Duffy is born on April 12, 1816, in Dublin Street, Monaghan, County Monaghan. Both of his parents die while he is still a child and his uncle, Fr. James Duffy, who is the Catholic parish priest of Castleblayney, becomes his guardian for a number of years. He is educated at St. Malachy’s College in Belfast and is admitted to the Irish Bar in 1845. He becomes a leading figure in Irish literary circles.
In August 1850, Duffy forms the Tenant Right League to bring about reforms in the Irish land system and protect tenants’ rights, and in 1852 is elected to the House of Commons for New Ross. By 1855, the cause of Irish tenants seems more hopeless than ever. Broken in health and spirit, Duffy publishes a farewell address to his constituency, declaring that he has resolved to retire from parliament, as it is no longer possible to accomplish the task for which he has solicited their votes.
In 1871, Duffy leads the opposition to Premier Sir James McCulloch‘s plan to introduce a land tax, on the grounds that it unfairly penalised small farmers. When McCulloch’s government is defeated on this issue, he becomes Premier and Chief Secretary. The majority of the colony is Protestant, and he is accused of favouring Catholics in government appointments. In June 1872, his government is defeated in the Assembly on a confidence motion allegedly motivated by sectarianism.
When Graham Berry becomes Premier in 1877, he makes Duffy Speaker of the Legislative Assembly, a post he holds without much enthusiasm until 1880, when he quits politics and retires to the south of France. Duffy remains interested in both the politics of his adoptive country and of Ireland. He is knighted in 1873 and is made KCMG in 1877.
Duffy spends his last years in Nice and dies at the age of 86 on February 9, 1903, at his home there, 12 Boulevard Victor Hugo. He is buried at Glasnevin Cemetery, Glasnevin, Dublin on March 8. 1903. The length of his career, the breadth of his experience, and his voluminous labours as a chronicler make him an important figure in the history of Ireland and the Irish diaspora in the nineteenth century. He also deserves attention as the most prominent and articulate Ulster catholic nationalist of his time. There are Duffy papers in the Royal Irish Academy and National Library of Ireland.
Rice is born to Johnny Rice and his wife Nell (née Hayes). Her mother can sing, and her father is a master mason. Her mother’s singing brings in extra money after her father is posted overseas during World War II. She goes to Methodist College Belfast and by the age of fourteen is living in the family home with lodgers as her parents are in Africa where her father is working. She is not academic and takes only a passing interest in becoming a secretary. A school friend says that all she wants to do is draw.
The artist Gerard Dillon comes from Belfast. He helps Rice after they are introduced to each other by her piano teacher in 1951. He is friends with the painter George Campbell. They both share “an interest in bohemian characters.” She regards both Dillon and Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1956, Rice completes her first solo exhibition at the British Council in Hong Kong. She had been there since 1954 doing typing and practicing her painting. Her father is working there, and she stays in Hong Kong until the following year. When she returns, she earns money working night shifts in the BBC newsroom.
Gerard Dillon and his sister, Mollie, have a property on London‘s Abbey Road in 1958. They rent part of the house to artist Arthur Armstrong, and they rent a flat to Rice and her brother. Dillon and Rice would tour junk yards to find objects like leather and string that they include in their artwork. The house is known for its ex-pat Irish artists which also include Aidan Higgins and Gerry Keenan.
In 1963, Rice goes to the United States to exhibit, and she has to be persuaded to find time to meet President Kennedy. This is three weeks before he is killed in Dallas. In 1967, she is in Paris learning lithography and marries the German contemporary artist Haim Kern. Their child Tristran is born, and the marriage soon ends, and she leaves for Switzerland.
Rice marries again after she returns to Ireland to live in County Fermanagh. They have a daughter who is named Trasna. She exhibits twice in Belfast. In 1997, a large collaboration with Felix Anaut results in images of Adam and Eve which is prepared for a Spanish arts festival near Zaragoza. Another large commission is to decorate the shutters of Pushkin House at Baronscourt for Alexandra Hamilton, Duchess of Abercorn, in 2005.
