seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Rathmines (Dublin)


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Ireland Wins the Rugby Triple Crown for First Time

Ireland wins the rugby Triple Crown for first time on March 10, 1894. In rugby union, the Triple Crown (Irish: An Choróin Triarach) is an honour contested annually by the national teams of England, Scotland, Ireland, and Wales as part of the Six Nations Championship. If any one team manages to win all their games against the other three then they win the Triple Crown.

The history of the Ireland national rugby union team begins in 1875, when Ireland plays its first international match, a 0–7 loss against England. Ireland has competed in the Six Nations (formerly known as the Five Nations and originally known as the Home Nations) rugby tournament since 1883. Ireland has also competed at the Rugby World Cup every four years since its inception.

Dublin University is the first organised rugby football club in Ireland, having been founded in 1854. The club is organised by students who have learned the game while at English public schools. During the third quarter of the nineteenth century, and following the adoption of a set of official rules in 1868, rugby football begins to spread quickly throughout Ireland, resulting in the formation of several other clubs which are still in existence, including North of Ireland F.C. (1868), Wanderers F.C. (1869), Queen’s University RFC (1869), Youghal RFC (1869), Lansdowne F.C. (1873), Dungannon RFC (1873), County Carlow F.C. (1873), University College Cork RFC (1874) and Ballinasloe RFC (1875) which amalgamates with Athlone RFC to form Buccaneers RFC.

In 1874, the Irish Football Union. reconstituted as the Irish Rugby Football Union after unification with the North of Ireland Union, is formed by Dublin University Football Club, Wanderers F.C., Engineers F.C., Lansdowne F.C., Bray, Portora, Dungannon RFC and Monaghan. Ireland loses their first test match against England 0-7 at The Oval on February 15, 1875. Both teams field twenty players in this match, as is customary in the early years of rugby union. It was not until 1877 that the number of players is reduced from twenty to fifteen. Ireland’s first home game is also against England in the same year. It is held at the Leinster Cricket Club in Rathmines as Lansdowne Road is deemed unsuitable. The first match at Lansdowne Road is held on March 11, 1878, with England beating Ireland by 2 goals and 1 try to nil.

It is not until 1881 that Ireland first wins a test, beating Scotland at Ormeau Cricket Ground in Belfast. Ireland turns up two men short for their game in Cardiff in 1884 and has to borrow two Welsh players. The first victory Ireland has at Lansdowne Road takes place on February 5, 1887. It is also their first win over England, by two goals to nil. On March 3, 1888, Ireland records their first win over Wales with a goal, a try and a drop goal to nil.

In 1894, Ireland follows the Welsh model of using seven backs instead of six for the first time. After victory over England at Blackheath, Ireland wins back-to-back matches for the first time when recording their first win over Scotland on February 24, 1894. Ireland goes on to beat Wales in Belfast on March 10, 1894, and wins the Triple Crown for the first time.

In the 1890s, rugby is primarily a game for the Protestant middle class, the only Catholic in Edmund Forrest’s 1894 team is Thomas Crean. Of the eighteen players used in the three games, thirteen are from three Dublin clubs – Wanderers, Dublin University and Bective Rangers – and the remaining five are from Ulster. They go on to win the Home international championship twice more before the century is out (1896 and 1899), so that by 1901 all four of the Home Unions have tasted success at a game that is growing in popularity with players and spectators.

(Pictured: The 1894 Ireland Rugby Union team, Kildare Observer, Irish News Archives)


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Birth of Margaret Pearse, Politician & Mother of Patrick Pearse

Margaret Pearse (née Brady), Irish politician and mother of Patrick and Willie Pearse, who are both executed after the 1916 Easter Rising, is born in Dublin on February 12, 1857.

Margaret Brady is born to Patrick Brady, a coal merchant whose family are from County Meath, and Brigid Brady (née Savage) of Oldtown, Dublin. She is baptised in St. Lawrence O’Toole’s parish. At the time, her parents are living at 1 Clarence Street. She has three known siblings and is educated by the Sisters of St. Vincent de Paul. She is employed as a stationery shop assistant where she meets her future husband, James Pearse.

In 1877, she marries James Pearse at St. Agatha’s Church, off the North Strand. James is born in Bloomsbury, Middlesex, on December 8, 1839, and later lives in Birmingham. He comes to Ireland to work as a sculptor in the late 1850s with his first wife, Emily Susanna Fox, who dies in 1876. They have four children together. The first three children are Margaret Mary (born on August 4, 1878), Patrick (born on November 10, 1879) and William (born on November 15, 1881). All three children are born while the family lives in 27 Great Brunswick Street. Their youngest child, Mary Brigid, is born on September 29, 1888, by which time the family has moved to Newbridge Avenue, Sandymount. Pearse’s aunt, Margaret Brady, an Irish speaker, is a frequent visitor to the family home and encourages the children’s interest in the Irish language and culture. Her husband dies in 1900. Pearse does not permit her children to play with other children, however, she supports her children in all their aspirations. She has a very strong relationship and consequent effect on her eldest son, Patrick, who founds St. Enda’s School in 1908 and is the headmaster up until the time of his execution. She takes over the responsibility of Housekeeper at the school.

