Born into an Ulster Scots family, Thomson is the fourth son of Agnes Nesbit and James Thomson, a small farmer, at Annaghmore, near Ballynahinch, County Down, in Ulster. His early education is from his father. At the age of 11 or 12 he finds out for himself the art of dialling. His father sends him to a school at Ballykine, near Ballynahinch, kept by Samuel Edgar, father of John Edgar. Here he soon rises to be an assistant.
Wishing to become a minister of the Presbyterian church, Thomson enters the University of Glasgow in 1810, where he studies for several sessions, supporting himself by teaching in the Ballykine school during the summer. He graduates MA in 1812, and in 1814 he is appointed headmaster of the school of arithmetic, bookkeeping, and geography in the newly established Royal Belfast Academical Institution. In 1815 he is Professor of Mathematics in its collegiate department. Here he proves himself as a teacher. In 1829 the honorary degree of LL.D. is conferred upon him by the University of Glasgow, where in 1832 he is appointed Professor of Mathematics. He holds this post until his death on January 12, 1849.
Thomson is buried with his family on the northern slopes of the Glasgow Necropolis to the east of the main bridge entrance. The grave is notable due to the modern memorial to Lord Kelvin at its side.
Thomson is the author of schoolbooks that have passed through many editions including Arithmetic (1819), Trigonometry, Plane and Spherical (1820), Introduction to Modern Geography (1827), The Phenomena of the Heavens (1827), The Differential and Integral Calculus (1831), and Euclid (1834).
A paper, “Recollections of the Battle of Ballynahinch, by an Eye-witness,” which appears in the Belfast Magazine for February 1825, is from his pen.
Mathew is born on July 10, 1830, at Lehenagh House, County Cork, eldest son of Charles Mathew, gentleman, of Lehenagh House and Castlelake, County Tipperary, and his wife Mary, daughter of James Hackett of Cork. He is of a Roman Catholic family and his uncle is Fr. Theobald Mathew, the temperance movement campaigner. His initial education is at a private school in Cork. He enters Trinity College Dublin (TCD) in July 1845, graduating BA (1850) as a gold medalist and senior moderator. In Hilary term 1850 he is admitted to the King’s Inns in Dublin. He moves to London, entering Lincoln’s Inn on June 1, 1851, and is called to the English bar in Hilary term 1854.
Mathew is a founding member of the Hardwicke Society, a legal debating society, and builds up a substantial practice as a junior barrister, being much in demand as counsel for jury cases in the Guildhall sittings. Despite being highly regarded by his peers, a certain lack of confidence holds him back and even when vacancies arise, he does not apply to be made a Queen’s Counsel (QC). In 1873, however, he represents the treasury as a junior counsel in the prosecution of the Tichborne claimant, Arthur Orton, in one of the most celebrated legal cases of the day. He is the only counsel for the treasury who does not get into heated arguments in court with Orton’s leading council, Dr. Edward Vaughan Hyde Kenealy.
Mathew possesses an encyclopedic knowledge of legal procedure and in 1881 is made a bencher at Lincoln’s Inn and awarded an honorary doctorate by TCD. Although still only a junior counsel he is appointed a judge in the Queen’s Bench Division in March 1881 and knighted. After the return to office of the Liberal Party in August 1892 he becomes chairman of the commission established to investigate the state of evicted tenants in Ireland. His appointment is perhaps unfortunate, as he is a home ruler in politics and the home rule MPJohn Dillon is his son-in-law. When the commission begins its hearings on November 7, 1892, he announces that he will not allow witnesses to be cross-examined. This provokes protests from Edward Carson, who had recently been replaced as solicitor general for Ireland. Counsel is ordered to withdraw and eventually two members of the commission resign, while the landlords refuse to cooperate with the proceedings. Despite severe criticism, many of the commission’s recommendations are incorporated in the Wyndham Land Purchase Act of 1903.
