She is born Helen Mary Sybil Staunton on December 21, 1892, in Herbert Street, Dublin, to Dorothy Eleanor Redington and Peter Maurice Staunton. Her father is a barrister who later becomes a solicitor. Though he moves to Aram Lodge, Castlerea, County Roscommon where he practises law, she grows up in Dublin and Howth, going to secondary school in Loreto Abbey, Rathfarnham, and later at Loreto Convent, St. Stephen’s Green. She goes on to study German and singing in Koblenz. She marries Albert le Brocquy on December 30, 1915, and settles in Dublin. They have three children, Louis, Noel and Melanie.
Le Brocquy becomes involved in various women’s movements, helping to organise the Women’s International League for Peace and Freedom in July 1926. She is involved with the League of Nations Association as well as helps to establish Irish Civil Rights, PEN International, and Amnesty International in Ireland. She is an active member of Old Dublin Society and for a time president of the Irish Women Writers’ Society. She acts with the Drama League appearing as Helen Staunton. She writes plays and dramatic pieces which are staged by the Drama League at the Abbey Theatre and broadcast by Radio Éireann.
Her writings and work are often historically investigative, finding W. B. Yeats’s birthplace and arguing that Jonathan Swift had a child by Vanessa. She is involved in the Swift Tercentenary celebrations with Cearbhall Ó Dálaigh. As a result of her work, including with Trinity College Dublin Library and representing the Library on the Royal Irish Academy’s National Committee for Anglo-Irish Literature, she is co-opted to the Cultural Committee of the Department of External Affairs and appointed a Trustee of the National Library of Ireland. She is an excellent organiser and fundraiser and is heavily responsible for securing money for the Gate Theatre, Dublin, in 1970. She also initiates the literary prize, the Book of the Year award.
Le Brocquy becomes ill with an undiagnosed illness and dies on September 4, 1973, at the Meath Hospital, Dublin.
Rosenstock first comes to the attention of the Irish public playing the role of Dr. David Hanlon in the soap operaGlenroe in the 1990s.
However, he is now best known for the popular Gift Grub segments which have featured on The Ian Dempsey Breakfast Show on Today FM since May 1999 which Rosenstock creates alongside Paul McLoone, a radio presenter with Today FM and frontman of the Northern Irish pop-punk/new-wave band, The Undertones.
Gift Grub is a series of comic sketches, impersonations and parodies that featured Rosenstock assuming the personae of Bertie Ahern, Ronan Keating, Colin Farrell and Roy Keane among many others. He also provides the manic voice of Right Price Tiles radio spokesperson “Daft Dave.”
Rosenstock performs an impersonation of José Mourinho in a parody of a song from the musical Joseph and the Amazing Technicolor Dreamcoat. This spreads like wildfire on Internet message boards and eventually it is played on a Sky Sports broadcast. Mourinho hears the song and enjoys the impersonation so much he asks Rosenstock to perform a private show for him and the Chelsea F.C. squad. Rosenstock later releases, with Mourinho’s blessing, a single version of “José and his Amazing Technicolor Overcoat.” He also releases another song (“I Sign a Little Player or Two“) on the internet with a parody of Mourinho in an interview then breaking into song.
In 2005, Rosenstock achieves the Christmas number one single in the Irish Singles Chart, with a parody of Will Young‘s song Leave Right Now (which itself is a Christmas number-one in 2003). The parody concerned Roy Keane’s controversial departure from Manchester United and his falling-out with Alex Ferguson.
Between December 2007 and May 2009, Rosenstock works on a puppet comedy series entitled Special 1 TV (originally known as I’m on Setanta Sports), which is presented as a parody weekly football talk show hosted by “José Mourinho.” He voices all the puppet characters on the sketch, with the exception of “Rafael Benitez,” who is performed by Keith Burke, including the main character Mourinho, his studio co-hosts “Sven-Göran Eriksson” and “Wayne Rooney,” and regular phone-in callers like “Alex Ferguson,” “Arsène Wenger,” “Roy Keane” and “Mick McCarthy,” as well as the non-football-related characters, Nelson Mandela, Willie Nelson, Barack Obama and Tom Cruise.
Rosenstock receives the Outstanding Achievement Award at the 11th annual PPI (Phonographic Performance Ireland) Radio Awards in 2011.
In November 2012 his new show called The Mario Rosenstock Show starts on RTÉ2. A second series of the show begins to air in September 2013.
Geddes is born on her maternal grandparent’s farm at Drumreilly Cottage in Leitrim, County Leitrim, on May 25, 1887. She is the eldest of four children, three girls and a boy, of William Geddes and his wife Eliza Jane Stafford. The family, who migrates to Ireland from Scotland, has mainly been farmers. Her father, a Methodist, who is born near his father’s farm at Tandragee, County Armagh, emigrates to the United States as a young man, working as a labourer for the railway construction business. This serves a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she is still an infant her parents move to their native home in Belfast, so her father can set up in business as a building contractor.
