Josephine McNeill, Irish diplomat, dies in Dublin on November 19, 1969. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.
McNeill is born Josephine Ahearne on March 31, 1895, in Fermoy, County Cork, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.
After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.
McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.
McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.
O’Reilly is one of six children of James P. O’Reilly, shopkeeper and musician, and Catherine O’Reilly (née Donegan). The family moves to Dublin when he is nine years old. He is educated at the Christian Brothers school in James’s Street, where he excels at Gaelic football and develops an interest in drama and music. Toward the end of his schooldays, he begins to participate in athletics, particularly the high jump, and is coached by Jack Sweeney, a leading athletics coach.
Always a man of many talents and interests, after leaving school O’Reilly combines working in the insurance business with an athletics career with Donore Harriers and evening drama classes. He wins several Irish titles, including the high jump, javelin, and decathlon, and sets a national record in the high jump. In 1954 he wins the British AAA Championships high jump title, beating the Commonwealth champion into second place, and setting a championship record of 6 ft. 5 in. (1.96 m). As a result, he secures a United States athletics scholarship to the University of Michigan, Ann Arbor, where he takes a degree in liberal arts, majoring in speech and drama. While at Michigan he improves his Irish record to 6 ft. 7 in. (2.007 m). His athletic career, however, is dogged with bad luck. He is selected to compete in the high jump at the European Athletics Championships in Bern, Switzerland, in 1954 but fractures an ankle in practice and fails to advance beyond the qualifying round. Although he competes at international level for ten years (1952–62), he is unlucky to never take part in the Olympic Games. A victim of sporting politics in 1952, as an NCAA athlete he is not entitled to compete. He is selected for the 1956 Summer Olympics in Melbourne but is unable to attend when, at the last minute, his club cannot provide the finance for him to attend. Earlier that year he wins the Big Ten Conference high jump title.
On leaving Michigan O’Reilly moves to New York City, where he embarks on an acting career with the Irish Players, but he returns to Dublin in 1959, where, after brief spells working as a teacher and for an advertising agency, he applies to Ireland’s new television station for a position. He is looking for an acting job but ends up being offered a position as a presenter, joining Teilifís Éireann in 1961 as an announcer/interviewer. His relaxed and unobtrusive style appeals to viewers and his light entertainment show, The Life of O’Reilly, is the most popular programme on Irish television in the day, eclipsing even a fledgling The Late Late Show. It is as a sports presenter and commentator, however, that O’Reilly is primarily remembered, as he becomes the face of sport on RTÉ Television for many years. He attends five Olympic Games as a broadcaster, from Mexico in 1968 to Los Angeles in 1984, commentating on athletics and gymnastics. The first presenter of RTÉ’s flagship Saturday afternoon sports programme Sports Stadium in 1984, he continues to present it over its fourteen-year life, co-presenting the final programme in December 1997. He also is the regular presenter of RTÉ’s Wimbledon Championships tennis coverage for many years, the sports results on news broadcasts on TV and radio, and Sunday Sport on RTÉ Radio, as well as commentating on individual sports such as ice-skating.
Although sports presenting is a natural progression for an athlete with his talents, O’Reilly’s real love is the arts. He continues to act, playing the part of Detective Inspector Michael Roarke in the classic children’s film Flight of the Doves (1971) with Ron Moody and Willie Rushton. He is also an accomplished singer and songwriter, and writes and performs his own one-man show, Across the Spectrum, comprising his own poems and songs in 1992. As well as a book of poems, The Great Explosion (1977), he releases a number of albums and tops the charts with his own song, “The Ballad of Michael Collins,” in 1981. He has a great admiration for Michael Collins, and this leads to his becoming the first non-political figure to give the oration at the annual Collins commemoration at Béal na Bláth, County Cork, in 1981. He also writes the song “Let the Nations Play” (1985), inspired by the boycotts of the Olympic games of 1980 and 1984, and the song is adopted as an anthem of the international Olympic movement.
Tall and slim in build, O’Relly is affable, modest, and self-deprecating in character. His relaxed style is no mere public affectation. He often exasperates colleagues by turning up just in time for broadcasts, and his ability to ad-lib is important in a live television environment. He once describes himself as “a champion high-jumper who could enunciate properly and keep my hair neatly combed” (The Irish Times, April 7, 2001). Despite the disappointments in his sporting career, he maintains that his other interests more than compensated. In relation to the Olympics he is quoted as saying, “If you asked me whether I’d have preferred to win a medal or have written the song, I’d honestly say I would have preferred to have written the song” (Longford Leader, April 6, 2001).
