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Death of Leslie Daiken, Copywriter, Editor & Writer

Leslie Herbert Daiken, an Irish advertising copywriter, editor, and writer on children’s toys and games, dies in London on August 15, 1964.

Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.

In 1932, and again in 1933, as Yodaiken he wins the Vice-Chancellor’s Prize for English Prose, and while at Trinity, he publishes short stories and verse in Choice, The Dublin Magazine, and The New English Weekly.

In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.

In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.

Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.

In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.

In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”

Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”

Daiken does not go to fight in the Spanish Civil War, although his Irish Front colleague Charles Donnelly does, and is killed; but he is active in fundraising for the Connolly Column, the Irish section of the International Brigades. He is also a contributor to the branch of Republican Congress in London, an Irish republican and Marxist-Leninist pressure group which aims to engage Irish emigrants working in the city on socialist issues.

In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”

In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”

During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.

After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.

In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.

Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.

In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.

In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”

In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”

Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.

The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.


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Brendan Foley, Writer, Film Producer & Director

Brendan Foley is a Northern Irish writer, film producer and director. Raised in Belfast, Northern Ireland, he has written feature film and TV series scripts for producers and studios in the United Kingdom, Ireland, Hollywood, Canada, Denmark, Finland, Poland, South Africa, China and Thailand. He writes and produces the 2005 action-thriller Johnny Was, starring Vinnie Jones, Eriq La Salle and Patrick Bergin. The film wins awards including Audience Awards and Best Feature Awards from six film festivals.

Foley’s most recent work includes Cold Courage, a TV series thriller for Lionsgate, Viaplay and Luminoir shot in Europe in 2019 and The Man Who Died, a series for Elisa-Viaplay.

Foley writes, produces and directs The Riddle in 2006, starring Jones, Sir Derek Jacobi and Vanessa Redgrave. In September 2007, The Riddle becomes the world’s first feature film to be released as a DVD premiere by a national newspaper. The UK’s The Mail on Sunday buys UK DVD rights and distributes 2.6 million copies, making the film one of the most widely watched independent films in the UK.

During 2006–07, Foley writes and directs Assault of Darkness, a satirical horror film set in rural Ireland, starring Jones, Jason Barry and Nora-Jane Noone. It is released by Lionsgate in the United States on DVD in 2009. He co-creates and is a writer on Shelldon, a children’s environmental animated TV series on NBC (2010–12) and Byrdland (five seasons of animated TV series in Asia with GMM Grammy).

In 2015, Foley starts developing a new TV detective series for BBC Television, Farmoor (makers of The Fall) and Northern Ireland Screen (UK home of Game of Thrones) and, in 2016, he develops Tunnel Kings, a mini-series on World War II POW “escape-artists” for the Canadian Broadcasting Corporation and Dream Street, Canada. He completes pilot scripts for SOS, a new eco-thriller series by Finnish producers Luminoir, and Kvenland, set in the Dark Ages. Previously he writes the pilot for drama Dr. Feelgood for Monday TV (Denmark).

Cold Courage, described as a Nordic noir series involving Finnish characters in present-day London made by Finnish producers Luminoir for Lionsgate and Viaplay, shot in London, Dublin, Belgium and Finland in 2019. Actor John Simm tells Variety that he is attracted to the series by the quality of the writing and the fact that it is a pan-European thriller.

In 2019, Foley is attached to produce an adaptation of Freeman Wills Crofts‘ Inspector French novels.

In 2025, Foley is Writer-Creator and Executive Producer for Sherlock & Daughter, a drama series starring David Thewlis and Blu Hunt for The CW, WarnerBrosDiscovery UK, Federation, Starlings and StoryFirst (UK).

Foley has written books for U.S. and UK publishers. Under The Wire, a World War II POW escape drama, which he writes along with its subject, pilot William Ash, is published by  Random House, London and St. Martin’s Press, New York, in 2005 and 2006. It becomes a best-seller, reaching number one on Amazon UK‘s history and biography charts. In 2018/19, a related TV series is developed as a future miniseries by CBC in Canada and Northern Ireland Screen.

