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Death of Robert Briscoe, Fianna Fáil Politician

Robert Emmet Briscoe, Fianna Fáil politician who serves as a Teachta Dála (TD) in the Oireachtas from 1927 to 1965, dies on March 11, 1969.

Briscoe is born in Dublin on September 25, 1894, the son of Abraham William Briscoe and Ida Yoedicke, both of whom are Lithuanian-Jewish immigrants. The original family name in Lithuania is believed to have been Cherrick or Chasen. His brother Wolfe Tone Briscoe is named after Theobald Wolfe Tone, one of the leaders of the Irish Rebellion of 1798. His father is the proprietor of Lawlor Briscoe, a furniture factory on Ormond Quay which makes, refurbishes, imports, exports and sells furniture, trading all over Ireland and abroad.

Briscoe is active in the Irish Republican Army (IRA) and Sinn Féin during the Irish War of Independence and accompanies Éamon de Valera to the United States. He speaks for the Sinn Féin cause at public meetings there and is adamant that being a “Hebrew” does not lessen his Irishness. He is sent by Michael Collins to Germany in 1919 to be the chief agent for procuring arms for the IRA. While in Germany in 1921 he purchases a small tugboat named Frieda to be used in transporting guns and ammunition to Ireland. On October 28, 1921, the Frieda slips out to sea with Charles McGuinness at the helm and a German crew with a cargo of 300 guns and 20,000 rounds of ammunition. Some sources cite this shipment as “the largest military shipment ever to reach the IRA” consisting of 1,500 rifles, 2,000 pistols and 1.7 million rounds of ammunition. On November 2, 1921, the Frieda successfully lands its cargo near Waterford Harbour.

In June 1922 during the Irish Civil War, Briscoe is involved in an incident with fellow anti-treaty IRA members who attack pro-treaty politician Darrell Figgis at his home. They enter the house and assault Figgis, cutting off his well-prized beard in the process. This traumatises Figgis’ wife Millie, who had been under the impression Briscoe and his fellow assistants had come to kill Figgis. In November 1924 Millie commits suicide, expressing in a suicide note that she was suffering from depression as a result of the 1922 attack. Figgis himself commits suicide in 1926.

In his biography, Briscoe recalls an incident of being recognised by a pro-Treaty opponent during the Civil War. He merely turns and walks away, confident that his enemy will not shoot him in the back.

Elected to the Dáil in the newly independent Ireland, Briscoe works with Patrick Little to bring through a law limiting the interest that can be charged by moneylenders and also, as he writes, “made it illegal for a married woman to borrow money without the knowledge and consent of her husband, for these foolish ones are always the easiest prey of the moneylenders.”

During World War II, Briscoe, at this time a member of Dáil Éireann, comes under close scrutiny from the Irish security services. His support for Zionism and his lobbying on behalf of refugees is considered potentially damaging to the interests of the state by officials from the Department of Justice. He is an admirer and friend of Ze’ev Jabotinsky and his campaign to liberate the Jews. Between 1939 and 1940, he along with John Henry Patterson, a former commander of both the Zion Mule Corps and later the 38th Battalion of the Royal Fusiliers, are involved in fund raising for the Irgun in the United States. Jabotinsky while head of Irgun visits Dublin to receive training in guerrilla warfare tactics against the British under the instruction of Briscoe. During the period Briscoe describes himself as the “Chair of Subversive Activity against England.” He wishes for Ireland to give asylum to Jews fleeing Nazi Germany but does so discreetly in order not to be accused of compromising the neutrality policy of the Fianna Fáil government.

After World War II Briscoe acts as a special advisor to Menachem Begin in the transformation of Irgun from a paramilitary group to a parliamentary political movement in the form of Herut in the new Israeli state. The party later becomes Likud. As he had already been a key figure in the formation in his own Fianna Fáil party out of the Anti-treaty IRA post Irish independence but not before a bitter Civil War, he prompts Begin to make the transition immediately after the Altalena Affair in order to avoid a similar civil conflict.

Briscoe serves in Dáil Éireann for 38 years and is elected 12 times in the Dublin South and from 1948, Dublin South-West constituencies. He retires at the 1965 Irish general election, being succeeded by his son, Ben, who serves for a further 37 years. In 1956, he becomes the first Jewish Lord Mayor of Dublin, although he is not the first Jewish Mayor in Ireland. That title belongs to William Annyas, who was elected Mayor of Youghal, County Cork in 1555. He serves a one-year term and is re-elected in 1961. His son Ben is also a Fianna Fáil TD, and he too serves as Lord Mayor of Dublin from 1988–1989.

Briscoe’s memoir, For the Life of Me, is published in 1958.


