O’Hegarty is born to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).
O’Hegarty is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.
O’Hegarty serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.
O’Hegarty has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.
In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.
O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.
O’Hegarty is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.
O’Hegarty’s son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.
Dwyer runs a off-licence/grocery shop in Rathmines and is a member of the Rathmines Urban Council. He marries Marie Molloy in 1914, they have no children. He is a member of the Peace Committee of ten men which sit in May 1922 and bring about the agreement between Michael Collins and Éamon de Valera.
On December 20, 1922, Dwyer is shot dead in his shop at 5 Rathmines Road, Dublin, by anti-Treaty IRA Volunteer Robert Bonfield. At about 4:50 p.m., Dwyer is talking to a customer when a young man enters the shop. Addressing Dwyer, the young man asks “Are you Mr. O’Dwyer?” Dwyer replies yes and the young man says that he has a note for him. The young man reaches into the pocket of his overcoat a draws a revolver. He fires twice at Dwyer at point-blank range and he dies instantly. The customer and a shop assistant give chase but are unable to catch the assassin. Two republicans, Frank Lawlor and the actual assassin, Robert Bonfield, are later killed by Free State forces in revenge for the shooting of Dwyer.
Traynor is born in Dublin on March 21, 1886, into a strongly nationalist family. He is educated by the Christian Brothers. In 1899, he is apprenticed to John Long, a famous woodcarver. As a young man he is a noted footballer and tours Europe as a goalkeeper with Belfast Celtic F.C. whom he plays with from 1910 to 1912. He rejects claims soccer is a foreign sport calling it “a Celtic game, pure and simple, having its roots in the Highlands of Scotland.”
When the Irish Civil War breaks out in June 1922, Traynor takes the Anti-Treaty IRA side. The Dublin Brigade is split, however, with many of its members following Michael Collins in taking the pro-Treaty side. During the Battle of Dublin, he is in charge of the Barry’s Hotel garrison, before making their escape. He organises guerilla activity in south Dublin and County Wicklow, before being captured by Free State troops in September. He is then imprisoned for the remainder of the war.
In 1936, Traynor is first appointed to the Cabinet as Minister for Posts and Telegraphs. In September 1939, he is appointed Minister for Defence and holds the portfolio to February 1948. In 1948, he becomes President of the Football Association of Ireland, a position he holds until his death. He serves as Minister for Defence in several Fianna Fáil governments and as Minister for Justice, where he is undermined by his junior minister, and later Taoiseach, Charles Haughey, before he retires in 1961.
Traynor dies in Dublin at the age of 77 on December 14, 1963. He has a road named in his memory, running from the Malahide Road through Coolock to Santry in Dublin’s northern suburbs.
Byrne is born on November 23, 1900, in the National Maternity Hospital, Holles Street, Dublin, the elder among one son and one daughter of Vincent Byrne, carpenter, of 33 Denzille Street (now Fenian Street), and his wife Margaret (née White). By 1911 the family is living with maternal relatives at 1 Anne’s Lane. Educated at St. Andrew’s national school, Westland Row, he is apprenticed as a cabinet maker under Thomas Weafer, a company captain in the Irish Volunteers, who is subsequently killed in the 1916 Easter Rising. At the age of fourteen, he joins the Irish Volunteers in January 1915, and is posted to the 2nd Battalion of the Dublin Brigade. His training includes lectures on street fighting by James Connolly. During the 1916 rising he serves with the 2nd Battalion in Jacob’s biscuit factory under Thomas MacDonagh. At the surrender he is slipped out a factory window to safety by a priest who is acting as an intermediary. Arrested in his home a week later, he is held in Richmond Barracks with other youngsters, all of whom are released after an additional week. Active in the post-rising reorganisation of the Dublin Brigade, he claims to have voted twenty times for Sinn Féin candidates in the 1918 United Kingdom general election in Ireland.
