The couple are welcomed at NUI Galway by the Tánaiste (Deputy Prime Minister) Joan Burton, among the guests are Gerry Adams and Martin McGuinness.The highlight of Tuesday’s engagements is the historic handshake between the Prince and Gerry Adams. This is the first time a member of the British royal family and the Sinn Féin President have formerly engaged. They shake hands and speak briefly at a reception in NUI Galway, where the prince makes the first of two scheduled speeches.
Charles and Camilla then go on to visit the Burren in County Clare, fulfilling one of Charles’ life-long goals, by exploring the karst landscape for almost an hour.
They conclude their first day by dining with the President of Ireland, Michael D. Higgins, and his wife Sabina, at Lough Cutra Castle in south County Galway. They dine on blanched Highgrove asparagus to start, followed by pan-seared halibut, with panna cotta and poached Highgrove rhubarb for dessert.
Their packed itinerary for Wednesday begins with a trip to Lissadell House with a civic reception and a viewing of the Niland Collection at The Model contemporary arts centre in Sligo. Mayor of Sligo, Seán MacManus, formerly of Sinn Féin, attends the reception. MacManus’ son was killed in a gun battle with security forces in Northern Ireland in 1992.
The prince then visits the Institute of Technology, Sligo, and the couple has lunch at Lissadell. They then visit the grave of W. B. Yeats and attend a service at St. Columba’s Church, in Drumcliff. The royal couple takes part in a tree-planting and unveil a plaque. The theme of this service and the tree-planting is peace and reconciliation.
The prince then visits Mullaghmore Harbour on Wednesday afternoon. On August 27, 1979, his great-uncle, Lord Louis Mountbatten, is killed in a bomb attack executed by the Irish Republican Army (IRA). Mountbatten holidayed every summer at Classiebawn Castle near the harbor. He had, along with family and friends, embarked on a lobster-potting and angling expedition when a bomb on board was detonated just a few hundred yards from the harbor. He died of his injuries, along with his grandson Nicholas Knatchbull (14), Paul Maxwell (15), from County Fermanagh, and Lady Brabourne (83), his eldest daughter’s mother-in-law.
Charles and Camilla conclude their Wednesday itinerary with a trip to the Sligo races.
On Thursday and Friday, Charles and Camilla travel to Northern Ireland. Their engagements include a reception and a concert featuring a selection of local performers at Hillsborough Castle. They make a trip to Mount Stewart House and gardens to mark the completion of a three-year restoration programme. They also visit the Corrymeela Community, Northern Ireland’s oldest peace and reconciliation centre, which is celebrating its 50th anniversary in 2015.
(From: “History is made as Prince Charles fulfills life-long dream in Ireland” by Cathy Hayes, IrishCentral, http://www.irishcentral.com, May 20, 2015 | Pictured: The Prince of Wales and the Duchess of Cornwall at Mullaghmore pier on May 20, 2015)
Wilde is born in March 1815 at Kilkeevin, near Castlerea, County Roscommon, the youngest of the three sons and two daughters of a prominent local medical practitioner, Thomas Wills Wilde, and his wife, Amelia Flynne. His family are members of the Church of Ireland, and he is descended from a Dutchman, Colonel de Wilde, who came to Ireland with King William of Orange‘s invading army in 1690, and numerous Anglo-Irish ancestors. He receives his initial education at the Elphin Diocesan School in Elphin, County Roscommon. In 1832, he is bound as an apprentice to Abraham Colles, the pre-eminent Irish surgeon of the day, at Dr. Steevens’ Hospital in Dublin. He is also taught by the surgeons James Cusack and Sir Philip Crampton and the physician Sir Henry Marsh. He also studies at the private and highly respected school of anatomy, medicine, and surgery in Park Street (later Lincoln Place), Dublin. In 1837, he earns his medical degree from the Royal College of Surgeons in Ireland. In the same year, he embarks on an eight-month-cruise to the Holy Land with a recovering patient, visiting various cities and islands throughout the Mediterranean. Porpoises are flung on board the ship, Crusader, and Wilde dissects them. Taking notes, he eventually composes a two-volume book on the nursing habits of the creatures. Among the places he visits on this tour is Egypt. In a tomb he finds the mummified remains of a dwarf and salvages the torso to bring back to Ireland. He also collects embalmed ibises.