Geddes begins drawing subjects from life and nature from the age of four. She learns first how to draw from the school mistress in Ayrshire, where her father occasionally goes shooting. She begins her studies at Methodist College Belfast along with her three younger sisters. She later moves to the Belfast School of Art. She is encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. She is accepted as a student to study at the Belfast School of Art, Ulster University. This is where she adapts and improves her style and is introduced to a professional standard of art work.
While still studying at the Belfast School of Art, Geddes takes part in the Arts and Crafts Society of Ireland‘s fourth exhibition. For this exhibition, she contributes a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It is at this exhibition that her work is spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who goes on to be her lifelong mentor, invites the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.
Geddes contributes a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She is elected as an Associate of the Belfast Art Society’s successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. She shows five illustrations in the 1911 Oireachtas Exhibition. It is some twenty-one years before she returns to the Oireachtas when she exhibits three cartoons and three sketches for stained glass in 1932.
Geddes joins Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop is held in Dublin’s Metropolitan School of Art. It is here that she discovers her passion for the craftsmanship of stained glass artistry and creates her most important works.
During her early years at An Túr Gloine, Geddes’s originality shines, and important commissions come from St. Ann’s Church, Dawson Street, Dublin and the Presbyterian church in Rathgar. Dogged by illness, she returns to Belfast before 1916 and lives between there and Dublin until moving in 1925, as she has long wanted, to work in London at The Glass House, Fulham. While working at The Glass House, she instructs the Irish painter and stained glass artist Evie Hone.
Geddes’s work is considered pioneering and represents a rejection of the Late Victorian approach. She creates a new view of men in stained glass windows, portraying them with close-shaven crew cuts. The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches.
Despite the hardships of living in London during World War II, poverty, and ill health, Geddes designs seventeen full-scale stained glass masterpieces, sixteen of which she completes.
Geddes dies on August 10, 1955 in London of a pulmonary embolism. She is buried in CarnmoneyCemetery, County Antrim, along with her mother and sister Ethel. Even after moving to London, she claims that her native identity never wavered as she says she was always “a Belfast woman.”
Joan O’Hara, Irish stage, film and television actress, dies in Dublin on July 23, 2007. She is one of Ireland’s most popular actresses and is, at the time of her death, recognisable to television viewers as Eunice Dunstan, a gossip in Fair City on RTÉ One.
More recently, O’Hara is best known for appearing in the popular Irish television soap operaFair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford says after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”
Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.
O’Connor releases four solo albums and his third one, titled No Place Like Home, is named by The Irish Times as Number 1 Traditional/Folk album of the year in 2004. After the sudden death of banjo player Barney McKenna on April 5, 2012, he joins The Dubliners to complete their planned tour, until the final shows at Vicar Street in Dublin, on December 28-30. McKenna himself says about Gerry O’Connor: “He’s my best pupil ever.” Together with Eamonn Campbell, Patsy Watchorn and Seán Cannon, O’Connor keeps touring in 2013 as The Dublin Legends.
O’Connor is one of four musicians brought together by blues rock singer/guitar player Joe Bonamassa to perform on a variety of instruments in an acoustic concert at the Vienna State Opera on July 3, 2012. None of the five had ever worked together nor even met until they arrive in Vienna, where three days later they put on a live performance. The event is released on March 12, 2013, on CD and DVD/Blu-Ray, titled An Acoustic Evening At The Vienna Opera House, and in 2014 is broadcast as a PBS special.
O’Connor mainly plays CGDA tuned tenor banjo, instead of the usual Irish tuning GDAE. He plays a David Boyle banjo on almost every tour since 1996, but usually records with an Epiphone Recording A banjo.
The newly unveiled Abbey Theatre opens its doors for the first time on July 18, 1966.
Fifteen years earlier, in 1951, the original buildings of the theatre are destroyed by fire during the run of The Plough and the Stars. Ironically, the play closes to the strains of “Keep the Home Fires Burning.” The fire forces the theatre company to find a new home.
They relocate to the Queen’s Theater on Pearse Street for what is intended to be a temporary stay but instead lasts for a decade and a half. A week before the brand new premises on Abbey Street are opened, the company has its final performance at the Queen’s Theatre in what is a bittersweet evening. For the Abbey Theatre it signals the end of an era and the beginning a new one, but the future of the Queen’s Theatre is far less bright.