Foley’s next book, Archerfield, a novel, published in 2015, covers 16,000 years of history in one square mile of Scotland.

Foley is a member of the Writers’ Guild of Great Britain, a Fellow of the British Association of Communicators in Business, and is made an honorary life member of the National Union of Journalists in June 2006.


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Birth of Sidney Czira, Journalist, Broadcaster, Writer & Revolutionary

Sidney Sarah Madge Czira (née Gifford), journalist, broadcaster, writer and revolutionary, known by her pen name John Brennan, is born in Rathmines, Dublin, on August 3, 1889. She is an active member of the revolutionary group Inghinidhe na hÉireann (Daughters of Ireland) and writes articles for its newspaper, Bean na h-Éireann, and for Arthur Griffith‘s newspaper Sinn Féin.

Gifford is the youngest of twelve children of Frederick and Isabella Gifford. Isabella Gifford (née Burton), is a niece of the artist Frederic William Burton, and is raised with her siblings in his household after the death of her father, Robert Nathaniel Burton, a rector, during the Great Famine.

Gifford’s parents—her father is Catholic and her mother Anglican—are married in St. George’s Church, a Church of Ireland church on the north side of Dublin, on April 27, 1872. She grows up in Rathmines and is raised as a Protestant, as are her siblings.

Like her sisters, the socialist Nellie Gifford, Grace Gifford, who marries Joseph Plunkett, and Muriel Gifford, who marries Thomas MacDonagh, she becomes interested and involved in the suffrage movement and the burgeoning Irish revolution.

Gifford is educated in Alexandra College in Earlsfort Terrace. After leaving school she studies music at the Leinster House School of Music. It is her music teacher, in her teens, who first gives her her first Irish national newspaper, The Leader. She begins reading this secretly and then starts reading Arthur Griffith’s newspaper, Sinn Féin.

Gifford is a member of Inghinidhe na hÉireann, a women’s political organisation active from the 1900s. It is founded by Maud Gonne and a group of working-class and middle-class women to promote Irish culture and help to alleviate the shocking poverty of Dublin and other cities at a time when Dublin’s slums are unfavourably compared with Calcutta‘s. Gifford, who is already writing under the name “John Brennan” for Sinn Féin, is asked to write for its newspaper Bean na h-Éireann. Her articles vary from those highlighting poor treatment of women in the workplace to fashion and gardening columns, some written under the pseudonym Sorcha Ní hAnlúan.

She also works, along with her sisters, in Maud Gonne’s and Constance Markievicz‘s dinner system in St. Audoen’s Church, providing good solid dinners for children in three Dublin schools – poor Dublin schoolchildren often arrive at school without breakfast, go without a meal for the day, and if their father has been given his dinner when they arrive home, might not eat or might only have a crust of bread that night.

In 1911, Gifford is elected (as John Brennan) to the executive of the political group Sinn Féin.

Gifford is a member of Cumann na mBan (The Irish Women’s Council) from its foundation in Dublin on April 2, 1914. Its members learn first aid, drilling and signalling and rifle shooting, and serve as an unofficial messenger and backup service for the Irish Volunteers. During the fight for Irish Independence the women carry messages, store and deliver guns and run safe houses where men on the run can eat, sleep and pick up supplies.

In 1914, Gifford moves to the United States to work as a journalist. Through her connection with Padraic Colum and Mary Colum, whom she had met through her brother-in-law Thomas MacDonagh, she meets influential Irish Americans such as Thomas Addis Emmet and Irish exiles like John Devoy, and marries a Hungarian lawyer, Arpad Czira, a former prisoner of war who is said to have escaped and fled to America. Their son, Finian, is born in 1922.

Czira writes both for traditional American newspapers and for Devoy’s newspaper, The Gaelic American. She and her sister Nellie found the American branch of Cumann na mBan, and she acts as its secretary. Both sisters tour and speak about the Easter Rising and those involved. She is an active campaigner for Irish independence and against the United States joining the war against Germany, seen as a war for profit and expansion of the British Empire, and so to the disadvantage of the work for Irish independence. She helps Nora Connolly O’Brien to contact German diplomats in the United States.