Wilde runs his own hospital, St. Mark’s Ophthalmic Hospital for Diseases of the Eye and Ear, in Dublin and is appointed to serve as Oculist-in-ordinary to Queen Victoria. At one point, he performs surgery on the father of another famous Irish dramatist, George Bernard Shaw.
Wilde had a very successful medical practice and is assisted in it by his natural son, Henry Wilson, who had been trained in Dublin, Vienna, Heidelberg, Berlin, and Paris. Wilson’s presence enables him to travel, and he visits Scandinavia, where he receives an honorary degree from Uppsala University, and is welcomed in Stockholm by Anders Retzius, among others. King Charles XV of Sweden confers on him the Nordstjärneorden (Order of the Polar Star). In 1853, he is appointed Surgeon Occulist in Ordinary to the Queen in Ireland, the first position of its kind, probably created for him.
Wilde is awarded a knighthood in a ceremony at Dublin Castle on January 28, 1864, more for his involvement with the Irish census than for his medical contributions, although he had been appointed medical commissioner to the Irish census in 1841. In 1845, he becomes editor of the Dublin Journal of Medical & Chemical Science, to which he contributes many articles.
Wilde marries the poet Jane Francesca Agnes Elgee on November 12, 1851, who writes and publishes under the pen name of Speranza. The couple has two sons, William (Willie) and Oscar, and a daughter, Isola Francesca, who dies in childhood.
In addition to his children with his wife, Wilde is the father of three children born out of wedlock before his marriage: Henry Wilson, born in 1838, and Emily and Mary Wilde, born in 1847 and 1849, respectively, of different parentage to Henry. He acknowledges paternity of his illegitimate children and provides for their education, but they are reared by his relatives rather than with his wife and legitimate children. Emily and Mary both die in 1871 following a Halloween party at which their dresses accidentally catch fire.
From 1855 until his death in 1876, Wilde lives at 1 Merrion Square, now the headquarters of American College Dublin. The building is named Oscar Wilde House after William Wilde’s son, who also lives at the address from 1855 until 1878. There is a plaque at 1 Merrion Square dedicated to him.
Wilde’s reputation suffers when Mary Travers, a long-term patient of his and the daughter of a colleague, claims that he had seduced her two years earlier. She writes a pamphlet crudely parodying Wilde and Lady Wilde as Dr. and Mrs. Quilp, and portraying Dr. Quilp as the rapist of a female patient anaesthetised under chloroform. She distributes the pamphlets outside the building where Wilde is about to give a public lecture. Lady Wilde complains to Mary’s father, Robert Travers, which results in Mary bringing a libel case against her. Mary Travers wins her case but is awarded a mere farthing in damages by the jury. Legal costs of £2,000 are awarded against Lady Wilde. The case is the talk of all Dublin, and Wilde’s refusal to enter the witness box during the trial is widely held against him as ungentlemanly behaviour.
From this time onwards, Wilde begins to withdraw from Dublin to the west of Ireland, where he had started in 1864 to build what becomes Moytura, his house overlooking Lough Corrib in Connemara, County Galway. His health deteriorates in 1875. He dies, likely of cancer, at the age of 61 on April 19, 1876. He is buried in Mount Jerome Cemetery in Dublin.
(Pictured: Sketch of William Wilde by J.H. Maguire, 1847)
Ford is the son of Edward Ford (1805-1880) and Anne Ford (1815-1893). He emigrates with his parents to Boston, Massachusetts, in 1845, never returning to Ireland. Although he devotes his life to Irish causes, he writes in The Irish World in 1886 that “I might as well have been born in Boston. I know nothing of England. I brought nothing with me from Ireland—nothing tangible to make me what I am. I had consciously at least, only what I found and grew up with in here.”
