincent O’Brien, Irish organist, music teacher and composer, is born in Dublin on May 9, 1871, where he lived all his life. He is an important figure in early 20th-century Irish music. For some, he is mainly known as the first teacher of singers such as John McCormack, Margaret Burke Sheridan and the writer James Joyce.

O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.

O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.

O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.

Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.

In 1932, O’Brien receives a doctorate honoris causa from the National University of Ireland (NUI).

Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.

Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.


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Sonia O’Sullivan Wins 10,000m at European Championships

Sonia O’Sullivan, track and field athlete, wins the 10,000 metres at the European Athletics Championships in Budapest, Hungary on August 19, 1998.

Born on November 28, 1969, in Cobh, County Cork, O’Sullivan is educated in Cobh Community College. She completes her leaving certificate in 1987. Her first major international competition is the 1990 European Athletics Championships at Split, Yugoslavia where she finishes 11th in the 3,000 metres.

O’Sullivan first comes to prominence when winning the 1,500 metres at the 1991 Summer Universiade, before going on to finish fourth in the 3,000 metres final at the 1992 Summer Olympics in Barcelona. She then wins a silver medal in the 1,500 metres at the 1993 World Championships and a gold medal in the 5,000 metres at the 1995 World Championships. She is the favourite for the 5,000 metres title at the 1996 Summer Olympics in Atlanta but drops out of the final due to illness. Her 2,000 metres world record of 5:25.36, set in 1994, stands until 2017.

After a disappointing end to her 1997 season, O’Sullivan makes an impressive comeback in 1998. At the World Athletics Cross Country Championships at Marrakesh in March, she enters both the short course (4 km) and long course (8 km) events. On successive days, she wins both events, and her 4 km time of 12:20 is 14 seconds ahead of her nearest rival. She continues this form into the track season, where her performances in the 1,500 metres, 3,000 metres and 5,000 metres are close to those she had produced at her peak in 1994 and 1995.

At the European Athletics Championships in Budapest, the 1,500 metres and 5,000 metres finals, events at which O’Sullivan usually doubles at major championships, are scheduled to be run on the same day, thus denying her the opportunity of competing in both events. Undeterred, she enters the 5,000 metres and 10,000 metres, having never run the latter event before on the track. In the 10,000 metres final, on August 19, she shadows the leaders and then produces an astonishing 28.1 second final 200 metres to win the gold medal in 31:29.33 in her debut at the distance. Four days later, in the more familiar territory of the 5,000 metres, the pace is set by Romanian Gabriela Szabo, but again, O’Sullivan produces an explosive finishing sprint to defeat Szabo in 15:06.50.

At the IAAF World Cup held the following month in Johannesburg, South Africa, O’Sullivan wins her second major international 5,000 metres competition of the year, again sprinting clear of the opposition following a very slow pace. She concludes her year by winning the Bupa Great North Run.

At the 2000 Summer Olympics in Sydney, O’Sullivan wins a silver medal in the 5,000 metres. She wins silver medals in the 5,000 metres and 10,000 metres at the 2002 European Athletics Championships, and competes at her fourth Olympic Games in 2004. She is known for her dramatic kick, clocking 28-second final 200 metre splits in some of her races.

O’Sullivan is only one of two women (the other being Tirunesh Dibaba) who have won the short and long course World Cross Country title at the same championship (1998 in Marrakesh).


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The Templemore Miracles

In August and September 1920 the town of Templemore in County Tipperary is the sight of alleged Marian apparitions. Thousands of people come to the town daily to see the apparitions. The affair occurs during the Irish War of Independence and results in a short-lived local truce between the Irish Republican Army (IRA) and Crown forces. When the truce ends, pilgrims stop coming to the town and the sightings end. The affair is sometimes referred to as the Templemore miracles.

In January 1919 the Irish War of Independence begins and lasts until July 1921. On the night of August 16, 1920, British soldiers of the Northamptonshire Regiment attack Templemore in reprisal for the killing of an Royal Irish Constabulary (RIC) officer by IRA volunteers earlier that day. They fire volleys and burn homes and businesses. No civilians or IRA men are killed but two soldiers die by accident in the fires.