In 1922, Czira returns to Ireland with her son. As a member of the Women’s Prisoners’ Defence League, she is an activist against the ill-treatment of Republican prisoners during the Irish Civil War. She continues to work as a journalist, though she is stymied in her work, as are the women of her family and many of those who had taken the anti-Free State side. In the 1950s her memoirs are published in The Irish Times, and she moves into work as a broadcaster and produces a series of historical programmes.

Czira dies in Dublin on September 15, 1974, and is buried in Dean’s Grange Cemetery.


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Death of Malachi Martin, Irish American Catholic Priest

Malachi Brendan Martin, also known under the pseudonym of Michael Serafian, Irish-born American Traditionalist Catholic priest, biblical archaeologist, exorcist, palaeographer, professor, and writer on the Catholic Church, dies in New York City on July 27, 1999.

Martin is born on July 23, 1921, in Ballylongford, County Kerry, to a middle-class family in which the children are raised speaking Irish at the dinner table. His parents, Conor and Katherine Fitzmaurice Martin, have five sons and five daughters. Four of the five sons become priests, including his younger brother, Francis Xavier Martin.

Martin attends Belvedere College in Dublin, then studies philosophy for three years at University College Dublin (UCD). On September 6, 1939, he becomes a novice with the Society of Jesus. He teaches for three years, spending four years at Milltown Park, Dublin, and is ordained in August 1954.

Upon completion of his degree course in Dublin, Martin is sent to the Catholic University of Leuven in Belgium, where he takes a doctorate in archaeology, Oriental history, and Semitic languages. He starts postgraduate studies at both the Hebrew University of Jerusalem and at the University of Oxford. He specializes in intertestamentary studies, Jesus in Jewish and Islamic sources, Ancient Hebrew and Arabic manuscripts. He undertakes additional study in rational psychology, experimental psychology, physics, and anthropology.

Martin participates in the research on the Dead Sea Scrolls and publishes 24 articles on Semitic palaeography. He does archaeological research and works extensively on the Byblos syllabary in Byblos, in Tyre, and in the Sinai Peninsula. He assists in his first exorcism while working in Egypt for archaeological research. In 1958, he publishes a work in two volumes, The Scribal Character of the Dead Sea Scrolls.

Martin’s years in Rome coincide with the beginning of the Second Vatican Council (1962–65), which is to transform the Catholic Church in a way that the initially liberal Martin begins to find distressing. He becomes friends with Monsignor George Gilmary Higgins and Father John Courtney Murray.

In Rome, Martin becomes a professor at the Pontifical Biblical Institute, where he teaches Aramaic, Hebrew, palaeography, and Sacred Scripture. He also teaches theology, part-time, at Loyola University Chicago‘s John Felice Rome Center. He works as a translator for the Eastern Orthodox Churches and Ancient Oriental Churches Division of the Secretariat for Promoting Christian Unity under Bea. He becomes acquainted with Jewish leaders, such as Rabbi Abraham Joshua Heschel, in 1961 and 1962. He accompanies Pope Paul VI on a trip to Jordan in January 1964. He resigned his position at the Pontifical Institute in June 1964.

In 1964, Martin requests a release from his vows and from the Jesuit Order. He receives a provisional release in May 1965 and a dispensation from his vows of poverty and obedience on June 30, 1965. Even if dispensed from his religious vow of chastity, he remains under the obligation of chastity if still an ordained secular priest. He maintains that he remains a priest, saying that he had received a dispensation from Paul VI to that effect.

Martin moves to New York City in 1966, working as a dishwasher, a waiter, and taxi driver, while continuing to write. He co-founds an antiques firm and is active in communications and media for the rest of his life.

In 1967, Martin receives his first Guggenheim Fellowship. In 1970, he publishes the book The Encounter: Religion in Crisis, winning the Choice Book Award of the American Library Association. He then publishes Three Popes and the Cardinal: The Church of Pius, John and Paul in its Encounter with Human History (1972) and Jesus Now (1973). In 1970, he becomes a naturalized U.S. citizen.

