Maolra Seoighe (English: Myles Joyce), is an Irish man who is wrongfully convicted and hanged on December 15, 1882. He is found guilty of the Maumtrasna Murders and is sentenced to death. Though he can only speak Irish, the case is heard in English without any translation service. He is posthumously pardoned in 2018.
Seoighe is the most prominent figure in a controversial trial in 1882 that takes place while Ireland is part of the United Kingdom. Three Irish language speakers are condemned to death for the murder of a local family (John Joyce, his wife Brighid, his mother Mairéad, his daughter Peigí and son Mícheál) in Maumtrasna, on the border between County Mayo and County Galway. It is presumed by the authorities to be a local feud connected to sheep rustling and the Land War. Eight men are convicted on what turns out to be perjured evidence and three of them condemned to death: Maolra Seoighe (a father of five children), Pat Casey and Pat Joyce.
Covering the incident, The Spectator writes the following:
“The Tragedy at Maumtrasna, investigated this week in Dublin, almost unique as it is in the annals of the United Kingdom, brings out in strong relief two facts which Englishmen are too apt to forget. One is the existence in particular districts of Ireland of a class of peasants who are scarcely civilised beings, and approach far nearer to savages than any other white men; and the other is their extraordinary and exceptional gloominess of temper. In remote places of Ireland, especially in Connaught, on a few of the islands, and in one or two mountain districts, dwell cultivators who are in knowledge, in habits, and in the discipline of life no higher than Maories or other Polynesians.”
The court proceedings are carried out in a language the accused do not understand (English), with a solicitor from Trinity College Dublin (TCD), who does not speak Irish. The three are executed in Galway by William Marwood for the crime in 1882. The role of John Spencer, 5th Earl Spencer, who is then Lord Lieutenant of Ireland, is the most controversial aspect of the trial, leading most modern scholars to characterise it as a miscarriage of justice. Research carried out in The National Archives by Seán Ó Cuirreáin, has found that Spencer “compensated” three alleged eyewitnesses to the sum of £1,250, equivalent to €157,000 (by 2016 rates).
As of 2016, nobody has issued an apology or pardon for the executions, though the case has been periodically taken up by various political figures. The then MP for Westmeath, Timothy Harrington, takes up the case, claiming that the Crown Prosecutor for the case George Bolton, had deliberately withheld evidence from the trial. In 2011, two sitting members of the House of Lords, the Liberal Democrat life peers David Alton and Eric Lubbock, request a review of the case. Crispin Blunt, ToryParliamentary Under-Secretary of State for Prisons and Youth Justice, states that Seoighe was “probably an innocent man,” but he does not seek an official pardon.
Seoighe’s final words are: “Feicfidh mé Iosa Críost ar ball beag – crochadh eisean san éagóir chomh maith. … Ara, tá mé ag imeacht … Go bhfóire Dia ar mo bhean agus a cúigear dílleachtaí.” (I will be seeing Jesus Christ soon – he too was also unjustly hanged … I am leaving … the blessings of God on my wife and her five orphans.)
On April 4, 2018, Michael D. Higgins, the President of Ireland, issues a pardon on the advice of the government of Ireland saying “Maolra Seoighe was wrongly convicted of murder and was hanged for a crime that he did not commit”. It is the first presidential pardon relating to an event predating the foundation of the state in 1922 and the second time a pardon has been issued after an execution. Seoighe’s case is not an isolated one, and there are strong similarities with the case of Patrick Walsh who was hanged in the Galway jail on September 22, 1882, just three months before Seoighe for the murders of Martin and John Lydon. The same key players and political factors are active in both cases and his conviction is just as questionable as that of Seoighe.
In September 2009, the story is featured on RTÉ‘s CSI programme under an episode entitled CSI Maamtrasna Massacre. A dramatised Irish language film regarding the affair, entitled Murdair Mhám Trasna, produced by Ciarán Ó Cofaigh is released in 2017.
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
Kettle is one among six children of Thomas Kettle, a prosperous farmer, and his wife, Alice (née Kavanagh). His maternal grandmother, Mary O’Brien, had smuggled arms to United Irishmen in the district in 1798, while her future husband, Billy Kavanagh, had been a senior figure in the movement. He is educated at Ireland’s most prestigious Catholicboarding school, Clongowes Wood College. His education is cut short when he is called to help full-time on the farm. Though an autodidact and always a forceful writer, he is beset later by an exaggerated sense of his “defective education and want of talking powers.” Fascinated by politics, he enjoys the repeal excitement of 1841–44 and in his late teens speaks once or twice at Tenant Right League meetings in Swords. Through the 1850s and most of the 1860s he sets about expanding the family farm into a composite of fertile holdings in Swords, St. Margaret’s, Artane, and Malahide (c.150 acres). Getting on well with the Russell-Cruise family of Swords, his first landlords, he benefits from a favourable leasehold arrangement on their demesne in the early 1860s. The farm is mostly in tillage, though Kettle also raises some fat cattle and Clydesdale horses, which he eventually sells to Guinness’s.