Pearse supports her sons’ political beliefs. After their execution, she wishes to maintain their legacy and becomes involved in political life. She joins Sinn Féin after the Rising and gives support and endorsement to candidates during the 1918 Westminster election. During the 1920 Poor Law Elections for the Rathmines area of Dublin, she stands as a Sinn Féin candidate and is elected on the first count. She is elected to Dáil Éireann as a Sinn Féin Teachta Dála (TD) for the Dublin County constituency at the 1921 Irish elections.

Pearse strongly opposes the Anglo-Irish Treaty, as do all the female TDs. She states during the Treaty debate that:

“I rise to support the motion of our President for the rejection of the Treaty. My reasons for doing so are various, but my first reason for doing so I would like to explain here today is my son’s account. It has been said here on several occasions that Patrick Pearse would have accepted this Treaty. I deny it. As his mother I deny it, and on his account, I will not accept it.”

Later she continues in a similar vein:

“Always we had to be on the alert. But even the Black and Tans alone would not frighten me as much as if I accepted this Treaty; because I feel in my heart – and I would not say it only I feel it – that the ghosts of my sons would haunt me.”

Following the ratification of the Treaty Pearse leaves the Dáil with the other anti-Treaty deputies. She is defeated at the 1922 Irish general election. She supports those who oppose the Treaty during the Irish Civil War and continues to be a member of Sinn Féin until 1926. In 1926 she leaves the party conference with Éamon de Valera and becomes a founder member of Fianna Fáil. She never stands for election again.

At the launch of The Irish Press newspaper, Pearse is asked to press the button to start the printers rolling. At many public occasions she states that were her sons alive they too would have joined Fianna Fáil. Accordingly, Patrick Pearse is recognised as the spiritual figurehead of the party to this day.

After Patrick’s death, the responsibility for running the school falls to Pearse and her two daughters. As Patrick Pearse had died without a will, the school is left in a precarious financial position. In May 1924, when she is aged 70, she undertakes a trip to the United States to raise funds for the school, alongside showing support for Éamon de Valera and the Irish Republic. At an event in Brooklyn on May 19, 1924, when referencing the execution of her two sons, she declares herself the “proudest mother in Ireland.” She also states that Michael Collins had attempted to “bribe” her with an offer to subsidise the school, which she refused. During a meeting in Seattle on August 11, 1924, she again discusses her sons and how she believes “the best way to honour their memory was to carry on their work for Ireland.” She raises over $10,000 in donations for the school during the trip. Notwithstanding her fundraising activities, St. Enda’s continues to decline and eventually closes in 1935. Great Brunswick Street, where she and the Pearse family originally lived, is renamed Pearse Street in 1920 by a resolution passed at the Dublin City Council meeting.

Pearse dies on April 22, 1932. She is honoured with a large state funeral and a motion is passed at the meeting of Dublin City Council expressing sympathy with the Pearse family. On April 26, 1932, sizeable crowds pay their respects as her funeral procession makes its way through the streets of Dublin. At the General Post Office (GPO), where Patrick and William fought during the Easter Rising, the funeral cortege pauses for a minute of silence before proceeding to Glasnevin Cemetery. Éamon de Valera gives an oration as she is laid to rest, which praises her inspiring courage, charity and cheerfulness during the years after her son’s death.

After Pearse’s death, her daughter, Mary Margaret, continues to reside at St. Enda’s. She also joins Fianna Fáil, and serves as a TD from 1933 to 1937 and later serves in Seanad Éireann as a Senator from 1938 until her death in 1968. Upon her death, as per her mother’s request, she passes St. Enda’s on to the people of Ireland.


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Birth of Roddy Connolly, Socialist, Trade Unionist & Politician

Roderick James Connolly, socialist, trade unionist, and politician, is born on February 11, 1901, at 54 Pimlico, Dublin. He is also known as “Roddy Connolly” and “Rory Connolly.”

Connolly is the only son and sixth among seven children of Irish socialist James Connolly and Lillie Connolly. A lieutenant in the Irish Citizen Army (ICA) boys’ corps, he is involved in the 1916 Easter Rising. At the age of 15, he serves in the General Post Office (GPO) under his father. He joins the Socialist Party of Ireland in 1917.

Connolly travels to Russia on several occasions in 1920 and 1921 and forms a close association with Vladimir Lenin and is hugely influenced by the Soviet leader. He is a delegate to the Second Congress of the Communist International (Comintern) as a delegate of the Industrial Workers of the World (IWW) in June 1920. It is here he meets Lenin at just 19 years of age following an introduction from journalist John Reed. According to Connolly, Lenin speaks English with a Rathmines accent which he acquired from his Irish tutor.