Rice dies in County Monaghan on March 23, 2015, where she had lived for twenty years. She completes her last exhibition in 2009, over fifty years after her first in Hong Kong. She has exhibited and had her work in notable collections including the United Nations. She is noted for only creating art when she wanted to, she had never conformed, Aeneas Bonner says in her obituary “Normality was a not a close acquaintance.”
Barnes is educated at the Louis Convent, Carrickmacross, County Monaghan. After the birth of her first child, she later says she suffers from postpartum depression, a condition largely unrecognised in Ireland at the time. She is told by her doctor to “pull yourself together,” and subsequently she sets up a support group for women suffering from the condition and begins to take an interest in equality and women’s rights. She is a co-founder of the Council for the Status of Women (now the National Women’s Council of Ireland) in 1973, a move which prompts her to fully commit herself to politics.
Barnes also unsuccessfully contests the European Parliament election for the Leinster constituency in 1979 and 1994.
Barnes dies at the age of 82 on May 2, 2018, at Glenageary, Dublin.
Following Barnes’s death, TaoiseachLeo Varadkar says in a statement, “Monica Barnes was an inspiration for so many people in the Fine Gael party and beyond. She was particularly inspirational for women and younger members of our party. Monica gave great service to Fine Gael and to the people of Dún Laoghaire, having been encouraged to enter the political arena by [former Taoiseach] Garret FitzGerald, as a result of her work in the women’s movement.”
PresidentMichael D. Higgins says, “I am very saddened to learn of the death of former TD and Senator, Monica Barnes, who provided exceptional public service to the people of Dún Laoghaire and Ireland over many years. Monica was a proud feminist and championed women’s rights throughout her parliamentary career and beyond. She was a pioneer in the struggle for a space for women’s rights to be discussed.”
Barnes is credited as a feminist and an advocate of women’s rights. She is seen as having made a critical intervention that led to the passing of the Health (Family Planning) (Amendment) Bill 1985, which gives Irish adults the right to purchase non-medical contraceptives without having to get a doctor’s prescription, which passed the Dáil by a narrow margin.
McGlinchey is one of eleven siblings born into a staunchly republican home in Ballyscullion Road, Bellaghy, in rural south County Londonderry, Northern Ireland. His father owns a garage and some of his father’s police customers later die at McGlinchey’s hands. His mother Monica is a devout Catholic. He is educated at the local school. When he was sixteen, he begins an apprenticeship in his father’s garage. About this time, he is joining the numerous civil rights marches that are taking place in the county. His precise reasons for doing so are unclear, but speculation is that he is reacting to events around him and the idea of participating in marches offers glamour and a close identification with his own community.
In 1971, McGlinchey is interned without charge for ten months in Long Kesh Detention Centre. Not long after his release the following year, he is imprisoned again on arms charges. On July 5, 1975, during his imprisonment, he marries Mary O’Neil, daughter of Patrick O’Neil from Toomebridge. Together they have three children.
Following his release, McGlinchey joins Ian Milne and future Provisional IRA hunger strikersFrancis Hughes and Thomas McElwee and wages a campaign of shooting and bombing throughout the county and beyond. Together, they later join the Provisional IRA. The gang spends the late 1970s on the run, carrying out operations and evading both the British Army and the Garda Síochána. Following a mailvan robbery, the latter force arrests McGlinchey in County Monaghan in 1977 for carjacking a Garda patrol vehicle and threatening the officer with a pistol, although he claims that the gun is actually a wheel brace. He fails to make bail at Dublin‘s Special Criminal Court after a Garda Superintendent argues that McGlinchey would fail to attend court if bailed. He is convicted and sent to the maximum-security Portlaoise Prison. In 1982, while serving his prison sentence, he clashes with the prison’s IRA leadership and is either expelled by them for indiscipline or leaves the organisation due to strategic differences.