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Birth of Irish Writer Aidan Higgins

Aidan Higgins, Irish writer of short stories, travel pieces, radio drama and novels, is born on March 3, 1927, in Celbridge, County Kildare. Among his published works are Langrishe, Go Down (1966), Balcony of Europe (1972) and the biographical Dog Days (1998). His writing is characterised by non-conventional foreign settings and a stream of consciousness narrative mode. Most of his early fiction is autobiographical – “like slug trails, all the fiction happened.”

Higgins attends local schools and Clongowes Wood College, a private boarding school. In the early 1950s he works in Dublin as a copywriter for the Domas Advertising Agency. He then moves to London and works in light industry for about two years. He marries Jill Damaris Anders in London on November 25, 1955. From 1960, he sojourns in southern Spain, South Africa, Berlin and Rhodesia. In 1960 and 1961 he works as scriptwriter for Filmlets, an advertising firm in Johannesburg. These journeys provide material for much of his later work, including his three autobiographies, Donkey’s Years (1996), Dog Days (1998) and The Whole Hog (2000).

His upbringing in a landed Catholic family provides material for Higgins first novel, Langrishe, Go Down (1966). The novel is set in the 1930s in a run-down “big house” in County Kildare, inhabited by the last members of the Langrishe family, three spinster sisters, Catholics, living in not-so-genteel poverty in a once-grand setting. One sister, Imogen, has an affair with a German intellectual, Otto Beck, which transgresses the moral code of the time, bringing her a brief experience of happiness. Otto’s intellectual pursuits contrast with the moribund cultural life of mid-20th century Ireland. The book is awarded the James Tait Black Memorial Prize for fiction and is later adapted as a BBC Television film by British playwright Harold Pinter, in association with RTÉ. Langrishe, Go Down also receives the Irish Academy of Letters Award.

Higgins second major novel is Balcony of Europe, taking its name from a feature of the Spanish fishing village, Nerja Andalusia, where it is set. The novel is carefully crafted, and rich in embedded literary references, using Spanish and Irish settings and various languages, including Spanish and some German, in its account of the daily life in the beaches and bars of Nerja of a largely expatriate community. The protagonist, an artist called Dan Ruttle, is obsessed with his friend’s young American wife, Charlotte, and by the contrast between his life among a cosmopolitan artistic community in the Mediterranean, and his Irish origins. The book is re-edited in collaboration with Neil Murphy and published by Dalkey Archive Press in 2010, with the Irish material cut and the affair between Dan Ruttle and Charlotte foregrounded.

Higgins later novels include widely acclaimed Bornholm Night Ferry and Lions of the Grunwald. Various writings have been collected and reprinted by the Dalkey Archive Press, including his three-volume autobiography, A Bestiary, and a collection of fiction, Flotsam and Jetsam, both of which demonstrate his wide erudition and his experience of life and travel in South Africa, Germany and London which gives his writing a largely cosmopolitan feel, utilising a range of European languages in turns of phrase.

Higgins lives in Kinsale, County Cork, from 1986 with the writer and journalist Alannah Hopkin. They are married in Dublin in November 1997. He is a founder member of Irish artists’ association Aosdána. He dies on December 27, 2015, in Kinsale.


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Death of John Hewitt Jellett, Mathematician & Priest

John Hewitt Jellett, Irish mathematician whose career is spent at Trinity College Dublin (TCD), where he rises to the rank of Provost, dies in Dublin on February 19, 1888. He is also a priest in the Church of Ireland.

Jellett is born at Cashel, County Tipperary, on December 25, 1817, the son of Rev. Morgan Jellett and his wife Harriette Townsend, daughter of Hewitt Baldwin Poole of County Cork, by his wife Dorothea Morris. He is the eldest brother of Hewitt Poole Jellett, Serjeant-at-law (Ireland) and Chairman of the Quarter Sessions for County Laois, and of the Venerable Henry Jellett, Archdeacon of Cloyne. He is educated at Kilkenny College and at TCD, where he becomes a fellow in 1840.

Jellett marries his cousin on his mother’s side, Dorothea Charlotte Morris Morgan, daughter of James Morgan, on July 7, 1855. The marriage produces seven children. His son, William Morgan Jellett, is a member of the Parliament of the United Kingdom and is the father of the celebrated artist Mainie Jellett, and of Dorothea Jellett, director of the orchestra of the Gaiety Theatre, Dublin. Another son Henry Holmes Jellett is a civil engineer in British India. His daughter Harriette Mary Jellett is the wife of the noted Irish physicist George Francis FitzGerald. Another daughter Eva Jellett is the first woman to graduate with a degree in medicine from Trinity and goes on to practice as a doctor in India.