Kettle first enters politics in 1867, when he disagrees with John Paul Byrne of Dublin Corporation in public and in print over the right of graziers to state aid during an outbreak of cattle distemper. In 1868, he joins an agricultural reform group initiated by Isaac Butt. He becomes friendly with Butt and later claims to have converted him to support tenant-right. His memoirs, which are somewhat egocentric, contain a number of such questionable claims. It is, however, the case that he habitually writes up, for his own use, cogent summaries of the direction of current political tendencies, which sometimes become useful confidential briefs for Butt and later Charles Stewart Parnell. He is among the published list of subscribers to the Home Rule League in July 1870.
In 1872, disappointed by the Landlord and Tenant (Ireland) Act 1870, Kettle organises a Tenants’ Defence Association (TDA) in north County Dublin, soon sensing the need for a central body to coordinate the grievances of similar groups around the country. The Dublin TDA effectively acts as this central body, under his guidance as honorary secretary. At the 1874 United Kingdom general election in Ireland, the Dublin TDA decides to challenge the electoral control of certain corporation interests in County Dublin. Kettle secures the cautious approval of CardinalPaul Cullen for any candidate supporting the principle of denominational education. He is also one of a deputation to ask Parnell to fight the constituency, which the latter loses. He becomes closely acquainted with Parnell, who frequently attends Dublin TDA meetings after his election for Meath in April 1875.
Taking a sombre view of the threat of famine in the west of Ireland after evidence of crop failure appears in early summer 1879, Kettle calls a conference of TDA delegates at the European Hotel in Bolton Street, Dublin, in late May. After a heated debate in which a proposal for a rent strike is greatly modified, Parnell comes to seek Kettle’s advice on whether to become involved in the evolving land agitation in County Mayo. Kettle urges him to go to the Westport meeting set for June 8, 1879, and claims later to have stressed in passing that “if you keep in the open you can scarcely go too far or be too extreme on the land question.” If the incident is correctly recounted, this is a most important statement, which virtually defines Parnell’s oratorical strategy throughout the land war. In October 1879, Kettle agrees to merge the TDA with a new Irish National Land League, set up at a meeting in the Imperial Hotel, Dublin, chaired by Kettle. As honorary secretary of the Land League, Kettle frankly admits that he is able to attend meetings without “the necessity of working.” His attendance is, however, among the most regular of all League officers, with him taking part in 73 of 107 meetings scheduled between December 1879 and October 1881.
In March 1880, Kettle disputes Michael Davitt‘s reluctance to use League funds in the general election. He canvasses vigorously together with Parnell in Kildare, Carlow, and Wicklow and is later pressed by his party leader into standing for election in County Cork, though aware that the local tenant movement has already prepared their own candidates. His association with Parnell antagonises the catholic hierarchy in Munster, who issues a condemnation of his candidacy. The hurly-burly of this election creates the persistent impression that Kettle is anti-clerical in politics, and he is defeated by 151 votes.
On a train journey to Ballinasloe in early April 1880, Kettle confides to Parnell his idea that land purchase can be facilitated by the recovery of tax allegedly charged in excess on Ireland by the British government since the act of union. At League meetings in June and July 1880, he advances his “catastrophist” plan: to cease attempts to prevent the development of an irresistible crisis among the Irish smallholding population, by diverting the application of League funds from general relief solely to the aid of evicted tenants, who might be temporarily housed “encamped like gypsies and the land lying idle,” in the belief that the British government will thereby be compelled to introduce radical remedial legislation. Smallholders do not have enough faith in either League or parliamentary politicians to listen.
At a meeting of the League executive in London and in Paris, before and after Davitt’s arrest on February 3, 1881, Kettle presents his plan that the parliamentary party should, if faced with coercive legislation, withdraw from Westminster, “concentrate” in Ireland, and call a general rent strike. Republicans on the League executive continually find themselves embarrassed by Kettle’s radical calls to action motivated solely by the project of agrarian reform. Parnell is later supposed to have lamented party failure to execute the plan at this juncture.
Kettle is arrested in June 1881 for calling for a collective refusal of rent. After two weeks in Naas jail he is transferred to Kilmainham Gaol, where in October he is, with some misgivings, one of the signatories to the No Rent Manifesto. Discharged from Kilmainham in late December 1881 owing to poor health, he returns principally to work on the family farm for most of the 1880s, though he claims to have formulated a draft solution for the plight of the agricultural labourer and “pushed it through” in correspondence with Parnell. He reemerges in 1890 to defend Parnell after the divorce scandal breaks. Attempting to establish a new ”centre” party independent of extreme Catholic and Protestant interests, he stands for election as a Parnellite at the 1891 County Carlow by-election, where he is comprehensively beaten, having endured weeks of insinuating harangues by Tim Healy, and raucous mob insults to the din of tin kettles bashed by women and children at meetings around the county. He is intermittently involved in County Dublin politics in the 1890s and 1900s and maintains a brusque correspondence on matters of the day in the national press.