Following his departure from the IRA and his release from prison, McGlinchey joins the INLA. Due to his experience, he rises through the ranks, becoming chief of staff by 1982. Under his leadership, the INLA, which had previously had a reputation for disorganisation, becomes extremely active in cross-borderassassinations and bombings. These include many individual assassinations and woundings, but also massacres such as the Droppin Well bombing of 1982 in which both civilians and soldiers die. There are some failed operations, and McGlinchey, who believes this is the result of an informer within the ranks, devotes much time and energy to finding the cause. Those suspected of betraying the organisation are treated brutally, often by McGlinchey personally. As a result of this resurgence of activity and his high profile, the press nicknames him “Mad Dog.” Under his tenure the Darkley massacre is carried out, ostensibly by another group but using a weapon supplied by McGlinchey. In late 1983, while still on the run, he gives an interview with the Sunday Tribune newspaper in which he condemns the Darkley killings but also lays out his political philosophy and plans for the future.
By 1984, McGlinchey has fallen out with members of a powerful Republican family from South Armagh over what he considers missing funds. Men loyal to this family are subsequently killed by McGlinchey’s unit, which includes his wife. In March of the same year, he is captured in Newmarket-on-Fergus, County Clare, following a gunfight with the Gardaí. At this time, he is wanted in Northern Ireland for the shooting of an elderly woman, but republicans have traditionally been able to avoid extradition by claiming their offences were political. The bloody war in the north is leading the Republic of Ireland to re-evaluate its position, however, and he becomes the first republican to be extradited to Northern Ireland. Although convicted and sentenced there to life imprisonment, this is overturned in 1985. As a result, he is returned to the Republic, where he is sentenced to ten years’ imprisonment on firearms charges. While he is incarcerated, his wife is shot dead at her Dundalk home.
McGlinchey is released in March 1993 and claiming to have no further involvement with the INLA, moves to Drogheda. He survives an assassination attempt soon after his release from prison, but in February 1994, his enemies catch up with him. At around 9:30 on the evening of Thursday, February 10, 1994, he visits and dines with friends of his in Duleek Road, near his home. He leaves about forty minutes later, intending to take a video back to a shop in Brookville, on the north side of town. At around 11:00 p.m. he and his 16-year-old son Dominic are returning home, when he pulls up to make a phone call from a public kiosk on Hardman’s Gardens, near Our Lady of Lourdes Hospital. Almost immediately and despite the presence of four witnesses, a red Mazda pulls up alongside him. While his son watches from the car, three men get out and beat McGlinchey. Once he is on the ground the men, who are armed with three pump action shotguns and a pistol, fire into him fourteen times. The attack finishes with a coup de grâce to the head, although he is already dead. His last words are reputed to be “Jesus, Mary help me.” His son yells for an ambulance.
The following day, an autopsy is carried out in Our Lady of Lourdes Hospital, which indicates McGlinchey had been hit in the neck, skull, the left upper chest, the left arm, and both legs. His inquest is held in Drogheda two weeks later, suspended and then reopened in November 1996. Gardaí forensic officers tell the coroner that they had compared the shell casings they had found with the database, but no matches have been made to other known weapons. The officer notes that no such information has been received from the Royal Ulster Constabulary (RUC). The shotguns used are impossible to trace ballistically, but it is ascertained that the Mazda was registered in the north. His and his wife’s killers have never been found.
McGlinchey’s funeral is held on February 13, 1994, in Bellaghy, with no republican accoutrements. There is no INLA colour guard, and only an Irish tricolor draped over the coffin. Over 1,500 people attend and are watched closely by 200 RUC. Police armoured vans are held on the perimeter. He is buried alongside his wife and their young daughter Máire. His coffin is carried from the McGlinchey family home to St. Mary’s Church by pallbearers who are swapped out from the crowd every 40-yards or so. Martin McGuinness is among them, as is Bernadette McAliskey and her daughter Róisín. His sons carry the coffin for the final yards.
McGlinchey’s posthumous reputation ranges from being a “psycho” to his enemies to being an inspiration to those who followed him. Commentators have speculated on what he would have contributed to Irish politics had he lived. Some have suggested that he would have contributed to the Northern Ireland peace process, while others have argued that dissident republicans, opposed to that process, would have found him a willing rallying point. He remains an influence on Irish fiction and music, with both Edna O’Brien and Martin McDonagh producing acclaimed pieces based on his life and career. He is also featured in popular songs.