In 1969, Martin receives a second Guggenheim Fellowship, allowing him to write his first of four bestsellers, Hostage to the Devil: The Possession and Exorcism of Five Living Americans (1976). In the book, he calls himself an exorcist, claiming he assisted in several exorcisms. According to McManus Darraugh, William Peter Blatty “wrote a tirade against Malachi, saying his 1976 book was a fantasy, and he was just trying to cash in.” Darraugh also says that Martin became “an iconic person in the paranormal world.”

Martin serves as religious editor for the National Review from 1972 to 1978. He is interviewed twice by William F. Buckley, Jr. for Firing Line on PBS. He is an editor for the Encyclopædia Britannica.

Martin is a periodic guest on Art Bell‘s radio program, Coast to Coast AM, between 1996 and 1998. The show continues to play tapes of his interviews on Halloween.

Martin’s The Keys of This Blood: The Struggle for World Dominion between Pope John Paul II, Mikhail Gorbachev, and the Capitalist West is published in 1990. It is followed in 1996 by Windswept House: A Vatican Novel.

The Vatican restores Martin’s faculty to celebrate Mass in 1989, at his request. He is strongly supported by some Traditionalist Catholic sources and severely criticized by other sources, such as the National Catholic Reporter. He serves as a guest commentator for CNN during the live coverage of the visit of Pope John Paul II to the United States in October 1995.

On July 27, 1999, Martin dies in Manhattan of an intracerebral haemorrhage, four days after his 78th birthday. It is caused by a fall in his Manhattan apartment. The documentary Hostage to the Devil claims that Martin says he was pushed from a stool by a demonic force.

Martin’s funeral takes place in St. Anthony of Padua Catholic Church in West Orange, New Jersey, before burial at Gate of Heaven Cemetery, in Hawthorne, New York.


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Birth of Lydia Mary Foster, Writer & Teacher

Lydia Mary Foster, Irish writer and teacher, is born on June 18, 1867, in Newmills, County Tyrone, in what is now Northern Ireland. She writes three books drawing on the experiences of growing up in rural Ulster in the 19th century in the Kailyard school genre.

Foster is the fourth of the six children of Presbyterian minister of Newmills congregation, James Foster, and Lydia (née Harkness). She has three brothers and two sisters. She is educated at home and is later sent to board at Miss Black’s school in Holywood, County Down. She, with her sisters Jane and Bessie, move to Belfast to establish a girls’ school, the Ladies’ Collegiate School, in the Balmoral suburbs, first at Myrtlefield Park, at 434 Lisburn Road, and then in Maryfield Park. This is after Bessie graduates from Trinity College Dublin in 1896 having studied modern languages. Their school teaches boys and girls, both day pupils and boarders. Foster and Jane teach music, and possibly other subjects as well. Their brother Henry, who works in Belfast, lives with them. All four of the siblings attend the Malone Presbyterian Church and are members of the temperance movement. Throughout her life, Foster remains attached to Newmills, visiting regularly and laying the foundation stone for the new manse in 1910. Her brother, Nevin, is the only one of the six siblings to marry and is an Irish ornithological expert.

The school closes after the deaths of Bessie in December 1917 and Jane in October 1918. The death of Henry in December 1922 leaves Foster alone, and having lost her hearing almost completely, she is in difficult circumstances. To support herself, she begins to write literary sketches and dialect verse for a number of publications such as the Northern Whig, Ireland’s Own, and the annual miscellany Ulster Parade. A selection of these writings are published as a volume, Tyrone Among the Bushes, in 1933. She also writes plays, but these are not collected or produced. She is best known for her three books which are set in rural County Tyrone around the time of Foster’s parents and her childhood. The books, The Bush that Burned (1931), Manse Larks (1936), and Elders’ Daughters (1942) are published by Quota Press in Belfast and are seen as part of the Scottish Kailyard school genre of writing. The Bush that Burned details the story of a young man becoming a minister despite opposition, and is widely read in Ulster and beyond. Aodh de Blácam references the book as evidence that there is little difference between rural Ulster Protestants and their Catholic counterparts. Manse Larks recounts a rural childhood of six siblings growing up in the minister’s house. Foster’s fondness for animals is clear from the book, she is a supporter of the Royal Society for the Prevention of Cruelty to Animals (RSPCA), and her companion in later years is a dog named Stewart. Elders’ Daughters explores the experiences, romantic dreams and misadventures of young women subject to paternal authority in rural County Tyrone.