Kettle dies on September 22, 1916, at his residence, St. Margaret’s, County Dublin, anguished by the death on September 9 of his brilliant son, Tom Kettle, near the village of Ginchy during the Battle of the Somme. He is buried at St. Colmcille’s cemetery, Swords.
Kettle marries Margaret McCourt, daughter of Laurence McCourt of Newtown, St. Margaret’s, County Dublin, farmer and agricultural commodity factor. They have five sons and six daughters.
Horan is born in Partry, County Mayo, on May 5, 1911. Educated at St. Jarlath’s College, Tuam, he trains for the priesthood in St. Patrick’s College, Maynooth. He is ordained in 1936, and his first post is in Glasgow, where he remains for three years. Having served as chaplain on an ocean liner and briefly in Ballyglunin, County Galway, he becomes curate in Tooreen, a small townland close to Ballyhaunis, County Mayo. While there, he organises the construction of a dance hall, which becomes a popular local amenity. He secures financing for the project by collecting £8,000 on a tour of American cities. After also serving in Cloonfad, County Roscommon, he is transferred to Knock in 1963, where he becomes parish priest in 1967. He is troubled by the struggles of daily life and mass emigration in the west of Ireland, and he works to improve the living standards of the local community.
While stationed at Knock, Horan oversees the building of a new church for Knock Shrine, which is dedicated in 1976. The shrine is the stated goal of Pope John Paul II’s visit in 1979. The pope travels to Knock as part of a state visit to Ireland, marking the centenary of the famous Knock apparitions. Horan works with Judy Coyne to organise the papal visit. He is responsible for the refurbishment of the church grounds, along with the construction of a huge church, with a capacity of 15,000. This newly constructed church is given the status of basilica by the pope. The day after the papal visit, Horan begins his campaign to build an international airport in Barnacuige, a small village near Charlestown, County Mayo.
Critics regard the idea of an airport on a “foggy, boggy site” in Mayo as unrealistic, but funding is approved by then TaoiseachCharles Haughey, who performs the official opening in May 1986, five years after work commenced. Although Horan had secured IR£10,000,000 in funding from Haughey, following the Fianna Fáil party’s defeat in the general election of 1982, his funding is cut, with the airport unfinished. He raises the IR£4,000,000 shortfall by holding a “Jumbo Draw.” This large lottery succeeds in raising the required revenue, but only after a painstaking tour of several countries, including Australia and the United States. This takes its toll on the ageing Horan and leads to his death shortly after the completion of the airport. The airport is originally known as Horan International Airport but is now officially referred to as Ireland West Airport Knock.
Horan dies on August 1, 1986, while on a pilgrimage to Lourdes, just a few months after the official opening of the airport. His remains are flown into Knock, the first funeral to fly into the airport he had campaigned for. He is buried in the grounds of the Knock Basilica. His life and work are chronicled in a musical written by Terry Reilly and local broadcaster Tommy Marren, entitled A Wing and a Prayer. It premières in The Royal Theatre in Castlebar, County Mayo, on November 25, 2010.
Molloy’s father, Michael Edward Molloy, is originally from Ballyhaunis, County Mayo, and runs a successful wholesale drapery business in the city. His mother, Rita Stanley, hails from Clifden, County Galway. He is educated at Coláiste Iognáid and University College Galway. Before entering politics, he works for several years in printing, the clothing industry and his family’s drapery firm.
Molloy’s early political career is marked by his loyalty to Fianna Fáil’s leadership under TaoiseachJack Lynch. He quickly rises through the ranks and is appointed Minister for Local Government in 1970, a position he holds until 1973. His tenure as Minister for Local Government is characterised by his efforts to modernise and streamline local government structures in Ireland. His tenure in Fianna Fáil sees him as a stalwart of the party’s establishment, though tensions with its leadership grow over the years, particularly with Charles Haughey.
In opposition from 1973, Molloy serves as the frontbench spokesman, where he becomes involved in a high-profile dispute with James Tully, the Labour Minister for Local Government, over the controversial redrawing of constituencies, known as the “Tullymander.” Molloy, along with fellow Fianna Fáil member Brendan Crinion, used Dáil privilege to accuse Tully of having an improper commercial relationship with a builder in County Meath. The accusation is strongly denied by Tully and Molloy and Crinion later withdraw the charge. Despite this, Molloy faces severe repercussions, being forced to resign from his frontbench position. He is subsequently condemned by a judicial tribunal and censured by the Dáil for abusing parliamentary privilege.