Greacen is the only child of Henry Greacen and his wife Elizabeth (née McCrea). His father comes from a Presbyterian farming background in County Monaghan and, at one time, holds a position as a creamery manager, but is a heavy drinker and fails in several businesses. Most of his childhood is spent with his maternal grandmother and aunts when his parents temporarily separate. He briefly attends two local primary schools in Belfast, but when his father receives insurance compensation after his Belfast business burned down, he takes his family to the Castleblayney area in County Monaghan and for a short time goes back to farming. He goes to a national school there, but after another fire destroys the farmhouse, the Greacens return to Belfast to run the Kenilworth, a tobacconist’s shop on the Newtownards Road. He attends Templemore primary school and then enters Methodist College Belfast in 1933.
Greacen mostly enjoys school, though he is too short-sighted to participate with success in any sport, and sometimes, because of his background, feels out of his depth among middle-class children. He is always ashamed of his father’s drunken outbursts and is terrified of the violent temper which accompanies them. Literature provides both a temporary escape and the promise of future success. His first poems are published in school magazines, and he decides at a young age to try to make a career as a writer. He fails examinations and interviews for positions in a bank and an insurance company and instead starts studying history and English at Queen’s University Belfast.
At Queen’s, as earlier at Methodist College, the interests which characterise Greacen’s later career are apparent. Largely thanks to meeting John Boyd, he develops sympathies with left-wing political ideas, as well as a deepened commitment to poetry. His youthful 1930s enthusiasm for Marxism disappears after the Molotov-Ribbentrop Pact of 1939 between the Soviet Union and Nazi Germany, but up to his later years he describes himself as a socialist. The formation of enduring friendships and mutually supportive coteries, a phenomenon particularly characteristic of the Ulster literary scene of the period, continues to be of great importance throughout his life. He makes friends with almost all the significant figures in Belfast, especially Roy McFadden, John Hewitt and Sam Hanna Bell. At Queen’s, he and a friend take over in 1940 the editing of a student magazine, The Northman. They try with short-lived, limited success to make it a literary journal for the whole region, so as to enable aspiring poets to get work into print. His own early poems appear in The Bell, and he writes some pieces for the left-wing Irish Democrat newspaper. His poem The Bird (1941) is well reviewed and later appears in anthologies. In 1942 he publishes Poems from Ulster, a small anthology including work by his friends.
For several months, Greacen worships from afar a fellow student named Irene. When he fails to form a relationship with her, he stops going to lectures so that he does not have to see her and does not finish his degree. His McCrea relatives pay for him to go to Trinity College Dublin in 1943 to take a diploma in social work. He is glad to get away from wartime Belfast and never lives there again. At first, he enjoys Dublin, and again makes many friends, among them Brendan and Beatrice Behan, Blanaid Salkeld, Cecil ffrench Salkeld, Joseph and Mary O’Neill, Douglas Gageby, Arland Ussher and Hubert Butler. He and Patrick Kavanagh live in the same boarding house on Raglan Road for several months in 1945, but Kavanagh takes offence at a review in Horizon by Greacen of his poem The Great Hunger and calls him a “Protestant bastard.” Greacen is upset, as he had thought the review favourable, and is disappointed but not surprised when Kavanagh refuses to allow any of his poems to appear in the prestigious Faber and Faber book Contemporary Irish Poetry, edited by Greacen and Valentin Iremonger in 1949.
The collaborative compilation of anthologies of poetry is Greacen’s characteristic way of working. In 1942, he and Alex Comfort edit Lyra: An Anthology of New Lyric. With Roy McFadden, he edits Ulster Voices in 1943. He is sole editor of Northern Harvest in 1944 and, in the same year, he, Bruce Williamson and Valentin Iremonger publish their own work in On the Barricades. His own first solo collection, One Recent Evening, is also a 1944 imprint. In 1946, with support from Maurice Fridberg, a Jewish Dublin and London bookseller, his publishing company, New Frontiers Press, produces Irish Harvest, which, though designed on more ambitious lines, still consists chiefly of poems by his friends. He feels much more affinity with the modernism and social protest that he finds in contemporary English poetry, especially in the “new apocalypse” movement associated with Herbert Read, and later the “new romantics,” than with what he regards as the outmoded Celtic nationalism of W. B. Yeats and his followers. Like others of his contemporaries, he comes to resent the unquestioned shibboleths of life in Ireland, and particularly objects to the censorship of literature and film.