Connolly helps form and becomes President of the first Communist Party of Ireland (CPI) in October 1921. He is editor of the CPI newspaper, The Workers’ Republic. He opposes the 1921 Anglo-Irish Treaty between the representatives of the Irish Republic and the British state, and fights in the Irish Civil War on the anti-treaty side. The CPI is the first Irish political party to oppose the Treaty and urges the Irish Republican Army (IRA) to adopt socialist policies to defeat the new Irish Free State government. The CPI is dissolved in 1924 by the Comintern but in 1926, Connolly helps set up a second Marxist party, the Irish Workers’ Party. He is the party leader and editor of its journal, The Hammer and Plough. This party too is dissolved in 1927.

Connolly joins the Irish Labour Party in 1928 and in 1934 participates in the last socialist initiative of Inter-War Ireland, the Irish Republican Congress. He is imprisoned twice in 1935. At the 1943 Irish general election, he is elected to Dáil Éireann as a Labour Party Teachta Dála (TD) for Louth. He loses his seat at the 1944 Irish general election, but is re-elected at the 1948 Irish general election, before losing once more at the 1951 Irish general election. He is also financial secretary of the party from 1941 to 1949.

Connolly enters a semi-retirement between the mid-1950s and mid-1960s, but in the late 1960s, he begins a comeback. He is elected as party chairman in 1971 and holds this position until 1978. During his time as chairman, he oversees the expulsion of the Socialist Labour Alliance in 1971, some of whose members go on to form the Socialist Workers Network (SWN), which in turn eventually establishes People Before Profit (PBP).

Connolly also sits in Seanad Éireann from 1975 to 1977 on the Cultural and Educational Panel. He is a supporter of the Labour Party–Fine Gael coalition government that is in power from 1973 to 1977 and defends the coalition from left-wing critics by reminding them his father, James Connolly, had allied with the likes of Patrick Pearse in 1916.

Connolly dies of pneumonia and stomach cancer in St. Michael’s Hospital, Dún Laoghaire, on December 16, 1980. He is buried in Glasnevin Cemetery, Dublin.

In 1921, Connolly marries Jessica Maidment, a socialist activist in England and chartered accountant, who from 1928 works for Russian Oil Products in Dublin. She dies in 1930 from blood poisoning arising from an operation. He is survived by his second wife, Peggy, whom he marries in 1937, sons, and daughters. His recreations include chess and bridge; highly adept at both, he learns the former from Seán Mac Diarmada as prisoners after the Easter rising and is international bridge correspondent for the Irish Independent.

(Pictured: Roddy Connolly during an interview conducted for the RTÉ Television project “Portraits 1916” on January 9, 1966)


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Death of Gordon Lambert, Businessman, Senator & Art Collector

Charles Gordon Lambert, Irish businessman, senator and art collector, dies in a Dublin hospital on January 27, 2005.

Lambert is born on April 9, 1919, in the family home at Highfield Road, Rathmines, Dublin, the youngest of four sons of Robert James Hamilton Lambert, a veterinarian and renowned cricketer, and his wife Nora (née Mitchell). His eldest brother, Noel Hamilton “Ham” Lambert, is a versatile sportsman and noted veterinary practitioner.

Lambert is educated at Sandford Park School, Dublin, and at Rossall School, Lancashire. He is steered by his mother toward a career in accountancy for which he prepares by studying commerce at Trinity College Dublin (TCD). Graduating in 1940, he joins the accounting firm Stokes Brothers and Pim, qualifying Associate Chartered Accountant in 1943. In 1944, after auditing biscuit manufacturers W. & R. Jacob and Co. Ltd, one of Ireland’s largest and most prestigious industrial companies, he is offered and accepts a £300 a year job at Jacob’s as assistant accountant.

In 1953, Lambert becomes Jacob’s chief accountant as the management grooms him for an executive career. During 1948–56, Jacob’s suffers from profit and price controls, lack of capital investment and complacency brought about by the absence of competition. The entry of Boland’s Bakery into the Irish biscuit market in 1957 is exploited by Lambert who urges the alarmed board, which has long regarded advertising as vulgar, to market its products more vigorously. This assertiveness yields his advancement to the position of commercial manager in 1958. A year later he becomes the first non-member of the Bewley and Jacob families to be appointed to the board.

Between 1959 and 1970, biscuit consumption in Ireland doubles for which Lambert can claim much credit. Recognising that the advent of self-service stores means that manufacturers can no longer rely on retailers to sell their products, he pioneers advanced promotional techniques in Ireland, particularly the use of marketing surveys and of mass advertising in newspapers, on radio and on the emerging medium of television. To further accord with retailers’ preferences, Jacob’s drives the widespread packaging of biscuits in airtight packets rather than tins and also introduces a striking red flash logo for its packets. His interest in contemporary art enables him to contribute directly to Jacob’s packaging designs.

Lambert is appointed to the board of the Electricity Supply Board (ESB) in 1964, a position he holds until 1977, and serves as president of the National Agricultural and Industrial Development Association (NAIDA) in 1964–65, spearheading a “Buy Irish” campaign. His involvement with NAIDA dates to the mid-1950s and leads to his friendship with Jack Lynch, Minister for Industry and Commerce. This relationship and his admiration for Seán Lemass incline him toward Fianna Fáil. He also believes the party is the one most likely to deliver economic growth.