When Fianna Fáil returns to office in 1977, Molloy becomes Minister for Defence in the final government of Jack Lynch.
In 1986, Molloy resigns from Fianna Fáil and joins the newly formed Progressive Democrats, spearheaded by Haughey’s arch-rival Desmond O’Malley. Molloy’s move is seen as a major break from the political establishment, as the Progressive Democrats advocate for low-tax, market-oriented economic policies and a more liberal economic agenda. His decision is driven by his dissatisfaction with the direction of Fianna Fáil under Haughey’s leadership and his belief that the party has become increasingly alienating.
In 1989, Molloy contests the European Parliament elections but is unsuccessful in his attempt. Following the 1989 Irish general election, Molloy, along with newly elected MEP for MunsterPat Cox, represents the Progressive Democrats in the lengthy negotiations with Fianna Fáil to form a coalition government. Once the negotiations conclude, he is reinstated in the Cabinet as Minister for Energy under Taoiseach Charles Haughey, who had previously caused Molloy’s political humiliation a decade earlier. Over the following three years, Molloy and his Progressive Democrat colleague Desmond O’Malley have a working relationship with their former Fianna Fáil colleagues, though tensions grow due to resentment over their presence in the Cabinet. The issue comes to a head when Molloy and O’Malley make it clear they will not serve in a Cabinet that includes Brian Lenihan Snr, following his controversial remarks during the 1990 Irish presidential election about alleged phone calls to PresidentPatrick Hillery from 1982.
In January 1992, Haughey faces further complications when Seán Doherty reveals information about the phone tapping of journalists dating back to 1982. Despite this, the coalition government ends when Albert Reynolds, Haughey’s successor, calls for a general election after accusing O’Malley of giving “dishonest” evidence to the Beef Tribunal. Molloy strongly denounces Reynolds’ accusation, describing it as “outrageous,” and criticises him for what he perceives as a “lack of generosity” in recent North-South negotiations, in which Molloy had represented the Progressive Democrats in talks with British Unionists.
Molloy stands at the European Parliament elections again in 1994 but is again unsuccessful.
Molloy resigns as a minister and quits politics just before the 2002 Irish general election amid controversy surrounding his involvement in the rape case of Barbara Naughton. The controversy stems from a letter Molloy sent to then Minister for Justice, John O’Donoghue, on behalf of a constituent whose relative had been convicted of rape. The letter, which requests the temporary release of the individual pending an appeal, leads to public criticism. The case is high-profile, involving a Connemara man sentenced to eleven years for the systematic abuse of his young daughter. During the trial, the judge, Philip O’Sullivan, notes that someone acting on Molloy’s behalf had tried to contact him in his chambers to clarify whether he had received certain correspondence from the victim’s sister, which the judge describes as “quite improper.” In response to the backlash, Molloy resigns, describing the letter as a “human error of judgment,” but insisting it was not intended to be dishonest. He retires from politics after the election.
Molloy is a member of Fianna Fáil for over 20 years, but his views are not always in line with the mainstream of the party, particularly under the leadership of Charles Haughey. His decision to leave Fianna Fáil in 1986 and join the Progressive Democrats is motivated by ideological differences, notably the party’s move toward a more conservative, state-controlled economy. Molloy, on the other hand, embraces a platform of fiscal conservatism, with an emphasis on reducing taxes, deregulation, and the liberalisation of the economy.
In terms of social issues, Molloy is ahead of his time in advocating for progressive policies, particularly on women’s rights. In a survey conducted in 1976 by the Women’s Political Association (WPA), Molloy scores among the highest of any member of the Dáil for his progressive stance on issues affecting women. He supports measures such as divorce, contraception, and family law reform, which are seen as highly controversial at the time. His responses to the WPA’s questions reveal that he holds views that are in stark contrast to many of his colleagues within Fianna Fáil. His progressive views on women’s rights are notable, as he is the only member of Jack Lynch’s cabinet who consistently supports reformist policies on issues like family law and the role of women in public life.
In 1972, Molloy marries Phyllis Barry, a Montessori teacher from Foxrock, County Dublin, whose father is a cousin of the executed revolutionary Kevin Barry. The couple meet while campaigning in a by-election in mid-Cork. Together, they have four children: Sinead, Sorcha, Donnacha, and Dara.
Colleran, and her twin Noreen, are born in Ballinrobe, County Mayo, on October 12, 1945, to John and Josie Colleran. One of a family of five children, her father is a school principal and her mother, also a primary school teacher, dies when she is just 11 years old. She completes her secondary education at St. Louis secondary school in Kiltimagh. She spends a lot of time outdoors as a child, particularly fishing, which sparks her interest in the environment.
