Gwynn is born in Ramelton, County Donegal, on May 5, 1873. He is a member of a family well known in Dublin at the time for its academic and sporting achievements. He is the fourth son of the Very Rev. John Gwynn, Regius Professor of Divinity at Trinity College Dublin (TCD), and Lucy Josephine, daughter of the Irish patriot William Smith O’Brien. He and his three immediate younger brothers, Arthur, Robin and Jack, all in turn captain their school and university cricket teams and play the game at first class level. He is also a talented rugby player.
Gwynn’s academic career outshines even his sporting achievements. He enters Trinity College Dublin as a foundation Scholar and achieves a double first in his degree finals. In 1899 he is elected a Fellow of Trinity College and commences what promises to be a distinguished academic career.
At school Gwynn is mainly a bowler, his brother Arthur being the superior bat, though this inequality is ironed out at university. He is captain of the Dublin University Cricket Club XI for two seasons, 1894 and 1895, then plays under Arthur’s captaincy. The three brothers make up a formidable threesome in those years.
Primarily noted for his bowling prowess during early outings with the Dublin University XI, Gwynn takes 44 wickets at an average of 8.14 in Trinity’s annus mirabilis of 1893, a season which witnesses victories over Leicestershire, Oxford University, Warwickshire (dismissed for a paltry total of 15 runs) and a draw against Essex.
Gwynn, a right-handed batsman, who records the highest first-class average (56.87) among those batsmen who complete ten innings or more during the English season of 1895, enjoys another remarkably productive season in 1896, plundering over a thousand runs in Trinity flannels, a superlative effort complemented by a haul of 93 wickets at 9.37. His irrepressible form reputedly earns him an invitation to represent England against Australia in the second Ashes Test at Old Trafford in July 1896. However, concurrent university examinations render him unable to participate. Instead, English cricket is introduced to the wizardry of K. S. Ranjitsinhji, who takes Gwynn’s place.
Gwynn makes his debut for Ireland against I Zingari in July 1892 and goes on to play for Ireland 13 times, his last game coming in May 1902 against Marylebone. Two of his matches for Ireland have first-class status.
Gwynn also plays first-class cricket in two Gentlemen v Players matches, representing the gentlemen, and four matches for Dublin University in 1895, for whom he makes his top score of 153 not out against Leicestershire. In all, he amasses 3,195 runs and 311 wickets for Dublin University, in addition to 499 runs and 14 wickets for Ireland.
Remarkably, Gwynn also represents Ireland seven times at rugby union, debuting against Scotland at Belfast in February 1893. He features in all three legs of Ireland’s 1894 Triple Crown-winning campaign.
In 1901 Gwynn marries Katharine Rawlins of Bristol. He is already suffering from persistent symptoms of debility and fatigue. A few months later a Harley Street physician diagnoses tuberculosis. He is admitted to a sanatorium at Davos Platz in Switzerland, but the illness has progressed too far for any treatment to succeed. He dies on December 23, 1902, at the age of 29. The couple’s only child, a daughter named Rhoda, is born in September 1902, just three months before his death.
Ware is born on November 16, 1594, in Castle Street, Dublin, eldest surviving son among ten children of Sir James Ware, auditor general, and his wife Mary Bryden, sister of Sir Ambrose Briden of Maidstone, Kent, England, whose house provides Ware’s base in England. His father, a Yorkshireman, comes to Ireland in the train of Lord Deputy of Ireland Sir William FitzWilliam in 1588 and builds up a substantial landed estate. He enters Trinity College Dublin (TCD), where his father is the college auditor, as a fellow commoner in 1605 and is presented a silver standing bowl in 1609. His association with the college continues, as he particularly remembers the philosophy lectures of Anthony Martin, who becomes a fellow in 1611. He takes his MA on January 8, 1628, but by then he has already launched on his future course. His father procures him the reversion of his office in 1613, and by 1620 he already owns the Annals of Ulster and is taking notes from the Black Book of Christ Church. In 1621, he marries Elizabeth Newman, daughter of Jacob Newman, one of the six clerks in chancery. Newman becomes clerk of the rolls in 1629, which apparently facilitates Ware’s assiduous research in the Irish public records.