Consequently, when Greacen’s second small volume of poems, The Undying Day (1948), sells badly, and other avenues seem unpromising, he and his wife give up on Dublin and move to London. He finds a job with the United Nations Association, which suits his outlook and ideals. However, when he is made redundant, he has to take various jobs in adult education, in creative-writing courses, and in teaching English as a foreign language, in the City of London College, the City Literary Institute, and West London College. He retires in 1986. His involvement with the London literary world continues throughout his career, as he gets to know many of the leading figures, including Stephen Spender and T. S. Eliot, and he organises poetry readings and other projects, though he himself writes no poetry for more than twenty years. At one time he considers taking up journalism and continues to produce book reviews and articles in journals, as well as many letters to newspapers. He writes several, well-received short works of criticism, in particular, The Art of Noël Coward (1953) and The World of C. P. Snow (1962). After returning to Dublin in 1986, he writes an interesting memoir about his many friends and acquaintances, Brief Encounters: Literary Dublin and Belfast in the 1940s (1991) and Rooted in Ulster: Nine Northern Writers (2000).
Greacen marries Patricia Hutchins in Fisherwick Presbyterian Church in Belfast on April 10, 1946. She is from a Protestant family who has a small estate at Ardnagashel, near Bantry, County Cork, and is related to the botanist Ellen Hutchins. They have one daughter, Arethusa, but, after four years of separation, the marriage ends in divorce in 1966. He resents his wife’s conversion to vegetarianism and seems also to disapprove of her desire to achieve her own career goals. Probably also the depression he experiences throughout the 1950s contributes to the breakdown of the marriage, but he feels that twelve experiences in the early 1960s with the hallucinogenic drug LSD, under the guidance of a psychiatrist, had cured him. After the LSD treatments he feels that he is ready to begin working on an autobiography, Even Without Irene, published several years later in 1969. This comes out again in an enlarged version in 1995, and, still further augmented, as The Sash My Father Wore (1997).
Greacen begins to publish poetry again in his fifties, in A Garland for Captain Fox (1975). Poems about the career and friends of an imaginary, sophisticated adventurer do not always strike the exactly right note but are popular and mark a new beginning for him, who increasingly writes elegiacally about personalities, real and fictional, in more restrained diction and with careful irony. In interviews, he denies that Captain Fox is his own alter ego, but the interplay between the character of Fox and elements of his creator’s own life suggests a metaphor for the poet’s creative process, as well as reminding the reader of the poet friends whose support means much to his writing in real life. At the very least, Captain Fox becomes what could be called a character of virtual reality for his creator.
Greacen’s later poetry collections include Young Mr. Gibbon (1979), A Bright Mask (1985), Carnival at the River (1990), Collected Poems 1944–1994 (1995; awarded The Irish Times Literature Prize for Poetry in that year), Protestant Without a Horse (1997), Captain Fox: A Life (2000), Lunch at the Ivy (2002), Shelley Plain (2002), and Selected and New Poems (2006).
On his return to Dublin in 1986, Greacen for a time shares a flat on Anglesea Road with Beatrice Behan, until he finds her dead in her bed in 1993. In later years he lives in a flat in Sandymount. He is elected to membership of Aosdána in 1986, and during his later years in Dublin enjoys the status of a senior figure in the world of literature. He gives readings in the United States, appears often on RTÉ radio programmes, and has poems republished in anthologies. There was even one poem displayed on the Dublin Dart suburban rail network, St. Andrew’s Day: An Elegy for Patricia Hutchins, perhaps his best work. Perhaps only a few of his poems have been lodged in the public memory, but it is appropriate, given the themes of his career, that his work will be read with most attention by poets and by scholars, and that his reputation in the future may largely be based on his friendships with other poets.