Jellett graduates B.A. in mathematics in 1837, M.A. 1843, B.D. 1866, and D.D. 1881. He is ordained a priest in 1846. In 1848 he is elected to the chair of natural philosophy at TCD, and in 1868 he receives the appointment of commissioner of Irish national education.

In 1851 Jellett is awarded the Cunningham Medal of the Royal Irish Academy for his work on the “Calculus of Variations.” The society later elects him their president, a position he holds from 1869 to 1874.

In 1870, on the death of Dr. Thomas Luby, Jellett is co-opted a Senior Fellow, and thus a member of the Board of TCD. William Ewart Gladstone‘s government in February 1881 appoints him provost of Trinity. In the same year he is awarded a Royal Medal by the Royal Society.

After the disestablishment of the Church of Ireland by the Irish Church Act 1869, Jellett takes an active part in the deliberations of the general synod and in every work calculated to advance its interests. He is an able mathematician and writes A Treatise of the Calculus of Variations (1850), and A Treatise on the Theory of Friction (1872), as well as several papers on pure and applied mathematics, articles in the Transactions of the Royal Irish Academy. He also writes some theological essays, sermons, and religious treatises, of which the principals are An Examination of some of the Moral Difficulties of the Old Testament (1867), and The Efficacy of Prayer (1878).

Jellett dies of blood poisoning at the provost’s house, TCD, on February 19, 1888, and is buried in Mount Jerome Cemetery on February 23. The funeral procession is the largest that ever left Trinity.

(Pictured: “John Hewitt Jellett,” oil on canvas by Sarah Purser)


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The Upton Train Ambush

The Upton train ambush takes place on February 15, 1921, during the Irish War of Independence. The Irish Republican Army (IRA) mounts an attack on a train carrying British soldiers at Upton, County Cork. The action is a disaster for the IRA with three of its volunteers killed and two wounded. Six British soldiers are wounded, three seriously. Six civilian passengers are killed and ten wounded in the crossfire.

According to a study of the region, Cork is “by far the most violent county in Ireland” during the War of Independence and has several active guerrilla brigades. Of these, the 3rd Cork Brigade is one of the most effective and it is a unit from this Brigade that carries out the Upton ambush.

Up until the end of 1920, the British had been unable to move troops by train, due to a nationwide boycott by railway workers of trains carrying the British military. However, the strike is lifted in December 1920. While this helps the British military’s mobility, it also gives the IRA a new target: trains carrying soldiers. A week before the Upton ambush, the local IRA had made a successful attack on a train travelling from Killarney to Millstreet near Drishanbeg, killing one sergeant and wounding five more soldiers.

Five days after the Drishanbeg ambush, plans are made for an attack at Upton and Innishannon railway station on a train traveling between Cork city and Bandon. The ambushers, led by Charlie Hurley, are thirteen strong. Seven are armed with rifles and the remainder with revolvers or semi-automatic pistols. They take up position at the station ten minutes before the train pulls in, imprisoning the station master, clearing the station and taking cover behind sacks of grain and flour taken from a store.

The train is carrying approximately 50 British soldiers of the Essex Regiment, who are mingled with civilian passengers throughout the train’s carriages. The IRA party is therefore quite heavily outnumbered and out-gunned, but are unaware of this, as two IRA scouts, who were supposed to have been on the train and signaled to them the British numbers, never turn up. They also wrongly believe that the British troops are all in the central carriage. As a result, when the IRA opens fire on the train, there are heavy civilian casualties, including two commercial travelers killed by the first volley. The New York Times reports that “a shower of bullets was rained on the train, practically every compartment being swept.”

The firefight lasts only ten minutes, but in that time six civilian passengers are killed and ten wounded. Six British soldiers are injured, three of them seriously. Two IRA volunteers are killed outright and another is fatally wounded. Two more are badly wounded but survive. Charlie Hurley, who had led the ambush, is struck in the face by a bullet. IRA leader Tom Barry later writes, “Through some miracle, the nine unwounded and two wounded got away across country, in small parties, with the British following close behind.” Three civilian passengers, one unwounded and two wounded, are detained by the British on suspicion of belonging to the ambush party.

The Upton ambush is part of what Tom Barry describes as “twelve dark days” for the 3rd Cork Brigade of the IRA. Between February 4 and February 16, eleven members of the Brigade are killed. One is shot dead by British troops when they raid a safehouse on February 4, another dies in an accidental shooting on February 7, two more (brothers James and Timothy Coffey) are assassinated in their beds on February 14 by Black and Tans or Auxiliaries, three die at Upton on February 15 and four are killed on February 16 when they are arrested by the Essex Regiment in Kilbrittain while digging a trench and shot dead. Of the eleven dead, only those at Upton are killed in combat.