As Foster’s health declines and after the Belfast Blitz of April 1941, she goes to live with a married niece in Hollowbridge House near Royal Hillsborough, County Down. It is to this niece that she dictates the last chapters of Elders’ Daughters. She dies at Hollowbridge House on December 13, 1943. She is buried at Newmills Presbyterian Church, with her parents and siblings.


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Birth of Nannie Dryhurst, Writer, Translator, Activist & Nationalist

Nannie Florence Dryhurst, Irish writer, translator, activist and nationalist, is born Hannah Anne Robinson in Dublin on June 17, 1856.

Dryhurst is born to Alexander Robinson and Emily Egan. Her father is a dyer. She is known as Nannie to her sisters and she decides to change her name to Nannie Florence in honour of a young friend who had died. As a result she is known variously (and following her marriage) as N.F. Dryhurst, Nannie, Nora and Florence Dryhurst.

After the death of her father, Dryhurst takes a position as a governess as she speaks fluent French, German and Irish, as well as having considerable skill as an artist. She works first in Ireland and then in London. She looks after a doctor’s daughter, Nellie Tenison, and through them she meets the Dryhurst family. In 1882, she becomes engaged to British Museum official Alfred Robert Dryhurst and marries him in August 1884. Their first daughter, Norah, is born in 1885 and the second, Sylvia, in 1888.

Dryhurst soon gets involved with an anarchist group and writes regularly for the Freedom newspaper. She is friends with Charlotte Wilson and acts as editor when Wilson is away. In the early 1890s she takes over as editor completely for a period of time. She also works as a translator for Peter Kropotkin‘s works. She spends time teaching with Wilson, Agnes Henry, and Cyril Bell at the International Anarchist School set up in Fitzroy Square in London by Louise Michel. She gives active support to Spanish refugees fleeing repression and gives money to support the colony at Clousden Hill from 1895 to 1902.

Dryhurst supports a number of different countries attempting to gain independence. She becomes secretary of the Nationalities and Subject Races Committee and uses her writing in working toward Irish independence. She writes for various Irish newspapers and assists with the creation of The Irish Citizen. A friend of W. B. Yeats, she appears in his play The Land of Heart’s Desire in June 1904. She speaks Georgian, having learned it from Varlam Cherkezishvili, a close associate of Kropotkin. In 1906, she is a member of the Georgian Relief Committee and travels to the country. She speaks at an international conference at The Hague in support of Georgia. She is also a supporter of Indian independence.

It was through Dryhurst that the Gifford sisters get their connection to the Irish independence movement. She introduces Muriel Gifford to Thomas McDonagh and Grace Gifford to James Plunkett. After the executions of fifteen leaders of the Easter Rising in Dublin, she spends her time campaigning unsuccessfully for the reprieve of Roger Casement. Not all her activities are purely political. She is a neighbour of Martin Shaw and on her suggestion he founds the Purcell Operatic Society in 1899. She becomes the Society’s secretary. He rents accommodation near her and through her friends they find talented amateurs to put on their productions.

Dryhurst has a long affair with Henry Nevinson, a journalist she meets in 1892. The affair ends in 1912. She dies in 1930. Her papers are kept in the National Library of Ireland.


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Birth of Catherine Drew, Journalist & Writer

Catherine Drew, Anglo-Irish journalist and writer, is born in Broughshane, County Antrim, on May 27, 1832.