From Ware’s numerous surviving notebooks, it is possible to follow his scholarly tracks over the rest of his life. He is particularly concerned to trace the succession of the Irish bishops. The first fruits appear in print in 1626, Archiepiscoporum Cassiliensium et Tuamensium . . . adjicitur historia coenobiorum Cisterciensium Hiberniae, followed in 1628 by De presulibus Lageniae . . ., the whole to be rounded off in 1665 with De presulibus Hiberniae. . . . However, he has wide interests in Irish history and in 1633 edits Edmund Spenser‘s A View of the Present State of Irelande and the Irish histories of Edmund Campion, Meredith Hanmer, and Henry of Marlborough. The first Irish biographical dictionary follows in 1639, De scriptoribus Hiberniae. Both publications are dedicated to the viceroy, Thomas Wentworth. In public life he is a supporter, first of Wentworth, later of James Butler, 1st Duke of Ormond, rather than a leader, and always a stout royalist. He is knighted in 1630 and following his father’s death in 1632 he succeeds as auditor general. He is elected member of parliament for Dublin University in 1634, 1640, and 1661, but is not admitted to the Privy Council of Ireland until 1640.
Shortly after the outbreak of rebellion in October 1641, Ware is in England, and in London at the time of the passing of the Adventurers’ Act 1640, presumably on the council’s business. During Ormond’s prolonged negotiations with the confederates, he is sent to advise the king at Oxford in November 1645. While there he works in the Bodleian Library and is incorporated into the university as a Doctor of Civil Law. On his way back to Ireland in January 1646, he is captured at sea by a parliament ship and held prisoner in the Tower of London until October 1646.
When Ormond is arranging the surrender of Dublin to the parliament in the summer of 1647, Ware is sent to London as one of the hostages for his performance of the terms. Back in Dublin he has been replaced as auditor general but is able to carry on his work on the public records. In 1648 he publishes the catalogue of his manuscript library. As a leading royalist he is unwelcome to those governing the city for the parliament and is sent into exile in France on April 7, 1649, with his eldest son, also James, who already holds the reversion of the auditor generalship and eventually succeeds his father. He is allowed to live in London from October 1650, and from 1653, when hostilities end in Ireland, he is allowed brief visits there, perhaps taking up residence again in 1658.
Ware’s years in London are spent in the library of Archbishop of ArmaghJames Ussher, then in Lincoln’s Inn, and in the Royal, Cotton, Carew, and Dodsworth libraries. He publishes his De Hibernia et antiquitatibus ejus disquisitiones in 1654, lamenting the inaccessibility of his notes, then in Dublin. The second edition, published in 1658, also includes the annals of Henry VII. His Opuscula Sancto Patricio . . . adscripta . . . appears in 1656. In it he remarks that his knowledge of the Irish language is not expert enough for an edition of the ‘Lorica’. According to Roderick O’Flaherty, Ware can read and understand but not speak Irish. For the older language he employs Irish scholars, Dubhaltach Mac Fhirbhisigh being the last and most learned. The 1660 Stuart Restoration sees him back as auditor general and one of the commissioners for the Irish land settlement. He publishes annals of Henry VIII in 1662, and in 1664 annals for 1485–1558.
Ware dies in his house in Castle Street on December 1, 1666, and is buried in the family vault in St. Werburgh’s Church, Dublin. He has numerous friends among the scholars of the day, including Irish Franciscans, across the sectarian divide. While clergy lists are still partly dependent on his work, his notebooks and manuscripts remain of first importance for the study of medieval Ireland. Of his ten children, two boys and two girls survive him. His wife dies on June 9, 1651. The engraving by George Vertue prefixed to Harris’ edition of Ware’s Works is claimed to be based on a portrait in the possession of the family.