O’Reilly lives in Ranelagh, Dublin, and is married twice. He meets his first wife Linda Herbst (née Kuhl) in New York in the late 1950s. His second marriage is to Johanna Lowry. He has four children. After a lengthy illness, he dies on April 1, 2001, in St. Vincent’s Hospital, Fairview, Dublin. He is buried at Mount Venus cemetery, Rathfarnham.
(From: “O’Reilly, Brendan” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.
Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).
Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.
Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.
Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.
As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”
Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.
The youngest daughter of Captain Henry Butler, a grandson of the Edmund Butler, 11th Viscount Mountgarret, and Clara Butler (née Taylor) of the Newarke, Leicester, England. Her father is himself an enthusiastic painter, known for his publication South African sketches: illustrative of the wildlife of a hunter on the frontier of Cape Colony (1841). Her early artistic efforts are mainly copies of romantic subjects, but the influence of the London artist Paul Jacob Naftel, with whom she begins corresponding in the early 1880s, proves to be crucial to her artistic development. Studies with William Frank Calderon, an expert in animal painting, are also significant. She subsequently spends the summers of 1894 and 1895 in Newlyn, Cornwall, England, with the Irish artist Norman Garstin, who introduces her to contemporary French painting.
In 1885, Butler makes her first visit to the continent, traveling through France, Switzerland, and Italy. From 1905 to 1914 she travels regularly to Europe, most particularly Aix-les-Bains and Wiesbaden, during which time she produces genre views of French and German villages. After 1914 her life at the family home is interrupted only by visits to London exhibitions. She is best known for her paintings of Kilmurry and its environs, many of which display an interest in botany. Much of her work is dominated by detailed representations of animals and birds, often drawn from photographs and stuffed specimens.
Butler’s career as an exhibitor begins in 1882 with the Irish Fine Arts Society, later known as the Water Colour Society of Ireland (WCSI), with which she has a long association. She exhibits regularly with the society from 1892 onward and is a member of its committee for many years. She is also closely associated with the Dudley Museum and Art Gallery in London. Her work is first shown there in 1888, and on this evidence, she is elected to their society. The purchase by the Chantrey bequest for the Tate Gallery of The Morning Bath for £50 in 1896 is a high point in her career. The first painting by a woman to be selected by the council, its purchase is followed by almost consistently good press reviews for her work. The Athenaeum of May 5, 1897, writes: “The young lady knows how to look at her subjects with the eyes of a well-trained artist.”
Butler also comes to the attention of the American artistic press. She contributes to the portfolio of drawings given by the Society of Lady Artists to Princess May on her marriage to the Duke of York in 1893, while in 1922 her work is included in the portfolio presented to Princess Mary on her marriage. Her patrons include Queen Alexandra, and the grand duke of Hesse, who purchases two of her paintings after she is invited to exhibit in Hesse Darmstadt in 1911. In 1914 she is made a member of the Union Internationale des Beaux Arts, and in 1921 her paintings are shown in Japan. She regularly exhibits with the Belfast Ramblers, the Royal Ulster Academy, the Royal Academy of Arts (RA), the Royal Hibernian Academy (RHA), the Society of Lady Artists, and the Royal Watercolour Society, of which she is made an associate member in 1896, and a full member in 1937.
In her later years, severe rheumatism prevents Butler from painting. She has a keen interest in music. She survives all five of her siblings, and inherits Kilmurry, where she dies on October 11, 1941. She is buried at Thomastown, County Kilkenny. Her paintings are represented in the collections of the National Gallery of Ireland, Dublin City Gallery the Hugh Lane, the Ulster Museum, and the Tate, London.
(From: “Butler, Mildred Anne” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Gwynn is born in Ramelton, County Donegal, on May 5, 1873. He is a member of a family well known in Dublin at the time for its academic and sporting achievements. He is the fourth son of the Very Rev. John Gwynn, Regius Professor of Divinity at Trinity College Dublin (TCD), and Lucy Josephine, daughter of the Irish patriot William Smith O’Brien. He and his three immediate younger brothers, Arthur, Robin and Jack, all in turn captain their school and university cricket teams and play the game at first class level. He is also a talented rugby player.