In November 1919, Byrne is recruited to an elite counter-intelligence squad of the Dublin Brigade, whose primary mission is the assassination of plainclothes detectives of the Dublin Metropolitan Police’s (DMP) political (‘G’) division. He participates in the attempted ambush of the Lord Lieutenant of Ireland, John French, at Ashtown, Dublin, on December 19, 1919, a combined operation of the Dublin and the 3rd Tipperary brigades. In March 1920, he leaves his civilian employment with the Irish Woodworkers, Crow Street, when the squad is constituted as a full-time, paid, GHQ guard, under direct orders from Michael Collins. Dubbed “The Twelve Apostles,” the squad also includes James Slattery, a workmate of Byrne since their apprenticeships. For the duration of the Irish War of Independence, Byrne takes part in the stakeouts and killings of police detectives and military intelligence agents. His witness statement to the Bureau of Military History recounts his participation in some fifteen such operations. On Bloody Sunday he commands an IRA detail that kills two of the “Cairo Gang“ agents in their boarding house at 38 Upper Mount Street on November 21, 1920. He takes part in The Custom House raid on May 25, 1921.
Owing largely to his devoted allegiance to Collins, Byrne supports the Anglo–Irish Treaty of December 1921, regarding it as a stepping stone to complete independence. Enlisting in the National Army, he serves in the Dublin Guard. Promoted five times from January 1922 to February 1923, he rises in rank from company sergeant to commandant. He is OC of the guard at the handover of Dublin Castle from British to Irish authority on January 16, 1922. During ensuing months he commands guard details at government buildings and the Bank of Ireland, College Green, Dublin. In March 1922, he foils an attempt by Anti-Treaty forces to seize the bank with the aid of mutinous soldiers within the building’s guard. Having displayed courage and presence of mind throughout the incident, he is promoted captain in the field. Resenting the role given to ex-British-army officers in the National Army, and feeling that the political elite of the Free State are betraying the national interest, he is among the group of officers involved in the failed army mutiny of 1924, and accordingly is forced to resign his commission on March 21. He then works as a carpenter on the industrial staff of the Office of Public Works (OPW), and in the post office stores, St. John’s Road, Kilmainham, Dublin, until his retirement.
Byrne is a founding member of both the Association of Dublin Brigades and the 1916–1921 Club. Long lived, and a willing raconteur with a colourful turn of phrase, he becomes probably the best known of Collins’s squad (of which he is the last surviving member), granting many interviews to journalists and historians. He expresses no misgivings about his role as a revolutionary hit man, arguing the necessity of the ruthless methods employed, which deterred potential informers, and eventually won the struggle by crippling British intelligence.
Byrne lives in Dublin at 59 Blessington Street, and later at 227 Errigal Road, Drimnagh. His last address is 25 Lein Road, Artane. His wife Eileen predeceases him. He dies on December 13, 1992, survived by two daughters and one son. He is buried at Balgriffin Cemetery, Balgriffin, County Dublin.
(From: “Byrne, Vincent (‘Vinnie’)” by Lawrence William White and Pauric J. Dempsey, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Power is born to Henry Power, a watchmaker, and Mary (née Atkins), an embroideress. He has one older brother, and one younger sister. He attends a Christian Brothersnational school in North Brunswick Street. As a child he plays in local clay brickyards and sculpts busts of his friends. After finishing his primary school education, he trains with a firm of sculptors run by Edward Smyth. In 1884, he enrolls as an evening pupil at the Dublin Metropolitan School of Art (DMSA), later attending as a full-time student from 1906 to 1911. During his time at the DMSA he is taught and strongly influenced by John Hughes, Oliver Sheppard and William Orpen. He wins a number of prizes during his time at the DMSA, including medals, three scholarships, book prizes, and the national gold medal for the best modeling of a nude figure, in Ireland, Scotland, and the Channel Islands in 1911.
Power marries Agnes Kelly in 1903. The couple has ten children, four daughters and six sons, including May and James who also become sculptors.