Drew’s parents are the Rev. Thomas Drew and Isabella (née Dalton) Drew. She is the third of the couple’s eight daughters and four sons, although most of her siblings die young. She spends her childhood in Belfast, where her father is the rector of Christ Church in Durham Street from 1833 to 1859. In 1866, she moves to 60 Upper Sackville Street, Dublin, to live with her brother, the architect Thomas Drew.

From here she appears to begin her journalist career, writing articles for the Irish Builder, going on to eventually become its assistant editor. She goes on to write for Belfast’s News Letter, and following advice from its proprietor James Alexander Henderson, she moves to London in 1871 becoming the paper’s London correspondent. She writes two columns, Metropolitan gossip and Ladies’ letter, which are among some of the earliest regular columns written specifically for women, providing society news for her readers in Belfast. Articles by her also appear in The Literary World, The British Architect and London Society.

Drew is one of the founding members of the Ladies’ Press Association, and campaigns for greater rights for women journalists. She becomes a prominent figure in the Institute of Journalists, representing the Institute at several international congresses. She is serving as the vice-president of the Institute at the time of her death. She also works on its Orphan Fund for many years, an initiative she originally suggests in 1891.

In 1894, Drew is one of the signatories of the Frances Power Cobbe memorial campaigning for greater recognition and rights for women journalists, alongside Millicent Fawcett and Jessie Boucherett. She writes a number of novels, including Harry Chalgraves’s Legacy (1876) and The Lutanistes of St. Jacobi’s (1881). In March 1885, she gives a lecture titled Dress, Economic and Technical at the Loan Exhibition of Women’s Industries in Bristol, which later appears as a pamphlet.

Drew dies at her home in Holland Street, Kensington, on August 26, 1910, and is buried at the Royal Borough of Kensington and Chelsea Cemetery, Hanwell. Lady Drew, her sister-in-law, erects a Celtic cross memorial there in her honour. She bequeaths a jewel-studded gold bracelet to the Institute of Journalists, which had been presented to her by the Institute to mark her retirement in 1908. It is worn by women presidents or the wives of male presidents, and is known as the “Drew Bracelet.”


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Birth of Tim Pat Coogan, Journalist, Writer & Broadcaster

Timothy Patrick “Tim Pat” Coogan, Irish journalist, writer and broadcaster, is born in Monkstown, County Dublin, on April 22, 1935. He serves as editor of The Irish Press newspaper from 1968 to 1987. He is best known for such books as The IRA (1970) and On the Blanket: The H Block Story (1980), and biographies of Michael Collins and Éamon de Valera.

Coogan’s particular focus is on Ireland’s nationalist/independence movement in the 20th century, a period of unprecedented political upheaval. He blames the Troubles in Northern Ireland on “Paisleyism.”

Coogan is the first of three children born to Beatrice (née Toal) and Eamonn Coogan, a native of Kilkenny who is an Irish Republican Army (IRA) volunteer during the Irish War of Independence and later serves as the first Deputy Commissioner of the newly established Garda Síochána, then a Fine Gael TD for the Kilkenny constituency. His mother, the daughter of a policeman, is a Dublin socialite who is crowned Dublin’s Civic Queen of Beauty in 1927. She writes for the Evening Herald and takes part in various productions in the Abbey Theatre and Radio Éireann. He spends many summer holidays in the town of Castlecomer, County Kilkenny, his father’s hometown.

A former student of the Irish Christian Brothers in Dún Laoghaire and Belvedere College in Dublin, Coogan spends most of his secondary studies at Blackrock College in Dublin.

In 2000, Irish writer and editor Ruth Dudley Edwards is awarded £25,000 damages and a public apology by the High Court in London against Coogan for factual errors in references to her in his book Wherever Green is Worn: The Story of the Irish Diaspora (2000). In the book, he writes that Dudley Edwards had “groveled to and hypocritically ingratiated herself with the English establishment to further her writing career.” He also alleges that Dudley Edwards “had abused the position of chairwoman of the British Association for Irish Studies (BAIS) by trying to impose her political views on it” and that her commission to write True Brits had been awarded because of political favouritism.