(From: “Ware, Sir James” by William O’Sullivan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Parsons also performs some preliminary work in association with the practices of the electrodeposition of copper sulfate upon silver films circa 1865 while in search of the design for a truly flat mirror to use in a telescope. However, he finds it impossible to properly electroplate copper upon these silver films, as the copper contracts and detaches from the underlying glass substrate. His note has been cited as one of the earliest confirmations in literature that thin films on glass substrates experience residual stresses. He revives discussion in his work Nature’s August 1908 edition after witnessing similar techniques used to present newly devised searchlights before the Royal Society.
Although overshadowed by his father (when astronomers speak of “Lord Rosse”, it is almost always the father that they refer to), Parsons nonetheless pursues some astronomical observations of his own, particularly of the Moon. Most notably, he discovers NGC 2, a spiral galaxy in the constellationPegasus.
After some years of ill-health, Parsons dies on August 30, 1908, at Birr Castle and is buried in the local churchyard. He leaves a bequest to the Royal Society to establish the “Rosse Fund,” and a further £1,000 to the science school fund at TCD.
Emmett is born in the Hammond’s Marsh area of Cork, County Cork, on April 24, 1764, the son of Dr. Robert Emmet from County Tipperary (later to become State Physician of Ireland) and Elizabeth Mason of County Kerry, both of whose portraits are today displayed at Cork’s Crawford Art Gallery. He is the elder brother of Robert Emmet, who is executed for leading the Irish Rebellion of 1803, becoming one of Ireland’s most famous republican martyrs. His sister, Mary Anne Holmes, holds similar political beliefs.
Emmet is a man of liberal political sympathies and becomes involved with a campaign to extend the democratic franchise for the Irish Parliament and to end discrimination against Catholics. He is called to the Irish bar in 1790 and quickly obtains a practice, principally as counsel for prisoners charged with political offenses. He also becomes the legal adviser of the Society of the United Irishmen.
When the Dublin Corporation issues a declaration of support of the Protestant Ascendancy in 1792, the response of the United Irishmen is their nonsectarian manifesto which is largely drawn up by Emmet. In 1795 he formally takes the oath of the United Irishmen, becoming secretary in the same year and a member of the executive in 1797. As by this time the United Irishmen had been declared illegal and driven underground, any efforts at peaceful reform of government and Catholic emancipation in Ireland are abandoned as futile, and their goal is now the creation of a non-sectarian Irish republic, independent from Britain and to be achieved by armed rebellion. Although Emmet supports this policy, he believes that the rebellion should not commence until French aid has arrived, differing from more radical members such as Lord Edward FitzGerald.
British intelligence infiltrates the United Irishmen and manages to arrest most of their leaders on the eve of the rebellion. Though not among those taken at the house of Oliver Bond on March 12, 1798, Emmet is arrested about the same time and is one of the leaders imprisoned initially at Kilmainham Gaol and later in Scotland at Fort George until 1802. Upon his release he goes to Brussels where he is visited by his brother Robert in October 1802 and is informed of the preparations for a fresh rising in Ireland in conjunction with French aid. However, at that stage France and Britain are briefly at peace, and the Emmets’ pleas for help are turned down by Napoleon.
Emmet receives news of the failure of his brother’s rising in July 1803 in Paris, where he is in communication with Napoleon. He then emigrates to the United States and joins the New York bar where he obtains a lucrative practice.
After the death of Matthias B. Hildreth, Emmet is appointed New York State Attorney General in August 1812 but is removed from office in February 1813 when the opposing Federalist Party obtains a majority in the Council of Appointment.
O’Brien is a ship builder and designer, and his notable boats include the Kelpie (used for gun running in 1914), the Saoirse (in which he circumnavigates the globe) and the Ilen (a Falkland Islands service ship).