Ford is educated in Boston’s public schools and the Latin school of the parish of St. Mary in the North End. He leaves school at the age of thirteen and two years later is working as a printer’s devil for William Lloyd Garrison‘s abolitionist newspaper The Liberator. He begins writing for Boston newspapers in 1855 and by 1861 is editor and publisher of the Boston Tribune, also known as the Boston Sunday Tribune or Boston Sunday Times. He is an abolitionist and pro-union.
After the Civil War, Ford spends four years in Charleston, South Carolina, editing the South Carolina Leader which promotes the welfare of newly freed slaves. He later edits the Irish American Charleston Gazette. He settles in New York City in 1870 and founds the populist The Irish World, which promotes Irish and Catholic interests and becomes the principal newspaper of Irish America. It promises “more reading material than any other paper in America” and outsells John Boyle O’Reilly‘s Boston Pilot. In 1878, he re-titles his newspaper The Irish World and American Industrial Liberator. During the early 1880s, he promotes the writings of land reformer Henry George in his paper.
The American economic depression of 1873 convinces Ford that the Irish rural poor and the American urban poor share the same plight. He believes that the Homestead Act of 1862 is exploited by big business, especially the railroads, and by speculators who leave the poor without access to the western land meant for settlement. He calls for land reform with the belief that land monopoly is the cause of poverty and that a single tax based on land valuation is the solution. In the mid–1870s he leaves the Democratic Party. Critical of Tammany corruption and attracted to the fiscal policies of the Greenback Party, he is a member of the party’s New York State central committee as early as 1876 and backs the Greenback presidential candidates Peter Cooper and James B. Weaver in 1876 and 1880. Even the Greenbacks fail to offer the land reforms envisaged by Ford, so he forms the short-lived National Cooperative Democracy Party in 1879.
In 1880, Ford begins to solicit donations through The Irish World to support Land League activities in Ireland. Funds received are tabulated weekly under the heading “Land League Fund.” Between January and September 1881 alone, more than $100,000 is collected in donations. British Prime MinisterWilliam Ewart Gladstone later states that without the funds from The Irish World, “there would have been no agitation in Ireland.”
In the 1884 and 1888 elections, Ford turns to the Republican Party, encouraging Irish American voters to abandon their traditional loyalty to the Democrats for the Republican candidate James G. Blaine, whom he promotes in The Irish World as supportive of labour and of Ireland. The Republican patronage of the financially troubled The Irish World is a factor in the endorsement, but he believes Blaine’s promise to introduce high trade tariffs will protect American labour interests.
Ford dies on September 23, 1913, at his home at 350 Clermont Street, Brooklyn. After an impressive funeral, he is buried in Brooklyn’s Holy Cross Cemetery.
In 1863, Ford marries Odele McDonald, who predeceases him. They have eleven children, three daughters and eight sons. At the time of his death, his son Patrick is managing editor of The Irish World, and his brother Augustine is business manager and publisher. He appears to have destroyed his personal papers. The files of The Irish World are the best record of his life and work.
Burke starts playing traditional at age four and purchases his first accordion in the 1950s. He wins the All-Ireland Senior Accordion Championship in Thurles in 1959 and again in Boyle the following year. Together with fiddler Aggie Whyte, he wins the All-Ireland duet championship in 1962 in Gorey, County Wexford.
Burke co-founds the Leitrim Ceili Band with Padden Downey in 1956. Other members of the east Galway-based band, which wins All-Ireland Championships in 1959 and 1962, includes Irish flute players Paddy Carty, Ambrose Moloney and Tony Molloy, button accordionists Mick Darcy and Sean McGlynn, fiddlers Michael Joe Dooley, Paddy Doorhy, Aggie Whyte and Séamus Connolly, drummer Sean Curley and pianist Anne-Marie Courtney. The band tours in England and releases an LP on the New York-based Dublin label.