Throughout his legal career, Mathew argues for the establishment of a separate commercial court and eventually succeeds in convincing the other members of the bench and also Lord Russell of Killowen, who is appointed Lord Chief Justice in 1894, that such a court be established. As a result of this, he is appointed as the first judge of the Commercial Court when it is set up in 1895. In 1901 he is made a privy councilor and appointed judge in the Court of Appeal.
On December 6, 1905, Mathew is seized with a paralytic stroke at the Athenaeum Club in London, and his resignation is announced on the following day. On November 9, 1908, he dies at his London home, 46 Queen’s Gate Gardens. His remains are returned to Ireland, where they are interred in St. Joseph’s Cemetery, Cork.
Mathew marries Elizabeth Blackmore, eldest daughter of the Rev. Edwin Biron, JP and vicar of Lympne near Hythe, Kent, in December 1861. They have two sons and three daughters. His eldest daughter, Elizabeth Mathew, marries John Dillon. A portrait of Sir James Charles Mathew, by Frank Holl, is in the possession of the family. In 1896 a cartoon portrait of him by ‘Spy’ appears in Vanity Fair.
(From: “Mathew, Sir James Charles” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie | Pictured: Sir James Charles Mathew by Alexander Bassano, half-plate glass negative, 1883, National Portrait Gallery, London)
Curtayne is the youngest child of John Curtayne, founder and proprietor of the Tralee Carriage Works, and his wife Bridget Curtayne (née O’Dwyer). She receives her initial education at local convents before attending La Sainte Union College in Southampton, England. Having taken a typing course, she is engaged as a secretary in Milan, where she remains for four and a half years. This proves to be a formative period in her life. She comes to regard Italy as a second home and is greatly influenced by the work of the Italian Catholicphilosopher, Giovanni Papini.
On leaving Italy Curtayne works for a time in Liverpool. She joins the Liverpool Catholic Evidence Guild, from where she receives her diploma as a diocesan catechist. While in England she also develops an interest in public speaking. Her first book, Catherine of Siena (1929), is followed by numerous publications on religious and historical subjects, including Lough Derg (1933), Patrick Sarsfield (1934), The Trial of Oliver Plunkett (1953), Twenty Tales of Irish Saints for children (1955), and The Irish Story (1962).
Curtayne’s enthusiasm for Italy is reflected in her many publications of Italian interest, including a scholarly work on Dante, and a novel House of Cards (1940), which centres on the experiences of a young Irish woman living in Italy. In 1972 she produces Francis Ledwidge: A Life of the Poet, her well regarded biography of the poet Francis Ledwidge, and in 1974 it is followed by an edition of his complete poems, The Complete Works of Francis Ledwidge. Throughout her journalistic career she is a contributor to various magazines and papers, among them The Irish Times, Irish Independent, The Irish Press, Books on Trial, The Spectator, and The Standard.
During the 1950s and early 1960s Curtayne makes five lecture tours in the United States, speaking on Irish life, history, and literature. In 1959 she receives an honorary doctorate in Humane Letters from Anna Maria College in Paxton, Massachusetts, where she briefly teaches. She is presented with the Key to Worcester City by Mayor James D. O’Brien. She also gives a course of lectures on Dante at Craiglockhart College, Edinburgh, in 1956, and in 1965 she again speaks on Dante in a Radio Éireann Thomas Davis lecture.
In December 1954 The Irish Press sends Curtayne to Rome to write daily reports on the close of the Marian year. She goes to Rome again for the final session of the Second Vatican Council. She is commissioned to send weekly reports to local newspapers, The Nationalist (Carlow) and The Kerryman. She also sends a series of profiles of outstanding personages of this Vatican Council to The Universe and an article for Hibernia journal.
In 1935, Curtayne marries the English-born writer and broadcaster Stephen Rynne, with whom she has two sons and two daughters. They run a farm at Prosperous, County Kildare, and are well known advocates of the values of rural living. One son, Andrew Rynne, becomes a medical practitioner and well known for his liberal views on birth control. Daughter Brigid Rynne later illustrates some of her mother’s books.