O’Brien is credited with two buildings in his lifetime: the Co-operative Hall in County Donegal and the People’s Hall in County Limerick. He is also known as a naval architect, having designed two ships, the Saoirse and the llen. He later captains both of these ships himself.
In Saoirse, a 20-ton, 42-foot ketch designed and built in 1922 in Baltimore, County Cork, he and three crew members circumnavigate the globe between 1923 and 1925 – the first recorded by an amateur skipper from west to east, the first yacht circumnavigation by way of the three great capes: Cape Horn, Cape of Good Hope and Cape Leeuwin, and the first boat flying the Irish tri-colour to enter many of the world’s ports and harbours. His voyage begins and ends at the Port of Foynes, County Limerick, where he lives. His account of the voyage, Across Three Oceans, (1927) becomes one of the classics of maritime literature.
Up until O’Brien’s circumnavigation, this route is the preserve of square-rigged grain ships taking part in the grain race from Australia to England via Cape Horn (also known as the clipper route).
O’Brien’s seagoing experiences are put to use in his design of the Ilen, which is built for the Falkland Islands as a service boat and launched in the spring of 1926. In 1998, Ilen returns to the site where she was first built, on the River Ilen near Baltimore, County Cork, where she undergoes a full restoration and is re-launched in May 2018. This task provides work-based learning for the students of the Ilen School.
O’Brien has some involvement with gun running in 1914 on behalf of the Irish Volunteers, for political reasons and because he has experience in sailing. On July 26, 1914, nine hundred guns are brought to Howth harbour aboard Erskine Childers‘ yacht Asgard. As part of the same operation, O’Brien transports arms on his yacht, Kelpie. The guns on Kelpie are transshipped to another yacht, Chotah, owned by Sir Thomas Myles, before being landed at Kilcoole in County Wicklow on August 1, 1914. After the gun running incidents, he serves in the Royal Naval Volunteer Reserve.
In 1928, O’Brien marries a well-known artist, Kathleen Francis, the youngest daughter of Sir George Clausen, RA. The couple thereafter moves to Ibiza, where they live on the Saoirse until Kathleen’s death in 1936. They have no children. Relocating to Cornwall, where he lives with his sister, he writes books on sailing and works of fiction for children. Although too old for active service when war with Germany breaks out in 1939, he assists the British war effort by serving in the Small Ships Pool, which delivers support vessels across the Atlantic and brings food supplies from the United States in private yachts.
In 1940 O’Brien sells Saoirse to the Royal Cornwall Yacht Club. The boat remains in use until 1980, when it is lost off the Jamaican coast. After the war he retires to another sister’s home in Foynes, County Limerick, where he lives and continues to write books for children until his death on April 18, 1952.
Plunkett’s only grown sibling, a younger brother, from whom he is estranged from about 1916, for reasons not fully clear but connected to his mother’s will, is the noted British naval officer Sir Reginald Drax. Another younger brother dies in infancy.
The title passes to Plunkett at his father’s death in 1899 at a fairly young age. The young Lord Dunsany returns to Dunsany Castle in 1901 after war duty. In that year he is also confirmed as an elector for the Representative Peers for Ireland in the House of Lords.
In 1903, Plunkett meets Lady Beatrice Child Villiers (1880–1970), youngest daughter of Victor Child Villiers, 7th Earl of Jersey, who is then living at Osterley Park. They marry in 1904. Their one child, Randal, is born in 1906. Lady Beatrice is supportive of her husband’s interests and helps him by typing his manuscripts, selecting work for his collections, including the 1954 retrospective short story collection, and overseeing his literary heritage after his death.
The Plunketts are socially active in Dublin and London and travel between homes in Meath, London and Kent, other than during the First and Second World Wars and the Irish War of Independence. He circulates with many literary figures of the time. To many of these in Ireland he is first introduced by his uncle, the co-operative pioneer Sir Horace Plunkett, who also helps to manage his estate and investments for a time. He is friendly, for example, with George William Russell, Oliver St. John Gogarty, and for a time, W. B. Yeats. He also socialises at times with George Bernard Shaw and H. G. Wells and is a friend of Rudyard Kipling.