Burke first tours in the United States in 1961, and lives mainly in New York from 1962 to 1965, during which period he forms a musical partnership with fiddler Andy McGann. With McGann and pianist Felix Dolan, he records an LP, A Tribute to Michael Coleman, first released in 1966 on his own Shaskeen label. He records again with this trio, issuing The Funny Reel LP on the Shanachie Records label in 1979. Other musical collaborators over the years include Belfast fiddle great Sean McGuire, piper Michael Cooney, harpist Máire Ní Chathasaigh, fiddler Kevin Burke, pianist Charlie Lennon and his wife Anne Conroy Burke, whom he marries in 1990, on guitar and button accordion.
Burke’s first solo LP, Galway’s Own, is released in 1971. He also tours extensively for the next two decades, including with groups sponsored by Comhaltas Ceoltóirí Éireann. From 1988 to 1991, he lives in St. Louis, Missouri, where he has a musical residency at John D. McGurk’s Pub and hosts radio programmes at two stations, one of them the “Ireland in America” programme on KDHX. He represents Ireland in 1989 and 1992 at the International Accordion Festivals, in Montmagny, Quebec, along with accordion greats who include Cajun accordion player Marc Savoy and jazz accordionist Art Van Damme.
After residing in the United States from 1988 until 1991, Burke returns to Kilnadeema in 1992. There, he carries on teaching and performing music. He dies at the age of 81 on February 20, 2021, at Galway Hospice.
Burke is named RTÉ‘s Traditional Musician of the Year in 1970. He goes on to win both the AIB Traditional Musician of the Year and the Lifetime Achievement Award from The Irish World in 1997. A Joe Burke Tribute Concert is held in April 1997 at the Town Hall Theatre in Galway, on his reception of the AIB award. Three years later, he receives an award in Musical Mastery from Boston College. He is later conferred Gradam an Chomhaltais in 2003.
John Arden, English playwright, dies on March 28, 2012, in Galway, County Galway. At the time of his death, he is lauded as “one of the most significant British playwrights of the late 1950s and early 60s.”
Arden is initially associated with the English Stage Company at the Royal Court Theatre in London. His 1959 play, Serjeant Musgrave’s Dance, in which four army deserters arrive in a northern mining town to exact retribution for an act of colonial violence, is considered to be his best. His work is influenced by Bertolt Brecht and epic theatre as in Left-Handed Liberty (1965, on the anniversary of Magna Carta). Other plays include Live Like Pigs, The Workhouse Donkey, and Armstrong’s Last Goodnight, the last of which is performed at the 1963 Chichester Festival by the Royal National Theatre after it was rejected by the Royal Court.
Arden’s 1978 radio play Pearl is considered in a Guardian survey to be one of the best plays in that medium. He also writes several novels, including Silence Among the Weapons, which is shortlisted for the Booker Prize in 1982, and Books of Bale, about the Protestant apologist John Bale. He is a member of the Royal Society of Literature.
With his wife and co-writer Margaretta D’Arcy, Arden pickets the Royal Shakespeare Company (RSC) premiere of his Arthurian play The Island of the Mighty, because they believe the production to be pro-imperialist. They write several plays together which are highly critical of British presence in Ireland, where he and D’Arcy live from 1971 onward.
In 1961, Arden is a founder member of the anti-nuclear Committee of 100, and he also chairs the pacifist weekly Peace News. In Ireland, he is for a while a member of Official Sinn Féin. He is an advocate of civil liberties, and opposes anti-terror legislation, as demonstrated in his 2007 radio play The Scam.
Arden is elected to Aosdána in 2011 before dying in Galway on March 28, 2012. He is waked in a wicker casket.