In 1977, Lambert is appointed to Seanad Éireann by Taoiseach Jack Lynch. He sits as an independent but assures Lynch he will broadly support the government. Dismayed by Ireland’s economic uncompetitiveness, he uses this platform to bemoan the state’s financial profligacy and failure to control inflation, and the indifference of Irish politicians towards the business community, contending that Irish industrialists suffer and need to learn from the expert lobbying of the indigenous agricultural sector and of large multi-national companies based in Ireland. He also articulates his social liberalism, desire for peaceful reconciliation in Northern Ireland and support for cultural and environmental causes. But his commitment to the Seanad wanes as he grasps its irrelevance. When Lynch resigns in December 1979, Lambert joins the Fianna Fáil party in a futile bid to preserve his political influence.

Following Jacob’s takeover of Boland’s Bakery in 1966, Lambert becomes joint managing director of a new entity, Irish Biscuits Ltd, the manufacturing and trading company for the Boland’s and Jacob’s biscuits operations. W. & R. Jacob and Co. Ltd becomes a holding company. In 1968, he becomes the sole managing director. From 1977 he begins withdrawing from the active administration of the company, relinquishing his managing directorship in 1979 to become chairman.

Initially, Lambert views art as a hobby but he comes to see it as a calling, drawing inspiration from Sir William Basil Goulding, his predecessor as Ireland’s leading collector and advocate of modern art. From the late 1970s he serves as head of the Contemporary Irish Art Society (CIAS) and on the Arts Council of Northern Ireland, the advisory committee of the Dublin Municipal Gallery, the board of the National Gallery of Ireland, the editorial board of the Irish Arts Review and the international council of the Museum of Modern Art (MoMA) in New York City.

The Irish Museum of Modern Art (IMMA) opens in 1991 and receives through the medium of the Gordon Lambert Trust some 212 works, which form the centerpiece of its collection. Thereafter Lambert gifts another 100 works to IMMA. He sits on IMMA’s board from 1991, and the west wing of the museum is named after him in 1999.

Despite being diagnosed with Parkinson’s disease in 1988, Lambert remains relatively active and plays golf into his 80s. In 1999 he receives an honorary LLD from TCD. From 1997, he relies increasingly on Anthony Lyons, an acquaintance of longstanding, to care for him. His last years are overshadowed by the collapse in autumn 2002 of his close but complex relationship with his family. Thereafter he shuns his relations and changes his will, granting Lyons a substantial portion of his estate while curtailing the amount to be received by his family. He dies in a Dublin hospital on January 27, 2005. Relatives challenge his final will in the High Court in 2009, but it is upheld.

(Pictured: Photograph of director of Jacob’s Biscuits, Gordon Lambert, speaking from a podium at the first Jacob’s Television Awards. The Lord Mayor of Dublin, James O’Keefe, is sitting behind Lambert. The awards ceremony takes place at the Bishop Street factory, Dublin.)


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Birth of Lilian Davidson, Artist, Teacher & Writer

Lilian Davidson ARHA, Irish landscape and portrait artist, teacher and writer, is born on January 26, 1879, at Castle Terrace, Bray, County Wicklow.

Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.

Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).

Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.

Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.

Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.

As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”

Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.


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Birth of Máire Ní Chinnéide, Language Activist & Playwright

Máire Ní Chinnéide (English: Mary or Molly O’Kennedy) Irish language activist, playwright, first president of the Camogie Association and first female president of Oireachtas na Gaeilge, is born in Rathmines, an affluent inner suburb on the Southside of Dublin, on January 17, 1879.

Ní Chinnéide attends Muckross Park College and the Royal University of Ireland (later the National University of Ireland) where she is a classmate of Agnes O’Farrelly, Helena Concannon, and Hanna Sheehy-Skeffington. She learns the Irish language on holiday in Ballyvourney, County Cork, and earns the first scholarship in Irish language from the Royal University of Ireland, worth £100 a year, which is spent on visits to the Irish college in Ballingeary.

She studies in the school of Old Irish established by Professor Osborn Bergin and is strongly influenced by the Irish Australian professor O’Daly. She later teaches Latin through Irish at Ballingeary and becomes proficient in French, German, Italian and Spanish.

She spends the last £100 of her scholarship on a dowry for her marriage to Sean MacGearailt, later first Accountant General of Revenue in the Irish civil service, with whom she lives originally in Glasnevin and then in Dalkey.

She is a founder member of the radical Craobh an Chéitinnigh, the Keating branch of Conradh na Gaeilge, composed mainly of Dublin-based Kerry people and regarded, by themselves at least, as the intellectual focus of the League.