On entering higher education, Colleran has a grant from the Department of Education, which requires that she do her studies through the Irish language. Her first choice, Medicine, is not available in Irish so she chooses Science. She graduates with a first-class primary degree in Science at University College Galway (now National University of Ireland, Galway) in 1967.
Colleran lectures in biology at Athlone Regional Technical College (now Athlone Institute of Technology) and Galway Regional Technical College (now Galway-Mayo Institute of Technology) before her appointment as a lecturer in microbiology at NUI Galway in 1976. She is appointed Associate Professor of Microbiology by the Senate of the National University of Ireland in 1990. She is a member of the university’s governing authority for a number of years, but steps down in May 2000 in connection with the selection procedure for the new university president. In October of that year, she is appointed professor of microbiology and chair of the department at NUI Galway.
Colleran is the first director of the Environment Change Institute at NUI Galway set up under the Higher Education Authority‘s Programme for Research in Third Level Institutions in 2000. In 2010, the Environmental Change Institute and the Martin Ryan Marine Research Institute are merged to form the current day Ryan Institute at NUI Galway.
In 1973, Colleran is elected to the committee of the Galway Association of An Taisce, part of a national voluntary organisation the aims of which are conservation in Ireland through education, publicity and positive action. She serves as membership secretary and then treasurer to the Galway branch before becoming chairman. In 1981, as chairman of the Galway branch, she hits back at claims from Galway County Council that An Taisce are “an anonymous group, wielding power unfairly.” She is involved in the compilation of a controversial planning report, published by An Taisce in 1983, which highlights abuse of planning laws by city and county councillors across Ireland, and in particular in counties Galway, Mayo, Donegal, Kerry and Louth.
Colleran serves as Environmental Officer for An Taisce before being elected National Chairman in 1987, the first time a chairman has come from one of the western county associations. She continues to use her position to campaign against misuse of planning laws, for a clamp down on pollution of rivers and lakes, and against a move to scrap An Foras Forbartha, a body that provides independent monitoring of pollution. During her three years as chairman, until May 1990, she is particularly involved in debates over local environmental and planning issues, in particular over gold mining in the west of Ireland, a proposed airport for Clifden, and the planned sewage treatment plant at Mutton Island, County Galway.
In 1991 plans are announced for a new visitor centre, to be located at Mullaghmore in The Burren. Colleran is among those who are part of an appeal, saying that while the plan for the national park is welcomed by An Taisce, they want the visitor centre to be located three or four miles from Mullaghmore.
President Mary Robinson appoints seven new members to her Council of State in February 1991, including Colleran. Other new members appointed at the time are Monica Barnes, Patricia O’Donovan, Quintan Oliver, Rosemarie Smith, Dónal Toolan and D. Kenneth Whitaker. The new Council of State represents a wide spectrum of Irish life and is widely welcomed, although Fine Gael is disappointed that its leader John Bruton is not included.
In 1991, Colleran is one of 15 people appointed to TaoiseachCharles Haughey‘s Green 2000 Advisory Group, to determine which problems will face the environment in the next century. The group is led by Dr. David Cabot, special advisor on environmental affairs.
In 2003, Colleran is elected as a member of the Royal Irish Academy.
Colleran is recognised at the annual NUI Galway Alumni Awards in 2004 when she receives the award for Natural Science, sponsored by Seavite Bodycare Ltd., which acknowledges a graduate who has made an outstanding contribution in the field of natural science.
Comparatively little is known of his early life, and it has been suggested that he was illegitimate and took his mother’s surname and that his father’s surname was actually Gannon. He emigrates with his father to Baltimore, Maryland, in 1793, eventually settling in Philadelphia, Pennsylvania. A short time after their arrival, the friend who had invited them and offered them food and hospitality dies of yellow fever. Several days later, his father also succumbs to the same disease.
One morning, while Brown is wandering along the banks of the Delaware River, he meets the captain of a ship then moored in port. The captain inquires if he wants employment and Brown agrees. The captain engages him as a cabin boy, thereby setting him on the naval promotion ladder, where he works his way to the captaincy of a merchant ship. After ten years at sea, where he develops his skills as a sailor and reaches the rank of captain, Brown is press-ganged into a Royal Navy warship. British impressment of American sailors is one of the primary issues leading to the War of 1812.
During the Napoleonic Wars, Brown escapes the ship he is serving on, a galley, and scuttles the vessel. However, the French do not believe he had assisted them and imprison him in Lorient. On being transferred to Metz, he escapes, disguised in a French officer’s uniform. However, he is recaptured and is imprisoned in the fortress of Verdun. In 1809, he escapes from there in the company of a British Army officer named Clutchwell, and eventually reaches German territory.