When Taoiseach Enda Kenny causes confusion following a speech at Béal na Bláth by incorrectly claiming Michael Collins had brought Lenin to Ireland, Coogan comments, “Those were the days when bishops were bishops and Lenin was a communist. How would that have gone down with the churchyard collections?”

In November 2012, for reasons that are uncertain, the United States embassy in Dublin refuses to grant Coogan a visa to visit the United States. As a result, a planned book tour for his book The Famine Plot, England’s role in Ireland’s Greatest Tragedy (2012) is cancelled. After representations to then Secretary of State Hillary Clinton by United States Senator Chuck Schumer (D-NY) and Congressman Peter T. King (R-NY), he receives his visa.

Coogan has been criticised by the Irish historians Liam Kennedy and Diarmaid Ferriter, as well as Cormac Ó Gráda, for a supposed lack of thoroughness in his research and bias:

“Well, I waited in this book to hear some great revelation, and it just isn’t there. It’s anticlimactic. I could not see the great plot, and indeed there is no serious historian who … I can’t think of a single historian who has researched the Famine in depth – and Tim Pat has not researched it in depth” (The Famine Plot).

“Coogan is not remotely interested in looking at what others have written on 20th-century Irish history…. he does not appear interested in context and shows scant regard for evidence. He does not attempt to offer any sustained analysis in relation to the challenges of state building, the meaning of sovereignty, economic and cultural transformations, or comparative perspectives on the evolution of Irish society. There is no indication whatsoever that Coogan has engaged with the abundant archival material relating to the subject matter he pronounces on. There is no rhyme or reason when it comes to the citation of the many quotations he uses; the vast majority are not referenced. For the 300-page text, 21 endnotes are cited and six of them relate to Coogan’s previous books, a reminder that much of this tome consists of recycled material…. Tim Pat Coogan… he is a decent, compassionate man who has made a significant contribution to Irish life. But he has not read up on Irish history; indeed, such is the paucity of his research efforts that this book amounts to a travesty of 20th-century Irish history” (1916: The Mornings After).


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Death of Irish Writer Michael McLaverty

Michael McLaverty, Irish writer of novels and short stories, dies on March 22, 1992, in County Down, Northern Ireland.

McLaverty is born on July 5, 1904, at Magheross, near Carrickmacross, County Monaghan, the son of Michael McLaverty, a waiter, and Kathleen McLaverty (née Brady). His father works in a hotel in the town until they move to Rathlin Island, and later to Belfast, when he is five years old. He attends St. Malachy’s College in the city, where an inspiring teacher instills in him a love of William Shakespeare‘s writings. He entered Queen’s University Belfast (QUB) in October 1924 and studies physics. He obtains a B.Sc. in 1928 and immediately takes his H.Dip.Ed., completing his teaching practice in St. Mary’s University College, Strawberry Hill, London. The following year he begins teaching at St. John’s Primary School in Colinward Street, west Belfast. He is admitted to the degree of M.Sc. at QUB in 1933.

In 1933, McLaverty marries Mary Conroy (formerly Giles), a young widow and fellow teacher at St. John’s. They have two sons and two daughters.

During his time at St. John’s, McLaverty writes his first five novels and fifteen short stories. In the 1930s he has developed a distinctive style in precise, unsentimental, but compassionate short stories. By the late 1930s, however, he switches his energies from short stories to the novel. Call My Brother Back (1939) contrasts the traditional world of Rathlin Island with the northern troubles in a family context. Another novel, Lost Fields (1941), and his collection of short stories, The White Mare (1943), explore the Belfast of his childhood and deal with the underlying tensions in Irish rural life. In the period 1949–55 he publishes five other novels: Three Brothers (1948), Truth in the Night (1951), School for Love (1954), The Choice (1958), and Brightening Day (1965). These novels deal with ordinary people and the dilemmas they encounter in their families and communities. His writings are influenced by Anton Chekhov, Leo Tolstoy, Katherine Mansfield, Gerard Manley Hopkins, and the Irish short story writers Liam O’Flaherty and Daniel Corkery.