In August 1904, some six years after the establishment of the earliest women’s hurling teams, the rules of camogie (then called camoguidheacht), first appears in Banba, a journal produced by Craobh an Chéitinnigh. Camogie had come to public attention when it was showcased at the annual Oireachtas (Conradh na Gaeilge Festival) earlier that year, and it differed from men’s hurling in its use of a lighter ball and a smaller playing-field. Ní Chinnéide and Cáit Ní Dhonnchadha, like Ní Chinnéide, an Irish-language enthusiast and cultural nationalist, are credited with having created the game, with the assistance of Ní Dhonnchadha’s scholarly brother Tadhg Ó Donnchadha, who drew up its rules. She is on the first camogie team to play an exhibition match in Navan, County Meath, in July 1904, becomes an early propagandist for the game and, in 1905, is elected president of the infant Camogie Association.

Ní Chinnéide later serves as Vice-President of Craobh an Chéitinnigh, to Cathal Brugha. She is active in Cumann na mBan during the Irish War of Independence and takes the pro-treaty side during the Irish Civil War and attempts to set up a woman’s organisation “in support of the Free State” alongside Jennie Wyse Power.

She first visits the Blasket Islands in 1932 with her daughter Niamh, who dies tragically young. In the summer of 1934, she puts the idea into Peig Sayers‘s head to write a memoir. According to a later interview with Ní Chinnéide “she knew and admired her gift for easy conversation, her gracious charm as a hostess, her talent for illustrating a point she was making by a story out of her own experience that was as rich in philosophy and thought as it was limited geographically.” Peig answers that she has “nothing to write.” She had learned only to read and write in English at school and most of it has been forgotten.

Ní Chinnéide suggests Peig should dictate her memoir to her son Micheal, known to everyone on the island as An File (“The Poet”), but Peig “only shook her head doubtfully.” At Christmas, a packet arrives from the Blaskets with a manuscript, she transcribes it word for word and the following summer brings it back to the Blaskets to read it to Peig. She then edits the manuscript for the Talbot Press. Peig becomes well known as a prescribed text on the Leaving Certificate curriculum in Irish.

Ní Chinnéide has an acting part in the first modern play performed in Irish on the stage, Casadh an tSugáin by Douglas Hyde in 1901. She is later author of children’s plays staged by An Comhar Drámuidhachta at the Oireachtas and the Peacock Theatre, of which Gleann na Sidheóg and An Dúthchas (1908) are published. She is a broadcaster in Irish on 2RN, a wholly owned subsidiary of Raidió Teilifís Éireann, after its foundation in 1926 and author of a translation of Grimms’ Fairy Tales (1923). She is president of the Gaelic Players Dramatic group during the 1930s and a founder of the Gaelic Writers Association in 1939.

She soon becomes interested in writing children’s plays, including Gleann na Sidheóg (Fairy Glen, 1905) and Sidheoga na mBláth (Flower Fairies, 1909. Although there is little information available on the staging of her first play, by the time her second children’s play, Sidheóga na mBláth, is published in An Claidheamh Soluis in December 1907, “Éire Óg” (“Young Ireland”) branches of Conradh na Gaeilge have been established in conjunction with adults’ branches. Patrick Pearse in particular voices the expectation that this play will be staged by many “Éire Óg” branches “before the New Year is very old,” thus indicating the immediate take up of such plays. Indeed, a week after the play’s publication, it is staged in the Dominican College in Donnybrook, Dublin, where Ní Chinnéide had spent several years as an Irish teacher.

Ní Chinnéide dies on April 25, 1967, and is buried in Dean’s Grange Cemetery.

In 2007 the camogie trophy (Máire Ní Chinnéide Cup) for the annual inter-county All-Ireland Junior Camogie Championship is named in her honour.

(Pictured: Máire Ní Chinéide at her graduation, photograph from Banba, 1903)


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Birth of Éamonn Mac Thomáis, Irish Republican Author & Historian

Éamonn Mac Thomáis, author, broadcaster, historian, Irish Republican, advocate of the Irish language and lecturer, is born Edward Patrick Thomas in the Dublin suburb of Rathmines on January 13, 1927. He presents his own series on Dublin on RTÉ during the 1970s and is well known for guided tours and lectures of his beloved Dublin.

Mac Thomáis comes from a staunch Republican family. His father, a fire-brigade officer, dies when he is five years old and his family moves to Goldenbridge, Inchicore, Dublin. He leaves school at thirteen to work as delivery boy for White Heather Laundry, learning Dublin neighbourhoods with great thoroughness. He says he found work to help his mother pay the rent. He later works as a clerk and is appointed credit controller for an engineering firm.

Mac Thomáis joins the Dublin Brigade of the Irish Republican Army as a young man and is active in the preparations for and prosecution of the 1956-62 border campaign. He is interned in Curragh Camp during the campaign and in December 1961 is sentenced to four months imprisonment under the Offences Against the State Act.

At the November 1959 Ardfheis Mac Thomáis is elected to the Ardchomhairle of Sinn Féin and edits and contributes to the Sinn Féin newspaper United Irishman. He is a close friend of Tomás Mac Giolla and is deeply affected by the 1970 split in Sinn Féin. He takes the Provisional side, opposing Mac Giolla.