Ulster’s Solemn League and Covenant, commonly known as the Ulster Covenant, is signed by nearly 500,000 people on and before September 28, 1912, in protest against the Third Home Rule Bill introduced by the British Government in the same year.
The Covenant has two basic parts: the Covenant itself, which is signed by men, and the Declaration, which is signed by women. In total, the Covenant is signed by 237,368 men; the Declaration, by 234,046 women. Both the Covenant and Declaration are held by the Public Record Office of Northern Ireland (PRONI). An online searchable database is available on the PRONI website.
In January 1913, the Ulster Volunteers aim to recruit 100,000 men between the ages of 17 and 65 who had signed the Covenant as a unionist militia. A British Covenant, similar to the Ulster Covenant in opposition to the Home Rule Bill, receives two million signatures in 1914.
The majority of the signatories of the Covenant are from Ulster, although the signing is also attended by several thousand southern unionists. Acknowledging this, Carson pays tribute to “my own fellow citizens from Dublin, from Wicklow, from Clare [and], yes, from Cork, rebel Cork, who are now holding the hand of Ulster,” to cheers from the crowd.
The signature of Frederick Hugh Crawford is claimed by him to have been written in blood. However, this is disputed. Based on the results of a forensic test that he carries out in September 2012 at PRONI, Dr. Alastair Ruffell of Queen’s University Belfast asserts that he is 90% positive that the signature is not blood. Crawford’s signature is injected with a small amount of luminol. This substance reacts with iron in blood’s hemoglobin to produce a blue-white glow. The test is very sensitive and can detect tiny traces even in old samples. Crawford’s signature is still a rich red colour today which would be unlikely if it had been blood. Nevertheless, some unionists are not convinced by the evidence.
The Ulster Covenant is used as a template for the “Natal Covenant,” signed in 1955 by 33,000 British-descended Natalians against the nationalistSouth African government’s intention of declaring the Union a republic. It is signed in Durban‘s City Hall. Loosely based on Belfast’s Ulster Covenant, the Ulster scene is almost exactly reproduced.
September 28 is today known as “Ulster Day” to unionists.
(Pictured: Sir Edward Carson signing the Solemn League and Covenant)
McMaster is born as Andrew McMaster on December 24, 1891, the son of Liverpool-born Andrew McMaster, a master stevedore, and Alice Maude (née Thompson). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland, but according to the Birth Register and the 1901 Census he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law, Micheál Mac Liammóir, who is born in London as Alfred Willmore but who claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.
At the age of 19, McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre in 1920. From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a “fit-up” company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions McMaster persuades a “big name” to act with his company as a draw for audiences, and Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.
In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having “a great organ voice,” Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him “Perhaps the greatest actor-manager of his time,” later describes McMaster as “evasive, proud, affectionate, shrewd, merry.” In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”
McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).
In 1924 McMaster marries the actress and designer Marjorie Willmore, the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster and Mary-Rose McMaster.
McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Dean’s Grange Cemetery in County Dublin.
McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster, by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.
Bowman is brought up in Ballsbridge in south Dublin. His father works for Great Southern Railways (later CIÉ) and his mother is a nurse, originally from County Monaghan. He is educated at Belvedere College and Trinity College Dublin where he receives a bachelor’s degree in history and political science in 1970 and a PhD in political science in 1980. He joins Radio Éireann in 1962, later becoming the presenter and commentator on numerous current affairs programmes, as well as an analyst of political developments and interviewer of politicians on radio and later on television. In the 1980s, he presents the current affairs programme Today Tonight, the precursor to Prime Time.
Bowman wins Jacob’s Awards in 2013 and 2016 for his radio broadcasting, the former for his presentation of the current affairs programme, Day by Day. In April 2008, he comments on RTÉ television coverage of the state funeral of Patrick Hillery, a former President of Ireland.
Bowman chairs the audience-participation political programme Questions and Answers on RTÉ One television for 21 years, the final edition airing on June 29, 2009. He is the presenter of Bowman: Sunday: 8.30 (previously Bowman Saturday) on radio, a weekly compilation of material from broadcasting archives at home and abroad.