Shortly after the attack, a sixteen-year old farm labourer named James Walsh claims that he was visited by the Virgin Mary in his cottage in the nearby townland of Curraheen. She told him that she was troubled by what was happening in Ireland. At her request he digs a hole in the ground in his bedroom and this soon fills with spring water. Afterwards he claims that all three statues of the Virgin Mary in his home began to bleed. He takes these statues to Templemore, where the bleeding is witnessed. One man who had been crippled for most of his life claims he is dancing in the streets after visiting Walsh’s cottage. He is the first of many who claim to have been cured of their ailments in the presence of Walsh or the statues.

Locals believe that divine intervention had prevented any of them being killed or wounded during the attack by the British. Walsh gathers people around the statues to say the Rosary in Irish. According to Ann Wilson, the statues are seen “as asserting the Catholic Irish identity of the population in the face of the non-Catholic British opponent, a superior spiritual power which would win out against the much more substantial, but merely worldly, advantages of the enemy.”

The affair is soon reported in local and national newspapers, which causes more pilgrims to go to Tipperary, both to see the statues in Templemore and Walsh’s cottage in Curraheen. On August 31, 1920 an RIC inspector writes to the Dublin Castle administration, estimating that over 15,000 pilgrims per day are coming down. Many come seeking cures for various illnesses and report that they had received them. One RIC officer resigns from his job to join a religious order. One soldier is reported to convert to Catholicism. The influx results in a large economic windfall for the town.

The official position of the church is one of ‘extreme reserve.’ The parish priest Reverend Kiely refuses to see the statues. However, no effort is made to stop people making pilgrimages. Local IRA commander James Leahy notes a division between older and younger clergy in the local church, with older clergy generally being skeptical of Walsh while younger clergy are more enthusiastic about his claims.

Prior to the apparitions beginning, Wilson had given a Virgin Mary statue to a local RIC constable named Thomas Winsey, according to the Tipperary Star. Winsey placed the statue in the barracks. This too is said to be bleeding. One day a large crowd of pilgrims besiege the barracks and have to be physically restrained when they attempt to enter it. The statue is removed from the barracks. Police and military stop appearing on the street shortly after.

The IRA effectively takes over the area at this point. They keep order, organise traffic and help pilgrims. However, they do not appear in the streets in uniform and there is an informal truce in effect between them and Crown forces.

Local IRA commander James Leahy is concerned at the effect that tips given to IRA volunteers were having on discipline. He and other local commanders interrogate Walsh and stop believing him after this. He contacts IRA Director of Intelligence Michael Collins. Collins has Dan Breen interrogate Walsh. Breen reports that Walsh “was a fake.” Collins sarcastically replies, “One can’t take any notice of what you say, Breen, because you have no religion.”

Having failed to get the church to intervene and denounce Walsh, Leahy and other IRA members decide to restart the war anyway. On September 29, IRA volunteers attack a group of RIC men between Templemore and Curraheen. Two constables are killed. As anticipated, this brings police and army reinforcements to the area. Soldiers loot and desecrate sites outside Templemore associated with the pilgrimage. Rumours begin that the town itself would soon be attacked. Pilgrims flee the area. The statues apparently stop bleeding.

Interest in the statues and Walsh’s cottage largely end at this point, ending Templemore as a sight for pilgrimages. However, Michael Collins does receive a statue at his request. Upon receiving the statue, he smashes it. He discovers that inside is an alarm clock connected to fountain pen inserts containing sheep’s blood. When the clock strikes a certain time, it sends a spurt of blood out of the statue, giving the impression it is bleeding. It is not clear whether this statue performed in Templemore or was one of the ones owned by James Walsh. Collins had received complaints from a local priest that IRA volunteers had engineered statues that would bleed at intervals.

James Walsh is labelled as a possible spy by Dan Breen. At the request of Templemore clergy he is taken to Salesian College in Limerick and placed in the care of Father Aloysius Sutherland. He emigrates to Australia in 1923, settling in Sydney. Towards the end of his life he attempts to enter numerous religious orders but is unsuccessful due to a prior divorce. He dies in Sydney in 1977, having never returned to Ireland.

Historian John Reynolds states at a talk that the affair could have been a prank that got out of hand or was a money-making swindle. He speculates that Walsh may have been used by others, who really instigated it. He discounts the local IRA as having been the instigators.

The affair is not well-known despite gaining worldwide attention at the time. However, in November 2012 the Irish-language television broadcaster TG4 screens a documentary about it. In 2019 the book The Templemore Miracles, written by John Reynolds, is published.

(Pictured: Children pray beside statues that were reported to have started bleeding, Belfast Telegraph, http://www.belfasttelegraph.co.uk)