Mac Thomáis takes over as editor of An Phoblacht in 1972. In July 1973, he is arrested and charged with IRA membership at the Special Criminal Court in Dublin. He refuses to recognise the court, but he gives a lengthy address from the dock. The following month he is sentenced to 15-months imprisonment. Within two months of completing his sentence he is again before the court on the same charge and again receives a 15-month sentence. Editors of six left-wing and Irish-language journals call for his release, as do a number of writers, and hundreds attend protest meetings – to no avail. He serves his full sentence.

Tim Pat Coogan, editor of The Irish Press, claims the charges against Mac Thomáis are politically motivated to a large degree as his activities are confined strictly to the newspaper An Phoblacht. Under Section 31 of the Broadcasting Act, due to his membership in Sinn Féin in the 1970s he is removed from his position in making some of the RTÉ historical programmes. As a historian he makes numerous contributions to various historical publications such as the Dublin Historical Review.

From 1974 Mac Thomáis writes a number of books on old Dublin. They sell well and remain in print for over 20 years. He also starts a number of walking tours of Dublin, which prove very popular.

Mac Thomáis dies in Dublin on August 16, 2002. He is buried in the republican plot in Dublin’s Glasnevin Cemetery, next to Frank Ryan.

Mac Thomáis’s son Shane, also a historian, runs similar walking tours and is resident historian at Glasnevin Cemetery before his death in 2014.


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Death of Joseph MacDonagh, Politician & Businessman

Joseph MacDonagh, politician and businessman, dies in Dublin while on hunger strike, from the effects of a burst appendix, on December 25, 1922.

MacDonagh is born on May 18, 1883, in Cloughjordan, County Tipperary, the youngest of six surviving children (four sons and two daughters) of Joseph MacDonagh, native of Roosky, County Roscommon, and Mary MacDonagh (née Parker), a Dublin native, both of whom are national school teachers. He is educated in his father’s school in Cloughjordan, and at Rockwell College, Cashel, County Tipperary. Prior to the execution of his eldest brother, Thomas MacDonagh, one of the signatories of the Easter 1916 Proclamation of the Irish Republic, he seems to have had no involvement in politics but works as a customs-and-excise officer with Inland Revenue in Thurles, County Tipperary. Interned after the rising entirely due to his kinship with one of the insurgent leaders, he is compelled to retire from the civil service.

Moving to Dublin by September 1916, MacDonagh is headmaster for a time of Patrick Pearse‘s St. Enda’s School, the bilingual school where his brother Thomas had formerly served on the staff under Pearse, which had reopened after the rising in Cullenswood House, Oakley Road, Rathmines. By 1918 he is in private practice as an income tax recovery expert. He later quips that by recovering thousands of pounds annually for clients, he has done greater harm to the British government than any other Irishman. He is also partner by 1919 in an insurance brokerage with fellow Sinn Féin TD William Cosgrave. Following Cosgrave’s departure, the firm trades from 1920 as MacDonagh & Boland, with offices first on Dame Street, and latterly on College Green.

MacDonagh’s prominence in the post-1916 reorganisation of Sinn Féin commences at the April 19, 1917, convention of advanced nationalists summoned by George Noble Plunkett after his parliamentary by-election victory. MacDonagh makes a resounding speech ratifying Plunkett’s determination not only to abstain from attendance at Westminster, but also to affirm the principles of the republican Easter Week proclamation rather than the dual-monarchy programme of Sinn Féin under Arthur Griffith. After campaigning vigorously on behalf of the successful by-election candidacy of Éamon de Valera in East Clare, he is arrested on August 30 and sentenced to six-months’ imprisonment for making a seditious speech. He joins in the hunger strike of republican prisoners seeking prisoner-of-war status in Mountjoy Gaol, on which Thomas Ashe dies on September 25 after enduring forcible feeding. Released with the other surviving strikers, he is a principal witness at the emotional inquest into the circumstances of Ashe’s death.

Elected to the Sinn Féin executive at the October 1917 ardfheis, at which the party adopts a republican constitution, MacDonagh is alternately rearrested and released on several occasions under the “cat-and-mouse act,” enduring further hunger strikes in both Belfast and Dundalk jails, before serving out in its entirety the original six-month sentence (1917–18). After deportation to England and while incarcerated in Reading Gaol, he is returned unopposed in the 1918 United Kingdom general election in Ireland as Sinn Féin candidate in North Tipperary and is released in time to attend the second session of the first Dáil Éireann on April 10, 1919. With the Dáil driven underground in September 1919 after its proscription, he protests against the infrequency of sessions, querying whether “private members [were] to abstain from Dublin as well as Westminster.”

Elected in January 1920 to both Dublin Corporation and Rathmines town council, MacDonagh concentrates his political energies on local government until appointment in January 1921 as acting Dáil Minister for Labour, and director of the Belfast boycott. Exercising effective authority over the labour department because of the imprisonment of the minister, Constance Markievicz, he seeks to define a comprehensive industrial and economic strategy and establishes a labour commission to formulate proposals. The resultant radical plan for supplanting capitalist ownership by developing cooperative and distributive industrial structures is ignored by his cabinet colleagues. His organisation and enforcement of the Belfast boycott – a response to the anti-Catholic rioting of July 1920, and expulsion of workers from jobs and families from homes – is relentless and efficient. He appoints a team of boycott organisers and local boycott committees empowered to impose fines and to seize goods, and blacklists firms that are facilitating circumvention of the boycott by trans-shipment of Belfast goods through non-boycotted northern towns or through British ports.