The Upton attack also highlights the dangers, and particularly the risk to civilians, of attacking trains carrying troops. Only a month later at the Headford Ambush in neighbouring County Kerry, an IRA column successfully attacks a train-load of troops, but again, there are civilian casualties alongside the IRA and British Army losses. One of the three men captured by the British at Upton is reported to give information leading to the 3rd Cork Brigade’s main column of over 100 fighters almost being encircled at the Crossbarry Ambush. Hurley is killed in this action.

The Upton ambush is later made famous in a popular 1960s Irish ballad titled “The Lonely Woods of Upton.”

(Pictured: A portion of the cover of an Italian magazine from 1921 that reported on the Upton ambush)


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Birth of Gearóid O’Sullivan, Soldier & Politician

Gearóid O’Sullivan, soldier and politician, is born on January 28, 1891, at Coolnagrane, near Skibbereen, County Cork, fourth son among six sons and three daughters of Michael O’Sullivan, farmer, of Loughine, and Margaret Sullivan (née McCarthy) of Coolnagrane.

Christened Jeremiah but known in later life as Gearóid, O’Sullivan is an outstanding pupil at national school and secondary school in Skibbereen. Encouraged by his teachers, he acquires a love of the Irish language. Not yet ten, he joins the Gaelic League in Skibbereen in October 1900. He takes part in the Oireachtas debates of 1909. In 1911 he qualifies at St. Patrick’s College, Dublin, as a national schoolteacher and teaches at Kildorrery, County Cork, but returns to Dublin in 1912 to take up a post at St. Peter’s National School, Phibsborough. He takes an honours degree in Celtic studies at University College Dublin (UCD) (1913), an H.Dip.Ed. (1914), and an M.Ed. (1915). At the same time, he is an organiser and teacher with the Gaelic League, a member of its Keating branch at Parnell Square, Dublin, and a founder of the League’s “fáinne” proficiency badge.

O’Sullivan joins the F Company, 1st Battalion, Dublin Brigade of the Irish Volunteers at their foundation in November 1913, is aide-de-camp to Seán Mac Diarmada during the 1916 Easter Rising and is ordered by Patrick Pearse to raise the flag of rebellion over the General Post Office (GPO) stronghold in Dublin. Interned at Frongoch internment camp in Wales after the rising, he belongs to the Irish Republican Brotherhood (IRB) group of prisoners closely linked with Michael Collins, a proximity that continues throughout the crisis years to follow. Released in the amnesty of December 1916, he intensifies his Volunteer activity, playing a prominent role in Carlow Brigade, for which he is briefly detained while working as a teacher at St. Mary’s Knockbeg College, County Carlow. When the Irish Volunteers become the Irish Republican Army (IRA) in 1919, he is arrested again and goes on hunger strike at Mountjoy Prison, which leads to his release. Active throughout the Irish War of Independence (1919–21) and narrowly avoiding recapture during meetings with Collins, he joins the supreme council of the IRB in November 1921, remaining there for the remainder of his military career.

From February 1920, O’Sullivan replaces Collins as adjutant general of the IRA, a position he retains until the Anglo–Irish Treaty of December 1921 (which he supports), resuming it a month later as a lieutenant general of the new National Army, responsible for personnel and promotions. He is also elected to Dáil Éireann for Carlow–Kilkenny in 1921 and again in 1922, retiring in 1923. His intellectual and organisational abilities guarantee that his position within the army is safe after the death in August 1922 of Collins, to whom he owes much for his initial rise to prominence. On August 28 he is appointed to the newly created army council, whose most draconian prerogative becomes the military execution of republican prisoners.

After the Irish Civil War (1922–23), wholesale demobilisation of officers and other ranks takes place, but O’Sullivan and his council colleagues Richard Mulcahy, Seán Mac Mahon, and Seán Ó Murthuile survive the fiscal axe. Their privileged position angers some officers, led by Major General Liam Tobin, alarmed at the rate of demobilisation and the state’s apparent abandonment of Collins’s republican ideals. Through the Irish Republican Army Organisation, they deplore the devaluation of their pre-treaty IRA service and the retention of certain former British Army officers and instructors. O’Sullivan’s brief time as adjutant general places him in the role of personnel manager. As the Defence Forces (Temporary Provisions) Act, 1923, transforms the National Army into the defence forces of an Irish dominion, he is clearly in the sights of those who disagree with how these forces took shape.