As headmaster of St. Thomas’s intermediate school, a large school for boys in Ballymurphy, off the Falls Road, McLaverty gives his first job to the young Seamus Heaney, in whom he cultivates an interest in the writings of Chekhov and Tolstoy and the Irish writers Mary Lavin and Patrick Kavanagh. He deems Heaney to be the only genius he has ever met, and his work and success are a great source of pride and joy to him. His encouragement of the young John McGahern is of as much benefit to McLaverty himself, as their short but intense correspondence give him the energy to resume his writings.

Between his resignation from St. Thomas’s in 1963 and the early 1970s he teaches part-time at St. Joseph’s training college and St. Dominic’s High School, one of Belfast’s best-known grammar schools. In 1981 his old alma mater recognises his contribution to literature by awarding him an honorary master’s degree. In the same year he wins the American Irish literary fellowship, a prestigious literary award of $10,000, in recognition of his “impressive body of work as a short story writer and novelist.”

McLaverty dies on March 22, 1992, in County Down, Northern Ireland.

(From: “McLaverty, Michael” by Éamonn Ó Ciardha, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Nuala O’Faolain, Journalist, TV Producer, Teacher & Writer

Nuala O’Faolain, Irish journalist, television producer, book reviewer, teacher and writer, is born in Clontarf, Dublin on March 1, 1940. She becomes well known after the publication of her memoirs Are You Somebody? and Almost There. She also writes a biography of Irish criminal Chicago May and two novels.

O’Faolain is the second eldest of nine children. Her father, known as ‘TerryO’ is a well-known Irish journalist, writing the “Dubliners Diary” social column under the pen name Terry O’Sullivan for the Evening Press. She is educated at University College Dublin (UCD), the University of Hull, and the University of Oxford. She teaches for a time at Morley College in London and works as a television producer for the BBC and Raidió Teilifís Éireann.

O’Faolain describes her early life as growing up in a Catholic country which, in her view, fears sexuality and forbids her even information about her body. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expect her to marry and have children, neither of which she does.

O’Faolain becomes internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. The first three are all featured on The New York Times Best Seller list. Her posthumous novel Best Love, Rosie is published in 2009.

O’Faolain’s formative years coincide with the emergence of the women’s movement, and her ability to expose misogyny in all its forms is formidable, forensic and unremitting. However, her feminism stems from a fundamental belief in social justice. Unlike most commentators, who maintain a detached, lofty tone, she places herself at the centre of things, a high-risk strategy that works because of her broad range of erudition, worn lightly, her courage and a truthfulness that sometimes borders on the self-destructive.

O’Faolain is engaged at least once but never marries. In Are You Somebody? she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who publishes her own memoir, Nell. From 2002 until her death, she lives much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. They are registered as domestic partners in 2003.

O’Faolain splits her time between Ireland and New York City. She is diagnosed with metastatic cancer and is interviewed on the Marian Finucane radio show on RTÉ Radio 1 on April 12, 2008, in relation to her terminal illness. She tells Finucane, “I don’t want more time. As soon as I heard I was going to die, the goodness went from life.”

In a last attempt to grasp as much of life as she can, O’Faolain holidays with family members in Sicily and visits Berlin with a group of friends to hear music and see art. She previously tended to avoid Berlin because, through contact with Jewish friends and lovers, she associated it with the Holocaust. She dies at the Blackrock Hospice, Dublin, on May 9, 2008.

O’Faolain wins a Jacob’s Award in 1985 for her work as the producer of the RTÉ One television programme Plain Tales. In 2006, she wins the Prix Femina étranger, a French literary award, for The Story of Chicago May.

O’Faolain is the subject of a film documentary, Nuala: A Life and Death (2011), directed by Patrick Farrelly and Kate O’Callaghan, and produced and narrated by Marian Finucane. Hugo Hamilton‘s novel Every Single Minute (2014) is based on his experiences when accompanying O’Faolain to Berlin shortly before her death.