In 1910 Plunkett commissions a two-story extension to Dunsany Castle, with a billiard room, bedrooms and other facilities. The billiard room includes the crests of all the Lords Dunsany up to the 18th.
Plunkett serves as a second lieutenant in the Coldstream Guards in the Second Boer War. Volunteering in World War I and appointed Captain in the Royal Inniskilling Fusiliers, he is stationed for a time at Ebrington Barracks in Derry, Northern Ireland. Hearing while on leave of disturbances in Dublin during the Easter Rising of 1916, he drives in to offer help and is wounded by a bullet lodged in his skull. After recovery at Jervis Street Hospital and what is then the King George V Hospital (now St. Bricin’s Military Hospital), he returns to duty. His military belt is lost in the episode and later used at the burial of Michael Collins. Having been refused forward positioning in 1916 and listed as valuable as a trainer, he serves in the later war stages in the trenches and in the final period writing propaganda material for the War Office with MI7b. There is a book at Dunsany Castle with wartime photographs, on which lost members of his command are marked.
During the Irish War of Independence, Plunkett is charged with violating the Restoration of Order in Ireland Act 1920, tried by court-martial on February 4, 1921, convicted, and sentenced to pay a fine of 25 pounds or serve three months in prison without labour. The Crown Forces had searched Dunsany Castle and had found two double-barreled shotguns, two rook rifles, four Very pistols, an automatic pistol and a large quantity of pistol ammunition, along with shotgun and rifle ammunition.
During World War II, Plunkett signs up for the Irish Army Reserve and the British Home Guard, the two countries’ local defence forces, and is especially active in Shoreham, Kent, the English village bombed most during the Battle of Britain.
Plunkett’s fame arises chiefly from his prolific writings. He is involved in the Irish Literary Revival. Supporting the Revival, he is a major donor to the Abbey Theatre, and he moves in Irish literary circles. He is well acquainted with W. B. Yeats, Lady Gregory, Percy French, George “AE” Russell, Oliver St. John Gogarty, Padraic Colum and others. He befriends and supports Francis Ledwidge, to whom he gives the use of his library, and Mary Lavin.
Plunkett makes his first literary tour to the United States in 1919 and further such visits up to the 1950s, in the early years mostly to the eastern seaboard and later, notably, to California. His own work and contribution to the Irish literary heritage are recognised with an honorary degree from Trinity College Dublin.
In 1940, Plunkett is appointed Byron Professor of English in the University of Athens in Greece. Having reached Athens by a circuitous route, he is so successful that he is offered a post as Professor of English in Istanbul. However, he has to be evacuated due to the German invasion of Greece in April 1941, returning home by an even more complex route, his travels forming a basis for a long poem published in book form (A Journey, in 5 cantos: The Battle of Britain, The Battle of Greece, The Battle of the Mediterranean, Battles Long Ago, The Battle of the Atlantic, special edition January 1944). Olivia Manning‘s character Lord Pinkrose in her novel sequence the Fortunes of War is a mocking portrait of Dunsany in that period.
In 1947, Plunkett transfers his Meath estate in trust to his son and heir and settles in Kent at his Shoreham house, Dunstall Priory, not far from the home of Rudyard Kipling. He visits Ireland only occasionally thereafter and engages actively in life in Shoreham and London. He also begins a new series of visits to the United States, notably California, as recounted in Hazel Littlefield-Smith’s biographical Dunsany, King of Dreams.
In 1957, Plunkett becomes ill while dining with the Earl and Countess of Fingall at Dunsany, in what proves to be an attack of appendicitis. He dies in hospital in Dublin, at the age of 79, on October 25, 1957. He is buried in the churchyard of the ancient church of St. Peter and St. Paul, Shoreham, Kent. His funeral is attended by many family members, representatives of his old regiment and various bodies in which he had taken an interest, and figures from Shoreham. A memorial service is held at Kilmessan in County Meath, with a reading of “Crossing the Bar,” which coincides with the passing of a flock of geese.