As demobilisation continues and former British personnel become more evident, O’Sullivan and his colleagues become targets of suspicion that a hostile IRB clique had controlled the army council since its formation after the death of Collins. Exaggerated or not, such claims precipitate the army crisis of March 1924, in which O’Sullivan personally orders a raiding party under Colonel Hugo MacNeill to arrest its leaders. To defuse the crisis, he and his army council colleagues are forced to stand down, while the arrested dissidents are summarily retired. The subsequent army inquiry (April–June 1924) absolves him and his colleagues of any wrongdoing, but their active military careers are over. O’Sullivan, however, is for some time secretary of the military service pensions board.

Civilian life treats O’Sullivan well, as he enters a legal career and in 1926 is called to the bar. In 1927 he is appointed Judge Advocate General and remains so until 1932. After the assassination of Minister for Justice Kevin O’Higgins in July 1927, he fills the vacated Dublin County seat in a by-election in August, retaining it at subsequent elections until 1937. In August 1928 he is a Free State delegate to the Empire Parliamentary Association conference in Canada. Openly supporting Gen. Eoin O’Duffy and the short-lived ‘Blueshirts’ vanguard of the fledgling Fine Gael party during 1933–34, he pointedly refuses to surrender his legally held revolver when gardaí demand it as a precaution against a feared Blueshirt coup d’étât. In 1937 he becomes a barrister on the western circuit, and in 1940 commissioner for special purposes of the income tax acts, a post he holds for life.

O’Sullivan lives at St. Kevin’s Park, Dartry, Dublin, where he dies at the age of 57 on March 26, 1948. His military funeral to Glasnevin Cemetery, with his coffin draped in the same flag that had covered the coffin of Michael Collins, reflects his high national profile.

In 1922, O’Sullivan marries Maude Kiernan, sister of Kitty Kiernan and daughter of Peter and Bridget Kiernan, whose family is closely involved with the Irish political leadership, notably Michael Collins and Harry Boland. After Maude’s death he marries Mary Brennan of Belfast. They have three daughters and a son, all of whom survive him. O’Sullivan is commemorated in County Cork by a plaque at Skibbereen town hall.

(From: “O’Sullivan, Gearóid” contributed by Patrick Long, Dictionary of Irish Biography, http://www.dib.ie, shared in line with Creative Commons ‘Attribution’ (CC BY) licencing)


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Birth of Charles McCarthy, Trade Unionist & Academic

Charles McCarthy, trade unionist and academic, is born on January 25, 1924, at 12 Annmount, Friars Walk, Cork, County Cork.

McCarthy is the second child of John George McCarthy of Cork, plumber, and Agnes Abina McCarthy (née O’Donoghue). He is educated at Presentation Brothers College, Cork, University College Dublin (UCD), and King’s Inns, where he enrolls in 1948. He is called to the bar in 1956.

On June 7, 1951, McCarthy marries Muriel, daughter of Liam Breslin. She becomes (1989) keeper of Marsh’s Library, Dublin, receives an honorary LL.D from National University of Ireland (NUI), and is also made an honorary lay canon of St. Patrick’s Cathedral, Armagh. They live at 367 Howth Road, Raheny, Dublin, and have one son and two daughters.

After graduating from UCD McCarthy briefly works as a clerk on a building site and as an insurance agent before becoming an actor with the Radio Éireann Repertory in 1947. During his time with Radio Éireann he also writes four plays, one of which, entitled Jericho’s trumpets, is based on his experiences in the insurance industry. He is later employed as a speech and drama teacher by Cork vocational educational committee. At the same time, he develops an interest in industrial relations as treasurer of the actors’ trade union Equity and then as secretary of the Civil Service Alliance. In 1956 he becomes full-time general secretary of the Vocational Teacher’s Association, which later becomes the Teachers’ Union of Ireland (TUI). Through this post he eventually becomes president (1963–64) of the Irish Congress of Trade Unions (ICTU) and sits on the executive committee for ten years. As secretary to the International Committee of Technical Teachers he organises conferences around the world and develops countless international contacts.

In 1968 McCarthy publishes his first book, The distasteful challenge. A damning indictment of the static nature of Irish society at the time, it stresses the need to face up to change, particularly in the areas of education, the civil service, and local government. This is followed in 1971 by Industrial democracy. The following year he takes a leave of absence from the TUI to become a research fellow at Trinity College Dublin (TCD). In 1973 his dedication to the arts is rewarded with a seat (1973–76) on the RTÉ Authority and in the same year he publishes Decade of upheaval, which documents the experiences of the trade union movement during the turbulent era of the 1960s. In 1977 he becomes a lecturer in industrial relations at TCD and his 670-page magnum opus, Trade unions in Ireland, 1894–1960, is published to critical acclaim. In 1979 he is appointed to the chair in industrial relations at TCD and becomes head of the school of business and administrative studies. He is later appointed dean of the faculty of economic and social studies and made a fellow of TCD.