Gwynn’s academic career outshines even his sporting achievements. He enters Trinity College Dublin as a foundation Scholar and achieves a double first in his degree finals. In 1899 he is elected a Fellow of Trinity College and commences what promises to be a distinguished academic career.
At school Gwynn is mainly a bowler, his brother Arthur being the superior bat, though this inequality is ironed out at university. He is captain of the Dublin University Cricket Club XI for two seasons, 1894 and 1895, then plays under Arthur’s captaincy. The three brothers make up a formidable threesome in those years.
Primarily noted for his bowling prowess during early outings with the Dublin University XI, Gwynn takes 44 wickets at an average of 8.14 in Trinity’s annus mirabilis of 1893, a season which witnesses victories over Leicestershire, Oxford University, Warwickshire (dismissed for a paltry total of 15 runs) and a draw against Essex.
Gwynn, a right-handed batsman, who records the highest first-class average (56.87) among those batsmen who complete ten innings or more during the English season of 1895, enjoys another remarkably productive season in 1896, plundering over a thousand runs in Trinity flannels, a superlative effort complemented by a haul of 93 wickets at 9.37. His irrepressible form reputedly earns him an invitation to represent England against Australia in the second Ashes Test at Old Trafford in July 1896. However, concurrent university examinations render him unable to participate. Instead, English cricket is introduced to the wizardry of K. S. Ranjitsinhji, who takes Gwynn’s place.
Gwynn makes his debut for Ireland against I Zingari in July 1892 and goes on to play for Ireland 13 times, his last game coming in May 1902 against Marylebone. Two of his matches for Ireland have first-class status.
Gwynn also plays first-class cricket in two Gentlemen v Players matches, representing the gentlemen, and four matches for Dublin University in 1895, for whom he makes his top score of 153 not out against Leicestershire. In all, he amasses 3,195 runs and 311 wickets for Dublin University, in addition to 499 runs and 14 wickets for Ireland.
Remarkably, Gwynn also represents Ireland seven times at rugby union, debuting against Scotland at Belfast in February 1893. He features in all three legs of Ireland’s 1894 Triple Crown-winning campaign.
In 1901 Gwynn marries Katharine Rawlins of Bristol. He is already suffering from persistent symptoms of debility and fatigue. A few months later a Harley Street physician diagnoses tuberculosis. He is admitted to a sanatorium at Davos Platz in Switzerland, but the illness has progressed too far for any treatment to succeed. He dies on December 23, 1902, at the age of 29. The couple’s only child, a daughter named Rhoda, is born in September 1902, just three months before his death.
Pim is born in Dublin on September 21, 1909, to a Quaker father and English mother. She is a twin, but her brother dies. She is sent to the French School in Bray, County Wicklow, before being sent to Lausanne, Switzerland to finishing school. She then goes on to Girton College, Cambridge to study modern languages, intending to graduate with a degree in French and Italian. Her mother’s ill health and ultimate death in 1940, causes her to return to Ireland to look after her and she remains there taking care of her father, who dies in 1958, and an older incapacitated brother, Tom.
But these are good years for Pim with time to write, and during the 1950s and early 1960s she writes no fewer than seven novels, mostly crime fiction in a lighthearted style. During this time, she is a member of Irish PEN. She is also an avid amateur horticulturalist and writes for the magazine My Garden. Her more serious undertaking is a biography of the Irish plant collector Augustine Henry, The Wood and the Trees: A Biography of Augustine Henry (Macdonald, London). Her brother Tom dies in an accident in 1964 leaving Pim with no further responsibilities. This allows her to spend significant time researching through Henry’s papers. The book is published in 1966.
When Pim has completed the biography, she focuses on philanthropy. She dedicates her time to the Friends Historical Society and is particularly interested in helping out in the traveller community. She supports a young group of children and their grandfather. They bring her considerable joy. The Royal Horticultural Society of Ireland awards her the Society’s Medal of Honour and makes her an honorary life member for her services to the study of horticulture.
In Pim’s later years increasing deafness makes socialising difficult for her, but she still keeps up with the world of books, the theatre and painting. She reads The Irish Times from cover to cover every day, and her reading includes the Bible, Marcel Proust (in French) and the stories of Roddy Doyle.