Beatrice survives Plunkett, living mainly at Shoreham and overseeing his literary legacy until her death in 1970. Their son Randal succeeds to the barony and is in turn succeeded by his grandson, the artist Edward Plunkett. Plunkett’s literary rights pass from Beatrice to Edward.
Mitchell is the younger son of David William Mitchell, owner of a Dublin ironmongery and furniture business, and Francis Elizabeth Mitchell (née Kirby). His elder brother David becomes president of the Royal College of Physicians of Ireland (RCPI) and his sister Lillias is a noted weaver and teacher. He is educated at The High School, Dublin, and Trinity College Dublin (TCD), where he is a scholar in 1933 and receives a gold medal the following year. In 1934 he is appointed assistant to the professor of geology at TCD, and later is lecturer in geology (1940), reader in Irish archaeology (1959) and professor of Quaternary studies – a personal chair (1965). He is an efficient administrator and serves TCD successively as registrar, senior lecturer, and tutor, and after retirement is briefly a pro-chancellor of the university.
Mitchell’s major research focuses on the evolution of Ireland during the last two million years, particularly during the Quaternary since the retreat of the glacial ice over Ireland, and the effect man has had on this landscape. His interest in Quaternary studies begins in 1934, when he is appointed by the Royal Irish Academy (RIA) as an assistant to the Danish botanist and Quaternary geologistKnud Jessen, who uses the distribution of ancient pollen grains to reconstruct vegetational history. From 1940 he publishes a series of papers on topics such as the distribution of Irish giant deer and reindeer remains in Ireland, lacustrine deposits in County Meath, interglacial deposits in southeast Ireland, the palynology of Irish raised bogs, cave deposits, fossil pingos in County Wexford, bog flows, and the deposits of the older Pleistocene period in Ireland. His major study in this field is the documentation (1965) of the vegetational history of Littleton bog, County Tipperary, which has given its name to the present interglacial – the Littletonian warm stage.
Mitchell does not confine his studies to Ireland but also carries out work in Glasgow, Cornwall, and the Isle of Man. In 1957, he helps organise the British Association for the Advancement of Science meeting in Dublin and is later chairman of the Geological Society of London sub-commission on British and Irish Quaternary stratigraphy, which produces a comprehensive report in 1973. He is a frequent broadcaster on radio and a prolific author of academic papers, and in later life writes several acclaimed books, including The Irish Landscape (1976), which goes through two further editions as Reading the Irish Landscape (1986, 1997), and a volume of semi-autobiography, The Way That I Followed (1990).
In 1940, Mitchell marries Lucy Margaret (‘Pic’) (1911–87), daughter of E. J. Gwynn, provost of TCD. They have two daughters. For many years they live at Townley Hall, near Drogheda, County Louth, which had been TCD’s agricultural facility. A 1985 portrait by David Hone is displayed at Trinity College Dublin.
(From: “Mitchell, George Francis (‘Frank’)” by Patrick N. Wyse Jackson, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Hone is born in Fitzwilliam Place, Dublin on October 26, 1831. He is the son of Brindley Hone, a merchant and director of the Midland Great Western Railway.
Though a member of a very artistic family, Hone’s initial training is as an engineer at Trinity College Dublin followed by a brief period of work for the Irish Railway before going to Paris in 1853 to study painting. He first studies under Adolphe Yvon, the French military painter, and later Thomas Couture, who is one of the earliest exponents of realism and from whom he learns principles which influence his work throughout his career.
Most of Hone’s later paintings are landscapes, very often enlivened with animals and occasionally with figures. In France he is influenced by the painter Gustav Courbet who is taking a new and quite revolutionary realistic approach. His closest painting tips are, however, from another French impressionist, Jean-Baptiste-Camille Corot. He becomes a close friend of one of Corot’s followers at the Barbizon school of landscape painting. At Barbizon he learns to appreciate colour, texture and tone in the landscape and applies it in strong and confident brushworks to the painting of Irish subjects on his return. In Paris he also works closely with artist Édouard Brandon, also a follower of Corot.