Returning to England, Brown renounces his maritime career and on July 29, 1809, he marries Elizabeth Chitty, daughter of an English shipping magnate, in Kent. As he is a Catholic and she a Protestant, they agree to raise their sons as Catholics and their daughters as Protestants. Despite lengthy periods of enforced separation, they have nine children. He leaves the same year for the Río de la Plata on board Belmond and sets himself up as a merchant in Montevideo, Uruguay.
Late in 1811 Brown settles in Buenos Aires just as a criollo rebellion against Spanish colonial rule in Argentina is gaining strength. By April 1812, he is developing a coastal shipping business in fruit and hides. As the Spanish naval blockade of 1812–14 begins to choke trade, he is first commissioned by the patriot government as a privateer licensed to raid Spanish merchantmen, and then, on March 1, 1814, invited to take charge of a small rebel naval squadron to contest Spanish control of the Río de la Plata estuary. Leading a fleet of nineteen ships, he fixes with great speed on a set of wartime naval routines and signaling methods, and organises a system of discipline, founding the navy on principles that pay exceptional attention to the welfare of ordinary seamen.
In early March 1814, Brown shows personal courage and incisive skill in outwitting and defeating a more powerful Spanish force near Martín García Island, thereby dividing the Spanish blockade. A Spanish attempt in May 1814 to break his blockade of Montevideo is decisively crushed by him and his makeshift navy, and the Spanish strongholds on the Atlantic coast collapse, ending open war. In 1815 and 1816, however, he carries out skirmishing raids on military and commercial targets belonging to Spanish South American possessions, until detained by a British colonial governor in Barbados in July 1816 for alleged infringements of international rules of trade.
Illness, and a tortuous but ultimately successful appeal process, take up most of 1817–18, but when Brown returns to Argentina in October 1818, political enemies set in motion a prosecution for alleged disobedience of orders. Cashiered in August 1819, then restored in rank but forced to retire, he attempts suicide the following month. Convalescence and resumption of his trading concern occupies him for several years.
A repentant government renews Brown’s command of the navy in December 1825, when war breaks out with Brazil. Though vastly outnumbered by the Brazilian fleet, he shows audacity and great finesse in a number of successful engagements in the Plate estuary in 1826, roving up the Brazilian coast on occasion to create great confusion. In February 1827, he triumphs in a series of actions known as the Battle of Juncal. After another year of commercial privateering against the Brazilian merchant fleet, he is one of two delegates selected to sign peace terms with Brazil in October 1828.
Retiring from active service that month, Brown tries to remain neutral as civil war erupts in Argentina, but reluctantly accepts the post of governor of Buenos Aires under General Juan Lavalle from December 1828 to May 1829, when he resigns in disgust at government excesses. During 1829–37 he holds aloof from the despotic government of Juan Manuel de Rosas. After French and British encroachments on the region in the later 1830s, he offers to take charge of the navy again to protect national independence and is available to defend Argentine interests when war breaks out with a French-backed Uruguay in early 1841. Though exasperated by a long and “stupid war,” he blockades the Uruguayan navy effectively until French and British fleets intervene in July 1845 with overwhelming force to capture his squadron and bring the war to an end.
Idolised by the Argentinian population for his high-principled and humane advocacy of independent democracy, Brown passes his last years trading and farming a country estate. In late 1847, he journeys to Ireland, hoping to find relations in Mayo, and is shocked by the hunger and destitution of the Great Famine.
Brown dies on March 3, 1857, at his home in Buenos Aires and is buried with full military honours. The Argentine government issues a comuniqué: “With a life of permanent service to the national wars that our homeland has fought since its independence, William Brown symbolized the naval glory of the Argentine Republic.” During his burial, General Bartolomé Mitre famously says: “Brown in his lifetime, standing on the quarterdeck of his ship, was worth a fleet to us.” His grave is currently located in the La Recoleta Cemetery in Buenos Aires.
Gilmartin is the son of Michael Gilmartin, Rinshiona, Castlebar.[1] He is educated at the Franciscan monastery boys school in Errew and at O’Dea’s Academy in Castlebar. He attends St Jarlath’s College in Tuam, and then St Patrick’s College, Maynooth. Following his ordination to the priesthood in 1883, he becomes a professor of mathematics and natural science at St Jarlath’s.
In 1891, Gilmartin serves as Dean of Formation and Vice-President of St Patrick’s College, Maynooth. He is awarded a Doctor of Divinity by Rome in 1905.
During the Irish War of Independence, Archbishop Gilmartin speaks out strongly against violence. In January 1920, he criticizes the “undisguised ruffianism” in the rebel ranks. He counsels his priests that whatever their personal political beliefs, they should not take an aggressive part on behalf of either side. However, many younger clerics support Sinn Féin and the IRA.
T.H. White describes meeting the Archbishop on the top of Croagh Patrick on an annual Reek Sunday pilgrimage during the 1930s in his book The Godstone and the Blackymor and having a cup of tea with him on the top after overenthusiastically kissing his ring.