Curtayne dies on August 9, 1981, in the Hazel Hall Nursing Home in Clane, County Kildare, and is buried at Killybegs Cemetery.
Durcan grows up in Dublin and in Turlough, County Mayo. His father, John, is a barrister and circuit court judge. He has a difficult and formal relationship with his father. He enjoys a warmer and more natural relationship with his mother, Sheila MacBride Durcan, through whom he is a great-nephew of both Maud Gonne, the Irish social and political activist, and John MacBride, one of the leaders of the Easter Rising, which begins the Irish War of Independence leading to the foundation of the Irish Free State.
In 1966, Durcan moves to London, where he works at the North Thames Gas Board. He meets Nessa O’Neill in 1967 and they marry and have two daughters, Sarah and Siabhra. They live in South Kensington, then move to Cork, where his wife teaches in a prison. The marriage ends in early 1984.
Durcan’s main published collections include A Snail in my Prime, Crazy About Women, Greetings to Our Friends in Brazil and Cries of an Irish Caveman. He appears on the 1990 Van Morrison album Enlightenment, giving an idiosyncratic vocal performance on the song “In The Days Before Rock’n’Roll,” which he also co-writes.
In 2003, Durcan publishes a collection of his weekly addresses to the nation, Paul Durcan’s Diary, on RTÉ Radio 1 programme Today with Pat Kenny. He gets his inspiration from Paidraig Whitty, a local Wexford poet. He is shortlisted in 2005 for the Poetry Now Award for his collection The Art of Life (The Harvill Press, 2004). In 2009, he is conferred with an honorary degree by Trinity College, Dublin. He is the Ireland Fund Artist-in-Residence in the Celtic Studies Department of St. Michael’s College at the University of Toronto in October 2009. In 2011 he is conferred with an honorary doctorate from University College Dublin.
Between 2004 and 2007 Durcan is the third Ireland Professor of Poetry. He is a member of Aosdána. Awards he has received include the Patrick Kavanaugh Poetry Award (1974), the Irish American Culture Institute Poetry Award (1989), the Whitbread Prize for Daddy, Daddy (1990) and the London Poetry Book Society choice for The Berlin Wall Café.
A number of poems from Durcan’s poetry career are studied by Irish students who take the Leaving Certificate.
Guinness is born on November 10, 1847 at St. Anne’s, Clontarf, County Dublin, the youngest of three sons of Sir Benjamin Lee Guinness, brewer, of Dublin, and Elizabeth, third daughter of Edward Guinness of Dublin. He is not sent to public school but is taught at home by a private tutor before entering Trinity College Dublin, where he takes his degree in 1870. His father dies in 1868, leaving him a share in the brewery, and he takes over management of the business with his brother Arthur, who in 1876 sells his shares, making Edward sole proprietor.
Guinness is also prominent in municipal life, holding the offices of Sheriff of Dublin City in 1876 and High Sheriff of the County of Dublin in 1885, the year in which he is created a baronet. He is a brilliantly effective businessman, with close attention to detail and a focus solely on the brewery, to the extent of remaining independent from the rest of the brewing trade. In 1888 he bluntly tells the Country Brewers’ Association, “I have always declined to identify myself with any trade question, or to take any side in a controversy on the liquor question, and to this I must adhere.” In 1886 Guinness is floated as a public company, a superbly successful venture with applications for shares exceeding £100 million, and Edward remains as chairman until 1890, although his formal retirement in that year brings little reduction in his involvement with the company, and he continues to make the final decision on many minor matters as well as all major questions of policy.
Socially innovative, with a concern for the welfare of employees, from as early as 1870 Guinness establishes a free dispensary for his workforce and makes provisions for pension and other allowances – acts of social reform that are remarkable for the time. To mark his retirement in 1890 he places in trust £250,000 to be expended in the erection of working-class housing in London and Dublin. Both funds are administered from London until 1903, when the Dublin fund is amalgamated by the Iveagh Trust act with other schemes carried out in Dublin by Edward, who had been raised to the peerage of the United Kingdom in 1891 as Baron Iveagh of Iveagh, County Down. The funds, which increase considerably from the original amount, are thereafter managed entirely in Dublin as a separate undertaking under the name of the Iveagh Trust, still in existence in the early twenty-first century.