(Pictured: Photograph of John Arden, 1960 bromide print on card mount, credit to Roger Mayne, National Portrait Gallery, London)
Alan Bell, policeman and resident magistrate, is tasked by British Intelligence to track down Michael Collins’s war chest. By March 26, 1920, he has successfully confiscated over £71,000 from Sinn Féin‘s headquarters and by investigating banks throughout the country and is set to seize much more. On that day he is pulled off a tram in South Dublin and shot three times in the head.
Bell is born in Banagher, King’s County (now County Offaly), one of at least two sons of the Rev. James Adamson Bell, Church of Ireland clergyman. His mother’s name is unknown. Educated locally, he joins the Royal Irish Constabulary (RIC) in September 1879 as a cadet, serving in the counties of Cavan, Galway, Roscommon, Westmeath, and Cork up to the rank of district inspector. During the Land War (1879–82) he investigates sources of Irish National Land League funds and in 1882 arrests the American land reformer and journalist Henry George in Athenry. He, along with District Inspector William Henry Joyce, compile evidence against the nationalist and agrarian agitation for the special commission of 1888–89 which investigates charges against the nationalist leader Charles Stewart Parnell and his associates. His actions make him popular with unionists but a marked man among nationalists.
After almost twenty years’ police service, Bell becomes a resident magistrate on November 12, 1898, a civil service post under the Constabulary Act, 1836. His districts included Athenry, Claremorris, Armagh, Belfast, and Portadown. With many years’ experience in criminal intelligence, he is transferred to Dublin Castle early in the Irish War of Independence as a special investigator and intelligence gatherer. In December 1919 he questions suspects for the attempted Irish Republican Army (IRA) assassination of the viceroy, Lord French, and place suspect premises under surveillance. His vulnerability is made evident by the shooting in January 1920 of Dublin Metropolitan Police assistant commissioner William C. Redmond, one of his informants. He remains in Dublin to investigate the “republican loan” raised by Michael Collins and Sinn Féin, believed to be hidden in suspect bank accounts. Refusing protective accommodation in Dublin Castle where other officials have already retreated, he opts to live with his wife at a private suburban residence, 19 Belgrave Square, Monkstown, County Dublin. He summons bank managers to his office in early March 1920 and progresses sufficiently to force Collins into taking action.
Carrying a pocket revolver for protection, Bell travels to work daily by tram until the morning of March 26, 1920. At the busy junction of Simmonscourt Road, Sandymount Avenue, and Merrion Road, Ballsbridge, a group of men immobilise the crowded vehicle and surround their target, declaring, “Come on, Mr. Bell, your time has come.” Bundling him on to the street, they shoot him dead in public view and run from the scene. In spite of vivid eyewitness accounts in the press, no killer is identified. His death comes amid almost daily violence and barely a week after the shooting of the Sinn Féin Lord Mayor of Cork, Tomás Mac Curtain, allegedly by police assassins. He acts fearlessly, perhaps expecting a violent death as the outcome of his mission.
Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.
Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.
Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.
Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.
Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.
Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.
From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.
In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).
(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, dies on February 18, 1964, in Blackrock, Dublin.
Walsh is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry, the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.
Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service entrance examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.
Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.
When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers’ Edinburgh Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.
Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.
Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to TheSaturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.
Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.
Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.
Ó hEithir’s parents are national school teachers, Pádraic Ó hEithir and Delia Ní Fhlaithearta. He is a nephew of Aran Islands authors Liam Ó Flaithearta and Tom Maidhc Ó Flaithearta, the brothers of his mother. He attends the Kilronan national school where his parents teach. He receives his secondary school education at Coláiste Éinde (St. Enda’s College), Galway. He attends University College Galway for three years, finishing his university course in 1952 but leaves without sitting his final examinations. He writes in both Irish and English and is highly regarded for the originality and liveliness of his journalism, especially his work in Irish.