McCarthy is a firm believer in resolving industrial relations problems through negotiation. Both unions and management alike respect his views and abilities and he is frequently called on by the private and public sectors, as well as governments, to use his expertise to bring an end to protracted disputes. He sits on numerous public bodies including the National Industrial & Economic Council and the Irish National Productivity Committee. In 1985 his ability to bridge the divide between management and unions is recognised with his election to the council of the Irish Management Institute. Despite his career in industrial relations he maintains his interest in drama and is an original shareholder in the new Abbey Theatre. In 1973 he is appointed to the board of the theatre, serving as chairman from 1982–85. He is also a member of the board of governors and guardians of Dr. Steevens’ Hospital, Dublin.

McCarthy dies on September 8, 1986 in Dublin of atherosclerosis of the coronary arteries.

(From: “McCarthy, Charles” contributed by Shaun Boylan, Dictionary of Irish Biography, http://www.dib.ie)


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The Soloheadbeg Ambush

The Soloheadbeg ambush takes place on January 21, 1919, when members of the Irish Volunteers, which becomes the Irish Republican Army (IRA) later that year, ambush Royal Irish Constabulary (RIC) officers who are escorting a consignment of gelignite explosives at Soloheadbeg, County Tipperary. Two RIC officers are killed, and their weapons and the explosives are seized. As it happens on the same day that the revolutionary Irish parliament first meets and declares Ireland’s independence, it is often seen as the first engagement of the Irish War of Independence.

In April 1916, during World War I, Irish republicans launch an uprising against British rule in Ireland, called the Easter Rising. They proclaim an Irish Republic. After a week of heavy fighting, mostly in Dublin, the rising is put down by British forces. About 3,500 people are taken prisoner by the British, many of whom had played no part in the Rising. Most of the Rising’s leaders are executed. The rising, the British response, and the British attempt to introduce conscription in Ireland, leads to an even greater public support for Irish republicanism.

In the 1918 Irish general election, the Irish republican party Sinn Féin wins a landslide victory in Ireland, gaining 73 out of 105 seats in the British Parliament. However, in its election manifesto, the party has vowed to set up a separate government in Ireland rather than sit in the British Parliament. At a meeting in Dublin on January 21, 1919, Sinn Féin establishes an independent parliament called Dáil Éireann and declares independence from the United Kingdom.

That same day, an ambush is carried out by Irish Volunteers from the 3rd Tipperary Brigade. It involves Seán Treacy, Dan Breen, Seán Hogan, Séumas Robinson, Tadhg Crowe, Patrick McCormack, Patrick O’Dwyer and Michael Ryan. Robinson is the commander of the group that carries out the attack and Treacy coordinates the planning of the attack. The unit involved acts on its own initiative as had they had to wait for a response, even if it is affirmative, it might come too late.

In December 1918, they receive information that there are plans to move a consignment of gelignite from Tipperary British Army barracks to the Soloheadbeg quarry. They begin plans to intercept the consignment and Dan Breen’s brother Lars, who works at the quarry, receives information that the consignment is to be moved around January 16, 1919. They anticipate that there would be between two and six armed escorts, and they discuss different plans. If the escort is small, they believe they can overpower the RIC officers without firing a shot. Gags and ropes are hidden in the quarry, so that should officers surrender they can be bound and gagged. The planning for the ambush takes place in the ‘Tin Hut,’ a deserted semi-derelict house at Greenane.

Each day from January 16 to 21, the men chosen for the ambush take up their positions from early in the morning to late afternoon and then spend the night at the deserted house. Seven of the Volunteers are armed with revolvers while Treacy is armed with a small automatic rifle. On a rainy January 21, around noon, Patrick O’Dwyer sees the transport leaving the barracks. The consignment of 160 lbs. of gelignite is on a horse-drawn cart, led by two council men and guarded by two RIC officers armed with carbine rifles. O’Dwyer cycles quickly to where the ambush party is waiting and informs them. Robinson and O’Dwyer hide about 20 yards in front of the main ambush party of six, in case they rush through the main ambush position.

When the transport reaches the position where the main ambush party is hiding, masked Volunteers step out in front of them with their guns drawn and call on the RIC to surrender. The officers can see at least three of the ambushers. One officer gets down behind the cart and the other apparently fumbles with his rifle. According to the Volunteers, the officers raise their rifles to fire at them, but the rifles do not fire. The Volunteers immediately fire at the officers, and it is believed that Treacy fires the first shot. Both officers, James McDonnell and Patrick O’Connell, native Roman Catholics, are killed. MacDonnell (50) of Belmullet, County Mayo, is a widower with five children. O’Connell is unmarried and a native of Coachford, County Cork.