Gilmartin dies at the age of 78 in office in Tuam on October 14, 1939.
Gilmartin writes the memoir of Primate Joseph Dixon in Healy’s Centenary History of Maynooth in 1895. He is also a contributor to the Irish Ecclesiastical Record, the Irish Theological Quarterly, and the Catholic Encyclopedia.
Joyce is the eldest of three sons of Michael Joyce, an Irish Catholic from a family of tenant farmers in Ballinrobe, County Mayo, and his wife, Gertrude (née Brooke), who although born in Shaw and Crompton, Lancashire, is from a well-off AnglicanAnglo-Irish family of physicians associated with County Roscommon. The Joyces return to Ireland in 1909. William, a precocious child, attends Coláiste Iognáid SJ, a Jesuit school in County Galway, from 1915 to 1921. At the age of fourteen, he abandons Catholicism for Anglicanism, apparently after being told that all non-Catholics, including his mother, would be damned. In adult life he is nominally anglican, though his adherence to Christianity is tenuous.
The Joyces are unionists and teach their children fervent imperialism. During the Irish War of Independence, Joyce openly associates with the Black and Tans and acts as a scout for them. An acquaintance claims that his views are so extreme even loyalists dislike him. On December 9, 1921, he flees to England to join the Worcestershire Regiment and is followed to England in 1923 by the rest of the family. When he enlists, he claims to be eighteen, but after he contracts rheumatic fever, his age is discovered, and he is discharged in March 1922. For a time, he studies mathematics and chemistry at Battersea Polytechnic Institute as a pre-medical student (1922–23), but he leaves of his own accord, with a reputation for laziness and violent political views. His studies in English and history at Birkbeck College are more successful. He is a brilliant linguist and mathematician and graduates BA with first-class honours in 1927. He publishes an academic article on philology and considers progressing to an MA. He later falsely claims that his research had been plagiarised by a Jewish academic. In 1932, he enrolls at King’s College, London, for a Ph.D. in educational psychology.
Joyce is disturbed by the difference between depressed post-war Britain and the imperial ideal that he had imbibed in Galway and is mocked for his outspoken patriotism and obvious Irishness. He identifies strongly with Thomas Carlyle, an earlier angry anti-liberal from the provinces. His life is marked by repeated episodes of hero worship, followed by disillusion and bitter denunciation. In 1923, he joins the British Fascists, an organisation that has a significant Irish loyalist membership, and in 1924 he allies himself with a militant splinter group, the National Fascists. Most British fascists see themselves as Tory auxiliaries, and they often provide a security presence at conservative meetings. On October 22, 1924, while stewarding a meeting addressed by a Jewish conservative candidate, he has his face slashed and is left with a prominent scar across his right cheek. He joins the Conservative Party in 1928 and is active in the Chelsea constituency until 1930, when he is forced out because of his eccentricities and sexual misbehaviour. On April 30, 1927, he marries Hazel Kathleen Barr. They have two daughters but separate in 1935, largely because of his infidelities, heavy drinking, and temper. The marriage is dissolved in 1937.
In November 1933, Joyce abandons his Ph.D. studies to work for Sir Oswald Mosley‘s British Union of Fascists (BUF). By early 1934 he has become its paid publicity director, traveling throughout Britain to organise meetings. He is a powerful, rabble-rousing speaker, driven by an instinctive awareness that vitriolic verbal abuse gives speaker and audience a sense of power and solidarity. MI5 sees him as a compelling, though deranged, personality. On February 8, 1937, he marries Margaret Cairns White, a BUF activist from Lancashire, with whom he had cohabited since 1936.
Joyce leads a BUF faction that favours a recruitment strategy based on uncompromising ideological assertion. This is challenged by populists who prioritise marches and displays and hold that indoctrination should follow membership. In February 1937, he is BUF candidate for the London County Council in Shoreditch. The party wins 14 percent of the vote. In March 1937, he, along with many full-time BUF staff, are sacked when the BUF cuts expenses. But his dismissal also reflects Mosley’s awareness that his obsessive rhetoric repels “respectable” recruits and that he is no longer a biddable, slavish admirer of “the Leader.” He later falsely claims near-exclusive credit for the BUF’s escalating antisemitism, a view that Mosley eventually finds it convenient to adopt in order to evade his own responsibility.
In April 1937, Joyce founds the National Socialist League, helped by a wealthy patron. He supports himself as a private tutor, refusing to take Jewish pupils. He is active in various antisemitic and pro-Nazi groups such as the Right Club and engages in “peace” campaigns based on the view that British interests lay with Germany against Russia. Political marginalisation intensifies his admiration for Nazi Germany and hero worship of Adolf Hitler. By the time of the Munich crisis in 1938, he has decided that if war comes, he will go to Germany, though he also considers moving to Ireland. He renews his British passport for one-year terms in August 1938 and August 1939.