Pim’s deafness finally forces her to move into sheltered housing in Dublin where she dies on December 16, 1995.
Katy Ellen French, Irish socialite, model, writer, television personality and charity worker, dies on December 6, 2007, in Navan, County Meath, after collapsing at a friend’s house on December 2. According to the BBC, “in the space of less than two years, she had become one of Ireland’s best-known models and socialites.” Her cause of death is given as hypoxic ischemic brain injury caused by cocaine and ephedrine.
French studies psychology and marketing before working for the Assets Modelling Agency and later writing articles for several Dublin magazines and newspapers. She represents Sony Ericsson and Suzuki among many other brands, becoming more famous in 2007 as a result of her fiancé, restaurateur Marcus Sweeney, ending their relationship in a very public fashion after she is photographed for a lingerie shoot for the Sunday Independent in his restaurant in January of that year. As a result of this publicity, her image appears more regularly in daily Irish tabloid newspapers, and she makes numerous television appearances on shows such as RTÉ‘s The Podge and Rodge Show in April 2007 and Tubridy Tonight a week before her death.
French is known for deliberately courting controversy to promote her career. On Tubridy Tonight she speaks of her appearance on Celebrities Go Wild as well as her relationship break up with Sweeney. Mention is also made of her birthday party which she is to celebrate the following week, having missed her birthday due to Celebrities Go Wild. Host Ryan Tubridy is invited to the event. Footage is shown of the charity single “Down in the Bog” which is to be released as a Christmas single. She works for several Irish charities including Our Lady’s Children’s Hospital, Crumlin and GOAL in Calcutta, India. She writes a column for Social & Personal magazine.
In an interview with Hot Press‘s Jason O’Toole, French says that she would consider having an abortion if she became pregnant during the peak of her career, a controversial statement in Ireland where abortion is at that time effectively illegal, and that she loves fur despite being a “massive animal lover.” She also airs her religious beliefs, being a member of the Church of England as well as a practising Catholic and speaks highly of Islam and her Muslim friends saying, “When you read the Koran, you realise that Islam is a beautiful religion.” In the same interview she is asked if she has ever used cocaine and denies ever having done so. In November 2007, she tells an Irish tabloid that she has used cocaine but has stopped. A week before she dies, she celebrates her 24th birthday with celebrity and media friends.
French dies on the evening of December 6, 2007, in Our Lady’s Hospital, Navan, County Meath, having collapsed at a house in Kilmessan, County Meath, in the early hours of Sunday, December 2. There is widespread speculation in the media that her death is the result of a drug overdose. A postmortem finds she has suffered brain damage, and that traces of cocaine are found in her body. A senior Garda states, “We strongly suspect that drugs contributed to her death. This was a previously healthy person being brought to hospital in a collapsed state.” In 2010 two people are charged with supplying cocaine to French and in failing to get medical assistance in a timely fashion. She is buried in her hometown of Enniskerry, County Wicklow, on December 10. TaoiseachBertie Ahern‘s aide de camp, Captain Michael Tracey, attends her funeral.
On November 13, 2012, two friends of French, Kieron Ducie and Ann Corcoran, plead guilty to possession of cocaine with intent to supply on the weekend of French’s death. Trim Circuit Court is told that a second charge against the pair is not being pursued, that they had intentionally or recklessly engaged in behaviour relating to the supply of cocaine to French and failed to get medical assistance in a timely fashion. In July 2013 the pair are sentenced to a 2-1⁄2 year suspended sentence and three-year good behaviour bond, and a two-year suspended sentence and two-year good behaviour bond respectively. At the verdict, French’s cause of death is given as hypoxic ischemic brain injury caused by cocaine and ephedrine.
Thompson is the eldest son of William Thompson, a prosperous linen merchant, and Elizabeth Thompson (née Callwell). He has at least two older sisters and several younger brothers. His mother’s father is Robert Callwell, a printer, book-collector, partner in the Commercial Bank, Belfast, and one of the owners of the Northern Star newspaper.