As planned, Hogan, Breen and Treacy take the horse and cart with the explosives and speed off. Tadhg Crowe and Patrick O’Dwyer take the guns and ammunition from the dead officers, while Robinson, McCormack and Ryan guard the two council workers, Ned Godfrey and Patrick Flynn, before releasing them once the gelignite is far enough away. Initially the explosives are hidden in a field in Greenane. They are moved several times and are later divided up between the battalions of the brigade.

The ambush is later seen as the beginning of the Irish War of Independence. The British government declares South Tipperary a Special Military Area under the Defence of the Realm Act two days later. There is strong condemnation from the Catholic Church in Ireland. The parish priest of Tipperary calls the dead officers “martyrs to duty.”

A meeting of the Executive of the Irish Volunteers takes place shortly thereafter. On January 31, An t-Óglach, the official publication of the Irish Volunteers, states that the formation of Dáil Éireann “justifies Irish Volunteers in treating the armed forces of the enemy – whether soldiers or policemen – exactly as a National Army would treat the members of an invading army.”

In February 1919 at a Brigade meeting in Nodstown, Tipperary, Brigade officers draft a proclamation, signed by Séumas Robinson as OC, ordering all British military and police forces out of South Tipperary and, should they stay, they will be held to have “forfeited their lives.” GHQ refuses to sanction the proclamation and demands it not be publicly displayed. Despite this it is still posted in several places in Tipperary.

In order to avoid capture, Breen, Treacy, Hogan and the other participants are forced to stay on the move for the following months, often hiding in the barns and attics of sympathisers.

A monument (pictured) has been erected at the site of the ambush, and each year a ceremony of remembrance is held there.


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Death of Gobnait Ní Bhruadair, Irish Republican & Lifelong Radical

Gobnait Ní Bhruadair, Irish republican and lifelong radical, dies in Sneem, County Kerry, on January 16, 1955. She campaigns passionately for causes as diverse as the reform of nursing, protection and promotion of the Irish language and the freedom of Ireland from British rule.

Ní Bhruadair is born the Hon. Albinia Lucy Brodrick on December 17, 1861, at 23 Chester Square, Belgrave, London, the fifth daughter of William Brodrick, 8th Viscount Midleton (1830–1907), and his wife, Augusta Mary (née Freemantle), daughter of Thomas Fremantle, 1st Baron Cottesloe. She spends her early childhood in London until the family moves to their country estate in Peper Harow, Surrey in 1870. Educated privately, she travels extensively across the continent and speaks fluent German, Italian and French, and has a reading knowledge of Latin.

Ní Bhruadair’s family is an English Protestant aristocratic one which has been at the forefront of British rule in Ireland since the 17th century. In the early twentieth century it includes leaders of the Unionist campaign against Irish Home Rule. Her brother, St. John Brodrick, 1st Earl of Midleton, is a nominal leader of the Irish Unionist Alliance from 1910 until 1918 when he and other Unionists outside Ulster establish the Irish Unionist Anti-Partition League.

The polar opposite of Ní Bhruadair, her brother is consistent in his low opinion of the Irish and holds imperialist views that warmly embrace much of the jingoism associated with social Darwinism. The young Albinia Lucy Brodrick conforms to her familial political views on Ireland, if her authorship of the pro-Unionist song “Irishmen stand” is an indicator. However, by the start of the twentieth century she becomes a regular visitor to her father’s estate in County Cork. There she begins to educate herself about Ireland and begins to reject the views about Ireland that she had been raised on. In 1902 she writes about the need to develop Irish industry and around the same time she begins to develop an interest in the Gaelic revival. She begins to pay regular visits to the Gaeltacht where she becomes fluent in Irish and is horrified at the abject poverty of the people.

From this point on, Ní Bhruadair’s affinity with Ireland and Irish culture grows intensely. Upon her father’s death in 1907 she becomes financially independent and in 1908 purchases a home near West Cove, Caherdaniel, County Kerry. The same year she establishes an agricultural cooperative there to develop local industry. She organises classes educating people on diet, encourages vegetarianism and, during the smallpox epidemic of 1910, nurses the local people. Determined to establish a hospital for local poor people, she travels to the United States to raise funds.