Ó hEithir marries Catherine von Hildebrand, a young student recently arrived in Dublin from Colombia, in 1957 and they have five children: Ruairí, Máirín, Brian, Aindriú, and Rónán. Catherine is born in Paris, the daughter of Deirdre Mulcahy from Sligo and Franz von Hildebrand from Munich, son of the noted philosopher and theologian Dietrich von Hildebrand.
After college, Ó hEithir spends a number of years working as an itinerant bookseller for Comhdháil Náisiúnta na Gaeilge. He serves as an editor at Sáirséal agus Dill, the Irish language publishing house, and as Irish language editor for The Irish Press from 1957 to 1963. He also writes a column for The Sunday Press. He is a regular columnist with the journal Comhar and also contributes a weekly column to The Irish Times. He also serves as a staff journalist with Raidió Teilifís Éireann (RTÉ), working on the current affairs programmes Cúrsaí and Féach.
In 1975 the Irish American Cultural Institute awards Ó hEithir a scholarship of £2,000 to allow him to devote more time to writing. The following year his first novel, Lig sinn i gcathú (1976), loosely based on his student days in Galway, becomes a best-seller. He and Catherine move to Paris in 1986, where most of his second novel, Sionnach ar mo Dhuán (1988), is written. Hopes of having produced his definitive novel are soon dashed by a series of devastating reviews.
Ó hEithir visits Colombia with his wife in the summer of 1990. On his return, he is presented with the Butler literary award of $10,000 in further recognition of his writing in Irish. A month later, after a very short illness, he dies of cancer in St. Vincent’s University Hospital in Dublin on October 26, 1990. He is survived by his wife, Catherine, daughter Máirín, and sons Ruairí, Brian, and Aindriú.
Browne grows up in the Bogside area of Derry. The Browne family also lives in Athlone and Ballinrobe for a period of time. His mother Mary Therese (née Cooney) is born in 1885 in Hollymount, County Mayo. His father Joseph Brown, a Royal Irish Constabulary (RIC) sergeant, later works as an inspector for the National Society for the Prevention of Cruelty to Children and, partly as a result of this work, all of the Browne family becomes infected with tuberculosis. Both parents die of the disease during the 1920s. His father is the first to die, leaving only £100 behind to support a wife and seven children. Fearing that if she and the children remain in Ireland they will be forced into a workhouse, Mary sells all their possessions and takes the family to London. Within two days of their arrival, Mary is dead, later buried in a pauper’s grave. Of her seven children, six contract tuberculosis. Noël is only one of two Browne children to survive into adulthood after those bouts with TB.
In 1929, Browne is admitted free of charge to St. Anthony’s, a preparatory school in Eastbourne, England. He then wins a scholarship to Beaumont College, the Jesuitpublic school near Old Windsor, Berkshire, where he befriends Neville Chance, a wealthy boy from Dublin. Neville’s father, the eminent surgeon Arthur Chance, subsequently pays Browne’s way through medical school at Trinity College Dublin.
In 1940, while still a student, Browne suffers a serious relapse of tuberculosis. His treatment at a sanatorium in Midhurst, Sussex is paid for by the Chance family. He recovers, passes his medical exams in 1942, and starts his career as a medical intern at Dr. Steevens’ Hospital in Dublin, where he works under Bethel Solomons. He subsequently works in numerous sanatoria throughout Ireland and England, witnessing the ravages of the disease. He soon concludes that politics is the only way in which he can make an attack on the scourge of tuberculosis.
The poverty and tragedy that had shaped Browne’s childhood deeply affects him. He considers both his survival and his level of education a complete fluke, a stroke of random chance that saved him when he was seemingly destined to die unknown and in poverty like the rest of his family. He finds this completely distasteful and is moved to enter politics as a means to ensure no one else would suffer the same fate that had befallen his family.
A ‘White Paper’ on proposed healthcare reforms had been prepared by the previous government, and results in the 1947 Health Act. In February 1948, Browne becomes Minister for Health and starts the reforms advocated by the Paper and introduced by the Act.