On August 26, 1939, Joyce and his wife leave London for Berlin. He is allegedly tipped off about his impending arrest and internment by an MI5 officer, to whom he had supplied information on communists. His siblings, whom he recruited into his fascist organisations, are variously penalised for his activities. At a loose end in Berlin, he is persuaded by a British associate to become a radio announcer with the English-language service of the Reichs-Rundfunk-Gesellschaft (RRG). He makes his first broadcast on September 6, 1939, and receives a contract in October. He finds in radio an outlet for his forceful style and delight in saying the unsayable, and in the early years of the war takes an exultant pride in recounting Nazi victories. His performances are admired by Joseph Goebbels, whom Joyce, to his regret, never meets. On September 26, 1940, he acquires German citizenship.
The novel experience of hearing the enemy in one’s own living room attracts wide audiences in Britain. Joyce’s practice of naming newly captured prisoners of war in his broadcasts is also a compelling motive for listening. In fact, he tries to recruit British prisoners of war as collaborators. The name “Lord Haw-Haw,” invented by the Daily Express radio critic in September 1939, initially applies to several English-language broadcasters but in time becomes associated with Joyce. He is initially a figure of fun, imitated by comedians, but there are sinister undercurrents of terrifying omnipotence, intensified by his sneering, gloating delivery and his delighted deployment of the “big lie” technique. It is widely believed that British-based fifth columnists supply him with information, that he predicts air raids, and shows minute local knowledge. In time, fear and his growing notoriety feed popular hatred of him in Britain, though his anti-British taunts allegedly win appreciative Irish audiences. He exults that he is daily committing treason and rendering himself liable to the death penalty.
In 1940, Joyce publishes a commissioned self-justifying propaganda work, Twilight over England. His representation of himself echoes that of Hitler in Mein Kampf – the provincial patriot, whose martial sacrifices are betrayed by corrupt elites, learning through poverty the hollowness of bourgeois patriotism and the need to synthesise socialism with nationalism. He shares with his hero a paranoid belief in his own ability to create an alternative reality through language and obstinacy. He dreams of becoming the English Führer.
In Berlin, the Joyces’ marriage comes under increasing strain, marked by drunken rows, domestic violence, and infidelity on both sides, though they retain a fierce mutual fascination. They divorce on August 12, 1941, but remarry on February 11, 1942, while continuing their previous behaviour. As the Axis powers begin to fail, his broadcasts become more defensive, focusing on the Soviet threat. On October 14, 1944, he is awarded the German War Merit Cross, first class. On October 22, he is sworn into the Volkssturm (territorial army) and begins drilling. The Joyces are evacuated from Berlin in March 1945, initially to Apen near the Dutch border and then to Hamburg, where he makes a last, drunken, defiant broadcast on April 30, 1945, the day of Hitler’s death. After an unsuccessful attempt to escape to Sweden, the Joyces hide at Flensburg near the Danish border. On May 28, 1945, he is shot and captured while gathering firewood.
Joyce is brought back to Britain on June 16 after Parliament passed legislation simplifying treason trial procedures. At his September 17-20 trial, he proves his American citizenship, but the court holds that his illegally acquired British passport incurred duties of allegiance. His appeals are rejected by the Court of Appeal and the House of Lords. His fate is influenced by British public opinion, and possibly by a desire to avoid antagonising the Soviet Union. In his death cell he blames the defeat of national socialism on German limitations. He also fantasises that he could have saved Hitler from his incompetent subordinates.
Joyce is hanged by Albert Pierrepoint at Wandsworth Prison on January 3, 1946. Unlike most of his fellow Nazis, he proclaims to the end his allegiance to national socialism and hatred of Jews. He corresponds cheerfully with Margaret, joking evasively about the death camps and expressing a belief that his spirit will survive, watch over her, and continue his work. To neo-Nazis he becomes a martyr. Even among those to whom his activities had been repellent, a significant body of opinion holds he should not have been condemned on a questionable and innovative technicality. The historian A. J. P. Taylor maintains that Joyce was executed for making a false declaration to obtain a passport, a misdemeanour that normally incurs a £2 fine.
In 1976, Joyce is reinterred in Galway as it is feared that a grave in England might become a fascist shrine. Thomas Kilroy‘s play Double Cross (1986) juxtaposes Joyce and Brendan Bracken as Irishmen who reinvented themselves through fantasies of Britishness. The BBC Sound Archive has recordings of some of Joyce’s broadcasts and transcripts of others, collected during the war as evidence for a future treason trial.
(From: “Joyce, William Brooke (‘Lord Haw-Haw’)” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.
Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.
Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.
By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.
Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.
Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.
Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.
In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).
Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.
(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 