Hone’s paintings which are completed in France have many similarities to those that he completes at his country farm in County Dublin, but the finish is perhaps more polished and professional in the later Irish works.
From 1876, except for four years, Hone exhibits at the Royal Hibernian Academy (RHA). He is elected a full member in 1880 and in 1894 becomes Professor of Painting. His exhibition with John Butler Yeats in 1901 is one of the turning points for the history of Irish art as it is their paintings which convince Sir Hugh Lane that Dublin should have a gallery of modern art.
Nathaniel Hone dies in Dublin on October 14, 1917. After his death his widow bequeaths the contents of his studio to the National Gallery of Ireland. He rarely dates his work, so it is difficult to establish chronology. The similarity of many of his motifs and subjects often make it difficult to tell whether a view is Irish or French. Equally it is difficult to chart his developments on stylistic grounds alone.
(Pictured: Nathaniel Hone, the younger, self-portrait as an old man)
Leventhal is born Abraham Jacob Leventhal in Lower Clanbrassil Street, Dublin, on May 9, 1896. His parents are Moses (Maurice) Leventhal and Rosa (née Levenberg). His father is a draper, and his mother is a poet. She is a Zionist, who is a founding member of the Women’s Zionist Society. He lives in the “Little Jerusalem” area of Dublin, the area around the South Circular Road, in his youth. He attends Wesley College, Dublin, and then Trinity College Dublin (TCD) to study modern languages. He edits the TCD student magazine in 1918. It is in TCD that he acquires the nickname “Con,” an allusion to his father’s job as a “Continental” agent. He joins the first Zionist commission and travels to Palestine after World War I and helps to found the newspaper Palestine Weekly. He is then invited to join the Jewish National Fund‘s London office and begins working on the Zionist Review. He returns to Dublin to complete his degree in 1920, and in 1921 travels to Paris where he meets James Joyce.
Leventhal marries Gertrude Zlotover in October 1922. He works with his father-in-law, Joseph Zlotover, at the family furniture business on Mary Street for a time. After, he starts a number of unsuccessful businesses of his own, including the Irish Book Shop on Dawson Street from 1924 to 1925. It is possibly his business failures that inspire the idea of the TCD Students Appointment Association, which would give students pragmatic business skills. TCD accepts this proposal and employes him as the first administrator.
Leventhal completes a PhD in contemporary French literature, and in 1932 is appointed to the staff of the French department at TCD. He replaces his friend Samuel Beckett. During his time in TCD, he is an assistant editor to Hermathena, to which he also contributes his translations of French poetry. He is associated with a number of progressive cultural movements in Dublin of the 1920s and 1930s. He is a regular attendee at meetings held to promote Jewish culture and nationalism and lectures this group on Joyce. Through his interest in Joyce, he becomes an associate of Seumas O’Sullivan, and The Dublin Magazine. When the printers refuse to set his review of Ulysses in 1923 for The Dublin Magazine, he is moved to found his own magazine, The Klaxon, in response to the censorship. The only issue of the magazine publishes a shortened version of the review under the pseudonym “Lawrence K. Emery.” He is also associated with Francis Stuart‘s Tomorrow magazine. He is also interested in drama and is a member of the avant-garde Dublin Drama League, occasionally performing with them. Among his close friends are Daisy Bannard Cogley, Micheál Mac Liammóir, and Lennox Robinson. From 1943 to 1958 his column, “Dramatic commentary”, is published in The Dublin Magazine. He is also published in The Irish Times, The Irish Press, The Listener, Westminster Weekly, Financial Times, and International Herald Tribune. He is a regular contributor to Radio Éireann and BBC broadcasts.