After the final performances from the Abbey, Never the Time and the Place by Lennox Robinson and The Irishwoman of the Year by John Power, uncertainty shrouds the fate of the theatre with the Irish Independent reporting that “It will be used for variety performances up to the end of September, but after that it is just a matter for speculation.” It is ultimately closed in 1969 and is demolished in 1975.
The jubilee year of the 1916 Easter Rising, the 1966 Abbey opening recalls memories of the events that had taken place fifty years earlier.
In an article published the day after opening night, the Irish Independent recalls that “Thomas MacDonagh, one of the executed leaders of the Rising was himself an Abbey playwright and when news of the seizure of the General Post Office reached the theatre at a rehearsal, members of the Abbey players and other hands made a hurried exit to join the fighting. And by then others of the company were already at the barricades.”
A world away from the battleground of the Rising, the opening of the new Abbey Theatre is attended by a who’s who of arts, culture and politics.
The Abbey’s new home is opened by President Éamon de Valera, who once graced the Abbey Stage as an amateur actor.
The new building is designed by Irish architectMichael Scott, who also designed the nearby Busáras building. He is considered one of the great modern architects and his vision for the new Abbey is thought to be the last word in modern-day design.
Betty Ann Norton, Irish drama teacher and founder of the Betty Ann Norton Theatre School and actor agency, is born on July 5, 1936.
Norton grows up in Dublin near the South Circular Road. Her mother, Frances, plays the violin and her father, Eugene, is a baritone singer. Frances is a full-time homemaker while Eugene works as manager of the Bacon Shops on Grafton Street. One of two children, her younger brother, Jim Norton, also becomes a successful actor. She attends school at St. Louis High School, Rathmines.
Norton attends the Ena Mary Burke School of Drama and Elocution on Kildare Street, Dublin, where Hollywood starMaureen O’Hara had also trained. Her acting school offers an annual Ena Mary Burke scholarship in Burke’s honour.
Norton originally plans to become an actor, but her family does not approve and her mother encourages her to become a teacher. In 1959, she establishes the Betty Ann Norton Theatre School on Harcourt Street in Dublin. Her husband, Michael, is co-director of the school. According to Norton, changes to traffic by the new Luas tram system causes the business to change premises to her childhood school, St. Louis High School in Rathmines in 2006.
Norton meets her husband, Michael J. Cunneen, on the Aran Islands in 1965 and they marry in 1967. They lived in Dún Laoghaire. Michael dies in the Blackrock Clinic on May 12, 2017.
A 1966 review by Howard Klein in The New York Times of Greevy’s recording of Handel arias states: “The voice has the firm, compact resonance of a true contralto. She has endless breath and can move her voice with agility and precision.”
Greevy has a special affinity with Mahler, in particular his orchestral song cycles. In 1966, she performs Kindertotenlieder in London with the then RTÉ National Symphony Orchestra. The Times praises the 26-year-old Greevy’s “full, glowing voice, rich and firm at the bottom, radiant at the top, and gloriously expressive phrasing.” Later, in the 1990s, she performs all Mahler’s vocal works with orchestra over a four-year period in the Teatro Colón, Buenos Aires, Argentina.
Greevy chooses to live in her native Dublin throughout her career rather than be based in one of the world’s major music centres. She maintains confidently that “if you’re good enough you can live where you like.” Nevertheless, this decision undoubtedly curtails her opportunities in the recording studio and on the concert stage.
Greevy dies at the age of 68 on September 26, 2008, following a short illness. She is married to Peter Tattan, who predeceases her in 1983. They have one son, Hugh.
Dickey is the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.
Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.
Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.
In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.
Dermot Healy, Irish novelist, playwright, poet and short story writer, dies at his home in Ballyconnell, Sligo, County Sligo, on June 29, 2014. A member of Aosdána, he is also part of its governing body, the Toscaireacht. He is described variously as a “master,” a “Celtic Hemingway” and as “Ireland’s finest living novelist.”
Healy is born in Finnea, County Westmeath, on November 9, 1947, the son of a Guard. As a child the family moves to Cavan, County Cavan, where he attends the local secondary school. In his late teens he moves to London and works in a succession of jobs, including barman, security man and as a labourer. He later returns to Ireland, settling in Ballyconnell, County Sligo, a small settlement on the Atlantic coast.
Often overlooked due to his relatively low public profile, Healy’s work is admired by his Irish literary predecessors, peers and successors alike, many of whom idolise him. Among the writers to have spoken highly of him are Seamus Heaney, Eugene McCabe, Roddy Doyle, Patrick McCabe and Anne Enright.
Healy dies at his home in Ballyconnell on June 29, 2014, while awaiting an ambulance after suddenly being taken ill. He is laid to rest at Carrigans Cemetery following funeral mass by Fr. Michael Donnelly at St. Patrick’s Church in Maugherow, County Sligo.
seamus dubhghaill 