The health reforms coincide with the development of a new vaccine and of new drugs (e.g., BCG and penicillin) that help to treat a previously untreatable group of medical conditions. Browne introduces mass free screening for tuberculosis sufferers and launches a huge construction program to build new hospitals and sanitoria, financed by the income and accumulated investments from the Department of Health-controlled Hospital Sweeps funds. This, along with the introduction of Streptomycin, helps dramatically reduce the incidence of tuberculosis in Ireland.
As Minister for Health Browne comes into conflict with the bishops of the Catholic Church and the medical profession over the Mother and Child Scheme. This plan, also introduced by the 1947 Health Act, provides for free state-funded healthcare for all mothers and children aged under 16, with no means test, a move which is regarded as radical at the time in Ireland, but not in the rest of Europe. Virtually all doctors in private practice oppose the scheme, because it would undermine the “fee for service” model on which their income depended.
The Church hierarchy, which controls many hospitals, vigorously opposes the expansion of “socialised medicine” in the Irish republic. They claim that the Mother and Child Scheme interferes with parental rights, and fear that the provision of non-religious medical advice to mothers will lead to birth control contrary to Catholic teaching. They greatly dislike Browne, seeing him as a “Trinity Catholic,” one who has defied the Church’s ruling that the faithful should not attend Trinity College Dublin, which had been founded by Protestants and for many years did not allow Catholics to study there.
Under pressure from bishops, the coalition government backs away from the Mother and Child Scheme and forces Browne’s resignation as Minister for Health. Following his departure from government, he embarrasses his opponents by arranging for The Irish Times to publish TaoiseachJohn A. Costello‘s and MacBride’s correspondence with the Catholic hierarchy, which details their capitulation to the bishops.
The controversy over the Mother and Child Scheme leads to the fall of the coalition government in which Browne had served as a Minister. But Church opposition to socialised medicine continues under the subsequent Fianna Fáil-led government. The hierarchy does not accept a no-means-test mother-and-infant scheme even when Fianna Fáil reduces the age limit from sixteen years to six weeks, and the government again backs down.
After his resignation as Minister for Health, Browne leaves Clann na Poblachta, but is re-elected to the Dáil as an Independent TD from Dublin South-East in the subsequent election.
Browne joins Fianna Fáil in 1953 but loses his Dáil seat at the 1954 Irish general election. He fails to be selected as a candidate for the 1957 Irish general election and he resigns from the party. He is re-elected at that election for Dublin South-East as an Independent TD.
In 1977 Browne is the first Irish parliamentarian to call for law reforms in regard to homosexuality, which is illegal at the time, and in 1979 is one of the few Irish politicians to attend the opening of the Hirschfeld Centre, Dublin’s first full-time LGBT community space.
In 1990, a number of left-wing representatives within the Labour Party, led by Michael D. Higgins, approach Browne and suggest that he should be the party’s candidate in the presidential election due later that year. Though in failing health, Browne agrees. However, the offer horrifies party leader Dick Spring and his close associates for two reasons. Firstly, the leadership had secretly decided to run Mary Robinson, a barrister and former senator. Secondly, many around Spring are “appalled” at the idea of running Browne, believing he has “little or no respect for the party” and is “likely in any event to self-destruct as a candidate.” When Spring informs Browne by telephone that the party’s Administrative Council has chosen Robinson over him, Browne hangs up the telephone.
Browne spends the remaining seven years of his life constantly criticising Robinson who had gone on to win the election, thus becoming the seventh President of Ireland, and who is considered highly popular during her term. During the campaign he also indicates support for the rival Fine Gael candidate, Austin Currie.
After retiring from politics, Browne moves with his wife Phyllis to Baile na hAbhann, County Galway. He dies at the age of 81 in the Regional Hospital, Galway, on May 21, 1997. He is buried in a small graveyard near Baile na hAbhann.
seamus dubhghaill 