Leventhal begins a long-term relationship with Ethna MacCarthy, marrying her after the death of his first wife in 1956. She dies in 1959. He retires from TCD in 1963 and moves to Paris, where he becomes Beckett’s literary assistant. He lives on Boulevard du Montparnasse with his partner Marion Leigh.
Leventhal dies of cancer in Paris on October 3, 1979. There are two known portraits of Leventhal, one by John Russell (1920) and a second by Avigdor Arikha. The Leventhal Scholarship at TCD is founded in his memory. TCD and the Harry Ransom Center hold papers relating to Leventhal.
Willes is born on February 13, 1814, in Cork, County Cork, the eldest among six children of James Willes, physician, and his wife, Elizabeth Aldworth, daughter of John Shaw, mayor of Cork in 1792. Educated at Dr. Porter’s school in Cork and Trinity College Dublin (TCD), he graduates BA in 1836, having entered the King’s Inns the previous year. In 1837, he goes to London and joins the Inner Temple as a pupil of the noted barrister Thomas Chitty (1802–78), in whose chambers he remains as a salaried assistant and special pleader before being called to the English bar on June 12, 1840. The Willes and Chitty families are connected, and James’s younger sister, Mary, later marries Thomas Chitty’s son.
Willes joins the home circuit, though his practice is chiefly in London in mercantile and maritime law. A leading junior in the Court of Exchequer, he holds the post of tubman from 1851, an honorary position in the gift of the Lord Chief Baron. Known for his erudition, he is persuaded to edit, with Sir Henry Singer Keating, the third and fourth editions of John William Smith‘s Leading Cases (1849, 1856). In 1850, his reputation is such that he is appointed one of the commissioners to draft the common law procedure bill (1854) and is credited with having effected most of the reform therein. On July 3, 1855, he is appointed judge of the Court of Common Pleas, though he has not yet taken silk and is only 41, the youngest lawyer but one to have been appointed to the bench since 1778.
A classical scholar and linguist who knows oriental as well as European languages, who travels widely, loves poetry, and frequents literary men, and whose judgments are clear and philosophical, Willes is accounted among the best common law judges of his day, and is celebrated for the simplicity and lucidity of his style. Notable judgments include Esposito v. Bowden (1857), which lays down that the force of a declaration of war is equal to that of an act of parliament prohibiting commercial transactions with the enemy. In the law of torts, he gives an oft-cited judgment in the case of Indermaur v. Dames (1866), which has been accepted almost as statutory, on the liability of the occupier of a building for the safety of a visitor. In 1868, as one of the first judges appointed to try election petitions, he lays down the rules of practice generally followed afterward. A strong British patriot, he serves in the Inns of Court Volunteers from 1859 until shortly before his death.
On November 3, 1871, Willes is sworn of the privy council. However, his health has deteriorated through overwork and an emotional temperament, and he has long suffered heart disease and gout. In August 1872, after a heavy assize at Liverpool, he returns to his house, Otterspool, Watford, Hertfordshire, and succumbs to a nervous breakdown, which leads to his shooting himself on October 2, 1872. He is buried on October 7 at Brompton Cemetery in London. He is survived fifteen years by his wife, Helen, daughter of Thomas Jennings of Cork, whom he married on May 17, 1856. There have no children.
A tall, reserved man, with a prominent nose and sad eyes, Willes has great affection for children and animals and is singularly emotional. He is known to return to his room and shed tears before passing sentence on a criminal. He never loses his Irish accent. His marriage is allegedly unhappy, as he had been forced into it after he had fallen out of love. Sir Frederick Pollock (1845–1937), author of the magisterial History of English Law before the Time of Edward I and sometime marshal to Willes, dedicates to him his first textbook on torts in 1879, writing that he was “one of those whose knowledge is radiant and kindles answering fire.” A century later, A. W. B. Simpson maintains that “his reputation as a jurist will last as long as the law reports of England are read.”
(From: “Willes, Sir James Shaw” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 