After attending the Royal Belfast Academical Institution (RBAI) from 1818, Thompson is apprenticed in the linen business of William Sinclair in 1821. When his apprenticeship ends, he goes with his cousin George Langtry, later a wealthy shipowner, on a four-month tour (May–September 1826) of the Low Countries, the Rhine, Switzerland, and Italy. On his return to Belfast, he sets up his own business in linen bleaching. Despite early success, losses are incurred. As family and economic circumstances change, he increasingly concentrates on his natural history studies. By 1831 he has given up business. A self-taught naturalist, related by ties of kinship or friendship to most of the liberal and cultivated families of the “northern Athens,” he is shy and fastidious, but is persuaded in 1826 to join the Belfast Natural History Society by its founder, his friend James Lawson Drummond. He reads his first scientific paper, The Birds of the Copeland Islands, to the society on August 13, 1827. In that year he becomes a member of the Belfast Natural History Society’s council, and in 1833 he is chosen as one of the society’s vice-presidents. He is president from 1843 until his death.
Thompson becomes the most important naturalist in mid nineteenth-century Ireland. From 1827 to 1852 he contributes almost eighty papers on Irish natural history to the Magazine of Zoology and Botany and the Proceedings of the Zoological Society of London. From 1836 to 1851 he contributes to The Magazine of Natural History. Invited to travel to the Levant and the Aegean Sea in April–July 1841 with Edward Forbes, professor of natural history at the University of Edinburgh, on HMS Beacon, he observes twenty-three species of birds on migratory flights and publishes “Notice of migratory birds” in The Annals of Natural History. His authoritative observations add considerably to knowledge of the still-to-be-ascertained details of migratory patterns. Indeed, some people refuse to believe, even at that date, that birds do migrate. He publishes other papers in the same journal during 1841–43. At a meeting of the British Association for the Advancement of Science in Glasgow in 1840 his Report on the fauna of Ireland (Vertebrata) attracts favourable notice. He presents and publishes a second and final part enumerating the invertebrates at the Cork meeting of the British Association in August 1843. The two reports form the most complete catalogue of Irish fauna yet published. Thanks to an assiduous correspondence with a network of informants, as well as his own extensive observations, he adds perhaps more than 800 species to Irish fauna lists.
Thompson’s chief work, The Natural History of Ireland, becomes the standard text in Irish zoology in the nineteenth century. The first three volumes, published between 1849 and 1851, deal with birds, particularly their habits and habitats rather than physical descriptions. He is one of the first naturalists to note the effects of industrialisation and other human activities on birdlife. He leaves instructions for his manuscripts on the remaining vertebrates and all the invertebrates to be prepared for publication by Robert Patterson and James Ramsey Garrett. Robert Ball and George Dickie also assist. His notes, though detailed and comprehensive, all require checking, and are found on tiny scraps of paper, even scribbled on the flaps of old envelopes. James Thompson of Macedon, Belfast, painstakingly gums them all into blank notebooks to facilitate the work of his brother’s literary executors, who preface the posthumous publication in 1856 with a lengthy memoir of their friend.
From about 1820 to 1852 Thompson lives with his mother at 1 Donegall Square West, Belfast, commuting from Holywood House, Holywood, County Down, during the summer. His daily routine begins with research, correspondence, or writing for publications for four hours after breakfast. After a two- or three-hour exercise period and dinner, he returns to work for a further two to three hours. He is president of the Belfast Literary Society (1837–39) and also an enthusiastic patron of the visual arts in the city. He enjoys hunting, wildfowling, shooting in Scotland, and gardening, though his health deteriorates from the 1840s.
Early in 1852 Thompson travels to London to make arrangements for that year’s Belfast meeting of the British Association. On February 15 he becomes ill, having suffered a minor stroke. He dies, unmarried, at his Jermyn Street lodgings on the day he is due to return home, February 17, 1852. He is buried in Clifton Street Cemetery, Belfast. He bequeaths his collection to the Belfast Natural History Society, and in March 1852 the Society adds a memorial Thompson Room to its museum, paid for by subscription.
Thompson is a corresponding member of natural history societies in Boston and Philadelphia and has many friends. He is known to assist many other researchers in Ireland, Britain, and the Continent. One of those who thinks highly of his work is Charles Darwin, with whom he corresponds. He also helps many local people, including the poet Francis Davis, with money and practical assistance. He is much loved, and his friends are deeply saddened by his death. His niece, Sydney Mary Thompson, later known by her married surname, Christen, who is born in Belfast, is an amateur naturalist, geologist, and artist, one of the first women to achieve distinction in geology.