Power establishes his own stone-carving business in 1912 from his new home at 18 Geraldine Street, Phibsborough, Dublin. As the firm grows, it moves to premises nearby at 15 Berkeley Street from 1930. He executes a wide range of works, including monuments and architectural features in bronze, marble, and stone. Among his notable works are the figure of “Science” designed by Sheppard from the façade of the new Royal College of Science for Ireland (later Government Buildings) on Merrion Street, Dublin, carved motifs and sphinxes for the Gresham Hotel, O’Connell Street, and four statues on the dome of Christ the King church, Carndonagh, County Donegal.
Power is considered the leading Irish sculptor of the 1920s and 1930s. He is a nationalist and promotes the use of Irish materials such as limestone from Durrow and Connemara marble. He is noted for his academic realist style. He exhibits regularly with the Royal Hibernian Academy from 1906, becoming an associate member in 1911, and a full member in 1919. Among those he models sculptures for are James Stephens (1913), W. B. Yeats (1918), and Lord Dunsany (1920). Among his patrons are Oliver St. John Gogarty, and through Gogarty he is commissioned to model a number of prominent Irish nationalists. Gogarty asks him to carve a portrait of Terence MacSwiney in 1920, while MacSwiney is on hunger strike in HM Prison Brixton, London. Smuggled into the prison to do a thumbnail sketch, Power then carves a portrait in the form of a life mask.
On Gogarty’s recommendation, Power is commissioned by the Irish Free State government to create portraits of a number of leading politicians including Arthur Griffith (1922), Michael Collins (1936), and Austin Stack (1939). He is also privately commissioned to execute a portrait of Éamon de Valera in 1944. Among his monumental works are sculptures of Tom Kettle (1919) at St. Stephen’s Green, Dublin, Christ the King in Gort, County Galway, (1933), Pádraic Ó Conaire (1935) at Eyre Square, Galway, and W. B. Yeats (1939) at Sandymount Green, Dublin. He is one of the artists invited to submit designs for the new coinage of the Irish Free State in 1928.
Power dies in Dublin on July 10, 1945, following complications from a double hernia. His is buried in Glasnevin Cemetery, Dublin.
Whelan is awarded many prizes in the Royal Dublin Society (RDS) Taylor art competitions, including one in 1912 for a portrait of his sister Lena, entitled On the Moors, rendered in a strongly academic technique. In 1916, he wins the Taylor scholarship for the Royal Hibernian Academy (RHA) schools for his finest early work, The Doctor’s Visit, an adroitly executed composition of contrasting shadows and light. Typical of many of his genre interiors, the painting depicts a room in the family home, with relatives as models: Whelan’s mother sits by the bed watching over his ill cousin, while his sister, dressed in a Mater hospital nurse’s uniform, is in the background opening the door for the doctor. The subtly evoked atmosphere of restrained emotion foreshadowed a hallmark of his mature style.
Whelan exhibits annually at the RHA for forty-five years (1911–56), averaging six works per year. He is elected an RHA associate in 1920, becoming a full member in 1924. He participates in the Exposition d’art irlandais at the Galerie Barbazanges in Paris in 1922. A visiting teacher at the RHA schools in 1924, he also teaches in the DMSA for a time. He has studios at 64 Dawson Street (1914–27) and 7 Lower Baggot Street (1931–56). Beginning in the 1910s, he receives regular commissions for portraits, constituting his primary source of income. Having become the family’s main breadwinner following his parents’ deaths in the 1920s, he concentrates most of his production on this lucrative activity, portraying numerous leading figures in the spheres of politics, academia, religion, society, medicine, and law.
Situated securely in the academic tradition, in most of his portraits Whelan favours a sombre, restricted palette, with the sitter placed, in grave demeanour, against a monotone background with few accessories. In a 1943 interview he asserts that twentieth-century portraiture suffers from the drabness of modern costume, for which the artist must compensate by careful rendition of the subject’s hands. He tends to depart from his prevailing portrait style when painting women, whom he characteristically depicts in meticulously observed interiors, a notable example being his portrait of Society hostess Gladys Maccabe (c.1946; NGI).