Throughout the Irish War of Independence MacDonagh is constantly on the run, usually under disguise as a priest, and is imprisoned for a time in Mountjoy Gaol in 1920. One of four Sinn Féin candidates returned unopposed to the Second Dáil for Tipperary Mid, North, and South, after a cabinet reorganisation in August 1921 following the truce, he remains as boycott director but is removed from the Labour Department. Bitterly opposed to the Anglo–Irish Treaty, in the Dáil debates he responds to Griffith’s assertion that the agreement is indeed a treaty concluded between two sovereign nations by asking why the pro-Treatyites are conducting the sovereign Irish nation into the British empire, and whether they are doing so “with their heads up or their hands up.”

Manager of the anti-Treaty bulletin Poblacht na hÉireann, in the 1922 Irish general election MacDonagh is returned on the first count to the third seat in his constituency. Arrested soon after the outbreak of the Irish Civil War, he escapes from Portobello military barracks. Rearrested on September 30 and imprisoned in Mountjoy Gaol, he falls seriously ill with acute appendicitis but refuses to sign the required form to secure release for medical treatment because it implicitly recognises the legitimacy of the Free State government. Transferred at length to the Mater Misericordiae private nursing home, he undergoes an operation, but two days later, having developed peritonitis, he dies on December 25, 1922. He is buried in Glasnevin Cemetery.

A small, supple man with alert blue eyes, MacDonagh wielded a swift and stinging tongue in debate. It is said that he indulged his caustic wit more for the delight in the bon mot than for the bitterness of the invective. Genial in company, with a store of amusing anecdote, he was celebrated for hearty humour even in the face of hardship and danger. On a prison sickbed days before his death, he referred to another inmate, bald-headed like himself, “who wears his hair like mine.” In 1913, he married Margaret O’Toole of Dublin. They had one daughter and two sons. They resided in Rathmines, first at 86 Moyne Road, before moving during 1922 to 9 Palmerston Road.

(From: “MacDonagh, Joseph” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Máirín Cregan, Playwright & Novelist

Máirín Cregan, Irish nationalist who is involved in the 1916 Easter Rising and Irish War of Independence, dies in Dublin on November 9, 1975. She makes her name writing for children, as well as writing plays and novels for adults.

Mary Ellen Cregan is born in Killorglin, County Kerry, on March 27, 1891, to Morgan Cregan and Ellen O’Shea. Her father is a stonemason from Limerick. The family are strong believers in the Gaelic revival movement and Cregan herself learns the Irish language and performs songs at Gaelic League concerts. Although she goes to primary school locally, she goes away to secondary school to St. Louis Convent in Carrickmacross, County Monaghan. After finishing school, she becomes a teacher, working in Goresbridge, County Kilkenny from 1911 to 1914.

In September 1914 Cregan goes to Dublin to study music in the Leinster School of Music, under Madame Coslett Heller. It is while she is in Dublin that she becomes friends with the Ryan family, who are strong nationalists as well as interested in the Gaelic League and Sinn Féin. She begins to sing for concerts which are fundraisers for the Irish Volunteers. The last concert is just two weeks before the Easter Rising.

During Easter week Cregan is sent to Tralee with “automatics and ammunition” by Seán Mac Diarmada. While she is carrying a violin case of munitions, she is also carrying details for the wireless technology needed for communicating with the SS Aud, the boat which is carrying more weapons for the rebellion. The communications with the SS Aud go wrong when the car carrying the Volunteers goes off a pier and the occupants are drowned. She is still in the area to assist with the surviving Volunteer, who unfortunately knows nothing of the details for the SS Aud. She is not easily able to get back to Dublin, because owing to the Rising the city is cut off. By the time she gets back, her friends have been arrested.

When Cregan is going to school in Dublin she is also working in a school in Rathmines. Like many of the teachers, she loses her job after the rising because of her connection to the rebels. However, she is able to get new positions over the next few years in both Ballyshannon and Portstewart until she marries. In Ballyshannon she experiences the early expressions of support and sympathy, but Portstewart is a Unionist enclave with many houses flying union flags on polling day in 1918.

Cregan is a member of Cumann na mBan and with them is active during the Irish War of Independence. She is given a medal for her participation. On July 23, 1919, she marries Dr. James Ryan in Athenry, County Galway. His entire family had been deeply involved in the Easter Rising, as well as the Irish War of Independence and the Irish Civil War. They have three children, Eoin, who becomes a Senator, Nuala (Colgan) and Seamus.