As one of the pioneers of the voluntary housing movement Guinness is essentially carrying on the tradition of “merchant prince and city father” established by his father and shared by his brother. Wealthy, ambitious, and resolutely unionist, he gives generous financial support to the Irish Unionist Alliance, and is also public-spirited, religious, and devoted to duty. Acknowledging that the Iveagh Trust is essentially ameliorative, he believes that major social change will only be achieved if numerous other wealthy people follow his example. He insists that gifts of money from the fund are permissible only to assist individuals to improve their condition “without placing them in the position of being the recipients of a bounty.” Numerous other philanthropic donations follow, including another £250,000 for slum clearance in the Bull Alley district of Dublin; various contributions to Dublin hospitals, particularly in 1903 and 1911 on the occasion of royal visits; and in 1907 the opening of the Iveagh Markets, situated in the Francis Street and Patrick Street areas of Dublin, are made possible with his financial backing. Generous contributions are also made to Trinity College Dublin, of which he is elected chancellor in 1908, and he donates land in Iveagh Gardens to University College Dublin (UCD).
In 1905 Guinness is raised to a viscountcy and in September 1909 the nationalist corporation of Dublin presents him with an address of thanks for his many gifts, and even discusses the possibility of offering him the lord mayoralty of the city, which he declines owing to his political affiliations. By this time he lives chiefly in England, having bought Elveden Hall in Suffolk, where he frequently entertains royalty. He also purchases Lord Kensington’s London estate and makes many donations to medical research societies in England, and in conjunction with Sir Ernest Cassel he founds the London Radium Institute, as well as donates £250,000 to the Laster Institute of Tropical Medicine for the endowment of bacteriological research.
In 1919 Guinness is elevated to an earldom and in 1925 purchases the remainder of the Kenwood estate to the north of Hampstead Heath and arranges for it to become public property, ensuring the estate will not be sold for building purposes, and also bequeaths to the nation a valuable collection of art for use in the gallery at the same location. As well as being elected a fellow of the Royal Society, he is awarded honorary doctorates from the University of Dublin and the University of Aberdeen.
In 1873, Guinness marries his third cousin Adelaide Maud, nicknamed “Dodo.” She is descended from the banking line of Guinnesses, and is the daughter of Richard Samuel Guinness, barrister and MP, and his wife Katherine, a daughter of Sir Charles Jenkinson. They have three sons, the eldest of whom, Rupert Edward Cecil Lee, succeeds his father as 2nd Earl of Iveagh.
Guinness dies at his London home in Grosvenor Place on October 7, 1927, and is buried at Elveden, Suffolk. He leaves an estate valued at £11 million.
In field hockey, Kyle gains 58 Irish caps as well as representing three of the four Irish provinces (Leinster, Munster and Ulster) at different stages of her career. She is named in the World All Star team in 1953 and 1959. She is also a competitor in tennis, swimming, sailing and cricket and works as a coach. She is chair of Coaching NI. In 2006, she is awarded the honorary degree of Doctor of the University (DUniv) from the University of Ulster.
Kyle is awarded the Lifetime Achievement Award at the 2006 Coaching Awards in London in recognition of her work with athletes at the Ballymena and Antrim Athletics Club. Earlier in 2006 she is one of 10 players who are initially installed into Irish hockey’s Hall of Fame. She is appointed Officer of the Order of the British Empire (OBE) in the 2008 New Year Honours.
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.
After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.
Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”
De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.
The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.
The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.
After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.
It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.
The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran FenianJohn Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.
The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.
De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.