Whelan’s commercial concentration on portraiture notwithstanding, he expresses his true talent in genre compositions, especially kitchen interiors, in which he emulates the technique of the Dutch painter Johannes Vermeer. Two of the most accomplished of these depict his sister Frances in the basement kitchen of the family home: The Kitchen Window (1927; Crawford Art Gallery, Cork) demonstrates a particularly skillful use of light, while Interior of a Kitchen (1935) is notable for the dexterous handling of objects of varied shapes and textures. His genre works include both urban and rural scenes, with a distinctive interest in portraying occupations and other activities. Gypsy (1923), an Orpenesque composition of a shawled woman in a west-of-Ireland landscape with a caravan in the background, receives wide contemporary critical acclaim. Jer (c.1925), depicting a man seated by the fire in a cottage interior, is reproduced in J. Crampton Walker’s Irish Art and Landscape (1927). The Fiddler (c.1932), a naturalistic, sensitively characterised study, is first shown at an Ulster Academy exhibition at Stranmillis, Belfast. A Kerry Cobbler is reproduced in Twelve Irish Artists (1940), introduced by Thomas Bodkin, as among the works denoting the development of a distinctively Irish school of painting.
In 1929, Whelan designs the first Irish Free State commemorative stamp, a portrait of Daniel O’Connell for the centenary of Catholic emancipation. Commissioned by the Thomas Haverty trust to paint an incident from the life of Saint Patrick for the 1932 Eucharistic Congress, he executes The Baptism by St. Patrick of Ethna the Fair and Fedelmia the Ruddy, Daughters of the Ard Rí Laoghaire, a work highly conservative in style. He rapidly completes an oil study of the papal legate, Lorenzo Lauri, also for the Eucharistic Congress. He is represented in the art competitions at the 1932 Summer Olympics in Los Angeles. His depiction of Saint Brigid, shown at the Academy of Christian Art exhibition (1940), becomes a familiar image owing to the wide circulation of reproductions.
Whelan’s political portraits are influential in creating a strong, assured image of the newly formed Irish state, and thus retain an historical significance. His posthumous portrait, The Late General Michael Collins, exhibited at the RHA in 1943 and now held in Leinster House, is an iconic, heroic image of the fallen leader. His portraits of Arthur Griffith and Kevin O’Higgins – commissioned posthumously, as is the Collins, by Fine Gael – also hang in Leinster House, while that of John A. Costello, exhibited at the RHA in 1949, is now held in the King’s Inns, Dublin. He paints two presidents, Douglas Hyde and Seán T. O’Kelly, both works currently in Áras an Uachtaráin. A portrait of Éamon de Valera, painted in 1955 when the sitter is Leader of the Opposition, is in Leinster House. In 1954, he designs a second commemorative stamp, picturing a reproduction of a portrait bust of John Henry Newman, to mark the centenary of the Catholic University of Ireland.
Whelan is elected an honorary academician of both the Ulster Academy of Arts (1931), and the Royal Ulster Academy (1950). He becomes a member of the United Arts Club in 1934. As a representative of the RHA, he sits on the board of governors of the National Gallery of Ireland for many years, and is on the advisory committee of the Municipal Gallery of Modern Art. Unmarried, he resides until his death at the Eccles Street address, with two sisters who continue to manage the family hotel. He dies on November 6, 1956, from leukemia at the Mater private nursing home in Dublin. He is buried in Glasnevin Cemetery.