The family is initially based in Wexford during the War. The house is often raided when the British soldiers are looking for her husband and Cregan herself is arrested in February 1921 for refusing to put up martial law posters. Later the family sells the house and remains mobile while she works for the Sinn Féin government, and her husband is in prison. It is during this time that she works as a courier to the continent and to London. After the war, they purchase Kindlestown House in Delgany, County Wicklow, where they remain for the rest of their lives.

Cregan works as a journalist for The Irish Press and The Sunday Press. Her political awareness and involvement mean that her work there is on political articles.

Cregan’s first book for children is Old John and gains her considerable international success and attention. Sean Eoin is also published in Irish and is illustrated by Jack Butler Yeats. Her work is also aired on the BBC and RTÉ. Rathina wins the Downey Award in the United States in 1943. She also writes two plays: Hunger strike (1933), based on experience of her husband’s involvement in such a strike, which is broadcast on Radio Éireann on May 5, 1936, and Curlew’s call (1940).

Cregan dies on November 9, 1975, in St. Vincent’s Hospital, Dublin, and is buried in Redford cemetery near her home in County Wicklow.

(Pictured: Máirín Cregan and her husband, Dr. James Ryan)


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Birth of Con Colbert, Irish Rebel & Fianna Éireann Pioneer

Cornelius Bernard “Con” Colbert, Irish rebel and pioneer of Fianna Éireann, is born on October 19, 1888, in the townland of Moanleana, Mahoonagh, County Limerick. For his part in the Easter Rising of 1916, he is shot by firing squad in Kilmainham Gaol, Dublin, on May 8, 1916.

Colbert is the fourth youngest of thirteen children of Michael Colbert, a farmer, and Honora McDermott. His family moves to the village of Athea when he is three years old. He is educated at the local national school. In 1901, his family is living in the townland of Templeathea West. A younger brother, James, and a cousin, Michael Colbert, later serve as Teachtaí Dála (TDs).

Colbert leaves Athea at the age of 16 and goes to live with his sister Catherine in Ranelagh, County Dublin. He continues his education at a Christian Brothers school in North Richmond Street. He is employed as a clerk in the offices of Kennedy’s Bakery in Dublin. In 1911, he is living with Catherine, two other siblings and two boarders at a house on Clifton Terrace, Rathmines. He is a deeply religious Catholic and refrains from smoking or drinking.

Colbert is sworn into the Irish Republican Brotherhood (IRB) by his cousin Art O’Donnell in Art’s home in 1908. He joins Fianna Éireann at its inaugural meeting in 1909 and rises to Chief Scout. The following year he becomes a drill instructor at St. Enda’s School, founded by Patrick Pearse. In 1912, he becomes head of an IRB circle within the Fianna started by Bulmer Hobson. During 1913 he is one of a number of Fianna who conduct military training at the Forester’s Hall in Rutland Square (now Parnell Square), and in November of that year he joins the Provisional Committee of the newly formed Irish Volunteers.

In the weeks leading up to the Rising, Colbert acts as bodyguard for Thomas Clarke. Before the Rising, because he lives out of the city, he stays with the Cooney family in the city centre. During Easter Week, he fights at Watkin’s Brewery, Jameson’s Distillery and Marrowbone Lane. Thomas MacDonagh surrenders to Brigadier General William Lowe at 3:15 p.m. on Sunday, April 30. MacDonagh then goes around the garrisons under his command to arrange for their surrender.

Colbert surrenders with the Marrowbone Lane Garrison along with the South Dublin Union Garrison, which had been led by Éamonn Ceannt. When the order to surrender is issued, he assumes the command of his unit to save the life of his superior officer, who is a married man.

They are marched to Richmond Barracks, where Colbert is later court-martialed. Transferred to Kilmainham Gaol, he is told on Sunday, May 7, that he is to be shot the following morning. He writes no fewer than ten letters during his time in prison. During this time in detention, he does not allow any visits from his family. Writing to his sister, he says a visit “would grieve us both too much.”

The night before his execution Colbert sends for Mrs. Ó Murchadha, who is also being held prisoner. He tells her he is “proud to die for such a cause. I will be passing away at the dawning of the day.” Holding his Bible, he tells her he is leaving it to his sister. He hands her three buttons from his volunteer uniform, telling her, “They left me nothing else.” He then asks her to say a Hail Mary for the souls of the departed when she hears the volleys of shots in the morning for Éamonn Ceannt, Michael Mallin and himself. The soldier who is guarding the prisoner begins crying according to Mrs. Ó Murchadha, and records him as saying, “If only we could die such deaths.”

The next morning, May 8, 1916, Colbert is shot by firing squad.

Colbert Railway Station in Limerick, Con Colbert Road in Dublin and the Fianna Fáil cumann in the University of Limerick are named in his honor. Colbert Street in his native Athea, County Limerick, is named after him, as is the local community hall. Colbert Avenue and Colbert Park Janesboro, Limerick, are also named after him.

On May 4, 1958, a plaque is erected over a bed in Barringtons Hospital, County Limerick. The plaque has since disappeared.

In May 2016, one hundred years after his execution, a full-scale limestone sculpture of Colbert is unveiled at the gable of his one-time house in Moanleana, County Limerick.