(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)
Orr is the eldest son of Fletcher Blakely Orr of Ballystockart, a unitarian farmer and millowner, and Elizabeth Orr, daughter of David Lowry, farmer, of Ballymacashin, County Down. He attends a local national school, spends two years at an intermediate school in Newtownards, and then attends Methodist College Belfast (MCB). He wins a Royal University of Ireland (RIU) scholarship in mathematics in 1883 and graduates in 1885 from Queen’s College Belfast, a constituent college of the RUI. He then matriculates at St. John’s College, Cambridge, where he is Senior Wrangler in 1888 and comes in first in part two of the Mathematical Tripos in 1889. Two years later he is elected to a fellowship at St. John’s, and the same year is appointed professor of applied mathematics at the Royal College of Science for Ireland in Dublin. When the Royal College is merged with University College Dublin (UCD) in October 1926, he becomes professor of pure and applied mathematics, a position he holds until his retirement in 1933.
Orr’s 1909 publication Notes on Thermodynamics for Students is seen as epitomising his style of teaching, with its emphasis on logical rigour and clear statement of underlying assumptions. Known for his generosity to staff and students who encounter difficulties, he is nonetheless a strict disciplinarian who abhors idleness and valued stoicism. He is elected Fellow of the Royal Society (FRS) in 1909 and is awarded an honorary degree of D.Sc. from Queen’s University Belfast (QUB) in 1919.
In 1892, Orr marries Elizabeth Campbell of Melbourne, Australia, whose father, Samuel Campbell, is from County Down. They live at 19 Pembroke Road, Dublin, and have three daughters. He dies at Douglas, Isle of Man on August 14, 1934, and is interred in Mount Jerome Cemetery, Dublin. He is survived by his two daughters.
(From: “Orr, William McFadden” contributed by Paul Rouse, Dictionary of Irish Biography, http://www.dib.ie)
Praeger is born on April 15, 1867, in Holywood, County Down. She is the daughter of Willem Emilius Praeger, a Dutch linen merchant who had settled in Ireland in 1860, and Marie Patterson. She has five brothers of who Robert goes on to become a distinguished naturalist. Within months of her birth the family moves to Woodburn House, Croft Road, Holywood, where they have as a neighbour Rev. Charles McElester, a Non-subscribing Presbyterian minister who runs a day school in his church. She both attends this school, and later teaches there. She receives her secondary education at Sullivan Upper School, Holywood, the Belfast School of Art, and the Slade School of Fine Art, London. Before returning to Ireland to open a studio in Belfast and then in Holywood, she studies art in Paris.
Praeger writes and illustrates children’s books but achieves fame with her sculpture The Philosopher which is exhibited at the Royal Academy of Arts in London, bought by an American collector, and is now on display in the Colorado Springs Museum and Art Gallery. She mostly works in plaster, but also uses stone, marble, terracotta and bronze, and her work includes relief panels, memorial plaques and stones. She exhibits in London and Paris, at the Royal Hibernian Academy, as well as at the Irish Decorative Art Association Exhibitions. She is a member of the Guild of Irish Art Workers.
Among Praeger’s other works are The Wai, Johnny the Jig, These Little Ones, St. Brigid of Kildare and The Fairy Fountain. For the Causeway School near Bushmills, County Antrim, she carves Fionnula the Daughter of Lir in stone. She models a heraldic figure for the Northern Bank in Donegall Square West, Belfast, and bronze plaques for the front door of the Carnegie library, Falls Road, Belfast, as well as the angels on Andrews Memorial Hall in Comber, County Down, and some work in St. Anne’s Cathedral, Belfast. She illustrates three books for her brother, Robert Praeger. She is President of the Royal Ulster Academy, an honorary Fellow of the Royal Hibernian Academy, and she receives an honorary doctorate from Queen’s University, Belfast. In 1939 she is awarded the MBE.
Praeger maintains her studio in Hibernian Street, Holywood, up until 1952, at the age of 85. She dies at Rock Cottage, County Down, on April 17, 1954. She is buried in the Priory Cemetery, Holywood. Her work in included in the collections of the Ulster Museum and the National Gallery of Ireland, and some private collections around the world
(From: “Sophia Rosamond Praeger (1867 – 1954): Sculptor” by Kate Newmann and Richard Froggatt, Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)
seamus dubhghaill 