There Ní Bhruadair takes the opportunity to study American nursing, meets leading Irish Americans and becomes more politicised to Ireland’s cause. Upon her return to Kerry, she establishes a hospital in Caherdaniel later in 1910. She renames the area Ballincoona (Baile an Chúnaimh, ‘the home of help’), but it is unsuccessful and eventually closes for lack of money. She writes on health matters for The Englishwoman and Fortnightly, among other journals, is a member of the council of the National Council of Trained Nurses and gives evidence to the royal commission on venereal disease in 1914.

Ní Bhruadair is a staunch supporter of the 1916 Easter Rising. She joins both Cumann na mBan and Sinn Féin. She visits some of the 1,800 Irish republican internees held by the British in Frongoch internment camp in Wales and writes to the newspapers with practical advice for intending visitors. She canvasses for various Sinn Féin candidates during the 1918 Irish general election and is a Sinn Féin member on Kerry County Council (1919–21), becoming one of its reserve chairpersons. During the Irish War of Independence, she shelters Irish Republican Army (IRA) volunteers and consequently her home becomes the target for Black and Tans attacks.

Along with Dr. Kathleen Lynn she works with the Irish White Cross to distribute food to the dependents of IRA volunteers. By the end of the Irish War of Independence she has become hardened by the suffering she has seen and is by now implacably opposed to British rule in Ireland. She becomes one of the most vociferous voices against the Anglo-Irish Treaty of December 6, 1921. She becomes a firebrand speaker at meetings in the staunchly republican West Kerry area. In April 1923 she is shot by Irish Free State troops and arrested. She is subsequently imprisoned in the North Dublin Union, where she follows the example of other republicans and goes on hunger strike. She is released two weeks later. Following the formation of Fianna Fáil by Éamon de Valera in 1926, she continues to support the more hardline Sinn Féin.

In October 1926 Ní Bhruadair represents Munster at the party’s Ardfheis. She owns the party’s semi-official organ, Irish Freedom, from 1926–37, where she frequently contributes articles and in its later years acts as editor. Her home becomes the target of the Free State government forces in 1929 following an upsurge in violence from anti-Treaty republicans against the government. She and her close friend Mary MacSwiney leave Cumann na mBan following the decision by its members at their 1933 convention to pursue social radicalism. The two then establish an all-women’s nationalist movement named Mná na Poblachta, which fails to attract many new members.

Ní Bhruadair continues to speak Irish and regularly attends Conradh na Gaeilge branch meetings in Tralee. Although sympathetic to Catholicism, she remains a member of the Anglican Church of Ireland, and regularly plays the harmonium at Sneem’s Church of Ireland services. Described by a biographer as “a woman of frugal habits and decided opinions, she was in many ways difficult and eccentric.” She dies on January 16, 1955, and is buried in the Church of Ireland graveyard in Sneem, County Kerry.

In her will Ní Bhruadair leaves most of her wealth (£17,000) to republicans “as they were in the years 1919 to 1921.” The vagueness of her bequest leads to legal wrangles for decades. Finally, in February 1979, Justice Seán Gannon rules that the bequest is void for remoteness, as it is impossible to determine which republican faction meets her criteria.


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Annie Moore Becomes First Immigrant Processed Through Ellis Island

On January 1, 1892, Annie Moore, a 15-year-old Irish émigré from County Cork, becomes the first immigrant to the United States to pass through federal immigrant inspection at the Ellis Island station in New York Harbor.

Over 12 million immigrants are processed at the station that eventually closes in 1954. Third class and steerage passengers are processed at the Ellis Island station. First- and Second-class passengers are generally processed on the boats they arrive on as they are seen to be of lesser “risk.”

Moore arrives from County Cork aboard the Guion Line steamship Nevada in 1892. Her brothers, Anthony and Philip, who journey with her, have just turned 15 and 12, respectively. As the first person to pass inspection at the newly opened facility, she is presented with an American $10 gold piece from an American official.

Moore’s parents, Matthew and Julia, had come to the United States in 1888 and were living at 32 Monroe Street in Manhattan. Annie marries a son of German Catholic immigrants, Joseph Augustus Schayer (1876-1960), a salesman at Manhattan’s Fulton Fish Market, with whom she has eleven children, five of whom survive to adulthood. The rest all die before the age of three.

Moore dies of heart failure on December 6, 1924, at age 47 and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish blue limestone.

A woman named “Annie Moore” who died near Fort Worth, Texas, in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, establishes that the Annie Moore in Texas was born in Illinois.

The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” She is also honored by two statues sculpted by Jeanne Rynhart. One stands at Cobh Heritage Centre (formerly Queenstown), her port of departure, and another at Ellis Island, her port of arrival. The image is meant to represent the millions who pass through Ellis Island in pursuit of the American dream.

(Pictured: Statue of Annie Moore and her brothers on the quayside in Cobh, County Cork)


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Death of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).