Bowman writes a history of RTÉ Television called Window and Mirror. RTÉ Television: 1961-2011. It is launched by TaoiseachEnda Kenny at the National Museum of Ireland in Dublin on November 23, 2011.
Bowman is married to psychiatrist Eimer Philbin Bowman and they have have four children: Jonathan, Emma, Abie and Daniel. His eldest son, Jonathan Philbin Bowman, a journalist, television and radio presenter, dies in an accident in March 2000. His daughter, Emma Philbin Bowman, works in Dublin as a psychotherapist. His middle son, Abie Philbin Bowman, is a columnist for The Dubliner magazine and a stand-up comedian, while in 2005 his youngest son, Daniel, initiates Be Not Afraid, a charity wristband campaign which raises over €80,000 in aid of Turning the Tide of Suicide and the Irish Red Cross and later sets up a youth marketing firm, Spark.
The Plantation of Ulster is the organised colonisation, or plantation, of the Irish province of Ulster by people from Great Britain during the reign of King James I. Most of the settlers, or planters, come from southern Scotland and northern England. Their culture differs from that of the native Irish. Small privately funded plantations by wealthy landowners begin in 1606, while the official plantation begins in 1609. Most of the colonised land had been confiscated from the native Gaelic chiefs, several of whom had fled Ireland for mainland Europe in 1607 following the Nine Years’ War against English rule. The official plantation comprises an estimated half a million acres of arable land in counties Armagh, Cavan, Fermanagh, Tyrone, Donegal, and Coleraine. Land in counties Antrim, Down, and Monaghan is privately colonised with the king’s support.
Among those involved in planning and overseeing the plantation are King James, the Lord Deputy of Ireland, Arthur Chichester, and the Attorney-General for Ireland, John Davies. They see the plantation as a means of controlling, anglicising, and “civilising” Ulster. The province is almost wholly Gaelic, Catholic, and rural and has been the region most resistant to English control. The plantation is also meant to sever Gaelic Ulster’s links with the Gaelic Highlands of Scotland. The colonists, or “British tenants,” are required to be English-speaking, Protestant and loyal to the king. Some of the undertakers and settlers, however, are Catholic. The Scottish settlers are mostly PresbyterianLowlanders and the English mostly Anglican Northerners. Although some “loyal” natives are granted land, the native Irish reaction to the plantation is generally hostile, and native writers bewail what they see as the decline of Gaelic society and the influx of foreigners.
The Plantation of Ulster is the biggest of the Plantations of Ireland. It leads to the founding of many of Ulster’s towns and creates a lasting Ulster Protestant community in the province with ties to Britain. It also results in many of the native Irish nobility losing their land and leads to centuries of ethnic and sectarian animosity, which at times spills into conflict, notably in the Irish Rebellion of 1641 and, more recently, the Troubles.
Born to Irish emigrants in Scotland, McCabe moves with his family to Ireland in the early 1940s. He lives on a farm near Lackey Bridge, just outside Clones, County Monaghan. He is educated at Castleknock College.
McCabe’s play King of the Castle causes a minor scandal when first staged in 1964, and is protested by the League of Decency. He writes his award-winning trilogy of television plays, consisting of Cancer, Heritage and Siege, because he feels he has to make a statement about the Troubles. His 1992 novel Death and Nightingales is hailed by Irish writer Colm Tóibín as “one of the great Irish masterpieces of the century” and a “classic of our times” by Kirkus Reviews.
McCabe defends fellow novelist Dermot Healy, who had been negatively reviewed by Eileen Battersby in The Irish Times in 2011, using the Joycean invective “shite and onions”, provoking controversy in the Irish literary community.
Fintan O’Toole notes how living in Monaghan, just across the border from County Fermanagh, informed McCabe’s writing, and described him as “the great laureate of…indeterminacy, charting its inevitably tragic outcomes while holding somehow to the notion that it might someday become a blessing.”
McCabe dies at the age of 90 on August 27, 2020, in Cavan, County Cavan. He is survived by his wife Margot, his four children, Ruth, Marcus, Patrick and Stephen, and thirteen grandchildren.
seamus dubhghaill 