(From: “Whelan, (Michael) Leo,” by Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Against his father’s wishes, Neligan joins the Dublin Metropolitan Police (DMP) – also in 1917. Picking up travel documentation from the local Royal Irish Constabulary barracks, he declines a suggestion that he enlist in this armed rural force. After service as a uniformed constable with the DMP, he is promoted to Detective and transferred into the Department’s widely hated counterintelligence and anti-political-subversion unit, the G Division, in 1919. In May 1920, his elder brother Maurice (1895–1920), an Irish Republican Army (IRA) member and friend of Michael Collins, persuades him to resign from the DMP.
After his resignation, Neligan returns to his native County Limerick with the intention of joining the Limerick IRA. Shortly afterward, Maurice is killed in a motorcycle accident, near their home in Templeglantine. In the meantime, Neligan also receives word from a family friend that Michael Collins wishes to meet with him in Dublin. Collins is outraged that Neligan has been allowed to resign and persuades him to rejoin the DMP as a mole for the intelligence wing of the IRA. Along with Detectives Eamon Broy and James McNamara, Neligan acts as a highly valuable agent for Collins and passes on reams of vital information. He leaks documents about the relative importance of police and military personnel and also warns insurgents of upcoming raids and ambushes. There are unconfirmed rumors that Neligan might be a double agent working for British interests.
In 1921, Collins orders Neligan to let himself be recruited into MI5 and he uses the opportunity to memorise their passwords and the identities of their agents. All of this is passed on to Collins. After Broy and McNamara are dismissed in 1921, Neligan becomes Collins’ most important mole inside Dublin Castle.
In 1924, Neligan hands over his post to the youthful Colonel Michael Joe Costello and takes command of the DMP, which still continues as a force separate from the newly established Garda Síochána, with the rank of Chief Superintendent. The next year he transfers to the Garda when the two police forces are amalgamated, and is instrumental in the foundation of the Garda Special Branch. When Éamon de Valera becomes head of government in 1932, his republican followers demand Neligan’s dismissal. Instead, Neligan is transferred to an equivalent post in the Irish Civil Service. In June 1935, he is married to fellow civil servant Sheila Maeve Rogan. They have one son and three daughters, and reside at 15 St. Helen’s Road, Booterstown, Dublin.
Neligan draws pensions from the DMP, the British MI5, the Garda Síochána and the Irish Civil Service. He also receives an “Old IRA” pension through the Department of Defence.
She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.
Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.
In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.
The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”
From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.
In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.
Swanzy lives at 31 Railway Street and attends Morning Service at the Cathedral. At 1:06 p.m. as he is walking past the entrance to the Northern Bank (now Shannon’s Jewelers), he is shot by the IRA and dies at the scene.
In February 1921, a memorial is erected in the north wall of the Cathedral by his mother and sister. The brass tablet mounted in Irish Oak bears the following inscription:
“In proud and loving memory of Oswald Ross Swanzy DI Royal Irish Constabulary who gave his life in Lisburn on Sunday, August 22, 1920, and his gallant comrades who, like him, have been killed in the unfaltering discharge of their duty and in the service of their country. Be thou faithful unto death and I will give you a crown of life.”
In his book, Police Casualties in Ireland 1919 to 1922, Royal Ulster Constabulary (RUC) Inspector Richard Abbott says the decision to kill Swanzy is taken by Michael Collins himself who believes the officer had been the leader of the party of unidentified men who killed Tomás Mac Curtain, the Lord Mayor of Cork and Commandant of Cork Number One Brigade of the IRA.
With the help of RIC Sergeant Matt McCarthy, who had provided Collins with information in the past, Swanzy is traced to Lisburn. The Intelligence Officer of B Company of the IRA’s First Cork Battalion, Sean Culhane, is then sent to Belfast to link up with local IRA activists. On the day of the attack, Culhane and a number of Belfast IRA men leave the city in a taxi and make their way to Lisburn.
Culhane and Roger McCorley, a Belfast member of the IRA, walk up to Swanzy and shoot him at close range. They, along with their accomplices, then run in pairs along Castle Street with another man in the middle of the road. They continue to fire as they make their way to the taxi which is waiting outside the Technical College.