(From: “Thompson, William” by Andrew O’Brien and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Kitchener is the second son of Lieutenant Colonel Henry Horatio Kitchener and his first wife, Frances Anne (née Chevallier), daughter of clergyman John Chevallier. Col. Kitchener resigns his commission in 1849 and purchases Ballygoghlan House estate near Tarbert, County Kerry, in early 1850 under the provisions of the Encumbered Estates Act of 1849. Ballygoghlan House is in a state of disrepair, however, and the family lives in Gunsborough Villa until the end of 1850. In 1857, Col. Kitchener purchases Crotta House, near Kilflynn, County Kerry, and the Kitcheners divide their time between the two residences. While innovative and successful in his agricultural methods, Col. Kitchener is harsh towards his tenants and, after carrying out many evictions, becomes extremely unpopular in the area. He is a rigid disciplinarian and occasionally punishes his son severely.
Although Kitchener attends Ballylongford village school, his education is largely neglected. When examined by his cousin Francis Elliot Kitchener, fellow of Trinity College Dublin (TCD), he is found to have only the most rudimentary knowledge of grammar and arithmetic. Education by private tutors follows. In 1864, his father sells his Irish estates and moves to Switzerland for the sake of his wife’s health. After further private tuition, he passes into the Royal Military Academy, Woolwich, in 1868, and is commissioned into the Royal Engineers in December 1870.
Kitchener begins his career on survey missions and carries out such work in Palestine (1874–78) and Cyprus (1878–82). He then enters the Egyptian Army and takes part in the Sudan campaign of 1883–85, organised to relieve Genral Charles George Gordon. Subsequent appointments include governor of Suakin (1886–88), adjutant-general of the Egyptian Army (1888–92), and Sirdar (Commander-in-Chief) of the Egyptian Army (1892–96). After the Dongola Expedition in 1896, he is promoted to major-general. He commands the Khartoum Expedition of 1898, defeating Mahdist forces at Atbara and Omdurman, and is raised to the peerage.
At the outbreak of the Second Boer War in 1899, he is appointed chief of staff to Frederick Roberts, 1st Earl Roberts, and assumes total command, with the rank of lieutenant-general, in 1900. While acting as commander-in-chief in South Africa he reorganises the British forces and, using new tactics, manages finally to defeat the Boers. He is severely criticised in the world press for the conditions in the concentration camps where Boer families are confined, but is made a viscount, promoted to general, and awarded £50,000 by parliament at the end of the war.
Kitchener serves as commander-in-chief in India beginning in 1902, is promoted to Field Marshal in 1909, and is a member of the Committee of Imperial Defence (1910) and consul-general in Egypt (1911–14). At the outbreak of World War I he is made Secretary of State for War and begins to reorganise the British Army, an immense achievement, raising 1,700,000 men in service battalions by May 1915, creating an army of volunteers to reinforce the depleted regular army in Belgium and France. An archconservative, he totally opposes Home Rule for Ireland, and initially blocks plans by John Redmond for the formation of a southern Irish division from members of the National Volunteers. Convinced that an all-Irish brigade or division would be a security risk, he rejects Redmond’s suggestions in a meeting of August 1915 and originally proposes dispersing Irish recruits through the numerous regiments in the army. Impressed by Redmond’s persistence, and impelled by the recruiting crisis of late 1915, he finally reverses his decision and sanctions the establishment of the 16th (Irish) Division.
On June 5, 1916, Kitchener is making his way to Russia on HMS Hampshire to attend negotiations with Tsar Nicholas II when in bad weather the ship strikes a German mine 1.5 miles (2.4 km) west of Orkney, Scotland, and sinks. He is among 737 who perish. He is the highest-ranking British officer to die in action in the entire war.
Although he only spends his early years in Kerry, Kitchener occasionally returns to Ireland. While on leave in June 1910 he goes on a tour of County Kerry, visiting places connected to his childhood. There are numerous portraits and memorials to him in England, including a marble effigy by W. Reid Dick in St. Paul’s Cathedral in London and a statue by John Tweed in Horse Guards Parade, London. There is a commemorative bible in the Church of Ireland church at Kilflynn, County Kerry, where he regularly attended Sunday service as a boy. There are some Kitchener letters in the John Redmond papers in the National Library of Ireland.
(From: “Kitchener, Horatio Herbert” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.
Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.
Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.
Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).
Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.
(Pictured: Portrait of Evie Hone by Hilda van Stockum)
seamus dubhghaill 