The vehicle starts to move off before McCorley reaches it and he is forced to throw himself into the car. As he does so he lands in a heap on the back floor of the car and accidentally fires a round from his revolver inside the taxi.
A member of the public notes the taxi’s number as it leaves Lisburn and the driver is arrested later that afternoon. He tells police he works for the Belfast Motor Cab and Engineering Co. at Upper Library Street. At 11:45 a.m., he says he had been sent to the Great Northern Railway Station in Great Victoria Street to collect a fare who wanted to “take a run along the County Down coast.” The taxi driver is later tried for the killing of Swanzy but is found not guilty.
The IRA killing of Detective Inspector Swanzy leads to bitter sectarian rioting in Lisburn. A number of Catholics are murdered and others assaulted and terrorised as their homes and businesses are burned by mobs on the rampage. Journals kept at the time recall how groups of people wait at Lambeg to attack Catholics fleeing the town on the main Belfast Road. This forces many to leave Lisburn by way of the mountain route into the city as columns of smoke rise into the air above the town.
Workers at local mills are also called upon to sign the following declaration: “I…. …hereby declare I am not a Sinn Féiner nor have any sympathy with Sinn Féin and do declare I am loyal to king and country.” Violence also sweeps across Belfast in the wake of the Market Square attack.
A total of 22 people are killed in one week and on August 24 the authorities swear in a number of special constables to try to regain control of the situation. This is the first time since the start of the IRA campaign in 1919 that Special Constables have to be used.
(From: “Assassination of Detective Inspector Oswald Ross Swanzy,” Lisburn.com)
Nationalist forces enter Newcastle West, County Limerick, on Monday, August 7, 1922, after a twelve-hour battle, in which twelve anti-Treaty Irish Republican Army (IRA) members, sometimes referred to as Irregulars, are killed. The casualties of the Nationalists are less than those of the Irregulars.
Taking little respite after Sunday’s labors, the Nationals advance from Rathkele on Monday morning, and by midday are in sight of their fresh objective. Armored cars enter the town and machine gun fire is directed against a party of Irregulars, causing many casualties.
When the artillery goes into action against the headquarters of the Irregulars, the Irregulars flee precipitately along Cord road.
Owing to the slow progress in the operations in Southern Ireland, the meeting of Dáil Éireann, scheduled to open Saturday, is postponed again.
The official army bulletin announces that the Nationals captured Castle Island on Saturday, August 5. It says that the counties of Cork and Kerry with a part of South Tipperary and a small area in County Waterford are the only districts held by the Irregulars with any degree of security.
The streets of Dublin are lined with great crowds of people on Tuesday, August 8, for the military funeral of nine National Army soldiers who were killed in fighting the Republican Irregulars in County Kerry. Michael Collins, Chairman of the Provisional Government, and all the leading officers of the army in Dublin march beside the hearses. Each coffin is covered with the Republican tricolour. There are many clergymen and other civilians in the funeral procession.
Prominent Catholics of Dublin and Belfast are trying to effect a better understanding between the Ulster and Free State Governments, according to the Daily Mail. This newspaper further states that all efforts to this end, which have all been taken with the advice and approval of leading English Catholics, are without official character.
A message from Strabane, County Tyrone, received by the Exchange Telegraph Company on August 8 states that a settlement between the Ulster Government and the Free State authorities is imminent, the terms of agreement having been practically arranged in negotiations proceeding in London.
In Downing Street, however, all knowledge of any such Irish negotiations is disclaimed and a telegram from Belfast quotes Ulster Government officials as denying that a settlement with the Free State is imminent.
The Free State Government is also unaware of any negotiations for a settlement between the Ulster Government and the Free State authorities. It is further states that such negotiations are unlikely to take place.
(From: “Irish Irregulars Routed With Loss,” The New York Times, August 9, 1922 | Pictured: General Michael Collins inspects a soldier at Newcastle West, County Limerick, August 8, 1922)
seamus dubhghaill 